Remembering Joe Quirino, Inday Badiday, Eddie Ilagan and Ike Lozada

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I am urging all Vilmanians to say a little prayer to the late Joe Quirino on his 10th death Anniversary.  I just would like to share with you how JQ admired and fought for Ate Vi. During the MMFF when Ate Vi won in Karma.  It was a triple tie between Ate Vi, Gina Alajar and Charo Santos. JQ as one of board of jurors defended why Ate Vi should win. On the second deliberation JQ convinced one of the jurors and Ate Vi won by 1 point.  JQ lambasted on his TV program the jurors in the MMFF when Ate Vi was not even nominated for her performance in Langis At Tubig.  The nominees are Nora Aunor for “Bona” and “Kung Akoy IIwan Mo” and Amy Austria for Brutal.  Its good that Amy won. JQ said that Ate Vi is good in langis compared to Nora in “Kung Akoy IIwan.”  Obiously that was manipulated by Dean Lukresia Kasilag who was the Board Chairman that time and a certified Noranian.  Kawawa talaga si Ate Vi basta involved si Kasilag lagi syang nabibiktima.  Remember Rubia Serbios and Atsay. JQ always regarded Ate Vi as the real Queen of Philippine movies and a certified box Office Queen.  I remember one time in an awarding ceremonies when JQ has to present the Best Actress award with Pilar Pilapil. Nora Aunor won that time. And JQ said before he announce the winner. Sasabihin ko pa ba kung sino ang winner, alam na naman natin kung sino ang panalo. Obviously disappointed s’ya sa results. Nora got mad at JQ kinabukasan sa interview sa kanya. I dont remember what year was that. I remeber when JQ program was No. 1 noon at talagang basta nag guest sa kanya si Ate Vi laging special. Hindi s’ya pumapayag na hindi sasayaw si Ate Vi. JQ said that Ate Vi is the best dancer of all times. Nobody comes close to her said JQ. – Aries aka “egrollon2001”, V Magazine Issue Nos 6 Feb 23, 2005 (READ MORE)

Joe Quirino, more popularly known as Joe Quirino or JQ, was a Filipino entertainment columnist. He was also the host of the 1970s and 1980s television show, “Seeing Stars with Joe Quirino.” – Wikipilipinas (READ MORE)

Isa sa mga naalala ko noon yung radio programs nina Ate Luds, Inday Badiday (RIP) and Eddie Ilagan (is this his last name? where is he now?). Si Ate Luds identified kay Nora at that time. Si Kuya Eddie Ilagan naman maka-vilma. Then nagkagulo noon sina Nora at Ate Luds because of that hula-hula sa TV show ni Ate Luds na si Ate Vi raw ang wagi sa “Rubia Servios” (which unfortunately turned out wrong). However, majority of the movie going public thought that Ate Vi was robbed of the best actress award that year. Di ba nagtampo si Nora kay Ate Luds. One thing led to another and by the time you know it, naging magkaibigan sina Ate Luds and Ate Vi. During this time nagtampo naman si Kuya Eddie kay Ate Vi sa dahilang hindi ko na maalala. Kaya ng nangyari nabaligtad ang kanilang loyalty. Si Ate Luds panay si Ate Vi ang prino-promote sa radio program niya while si Kuya Eddie naman ay napunta kay Nora. Bumibisita ang mga Vilmanians noon sa radio program ni Ate Luds at ang mga Noranians sa radio program ni Kuya Eddie. This was also the time yung kainitan kung sino ang dapat gumanap na Annie Batungbakal. Many believed that na bagay na bagay yung role kay Ate Vi. Since she is considered as the Dancing Queen. But lo and behold, napunta yung role kay Nora. Balita ko she bought the rights to make it into a movie yata. Naalala ko rin noon si Kuya Eddie ilagan panay ang patugtog ng mga kantang ikaw ang superstar ng buhay ko (tama ba ang title, Kuya Charlz?) at yung ngang Anie Batungbakal dedicated kay Nora. Si Ate Luds naman may kantang dedicated kay Ate Vi. If I am not mistaken ito yung kantang “Pinakamagandang babae sa balat ng lupa” (Tama ba yung title, Kambal?) or is it “Ikaw ang Miss Universe ng Buhay Ko?” whatever the song was, palaging pina-patugtog ni Ate Luds iyon dedicated para kay Ate Vi at sa mga Vilmanians as well. Then one day just as nagkabati sina Ate Luds at Nora, nagkabati din sina Ate Vi at Kuya Eddie. So to be fair to both, ang ginawa ni Kuya Eddie Ilagan pinapatugtog niya pareho yung mga kantang dedicated for Ate Vi and Nora.

Then kuya eddie had this idea to have a debate on who is more sikat and mas magaling between Ate Vi and nora (now we know the answer: Ate Vi). Kuya Eddie asked Beth Malongat and his younger sis na artista din at that time na si Dolly Ilagan to have a debate on who is mas sikat at mas magaling kina Ate Vi and Nora. Beth was asked to represent the Vilmanians while Dolly represented the Noranians. Araw-araw yung portion na iyon sa radio program ni Kuya Eddie. Beth will say something good and positive about Ate Vi while Dolly will do the same for Nora. Until one day, they decided to stop it kasi both Beth and Dolly were receiving hate mails/phone calls from the two camps (but now we know kung sino ang mas capable of doing these nasty things, di ba Kuya Mar?) both Beth and Dolly admitted that they were being affected by the negative criticisms, that they are receiving from both groups. After that wala na po akong maalala kahit panay ang kain ko ng kalabasa to sharpen my memory buti na lang hindi panay kalabasa ang mga grades ko sa school at that Liam & Alfons time. Ang buhay talaga, parang life! – Father Juancho Gutierrez, V Magazine Issue Nos 7, Oct 28, 2005 (READ MORE)

Eddie Ilagan “…I have been working since I was 8,” says Eddie Ilagan, “and I haven’t stopped working since then.” Eddie Ilagan is more popularly known to radio listeners and movie fans as “Eddielat:” Isa siya sa anim na anak ng batikang movie direktor na si Conrado Conde, ang panganay sa magkakapatid na Gerry de Leon, Tito Arevalo, Angel Esmeralda at iba pa. Isa si Eddie sa sikat na announcers ng DWWA at mapapakinggan siya araw-araw magmula alas-5 ng hapon hanggang alas-8:30 ng gabi. Puno ng mga balita (mostly movie news) ang kanyang programa at mahilig siyang magbigay ng komentaryo sa mga current events hindi lamang sa movies kundi pati na rin sa ibang fields. Nagsimula si Eddie sa Showbiz bilang child actor at karamihan ng mga ginawa niyang pelikula ay sa ilalim ng Sampaguita Pictures. He did some 20 movies as a child actor and his most important role was in his Uncle Gerry’s Noli Me Tangere where he played the role of Basilio. He also acted in radio shows, a difficult type of acting, according to Eddie, because you portray your character with your voice. “Kaya dapat mahusay ka sa vocal acting para lumabas na malinaw ang role mo,” he says. One of his memorable radio roles was as the sidekick of Kapitan Kidlat. Eddie took up several courses in college – Commerce, Computer Programming, etc. – but he never got to finish one. He also did stints on stage and in television but his world is really radio. “I’ve been a disc jockey since 1967,” Eddie says, “and I enjoy every minute of it.” Soon, if plans push through, Eddie might host a TV variety show to be called Most Beautiful Show, one feature of which is the Most Beautiful Contest he initiated in his radio program…” – Eddie Ilagan, JEH, April 27 1981 (READ MORE)

“…Inday Badiday (a.k.a. Ate Luds) doesn’t remember now who gave her the tableau containing that little prayer (“Ewan ko kung kaaway ko o kaibigan ko”) but that’s beside the point. The tableau stands on her headboard and it’s the first thing Inday sees when she wakes up every morning. Sa totoo lang, Inday has been trying, during the past many years, to observe that prayer — to no avail. “Para akong si Mother Lily,” says Inday, “pag hindi ko binuksan ang bibig ko, magugutom ako, hindi ako kikita. Aray ko!…Remember when Nora Aunor, displeased by a news report which she deemed favored Vilma Santos at her expense, asked her secretary to get back (that same evening!) a P5,000 check she had gifted Inday with a week earlier during the blessing of Inday’s house in Meycauayan, Bulacan?….Inday’s constant reminder to her children is this: “Don’t come to me crying!” That is also what the Ambassador would often tell his children: “Don’t ever come to me crying.” “Military man kasi ‘yon, e.” Inday hasn’t run back to Daddy crying ever since. “Alam mo,” she admits, “people can accuse me of not having been a good wife. Pero walang makapagsasabing hindi ako naging mabuting ina.” And that, would you believe, is the truth and nothing but.” – Ricky Lo, Weekend magazine, March 10 1985 (READ MORE)

Lourdes Jimenez Carvajal (August 6, 1944 – September 26, 2003), better known as Inday Badiday, was a Filipino host and journalist who was known as Philippine television’s “queen of showbiz talk shows” and “queen of intrigues”. Referred to by many in the entertainment industry as “Ate Luds”, Inday began her broadcasting career as a radio host who talked about show business. Her commentary and knowledge about the industry eventually brought her fame. One of her first shows was Nothing but the Truth and later See-True and Eye to Eye, which served as Philippine television’s template for showbiz talk shows. These shows were all produced by GMA News and Public Affairs and her production company, LoCa Productions (LoCa is the combination of the first two letters of her names, Lourdes Carvajal). She made her television comeback in GMA Network in 2002 with the show Inday, Heart to Heart. Inday Badiday died on September 26, 2003, from multiple organ failure due to two strokes at 59 years old, at St. Luke’s Medical Center, Quezon City. She had three children, Dolly Anne and Ricky from a previous marriage, and Clara (Klang-klang) by her beloved Gene “Bo” Palomo, the man Inday referred to in her famous parting shot, “Saranghamnida, Bo” (Korean for “I love you, Bo”) in her program Eye to Eye. She was also the grandmother of Juicy co-host IC Mendoza. – Wikipedia (READ MORE)

Naisip ko bigla si Ike Lozada for some reasons. Sayang kinuha na siya ni Lord, isa pa naman siya sa maituturing na tunay na kaibigan ni Ate Vi at mga Vilmanians. Lagi kong pinapanood ang mga TV shows niya noon, one of them was Big Ike’s Happennings. S’yempre laging guest si Ate Vi (at saka si Winnie). There was a time that he was interviewed about her side defending Ate Vi, the article’s title was “Si Vilma Santos sa paningin ni Ike Lozada” ito yung parang sagot niya sa colum ni Kuya Germs about “Si Nora Aunor sa paningin ni German Moreno.” Nakakatuwa ang mga banat ni Kuya Ike lalo na ng sabihin niyang “Si Vilma talaga dapat ang nanalo sa Rubia Servios sa opinion ko.” There was a time that he wrote a story for Vilma pero hanggang kwento lang siya hindi naman nagmaterialized dahil hindi naman niya ginagawa in writing. Binabangit lang niya sa Radio program niya yung plot ng story like yung “Kulaspira, Basag ang pula.” Kakatawa ang title pero gusto niya na luka-luka daw si Ate Vi dito or something like that. Meron pa ngang Annie Batungbakal na base sa hit song ng Hotdogs pero naunahan siya ng NV production at ginawang movie ni Guy. Inis na inis noon si Ike sa radio program niya pero wala naman siyang laban kasi nga hanggang kwento lang siya sa radio, walang black & white. Sabi pa nga niya si Guy daw ay mahusay kumanta pero sa sayaw daw ay mas bagay kay Vi ang Annie Batungbakal. Gosh, everyday ay naririnig ko sa radio program niya ang plot na plano niya for the said movie, naka-program na nga sa utak ko na para kay Ate Vi yon eh. Pero ganoon talaga, unahan lang yan. Ang isa pang di ko makalimutan ay during the shooting of “Yakapin mo ako Lalaking Matapang.” Vilma-Lito Lapid movie, ang working title noon ay “Ang Senyorita at ang Driver.” S’yempre may-I plug ang Ike sa movie ni Ate Vi kahit filming pa lang ito. Sabi niya “O mga Vilmanians, abangan nyo na ang Senyorita at ang Atsay.” Sabay tawa ng malakas si tabatsoy. “Sorry, slip of the tounge po, Senorita at ang Driver pala”. Hahahaha. Meron pang instance noon na nasa States si Ate Vi while shooting “Pinay American Style” nag-overseas call si Ike, collect pa ha. Tapos syempre on the air ito sa radio program niya. Ang daming kwento ni Ate Vi, nakatutok talaga ko sa radio noon pati Nanay ko. Nung medyo mahaba na ang conversation nila ay nag-paalam na si Kuya Ike kasi daw baka malaki na ang babayaran ni Ate Vi. Hirit naman ni Ate Vi “Ok lang Kuya Ike, akong bahala, mamaya mo na ibaba. Miss ko na kayong lahat eh” Hay naku, ang sarap ng buhay pag may isang Vilma Santos. And yes, miss ko na si Kuya Ike. May you rest in peace. – Franco Gabriel, V Magazine Issue Nos 6 (READ MORE)

Si kuya Ike Lozada ang nagbansag kay Ate Vi ng palayaw na “Precious” marahil dahil sa parang mamahaling kristal si Ate Vi sa paningin ng malusog na radio announcer na ito. Si Kuya Ike isa sa mga naging instrumento kung bakit naging sikat ang tambalang Vi at Bot. Kung si Guy at Pip ay mayroong German Moreno, si Vi at Bot naman ay mayroong Kuya Iking. Sa bawat radio commercial at mga kanta hindi mawawala ang mga balita’t dedikasyon niya sa kanyang nagiisang “precious.” Akmang akma para bigyan natin ng halaga ang isang taong malaking naitulong sa pagsulong ng career ni Ate Vi nuong mga dekada 70 at mga unang taon ng dekada 80. Ang isa pang mahalagang naitulong ni Kuya Ike ay pagpapahalaga niya sa mga Vilmanians. Kung hindi lang siya radio announcer marahil isa siya sa aktibong miyembro ng ating grupo…” – RV, V Magazine Issue Nos 6 (READ MORE)

“…In the early 70s, the local entertainment industry was dominated by the love teams of Nora Aunor-Tirso Cruz and Vilma Santos-Edgar Mortiz. Arnold was a young teenager by the mid 70’s. Ike Lozada, a famous radio and TV host (known for his radio program, “Dambuhalang DJ”) and part-time talent manager conceptualized a junior love team that would target the younger audience and would follow the footsteps of the Nora-Tirso and Vi-Bubot love teams. The young love teams will be introduced in a new TV show which was planned to compete with the Channel 7 show, “Eto Na Kami”, another TV show quite popular with the young generation back then. Ike gathered the team of Arnold and Maribel “Lala” Aunor, Winnie Santos and Dondon Nakar that gave birth to the “Apat na Sikat” in Channel 9. The show was an instant hit not just with teen-agers, but also for older audiences and it quickly acquired a high rating among viewers. It was aired during prime time, and lasted for five years. People who grew up watching “Apat na Sikat” often associate Arnold’s name to the TV show, as it made television history during its prime…“Apat na Sikat” in the 70s was borne out of the imagination of the late Ike Lozada. Ike made quite a name for himself on his TV show “Big Ike’s Happening” and his AM radio program, “Dambuhalang DJ”. Like his colleague, Kuya Germs, Ike was also instrumental in launching the careers of young stars. The four young stars were easily brought to fame, because the two ladies were related to the star of the season. Winnie Santos is the younger sister of Vilma Santos, while Lala Aunor is the first cousin of Nora Aunor…” – Romy R. Protacio (READ MORE)

Enrique “Big Ike” Lozada (August 13, 1940-March 8, 1995) was a Filipino comedian, actor and TV host. He was born on August 13, 1940 in Iloilo City. He started acting at the age of 11 on the movie Mga Bituin ng Kinabukasan with the younger Susan Roces. – Wikipedia (READ MORE)

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“That Was Only The Beginning, Folks!” (Repost)

According to a recent interview with Governor Vilma Santos Recto, her priorities in life now are first – her family, second – her job as public servant and third – her career as an artist.

She indicated she wish she can do more about her third priority but hectic schedules and huge responsibilities as public servant eats most of her time.

Vilma loyalists Maribeth Bichara, the choreographer, and Super Morales, the writer, reminisce on the dekada that followed the ‘70s – the decade of Vilma In Person. Vilma’s best point is her dedication to work. Example? Me sakit nuon si Lucky (Luis Manzano, her son by Edu Manzano, But we had a show in New York. When she assured that he’s well na, immediately she packed her things and we all proceeded to New York to attend to her commitment.

Minsan while performing nasabit ‘yong damit niya. But nobody noticed it at hindi naman nakita sa camera. Would you believe na ipinaulit pa ‘yong number niyang ‘yon despite our persistence na hindi naman nahalta sa screen ang nangyari? But she said, “I want it to do it again. I want a 100 percent performance na walang sabit-sabit kahit damit o anuman.” She insisted. That’s how concerned she is with her performance. Siya nga naman ang nakikita ng audience at hindi kami.

You don’t do things halfway with her. Ibang klase ‘yan. She is a perfectionist. In Vilma In Person, she got fitted every Monday. Thursday pag-isinuot na niya ‘yon, dapat walang kulubot, walang pin sa strap. Anything she noticed that she thinks wouldn’t be perfect in the eyes of the audience, hindi uubra sa kanya. If something happens, ayan tatakbo kami ng Rustans para ikuha ng eksaktong fitted na damit para sa kanya. She’ll never go onstage unprepared. She used to tell us, “Those people go out their way to see me. Some of them have traveled a long way so they could come.” She wanted to give her audience what they deserve to see.

She can be extremely conscious of her looks. When something worried her, she would tell us, “Huwag ilapit ang camera sa akin.” And we do that. But the moment she sees people, the audience, nag-iiba ang glow ng mukha niya. She forgets completely about whatever is troubling her and you can see how alive she is. The moment she is out of the lights, ayan uupo ‘yan, na parang rag doll sa isang silya and again nandidiyan na naman yong problema sa mukha niya.

She’ll never remove her bangs. Kahit na kapiraso dapat may nakalawit sa kanyang noo. During a shooting, ibina-brush ‘yung hair niya. Of course, makikita ‘yong kanyang forehead. We did it several times pero hindi talaga siya pumayag until somebody told me na it’s useless. She’ll never do that. There is not one person who can convince her to remove her bangs completely. She loves telling stories. She is an insomniac so 12:00 midnight na buhay na buhay pa rin ‘yan. One time we listened to her kawento for five hours. May patayu-tayo pa ‘yan sa ibabaw ng bed, kuntodo with gestures pa. Just being with people make her happy. I think when you remove people around her, she’ll just die.

What’s the most memorable gift she has given you?
Her starting me off as a choreographer. Alam mo bang na noong mga panahon yaon sina Mel Feliciano, si Geleen Eugenio at si Al Quinn lamang ang mga kilala. I was practically a nobody. But a Vilma Santos trusted me.

What’s similar between you and Vi?
We are both perfectionists. There are times when she has her tamtrums and when I also have mine. Minsan while singing she wouldn’t want to do some dance steps kasi mahirap nga naman, but I usually insists that she has to do it. She gets irritated, she leaves but after sometime back na naman siya and we set a compromise. Kaya naman hanggang ngayon ang laki-laki ng respeto namin sa isa’t isa.

What the one thing people don’t know about Ate Vi?
Do you know that she can be very funny? Alam ninyo bang may pagkatsismosa din yan? Aah, always, curious ‘yan about what’s going on. Walang kaplastikan agn babaing ‘yan!

How is Ate Vi as a person?
And I have never seen such a person rolled into one: She is a very good sister, a good daughter and as a mother, she’s also tops.

The best advice she has given me?
That I should be happy and to look for somebody…

Hod did you handle her moods?
If she’s in a bad mood, I get challenged. I say to myself, O, sige maypai-star ka nga sa akin. What I like is she listens to me as much as I listen to her.

How did you react when VIP has to fold?
VIP has to axed when Vilma got pregnant with Ryan. O, how we cried together. Ang dami-dami pa sana naming plano nuon!

How is she as a friend?
She can be a very good friend. But you have to be very truthful and honest with her. We keep the friendship because of this. She tells me that I don’t look good on TV. Source: Starstudio Magazine, December 2002, Written by Super Morales, As told to Len Llanes Global Vilmanians

What’s Love Got To Do With It – Isang Gabi Tatlong Reyna

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One rainy Friday night in August, 1990, all roads led to the Metropolitan Theater where the top-rating and the most awarded musical-variety TV show VILMA! would air one of its most-watched episodes, ever.

Vilma Santos, who would turn 37 that year, was on cloud nine.  She was the toast of the town, in both movies and television.   Her Lino Brocka directed movie, “Hahamakin Lahat” was a commercial and critical success.  Come hell or high water (there was a tropical storm), fans queued at the SRO theaters and saw her out and out Cruella Deville role as Gabby Concepcion’s paramour.  Some like her bad.

Vilma, the versatile actress scored again.  Earlier, she won her first of six Star PMPC and her fourth Urian best actress awards for her ’best’ performance in years in Pahiram ng Isang Umaga, which was directed by Ishmael Bernal.  She also just finished Kapag Langit ang Humatol with Laurice Guillen at the helm. At the PMPC Star Awards for TV, Vilma’s show harvested the biggest awards. And on that particular rainy night at the jam packed Metropolitan Theater, Vilma Santos was paying tribute to a Movie Queen she loved dearly and who reciprocated that love. Amalia Fuentes was the special guest, who just turned 50.  Vilma! was giving her a tribute, with special appearances of former Sampaguita Productions ’stars.’

Everybody knew that despite the infamous Romeo Vasquez/Vilma Santos le-affair Amalia and Vilma remained the best of friends.  With a sincere, charismatic and humble La Vilma, who could resist her charm?  Yes, the original Taray Queen, forceful and outspoken former queen of Philippine movies, she with a strong personality but with the most beautiful face in Philippine cinema, acquiesced to her friend’s request to grace the most watched TV show.   Love begets love. Respect begets respect.  The retired and reclusive Amalia Fuentes could not say no to the current darling of Philippine movies.

To recall, the senior and junior movie queens appeared in these movies: Bulaklak at Paru-paro (1970), Mga Reynang Walang Trono(1976) and Asawa Ko, Huwag Mong Agawin (1986).   Amalia directed Vilma’s episode in Mga Reyna and agreed to second billing to Vilma in Asawa Ko.   No doubt about it, Amalia Muhlach Sumilang Fuentes, is a Vilmanian.  To seal their sisterhood and camaraderie, Vilma is Ninang to Liezl Martinez and to the latter’s son Alfonso.   Why, Liezl even sang a song ’’Wind Beneath My Wings’ to her surprised mother that night which drove the strong-willed and still beautiful Amalia to tears.  A Kodak moment, indeed.  Priceless! While interviewing the three Muhlach generations, Fuentes, Liezl and young daughter Aliyanna, Amalia revealed to Vilma that she is protective of her ’unica hija’ Liezl.  “Ay naku, I think I also have become like my Mom, I’m also very protective of my children,” Liezl remarks.

Ex-Sampaguita stars Luis Gonzales and German Moreno served as Vilma’s co-hosts who provided comic relief as they recalled their Sampaguita days with Amalia Fuentes.  Debonair Eddie Gutierrez also came to greet Amalia a Happy Birthday.  Then Daisy Romualdez, Amalia’s contemporary and best friend danced the mambo/cha-cha with dancing queen Vilma, along with Kuya Germs and Luis Gonzalez. “I messed up that dance number,” Daisy gamely confesses, “wala kasing practice.” On her friend Nena (Amalia), Daisy admires her colleague for being frank and outspoken like her. “Nagkasundo kami kaagad dahil pareho kaming prangka ni Nena, hindi kami plastik,” she bemuses.

The highlight of the evening was when Vilma introduced another special guest, the other Queen of Philippine movies, Amalia’s rival, Ms. Susan Roces. Radiant and regal in her Susan Roces hairdo and dark, glossy gown, Ms. Roces was polite and generous with her comments on her kumare-rival.  Vilma, obviously starstruck, throws a question to Susan: “What can you say about Ate Nena as being mataray and you Ate Susan as soft-spoken?”  Susan: “I’d like to make a correction Vi, Amalia is not mataray, she is just outspoken, pero nasa lugar, so there’s a difference there.”  Applause from the audience.  “Alam mo ba Vi na my mother dotes on Amalia dahil pareho silang prangka?  Sabi ng Mommy ko, iyang si Susan hindi pumaris kay Amalia, prangka at di iyakin.”

Amalia on Susan: “I want to be like Susan dahil she is so sweet and soft-spoken.  Doon nga sa weekly sessions namin, sabi ni Doctor Perez, why don’t you be like Susan, matiyaga sa fans, ikaw, sumakit lang ang ulo mo, ayaw mo nang harapin ang fans.” Guffaws and chuckles.  The conversation turns serious.  Vilma: “How did you handle the competition? Did the intrigues get in your way, affected you?”  Susan, smiling sweetly, with a politically correct comment: “Hindi naman. We were in the same movie company and we were treated fairly.  We’re like one big family.  In your case with Nora, and Gloria Romero and Nida Blanca, it’s different.  Magka-iba kayo ng movie companies.”  Vilma: “Ay ang sarap, sana, one of these days magksama rin kami ni Nora Aunor like this one, Ate Susan and Ate Nena, together.”

Amalia Fuentes, Susan Roces and Vilma Santos.  Isang Gabi, Tatlong Reyna. – Susan, a movie queen, honoring a rival-friend movie queen Amalia on her 50th. birthday.   Amalia confessed on the show and thanked Susan for throwing a surprise birthday party for her days before the Vilma show.  What’s love got to do with it?  In the case of Susan and Amalia, it’s love.  In the case of Vilma and Amalia, it’s also love. Diva to diva. Competitors can be friends.  May it also happen to Vilma Santos and Nora Aunor.  Rivals on the silver screen, friends for life.   A fter all, love conquers all.  It is more permanent than fleeting fame and fortune.  What’s Love Got To Do With It?  Isang Gabi Tatlong Reyna – Mario O. Garces, V Magazine

The Greatest Musical Variety Show

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In the 1980’s, Nora Aunor’s Superstar show was losing viewership and her box-office appeal was also in question. Suddenly, the 70’s superstar was being eclipsed by a non-singer but an excellent dancer and versatile actress Vilma Santos. She has just scored her first of four grand slams for the movie Relasyon and continued to reign as the Longest Box-office Queen of Philippine Cinema. And slowly but surely, her VIP (Vilma In Person) TV show was gaining patronage/high ratings too from the precious class ABC households nationwide, TV advertisers’ prime target audience for their products.

Smart Move — There was no stopping Vilma Santos. She was about to conquer the TV musical-variety genre where Nora Aunor ruled for years. Early on, Vilma Santos had rough sailings with her musical variety show. VIP was being broadcast from Channel 2 which had a bad reception among TV homes nationwide, and was no match to the more modern RPN Channel 9 where Nora’s Superstar show was simultaneously shown from Luzon to Mindanao  in vivid, crisp color. When VIP moved to GMA Channel 7, it was the best move that Vilma’s think tank ever did. With better satellites, shrewd marketing, state of the art facilities, and more ambitious production numbers and with the Dancing Queen Vilma at the center of it all, and with the genius of Maribeth Bichara’s choreography and musical concepts written all over the show – “Vilma!” became the most watched and the most awarded TV show in the musical/variety category.

52 — Every Friday, 52 weeks a year, there was Vilma Santos’ most awaited opening number that never failed to surprised, amused and elicited ooohhhs and aaahhhs as the TV Musical Variety Queen won the hearts of music and dance aficionados here and abroad. Who would ever forget these outstanding, well-rehearsed, high performance level and unforgettable numbers?

Madonna — The Madonna Material Girl number, which would make Madonna proud. She sashays, gyrates and pirouettes ala Tina Turner for Vilma’s version of Private Dancer.? (“I’m your private dancer, a dancer for money, do what you want me to do?” Talbog ang Burlesk Queen! My most memorable Maribeth B. and Vilma Santos sexy number was when they showed their legs and swing those hips as the Swing Out Sisters belt out their number one hit Breakout… The “A Chorus Line” ensemble, “On Broadway” with Queen Vilma leading the group with a hat, gloves, a cane and a glossy costume. Who would ever forget her swing number with then sweetheart Ralph Recto? Or a dance number with the late Nida Blanca? Or a naughty, haughty dance number La Conga, sung by Gloria Stefan? And many, many more production numbers that were shot from Luzon to Mindanao, and even in the U.S., like The Raging Waters in California.

Here are some of the awards the Queen Star and her famous Vilma! show had won:

• 1987 STAR Award Best Musical Variety Show Host
• 1987 CMMA Best Musical Variety Show
• 1988 STAR Award Best Musical Variety Show Host
• 1988 STAR Award Best Musical Variety Show
• 1988 CMMA Best Musical Variety Show
• 1989 STAR Award Best Musical Variety Show
• 1989 CMMA Best Musical Variety Show
• 1990 CMMA Hall of Fame in Musical Variety Show
• 1990 STAR Award Best Musical Variety Show
• 1990 New York International Awards for TV Finalist
• 1991 STAR Award Best Musical Variety Show
• 1991 Dove Awards Best Musical Variety Show
• 1992 STAR Award Best Musical Variety Show
• 1994 STAR Award Best Musical Variety Show
• 1998 STAR Award Ading Fernando Lifetime Achievement Award

My wish: please bring back Vilma!, the dancer and entertainer par excellence, even if it’s just one show. Sayaw, Vilma, sayaw! The whole world awaits. Who cares if you’re 51? Tina Tuner is almost 70. Vilma, you are the Eternal Youth and the Dancing Queen Forever! – Mar Garces, V Magazin, Volume1, Issue 2 2006 to download v magazine issue 02 click here

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