Vilma Santos’ Top 10 Film Directors 5/6

Introductions: 204 films, 70 directors, 5 decades, Vilma Santos, one of the original Philippine movie queens, rose up to become the versatile actress that has been given the fitting title of “Star for All Seasons” because of her capacity to adapt to the changing mores and values of the Filipino woman, giving a face to their plight and struggles, albeit in success both critically and box-office wise in some of Philippine cinema’s classics such as Trudis Liit (1963), Lipad, Darna, Lipad (1973), Burlesk Queen (1977), Relasyon (1982), Sister Stella L. (1984), Alyas Baby Tsina (1984), Pahiram ng Isang Umaga (1989), Dahil Mahal Kita: The Dolzura Cortez Story (1993), Anak (2000) and Dekada ’70 (2002). This are top ten directors who contributed to her success.

Here is the continuation of our list…

3. Chito S. Roño also known as Sixto Kayko, is a Filipino multi-awarded TV and film director. He is the director of the blockbuster films Feng Shui and Sukob. In 2010, he is one of the directors of the top-rating supernatural–fantasy horror TV series Imortal on ABS-CBN (Wikipedia). In 1984, Roño directed his first feature film, titled “Private Show” starring Jaclyn Jose. It was released locally in 1985 and won Jose the Star award for Best Actress. Chito used the pseudonym Sixto Kayco in the credits.

HIGHLIGHTS: Roño gave Vilma Santos her first international recognition winning the best actress in 1999 Brussels International Festival of Independent Films. At the same time, he was recognized as the festival’s Best Director both for Bata Bata Paano Ka Ginawa. The film also gave Vilma Santos her third grand slam winning all the best actress awards from several local award giving bodies. In 2003, Vilma received another international recognition, this time from Cinemanila International Film Festival winning the Best Actress for Dekada 70. The film was screen in the international film festival circuit and was the official entry of the Philippines in the 76th Academy Awards (OSCAR) for the best foreign language film category.

Total Number of Films and Films in our list of VSR’s Top 50 films = 3 (#2 Bata, Bata…Paano Ka Ginawa? 1998, #3 Dekada’70 2002, #36 Ikaw Lang 1993)

RELATED READINGS: IMDB: Chito S. Roño
Wikepedia: Chito S. Roño’s Filmography
Dekada 70, Chito Rono’s filmization of a tumultuous era
An Original Movie Musical by Chito S. Rono
video 48: Sixto Kayco’s “Private Show” (1985)

2. Celso Ad. Castillo began directing films mid-60’s at an early age, but he has since then gained reputation for many other aspects of the craft particularly scriptwriting and acting. In the Filipino movie industry, he holds the unique repuation of being controversial, trendsetter,enfant terrible and messiah of Philippine cinema, and his track record justifies it: he introduced artistry and commercialism in sex films (nympha) when the two were considered incompatible, and introduced sex in artistic projects ( Ang Pinakamagandang Hayop sa Balat ng Lupa/The Most Beautiful Animal on Earth)when moralistic repression was in vogue. An unfortunate and unfair consequence of the controversy is the recognition due him as one of the finest film commentators on the Philippine social scene, with a visual fluency unmatched by any other contemporary filipino film director. – CELSOAD.tripod.com

HIGHLIGHTS: Castillo gave Vilma Santos her first mature role in Burlesk Queen resulting with her first local film festival best actress award. He also directed Pagputi Ng Uwak Pagitim Ng Tagak where Vilma Santos starred and produced. The film received several best picture awards and was considered one of Castillo’s best works.

Total Number of Films and Films in our list of VSR’s Top 50 films = 3 (#1 Burlesk Queen 1977, #15 Pagputi ng Uwak Pag-itim ng Tagak 1978, #20 Tag-ulan sa Tag-araw 1975)

RELATED READINGS: Lumbera’s Review of Pagputi
Video 48: Vilma Santos As “Burlesk Queen” (1977)
The Maverick Director Celso Ad Castillo
Celso Ad. Castillo’s Biography
QandA With Direk Celso Ad Castillo Part One Two Three Four Five (VIDEO)

…next our number one director!

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Vilma Santos’ Top 10 Film Directors 4/6

Introductions: 204 films, 70 directors, 5 decades, Vilma Santos, one of the original Philippine movie queens, rose up to become the versatile actress that has been given the fitting title of “Star for All Seasons” because of her capacity to adapt to the changing mores and values of the Filipino woman, giving a face to their plight and struggles, albeit in success both critically and box-office wise in some of Philippine cinema’s classics such as Trudis Liit (1963), Lipad, Darna, Lipad (1973), Burlesk Queen (1977), Relasyon (1982), Sister Stella L. (1984), Alyas Baby Tsina (1984), Pahiram ng Isang Umaga (1989), Dahil Mahal Kita: The Dolzura Cortez Story (1993), Anak (2000) and Dekada ’70 (2002). This are top ten directors who contributed to her success.

Here is the continuation of our list…

5. Catalino Ortiz Brocka (April 3, 1939–May 21, 1991), director for film and broadcast arts, espoused the term “freedom of expression” in the Philippine Constitution. Brocka took his social activist spirit to the screen leaving behind 66 films which breathed life and hope for the marginalized sectors of society — slumdwellers, prostitute, construction workers, etc. He also directed for theater with equal zeal and served in organizations that offer alternative visions, like the Philippine Educational Theater Association (PETA) and the Concerned Artists of the Philippines (CAP). At the same time, he garnered awards and recognition from institutions like the CCP, FAMAS, TOYM, and Cannes Film Festival. Brocka has left behind his masterpieces, bequeathing to our country a heritage of cinematic harvest; a bounty of stunning images, memorable conversations that speak volumes on love,betrayal and redemption, pestilence and plenty all pointing towards the recovery and rediscovery of our nation. To name a few, Brocka’s films include the following: “Santiago” (1970), “Wanted: Perfect Mother” (1970), “Tubog sa Ginto” (1971), “Stardoom” (1971), “Tinimbang Ka Ngunit Kulang” (1974), “Maynila: Sa Kuko ng Liwanag” (1975), “Insiang” (1976), “Jaguar” (1979), “Bona” (1980), “Macho Dancer” (1989), “Orapronobis” (1989), “Makiusap Ka sa Diyos” (1991) (NCCA.gov.ph). On May 21, 1991 Brocka met an untimely death in a car accident in Quezon City, Metro Manila. In 1997 he was given the posthumous distinction of National Artist for Film.(Wikipedia)

HIGHLIGHTS: Brocka gave Vilma one of the most controversial film after “Burlesk Queen,” her milestone role as a rape victim in 1978′s “Rubia Servios.”  The film failed to secure Vilma the local festival’s best performer award after so much speculations despite this, the film was a big hit.  Brocka will direct Vi two more times, “Adultery” in 1984 and “Hahamakin Kita” in 1990, a year before his untimely death in May 21, 1991.

Total Number of Films and Films in our list of VSR’s Top 50 films = 3 (#6 Rubia Servios 1978, #14 Adultery: Aida Macaraeg 1984, #27 Hahamakin Lahat 1990)

RELATED READINGS:

4. Laurice Guillen is an award-winning Filipino director and actress. She was born on January 29, 1947 in Butuan City. She is married Johnny Delgado, a notable and prominent actor. Daughters, Anna and Ina Feleo are both into stage acting as well. Laurice won international notice for her direction of the 1981 film, Salome(Wikipilipinas).

HIGHLIGHTS: Guillen gave Vilma her fifth and sixth Gawad Urian Best Actress awards for 1991’s Ipagpatawad Mo and 1993’s Dolzura Cortez. The later also gave Vilma her second grand slam, winning all the best actress awards from local award giving bodies.

Total Number of Films and Films in our list of VSR’s Top 50 films = 3 (#4 Dahil Mahal Kita The Dolzura Cortez Story 1993, #24 Ipagpatawad Mo 1991, #34 Kapag Langit Ang Humatol 1990)

RELATED READINGS:

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