Filmography: Sino Ang May Karapatan? (1968)

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Basic Information: Direction: Ding M. de Jesus; Story: Louise de Mesa; Cast: Lolita Rodriguez, Eddie Rodriguez, Marlene Dauden/ Also Starring Renato Robles, Patricia Mijares, Ric Bustamante, Marifi and Vilma Santos; Screenplay: Jose F. Sibal; Music: Tony Maiquez; Production Company: Virgo Film Productions; Release Date November 7, 1968 at Center Theatre

Plot Description: One of several Love triangle films of Lolita-Eddie-Marlene. Vilma played the daugther.

Film Achievement: No Available Data

Film Review: “…Ipinanganak nga marahil si Ma. Rosa Vilma Tuazon Santos sa show business dahil sa pagitan ng taping ng “Larawan..” ay nagkasunod-sunod na ang kanyang mga pelikula…“Sino Ang May Karapatan” ng Virgo (Nobyembre 16 – 25, 1968)…hanggang “Young Love” ng VP Enero 1 – 21, 1970) ng lumikha ng rekord sa takilya….Makalipas ang mga tatlong buwan, nakatanggap ng maikling sulat si Mama Santos muka lay G. Agra. Naghahanap ang Sampaguita Picutures ng batang babae na gaganap ng mahalagang papel sa “Anak, Ang Iyong Ina!” at isinali ng amain ang pangalan ni Vi. Hindi puwedeng lumiban si Papa Santos sa pinpasukang government office, at ayaw naman nilang mapahiya ang kamag-anak, kaya napilitan si Mama Santos na humingi ng day=off sa opisina (Aguinaldo’s). Pagdating sa studio, wala si G. Agra at nasa location shooting, ngunit totoong naroroon ang pangalan ni Vi, kaya’t pinapasok sila sa tanggapan. Napadaan sa harapan ni Mama Santos si Bella Flores na dala ang script ng “Trudis Liit.” Nagulumihanan si Mama Santos. Binasa niyang muli ang liham ni G. Agra. Mali yata ang napuntahan nila! Akma niyang tatawagin si Vi na noon ay nkikipaglaro sa iba pang mga bata upang yayain na itong umuwi, nang pumasok sina Mommy Vera, Dr. at Mrs. Perez, at Eddie Garcia. At doon nagsimula ang movie career ni Vi na magpahanggang ngayon ay batbat pa rin ng iba’t ibang panunuri, opinyon at konklusiyon…” – Ched P. Gonzales (READ MORE)

“…In 1963, two great Sampaguita talents, Lolita Rodriguez and Marlene Dauden and drama king Eddie Rodriguez starred in Sapagka’t Kami’y Tao Lamang, the movie that turned out to be a sensational and phenomenal hit. The movie garnered the year’s top FAMAS awards— Best Actor for Eddie Rodriguez; Best Supporting Actress for Marlene Dauden; Best Director for Armando De Guzman. It started the series of the so-called love triangle movies featuring the three dramatic icons in Philippine movies. Ms. Dauden was memorable in such dramas as Anino ni Bathala (1958) and Kamandag (1959). In both films, Marlene won the FAMAS best supporting actress trophies. She was also awarded the FAMAS Best Actress awards twice: Sa Bawa’t Pintig ng Puso (1964) and Kapag Puso’y Sinugatan (1967)…” – Simon Santos (READ MORE)

Luis Enriquez aka Eddie Rodriguez first directed a young Vilma Santos in 1968 Kasalanan Kaya, another love triangle genre starring the dramatic trio of Marlene Dauden, Eddie Rodriguez and Lolita Rodriguez. Vilma received an early acting recognitions from this film by receiving a FAMAS Nomination for Best Supporting Actress. When Enriquez directed Vilma again, it was a calculated risk that allowed a still young Vilma into a bikini-clad lead role opposite his director himself, Eddie Rodriguez. The film, Nakakahiya, a may-december affair between an older man and a young woman was an entry to 1975 Bacolod City Film Festival. Aside from making the the film a smash hit, Vilma received the festival’s Best Actress. Enriquez will direct Vilma in five more films, the last one was ExWife in 1981 where surprisingly Luis used in film credits his screen name, Eddie Rodriguez. Theri total number of colloborations were seven (Ex-Wife 1981, Halik sa Kamay Halik sa Paa 1979, Hindi Nakakahiya 1976, Ikaw Lamang 1971, Kasalanan Kaya? 1968, Nakakahiya? 1975, Simula ng Walang Katapusan). – RV (READ MORE)

Filmography: Batang Iwahig (1966)

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Basic Information: Directed: Pablo Santiago; Screenplay: Ding M. De Jesus; Cast: Joseph Estrada, Paquito Diaz, Diana Dean, Bessie Barredo, Boy Francisco, Jose Vergara, Vilma Santos, Miguel Lopez, Avel Morado, Joaquin Fajardo, Manding Riño, Ponching Tambol, Leo Buenafe, Robert Rivera, Fil Lizarondo, Mike Francisco; Film poster: Video48

Plot Description: Iwahig Penal Colony is already a good haven for prisoners. Edgardo Alvarez (Joseph Estrada) was transferred to this place prior to his release. A hundred thousand pesos was the reason why he was detained. He, together w/ the group of Brando (Paquito Diaz) robbed the said amount and Edgar kept the same amount by burying it in a certain place before he was arrested by the police. Brando tortured him and his family even while he’s in prison because of the said money only to find out that they just fought for nothing. – Kabayan Central (READ MORE)

Film Achievement: No Available Data

Film Review: “…Joseph Estrada was at his best appearing in ‘tough guy’ roles after striking it big as “Asiong Salonga” in 1961. He was rough and mean in movies like North Harbor (1961), Pulong Diablo (1963), Basagulero (1963); Geron Busabos: Ang Batang Quiapo (1964); Batang Angustia (1965); Batang Iwahig (1966) and many more where he essayed the role of a ‘kanto boy.’ However in the 70s and 80s, Estrada chose to do light-comedy films (remember the Tatay na si Erap series, Erap is my Guy, Mamang Sorbetero, among others) and more of a Dirty Harry type of movies, where he portrayed a determined and dedicated law enforcer. He did quite a number of these movies starting with Kill the Pushers in 1972 and so on with Panic (1973), Ranson (1974), among others…” – Simon Santos (READ MORE)

“…Ipinanganak nga marahil si Ma. Rosa Vilma Tuazon Santos sa show business dahil sa pagitan ng taping ng “Larawan..” ay nagkasunod-sunod na ang kanyang mga pelikula…“Batang Iwahig” ng LSP (Oktubre 21 – 28, 1966)…hanggang “Young Love” ng VP Enero 1 – 21, 1970) ng lumikha ng rekord sa takilya….Makalipas ang mga tatlong buwan, nakatanggap ng maikling sulat si Mama Santos muka lay G. Agra. Naghahanap ang Sampaguita Picutures ng batang babae na gaganap ng mahalagang papel sa “Anak, Ang Iyong Ina!” at isinali ng amain ang pangalan ni Vi. Hindi puwedeng lumiban si Papa Santos sa pinpasukang government office, at ayaw naman nilang mapahiya ang kamag-anak, kaya napilitan si Mama Santos na humingi ng day=off sa opisina (Aguinaldo’s). Pagdating sa studio, wala si G. Agra at nasa location shooting, ngunit totoong naroroon ang pangalan ni Vi, kaya’t pinapasok sila sa tanggapan. Napadaan sa harapan ni Mama Santos si Bella Flores na dala ang script ng “Trudis Liit.” Nagulumihanan si Mama Santos. Binasa niyang muli ang liham ni G. Agra. Mali yata ang napuntahan nila! Akma niyang tatawagin si Vi na noon ay nkikipaglaro sa iba pang mga bata upang yayain na itong umuwi, nang pumasok sina Mommy Vera, Dr. at Mrs. Perez, at Eddie Garcia. At doon nagsimula ang movie career ni Vi na magpahanggang ngayon ay batbat pa rin ng iba’t ibang panunuri, opinyon at konklusiyon…” – Ched P. Gonzales (READ MORE)

“…Edgardo (Joseph Estrada) is a safecracker. To help care of his blind sister Vina (Vilma Santos), he takes care a life of crime. Edgardo hooks up with Brando (Paquito Diaz) to steal a hundred thousand pesos from Don Joaquin. But the robbery goes wrong and Edgardo ends up in jail. But not before burying the money in a safe place. Several years later, Edgardo is pardoned and he swears to remain on the straight and narrow. But Brando and his cohorts would not let him. They have waited all these years for their share of the loot and they are not about to just let Edgardo go. What if Brando uses Vina to ensure Edgardo’s cooperation? Can Edgardo afford to risk his sister’s life?…” – Mav Shack (READ MORE)

Filmography: Maria Cecilia (1965)

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Basic Information: Direction: Ding M. De Jesus; Screenplay: Ding M. De Jesus; Story: Susana C. de Guzman; Cast: Marlene Dauden (Maria Cecilia), Van De Leon, Alona Alegre, Tony Cruz Jr., Vilma Santos, Jose Mari, Dr. Nanding Andres; Music: Tito Arevalo; Production Company: Larry Santiago Productions; Release Date: 14 May 1965 (Philippines)

Plot Description: A DZXL Radio and Tagumpay Magazine Serial.

Film Achievement: 1965 FAMAS: Best Actor Nomination – Van De Leon; Best Supporting Actress Nomination – Vilma Santos

Film Review: – “Young and cute Vilma Santos is one of the few child stars who have hit the screen with continued success. Although not as well-publicized as the adult stars, she is gaining popularity with lot of fans who recognize her warm personality and talent. Her successful debut in Sampaguita Pictures’ Trusdis Liit gave her more movie offers. Vilma, who just turned 13 last Nov. 3, has been in the movies for three years and already has 16 pictures to her credit. A talented youngster, she often steals the spotlight from her senior colleagues. In Ging, Naligaw Na Anghel, Anak Ang Iyong Ina, and many other films, she was a standout in tear-jearking scenes. As a result, she is always in demand for such roles. Despite her success, Vilma remains unaffected as a child. At the St. mary’s Academy where she is a six-grader, she has more than her share of friends not because she is a celebrity but because of her natural chumminess. In fact, she is so fond of her friends that their house on Lunas St in La Loma, Quezon City is often filled with them. Her parents, Mr. and Mrs. Amado Santos, do not discourage her gregariousness and instead look upon it as part of her developing personality.

Bright Future – One of Vilma’s ambitions is to take up fine arts – that is, if the movies wouldn’t completely claim her in the future. Dr. Jose R. Perez has made a tempting offer to sign her to a contract with Sampaguita and VP Pictures when she reaches the age of 14, that is, one year from now. Vilma’s movie commitments don’t prevent her from being a good student. She could have been easily way above average if only her shooting schedules sometimes do not prevent her from attending her classes. “Doing two tasks at the same time gave me a hard time at the beginning but I’ve adjusted to it now,” said this youngster who still goes for lollipops, ice cream, toys, and play. Vilma, who spends her leisure hours listening to radio dramas, dancing and playing with her three other sisters, will be seen in her coming films, Sigaw Ng Batingaw of Argo Productions. – Julio F. Silverio, The Weekly Nation, 31 December 1965, reposted at Pelikula Atbp blog (READ MORE)