Filmography: De Colores (1968)

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Basic Information: Directed: Armando Garces; Story: Romeo N. Galang; Screenplay: Romeo N. Galang; Cast: Joseph Estrada, Amalia Fuentes, Leopoldo Salcedo, Gloria Romero, Jun Aristorenas, Divina Valencia, Mario Montenegro, Perla Bautista, Anna Gonzales, Eddie Garcia, Mila Ocampo, Paquito Diaz, Von Serna, Eddie Infante, Gil de Leon, Jose De Villa, Jose Vergara, Luis Castro, Vilma Santos; Executive producer: Rey Ylag; Original Music: Restie Umali; Cinematography: Fortunato Bernardo

Plot Description: No Available Data

Film Achievement: 1968 FAMAS Best Actor – Eddie Garcia; 1968 FAMAS Nomination Best Actress – Perla Bautista; 1968 FAMAS Nomination Best Director – Armando Garces; 1968 FAMAS Nomination Best Picture

Film Review: “…Ipinanganak nga marahil si Ma. Rosa Vilma Tuazon Santos sa show business dahil sa pagitan ng taping ng “Larawan..” ay nagkasunod-sunod na ang kanyang mga pelikula…“De Colores” ng Arco-Iris (Marso 30 – April 10, 1968)…hanggang “Young Love” ng VP Enero 1 – 21, 1970) ng lumikha ng rekord sa takilya….Makalipas ang mga tatlong buwan, nakatanggap ng maikling sulat si Mama Santos muka lay G. Agra. Naghahanap ang Sampaguita Picutures ng batang babae na gaganap ng mahalagang papel sa “Anak, Ang Iyong Ina!” at isinali ng amain ang pangalan ni Vi. Hindi puwedeng lumiban si Papa Santos sa pinpasukang government office, at ayaw naman nilang mapahiya ang kamag-anak, kaya napilitan si Mama Santos na humingi ng day=off sa opisina (Aguinaldo’s). Pagdating sa studio, wala si G. Agra at nasa location shooting, ngunit totoong naroroon ang pangalan ni Vi, kaya’t pinapasok sila sa tanggapan. Napadaan sa harapan ni Mama Santos si Bella Flores na dala ang script ng “Trudis Liit.” Nagulumihanan si Mama Santos. Binasa niyang muli ang liham ni G. Agra. Mali yata ang napuntahan nila! Akma niyang tatawagin si Vi na noon ay nkikipaglaro sa iba pang mga bata upang yayain na itong umuwi, nang pumasok sina Mommy Vera, Dr. at Mrs. Perez, at Eddie Garcia. At doon nagsimula ang movie career ni Vi na magpahanggang ngayon ay batbat pa rin ng iba’t ibang panunuri, opinyon at konklusiyon…” – Ched P. Gonzales (READ MORE)

“…An all-star cast flick with such superstars as Joseph Estrada, Amalia Fuentes, and Gloria Romero. Despite multiple episodic stories of this movie about the “cult” “religious” revival among the elite Catholics, Vilma was in a forgettable episode. I wasn’t sure if she played a rebellious daughter turned good via the Cursillo, and whether she shared scenes with Ms. Romero. What mattered was that she bumped into her Tita Gloria on the set. More bonding, please…” – Mario O. Garces (READ MORE)

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Filmography: Ang Galing-galing Mo, Mrs. Jones (1980)

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Basic Information: Direction: Cirio H. Santiago; Story: Toto Belano; Screenplay: Ruben Rustia; Cast: Vilma Santos, Al Tantay, Marck Gil, Anna Gonzales, Vic Silayan, Josephine Manuel, Anita Linda, Ruben Rustia, Richard Romualdez, Tintoy, Rodolfo Boy Garcia, Don Pepot, Ruben Tizon, Pons De Guzman, Angie Salinas, Lito Calzado, Luis Benedicto, Marie Gonzales, Marites Cayado, Rita Bernales, Edna Valeriano, Sonny De Guzman, Monching Acuesta, Johnny Rito, Cesar Villa, Eddie Samorit, Nestor Brillantes, Nene Varga, Erwin Gasas, Manuel Horromeo; Asst. Director: Ruben Rustia; Soundman: Vic Salonga; Recordist: Pedro Nicolas; Asst Cameraman: Rene Pacheco; Asst Film Editor: Jess Aning, Totoy Vinarao, Ben Tala; Setting Director: Pepe Cruz; Sound Effects: Boy Calayog; Make-up Artist: Edna Valeriano; Vilma’s Make-up Artist: Dading Ravella; Stills: Olympio Geronimo; Sound Mixer: Juanito Perinion; Production Numbers: Lito Calzado & Associates; Cinematography: Sonny De Guzman; Vilma’s Costumes: Eddie Valeriano’s Hair and Dress Shop; Sound: Willie De Santos; Editing: Rene Tala; Music: A.S. Verdin; Color Processing: LVN Color Laboratory; Title Art: Cinema Artists; Post Production: Premiere Studio; Sales Manager: Tony L. Caringal; Publicity and Promotion: Billy Balbastro, Rod Samson, Lolita Solis; Production Manager: Bebot R. Perez; Film Administration: Mrs. Leticia M. Santiago; Executive Producer: Hermogenes P. Santiago; Production Company: HPS Film Production

Plot Description: No Available Data

Film Achievement: No Available Data

Film Review: “…Cirio H. Santiago had grown up in the studio owned by his parents and in 1957, aged only 21, had enough business acumen to forsee the grim future for the Big Three studios. Of particular interest to Santiago were the opportunities to be made in the lucrative and ever-expanding American drive-in circuit. With dreams of taking his films to the world’s screens, and with the American drive-in circuit firmly in his sights, Santiago took a huge financial risk for Premiere: along with Eddie Romero, he set up the Philippines’ first production, The Day Of The Trumpet (1957), for the international market. Santiago himself continued to pursue a career in the international whilst keeping Premiere Productions afloat. By the early Seventies Premiere began seeking out co-production deals with countries including the United States; Premiere, one of the Big Three studios of the Fifties, was rapidly evolving to become primarily, though not exclusively, a production unit for international features and co-productions including those of Roger Corman. In Corman, Santiago found the perfect partner in crime, and would continue a working relationship and close friendship from their first meeting in 1970 until Cirio passed away in 2008…” – Andrew Leavold (READ MORE)

“Victor Payumo Silayan (popularly known as Vic Silayan) is a veteran movie-stage Filipino actor. He was born in Manila on January 31, 1929 and died on August 30, 1987 due to heart attack. His acting prowess has been higlighted in the movie, Kisapmata where he played a man who had an incestuous attraction to his daughter, traumatizing everyone around them. Silayan’s sterling portrayals have earned him four awards…” – Wikipilipinas (READ MORE)