Vilma Santos-Recto is a popular multi-awarded actress and politician in the Republic of the Philippines. *** She is known as "Queen of Philippine Movies," "Queenstar," "Grand Slam Queen," "Box Office Queen," and "Star for All Seasons." *** This website is mostly about her iconic film career.
News Update: – Official trailer of the new Vilma Santos movie was screened during the 2015 Metro Manila Film Festival with new title, “Everything About Her”
Songs with title “All Of My Life” – past and present…
News Update: – Official trailer of the new Vilma Santos movie was screened during the 2015 Metro Manila Film Festival with new title, “Everything About Her”
Songs with title “All Of My Life” – past and present…
News Update: – Official trailer of the new Vilma Santos movie was screened during the 2015 Metro Manila Film Festival with new title, “Everything About Her”
Songs with title “All Of My Life” – past and present…
Kasama ni Vilma sa pablat si Sonny Cortez, na ngayoý isang contract star ng Virgo. May sariling paraan ng pagkanta, si Sonny ay malapit nang hagaan sa Kanyang TV show, “Sonny Side Up”sa KBS.
Ang tunay na kagandahan daw ay wala sa kaanyuna kundi nasa ugali. Hindi ang tinatawag na kagandahang panlabas kundi ang kagandahan ng kanyang kalooban. At ang kagandahang ito, na walang pagkupas, ang siyang hagdan ni Vilma Santos tungo sa tagumpay. Sinumang makadaupang-palad ni Vilma ay hindi maaaring di makapansin na ang tunay niyang pagkatao ay bukas na bakas sa kanyang maaliwalas na mukha. Hindi lamang dahil sa palagi itong nakangiti (bagamat kung minsan na tuloy-tuloy ang siyuting ay kababasan din siya ng pagkahapo). Hindi lamang dahil sa totohanan niyang bukas na pagbibigay sa mga interview at pictorial saka sa mga fans na nagnanais na siya’y makaniig o mahingan ng autograph. Ang naiiwang impression ng lahat kay ay ang kanyang katapatan at kabaitan. Madali siyang makagiliwan hindi lamang dahil sa mahusay siyang kausap kundi masisinag sa kanya ang kababaang-loob. “Pasensiyosa na, maunawain pa,”anang masugid niyang tagahanga na si Manila Ballesteros. At kund kilala ninyo si Manila, maniniwala kayo sa sinasabi niyang ito. “At mahinhin pa,”dagdag naman ni Marie, isa pa ring “anino” ni Vilma na hindi nawawala saan man magpunta ang star. Bukod sa mga katangiang iyan, ang hidig na napupuri ng mga direktor na nakasama na ni Vilma ay ang kanyang professionalism. Tulad na lamang noong minsan na mag-lication shooting sila sa Merville Park sa Parañaque, Rizal. Ang eksena ay isang dream sequence at itoý kinunan sa gilid ng fountain na nakabungad sa open-air theater ng nasabing subdivision.
Malamig na ang simoy ng hangin noon (lampas hatinggabi nang idaos ang siyuting) ngunit lalong naging maginaw nang buksan na ang dancing waters. Pinapuwesto na sina Vilma, Eddie Peregrina, Alona Alegre at Edgar Mortiz sa gilid ng fountain at para namang sinasadya, patungo sa kanila ang hangin kung kayat kahit sa malayo, kitang-kita ang panginginig ng mga tuhod at baba ng apat na bituin. At dahil nga mga professional sila, tuloy rin ang siyuting. Maunawain naman ang direktor at pinilit nilang tapusin ang eksena sa lalong madaling panahon. Anupa’t parang sinusubok na talaga, kung kailan solo frame nina Vilma at Edgar noon pa kinailangang mag-reload ang cameraman ng negatibo. Hindi naman makaalis ang dalawa sapagkata masisira ang continuity ng eksena, di katakatakot na pintas na naman ang ibubuntonghininga ninyo sa panonood nito. Minsan naman, nalipasan ng gutom ang kanyang ina na kasama niyang lagi saan man siya dalhin ng kanyang mga commitments nang kinailangan nitong makipagkita sa isang prodyuser at abutan ng traffic sa oras ng pagkain. Nang bumalik ito sa set ng siyuting ang tiyan. Nagkataon naman na comedy ang eksenang kukunan at close-up rin, ngunit buong husay na nagampanan ito ni Vilma sa kabila ng labis na pag-aalala sa ina. Maging parteng ito ay napupuri rin ang dalagita. Hindi lamang daw ito mapagmahal at masunuring anak. May isip na ito at kailanman ay hindi dinulutan ang mga magulang ng sakit sa ulo, lalo na sa kanyang pag-aaral. Natural amn na purihin ito ng kanyang ina at ama na sina Ginoo at Ginang Amado Santos (ang dating Milagros Tuazon), hindi naman masasabing OA kapag nakilala ninyo nang lubusan ang bituin.
Maging ang kanyang mga kapatid ay walang maipipintas sa ugali nito at hindi lamang daw dahil sa pinagbibigyan sila nito lagi sa kanilang favorite shows na telebisyon. Maalalahanin daw ito at hindi kailanman ginagawang dahilan ang kanyang pagiging star sa tahanan, kahit na sa biro. Ang katotohanan niyan, sa loob ng anin na taong inilalagi ni Vilma sa show business, wala pang narinig na namintas o nag-complain sa kanya. Sa halip, pulos papuri ang inaani niya at kapag nakilala na ninyo siya, hindi niyon masasabing exaggeration o too impossible to be true ito. Hindi rin naman masasabing aral o pilit ang kanyang magandang pakikitungo sa lahat. Pagkat hindi lamang pantay-pantay ang pagkamagiliw niya, kundi salat ito sa pagkukunwari. Sa isang kabataang tulad niya, madaling mauunawaan kung siya man ay magkamali paminsan-minsan, ngunit sa wari’y malayong mangyari sa isang bituin kay Vilma, ang labis na paniniwala sa sarili. Hindi kataka-taka kung gayon kung bakit siya ang hinuhulaang isa sa mangilan-ngilang kabataang bituin na mananatiling sikat sa mahabang panahon. Hindi rin mahirap paniwalaan kung bakit marami ang humahanga sa bituing ito, fan man o hindi. Paanoý taglay niya ang uri ng kayamananang hindi mabibili ng salapi, isang kayamanang bibihira ang nagbibigay ng halaga, ang kagandahang walang pagkupas: magandang ugali. – Ched Gonzales, Pilipino Magazine, 03 June 1970, reposted from Pelikula Atbp (READ MORE)
“…Iginuhit ng Tadhana: The Ferdinand E. Marcos Story (1965) (Carved by Destiny) is a movie based on the life of Ferdinand Marcos prior to his ascendancy as President of the Philippines. The movie was chronological in setting, featuring Marcos as a young boy in his hometown, as a brilliant student, and up to the time that he was unjustly imprisoned as a suspect in the murder of the political rival of his father. The movie then moves up to his acquittal, his career as a young congressman and senator, and up to the time that he married Imelda Marcos. The movie was shown in Manila as additional campaign material for Marcos’ candidacy for the Presidential race, which he eventually won. The movie portrayed Marcos as a person who is more than just a politician…” – Wikipilipinas (READ MORE)
“…Marcos knew the power of the medium of film. Earlier on, Marcos produced a film biography using the most popular stars for his first presidential campaign. He ran against Macapagal who also came up with a film biography to boost his reelection bid. Marcos would also use another film Iginuhit ng Tadhana (Written by Destiny, 1965) to campaign for a second term. The two Marcos film bios would be the only successful political films—commercial and election wise—as other film biographies in the post-Marcos period by senatorial and presidential aspirants would prove dismal, unhelpful for election bids. The post-Marcos period liberalized the political and economic scene. It conventionalized and intensified the election of movie and sports stars, and even television news hosts to national politics. Television stations were sequestered by the government, the largest of which, however, was returned to its pre-martial law owners. ABS-CBN would become the leading television station until after 2000, allowing two of its news anchors to become senators…” – Rolando Tino (READ MORE)
“…As a piece of hagiography, you can’t get more melodramatic or shameless than 1965’s Iginuhit ng Tadhana (Drawn by Fate). In this biopic covering the life of kleptocrat and Martial Law architect Ferdinand Marcos (Luis Gonzalez) from his childhood to his ascent to the Philippine presidency, there is crying beside windows (courtesy of the martyr mother to end all martyr mothers, Rosa Mia), nervous wiping of brows on witness stands (because apparently, trial judges are blind to obvious body language), and kilometric monologues—including interior ones spoken in voice-over! How these characters don’t bore themselves to death is beyond me…Iginuhit ng Tadhana wastes no time getting down to its primary objective: settling scores. Conceived as propaganda for Ferdinand’s debut presidential campaign, the first 45 minutes of Iginuhit’s 136-minute running time busies itself scrubbing the Marcos name off the first of its multitude of sins: the death by sniper of Ferdinand’s political rival in Ilocos Norte, Julio Nalundasan. On the night of the murder, the film insists, our hero was busy reviewing for a law exam. He couldn’t possibly have stolen a rifle from his ROTC bunker and shot the congressman while he was brushing his teeth! And still, despite his nerd cred (and the aforementioned nervous mopping of brows by the star witness), the court had the gall to convict him! Hopefully, having gone through his own travesty of justice, our hero will have the empathy and drive to strengthen the rule of law in his own presidency, right? Right? Anyway, having demonstrated Ferdinand’s brilliance as he mounts his own defense in front of the Supreme Court, the film gets down to its next order of business: the meet-cute between our hero and his wife-to-be, Imelda Romualdez (Gloria Romero). Imelda is a far cry from his own mother, who visits her son in jail wearing a baro’t saya—no, when Ferdinand meets Imelda in the congressional cafeteria, she is wearing a man’s shirt, pants…and mismatched shoes! I can imagine the young Imelda watching this sequence and thinking, That will never happen again. After that, Iginuhit ticks off all the obligatory boxes: portraying Marcos as a family man, conscientious lawmaker, and devoted mama’s boy. (If I were Imelda and I were watching my husband call his mother “honey,” as this film says he does, I would have ran screaming from his latent Oedipus complex.) Oh, and watch out for a young Vilma Santos playing the eldest child, Imee. The role doesn’t give her much to do, but I foresee great things from this young performer…maybe even a run in politics…” – Andrew Paredes, ANC, 21 September 2018 (READ MORE)
Soon to be released for nation-wide showing is the much-awaited film, Iginuhit ng Tadhana, starring the favourite love-team of Gloria Romero and Luis Gonzales. Also starring veteran character actress Rosa Mia, Iginuhit ng Tadhana is directed by three top movie directors: Conrado Conde, Jose de Villa, and Mar S. Torres. Iginuhit ng Tadhana is a film based on the colourful and exciting life of Ferdinand E. Marcos, one of the most outstanding personalities of our time. From the law student who argues his case before the Supreme Court in a stirring defense of his own life, to the Bataan soldier who risked his life many times to become his country’s most decorated hero, and finally the brilliant stateman who distinguised himself in politics and in Congress, whose celebrated romance with a national beauty fired a nation’s imagination – all these have been captured and vividly projected on film in one of the few motion pictures destine for greatness. Luis Gonzales who has starred in some of the screen’s most dramatic hits plays the most important and challenging role of his career as Ferdinand E. Marc os. Gloria Romero, first lady of the screen in beauty, glamour and box-office prominence, portrays the role of another national beauty and top model who became the Senator’s lady, Mrs. Imelda Romualdez Marcos. Rosa Mia personafies the woman to whom Ferdinand Marcos owes much of himself and his success, his mother, Mrs. Josefa Edralin Marcos. Together, all three combine dramatic talents in their most impressive and inspired performance in Iginuhit ng Tadhana.
The screenplay of the film was written by Emmanuel Borlaza and Luciano B. Carlos who based their scenario on personal interview with people associated with his life, actual newspaper reports, published stories and magazine articles about him, and other sources of material. Musical scoring of the picture is directed by Restie Umali. Cameramaen for the production are Steve Perez, Felipe Santiago and Amaury Agra. Film editors are Jose Tarnate and Marcelino Navarro. Three assistant directors have been assigned to this production: Santiago Dueñas, Charlie Ordoñes, and Tony Lumen. In charge of sets is Honorato de la Paz. For authentic locale, the film shooting unit motored to different places in the Philippines for location shooting. Director Conrado Conde shot most of the first portion of the film in Ferdinand Marcos’ hometown in Batac and Sarrat, Ilocos Norte, and in the town plaza of Laoag. Houses of pre-war style were reconstructed to enhance the authenticity, and special pre-war costumes were ordered, including those of students of the University of the Philippines, where Marcos studies in his youth. Director De Villa, who directs the second portion, brought his entire film unit to the hills of Bataan, Tarlac, Tayabas, Fort Santiago and Bessang Pass, where highlights of Marcos’ career as a soldier were filmed. For the third portion, Director Mar S. Torres took his filming unit to Baguio, where the celebrated romances of Ferdinand and Imelda culminated in the much-publicized “wedding of the year.” Highlighting the film Iginuhit ng Tadhana are portions of Ferdinand Marcos political career and the national convention that made him the youngest contender for the highest postion in the land. Iginuhit ng Tadhana has a selected cast of top-ranking actors and actresses in Philippine movies, and hundreds of extras. Announcements about the premierre showing at a first-class downtown theater will be released soon. – Screen Stardom, August 1965, reposted at Video48
Bing Pimentel – “…We were supposed to be kissing while watching a very violent scene from Stanley Kubrick’s ‘A Clockwork Orange…I was stiff, naturally, because Mark was practically a stranger and it was my first day on the set of my first movie…I didn’t think much of him because I was dating another actor that time, (Roel Vergel de Dios)…After 28 takes, the director yelled ‘Pack up! Mag-date muna kayo!’ (Go out on a date first!)…” – Bayani San Diego Jr., Philippine Daily Inquirer, 25 September 2014 (READ MORE)
Enchanted Family – “…On a more personal note, we got to know Mark earlier than most because, in the ’70s, we tapped his beautiful and gifted mother, Rosemarie Gil, as one of the hosts (along with Pete Roa, Gigi Lacson and Bey Vito) of the pioneering TV magazine show, “Sanlinggo,” that we scripted and directed for PTV 4. Rosemarie would sometimes bring her children to our taping and shooting sessions, so we first saw Mark, Cherie and Michael as lovely and spirited kids, and we found the entire family, including dad Eddie Mesa (a fine singer and actor in his own right) absolutely enchanting. That early, we simply knew that all of the Eigenmann kids would also become exceptional performers and stars. —What we didn’t know was that their thespic genes would “power” another generation of dynamic players, including Mark’s son, Sid Lucero, who was named after the character he played in “Batch ’81,” and Andi Eigenmann…” – Nestor U. Torre, Philippine Daily Inquirer, 06 September 2014 (READ MORE)
Still Friends – “…THE movie Miss X, filmed and released in the ’80s, will forever be memorable to Mark Gil. Then still very young and raw as far as acting is concerned, Direk Gil Portes tapped Mark to play Governor Vi’s leading man. Miss X had Governor Vi playing the title role. It was filmed entirely in Amsterdam, the official capital of the Netherlands. The entire cast, crew and staff, headed, of course, by Direk Gil, stayed in Amsterdam for about a month. As expected, the film was a blockbuster when it was shown. Henceforth, Mark admitted, life was never the same for him after the film. That he has a lot to thank Governor Vi is a given. Kaya for Mark, ang chance na makatrabaho uli si Gov. Vi is something to be grateful about. “Kasi she has not changed,” aniya. “Kung ano’ng pag-uugali niya when we were in Amsterdam together at pareho pa kaming bata noon, ganu’n pa rin siya ngayon. “Considering all the achievements na kanyang natamo, ’di lang bilang artista kundi bilang public official din, I am glad she still takes to me as a friend,” pahayag ni Mark. Doing The Healing with Gov. Vi is another challenge for the actor….” – Nel Alejandrino, Journal, July 11, 2012
Days in Amsterdam – “…Where to now?” I heard my mommy ask Gil when all the proper and necessary introductions were conducted. “Since it is a Sunday,” Gil suggests, “Why don’t we hear mass at the church of the Bigginhoff?” The church is situated in a strategic area, along several residential houses, and it is one of the only two Catholic churches in Amsterdam. Since between the two churches, it is the Bigginhoff which celebrates one mass in English, it is where most Filipinos attend their Sunday mass. The front yard of the church, after the mass, serves as a melting pot of sorts for most Filipinos. It si here where they renew acquaintances, exchange tete-a-tete, or get the latest tsismis about a fellow Filipinos. It is in this area where my group and I chanced upon Eddie Gutierrez, who was on the last leg of his European tour. Eddie works as a promotional salesman for Belcraft International, a firm which has its main office in Canada and which specializes in household wares….Happily for all of us, nothing untoward happened since then. We managed to even finish shooting the entire movie ahead of schedule. Now that I am back home, things which I should have done and which I shouldn’t keep rushing back into my mind. Truly, my days in Amsterdam continue to evoke memories for me, both pleasant and otherwise. For example, how can I forget the group who made up Miss X? They were such a happy lot that I would love working with them again. Gil, my director, despite himself, is a dear. I love the guy, since I know he loves me, too. Mark G., my leading man, will forever hold a special place in my heart. He proved so sweet, so pleasant to work with, so much so, I pray he will succeed. And my Ductch leading man, Max van Os, he did make my last days in Amsterdam memorable. I will always take him as one of the most warm-heated persons I’ve ever met in my whole life. My memories of Amsterdam will never be complete without me mentioning the kindness and generosity of the Filipinos residing there. The way they welcomed and treated us in their respective homes truly amazed me. I love them all and will cherish their memories for a long, long time…” – Ethelwolda A. Ramos, Expressweek December 20, 1979 (READ MORE)
Generous Actor – “…If there is one thing that Mark Gil should be remembered for, it is his generosity. His career is marked by performances wherein he is required to work with others, whether it is a director with a distinctly unique vision or filmmaking style, or an ensemble of actors with varying ranges. In all his works, it never appeared that he was occupying much of the limelight. He was simply not there for himself. He was there for the film. Even Sid Lucero, the name that jumpstarted his career, he generously lent to his son, Timothy Eigenmann. Perhaps this is the reason why Mark Gil is such a great actor. He just had so much to give, but too little time to keep giving…Even up to the end, he was preparing for projects, for various filmmakers, for himself. There were simply no boundaries, not even the pain he was suffering because of the illness he had kept a secret, when it comes to his craft…” – Oggs Cruz, Rappler, 02 Sep 2014 (READ MORE)
Nora Aunor on Mark Gil – “…I got to work with Mark in ‘Rock ’n’ Roll’ (1981) and then in ‘Babae’ (1997). He was one of the best. I would get nervous in our scenes together. I last saw him at the thanksgiving party of Direk Maryo J. de los Reyes last year. We talked about making a movie together again. Sayang it didn’t push through. He still had so much to give to the movie industry…” – Bayani San Diego Jr., Philippine Daily Inquirer, 08 Sep 2014 (READ MORE)
Raphael Joseph De Mesa Eigenmann (born September 25, 1961), better known as Mark Gil, is a Filipino actor. He is the son of actors Eddie Mesa and Rosemarie Gil, brother of actors Michael de Mesa and Cherie Gil. He is fourth Filipino, fourth Spanish, and half Swiss German American descent. He is the father of singer/actor Gabby Eigenmann and Ira Eigenmann from actress Irene Celebre. He is also the father of Tim “Sid Lucero” Eigenmann and Maxene “Max” Eigenmann from actress Bing Pimentel, and of Andi Eigenmann from another actress, Jaclyn Jose. He has been married for 18 yrs to Maricar Jacinto-Eigenmann. – Wikipedia (READ MORE)
Plot Description: A story of a woman whose closest friend became her worst rival. They were once very close to each other-almost like sisters. She even confides all her troubles and heartaches to this friend. Later, she sensed some changes in her friend’s attitude towards her which became obvious when this friend of hers tried to outshine her in everything. She tried not to mind this but worse came to worst when she discovered that the other woman in her love one’s life is the very same friend thus a never-ending conflict arised. It stars: Vilma Santos, Christopher de Leon, Alma Moreno. – Trigon Video
Like Dolphy, Georgie started out in comedy roles. In fact, he was his brother’s follower noon pang nasa Sampaguita Studios si Dolph at isa siyang mainstay ditto. Nang minsang isinama ni Dolph si Georgie sa kanyang shooting ay namataan si Georgie ng isang direktor a binigyan ito ng bit role. He was found out to have his brother’s talent and soon, Georgie found himself in one picture after another, mostly in Susan Roces-starrers where he played her sidekick or friendly neighbor. Ito ang simula ng binyag ni Georgie sa pelikula. Naging sikat din siyang comedian. Kaya lang ang problema niya ay hindi siya makakatakas sa image at pangalan ng kanyang kapatid na lalong sikat. Kahit ano ang gawin niya ay siyempre, associated and identified siya kay Dolphy.
“Ito ang malaki kong problema,” nabanggit ni Georgie sa amin. “But I also love my brother! Kung wala naman si Ompong ay sino kami, aber! Siguro, ganito ang buhay kung mayroon kang tanyag na kapatid na parehong propesyon. Kung sino ang mas sikat, iyon ang mas kilala. At ang hindi ay nananatili sa background. Tulad ko,” aniya. “Ako ang anino ni Dolphy. Hindi ako kilala sa sarili ko. Ako raw ay kapatid ni Dolphy. And never was I called my name. Kung minsan nga ay ako raw si Dolphy. Ganoon.
“Kung minsan, I feel flattered. Pero kadalasan, tinatanggap ko na lamang nang basta ganoon. Kibit balikat baga. Ano pa nga ba ang magagawa ko? Kapatid ko iyon at sikat pa!
“Kaya lang, I really want to be on my own. I want to be known as Georgie at hindi yung kapatid ni Dolphy. I am my won individual. Iba ako, iba siya. Nagkataon lamang na nagko-comedy rin ako. Kaya hindi talaga ako makakatakas sa kanyang anino,” pagtatapat ni Georgie. As a whole, wala naman siyang reklamo. Okey naman ang takbo ng kanyang showbiz career. Hindi siya nawawalan ng assignment. Tuwing Linggo, mayroon siyang TV show, nagge-guest din siya sa mga tanyag na shows at kung minsan, kumakanta siya sa mga roadshows, sa mga bases.
“Para sa akin, tipong okey na ang lahat,” banggit pa ni Georgie. Everything’s fine. I am busy everyday. Malusog pa ang ermat, masasaya kaming lahat. Wala na yata akong mahihiling pa,” Georgie confessed.
The other surviving brother of Dolphy and Georgie is named Jimmy, ang bunso sa lahat na hindi kailanman sumali sa showbiz. Nasa States siya ngayon at isang medical intern sa isang tanyag na ospital doon.
Sampu sanang lahat sina Dolph, kaya lang tatlo na ang namatay. Sina Tessie, ang uang Jimmy na siyang pang-walo at si Melencio, Jr. na binawian ng buhay noong early 1970’s. Ang iba – sina Zony, Dolphy, Josie, Laura, Auring at Georgie – ay pawang naging showbiz folks at dalawa na lamang sa kanila ang aktibo sa pelikula. Sina Dolphy at Georgie nalamang, bagamat ang iba, sa pamamagitan ng kanilang mga anak, ay kasama pa rin sa iba’t ibang aspeto ng paggawa ng pelikula, particular na sa RVQ Productions syempre. – Ross F. Celino, Jingle Extra Hot Movie Entertainment Magazine, No. 20, June 22, 1981, re-posted on Pelikula atbp blog (READ MORE)
Malamig na ang simoy ng hangin noon (lampas hatinggabi nang idaos ang siyuting) ngunit lalong naging maginaw nang buksan na ang dancing waters. Pinapuwesto na sina Vilma, Eddie Peregrina, Alona Alegre at Edgar Mortiz sa gilid ng fountain at para namang sinasadya, patungo sa kanila ang hangin kung kayat kahit sa malayo, kitang-kita ang panginginig ng mga tuhod at baba ng apat na bituin. At dahil nga mga professional sila, tuloy rin ang siyuting. Maunawain naman ang direktor at pinilit nilang tapusin ang eksena sa lalong madaling panahon. Anupa’t parang sinusubok na talaga, kung kailan solo frame nina Vilma at Edgar noon pa kinailangang mag-reload ang cameraman ng negatibo. Hindi naman makaalis ang dalawa sapagkata masisira ang continuity ng eksena, di katakatakot na pintas na naman ang ibubuntonghininga ninyo sa panonood nito. Minsan naman, nalipasan ng gutom ang kanyang ina na kasama niyang lagi saan man siya dalhin ng kanyang mga commitments nang kinailangan nitong makipagkita sa isang prodyuser at abutan ng traffic sa oras ng pagkain. Nang bumalik ito sa set ng siyuting ang tiyan. Nagkataon naman na comedy ang eksenang kukunan at close-up rin, ngunit buong husay na nagampanan ito ni Vilma sa kabila ng labis na pag-aalala sa ina. Maging parteng ito ay napupuri rin ang dalagita. Hindi lamang daw ito mapagmahal at masunuring anak. May isip na ito at kailanman ay hindi dinulutan ang mga magulang ng sakit sa ulo, lalo na sa kanyang pag-aaral. Natural amn na purihin ito ng kanyang ina at ama na sina Ginoo at Ginang Amado Santos (ang dating Milagros Tuazon), hindi naman masasabing OA kapag nakilala ninyo nang lubusan ang bituin.
Star For All Seasons 
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