Vilma Santos-Recto is a popular multi-awarded actress and politician in the Republic of the Philippines. *** She is known as "Queen of Philippine Movies," "Queenstar," "Grand Slam Queen," "Box Office Queen," and "Star for All Seasons." *** This website is mostly about her iconic film career.
“I play a movie extra and a double, so I don’t really have to look good or be well-dressed or fully made-up. That is what excites me and challenges me at the same time—how I can be able to transform into a character so different from who I am, from how people have known me for all these years.” – Vilma Santos
“…EXTRA (A Bit Player) is a socio-realist drama-comedy film, which follows a seemingly usual day in the life of Loida Malabanan (Vilma Santos) as she embarks on yet another shooting day of a soap opera as an extra. As the shoot goes on, we get a glimpse of the truth in the ruling system of the production as well as the exploitation on the marginalized laborers like her…” – Cinemalaya (READ MORE)
Exceptional and Versatile – “…Speaking of Jay Ilagan, he was the local film industry’s most talented teen actor in the ’70s, and directing him was a breeze. Coming from the Ylagan family of theater and film artists, he had great genes and instinctively knew how to approach every role assigned to him. He was also versatile, essaying different roles (drama, comedy, musical, action) with ease and believability. Sensing this, we restricted our direction of his scenes to simple suggestions, plus a little tweaking here and there. Later, Jay would go from one thespic success to another, and his stellar future was exceedingly bright – until he gained weights. His plumpness promted his mentor, Lino Brocka, to pull him out of “Tinimbang Ka Ngunit Kulang” and replace him with new discovery, Christopher de Leon. Ditto for “Maynila, Sa Mga Kuko ng Liwanag,” where Jay was replaced by Bembol Roco. Jay’s loss was definitely Christopher and Bembol’s gain. But, we submit that the industry suffered a great loss when Jay’s stellar career lost its luster, because it was deprived of his exceptional and versatile talent…” – Nestor U. Torre, Philippine Daily Inquirer, Nov 24, 2007 (READ MORE)
Amy’s Love “…When Amy addressed some 40 guests at the True Riches Ministry (which meets every Thursday at 6:30 p.m. at Fusion Cafe, Greenbelt, Makati), she started off with the question, “Those who know Jay Ilagan, raise their hands.: And then she talked about the man she never stopped loving. When you hear her story, at many points she sounds like people you know who aren’t stars. When she talks of how she loved Jay, she reminds you of a friend who tended to love too much. When she talks of life after Jay (whe she yearned for another partner in life), she sounds like single-parent friends of yours who also want to setle down. Sometimes she sounds like a typical working mother, struggling hard to make ends meet. At other times, she reminds you of a troubled friend who had wrestled with drugs. All your friends, married or single, at one point in time-were Amy Austria. And she talks most candidly about it. Amy captivated the crowd without even reading a acript!…Then Amy fell in love and lived with Jay for nine years. “Although we weren’t married, I did everything for him. I quit show biz and was his barber, masahista, nurse and doctor. I was a handyman, I even did carpentry. But I couldn’t save him from death. When Jay died on Feb. 4, 1992, Amy wanted to die too. She would comfort herself by thinking, “Atleast, I love him completely.” But today she advises differently: “Never love nang todo,” she says, “It’s like idolatry…” – Mona Gonzalez, Philippine Daily Inquirer, May 18, 2002 (READ MORE)
The Actor – “…And because the looks came with deep talent, Jay survived the transition from teen star to adult actor-winning a Gawad Urian Best Supporting Actor trophy in 1982 for the movie, Kisapmata, another Gawad Urian Best Actor in 1985 for his role in Sister Stella L, and 1988 FAMAS and Film Academy of the Philippines Best Actor for his acting in Maging Akin Ka Lamang. His acting was not confined to drama. Jay was later known as a funny guy, being one of the Bad Bananas gang with Christopher de Leon, Johnny Delgado and Edgar Mortiz. In his personal life, he married actress Hilda Koronel but they eventually separated, and he and actress Amy Austria would live-in together. Jay had remained with Amy until his sudden death on February 3, 1992. On that fateful night in Quezon City, Jay lost control of his motorcycle and skidded to his death. Reports claimed that the actor was not wearing a protective helmet. He was 39. …” – Jaja Rodriguez (READ MORE)
Acting Exercises “…Aside from desperately trying to hold on to his on again – of again relationship with his estranged wife, Hilda Koronel, Jay was also trying to lose weight so he would be fit to tackle any movie role offered to him. He was not successful in keeping Hilda but thanks to his Scarsdale diet, regular workout and discipline, Jay was able to lose all those unwanted pounds. Relieved that he is once more in the world he fits so well in, the former child actor says, “I don’t know of any other job I’d be happy at except show business.” The good news is that Jay has found somebody to replace Hilda in his life: Amy Austria. Still, he and Hilda have remained “good friends” and bear no gudge against each other…Out of Soltero’s 262 sequences, 258 belong to Jay. He has six monologues of roughly 400 feet of film. Still Jay cannot say that he had any big problem doing the movie. “Matagal ang set-up and mostly mood shots and ginagawa namin. Though simple, the script required me to do acting exercises,” he recalls. Asked if he had any difficulty working on the film required him to be on set most of the time, Jay sighs. “Medyo mayroon din. Lagare ako. I was also doing Stella L….” – TV Times Magazine April 29, May 5 1984 (READ MORE)
The Footsteps of his Parents – “…He is a real “child of Cinema”. Nagkaisip siya sa paligid ng mga movie cameras, mga klieg lights at sa pagbabalatkayo. Musmos pa lamang siya ay nandoon na siya sa harap ng kamera, halos walang malay na gumaganap bilang Little Ronnie Poe, Little Joseph Estrada, Little So and So. Si Jay Ilagan ay anak ng dating aktres na si Corazon Noble at ang dating aktor na si Angel Esmeralda. Acting runs in his blood. Kaya Jay really had no choice but to follow in the footsteps of his parents and his relatives…Every experience in life helps me in playing movie roles,” nasabi noon ni Jay. Experience, ika nga, is the best teacher. Lahat ng mahuhusay nating artista ngayon have in one way or another, at one time in their lives, also gone through sad and bitter experiences. Naging mahirap din ang transition period ni Jay, specially when he reached the age of 14 or 15. Too young to be an adult actor and yet too old to be a child actor, that was the dilemma. Pero Jay survived that period. Habang hinihintay niya ang kanyang paglaki at pagma-mature, nakisali na rin siya sa mga pelikulang kantahan, sayawan at kung anu-ano pang mga wala namang katuturan. “Jay is a flexible actor,” says a respected director. “Meaning, okey na okey siya bilang Kenkoy; okey na okey rin siya sa drama. Maski aksyon, pupuwede siya…” – Jingle Extra Hot Movie Entertainment Magazine, April 27, 1981 (READ MORE)
Jay Ilagan born Julius Abad Ilagan on January 20, 1953 in Manila. Son of Sampaguita Pictures leading lady Corazon Noble and director Angel Esmeralda, he started as a child actor in the Philippine cinema. A matinée idol, he hosted “Stop, Look and Listen” and starred in My Son, My Son and Goin’ Bananas. He died from motorcycle accident in February, 1992 (Wikipilipinas).
Jay Ilagan and Vilma Santos
Jay Ilagan and Vilma Santos started their career as child stars. Their first film was in a Joseph Estrada-Barbara Perez starrer. They follow this up when they’re already in their teens in 1970s’ musical era. Both can’t sing but was able to maintain popularity against the singing sensations like Edgar Mortiz who became the other person in some of their teen love triangle films. After a few musicals, some fantasy and comedy films, they reunited finally as adult actors in Borlaza’s Coed in 1979. Overall, they produced eleven films before his untimely death in 1992 from a motorcyle accident (reminiscent of his scene in one of Vi-Jay movie, Paano Ba Ang Mangarap).
Sister Stella L (1984) – “…Sa pagkamatay ni Ninoy, ang napagbuhusan namin ng panahon nina Mike at Ding ay isang documentary na pinamagatang Signos at ang pelikulang Sister Stella L. Isang kanta mula sa binabalak na Brechtian zarzuela ang ginamit na isa sa mga theme songs ng Sister Stella L: ang “Aling Pag-ibig Pa,” na binigyang-tinig ni Pat Castillo sa pelikula at sa plaka. Nang ipalabas ang Sister Stella L. sa 1984 Venice International Film Festival, ang pamagat nito ay Sangandaan (Incroci sa Italyano, Crossroad sa Ingles). Pinagtiyap na sa unang storyline ay Sister Corazon de Jesus ang pangalan ni Sister Stella L. Ang nasa isip ko noon ay hindi si Corazon Aquino, kundi ang Sagrado Corazon de Jesus…” – Pete Lacaba (READ MORE)
Paano Ba Ang Mangarap (1983) – “…A true blooded Vilmanian will not forget the time when a teaser (a very brief movie trailer – around 20 seconds) was shown to the theatres in the summer of 1983. It was Viva films’ “Paano Ba Ang Mangarap?” Another box office hit from Vilma Santos and Christopher DeLeon. The teaser (almost worth the whole movie ticket) was the scene where Lisa, played by Vilma discovered that her son (to Eric’s brother, Jay Ilagan) was gone courtesy of her evil rich mother-in-law (Armida Sigueon Reyna). Here’s the lines and the explosive acting of the Queen. The scene: After running around looking for the baby in all the rooms in second floor of of this huge mansion, Lisa confronted Eric who were stunned to find Lisa’s hysterics. Lisa: “Dinaya n’yo ako! Saan n’yo dinala ang anak ko?!!!” Eric: “Hindi ko alam!” Lisa: “Hindi mo alam…Sinungaling!” Eric: “Lisa, makinig ka muna…” Lisa: “Kasabwat ka ng ina mo! Alam ko matagal n’yo nang plano ito!” Eric: “Ano bang pinagsasabi mo?” Lisa: “Dinaya n’yo ako! Mga Traydor Kayo! Traydor kayong lahat!” Eric: “Lisa, huminahon ka baka mapaano ang bata!” Lisa: “Wala akong pakialam! Ibalik mo sa akin si Jun Jun! Ibalik mo sa akin ang anak ko! Ibalik mo sa akin si Jun Jun! Ibalik mo sa akin…AHHHH (mahuhulog sa hagdanan)” Just this scene alone, Vilma should be rewarded that year’s best actress award! Bravo!…” – RV (READ MORE)
Coed (1979) – “…Mula sa VS Films at Bancom Audiovision Films ang pelikulang Coed (January 25, 1979) ay nagtatampok kina Vi, Jay Ilagan, Delia Razon, Allan Valenzuela, Romeo Enriquez, Romeo Rivera, Jun Soler, Angge, Jojo Santiago at Rosemarie Sarita sa panulat at iskrip ni Allan Jayme Rabaza at direksiyon ni Emmanuel H. Borlaza…” – Alfonso Valencia (READ MORE)
Karugtong Ng Kahapon (1975) – “…Vilma Santos, on the other hand, gave a notable performance in Roma Films’ Karugtong ang Kahapon. That time, Nora and Vilma were in their peak, their career and the movies they made were being followed closely, compared, watched, praised, scrutinized both by fans and critics. Their storied and fierce rivalry dominated our movie industry for years…” – Wikipedia (READ MORE)
Ang Hiwaga ni Mariang Cinderella (1973) – “…Besides teaming up with Edgar Mortiz during her teen years, Vilma Santos also starred and appeared in many movies opposite other leading men…Jay Ilagan – Ang Hiwaga ni Maria Cinderella (1973)……” – Simon Santos (READ MORE)
Tsismosang Tindera (1973) – “…Tampok sina Vi, Jay Ilagan, Ike Lozada, German Moreno, Chanda Romero, Beth Manlongat, Romy Miranda, Baby Alcaraz at Angelito sa pelikula ng Tagalog Ilang-Ilang Productions na idinerek ni Emmanuel H. Borlaza…..”ang inilalako ay bilasang isda at sariwang balita!…..” Tsismosang Tindera (February 2, 1973)…” – Alfonso Valencia (READ MORE)
Tatlong Mukha ni Rosa Vilma (1972) – “…Si Nick Romano ay nakakuha ng FAMAS best supporting actor sa pelikulang Tatlong Mukha Ni Rosa Vilma (1972) at nakasama ni Vi sa mga pelikulang Tatlong Mukha Ni Rosa Vilma (1972), Anak Ng Asuwang (1973), Wonder Vi (1973), Vilma & The Beep Beep Minica (1974), Phantom Lady (1974), Ibong Lukaret (1975) at Ikaw Ay Akin (1978)….” – Jess P. S. (READ MORE)
Ang Konduktora (1972) – “…Santos made fourteen films, mostly forgettable musicals. It was also a year where her benefactor started to positioned her as more of a film actress than a singing film star. The results was successful experiments that showcased her comedic ability (Ang Kundoktora), screaming action stunts (Takbo Vilma Dali) and dramatic capability (Dama De Noche). Her followers was delighted when she earned her first acting recognition the next year receiving the FAMAS best actress via Dama De Noche. Most of her films in 1972 were directed by Emmanuel Borlaza however, she was able to do one film with Ishmael Bernal, “Inspiration” with the late Jay Ilagan, one of her regular film partner. According to Bernal, the film wasn’t as successful as what he expected, as the film flopped. Aside from Inspiration, Bernal did two other films, El Vibora (starring Vic Vargas and Boots Anson Roa) and Till Death Do Us Part (starring the young Hilda Koronel and Victor Laurel)…” – RV (READ MORE)
Leron Leron Sinta (1972) – “…Ang christmas at new year’s presentation ng Tagalog Ilang-Ilang Productions na nagtatampok kina Vi, Edgar Mortiz, Jay Ilagan, Florence Aguilar, Lilian Laing, Beth Monlongat, Ruben Tizon at Angelito at ito ay ang Leron Leron Sinta (December 23, 1972). Ito ay sa iskrip ni Nestor U. Torre Jr. at sa direksiyon ni Emmanuel H. Borlaza…” – Alfonso Valencia (READ MORE)
Remembrance (1972) – “…Remembrance,” another film musical, was chosen “best musical” in the Manila Film Festival. The film stars Vilma Santos (Wilear’) and Edgar Mortiz (Wilear’s). The film also won in the categories of best film editing, best sound and best script…” – Oskar Salazar (READ MORE)
Inspiration (1972) – “…In a musical era of 1970s, “Inspiration” was quite an experimental film, with no musical numbers, better screenplay, well-written characters. Nestor and Bernal works well in establishing the character of Jay and Vilma. Their dialouges are not “corny” and very realistic. There is no over the top dramatic scenes inserted between musical numbers. The parent played wonderfully by Merle Tuazon and Carlos Salazar were convincing. Although both Vilma and Jay played their roles effectively, Lilian Laing steals the film as Lola Jane. She was bubly and funny, a sex-starved, karate black belter, polo game afficianado, who loves life and considering she playing the old grandma who is also the solution to all the complication in life…” – RV (READ MORE)
Ito Ang Pilipino (1967) – “…In 1966, Estrada was “just” an actor portraying a bandit fighting the Spaniards, led by Eddie Garcia. Directed by Cesar “Chat” Gallardo, an important scene in the film featured the late Vic Silayan telling the young Estrada that he would be the country’s next president-to which, Estrada’s character answered in disbelief, saying it was impossible, because he could neither read nor write! Prophetically, the historical film presaged the actor’s political career. Who would have known that he’d become the 13th president of the Philippines?! At the screening, Estrada’s leading lady, Barbara Perez, who was first seen in 195’6′s “Chabacano,” was in the audience to watch the “lost” film revived by the Society of Filipino Archivists for Film (SOFIA). The actress shares: “Back then, I kept getting in and out show biz, especially when I had to give birth!…” – Rica Arevalo (READ MORE)
As I browsed my compilations of old magazines, I can’t help but awestrucked and fascinated by how Vilma Santos is being admired and respected by her colleagues in show business. All of them have high regards and appreciations to the one and only Star for all Seasons. Here are some of their commentaries:
Nangangatog ako ng una kong ma-meet si Vilma Santos in person. Ganoon pala talaga ang feeling kapag naka face to face mo ang idol mo. – Ana Capri
Hindi complete at walang katuturan ang pagiging producer ko kung hindi ako makagawa ng pelikula na bida ang hinahangaan kong si Vilma Santos – Donna Villa
Kahit one-fourth lang ng tagumpay ni Ate Vi. Ang marating ko masayang masaya na ako. Talagang idol ko siya. Idol siya ng buong pamilya ko – Kristine Garcia
I first worked with Vilma when she was just a child star. From then, alam kong malayo ang mararating niya as an actor dahil bata pa mahusay na. Hindi ako nagkamali. Hindi lang siya basta naging artista, kundi naging isa sa pinakamahusay at pinakasikat. – Gloria Romero
“Vilma is a better actress (as compare to her rival)…she has wider range ..a puede kahit anong role(and can do any role)…” – Charito Solis
Simula ng mapanood ko si Vilma sa Trudis Liit naging Vilmanian na ako. Nobody comes close to her. – Armida Siguion Reyna
Naging Huwaran ko si Ate Vi hindi lang sa career ko kundi maging sa personal kong buhay. I am very proud to be a Vilmanian. – Snooky Serna
Bata pa ako hindi pa ako artista talagang idol ko na si ate Vi. Pinupuntahan ko pa yan sa bahay niya para lang makita at maka-usap kahit ako lang mag-isa.- Sharon Cuneta
Vilma is the most versatile actress in our time. Kahit anong role kaya niyang gampanan ng buong husay. Ang sarap makatrabaho ang isang Vilma Santos – Celia Rodriguez
Kung alam lang ni ate Vi kung ilang beses akong nadapa sa paghahabol na makita siya. Siya ang naging inspirasyon ko sa pagpasok ko sa showbiz. – Ai-Ai Delas Alas
Simula noon hanggang ngayon pagbalibaligtarin man ang mundo Vilmanian pa rin ako. – Korina Sanchez
Once you encounter and know ate Vi, you will realized how nice and thoughtful she is. She is always been an inspiration to me. Masarap siyang maging kaibigan. – Kris Aquino
Si Vilma Santos ang idol ko. Maganda na, magaling pa. – Amy Austria
Mahusay talaga si Vilma kahit saang aspeto. Napakagaan niyang katrabaho. Isa sa mga dream ko ang mai-direct si Vi. – Gina Alajar
Vilma Santos can compete with the top caliber actresses in Hollywood. She is an epitome of a real queen of Philippine Cinema. I really look up to her. – Lea Salonga
Makasama ko lang si ate Vi sa pelikula gagawin ko kahit libre. – Dawn Zulueta
Ng makasama ko si Mama Vilma sa pelikula feeling ko puwede na akong mamatay. – Carlos Agassi
Ang isa sa pinakamagandang nangyari sa buhay ko sa pagpasok ko sa showbiz ay ang makasama ang pinakamahusay na aktres na hinahangaan at nirerespeto ng lahat. Marami akong natutuhan kay Mama Vilma – Piolo Pascual
It would be a great fullfilment if I make a movie with my favorite actress Vilma Santos – Alvin Patrimonio
Actually, mag-cousin pa kami ni Ate Vi. Walang hindi Vilmanian sa pamilya namin – Raymart Santiago
Vilma is my favorite actress. She is the only actress I love to watch on local screen. She’s Great. – Martin Nievera
Bago ako naging artista, die hard Vilmanian na ako. Nakikipag-away pa nga ako dahil kay Vilma. – Rosanna Roces
Bata pa ako ginagaya ko na ang mga acting ni Ate Vi. Idol siya ng Nanay ko kaya naging idol namin siya – Glydel Mercado
I am very flattered when Lino Brocka said that I am the next Vilma Santos. But Vilma Santos is Vilma Santos, she is incomparable. – Ruffa Gutierez
Vilma Santos is the Greatest Actress of all times. Walang Katapat – Eric Quizon
Si Vilma ang isa sa madalas magpadala ng tulong kapag may mga pangangailangan o project kami sa Red Cross at Damayan. Iilan lang ang katulad niya na kusang tumutulong na hindi na kailangan pang ipaalam sa publiko. – Ms. Rosa Rosal
I am a closet Vilmanian before, pero ngayon nagladlad na ako. Maraming katangian si Vilma na talagang hahangaan mo – Boots Anson Roa
Type ko siya. Ang husay husay niya. – Rio Locsin
Bago ako pumasok sa showbiz, die hard Vilmanian na ako. Nakikipag-away pa nga ako dahil kay Vilma. – Jaclyn Jose
For me Vilma Santos is the Greatest Actress of all times. – Gabby Concepcion
Somebody would come from the Philippines and they’d bring in Vilma Santos films, and I just remember, ‘Oh, this woman is making me so emotional, I think I’m a Vilmanian. That’s what they call it, I think. – Mig Macario
She crosses over from politics to showbiz and back. She can say one thing and it can be about motherhood, or love, or stardom, or politics….ang taong for all seasons – award season, holiday season, election season, even back-to-school season. Over time I’ve had the chance to meet her, and nabigyan niya ako ng acting tips. She has validated my work and given me her friendship. – Jon Santos Source:V magazine Volume 1, Issue 4 2005 plus updates 2012
Basic Information: Director: Danni Caparas; Writing credits: Sherwin Buenvenida, Rolf Mahilom, Divino Reyes, Rhandy Reyes, Woodrow Serafin; Cast: Aga Muhlach, Bayani Agbayani, Edu Manzano, Rica Peralejo, Gloria Romero, Dagul, John Estrada, Erich Gonzales, Darling Lavina, Juliana Palermo, Mariel Rodriguez, Tado, Jeffrey Tam, Nikki Valdez, Onyok Velasco, Arron Villaflor; Producer: Phoebe Anievas, Mark Anthony Gile, Cynthia Jordan; Film Editing: Roy Francia; Release Date:2003 (Philippines); Production Co: ABS-CBN – IMDB (READ MORE)
Reviews: “…With a guest list that includes Sharon Cuneta, Regine Velasquez, Roderick Paulate, and several top-secret guest appearances, OK Fine! Whatevers definitely become a must-see show for ABS-CBNs Tuesday primetime lineup. New cast additions Edu Manzano and Tado have also livened up the OK Fine! mix, as long-lost fraternal twins Michael (Aga Muhlach) and Miguel (Bayani Agbayani) have finally formed a family along with their Lola Barbie (Gloria Romero). Now, Michael is the middleman for the get-richquick schemes of his eccentric new neighbor Junior (Edu Manzano). Junior, elder brother of girl-next-door Icay (Rica Peralejo), can be seen operating a car wash, manned by sexy girls, by day while pursuing his interests in jewelry and archaeology on his off hours. Despite his business sense, Kuya Junior always needs Michaels hand whenever he gets into trouble. Meanwhile, ace mechanic Miguel does miracles with the neighborhood cars. Along for the ride are such characters as Lola Barbies maid Camilla (Nikki Valdez) and all-around sidekicks Dong (Onyok Velasco) and Tado…” – Manila Bulletin (READ MORE)
“…While the initial concept was to stir both curiosity and bewilderment among viewers on how on earth funnyman Bayani Agbayani could be the twin brother of drop-dead gorgeous Aga Muhlach, the show has evolved into some sort of weekly witty exchange of comic punchlines and outrageous situations. This, after the creative team behind the show finally found the right chemistry – meaning, the right people for the right roles. With the inclusion of Edu Manzano, undeniably another drop-dead gorgeous actor (although a bit senior in terms of age and experience, but nevertheless gifted with an endearing and highly intellectual kind of outrageous flair), the Aga-Bayani tandem has expanded into a funny triumvirate. Over dinner with Edu, Aga, Bayani and the show’s executive producer Cynthia Jordan last week, spirits ran high as each shared anecdotes and stories about the show, specifically the special anniversary episodes they have taped. Some of the brightest stars will make rare appearances on the show for the next four weeks. Vilma Santos, Sharon Cuneta, Roderick Paulate, Regine Velasquez will take turns in doling out laughs with Edu, Aga and Bayani, plus the other mainstays who include Gloria Romero, Rica Peralejo, Nikki Valdez, Onyok Velasco and Tado Jimenez…” – The Philippine Star (READ MORE)
La Koronel: Lovely as ever – “A still incredibly lovely Hilda Koronel was one of the guests of Edu Manzano in his TV show last Monday and were we surprised at her slimness? The “Haydee” girl is all of 118 pounds now and she looks slinky and sexy in her all-black mini outfit. There was a time when she was all bulges and even if she still has that beautiful Koronel face, she does not look all right on the screen. We remember that Koronel would not touch any food except steak before. How she loves steak! But all that has now changed. Determinedly, she is now into fruit juices, no rice, no fatty foods and eats only salmon. What didn’t change, one observer commented while viewing her in the show, is her being very blunt and outspoken especially when she said, “If they don;t like me, then, I won’t have anything to do with them” or something to that effect. Koronel is all set to do a film for Viva and we’re sure her fans are all agog about it. Will she be a threat to the throne now occupied by Vilma Santos as “The Actress” to be reckoned with? If we’d make a guess, Lino Brocka’s the right director for the first comeback film of this actress. There’s a certain chemistry between them in the same way there’s an “artistic symbiosis” between Santos and Ishmael Bernal,..” – Nena Z. Villanueva, Manila Standard, Mar 2, 1989 (READ MORE)
Insiang at Cannes – “…Insiang has opened the door for Filipino filmmakers to the international market. The next move is ours and it better be good. “I stayed for only five days,” Hilda sighs, “because I missed home. Our plan was to make a side trip to Paris and see some more of Europe but I decided to come home ahead of Lino.” They left on a Monday, May 15, and Hilda was back the next Monday, May 22. Lino stayed behind to see as many films as he could to negotiate for the entry of Insiang to other film festivals and for its showing on a commercial basis in Europe. In July this year, Insiang will be entered at the Thormina Film Festival in Sicily; in August, at the Montreal Film Festival in Canada; and, before the year is over, at the Carthage Film Festival in Tunisia, along with Maynila (also by Brocka), Ishmael Bernal’s Nunal Sa Tubig), Mike de :Leon’s Itim and Eddie Romero’s Ganito Kami Noon. Insiang has also been sold for showing in France (and other French-speaking territories), Belgium, Germany, Austria, Brazil and all over Scandinavia. “That, I believe, is our biggest achievement in Cannes,” says Hilda, “making other countries aware of our films. Now, people there have become curious about Filipino films. Whenever we were interviewed on TV they always asked what other films are we producing in the Philippines.” The Cannes Film Festival is divided into four; the Main Competition, Perspectives (avant-garde movies made in France), Critics’ Week (films made outside France and judged by an all-French jury), and the Director’s Forthnight (for first-time participants and new, independent and innovative directors). Insiang was entered in the Director’s fortnight, a non-competitive division, with films from 18 other countries. It was also in this division, considered a stepping stone to the Main Competition, where Oshima took his bow in 1976 with controversial film In The Realm of the Senses. This year, Oshima came back with bigger bang, joined the Main Competition with The Empire of Passion and bagged the Best Director award. “Cannes is not so big,” Hilda recalls. ‘there’s only one long boulevard along the beach and it looked like a marketplace. Everybody was there: actors, actresses, directors, producers, film distributors, critics, film buffs. You could see beautiful people everwhere you looked. May naka-damit, may nakahubad, may naka-jockey, may naka-topless, lahat ng klase nandoon. Everybody was trying to attract the attention of everybody’s else’s…” – Ricardo F. Lo, Expressweek, June 15 1978 (READ MORE)
Making it Big Early – “…At 14, however, Hilda Koronel, is the prettiest face in local movies, a very good dramatic actress and a passable recording star…Lino Brocka, director of the much-awaited “Santiago,” says: “There are many pretty faces in movieland. But there are only a few fine actresses. Hilda is not only a pretty face. She’s superb actress. And she takes direction easily.” To date, Hilda has made seven movies: “Santiago,” “Happy Hippie Holiday,” Wanted – Perfect Mother,” “Tubog Sa Ginto,” “Haydee,” “Leslie,” and “Now!” Hilda has a regular radio program (Fiesta Extravaganza), two TV shows (D’Wow Generation, Thursday over Channel 4; and Hilda over Channel 9, on Tuesdays from 7 to 8 p/m/). Recently she was named honorary member of Rustan’s VIP Council, a rare honor for an actress. “We have great plans for this kid,” says Mrs. Blas of Lea Productions. “We have already completed negotiations for the shooting of a big-budget movie in Japan which will star Hilda and Leonard Whiting.” The movie will be co-produced by MGM. Titled “Cherry Blossom” (Hilda will play the title role), the movie, which will be directed by Lino Brocka, will be shot during the cherry blossom season in February next year. “From there, who knows?” said Mrs. Blas. “We have ambitious plans of making a movie in Russia starring Hilda Koronel. We are negotiating for either Dustin Hoffmann or Eliot Gould to appear in the movie.” Fourteen-year-old Hilda Koronel has the whole world for a shooting location. Who can ask for anything more?” – Jose A. Quirino, Philippine Free Press, April 3 1971 (READ MORE)
Private Person – “…That’s how she wants her life to be: quiet and uncomplicated, which is a herculean task really because she belongs (in a way, yes) to a profession laden with intrigues and sensationalism and everything but quietude. “I wish people would stop being curious about my private life,” Hilda would plead every once too often. Although she hides behind a veil of mystery, she is constantly being hounded by gossipmoners and the deeper she retreats into her shell, the more nosy the public becomes. “I mind my own business,” she would declare, “and I wish people would mind theirs, too.” But she being a public figure (a tag Hilda attaches so much aversion to), how can people leave her alone? And so they continue to prey into her personal life. Is it true that she has been actually married to Jay Ilagan and she now wants that marriage declared null and void because she wants to marry her new boyfriend from Ateneo? Or, have they really gotten nitched in Hongkong last month? No, you don’t ask Hilda such questions or you run the risk of being summarily dismissed: “Just because I’m in the movies doesn’t mean that I am duty-bound to tell the public everything about me. I, too, am entitled to a degree of privacy…I used to be bothered by gossip,” according to Hilda, “but now, no more…I’m just being myself…why should I pretend to like people whom I don’t like? I have to like a person before I go out of my way to talk to him or greet him. I’m just being natural. I’m just being myself…Like Lolita, Hilda doesn’t enjoy swinging in the Showbiz social whirl, she shuns parties (“Sometimes I do attend some, but only to show my face”), she reuses to talk about her private life, she seldom smiles, she carries with her an aura of enigma, and she has a few friends from amount the movie stars (“I have only ten close friends but all of them are true, real friends,” Hilda admitted. Jay, inspire of their split, happens to be one of them).” – Ricky F. Lo, Expressweek, February 2 1978 (READ MORE)
Healthy Living – “…According to Hilda, some people still expect her to deliver the same level of intensity that she displayed in the 1976 Lino Brocka masterpiece, “Insiang.” “The funny thing is people expect me to be as good as I was back when I was 18,” she pointed out. “They’ll say, ‘She’ll do well. She’s Miss Insiang after all.’ Wait a minute, I’m old now! But I know I’ll always try my best.” Luckily, Hilda said, it didn’t take long for her to get her groove back while shooting “The Mistress.”…At 55, Hilda has remained youthful and regal. How does she take care of her good looks? “It’s just healthy living, I guess,” she said. “Our diet’s very good. We eat organic things and lots of fruits and vegetables. I exercise and walk a lot, and I also play badminton.” Hilda said she never even considered going under the knife, or getting Botox injections. “No, I don’t need those. I’m not unhappy with my looks!” she said, laughing. She doesn’t mind being called “lola” by her three grandchildren either. …” – Allan Policarpio, Philippine Daily Inquirer, August 26, 2012 (READ MORE)
Vilma Santos and Hilda Koronel
Hilda and Vilma’s only full length featured film, “Gaano kadalas ang minsan?” in 1982 was a record-breaking hit film, where Hilda plays Elsa, an impotent wife who desperately wanted to have a child. She concocted a plan to make her friend impregnated by her own husband, Lily played by Vilma Santos.
The two agreed to be part of “Dugo at pag-ibig sa kapirasong lupa” in 1975 where they, together with Nora Aunor and other big stars like FPJ and Joseph Estrada, did not shared the same screen time but in separate segments.
Currently, Hilda and Vilma’s husband shared the same name, Ralph. Hilda’s husband is Filipino-American businessman Ralph Moore, Jr. while Vilma’s Filipino politician, Senator Ralph Recto.
Hilda and Vilma both have children from separate marriages. Koronel has 5 children, Leona (with the late-actor Jay Ilagan); Ivy (adopted); Isabel (with the late Bambi del Castillo); Gabby (with Spanky Monserrat); and Diego (with Dr. Victor Reyes). While Vilma’s children are Luis Manzano (with Edu Manzano) and Ryan Christian Recto (with Ralph Recto).
While both successfully handled by National Artists, Brocka and Bernal, Hilda was more identified with Brocka and Vilma with Bernal. Hilda was praised for Brocka’s “Maynila sa mga Kuko ng Liwanag” while Vilma was most acclaimed for Bernal’s “Relasyon.”
Both Vilma and Hilda were once linked to the late Jay Ilagan. Hilda had a child with Jay and it was public knowledge that Jay courted Vilma when they’re both in their teens. Both did several films with him, most notably, “Kasal” and “Happy Hippie Holiday” for Hilda; and “Sister Stella L.” and “Remembrance” for Vilma.
Both Vilma and Hilda were recognized by FAMAS at early age. Hilda won a best supporting actress at the early age of 13 for 1970’s “Santiago” while Vilma won a best child actress at the early age of 9 for 1963’s “Trudis Liit.”
In 2003, Hilda plays Aling in Mark Meily’s dramedy, “Crying Ladies” with Sharon Cuneta. Although not a Vilma Santos film, Hilda Koronel’s role has a connection to Vilma. She plays, as the New York Times film review explained, “…a shopkeeper who clings to the fading memory of her movie career, whose high point was a bit part in a picture called ‘Darna and the Giants…” “Darna and the Giants” was of course a Vilma Santos film.
According to Ricky F. Lo on his August 3rd Philstar colum, being second choice for a role is as, “It happens all the time…second choices turning out to be, after all, the better choices.” He pointed out, Hilda Koronel as the second choice for Lea Productions’ “Haydee.” It was turned down by beauty-contest finalist Marilou Destreza, who later co-starred with FPJ but faded after that. Then Vilma Santos was the second choice for Celso Ad Castillo’s “Burlesk Queen.” It was initially offered to Lorna Tolentino.
In 1979 Vilma Santos did Pinay American Style where her role’s named was PX, an illegal alien in the U.S., three years after, Hilda Koronel played Lydia in the Lino Brocka film titled, PX.
Both Vilma and Hilda did a controversial films about labour unrest, Behn Cervantes’ 1975 film “Sakada” and Mike de Leon’s 1984 film “Sister Stella L.”
Lino Brocka’s “Insiang” starring Hilda Koronel was the Philippine’s entry to the prestigious Cannes Film Festival in 1978. After seven years, Mike de Leon was supposed to repeat Brocka’s success with two of his films exhibited in the previous year’s Director’s Forthnight section of the festival, but unfortunately, it didn’t happened. Instead, de Leon’s film, “Sister Stella L.” was entered as the Philippines’s entry to the oldest festival and equally prestigious, the Venice Film Festival in 1985.
Both Vilma and Hilda co-starred with John Lyod Cruz in record-breaking films, Vilma in 2009 ‘s “In My Life” and Hilda in this year’s “The Mistress.”
Last year, it’s a major comeback for the big three, Nora Aunor made headlines in her comeback movie, “Thy Womb,” Vilma Santos put a dent on the box office records with her horror film, “The Healing” and Hilda Koronel’s successful comeback was in the box office hit, “The Mistress.”
Burgos Filmbio – “…Speaking of Echo, he might just play Jason Burgos in the Filmbio of Edith T. Burgos, wife of the late crusading journalist Joe Burgos. To date, Jonas, himself an activist remains missing, in all probability dead. Director Joel Lamangan is negotiating with US-based Hilda Koronel to portray Edith in the filmbio, written by Ricky Lee and produced by Harlene Bautista. Who’ll play Joe Burgos? No final casting yet. Hilda and Echo co-starred in that engrossing drama-thriller “Nasaan Ka Man,” which also featured Gloria Diaz, Diether Ocampo, and Claudine Barretto, directed by Cholo Laurel. Whatever happened to Cholo? The filmbio chronicles the mother’s heartbreaking search for a missing son…” – Tempo, Feb 20 2013 (READ MORE)
Hilda Koronel, (born Susan Reid on 17 January 1957, Angeles City, Pampanga), is a FAMAS and Gaward Urian Award winning Filipina actress. Born to a Filipina mother and an American father who was a serviceman in Clark Air Base, she has starred in around 45 films, many of which are critically acclaimed, since 1970. Her career got off to an unprecedented start becoming the youngest winner of the FAMAS Best Supporting Actress award in 1970 right at the beginning of her career which she won at the age of just 13 for her role in the 1970 film Santiago. In 1975 and 1976 she starred in the Lino Brocka classics Maynila: Sa mga Kuko ng Liwanag, which won six FAMAS awards in 1976, and Insiang, which won both a FAMAS and a Gawad Urian Award in 1977. To date she has won three awards and received 11 nominations. – Wikipedia (READ MORE)
When Vilma Santos released her first album in 1969 under Willears Record, no one expected that her vinyl record would sell 500,000 units making it the company’s surprise record-breaking album of that year. The signature song, “Sixteen” became the most played single of that year proving that Vilma Santos can be as phenomenal as her closest rival and the more established singer, Nora Aunor. The young Vilma won a Golden Record Award for her debut album that comprised of 16 English songs including four original songs composed and arranged by Dannie Subido.
Prior to her debut album, Vilma Santos’ first stint in singing was in her earlier film, 1964’s Ging. She played a child singing sensation opposite drama staple, Olivia Cenizal. Her career continued with string of dramatic roles and when the musical trends started in late 60s her career aspiration become limited mainly because everyone expected young stars to sing well. She admitted her limited range as singer and concentrated with her promising acting talents and dancing. When Vi found commercial success with Edgar Mortiz as her love team, she occasionally sings with him. Their fans did not mind Vilma’s soft thin voice. Actually, Vilma’s sweet tone blends well with Edgar’s balladeer pipes. The success of Vi & Bot love team was evident with numerous films and it was only a matter of time that the idea of having Vilma have her own album came in 1969. There was a market and demand for Vilma’s very own long-playing vinyl. William Leary, Vilma’s manager asked musical director Dannie Subido to gather songs that will suit Vilma’s limited range.
It was reported that Subido find the project challenging. They have to find songs that are light but will still give Vilma’s fans enjoyment. They decided to make it fun and sort of child like. They also wanted to make sure that the songs reflect Vilma’s current state of mind, that of a growing teenager. Sort of like early Britney, “no longer a child not yet a woman.” Her promotional interview clearly confirmed some of the issues teenagers are experiencing during this time. Body image, sex education, adulthood, friendship and dating are some of the topics the album tackled which are topics that are still relevant today. “…as a singer…gosh…I feel a funny thing inside every time na naiisip kong, I was not a born singer. But every time I hear my records play, I couldn’t help but kid myself, that I was made after all.” She commented when asked to evaluate herself as singer. What she really meant by that line, “I made it” is that by making her record a success no one can’t say that she cannot be sell records. This success proves that she can be a successful singer like her closest rival, Nora.
Listening to “Sixteen” – Vilma’s first album was pure fun and still very relevant today. Consist of twelve songs six on each side. The vinyl record on side A starts with its carrying single, Sixteen. Composed by Dannie Subido, Sixteen talks about “making out” in the park. This might alarm some of the religious zealots in the 70s but Ate Vi’s wholesome sweet voice makes the song wholesome and child like. The hidden sex – “making out” – kissing and hugging in public place – message of the song would probably the reason why “Sixteen” became the favorites of teenagers. The song catapulted Vilma’s signature song. A feat that even her closest rival, Nora Aunor can’t replicated (Nora Aunor despite successful singing career lacked a signature song). Remember this is the hippie era and the start of the feminist movement. A clear reason why “Sixteen” was a major hit with the free love care free young generation of this era. The next songs, Dry your Eyes and Bring Back Your Love both arranged by Dannie Subido are love songs that boils down to frustration of a girl in love. Followed by a turned around in terms of mood with Vi’s version of a Bacharach composition, Raindrops Keep Falling On My Head, a funny but out of place song. One of the two final songs on side A, came as a surprise. “When The Clock Strikes One” was an original composition of Robert Medina and like “Sixteen” was about “making out” – kissing and hugging but this time its more fun because of its unusual up-tempo mood that’s actually more like a hip-hop song.
Side B of Sixteen was pure fun too. – Three songs that stands out were the original compositions of Dannie Subido, “Sometimes,” “It is Wonderful to be In Love” and “Then Along Came You Edgar.” The lyrics of these songs are simple and obviously catered to the massive followers of the Edgar – Vilma love team. Before Britney Spears came up with her hit song, “Sometimes,” Vilma has her own song titled “Sometimes.” Both Britney and Vilma’s songs are about teenage love confusion. It’s a Wonderful To Be in Love is self-explanatory, yes Ate Vi is in love and she expressed it nicely in this song. The up-tempo and simple lyrics of this song makes it more like a children rhyme song except that it’s about almost “adult-kind” of love. The puppy love theme of the album continued with an uplifting song, well at least for the Vi and Bot fans with “Then Along Came You, Edgar.” This song confirmed Vi’s puppy love to the dark and handsome but not so tall cutie-pie, Edgar Mortiz. Once again, Dannie Subido’s arrangement and lyrics are simple but playful, a perfect fit to Ate Vi’s sweet range. The success of Sixteen can be attributed to the playfulness and simplicity of the song selections. It suited the sweetness and purity of Vilma’s almost child like voice. The album earned Vilma her first golden record award and a remarkable signature song, “Sixteen.” The album established her as a successful recording artist. If I will compare her to today’s list of contemporary artists, I will compare Vilma to the likes of Jennifer Lopez, Britney Spears, and Madonna. Jennifer, Britney, and Madonna has thin but sweet voices just like Vilma. Like Vilma, these pop superstars have to work hard to achieve almost perfect products that their fans loved. Like Vilma, the three pop stars are great dancers which they all used to the max in their choreograph production numbers. The reluctant singer came out on top. Vilma Santos’s debut album made history. Sixteen made Vilma Santos a remarkable singer.
After Sixteen – The success of Sixteen brings out another facet of Vilma Santos’ talent. Everyone knows that she is a good actress and a wonderful dancer but nobody expects that she will be able to succeed as a singer. At the early stage of her young career, the rivalry between her and a more established singer, Nora Aunor was lapse sided because Aunor was the number one singer in town. The success of Sixteen brings about an even playing field between the two young stars. Vilma’s record breaking sales positioned her career into high grear. She continued to act in several musical films and at the same time recorded fun-filled songs. To her critics, Vilma’s recording success were attributed to pure luck. And so, to prove them wrong, Vilma’s manager smartly plotted follow-up recordings. Not only did Vilma record her follow-up album, she recorded a string of mini-LPs. Mini-LPs are shorter version of the big vinyl record with two songs on each side. She ventured into Tagalog songs, recording six songs that include instants hits like Isipin Mong Basta’t Mahal Kita, a theme song to a film she did opposite Filipino chess grand master, Eugene Torre; Palong-Palo, where she received a golden record award in 1974 and an up-tempo opm, Tok-Tok Palatok, another theme song from one of her comedy film with the same title opposite Jojit Paredes. Vi and Bot also released two mini-LPs, “Something Stupid,” a song that they regularly sings at their TV show, D’Sensations and “Christmas Tiding,” a collection of famous holiday songs like Silver Bells and Vilma’s now famous version of Santa Claus is Coming to Town and Mommy Kissing Santa Claus thats been circulating in the internet in recent years. In addition, Vilma recorded Baby Vi, another mini-LP. She also shared equal billing with Edgar Mortiz, Esperanza Fabon, Ed Finlan, Hilda Koronel and Sahlee Quizon in a Christmas compilation album titled, Christmas Carols.
Willears Records continued Vilma’s recording projects with two albums, Sweethearts and Aloha My Love both featured her with off and on screen love partner, Edgar Mortiz. The company who introduced the resurgent singer, Vilma in Sixteen followed up her solo success with Sweet, Vilma, Sweet, a much more ambitious offering with Vilma doing popular cover songs. Songs that are mostly identified with more established singers, like Nora Aunor. It is worth noting that during the peak of the musical genre in the early 70s, the musical films relied heavily on foreign influence. Maybe this was the reason why Vilma’s rival Nora Aunor doesn’t have a signature song. Recorded songs are mostly versions of the foreign recordings. Tom Jones, Frank Sinatra, Connie Francis, Neil Sedaka are the usual suspects. Instead of original simple composition, Willears selected songs like Mama, Sad Movies, and Our Day Will Come and let Vilma create her own version. The result was a disappointment not because Vilma didn’t work hard for the project but because it lacks the originality of her first album. Vilma’s thin voice also didn’t help.
But despite this visible contrast to her first album, Sweet Vilma Sweet was a successful follow-up. She continued her singing stints with an album most Vilmanians seems to forget, All I See Is You carried the folk song, Ati Cu Pung Sing-sing and Wonderful world of Music. The later song became a title of a musical film that paired Vilma with Edgar and co-starred with Snooky, Tony Ferrer, and Boots Anson Roa. The demand for Vi & Bot’s recordings increased and Willears produced Sweetheart, perhaps a confirmation album of the real score between the two young teen stars. Out of 25 films Vilma and Edgar made in 1970, both Sweethearts and Sixteen stands out as two of their certified hits both as films and recorded albums. By 1972, Vicor Music Corporation took over Vilma’s singing career and smartly went back to the original fun-loving carefree theme that suited Vilma’s voice and made her a successful recording artist. With the guidance of Orly Ilacad, Vilma recorded original compositions that were light hearted, up-tempo and simple. Sing Vilma Sing arrived at the radio airwaves with the carrying single, “Bobby Bobby Bobby.” Despite the declaration of Martial law in 1972, the album became another instant hit. Also, Vilma and Edgar recorded their third album together, a follow-up with the hit, The Sensations. Aloha My Love came afterwards which also became a film and appropriately shoot entirely in Hawaii. Aloha was artistically packaged and contained Hawaiian and popular cover English songs like All Alone Am I and Eternally.
Unfortunately, all good things must end. By 1973, Vilma made her move. After almost one hundred films with Edgar Mortiz, she decided, it was time to venture out of the love team and test the water as solo star. This move also signaled the end of her singing career. At the same time, the musical genre started to subside as more turmoil politically spreads around the country. The bomba films exploded in mainstream local cinemas in mid 70s. Movie theatre owners illegally inserts porn clips in the middle of film. It was so popular back then that even the first Manila International Film Festival organized by former first lady, Imelda Romualdez Marcos allowed the bomba or sexy films to be shown during the midnight time slots of the festival. The bomba period created a long line up of respectable sexy actress like Elizabeth Oropeza, Daria Ramirez and Chanda Romero. Even former beauty queen, Gloria Diaz ventured into the sexy film. The emergence of sexy or “bold” films as what they referred to by local film buff challenged the now solo superstar, Vilma Santos. Tagalog Ilang Ilang production transformed her into an action super hero as the new Darna, Philippines version of Wonder Woman. Lipad Darna Lipad (Fly Darna Fly) defeated entertainment giants Fernando Poe Jr and Joseph Estrada, both have films being shown at the same time and the usual bomba films. A very long line-up snake down the streets of Claro M. Recto Avenue’s Cinerama theatre. It was recorded that Tagalog Ilang Ilang Production distributed Darna dolls and Coka-Cola bottles to the massive patrons during the film showing. Lipad Darna Lipad became the most successful Darna film ever. It broke box office records and solidified Vilma’s clout as the new box office queen of Philippine movies. Vilma’s stature as the most bankable artist of that time validated her decision to leave her love team with Edgar Mortiz and the singing stints to her closest rival, Nora Aunor. She became more adventurous and accepted roles that showcase her versatility. And this move cemented her position as the actress to watch, the actress on top of her game.
Remarkable History – As a singer, Vilma’s thin voice didn’t stop her to become a successful singer. Her hard work paid off and earned her a piece of history. The reluctant singer recorded strings of solo albums that created her signature songs, “Sixteen” and “Bobby, Bobby, Bobby.” Signature songs that enlisted her together with famous singers like Imelda Papin (Bakit), Eva Eugenio (Tukso), Claire DeLaFuente (Sayang), Sharon Cuneta (Mr. DJ), Didith Reyes (Nananabik), Aiza Siguerra (Pagdating Ng Panahon), Freddie Aguilar (Anak), Florante (Handog), and Gary Valenciano (Di Na Natuto). Her sweet and child like voice reflected the innocence of her original up-tempo songs that tackles teenage issues like dating, sexual education, body images and adulthood. Teenage issues that are still remarkably relevant today. – Credits: Album texts and Photos: Nar Santander, Eric Nadurata, additional photos: Rene Maximo Global Vilmanians
Anak, Ang Iyong Ina (1963) – First movie with Gloria Romero, Eddie Garcia and Rita Gomez
Aninong Bakal (1963) – First movie with Ronald Remy and Carol Varga
Angelica (1971) – Film directed by Emmanuel H Borlaza. Film with Edgar Mortiz, Romy Mallari, Baby DeJesus, Scarlet, Yazmin Romero.
Aloha My Love (1972) – Film location: Hawai. Film directed by Emmanuel H Borlaza. Film with Edgar Mortiz, Josephine Estrada, Ike Lozada, Bryce Curtis.
Ang Kundoktora (1972) – Directed by Romy Zusara. Film with Jay Ilagan.
Anak Ng Aswang (1973) – Directed by Romy Zusara. Film with Edgar Mortiz, Gloria Romero, Nick Romano, Leopoldo Salcedo, Daisy Romualdez, Rosanna Marquez.
Amorseko: Kumakabit, Kumakapit (1978) – Directed by Maria Saret. Film with George Estregan, Ernie Garcia, Rez Cortez, Beth Bautista, Brenda Del Rio.
Ang Galing galing mo, Mrs. Jones (1980) – Directed by Cirio H Santiago. Film with Al Tantay, Mark Gil, Anna Gonzales, Richard Romualdez, Don Pepot, Tintoy.
Ayaw Kong Maging Querida (1983) – Directed by Leonardo L Garcia. Film with Romeo Vasquez, Carmi Martin, Norma Blancaflor, Elizabeth Poe, Ric Arellano.
Adultery: Aida Macaraeg Case No. 7892 (1984) – Directed by Lino Brocka. Film with Phillip Salvador, Mario Montenegro, Deborah Sun, Alvin Enriquez.
Alyas Baby Tsina (1984) – Directed by Marilou Diaz Abaya. Film with Phillip Salvador, Dindo Fernando.
Asawa Ko, Huwag Mong Agawin (1986) – Directed by Emmanuel H Borlaza. Film with Eddie Gutierrez, Amalia Fuentes, Gabby Concepcion.
Anak (2000) – Directed by Rory B Quintos. Film with Claudine Barretto, Joel Torre, Amy Austria, Cherry Pie Picache, Baron Geisler.
B
Batang Iwahig (1966) – First movie with Joseph Estrada and Paquito Diaz.
Baby Vi (1970) – Film with Edgar Mortiz, Ed Finlan.
Because You’re Mine (1970) – Film with Edgar Mortiz, Anita Linda, Ben David, Metring David, Sonny Cortez.
Bulaklak At Paru-Paro (1970) – Film with Amalia Fuentes, Eddie Gutierrez, Edgar Mortiz, Reycard Duet.
Batya’t Palu-Palo (1974) – Directed by Pablo Santiago. Film with Fernando Poe Jr., Fred Montilla, Mila Del Sol, Dencio Padilla.
Biktima (1974) – Film with Edgar Mortiz, Helen Gamboa, Celia Rodriguez, Perla Bautista, Cristina Reyes, Leopoldo Salcedo, Bert Leroy Jr., Tomy Abuel.
Basta’t Isipin Mong Mahal Kita (1975) – Film with Eugene Torre, Coney Reyes, Roldan Aquino, Panchito, Ponga, Ike Lozada.
Bato Sa Buhangin (1976) – Directed by Romwaldo Reyes. Film with Fernando Poe Jr, Milie Mercado, Philip Salvador, Tina Monasterio, Rowell Santiago.
Bertang Kerengkeng (1976) – Directed by Tito C Sanchez. Film with Lito Anzures, Rudy Fernandez, Edna Diaz, Greg Lozano, Nello Nayo, Grace Santos.
Big Ike’s Happening (1976) – Cameo Role.
Burlesk Queen (1977) – Directed by Celso Ad Castillo. Film wih Rolly Quizon, Leopoldo Salcedo, Rosemarie Gil, Dexter Doria.
Bakit Kailangan Kita? (1978) – Directed by Emmanuel H Borlaza. Film with Romeo Vasquez, Maan Honteveros, Laurice Guillen, Romeo Enriquez, Mary Walter.
Buhay Artista Ngayon (1979) – Directed by Frank Gray Jr. Film with Dolphy, Panchito, Babalu, Freddie Quizon, Mary Grace Santos, Eddie San Jose, Chinggoy Alonzo.
Broken Marriage (1983) – Directed by Ishmael Bernal. Film with Christopher De leon, Orestes Ojeda, Tessie Tomas, Lito Pimentel.
Barbi (1988) – Cameo Role.
Bata, Bata…Paano Ka Ginawa? (1998) – Directed by Chito Rono. Film with Albert Martinez, Ariel Rivera, Carlo Aquino, Serena Dalrymple.
C
Cariñosa (1973) – Directed by Romy Zusara. Film with Manny DeLeon, Chanda Romero, Yoyoy Villame, Romeo Miranda.
Coed (1979) – Directed by Emmanuel H Borlaza. Film with Jay Ilagan, Celia Rodriguez, Allan Valenzuela, Romeo Enriquez, Romeo Rivera.
D
Duelo Sa Sapang Bato (1963) – DZXL radio serialized drama
De Colores (1968) – First film with Amalia Fuentes, Leopoldo Salcedo, Perla Bautista, Divina Valencia.
Ding Dong (1970) – Pablo S Gomez’ serialized in comics. Film with Tirso Cruz III, Ike Lozada, German Moreno, Boy Alano.
Dalagang Nayon (1972) – Film with Walter Navarro, Perla Adea, Romy Mallari, Chichay, Bert Tawa Marcelo.
Dama De Noche (1972) – Film directed by Emmanuel H Borlaza. Played the role of ossana/Armida. Film with Edgar Mortiz.
Don’t Ever Say Goodbye (1972) – Film location: Pasadena, Palm Spring, San Francisco USA. Film with Edgar Mortiz, Paul Cassidy, Jeffrey Ayesa, Ike Lozada.
Dulce Corazon (1972) – Directed by Leody M Diaz. Film with Edgar Mortiz, Scarlet, Nympha Bonifacio, Cloyd Robinson, Pons DeGuzman.
Darna And The Giants (1973) – Film with Helen Gamboa, Loretta Marquez, Rossana Marquez, Romeo Miranda, Desirre Destressa, Zandro Zamora, Dondon Nakar.
Dyesebel At Ang Mahiwagang Kabibe (1973) – Film with Divina Valencia, Mina Aragon, Rossana Marquez, Mildred Ortega, Cristina Reyes, Eva Linda, Romeo Miranda.
Darna Vs. The Planetwoman (1975) – Directed by Armando Garces. Film with Rosanna Ortiz, Eva Linda, Lita Vasquez, Lieza Zobel, Diana Villa, Zandro Zamora, Bentot.
Dugo At Pag-ibig Sa Kapirasong Lupa (1975) – An all star cast that includes Nora Aunor, Fernando Poe Jr., Romeo Vasquez.
Dalawang Pugad, Isang Ibon (1977) – Directed by Ishmael Bernal. Film with Romeo Vasquez, Anna Gonzales, Anita Linda, Mat Ranillo III, Roldan Rodrigo, Anne Villegas.
Disco Fever (1978) – Directed by Al Quin. Film with Christopher De Leon, Victor Laurel, Rio Locsin, Freddie Aguilar, Sampaguita, Anak Bayan Band, Rio Locsin.
Darna At Ding (1980) – Directed by Erastheo Navoa & Cloyd Robinson. Film with Nino Muhlach, Celia Rodriguez.
Doctor, Doctor, We Are Sick (1985) – Directed by Mike Relon Makiling. Film with Tito, Vic & Joey, Rowell Santiago, Jobelle Salvador, Francis Magalona.
Dahil Mahal Kita: The Dolzura Cortez Story (1993) – Directed by Laurence Guillen. Film with Christopher De Leon, Charito Solis.
Dekada ’70 (2002) – Directed by Chito Rono. Film with Christopher De Leon, Piolo Pascual.
D’ Lucky Ones (2006) – Cameo Role as herself.
E
Eagle Commandos (1968) – First movie with Max Alvarado, Bernard Belleza.
Edgar Loves Vilma (1970) – Film with Edgar Mortiz, Perla Bautista.
Eternally (1971) – Film with Edgar Mortiz, Jingle.
Ex-Wife (1981) – Directed by Eddie Rodriguez. Film with Beth Bautista, Raul Aragon, Michael De Mesa, Eddie Garcia.
F
From The Bottom Of My Heart (1970) – Film with Romy Mallari, Victor Wood, Edgar Mortiz.
G
Ging (1964) – First movie with Olivia Cenizal, Carlos Padilla Jr, Ramon DaSilva, Aruray
Give Me Your Love (1970) – Film with Tirso Cruz III, Tina Revilla.
Good Morning Sunshine (1980) – Directed by Ishmael Bernal. Film with Llyod Samartino, Junior, Liza Lorena, Sheryl Cruz, Anita Linda, Debraliz.
Gusto Kita, Mahal Ko Siya (1980) – Directed by Emmanuel H Borlaza. Film with Romeo Vasquez, Christopher De Leon, Rosemarie Gil, Maila Gumila, Ripp Rivera.
Gaano Kadalas Ang Minsan? (1982) – Directed by Danny Zialcita. Film with Hilda Koronel, Dindo Fernando, Suzanne Gonzalez, Alvin Joseph Enriquez.
H
Hampaslupang Maton (1966) – First movie with Jun Aristorenas.
Hindi Nahahati Ang Langit (1966) – Second film with the drama triangle of Marlene Dauden, Eddie Rodriguez and Lolita Rodriguez
Hatinggabi Na Vilma (1972) – Film directed by Joey Gosiengfiao. Film with Barbara Perez.
Happy Days Are Here Again (1974) – Directed by Cirio H Santiago. An all star cast that includes Nora Aunor, Tirso Cruz III, Edgar Mortiz.
Hindi Nakakahiya (1976) – Directed by Luis Enriquez. Film with Eddie Rodriguez, Gloria Romero, Marissa Delgado, Ernie Garcia.
Halik Sa Kamay, Halik Sa Paa (1979) – Directed by Luis Enriquez. Film with Eddie Rodriguez, Ronald Corveau.
Hiwalay (1981) – Directed by Romy Suzara. Film with Eddie Rodriguez, Dindo Fernando.
Haplos (1982) – Directed by Antonio Jose Perez. Film with Christopher De Leon, Rio Locsin, Delia Razon, Eddie Infante, Rez Cortez, Juan Rodrigo.
Hahamakin Lahat (1990) – Directed by Lino Brocka. Film with Gabby Concepcion, Snooky Serna, Eric Quizon, Dennis Roldan, Maritoni Fernandez, Perla Bautista.
Hanggang Ngayon Ika’y Minamahal (1997) – Directed by Ike Jarlego Jr. Film with Christopher De Leon, Charito Solis, Pilar Pilapil, Timmy Cruz, Ruby Moreno, Antoinette Taus.
I
Iginuhit Ng Tadhana (1965) – Portrayed Imee Marcos. First movie with Rosa Mia.
Ito Ang Dahilan (1966) – First film with an ALL STAR CAST
Ito Ang Pilipino (1967) – Movie with Joseph Estrada.
I Do Love You (1970) – Film with Eddie Perigrina. Film Title, an Eddie Perigrina recording.
I Love You Honey (1970) – Film with Edgar Mortiz, Esperanza Fabon, Romy Mallari, Tweeny.
Ikaw Lamang (1971) – Film with Paolo Romero, Connie Angeles, Eddie Garcia, Vic Silayan.
Inspiration (1972) – First movie with director Ishmael Bernal. Film with Jay Ilagan.
Ibong Lukaret (1975) – Directed by Tito C Sanchez. Film with George Estregan, Alona Alegre, Nick Romano, Marissa Delgado, Rudy Fernandez, Daria Ramirez.
Ikaw Ay Akin (1978) – Directed by Ishmael Bernal. Film with Christopher De leon, Nora Aunor.
Ibigay Mo Sa Akin Ang Bukas (1987) – Directed by Emmanuel H Borlaza. Film with Gabby Concepcion, Richard Gomez, Gina Pareno, Gretchen Barretto, Amy Austria.
Ibulong Mo Sa Diyos (1988) – Directed by Elwood Perez. Film with Gary Valenciano, Nida Blanca, Miguel Rodriguez, Eric Quizon.
Imortal (1989) – Directed by Eddie Garcia. Film with Christopher De Leon, Cherie Gil, Ricky Davao, Jacklyn Jose.
Ipagpatawad Mo (1991) – Directed by Laurice Guillen. Film with Christopher De Leon, Charito Solis, Bing Loyzaga, Amy Perez.
Ikaw Lang (1993) – Directed by Chito Rono. Film with Ronnie Ricketts, Cesar Montano, Janine Barredo, Dencio Padilla, Zeny Zabala, Vangie Labalan.
Ikaw Ang Mahal Ko (1996) – Directed by Tony Cruz. Film with Fernando Poe Jr, Maritoni Fernandez, Bob Soler, Paquito Diaz, Dencio Padilla, Boy Alano
In My Life (2009) – Directed by Olivia Lamasan. Film with Luis Manzano, John Lyod Cruz.
J
no film title started with this letter
K
King And Queen For A Day (1963) – First movie with Dolphy and Chichay
Kay Tagal Ng Umaga (1965) – First movie with Eddie Rodriguez and Lolita Rodriguez.
Kasalanan Kaya? (1968) – Won Best Supporting Actress – San Beda. Nominated for Best Supporting Actress – FAMAS, 1968 Manila Film Festival.
Kamay Na Gumagapang (1974) – Directed by Tony Cayado. Film with Rosemarie Gil, Romeo Miranda, Alicia Alonzo, Dick Israel, Matimtiman Cruz, Winnie Santos.
Kampanerang Kuba (1974) – Directed by Nilo Saez. Film with Celia Rodriguez, Dindo Fernando, Edgar Motiz, Rossana Marquez, Perla Bautista, Ernie Garcia.
King Khayam And I (1974) – Directed by Cesar Gallardo. Film with Joseph Estrada, Rod Navarro, Lorli Villanueva, Ruben Rustia, Greg Lozano, Anita Linda.
Karugtong Ng Kahapon (1975) – Directed by Fely Crisostomo. Film with Edgar Mortiz, Gloria Romero, Celia Rodriguez, Eddie Garcia, Jay Ilagan, Ronaldo Valdez.
Kampus (1978) – Directed by Emmanuel H Borlaza. Film with Bembol Rocco, Mat Ranillo III, Allan Valenzuela, Freddie Yance, Liza Lorena.
Karma (1981) – Directed by Danny Zialcita. Film with Ronaldo Valdez, Chanda Romero, Tommy Abuel, Suzanne Gonzalez.
Kapag Langit Ang Humatol (1990) – Directed by Laurice Guillen. Film with Richard Gomez, Charo Santos, Gloria Romero, Kristine Garcia, Carmina Villaruel, Eula Valdez.
L
Larawan Ng Pag-ibig (1964) – First movie with Ben David, Martin Marfil, Evan Darren
Longest Hundred Miles (1967) – First film for International film release starring Katherine Ross, Doug McClure, Ricardo Montalban.
Love Is For The Two Of Us (1970) – Film with Helen Gamboa, Ricky Belmonte, Edgar Mortiz.
Love Letters (1970) – Film with Edgar Mortiz, Romy Mallari, Esperanza Fabon, Alona Alegre, Baby DeJesus, Bobby Roldan, Victor Wood.
Leron Leron Sinta (1972) – Film with Edgar Mortiz, Jay Ilagan, Florence Aguilar, Lilian Laing, Beth Manlongat, Angelito.
Little Darling (1972) – Film with Victor Wood.
Lipad Darna Lipad (1973) – Directed by Emmanuel H Borlaza, Elwood Perez, Joey Gosiengfiao. Film with Gloria Romero, Celia Rodriguez, Liza Lorena.
Let’s Do The Salsa (1976) – Directed by Luciano B Carlos. Film with Walter Navarro, Rolly Quizon, Ronnie Henares, Chichay, Winnie Santos, Maribel Aunor.
Langis at Tubig (1980) – Directed by Danny Zialcita. Film with Amy Austria, Dindo Fernando, Ronaldo Valdez, Suzanne Gonzalez.
Lipa: Arrandia Massacre (1994) – Directed by Carlo J Caparas. Film with Joel Torre, John Regala, Angelica Panganiban, Robert Arevalo, Charina Scott.
M
Maria Cecilia (1965) – First movie with Van DeLeon and Jose Mari.
Morena Martir (1965) – First movie with Loreta Marquez.
My Darling Eddie (1969) – First movie with Eddie Perigrina as leading man and love team.
Mardy (1970) – Film with Eddie Perigrina.
May Hangganan Ang Pag-ibig (1970) – Film with Eddie Perigrina, Romy Mallari, Millie Mercado.
Mga Batang Bangketa (1970) – Film with Edgar Mortiz.
Mother Song (1970) – Film with Eddie Perigrina, Millie Mercado and Rosa Mia in a title role.
My Love At First Sight (1971) – Film with Edgar Mortiz, Patria Plata, Joe Sison, Maria Roberta, Scarlet.
My Pledge Of Love (1970) – Film with Romy Mallari, Victor Wood, Edgar Mortiz.
Maria Cinderella (1973) – Directed by Emmanuel H Borlaza. Film with Jay Ilagan, Blanca Gomez, Geena Zablan, Ike Lozada, Winnie Santos, Jingle, Dondon Nakar.
Mga Tigre Ng Sierra Cruz (1974) – Directed by Augusto Buenaventura. Film with Charito Solis, Dante Rivero, Eddie Garcia.
Makahiya At Talahib (1976) – Directed by Emmanuel H Borlaza. Film with Rudy Fernandez, Trixia Gomez, Gloria Romero, Anthony Rodriguez.
Mapagbigay Ang Mister Ko (1976) – Film with Jun Aristorenas.
Mga Reynang Walang Trono (1976) – Film with Amalia Fuentes, Eddie Gutierrez, Robert Arevalo, Eddie Garcia, Rudy Fernandez, Rez Cortez, Greg Lozano, Mar F Cornes.
Mga Rosas Sa Putikan (1976) – Directed by Emmanuel H Borlaza. Film with Celia Rodriguez, Barbara Luna, Trixia Gomez, Merlee Fernandez, Sandy Garcia, Monica Morena.
Masarap, Masakit Ang Umibig (1977) – Directed by Elwood Perez. Film with Christopher De leon, Mat Ranillo III, Maan Monteveros, Anita Linda, Amado Cortez, Lily Miraflor, Laila Dee.
Magkaribal (1979) – Directed by Elwood Perez. Film with Christopher DeLeon, Alma Moreno.
Modelong Tanso (1979) – Directed by Cirio H Santiago. Serialized from comics story of Nerissa Cabral. Film with Charito Solis.
Miss X (1980) – Directed by Gil M Portes. Film Location: Amsterdam, Netherlands. Film with Mark Gil.
Minsan Pa Nating Hagkan Ang Nakaraan (1983) – Directed by Marilou Diaz Abaya. Film with Christopher De Leon, Eddie Garcia.
Muling Buksan Ang Puso (1985) – Directed by Leroy Salvador. Film with Dindo Fernando, Lorna Tolentino, Coney Reyes, Sandy Andolong, Rowell Santiago, Jimi Melendez.
Mano Po 3: My Love (2004) – Directed by Joel Lamangan. Film with Jay Manalo, Christopher De Leon, Sheryl Cruz.
N
Naligaw Na Anghel (1964) – Third Title Role, First movie with Maggie dela Riva, Anita Linda
Nobody’s Child (1970) – Film with Tirso Cruz III, Maritesse, Romy Lapuz.
Now And Forever (1973) – Directed by Ishmael Bernal. Film with Edgar Mortiz, Ernie Zarate, Chanda Romero.
Nakakahiya? (1975) – Directed by Luis Enriquez. Film with Eddie Rodriguez, Gloria Romero, Barbara Perez, Vivian Avila.
Nag-aapoy Na Damdamin (1976) – Directed by Leonardo Garcia. Film with Romeo Vasquez, Aurora Salve, Water Navarro, Tita De Villa.
Nakawin Natin Ang Bawat Sandali (1978) – Directed by Elwood Perez. Film with Christopher De leon, Baby Delgado, Roel Vergel De Dios, Anita Linda, Freddie Yance.
Never Ever Say Goodbye (1982) – Directed by Gil M Portes. Film with Nonoy Zuniga, Jenny Ramirez, Ting Jocson, Allan Bautista, Ian Veneracion.
Nag-iisang Bituin (1994) – Directed by Jose Javier Reyes. Film with Christopher De Leon, Aga Muhlach, Chery Pie Picache, Jao Mapa, Orestes Ojeda.
O
Our Love Affair (1971) – Film with Edgar Mortiz.
Ophelia At Paris (1973) – Directed by Celia Diaz Laurel. Film with Victor Laurel.
P
Pag-ibig, Masdan Ang Ginawa Mo (1969) – First movie with Nida Blanca, Myrna Delgado, Rolly Quizon, Katy DelaCruz, Bayani Casimiro.
Pinagbuklod Ng Langit (1969) – Portrayed Imee Marcos for the second time.
Phantom Lady (1974) – Film with Nick Romano, Paquito Diaz, Rodulfo Boy Garcia, Max Alvarado, Cristina Reyes, Angero Goshi.
Pulot-Gata Pwede Kaya? (1977) – Film with Romeo Vasquez, Suzanne Gonzalez, Ruel Vernal, Paraluman.
Pag-ibig Ko Sa Iyo Lang Ibibigay (1978) – Directed by Nilo Saez. Film with Romeo Vasquez, Richard Romualdez, Dexter Doria.
Pagputi Ng Uwak, Pag-itim Ng Tagak (1978) – Directed by Celso Ad Castillo. First film with Bembol Rocco.
Pinagbuklod Ng Pag-ibig (1978) – Directed by Leonardo Garcia. Film with Romeo Vasquez, Nora Aunor, Tirso Cruz III.
Promo Girl (1978) – Directed by Joey Gosiengfiao. Film with Ricky Belmonte, Roel Vergel De Dios, Eddie Gutierrez, Bembol Rocco.
Pinay, American Style (1979) – Directed by Elwood Perez. Film Location: NYC, USA. Film with Christopher De Leon, Bembol Rocco, Victor Laurel.
Pakawalan Mo Ako (1981) – Directed by Elwood Perez. Film with Christopher De Leon, Anthony Castelo, Subas Herrero.
Paano Ba Ang Mangarap? (1983) – Directed by Eddie Garcia. Film with Christopher De Leon, Jay Ilagan, Armida Siguion Reyna, Vic Silayan, Perla Bautista.
Palimos Ng Pag-ibig (1986) – Directed by Eddie Garcia. Film with Dina Bonevie, Edu Manzano, Laurice Guillen, Pepito Rodriguez, Ronald Corveau, Cherie Gil.
Pahiram Ng Isang Umaga (1989) – Directed by Ishmael Bernal. Film with Gabby Concepcion, Eric Quizon, Zsa Zsa Padilla.
Q
no film title started with this letter
R
Renee Rose (1970) – Mars Ravelos serialized comics directed by Emmanuel H Borlaza. Film with Edgar Mortiz, Romy Mallari.
Remembrance (1972) – Directed by Emmanuel H Borlaza. Film with Edgar Mortiz, Jay Ilagan, Tommy Abuel.
Rubia Servios (1978) – Directed by Lino Brocka. Film with Mat Ranillo III, Philip Salvador.
Rock Baby Rock (1979) – Directed by Oscar Miranda. Film with Junior, Rolly Quizon, Leah Navarro, Tito, Vic & Joey, Lorli Villanueva, Geleen Eugenio, Val Sotto.
Romansa (1980) – Directed by Emmanuel H Borlaza. Film Location: Las Vegas, USA. Film with Edu Manzano, Bobby Gonzales.
Relasyon (1982) – Directed by Ishmael Bernal. Film with Christopher De Leon, Jimi Melendez.
Relaks Ka Lang, Sagot Kita (1994) – Directed by Danny P Cabrera. Film with Ramon Bong Revilla Jr, Anthony Alonzo, Vic Vargas, Tommy Abuel.
S
Sa Bawat Pintig Ng Puso (1964) – First movie with Zaldy Zshornack, Marlene Dauden, Alona Alegre
Sa Baril Magtuos (1965) – Film directed by Ronald Remy. First action movie. First movie with Bob Soler
Sino Ang May Karapatan? (1968) – Third film with the drama triangle, Lolita Rodriguez, Eddie Rodriguez, Marlene Dauden.
Sapagka’t Sila’y Aming Mga Anak (1970) – Film with Tony Ferrer, Gina Alajar, Roderick Paulate, Boots Anson Roa, Edgar Mortiz, Snooky, Arnold Gamboa, Beth Manlongat,Tweeny.
Sixteen (1970) – Vilma’s recorded album. Film with Edgar Mortiz, Norma Blancaflor, Perla Adea, Boy Alano, Raul Aragon.
Songs And Lovers (1970) – Film with Eddie Perigrina, Edgar Mortiz.
Sweethearts (1970) – Film with Edgar Mortiz, Arnold Gamboa, Snooky, Von Serna, Mila Ocampo, Eddie Mercado.
Sweet Sweet Love (1972) – Film with Walter Navarro, Lilian Laing, Lirio Vital, Kiti-kiti.
Susan Kelly, Edad 20 (1977) – Directed by Maria Saret. Film with Dante Rivero, Anthony Alonzo, Sandy Garcia, Cloyd Robinson.
Simula Ng Walang Katapusan (1978) – Directed by Luis Enriquez. Film with Eddie Rodriguez, Carmen Soriano, Lito Anzures, Renato Robles, Nello Nayo, Rio Locsin.
Swing It, Baby (1979) – Directed by Al Quin. Film with Romeo Vasquez, Amy Austria, VST & Co., Tito, Vic & Joey, Mike Monserat, Sandy Garcia.
Sinasamba Kita (1982) – Directed by Eddie Garcia. Film with Christopher De Leon, Lorna Tolentino, Phillip Salvador, Irene Celebre, Kristina Paner.
Sister Stella L (1984) – Directed by Mike De Leon. Film with Jay Ilagan, Gina Alajar, Laurice Guillen, Tony Santos, Anita Linda, Liza Lorena.
Saan Nagtatago Ang Pag-ibig? (1987) – Directed by Eddie Garcia. Film with Gloria Romero, Alicia Vergel, Tonton Gutierrez, Cherie Gil, Ricky Davao, Alicia Alonzo.
Sinungaling Mong Puso (1992) – Directed by Mario De Los Reyes. Film with Aga Muhlach, Alice Dixon, Aiko Melendez, Gabby Concepcion, Ricardo Cepeda.
T
Trudis Liit (1963) – Directed by Jose DeVilla. Film with Lolita Rodriguez, Luis Gonzales, Bella Flores.
The Jukebox King (1969) – First movie with Eddie Perigrina, Edgar Mortiz, Esperanza Fabon.
The Young Idols (1970) – Film with Edgar Mortiz, Reycard Duet, Johnny Delgado, Rosana Ortiz, Ernie White.
Teenage Señorita (1971) – Film with Manny DeLeon, Ike Lozada, Geraldine.
The Sensations (1971) – Film directed by Tony Santos. Film with Edgar Mortiz, Ike Lozada, Perla Adea, Romy Mallari, Ben David, Angge, Scarlet, Baby DeJesus.
Takbo Vilma Dali (1972) – Directed by Joey Gosiengfiao. Film with Rita Gomez, Paquito Diaz, Romeo Rivera, Ernie Garcia.
Tatlong Mukha Ni Rosa Vilma (1972) – Trilogy. Film with Edgar Mortiz, Jay Ilagan, Nick Romano.
Tsismosang Tindera (1973) – Directed by Emmanuel H Borlaza. Film with Jay Ilagan, Chanda Romero, Ike Lozada, German Moreno.
Tok Tok Palatok (1974) – Directed by F H Constantino. Film with Dencio Padilla, Panchito, Bentot, Pugak, Tange, Jojit Paredes.
Twin Fists For Justice (1974) – Film with Meng Fei. Film for international release. Directed by Yang Shih Ching and Danny Ochoa.
Tag-Ulan Sa Tag-Araw (1975) – Directed by Celso Ad Castillo. First film with Christopher DeLeon.
Teribol Dobol (1975) – Directed by Luciano B Carlos. Film with Chiquito, Walter Navarro, Caridad Sanchez, Lorli Villanueva, Roderick Paulate, Nympha Bonifacio.
T-Bird At Ako (1982) – Directed by Danny Zialcita. Film with Nora Aunor, Dindo Fernando, Tommy Abuel, Liza Lorena, Rosemarie Gil, Suzanne Gonzalez.
Tagos Ng Dugo (1987) – Directed by Maryo De Los Reyes. Film with Strawberry, Michael DeMesa, Tony Santos Sr, Caridad Sanchez, Francis Arnaiz.
The Healing (2012) – Film directed by Chito Rono, with Kim Chiu, Janice De Belen, Pokwang, Carmi Martin
U
no film title started with this letter
V
Vilma, My Darling (1970) – Film with Edgar Mortiz, Vic Pacia. Vilma played a nurse.
Vilma & The Beep Beep Minica (1974) – Film with Nick Romano, Romeo Miranda, Ramil Rodriguez, Rudy Fernandez, Max Alvarado.
Vivian Volta (1974) – Directed by Bobby Santiago. Film with Edgar Mortiz, Eddie Garcia, Darios Razon.
Vilma Veinte-Nueve (1975) – Film with Jun Aristorenas, Max Alvarado, Lito Legaspi.
W
Wonderful World Of Music (1971) – Film with Tony Ferrer, Boots Anson Roa, Lourdes Medel, Arnold Gamboa, Snooky, Beth Manlongat, Tweeny, Edgar Mortiz.
Wonder Vi (1973) – Directed by Arsenio Bautista. Film with George Estregan, Nick Romano, Marissa Delgado, Romy Diaz.
X
no film title started with this letter
Y
Young Love (1970) – First movie with Nora Aunor and Tirso Cruz III.
Young Lovers (1971) – Film location, all over the Philippines. Film with Edgar Mortiz, Ike Lozada, Janine Frias, Len Gutierrez, Baby DeJesus, Romy Mallari.
Yakapin mo ako, Lalaking Matapang (Ang senyorita at ang tsuper) (1980) – Directed by Emmanuel H Borlaza. Film with Lito Lapid.
Yesterday, Today & Tomorrow (1986) – Directed by Emmanuel H Borlaza. Film with Snooky, Maricel Soriano, Richard Gomez, Eddie Garcia, Gabby Concepcion.
It was a sweet sweep for Sister Stella L., the movie which garnered ten of the twelve trophies at stake during Friday night’s 9th Urian Awards rites. The Regal Films production was hailed the Best Fil; Sister Stella L., herself Vilma Santos, Best Actress; Jay Ilagan, Best Actor; Mike De Leon, Best Director; Laurice Guillen, Best Supporting Actress; and Tony Santos, Sr., Best Supporting Actor; Still Stella L’s Jose Lacaba, Jose Almojuella, and Mike De Leon were cited for the Best Screenplay category; Jess Navarro, for Best Editing; Ding Achacoso, for Best Music; and Ramon Reyes, for Best Sound. This is more than enough to compensate for its poor performance at the box office. ECP’s Misteryo sa Tuwa went home with two remaining awards for Best Production Design by Don Escudero and Rodel Cruz; and for Best Cinematography by Rod Ilacad. For his outstanding contribution to the film industry, the Manunuri ng Pelikulang Pilipino bestowed a special award to William Smith for bringing into the country the first colored film laboratory. Some people could use a lesson in courtesy. At his age, Smith, understandably, could harlly walk, speak well or display clarity of thought, therefore, the need for him to read his remark of thanks from a piece of paper. While national artist Lamberto Avellana and veteran actress Mary Walter paid due respect for Smith, a young man seated beside us took note of this and declared, “Pare, ‘yung speech niya binabasa pa niya, o!” Although the presentation ran smoothly and briefly (yes, of long waits and intermission), notable was the marked seriousness about the atmosphere that night. Champoy’s twosome’s (emcee Cherie Gil and Noel Trinidad) efforts to perk up the audience were futile. The Urian show, furthermore, lacked star luster. Several guest stars failed to attend the ceremony as shown by the many vacant seats. Some presentors even had to go upstage twice. Have we suddenly grown weary of awards rites? Even the major awardees were not present to claim their trophies, thus, only Vilma posed for photographers at the end of the show. (Photos: Luis Garcia Jr.)
Kissing on the park
Hanging on the forth
Holding hand in hand
Down the avenue
Strolling down the lane
A castle in the air
A Kissin’ or lovin’
A kissing’ or lovin’
A kissing all night long
They said I’m only Sweet Sixteen
I’ve never been Kiss
I’ve never been loved
And all I want is Candy
Ice Cream teddy bear Lollipop
Riding on the sun
A lot of things we do
Whispering to my ears
I love you so
Strolling down the lane
A castle in the air
A Kissin’ or lovin’
A kissing’ or lovin’
A kissing all night long
Kissing on the park
Hanging on the forth
Holding hand in hand
Down the avenue
Strolling down the lane
A castle in the air
A Kissin’ or lovin’
A kissing’ or lovin’
A kissing all night long
(fade) Global Vilmanians
Star For All Seasons 
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