Special Film: Iginuhit ng Tadhana The Ferdinand E. Marcos Story (1965)

“…Iginuhit ng Tadhana: The Ferdinand E. Marcos Story (1965) (Carved by Destiny) is a movie based on the life of Ferdinand Marcos prior to his ascendancy as President of the Philippines. The movie was chronological in setting, featuring Marcos as a young boy in his hometown, as a brilliant student, and up to the time that he was unjustly imprisoned as a suspect in the murder of the political rival of his father. The movie then moves up to his acquittal, his career as a young congressman and senator, and up to the time that he married Imelda Marcos. The movie was shown in Manila as additional campaign material for Marcos’ candidacy for the Presidential race, which he eventually won. The movie portrayed Marcos as a person who is more than just a politician…” – Wikipilipinas (READ MORE)

“…Marcos knew the power of the medium of film. Earlier on, Marcos produced a film biography using the most popular stars for his first presidential campaign. He ran against Macapagal who also came up with a film biography to boost his reelection bid. Marcos would also use another film Iginuhit ng Tadhana (Written by Destiny, 1965) to campaign for a second term. The two Marcos film bios would be the only successful political films—commercial and election wise—as other film biographies in the post-Marcos period by senatorial and presidential aspirants would prove dismal, unhelpful for election bids. The post-Marcos period liberalized the political and economic scene. It conventionalized and intensified the election of movie and sports stars, and even television news hosts to national politics. Television stations were sequestered by the government, the largest of which, however, was returned to its pre-martial law owners. ABS-CBN would become the leading television station until after 2000, allowing two of its news anchors to become senators…” – Rolando Tino (READ MORE)

Source: Ganito Sila Noon

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. – Wikipedia (READ MORE)

Awards and Recognitions in Entertainment Industry

Awards and Recognitions in Entertainment Industry
1963
FAMAS
Best Child Actress – Trudis Liit
1968
San Beda College
Best Sup Actress – Kasalanan Kaya?
1968
FAMAS
Best Sup Actress Nom – Kasalanan Kaya?
1970
Willears
Golden Record – Sixteen
1970
Liwayway Publications
Most Popular Movie, TV, Radio Loveteam
1971
(Citation Needed)
Miss Philippine Movies
1972
FAMAS
Best Actress – Dama de Noche
1972
(Citation Needed)
Reyna ng Pelikulang Pilipino
1973
BAMCI Promotions
Queen of Phil. Movies
1973
PMPC
1973 Most Cooperative Star
1974
Vicor Records
Golden Record – Palong-Palo
1974
Manila Overseas Press Club
Box Office Queen of Phil. Movies
1974
Life Publishing
Queen of Movie Stars
1974
BAMCI Promotions
Miss R.P. Movies
1974
Vicor Records
Golden Record – Palong-palo
1974
(Citation Needed)
Best Dressed Actress
1974
EMEE
Most Effective TV Actress
1975
Bacolod City Film Festival
Best Actress – Nakakahiya?
1975
(Citation Needed)
Miss RP Movies
1975
(Citation Needed)
Queen of Southern Luzon Movies
1975
FPBA
Fiesta Filipina Reyna Elena
1976
(Citation Needed)
Most Appealing Star
1977
Metro Manila Film Festival
Best Actress – Burlesk Queen
1977
FAMAS
Best Actress Nom – Burlesk Queen
1977
Gawad Urian
Best Actress Nom – Burlesk Queen
1978
PD Promotions
Phil. Movie Box-Ofice Queen
1978
Grand Total Productions
Box Office Champion
1978
Big Ike’s Happening
Box Office Champion
1978
FAMAS
Best Actress Nom – Pagputi ng Uwak
1978
Gawad Urian
Best Actress Nom – Ikaw ay Akin
1979
Mecca Promotions
Box Office Queen of Phil. Movies
1979
FAMAS
Best Actress Nom – Halik sa Kamay sa Paa
1980
PD Promotions
Box Office Queen of Phil. Movies
1980
PD Promotions
Miss Philippine Movies
1980
PMPC
Paborito ng Press
1980
FAMAS
Best Actress Nom – Langis at Tubig
1981
Metro Manila Film Festival
Best Actress – Karma
1981
Cebu City Film Festival
Best Actress – Karma
1981
FAMAS
FAMAS Best Actress – Pakawalan Mo Ako
1981
(Citation Needed)
Miss Phil. Movies-USA
1981
Geebees Productions
Box Office Queen of Phil. Movies
1981
(Citation Needed)
One of Ten Loveliest Actress
1982
FAMAS
Best Actress – Relasyon
1982
Gawad Urian
Best Actress – Relasyon
1982
FAP
Best Actress – Relasyon
1982
CMMA
Best Actress – Relasyon
1982
RPN 9 Lets Talk Movies
Best Actress – Body of Work
1982
GMMSF
Box Office Queen of Phil. Movies
1982
Metro Manila Theaters Association
Cinehan Awards Box Office Queen
1982
KASIPIL
Top Female Star – Takilya Award
1983
Gawad Urian
Best Actress – Broken Marriage
1983
Prime International Promotions
RP Movies’ Queen of Queens
1983
Catholic Womens League
Her Highness Queen of Phil. Movies
1983
PMPC
Most Popular Star
1983
FAP
Best Actress Nom – Broken Marriage
1983
FAMAS
Best Actress Nom – Broken Marriage
1984
Gawad Urian
Best Actress – Sister Stella L.
1984
GMMSF
Box Office Queen of Phil. Movies
1984
(Citation Needed)
Star Poll Loveliest Star – The Big, Big show
1984
FAP
Best Actress Nom – Sister Stella L.
1984
FAMAS
Best Actress Nom – Sister Stella L.
1984
PMPC – Star for Movies
Best Actress Nom – Alyas Baby Tsina
1984
PMPC – Star for Movies
Best Actress Nom – Sister Stella L.
1985
FAMAS
Best Actress Nom – Muling Buksan ang Puso
1985
PMPC – Star for Movies
Best Actress Nom – Muling Buksan ang Puso
1986
GMMSF
Hall of Fame Box Office Queen
1986
FAMAS
Best Actress Nom – Palimos ng Pag-ibig
1986
PMPC – Star for Movies
Best Actress Nom – Palimos ng Pag-ibig
1987
FAMAS
Best Actress – Tagos ng Dugo
1987
CMMA
Best Actress – Tagos ng Dugo
1987
Movie Magazine
Best Actress – Tagos ng Dugo
1987
Cinemascoop
Best Actress – Tagos ng Dugo
1987
GMMSF
Most Popular Entertainment – Vilma!
1987
PMPC – Star for TV
Best Musical Variety Show Host – Vilma!
1987
CMMA
Best Musical Variety Show – Vilma!
1987
FAP
Best Actress Nom – Tagos ng Dugo
1987
PMPC – Star for Movies
Best Actress Nom – Tagos ng Dugo
1988
FAMAS
Best Actress – Ibulong mo sa Diyos
1988
Star Publishing
Queen of Philippine Movies
1988
Jingle Clan
Most Popular Senior Star
1988
Star Ngayon
Most Popular Senior Loveteam – Vi & Boyet
1988
PMPC – Star for TV
Best Musical Variety Show Host – Vilma!
1988
PMPC – Star for TV
Best Musical Variety Show – Vilma!
1988
CMMA
Best Musical Variety Show – Vilma!
1988
FAP
Best Actress Nom – Ibulong mo sa Diyos
1988
PMPC – Star for Movies
Best Actress Nom – Ibulong mo sa Diyos
1989
PMPC – Star for Movies
Best Actress – Pahiram ng Isang Umaga
1989
Gawad Urian
Best Actress – Pahiram ng Isang Umaga
1989
Movie Magazine
Best Actress – Pahiram ng Isang Umaga
1989
Metro Manila Film Festival
Best Actress – Immortal
1989
Channel 2 Viewers Choice
Best Actress – Immortal
1989
FAMAS
Best Actress Hall of Fame
1989
PMPC – Star for TV
Best Musical Variety Show – Vilma!
1989
CMMA
Best Musical Variety Show – Vilma!
1989
FAP
Best Actress Nom – Pahiram ng Isang Umaga
1990
Gawad Urian
Actress of the Decade – 1980s
1990
Bongga magazine
Pinakabonggang Aktres
1990
PMPC – Star for Movies
Darling of the Press
1990
PMPC – Star for TV
Most Glamorous Star
1990
CMMA
Hall of Fame Musical Variety Show – Vilma!
1990
PMPC – Star for TV
Best Musical Variety Show – Vilma!
1990
New York International Awards for TV
Best Musical Variety Show Finalist – Vilma!
1990
FAP
Best Actress Nom – Hahamakin Lahat
1990
PMPC – Star for Movies
Best Actress Nom – Hahamakin Lahat
1990
Gawad Urian
Best Actress Nom – Kapag Langit ang Humatol
1991
Gawad Urian
Best Actress – Ipagpatawad Mo
1991
Intrigue Peoples Choice
Best Actress – Ipagpatawad Mo
1991
Movie Magazine
Best Actress – Ipagpatawad Mo
1991
PMPC – Star for TV
Best Musical Variety Show – Vilma!
1991
Dove Awards
Best Musical Variety Show – Vilma!
1991
YCC
Best Performer Nom – Ipagpatawad Mo
1991
FAP
Best Actress Nom – Ipagpatawad Mo
1991
PMPC – Star for Movies
Best Actress Nom – Ipagpatawad Mo
1992
Fame Magazine Peoples Choice
Best Actress – Sinungaling Mong Puso
1992
FAMAS
Circle of Excellence – Sinungaling Mong Puso
1992
PMPC – Star for TV
Best Musical Variety Show – Vilma!
1992
YCC
Best Performer Nom – Sinungaling Mong Puso
1992
PMPC – Star for Movies
Best Actress Nom – Sinungaling mong Puso
1992
Gawad Urian
Best Actress Nom – Sinungaling mong Puso
1993
Gawad Urian
Best Actress – Dolzura Cortez Story
1993
FAP
Best Actress – Dolzura Cortez Story
1993
PMPC – Star for Movies
Best Actress – Dolzura Cortez Story
1993
Movie Magazine
Best Actress – Dolzura Cortez Story
1993
Manila Film Festival
Best Actress – Dolzura Cortez Story
1993
Intrigue Peoples Choice
Best Actress – Dolzura Cortez Story
1993
Fame Magazine Peoples Choice
Best Actress – Dolzura Cortez Story
1993
FAMAS
Circle of Excellence
1993
YCC
Best Performer – Dolzura Cortez Story
1994
PMPC – Star for TV
Best Musical Variety Show – Vilma!
1994
PMPC – Star for Movies
Best Actress Nom – Nag-iisang Bituin
1996
City of Manila
Longest reigning Box Office Queen
1996
PMPC – Star for TV
Star of the Night
1997
FAP
Lifetime Achievement Award
1997
PMPC – Star for Movies
Best Actress Nom – Hanngang Ngayon Ika’y
1998
YCC
Best Performer – Bata, Bata…Paano ka Ginawa?
1998
Gawad Urian
Best Actress – Bata, Bata… Paano ka Ginawa?
1998
PMPC – Star for Movies
Best Actress – Bata, Bata… Paano ka Ginawa?
1998
PASADO
Best Actress – Bata, Bata… Paano ka Ginawa?
1998
Jolo Critics
Best Actress – Bata, Bata… Paano ka Ginawa?
1998
FAMAS
Lifetime Acievement Award
1998
FAP
Best Actress – Bata, Bata… Paano ka Ginawa?
1998
GMMSF
Lifetime Acievement Award
1998
PMPC – Star for Movies
Ading Fernando Lifetime Acievement Award
1999
Brussles International Film Festival
Best Actress – Bata, Bata… Paano ka Ginawa?
1999
PASADO
Natatanging Artista ng Taon
1999
Asia Pacific Film Festival
Best Actress Nom – Bata, Bata…Paano ka
1999
Brussles International Film Festival
Best Actress – Bata, Bata… Paano ka Ginawa?
2000
PASADO
Best Actress – Anak
2000
PMPC – Star for Movies
Best Actress – Anak
2000
Gawad Urian
Actress of the Decade -1990s
2000
National Commission for Culture & Arts
Pelikula at Lipunan – Special Recognition
2000
FAP
Best Actress Nom – Anak
2000
Gawad Urian
Best Actress Nom – Anak
2001
GMMSF
Box Office Queen of Phil. Movies
2002
5th CineManila Int’l Film Festival
Lifetime Achievement Award
2002
YCC
Best Performer – Dekada’70
2002
PASADO
Best Actress – Dekada’70
2002
PMPC – Star for Movies
Best Actress – Dekada’70
2002
FAP
Best Actress – Dekada’70
2002
Gawad Urian
Best Actress – Dekada’70
2002
Gawad Tanglaw
Best Actress – Dekada’70
2002
Cinema One’s RAVE Crictic Choice
Best Performer – Dekada’70
2002
CineManila Int’l Film Festival
Best Actress – Dekada’70
2002
FAP
Best Actress – Dekada’70
2003
S Magazine
Peoples Choice Hottest Actress
2004
Metro Manila Film Festival
Best Actress – Mano Po 3
2004
Gawad Suri
Best Actress – Mano Po 3
2004
Gawad Tanglaw
Best Actress – Mano Po 3
2004
PMPC – Star for Movies
Best Actress – Mano Po 3
2004
PMPC – Star for Movies
Dekada Award in Acting
2004
Gawad Tanglaw
Natatanging Gawad Tanglaw
2004
FAP
Best Actress Nom – Mano Po 3
2004
Gawad Urian
Best Actress Nom – Mano Po 3
2005
Feminist Centennial Filmfest
Outstanding Achievement in Film Acting
2005
Gawad Plaridel
utstanding Achievement in Film Acting
2005
GMMSF
All-Time Favorite Actress
2005
Gawad Suri
Exemplary Film Practitioner
2006
UAI & United Staffing Registry Inc.
First Pioneer Filipino Animation – Darna
2006
U. P. Diwata Awards
Lifetime Achievement Award
2006
PMPC – Star for TV
Best Single Perf by an Actress – MMK Regalo
2008
PMPC – Star for Movies
Lifetime Achievement Award
2009
ENPRESS Golden Screen Awards
Lifetime Achievement Award
2009
Gawad Tanglaw
Best Actress – In My Life
2009
Gawad Suri
Best Actress – In My Life
2009
PMPC – Star for Movies
Best Actress – In My Life
2009
GMMSF
Film Actress of the Year – In My Life
2009
MTRCB Film Awards
Best Actress – In My Life
2010
Gawad Genio Awards
Best Actress – In My Life
2011
Gawad TANGLAW
Artista ng Dekada

RELATED READING:

2004 Stars Awards

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Trouble in the Stars – “Former Philippine Movie Press Club (PMPC) President Ernie Pecho is convinced that the media group’s incumbent head, Joe Barameda, was “not aware” of the alleged vote-buying during the recent 21st Star Awards ceremony. The very first Star Awards for movies were given out during Pecho’s term. “I know Joebar (Barrameda’s nickname). He’s a good person,” Pecho told Inquirer Entertainment in a phone interview on Wednesday. “Had he known, I’m sure he would have done something about it. He’s not like some of our colleagues na matindi ang pangangailangan (who are desperate). He would never accept money and ruin his image.” Quoting reports in the tabloids Pecho said 13 PMPC members, all part of the 24-man voting committee, received P5,000 each from “a woman from ABS-CBN.” This waa to ensure that the Best Actor award would go to Piolo Pascual (for “Milan”) and the Best Actress award to Kris Aquino (for “Feng Shui”). “They claimed Joebar was behind the “switching” of the awards,”said Pecho. The payoff might have happened, in fact, he said, but he reiterated his comfidence in Barrameda. Star Cinema, movie arm of ABS-CBN, produced both “Milan” and “Feng Shui.” “One story even said writer Allan Diones has admitted receiving money from the woman,” Pecho noted. Rumors that Kris and Piolo would win the top acting awards has started circulating days before the awards rites last Saturday.

Several people who turned up for the program at the Cinema 5 of the Gateway Mall in Cubao, Quezon City and sported the two nominees commented: “They probably know that they would win. Why else would they be here?” But it was, Vilma Santos who took the Best Actres trophy for “Mano Po 3: My Love,” and Dennis Trillo was named Best Actor and Best New Movie Actor for “Aishite Imasu 1941.” Inquirer Entertainement called Barrameda also on Wednesday, but he would not pick up. Instead, he sent this text message: “The PMPC will issue an official statement hopefully tomorrow.” Several write-ups identified the “woman” as Star Magic PR head Rikka Dylim, who denied the accusation. In a statement sent to Inquirer, Dylim said she had “nothing to do with the alleged vote-buying for (ABS-CBN Star Magic) contract artist Mr. Piolo Pascual.” Dylim added: “The network accepts the fact that another actor won the Best Actor award. We never question or protest the decision of the club.” Pecho said there could be several reasons that Kris and Piolo did not win, “despite all the efforts experted by ABS-CBN.” “Some members could have taken the money but felt guilty and voted for other nominees,” Pecho said. “Or maybe these members got somethng bigger from someone else.” Of the controversy, he could only say: “This is really humiliating. The PMPC used to pride itself in its integrity and unquestioned choices. It used to be the most credible awards-giving body.

Now, can we say the same?” In October 2003, Pecho and two other former PMPC presidents questioned the process of selecting the winners for the 17th Star Awards for Television, citing “glaring disparities.” Pecho said some artists who won could “hardly carry a tune,” and shows that bagged the trophies in spite of “consistently poor production quality.” Billy Balbastro, 1984 PMPC president, complained about the alleged of winners during that awards show. He said he received text messages the day before, saying ABS-CBN would win by a lanslide. Of the same ceremony, Veronica Samio, PMPC president from 1991 to 1993, said she heard talk that certain individuals had paid several club offiicials to win certain awards. Pecho, PMPC president from 1985 to 1987, saidl all past PMPC presidents should meet to discuss the situation. “I think there should be a “general cleaning” within the PMPC.” Saturday’s ceremony was well attended by both celebrities and fans. This could explain why the 700 seater venue looked so chaotic. Before entering the theater, Inquirer Entertainement encountered a throng of fans screamign to catch their idols attntion. A group of ushers refused to let in guests – not even those with invitations – who were not in formal attire. Inside, people kept walking around even as the cameras rolled. These people included cameramen and guests in blue jeans and casual shirts.

In one corner, performers Sandara Park, Hero Angeles and the Speed Dancers rehearsed their dance steps while the program was ongoing and presenters like Ciara Sotto, Anna Larucea and Baron Geisler took last-minute instructions from the stage manager. Vilmanians and Noranians, as well as fans of young stars Sandara, Hero, Jennylyn Mercado and Mark Herras, screamed at every mention of their idols’ name and movies. What supposed to be a “formal” ceremony instead looked and sounded like any noontime program, with spectator’s hollering, “Laban!” or “Bawi!” at the top of their lungs. Kris arrived at about the same time as Sen. Jinggoy Estrada, who accepted the Lifetime Achievement Award for his father, former president Joseph Estrada. A swarm of photographers jostled for the best shots. Kris is the daughter of another former president, Corazon Aquino. Only SVP for Drama Production and Star Cinema Malou Santos was around to accept the Best Picture award for “Milan.” One member of the audience noted that Charo Santos-Concio, ABS-CBN’s EVP for Entertainment, was conspicuosly absent, fuelling rumors that she had quit working for the network on account of differences with its chair, Gabby Lopez. Pops Fernandez shared hosting chores with Vilma, and Martin Nievera was anchor man. The Golden Screen Awards show on March 5 had only two production numbers; Star Awards had four. Pops and The CompanY did the opening number. Star Circle questors Sandara and Hero performed in a “dance showdowns” with Starstruck ultimate survivors Jennylyn and Mark Young performers Mark Bautista, Erik Santos and Rachelle Ann Go did a medley of Filipino songs hafway into the program. Karylle, Keempe de Leon, Jamie Rivera and Franco Laurel sang Broadway tunes in the latter part. The Speed Dancers worked the hardest, performing in all the production numbers.” – Marinel R. Cruz, Philippine Daily Inquirer, Mar 18, 2005 (READ MORE)

Star Awards to be probed – “Officers of the Philippine Movie Press Club will form a committee to investigate the alleged vote-buying during the recent 21st Star Awards, according to Veronica Samio, head of the club’s grievance committee. “A deceitful act like this should not go unpunished,” said Samio, who was president of the PMPC from 1991 to 1993. “Its not right to cheat. We will see to it that PMPC members involved in this will be expelled. Post-show reports alleged that 13 PMPC members, all part of the 24-man voting committee, received money from ABS-CBN Star Magic PR head Rikka Dylim several days before the ceremony. This was to ensure that Piolo Pascual would be named Best Actor for “Milan” and the Best Actress award would go to Kris Aquino for “Feng Shui.” The accused members included writer Allan Diones, who admitted to received P5,000 from Dyllim, Samio also identified former PMPC president Julie Bonifacio-Gaspar, incumbent vice president Jimi Escala and member Ador Saluta as among thosed involved. Star Cinema, movie arm of ABS-CBN, produced both “Milan” and “Feng Shui.” But Vilma Santos (“Mano Po 3: My Love”) took home the Best Actress trophy and Dennis Trillo (“Aishite Imasu 1941”) was named Best Actress and Best New Movie Actor. Samio said Diones confessed to the vote-buying on the day the committee members were to cast their vote. “The first reaction of our president (Joe Barrameda) was to strike Piolo’s name from the list of nominees.

But we dissuaded him because it would not be fair to Piolo, who actually did well in “Milan,” Samio told Inquirer Entertainment last Friday. “Piolo probably didn’t even know what these people did for him.” According to Samio, writer-TV host Cristy Fermin was also seen reportedly handing out P3,000 to 12 PMPC members a few days before the PMPC was to announce the winners at the Cinema 5 of the Gateway Mall in Quezon City last March 12. Fermin had been campaigning for Piolo and Kris – praising them in her columns in the tabloids Bandera, Pilipino Star Ngayon and Bulgar, and on her radio program on dzMM. But Samio said only eight members actually voted for Piolo. “I know, because I’ve seen the summary of votes that the PMPC submitted to the show’s producer, Airtime Marketing,” she pointed out. “This means some of the members who accepted the bribe did not vote for Piolo.” PMPC chair Fernand de Guzman, Barrameda and two accountants signed the summary of votes handed to Airtime Marketing, said Samio. “You see, walang dayaaan sa PMPC,” she declared. “People tried to cheat but they did not succeed.” Asked for her reaction, Fermin said: “I do not wish to comment to anyone about the issue because what I think and feel about it are all written in my colums.”

In her “Most Wanted” column in Bulgar last Friday, Fermin referred to the controversy as “Isang bangungot para sa ilan at masamang panaginip para sa iba, hindi naman lahat ng panaginip ay maganda (a nightmare to some and a bad dream to others – not all dreams are good).” ABS-CBN’s Dylim also denied having anything to do with the alleged vote-buying. In a statement sent to Inquirer Entertainment Wednesday Dylim said: “The network accepts the fact that another actor won the Best Actor Award. We never question or protest the decision of the club.” In anotehr statement, ABS-CBN Broadcasting Corporation said it was “saddened” by the alleged “vote-buying scam” and annouced that it “has not tolerated and will not tolerate such practice.” The statement added: “The network has always espoused the principles of professinalism and integrity and this extends to playing fair in any industry-related activity, including the PMPC’s Star Awards. “It is unfortunate that such allegation routinely surfaces after every awards ceremony regardless of parties, to the detriment of the industry.” PMPC officials and some members met last Thursday to discuss the controversy, said Samio. “It was during the meeting that we decided to expel members who would be proven guilty of accepting bribes,” added the former PMPC president. “How can the PMPC cleanse itself if it does not get rid of these people?” Incumbent president Barrameda said the PMPC “stands by the veracity of all of its winners” and “fins no errors in its tabulations.” – Marinel R. Cruz, Philippine Daily Inquirer, Mar 20, 2005 (READ MORE)

Vilma Santos’ Reel and Real Wedding (PHOTOS)

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Vilma Santos already had an 11-year-old son, Luis Manzano, when she married former senator Ralph Recto, who is 10 years her junior. Filipinos were not too keen about May-December affairs when their relationship was made public. Still, the couple beat all odds and got married on 11 December 1992. They have a son named Ryan Christian. – Wikipilipinas (READ MORE)

“…Vilma and Ralph lived in for seven years. She was not prepared to get married then because she had to attend to her career and her small child by Edu, Lucky. Ralph, on the other hand, wanted to be more stable in his profession and his finances. Then, after seven years of living in, Ralph ran for Congress and asked Vilma to campaign for him in Batangas. Vilma accompanied him all over the province. She experienced the hardship of going from city to city, from barrio to barrio. She had a taste of politics. If she was willing to make that sacrifice for him, Vilma thought, “siguro mahal ko itong taong ito.” Ralph told Vilma, “Win or lose, let’s get married.” “You know,” Vilma warned him, “hindi ako madaling maging asawa. Mahihirapan ka, kilala ako sa Pilipinas.” It would be quite difficult for him to do any hanky-panky because he would easily be found out since Vilma is so popular that almost everything and anything the nosey press would sniff would immediately be reported in the media. The brave Ralph was not intimidated, and at 2 pm of December 11, 1992, they officially tied the knot in a splendid wedding ceremony in Lipa, Batangas. Some 500-700 guests from politics and showbiz witnessed the exchange of vows. It must have been a relatively blissful union since they already had a chance to get to know each other up close when they were living in. Relates Ralph: “For me, the most trying period in our relationship was the first seven years.” The proverbial sevenyear-itch happened to both Vilma and Ralph before their wedding. Ralph lived in his condo in Greenhills, but he telephoned Lucky almost every day, pretending or so it seemed, that his concern was only Lucky and not Vilma…” – Ms. Mara P. Lanot (READ MORE)

Vilma! Show (Videos) 2/3

MEMORABILIA - Vilma! TV 1984

Vilma! is a Friday Primetime musical variety show formerly aired by GMA Network from 1986 to 1995 hosted by Vilma Santos. Formerly known as Vilma In Person, Vilma! (also known as Vilma on Seven) was debuted on August 8, 1986, the pilot episode is shown from the Metropolitan Theater as a temporary studio where Vilma Santos and the VIP Dancers are performed there. Until 1987, the Friday Primetime musical variety show moved to Broadway Studios as a new location and it is shown on the first StereoVision format which features dance and love song performances. Vilma! was competed by two other variety shows Loveli-Ness and Dance-2-Nite of ABS-CBN (originally debuted in 1987) as rivals, but the variety show maintained its ratings. Vilma! received four nominations in the PMPC Star Awards for TV from 1988 to 1990, 1992 and 1994, as well as Best Female Musical Variety Show Host from 1987 to 1988, they also produced anniversary and birthday specials from 1987 to 1994 as well. After nine years, Vilma! produced the 479th and the last episode on September 29, 1995, brought many fans and supporters bade farewell to the Star for all seasons, and made as the longest-running Musical Variety Show. Truly, Vilma! was ended on September 29, 1995 and it was replaced by Bubble Gang. – Wikipedia (READ MORE)

ARTICLES - 8 PMPC Star Awards for TVRelated Reading:

Gov. Vilma Santos-Recto to receive Ulirang Artista award from PMPC


Ang Star for All Seasons at Batangas Governor na si Ms. Vilma Santos ang unanimous choice ng members and officers ng Philippine Movie Press Club (PMPC), Inc. ngayong taon, bilang recipient ng isang natatanging gawad—pagkilala sa isang tunay na alagad ng sining—ang Ulirang Artista Lifetime Achievement Award. Every year ay ibinibigay ito ng nasabing entertainment writers’ club sa kanilang PMPC Star Awards for Movies presentation, sa nararapat tawaging “Ulirang Artista” ng Philippine show business.

Kabilang sa criteria ng Club para sa karangalang ito ay ang kanyang “outstanding body of work in film, remarkable achievements in Philippine Cinema, unquestionable credibility, impeccable reputation in the movie industry, integrity, and if she has touched the lives of the Filipino people from her humble beginnings up to her present status.” Masasabing espesyal ang pagpaparangal na ito sa multi-awarded actress na si Vilma Santos, dahil nagkataong Silver Anniversary (25 years) ngayon ng PMPC.

Just last week sa general meeting ng PMPC, may iba pang mga na-consider na mga batikan at beteranong aktor at aktres para sa Ulirang Artista Lifetime Achievement Award. At tulad ng laging nangyayari taun-taon, may demokratikong delibration among the PMPC officers and members, kung sino ang gusto nilang i-nominate. Ang pangalan na nga ni Ate Vi ang lumabas na halos unanimous choice.

Ang kauna-unahang recipient ng Ulirang Artista Lifetime Achievement Award ay si Ms. Anita Linda noong 1987. Wala pang ganitong category mula 1984, ang birth year ng PMPC Star Awards for Movies, hanggang 1986. Ang iba pang past Ulirang Artista honorees ay sina: Dolphy, Eddie Garcia, Joseph Estrada, Susan Roces, Ramon Revilla Sr., Armando Goyena, Boots Anson-Roa, Perla Bautista, Eddie Rodriguez, Charito Solis, Armida Siguion-Reyna, Gloria Romero, German Moreno, Chichay, Gil de Leon, Leopoldo Salcedo, Alicia Vergel, Mona Lisa, at Rosa Rosal.

Last year, ipinagkaloob ang parangal na ito (posthumous) sa namayapang actor-producer na si Rudy Fernandez. Tinanggap ito ng kanyang kapatid sa awards night sa Ateneo University Theater noong June 27, at nagkaroon ng delayed telecast sa ABS-CBN noong June 30. Last March 10 nang gabi, pagkatapos ng taping ni Governor Vi ng Deal or No Deal (last episode) sa ABS-CBN studio, personal na inabot ng ilang PMPC officers (headed by president Roldan Castro) ang formal letter informing her of the recognition.

“Wow, nakakatuwa naman ang balitang ‘yan,” masayang bungad ni Vilma, habang binabasa ang formal letter. “Pagkagaling namin sa U.S., sige, magsu-shoot na kasi kami… Kelan ba ito? ‘Wag lang Linggo please dahil di ako puwedeng ma-late sa flag ceremony sa amin (Batangas) ng Monday morning,” dagdag niya, na inoohan naman agad ng PMPC representatives at aayusin ng mga ito ang schedule, ayon sa availability ng mahusay na aktres. Tuwang-tuwa si Governor Vi sa nasabing mataas na karangalan, nag-congratulate pa siya sa grupo for its 25th year, at masayang kinumpirmang darating sa Gabi ng Parangal upang personal na tanggapin ang kanyang trophy.

“Congrats sa inyo dahil Silver na pala kayo… Yung Oscars, nakakatuwa nung napanood ko, talagang sa pagbanggit ng nominees sa major categories, in-invite nila ang past winners, di ba? Ang ganda! Talagang mararamdaman mo yung respeto sa kapwa artista nila,” comment pa ni Vilma, na tila nais nitong ipahayag na sana’y gano’n din ang respetong igawad sa mga tunay na artista sa Pilipinas, sa mga okasyong tulad nito. Sa personal na pagtanggap na yun ni Governor Vi, nagsipalakpakan pa nga ang PMPC representatives sa tuwa. Nang iparating ng PMPC sa production team headed by Director Al Quinn ang mainit na pagtanggap ni Gov. Vi sa parangal ay natuwa silang lahat.

Si Vilma Santos ay isa nang haligi ng movie industry at hindi matatawaran ang nagawa niyang mga kontribusyon sa daigdig ng pelikula. Isa siyang multi-awarded, highly-respected actress (with her string of award-winning performances and box office achievements) na pinasok din ang daigdig ng pulitika. Mula sa pagiging mayor ng Batangas ay matagumpay rin itong ibinoto ng mga Batangeño bilang kanilang Governor.

Hindi na mabilang ang mga tinaggap niyang Best Actress awards through the years. Ika nga, name it, Ate Vi has won it. Naikot na niya sa matagumpay niyang showbiz career ang halos lahat ng major award giving bodies—Gawad Urian, FAP (na ngayo’y Luna Awards), FAMAS (Hall of Famer siya as Best Actress), MMFFP, at Young Critics Circle.

For the record, sa history or honor roll ng PMPC Star Awards for Movies, si Governor Vi ang nagkamit ng pinakamaraming tropeo bilang Movie Actress of the Year (Best Actress)—a total of six (6) PMPC trophies to be exact—at isang Dekada Award as Best Actress noong nagpalit ang dekada, na iginawad din noon kina Nora Aunor at Sharon Cuneta. Ang anim na Star Awards for Movies (Best Actress) trophies na nakopo ng Star for All Seasons ay para sa Pahiram ng Isang Umaga (1989), Dahil Mahal na Mahal Kita: The Dolzura Cortez Story (1993), Bata, Bata, Paano Ka Ginawa (1998); Dekada ’70 (2002), at ang pinakahuli ay para sa Mano Po 3: My Love (2004).

Ngayong April 11 ay nakatakdang umalis si Vilma kasama ang grupo ng Star Cinema patungong U.S. upang mag-shoot ng comeback film niya (after five years), tentatively titled A Mother’s Story, directed by Olivia Lamasan. Kasama ni Vilma sa cast ang anak na si Luis Manzano at ang kasalukuyang Box-Office King John Lloyd Cruz. “One week lang muna kami sa Los Angeles para magbakasyon muna with my family. Then, April 19, punta na kami ng New York, pahinga ng 20th, at start ng shooting sa 21st. Mga three weeks kami doon,” masayang pagbabalita ni Vilma.

“So, in time pag-uwi ko sa May, makaka-attend ako… Wow, wala talaga akong masabi… Thank you, thank you talaga sa inyo!” masayang-masayang sabi ni Governor Vi. Ngayon pa lang ay inihahanda na ng produksiyon ang “special tribute” for the one and only Ms. Vilma Santos bilang Ulirang Artista Lifetime Achievement Award recipient, very fitting para sa Silver Anniversary presentation ng PMPC Star Awards for Movies sa buwan ng Mayo.

As of press time, inaaayos pa kung sino-sino ang magiging hosts ng Gabi ng Parangal, pati na ang performers. Inaasahang magiging makulay at maningning na naman ang okasyong ito, na magkakaroon rin ng delayed telecast sa telebisyon. Lalo itong magnininging sa pagdalo ni Governor Vilma Santos-Recto. – Mell T. Navarro, PEP, March 13, 2009 (READ MORE)

Vilma! Show (Videos) 1/3

Vilma! is a Friday Primetime musical variety show formerly aired by GMA Network from 1986 to 1995 hosted by Vilma Santos. Formerly known as Vilma In Person, Vilma! (also known as Vilma on Seven) was debuted on August 8, 1986, the pilot episode is shown from the Metropolitan Theater as a temporary studio where Vilma Santos and the VIP Dancers are performed there. Until 1987, the Friday Primetime musical variety show moved to Broadway Studios as a new location and it is shown on the first StereoVision format which features dance and love song performances. Vilma! was competed by two other variety shows Loveli-Ness and Dance-2-Nite of ABS-CBN (originally debuted in 1987) as rivals, but the variety show maintained its ratings. Vilma! received four nominations in the PMPC Star Awards for TV from 1988 to 1990, 1992 and 1994, as well as Best Female Musical Variety Show Host from 1987 to 1988, they also produced anniversary and birthday specials from 1987 to 1994 as well. After nine years, Vilma! produced the 479th and the last episode on September 29, 1995, brought many fans and supporters bade farewell to the Star for all seasons, and made as the longest-running Musical Variety Show. Truly, Vilma! was ended on September 29, 1995 and it was replaced by Bubble Gang. – Wikipedia (READ MORE)

ARTICLES - 8 PMPC Star Awards for TVRelated Reading:

Remembering Leopoldo Salcedo

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Made Ordinary People Happy – “…In the 1970s, he was still appearing in local movies and I made sure I cast him in my scripts in TV dramas. He was indeed a fantastic actor, he came on time, ready, all the dialogues memorized (just like Rosa Rosal). While the younger actors were all fumbling during the rehearsal before the take, Pol and Rose were patiently trying their best to understand the shortcomings of younger actors (except Gina Alajar, of course, who would also come to the set well-prepared, and whose caliber was A1). One conversation I had with Pol that really stuck in my mind was when we were outside the studio of Broadcast City one taping day of the show Alindog. While waiting for all the cast to arrive, we both leaned on the railings on the top landing of the stairs leading to the studio, overlooking the vastness of the network compound – the same raillings where the child Romnick Sarmenta would wait before taping starts. The same raillings where, after seeing me arrive, the child would hurry to meet me, and would jump right at me where I would raise him above my head, up and down, three to four times, while he was laughing hysterically. So, while Pol and I looked out to the vastness of the compound of the biggest network in RP in those days, he suddenly said: “Joey, I’m celebrating my 66th birthday this weekend. Do you have time to come to my house?” “Of course, I will find the time, just for you, Pol. I’m sure all your friends in showbiz are coming as well?” “Oh. God, no. Many of them are gone now. The ones I worked with like Rose (Rosa Rosal) are much younger than I am. It’s really sad when you grow old. You wake up one day, realizing that your closest friends are not around anymore because they have passed on. It makes you feel so all alone. In my youth, every time I would celebrate my birthday, it was always a big event. Producers, directors, movie stars, movie scribes, and even my fans would be there. It was wonderful. Life was beautiful…

“…Now, they’re all gone. Sometimes, some people I used to know would even ignore me when they see me.” I choked, and it took me a few minutes before I gathered myself together. “Pol,” I said, “you may be old now, some people may ignore you now, but always remember that you are Leopoldo Salcedo who made many ordinary people happy. They went to see your movies and for two hours, at least you’ve lightened their load. You made them forget their problems at least for a few moments, and they’ve gone home refreshed, inspired, even thankful for being alive – because there was someone like you who made their daily toil bearable, thus lessening their miseries. You are one of the Philippines’ finest actors, and your name will never be forgotten for a long, long time. I will admit to you that when I write a character in my script, and I know that it will be you who would play that role, I feel so happy because I know that, that particular role will be in good hands. You are a great actor and thank God for giving you to us.” He said: “Thank you for all the kind words. You are a good kid. And each time I see you, I am reminded of my children. I wish I had been a better father for them.” I turned to look at him. He was looking away at the distance. There was a profound sadness on his face. We both remained quiet. After a long beat, I told him: “Pol, nobody’s perfect. We are all infallible. There is no such thing as “slam dunk” formula for being a perfect parent. We all have shortcomings. The only thing we can do is to try to do our best. You’re not a bad father. I know you’ve tried your best.” “I could have tried my very best,” he said. “But my career had always gotten in the way. I seldom saw them because I was always busy. I could have made them my first priority” “Sometimes, we are trapped by life. We have to make choices for our loved ones…”

“…Some parents are always at home with their children, yet they can’t afford to give them the bare necessities of life. You have chosen what you thought was the best for your loved ones and that was a wonderful thing. Don’t worry about the past. You’ve done okay as a father.“ I extended my hand to give him a handshake. “Happy 66th birthday in advance.” I said. And we smiled at each other…” – The Cool Canadian (READ MORE)

The Great Profile – “…Veteran actor Leopoldo Salcedo, known as “The Great Profile” of Philippine movies, died Thursday morning of heart failure after being bedridden for one year. Death came while he was in his residence in Pasig. He was 86. Born in San Roque, Cavite, on March 12, 1912, he was married five times, the latest to actress Merle Tuazon. He had 14 children. Nicknamed Pol, he waned to become a priest and entered the San Vicente de Paul seminary, but quit after a year. At 17, he joined the bodabil troupe of Borromeo Lou. He made more than 200 movies. His big leading role debut was in Jose Nepomuceno’s “Sawing Palad in 1934. During the Japanese occupation of Manila, he continued to perform at the Avenue Theatre with the Philippine Artists’ League of Lamberto Avellana. Leopoldo’s most memorable role was in the title role of the “Moises Padilla Story” which won for him the Famas Best Actor Award in 1961. In 1976, at 64, he won the Best Supporting Actor trophy for his performance in the classic “Ganito Kami Noon, Paano Kayo Ngayon?” In 1989, he received a Lifetime Achievement award from the Film Academy of the Philippines…” – Sol Jose Vanzi (READ MORE)

Most Sought After Actor – “…His popularity prompted the Japanese to cast him in “The Dawn of Freedom,” their first propaganda feature designed to spread the goodwill of the invaders and expose the treachery of the Americans. In the film, Salcedo is betrayed by his American superiors and is shot by them while trying to save the lives of Filipino soldiers. After the war, Leopoldo SAlcedo was the personification of the down-at-heels guerilla who found problems in re-entering the quotidian. In “Lupang Pangako,” he pawns a clutch of medals so that he could order lunch for his ex-guerilla friends and himself. In “Kamagong,” he is a senator’s son and former guerilla who steals from pardoned but unrepentant collaborators to help the downtrodden. His roles are a stirring commentary on the hard realities of post-war reconstruction and the ennui after the euphoria of liberation….

…This led to the social slant found in many of his later films. In “Bisig ng Manggagawa,” he focused on labor problems, in “Tyug (Ang Bayang Api)” and “Batong Buhay (sa Central Luzon),” on the burgeoning peasant revolt, and in Moises Padilla Story,” on political martyrdom exacted by rotten governance. Also, after the war, Salcedo was one of the most sought after of actors and one of the first to go to freelance. His contention was, “If you are a good actor, why would you be afraid to be a freelancer.” He was already receiving a princely sum of three hundred pesos a month from the studios which he thought he could further up but not being tied to a contract. At the height of his popularity, he was shooting as many films at the same time and a number of them were playing simultaneously in Tagalog language moviehouses…” – Augustin Sotto (READ MORE)

Leopoldo Salcedo and Vilma Santos

Burlesk Queen (1977) – The last film of Vilma and Leopoldo. He played the crippled father who is against his dauther working as a burlesque dancer. Writer, Ricardo Lee interviewed director Celso Ad Castillo about the directing Salcedo and Santos: “…Tuloy-tuloy ‘yun…(the hospital scense with Vilma and Leopoldo Salcedo) nag-experiment ako noong una, kumuha ako ng second take, pero di ko na rin tinapos. Perfect na iyong una. Alam mo bang nang gawin namin ang eksenang iyon tatlo kaming umiiyak sa set? Ako, si Vilma, at si Leopoldo? Dalang-dala si Leopoldo sa pagsasalita ni Vilma, lumuha siya kahit patay siya dapat doon. Buti na lang di siya nakuha ng kamera…(Kung Nahirapan ka ba kay Vilma?) …Oo, hindi sa acting dahil mahusay talaga siya kundi sa scheduling. Alam mo kasi it takes time before I can really get into the mood of a picture, mga two weeks, tapos kapag nandiyan na, that’s the stage when I’m ready to give my life to the project. Tapos biglang walang shooting ng two weeks dahil busy siya sa ibang pelikula…” – Ricardo Lee, Manila Magazine, Dec 1- 31, 1977 (READ MORE)

Dugo at pag-ibig sa kapirasong lupa (1975) – Leopoldo played Pablo Ramirez on the last segment while Vilma played a rebel activist hiding in the forest, she died in the end from a gunshot.

Happy Days Are Here Again (1974) – Both Leopoldo and Vilma played a forgettable bit parts to this all-star ensemble casted film.

Vivian Volta (1974) – Leopoldo played support role to the crime buster Vivian Volta played by Vilma.

Biktima (1974) – Leopoldo Salcedo played Attorney Andrade who reintroduced Vilma, a naive provincial to her lost rich family and relatives (most with with dark hidden agenda).

Anak ng Aswang (1973) – Vilma Santos and Leopoldo Salcedo played father and daugther with dark secret, they’re vampires.

Darna and the Giants (1973) – Salcedo played a minor role as a politician (Alkalde) while Vilma Santos, now a box office star played a super hero, Darna.

De colores (1968) – Gil de Leon and Leopoldo Salcedo played major role opposite the still child actress, Vilma Santos.

Leopoldo Salcedo (March 13, 1912 – June 11, 1998) was a two-time FAMAS award-winning Filipino film actor who specialized in portraying dramatic heroes. Dubbed as “The Great Profile” see his famous profile image here, he was said to be among the first kayumanggi or dark-skinned Filipino film stars, in contrast to the lighter-skinned mestizo actors of his generation. – Wikipedia (READ MORE)

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Special Film: High School Circa ’65

”…As far as he can recall, his first gay outing was in the critically acclaimed High School Circa ’65. “Doon naman, I was nominated for Best Supporting Actor considering na 15 or 16 pa lang ako noon. I was the comic relief of the movie.” Bibeth Orteza, who played a teacher in High School Circa ’65, created a gay character for him in the sitcom “Tepok Bunot.” “Nag-hit ‘yon,” says Roderick. Then a producer gave him the lead role in Charot, a movie inspired by Dustin Hoffman’s gender-bending performance in Tootsie. Before Roderick knew it, other offers to do gay roles started coming his way, with one of them from a very persuasive line producer-actress. “After Charot, ayoko munang tanggapin ang mga gay-gay roles,” he says. “But it was Charo Santos who convinced me to do a gay movie where I would be paired with Maricel (Soriano).” The project was Regal Films’ Inday, Inday sa Balitaw which ended up being a huge success. “The rest is history!” Roderick exclaims. “Yun na! Sunud-sunud na sa box-office…” (READ MORE)

Maryo J. delos Reyes was born on October 12, 1952 in Sta. Cruz, Manila, Philippines. He finished his primary education at Malate Catholic School and when he reached high school, he decided to give priesthood a chance and graduated at the Our Lady of Guadalupe Minor Seminary. His dream of being a director never left him so he enrolled at the Institute of Mass Communications of the University of the Philippines where he graduated with honors. While in school, he became active with PETA, the country’s premiere theater group in the seventies. He started handling acting workshops and a scriptwriter for the film Disco Fever. He then became the creative head of Agrix Films where he directed High School Circa ’65, his first directorial venture in 1979. He received nominations for his work on this film. Since then, he has directed 56 feature films, several television programs and specials, commercials and stage plays. – Tiburon Film Festival (READ MORE)

Source: Pelikulapinoy103

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. – Wikipedia (READ MORE)

Emmanuel H. Borlaza’s Vilma Santos Films (Videos) 2/2


204 films, 70 directors, 5 decades, Vilma Santos, one of the original Philippine movie queens, rose up to become the versatile actress that has been given the fitting title of “Star for All Seasons” because of her capacity to adapt to the changing mores and values of the Filipino woman, giving a face to their plight and struggles, albeit in success both critically and box-office wise in some of Philippine cinema’s classics such as Trudis Liit (1963), Lipad, Darna, Lipad (1973), Burlesk Queen (1977), Relasyon (1982), Sister Stella L. (1984), Alyas Baby Tsina (1984), Pahiram ng Isang Umaga (1989), Dahil Mahal Kita: The Dolzura Cortez Story (1993), Anak (2000) and Dekada ’70 (2002). This are top ten directors who contributed to her success. – RV (READ MORE)

His films lack the arthouse style and social relevance that critics loves most in a Brocka or Bernal films but who cares about the critics when the paying public loves them. And the producers demand his service, from Doc Perez of Sampaguita Pictures, Atty. Esperidion Laxa of Tagalog Ilang Ilang Productions and later on, Vic Del Rosario of Viva Films and Lily Monteverde of Regal Films. Clearly, his films exists with one purpose, to entertain the masses not to depress or remind them with the country’s sad fate of economy or the below poverty line lives of many. The success of the Vilma-Borlaza films gave Vilma Santos versatility and preparation to a more serious acting career. It also narrowed the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. These are perhaps, the most significant contributions of Emmanuel Borlaza to Vilma’s career. Vilma who was considered only second to Nora couldn’t matched her singing talent and so, Borlaza countered this lack of singing with films that showcased Vilma’s acting versatility.

From the folklore mermaid in Dyesebel at ang Mahiwagang Kabibe to fighting giants in Darna and the Giants to a fast-talker-gossip-mongering vendor in Tsismosang Tindera and to good-hearted prostitutes in Mga Rosas sa Putikan, Borlaza let Vilma Santos experience a wide range of roles, from comedic fantasy to dramatic adult roles. These experiments prepared her to a later more serious and versatile acting career. Their success made other directors interested in giving her roles oftenly considered for her closest rivals. Projects lined up and awaits her availability. Borlaza and Santos’ collaboration produced a string of box office hits from early 70s’ Dama De Noche to their last outing in late 80s’ Ibigay Mo Sa Akin Ang Bukas. Their success established their career as one of the most bankable and in-demand director/actor team, making her the longest reighning box office queen of all time and him a money maker director.

When time for Vilma to moved on with other collaborators, Borlaza handled other stars with much success! He directed Alma Moreno in smash hit, Eva Fonda 16; Sharon Cuneta in her memorable rag to riches films, Bituin Walang Ningning and Bukas Luluhod Ang Mga Tala; Snooky Serna in her fantasy hit, Blusang Itim and Marecel Soriano as the spoiled brat in Yesterday Today and Tomorrow. These films gave us some of the most memorable movie lines that most Filipinos would still remember like Cherie Gil’s campy dialouge: “You’re Nothing but second rate Trying hard, Copy Cat!” or Sharon’s promise of revenge: “pinapangako ko inay…bukas luluhod ang mga tala! (I’ll promise you mother, tommorow the stars will kneel down, something to that effect, litterally.)” – RV (READ MORE)

Emmanuel H. Borlaza aka Maning Borlaza is a 1957 Palanca Awardee for “May Pangako ang Bukas” and theaterical drama trained by National Artist Severino Montano. Appointed by Pres. Noy Aquino as Movie and Television Review and Classifications Board (MTRCB) Vice Chairman this year, Borlaza directed 24 films with Vilma Santos and was credited with her transformation to a reluctant singing competitor of Nora Aunor to bankable superstar with such hits like Dyesebel, Lipad Darna Lipad, Darna and the Giants. – IMDB (READ MORE)

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