Filmography: Minsan pa Natin Hagkan Ang Nakaraan (1983)

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Basic Information: Directed: Marilou Diaz Abaya; Story: Carlo J Caparas; Screenplay: Racquel Villavicencio; Cast: Vilma Santos, Christopher De Leon, Eddie Garcia; Executive producer: Vic Del Rosario; Original Music: George Canseco; Cinematography: Manolo Abaya; Film Editing: Mark Tarnate; Theme Songs: “Minsan Pa Nating Hagkan Ang Nakaraan” performed by Basil Valdez

Plot Description: A heart rendering drama of love – resisted and revived. Rod leaves Helen for his career and she falls in love with another. Rod becomes successful and goes back to Helen who obviously still feels strongly for him. An illicit affair ensues. And the resulting conflict revolving around three of the Philippines’ most awarded stars makes this movie one of the most remembered love stories. From the powerful pen of Racquel Villavicencio and the dynamic direction of Marilou Diaz-Abaya. – (READ MORE)

Helen (Vilma Santos) looks like a woman who has everything, a beautiful home, a loving husband and a baby on the way. But this serenity is only superficial, as the baby’s father is not her husband Cenon (Eddie Garcia) but her lover Rod (Christopher de Leon). Helen and Rod used to be lovers but Helen’s pride could not take Rod’s ambitions so she married Cenon thinking this is the life she wanted. But Rod comes back and refuses to give her up. He worms his way into Helen’s family by offering his services as the architect of their new house. Soon, Rod wants her to leave Cenon and make a new life with him and the baby. But Helen is torn by her loyalty to Cenon and the need to secure her baby’s future. Who will Helen chose? Or will fate choose for her? Award-winning filmmaker Marilou Diaz-Abaya directed this melodrama based from a story by Carlo J. Caparas. Written by Racquel Villavicencio, Minsan Pa Nating Hagkan Ang Nakaraan was produced by Viva Films. – Jojo DeVera

Past lovers, Helen (Vilma Santos) and Rod (Christopher De Leon) revived their affair, complication is, the woman, Helen is now married to a rich old man, Cenon (Eddie Garcia). – RV

Film Achievement: The first Vilma Santos film directed by Marilou Diaz Abaya; 1983 FAMAS Best Actor – Eddie Garcia

Film Review: A heart rendering drama of love – resisted and revived. Rod leaves Helen for his career and she falls in love with another. Rod becomes successful and goes back to Helen who obviously still feels strongly for him. An illicit affair ensues. And the resulting conflict revolving around three of the Philippines’ most awarded stars makes this movie one of the most remembered love stories. From the powerful pen of Racquel Villavicencio and the dynamic direction of Marilou Diaz-Abaya. – Pelikulang Pinoy (READ MORE)

“…Isa pa rin ito sa mga mahalagang pelikulang nagawa ni Ate Vi na nagbigay sa kanya ng karangalan bilang mahusay na aktres sa URIAN and of course kay Boyet bilang mahusay na aktor. Sa Viva Films sila nakagawa ng maraming pelikulang pinagtambalan dahil na rin sa isinasaad ng kani-kanilang mga kontrata. Kaya naman sa pagtatapos ng taong 1983, ginawa nila ni Boyet ang “Minsan Pa Natin Hagkan Ang Nakaraan”, the only movie na namatay silang magkasama kung saan asawa siya ni Eddie Garcia sa pamamahala ni direk Marilou Diaz Abaya…” – Willie Ferrnandez (READ MORE)

“…Sa 1983, ang mga mapagpipilian lamang ay Broken Marriage…On a lower randk would be…Minsan Pa Nating Hagkan ang Nakaraan…Now that we have discussed this year’s better films and the directors who made them, tunghayan natin ang listahan ng best screen performances…ang pinagtaksilang aswang labis ang pagmamahal sa kanyang kabiyaksa Minsan Pa Nating Hagkan ang Nakaraan, ibang uri ng akting ang ipinamalas ni Eddie (Garcia) rito at talaga namang namumukod-tangi ang kanyang pagkakaganap… ” – Movie Flash Magazine, January 5, 1984 (READ MORE)

“…Marilou Diaz-Abaya’s Minsan Pa Nating Hagkan Ang Nakaraan (Viva Films) lingers on the sparks of an emotional connection. As the events turns into something more, the film captures a truth most others only imply. To love someone is an opportunity to rethink who you are, an invitation to shape and refine the self you wish to be….As the film unfolds, split-second decisions carry enormous weight, small gestures mean the world. Character-driven dramas are not supposed to make show of backstory, much of Minsan is devoted to defining these characters or rather to watching how they define themselves in streams of free-flowing but perfectly calibrated talk and in a few candid, tender scenes. A gifted director with an ear for naturalistic dialogue and a shrewd sense of structure, Abaya embeds several discoveries along the way, most crucially, the catch that defines the film’s time frame immediately lending its meandering conversations a heightened urgency. But it’s a testament to Abaya’s skill and maturity that Minsan dosen’t hinge on simple plot points, on will-they-won’t-they suspense on a twist that reveals an unexpected connection between the protagonists. What truly matters here is the vivid sense of individuals going about thoroughly ordinary lives, neither fully satisfied nor exactly depressed engaged in the day-to-day drama of figuring out who they are, in public and in private. While Abaya never turns his characters into mouthpieces, Rod and Helen’s husband, Cenon (Eddie Garcia) to an extent, embody conflicting impulses and Minsan shows that each have their attractions and that both exert a toll. If a film as unassuming as Minsan can feel profound, even downright revelatory, that maybe because the romance genre has never really had the chance to mature. For better and worse, most screen romances have always reflected the gender and sexual attitudes of their times. Minsan Pa Nating Hagkan Ang Nakaraan is a wise, lovely, enormously moving film that’s both timeless and specific. A story about falling in love that is also a tale of identity and self-definition…” – Jojo Devera, Sari-saring Sineng Pinoy (READ MORE)

Romantic Obsession – “…Two of Bernal’s successful domestic dramas, Relasyon/Relationship (1982) and Broken Marriage (1983), would have been in Abaya’s mind when she signed on with major production company Viva for her next project, also a domestic drama, Minsan Pa Nating Hagkan ang Nakaraan/Yesterday’s Kiss… Tomorrow’s Love (1983). Both of Bernal’s films had top-billed two of the country’s most enduring superstars, Vilma Santos and Christopher de Leon, and Abaya’s own project would feature the same actors. That it shared so many common elements as the great master’s works would have been both cause for excitement and trepidation for Abaya. For the script, she hired a young writer, Raquel Villavicencio, who had co-written Relasyon with Bernal and Lee. Based on a story by popular komiks writer Carlo Caparas, the film follows the obsessive relationship between Rod (de Leon) and Helen (Santos) that broke up when Rod left to study in the United States and that reignited as soon as he came back. The only problem is that Helen is now happily married to a much older man, Cenon (Eddie Garcia). At first, Helen resists Rod’s renewed pursuit but her barriers eventually break down and she starts to meet him in guilty trysts. As Helen refuses to leave her husband, Rod insinuates himself into Cenon’s good graces and gets himself hired as architect for a house that Cenon is building for Helen. She tries to break their affair once and for all, but Rod can’t be easily shaken off, especially after Helen gets pregnant and Rod is convinced that the baby is his. This dance of obsession, temptation, and guilt leads the lovers to tragedy. Abaya displayed style and maturity in her handling of a story which in most hands would be an occasion for melodramatic excess. As with the majority of Abaya’s works, the attention to production design, cinematography (by Manolo) and pacing is evident. The film did not reach the sublime elegance and wit of Bernal’s best domestic dramas like Relasyon. But it was a cut above the majority of domestic dramas of the day and need not find an excuse for its unpretentious, modest study of romantic obsession…” – Asian Cine Vision (READ MORE)

Filmography: Rizal Alih, Zamboanga Massacre (1989)

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Basic Information: Directed, screenplay: Carlo J. Caparas; Cast: Eddie Garcia, Ramon Revilla, Vilma Santos, Marianne De La Riva, Raoul Aragon, Joonee Gamboa, Antonio Carreon, Paquito Diaz, Charlie Davao; Executive producer: Donna Villa; Cinematography: Ramon Marcelino

Plot Description: Rizal Alih was a rogue cop who fought with his superior Brig. Gen. Eduardo Batalla in January 1989, then held him and several others hostage in Camp Cawa-Cawa, Zamboanga City. By the time the hostage-taking ended, 19 people were dead, including Batalla…” Carlo J. Caparas, GMANews.TV The Revenge of Carlo J. Caparas (God Help Us)

Film Achievement: No Available Data

Film Review: “Of all the films he has made, Caparas says the ones he is proudest of are Pieta, Kahit Ako’y Lupa, Bubbles, and Zamboanga Massacre…Zamboanga Massacre was one big testosterone rush. “Hino-hostage pa lang si General Batalla, nagsu-shooting na ako, kasi gusto ko fresh talaga.” (“General Batalla was still being hostaged, I was already shooting because I wanted the footage to be really fresh.”)…(Rizal Alih was a rogue cop who fought with his superior Brig. Gen. Eduardo Batalla in January 1989, then held him and several others hostage in Camp Cawa-Cawa, Zamboanga City. By the time the hostage-taking ended, 19 people were dead, including Batalla.) – Stephanie Dychiu (READ MORE)

“…Why the big fuss over Vilma Santos’ participation in the Risal Alih movie. Bakit pinapalabas nilan isa sa tatlong main stars si Vi, samantalang guest lang pala ito at isang araw lang nag-shooting? Bakit? Ginagamit lang ba nilang box office bait ang aktress?…” – Dennis Adobas, Manila Standard, Mar 9 1989 (READ MORE)

“…He said the policeman later lent him a laptop so he could finally see the movie on Youtube. “I was indeed so shocked, speechless and angry that I was not able to finish watching the entire film,” he said in his complaint. Alih is facing charges in connection with the 1989 siege of Camp Cawa-Cawa in Zamboanga City, which left a number of his supporters and two top police officials dead. In his complaint filed through lawyer Fernando Pena in the Quezon City prosecutors’ office, Alih, 67, said the movie depicted him as having beheaded Gen. Eduardo Batalla during the siege. “The portrayal that I allegedly beheaded Batalla in the movie was utterly baseless, malicious and a downright lie perpetrated in order to make the movie such a big hit and to make a huge profit at the expense of maligning my name and reputation,” he argued. “I was likewise informed that the said film … became a blockbuster movie,” Alih said in his affidavit. “The only way we can rewrite history is file this case in hopes of rectifying a decades-long error,” Pena told reporters in an interview. Pena also maintained that the prescription period for filing a libel complaint is one year from the time the offense was discovered by the complainant, and not from the time of publication or release of the questioned material. Asked why Alih filed the case only now, the lawyer said his client went into hiding in Malaysia for a long time and had no access to traditional media. He said the government even declared Alih dead at one point. The movie had a star-studded cast that included veteran actors like Ramon Revilla Sr. as Rizal Alih, with Eddie Garcia portraying Batalla. Vilma Santos played Alih’s wife…” – Julie M. Aurelio, With a report from Bayani San Diego, Philippine Daily Inquirer, Aug 24 2012 (READ MORE)

Filmography: Lipa Massacre (1994)

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Basic Information: Directed, story, screenplay: Carlo J. Caparas; Cast: Vilma Santos, Joel Torre, John Regala, Charina Scott, Angelica Panganiban, Robert Arevalo, Perla Bautista, Phillip Gamboa, Liezel Martinez, Ronnie Lazaro, Mia Gutierrez, Tony Mabesa; Executive producer: Carlo J. Caparas, Vic del Rosario Jr., Donna Villa; Cinematography: Boy Dominguez; Film Editing: Abelardo Hulleza

Plot Description: Story of Ronald Arandia who came back home after working overseas and found out his family was murdered, based on a true to life story of a massacre in Lipa City, Batangas. – Jagger Kieth (READ MORE)

A family of an overseas Filipino worker is murdered in their own home in Lipa City. While boarding a plane bound for the Philippines, Mr. Arandia is shocked to see his family in the front page of a newspaper. – ABS-CBN (READ MORE)

Film Achievement: 1994 FAMAS: Best Director – Carlo J. Caparas; Best Actor nomination – Joel Torre; Best Child Actress nomination – Charina Scott

Film Review: Vilma Santos portrayed the role of Mrs. Helen Arandia, wife of an Overseas Filipino Worker in Saudi Arabia. The Star for All Seasons starred with John Regala, Joel Torre, and then-child actors Charina Scott and Angelica Panganiban in this 1994 movie. While boarding a plane back to the Philippines, Mr. Ronald Arandia (played by Joel Torre) was shocked when he saw his murdered family on a newspaper’s front page. The killer (John Regala) visited Mrs. Arandia at their home in Lipa City, Batangas, and brutally murdered her and her two daughters, aged 8 and 6. The film directed by Carlo Caparas won Best Picture and Best Director at the 43rd Famas Awards (1994). Jagger Kieth (READ MORE)

“…Mula 1994 hanggang 2003 ay hindi na nagkatunggali sa Best Actress award sina Nora at Vilma. Early 1994 nang huling magkasabay as contenders for the acting plum sina Nora (Inay) at Vilma (Dahil Mahal Kita). For the whole year, Nora didn’t topbill any movie. She hosted Modern Romance sa Telebisyon on GMA 7 and the monthly special Superstar Beyond Time on RPN 9, and appeared on several telesines and a successful two-night concert at the Mandarin Hotel Ballroom. Naulit ang pangyayari noong 1992 na walang pelikula si Nora (she only appeared in her second stage play, DH, na nag-world-tour in 1993) and this will be repeated 10 years later, when she did the ABS-CBN 2 drama series Bituin that aired from September 2002 to May 2003 and several concerts. Vilma notched two films: Regal’s Nag-iisang Bituin (by Joey Reyes) and Golden Lions’ Lipa Massacre (by Carlo J. Caparas), which won as Best Picture sa FAMAS…” – William Reyes (READ MORE)

“Vilma Santos finally gets her wish to star in a massacre movie under director Carlo Caparas with her role as Helen Arandia in the Lipa Massacre. The film is about the Arandia family tragedy (a mother and her two daughters were killed by a neighbor while Mr. Arandia was abroad). Congressman Ralph Recto plays himself in the movie. Vilma had to forego a trip abroad to shoot another film just to help promote this massacre movie. Producer Donna Villa is all praises for Vi’s professionalism and her concern for this movie. Playing Mr Arandia is Joel Torre, who has become a favorite of the Golden Lions couple after he worked with them in the Antipolo Massacre. The Lipa Massacre movie will have a playdate on November 9. Donna and Carlo are now ready with their new movie…” – Norma Japitana, Manila Standard, Nov 2 1994 (READ MORE)