Tag Archives: Ernie Garcia

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Pinigil na Tadhana – “…Sinabi ni Ernesto Maceda, abugado ng 777 Productions, na ang pagpigil sa “Press Preview” o hayagang pagtatanghal ng “Iginuhit ng Tadhana” ay ilegal at labag sa saligang batas. Ayon kay Maceda, ang pelikula sinuri na ng BCMP, at dahil doon ay itinatanghal na iyon sa walong lalawigan…Sa isang dako, sinabi ni Gng. Olympia Lozano, kalihim-tagapagpaganap ng BCMP na pinigil ang pagtatanghal ng “Iginuhit ng Tadhana” dahil sa pagtanggi ng 777 Productions na iharap sa lupon ang pelikula upang surrin…Nagharap kagabi ng pagbibitiw sa Pangulong Macapagal si Jose L. Guevara bilang tagapangulo ng Board of Censors for Moving Pictures. Ginawa ni Guevara ang ganitong aksiyon kasunod ng pagpigil ng pelikulang “Iginuhit ng Tadhana” na naglalarawan sa buhay ni Sen. Ferdinand Marcos, kandidato sa pagka-pangulo ng NP. Ipinaliwanag ni Maceda na marami nang nakapanood ng “Iginuhit ng Tadhana”at nagkakaisa ng palagay ang lahat na walang batayan upang pigilin ang pagtatanghal nito. Upang masubhan kahit kaunti ang pagkayamot ng mga inayayahan sa “gala premiere” kagabi sa Rizal Theatre, ipinasiya ang pagtatanghal ng pelikulang Ingles, ang “The Thin Red Line…” – Leonardo P. Reyes, Taliba, 3 & 16 September 1965 (READ MORE)

Tadhana sa Korte Suprema – “…Malamang makarating ngayon sa Korte Suprema ang hidwaan ng prodyuser ng Iginuhit ng Tadhana at ng lupon ng sensor na pumigil sa pagtatanghal sa publiko ng nasabing pelikula. Nakatakdang dumulog ngayon sa mataas ns hukuman ang mga abugado ng prodyuser ng pelikula matapos na pigilin ng hukuman sa paghahabol kahapon ang pagpapatupad sa utos ng mababang hukuman na nagpapahintulot sa pagtatanghal ng pelikula…Sa naunang hatol ni Hukom Edilberto Soriano ng hukumang unang dulugan ng Maynila ay ipinahintulot niya ang pagtatanghal sa masuliraning pelikula bagay na salungat sa pasiya ng lupon ng sensor na pumipigil sa nasabing pagtatanghal. Ang hatol ni Soriano ay idinulog ng mga abugado ng pamahalaan sa hukumang sa paghahabol sa kanilang matwid na walang huridiksiyon sa usapin ang mababang hukuman…Sinabi ni Abugado Claudio Teehankee, isa sa mga abugado ng prodyuser ng pelikula sa buhay ng Pangulong Ferdinand E. Marcos ng Senado na idudulog nila sa Korte Suprema ang desisyon inilagda kahapon ng Hukuman sa Paghahabol. Ipinaliwanag niyang ang dalawang sumusunod na matwid ang knailang ihaharap sa mataas na hukuman sa paghahabol: 2 Katwiran na Inilahad – 1. Na walang bisa ang kontrata na maaaring bawiin ang permiso sa isang pelikula upang maitanghal anumang oras. 2. Na hindi nagmalabis si Hukom Soriano sa pagpapasiya sa usapin…” – C. de Guzman, Taliba, 3 & 16 September 1965 (READ MORE)

Young Ones – “…Walang makapaniwala na magiging gayon kalakas takilya sina Nora at Tirso. Nagimbal ang mga taga-pelikula. Bakit daw gayon kalaki ang kinikita ng unang dalawang pelikula nina Nora at Tirso? Tsamba lamang daw kaya iyon o biglang nagbago ng panlasa ng mga manonood? Hindi tsamba. Ang mga sumunod pang pelikula nina Nora at Tirso ay mas malaki ang kinita. Daang-libo ang kinita ng “Teenage Excapades” at “Halina, Neneng Ko.” Itinambal ng Towers si Nora sa iba pang kabataang artista, malaki rin ang kinita. Katunayan na malaki ang hukbo ng mga tagahanga ni Nora. Sinubok naman ng Barangay Productions na itambal si Tirso kay Gemma Suzara, hindi gaanong kinagat ng mga fans. Nag-produce ng pelikula ang mag-anak na Cruz, pinagsama sina Ricky Belmonte at Tirso sa “Ricky na, Tirso Pa” isinama naman sa magpinsan si Pilar Pilapil. Tinapatan ng Tower ng isang pelikula ni Nora ang pelikula ng mga Cruz. Resulta: mas maraming nanood sa pelikula ni Nora. Ano ang ibig sabihin nito? Gusto ng mga fans na maging magkatambal sina Nora at Tirso. Sinagot ng VP Pictures ang kahilingang ito sa pamamagitan ng “Young Love.” Bukod kina Tirso at Nora ay isinaman pa ang mga young ones na sina Vilma Santos at Edgar Mortiz. Patok sa takilya!…” – Romy Galang, Pilipino Magazine, 18 February 1970 (READ MORE)

Stoned Remembrance – “…It was a wild, wild parade but the fans and the superstars enjoyed every minute of it. For the Pilipino movie fan, it was more than just an outing. He saw his favorite movie celebrity at the closest range possible. For the movie star, the wild response was more than a gauge of his popularity. A crowd close to 500,000 people bucked the hot afternoon sun to watch their movie personalities in a parade ushering in the seventh Manila Film Festival. The crowd paralyzed traffic in the downtown areas up to the late last night…The parade started at 3 p.m. and ended past 8 p.m. at the foot of the Quezon bridge…The biggest response was given to Nora Aunor and Tirso Cruz III. Wearing pink ang black kimonos, the two superstars threw sampaguita flowers along the way as their fans, yelling friendship, waved their pointed thumbs wildly…The other float with the wildest applause was that carrying Vilma Santos and Edgar Mortiz, who will appear in “Remembrance,” a Tagalog Ilang-Ilang Presentation. However, the float was stoned twice and it left the parade before it reached the Jones Bridge…” – Romeo J. Arceo, Philippines Sunday Express, 18 June 1972 (READ MORE)

Vice presidential choices – “…Nationwide, Poe emerged as the preferred choice for vice president, obtaining an approval rating of 24%, followed by Escudero with 20%. Roxas was a distant 3rd with 8%, followed by Senator Antonio Trillanes IV with 7%, and Cayetano with 6%. The 6th spot was a tie among 4 who included Marcos Jr, Kris Aquino, Lacson, and Batangas Governor and actress Vilma Santos Recto, who each got 5%. Senator Jinggoy Estrada, the second senator embroiled in the pork barrel scam, obtained a 4% rating. In the lower bracket were 4 other legislators – Senators Benigno “Bam” Aquino and Revilla who each got 3%, Joseph Victor “JV” Ejercito who got 2%, and Camarines Sur Representative Leni Robredo who obtained 1%. In the National Capital Region, perceived to be home to the most critical and politically aware voters, Poe (25%) and Escudero (24%) were favorite vice presidential bets. Poe rated better than Escudero in the balance of Luzon, getting a 27% approval rating compared to Escudero’s 21%. The difference between the two top contenders was also more pronounced in Mindanao, with Poe getting 21% compared to Escudero’s 16%. Visayas respondents were almost evenly split, with 22% going for Poe and 20% going for Escudero…” – Chay F. Hofileña, Rappler, 29 Apr 2014 (READ MORE)

A Different “Grand Slam” (Ate Vi Scores A Victory But in a Different Arena) – When President Benigno Aquino III conferred the Presidential Lingkod Bayan Award on actress politician Vilma Santos-Recto, the Batangas Governor likened it in winning a “Grand Slam”- a showbiz citations given out by major award-giving bodies for a single movie. The last time she achieved that feat was in 2002, when she did Chito S. Roño helmed “Dekada ’70.” The two-term governor indicated that the Lingkod Bayan Award is just as special, maybe even more so than the Best Actress trophies she has collected over the years. “It recognized my hard work in public service. I think I am the only governor in the line-up. This is a different world from showbiz. This is not just a best actress-award. I’ve received other award awards fro government service in the past, but this is my first national recognition. Plus it was handed out by President Auino at Malacañang.” The Presidential Lingkod Bayan Award is handed out yesterday by the Civil Service Commission and is the highest honor a public servant can receive in the Philippines. Governor Vi was one of many awardees this year, for her effort to end the persistent overcrowding in Taal Lake and reduce fish kills. After the awarding ceremony, which was held at the Rizal Hall in Malacañang on September 19, she said she was eager to show her award to her constituents, calling the achievements “team effort.” I couldn’t have achieved all this on my own. I’m excited to show the plaque and medal to the people in the capitol. They worked side by side with me in pursuing my different programs in the province. Our secret in Batangas is teamwork.” Among this year’s other awardees was the late Department of Interior Jesse Robredo, who died in a plane crash on August 18 2012. His daughter, Aida was on hand to receive his award. Governor Vi also had her lovedones there – her husband, Senator Ralph Recto, and sons, Luis Manzano and Ryan Christian Recto. After the ceremony, Governor Vi head back home to Batangas, there to resume work again. For her, it’s just another work day, much like the one she has when doing a movie, but delivering a different kind of satisfaction. – Roldan Mauricio, Star Studio Magazine, November 2012

Focus on Burlesk Queen – Celso Ad Castillo’s “Burlesk Queen”surpasses past attempts to integrate cinematic qualities in a firlm and Castillo’s own previous experiments, which critics found bombastic and purely commercial, like no other film by Castillo or other directors. “Burlesk Queen”with synchronized techniques and the significance of its messagfe successfully gives substance to the trendy subject of sex-for-sale. Castillo’s creativity is seen in the use of radio drama and music, meaningful gestures, and visual metaphors to dramatic situations. Lucid exposition and delineation of the conflict are carried out through particular techniques like ensemble acting to reveal the individual characters’ needs, emphasis on visual details rather than talky dialogues to drive home a point, and active camera movements (cuts) to suggests the passage of time in the burlesque dance’s career. The tragic ending is prepared for a logical presentation of what happens eventually to all characters. – Ananymous

Vilma Santos to team-up with Christopher de Leon? – “…They’ve been perennial love-team partners in countless movies, and now Ms. Vilma Santos and Christopher de Leon are speculated to be teaming up once more, and this is for their political ambitions. Mayor Vi was reported to be running for a congressional seat, but if she’s partnering with Boyet, it must only be as governor and vice governor of Batangas. So what will happen to acting Governor Ricky Recto, brother of Senator Ralph Recto who’s Mayor Vi’s husband? Will Mayor Vi run against her brother in-law?…” – Manila Bulletin, 11 Feb 2007

Mowelfund pays tribute to Filipino Movie Greats – “…The Movie Workers Welfare Foundation (Mowelfund) presents a grand production to pay tribute to Filipino movie greats and at the same time increase awareness about and raise funds for Mowelfund. Slated on Feb 23, the Mowelfund Tribute to Filipino Mopvie Greats, will honor stars from today and yesteryears who have made tremendous contribution to the Filipino movie industry. Comedians Nanette Inventor and Leo Martinez will be the hosts for the night. Confirmed presentors and participants include Vilma Santos, Sen. Bong Revilla, Christopher de Leon, Rudy Fernandez, Sunshine Cruz, Cesar Montano, Jericho Rosales, Heart Evangelista, Philip Salvador, Toni Gonzaga, and many more. To be honored with grand production numbers by today’s top stars are: Don Jose Nepomuceno, producer of the first Filipino silent film; National Artist Atang de la Rama, the queen of zarzuela and kundiman; legendary screen loveteam Rogelio de la Rosa and Carmen Rosales; Rosa del Rosario, the very first Darna of Philippine Cinema. Movie starwarts will also pay homage to the immortal memory of the King of Philippine Movies and National Artist for Film Fernando Poe Jr., the King of Philippine comedy Dolphy; and former President Joseph Estrada, founder of Mowelfund. Mowefund aims to ensure that marginalized movie workers can still enjoy social security despite tough times in the business. Affirming the invaluable contributions of various art forms in the crucial beginnings of local cinema in teh country – from literature to music to theater and even fasion design, the Mowelfund fundraising tribute to movie greats highlights the crossing over of these defining cultural elements in the history of Philippine movies. An exhibit of the Ani Awardees will be held at the Aliw Theater Lobby from Feb 17-23…” – Manila Bulletin, 11 Feb 2007

Ani Awards – “…The Awards celebrates a bountiful harvest in the unifying spirit that wold hold the industry together. It is a glittering testimonial to a lifetime dedication, hardwork, and perseverance in the pursuit of excellence by the Filipino public of a revered Filipino film artist,” shares Mowefund executive-director Boots Anson-Roa. Mowefund aims to ensure that marginalized movie workers can still enjoy social security despite tough times in the business…” – Crispina Martinez-Belen, Manila Bulletin, 20 February 2007

From Fashion to Films and Back – “…Audrey Hepburn’s little black dress in “Breakfast in Tiffany’s (1961) did not just stay on the silver screen. It went on to become a classic shift dress that is still being worn today in varying styles all over the world. It si the other way around for “The Devil Wears Prada” where Miranda Priestly played by Meryl Streep took the best creations of international designers to the screen. Needless to say, television and movies dictate fashion, through in a subtle way. “Even from the early days of fashion, what people see on the movie have really played a big influence on what people want to wear in real life. Even with us designers, when clients come to us, they always ask us the popular artists that we have dressed up,” says designer Edgar San Diego, FDAP chairman. To show the synergy between film and fashion, the Fashion Designers Association of the Philippines will stage a fashion revue in music and dance showing the glamour era of Philippine movies at the first ever Ani Awards, Mowelfund (Movie Workers Welfare Foundation) Tribute to Filipino Movie Greats…desiners will present their creations inspired by the likes of the personalities and roles portrayed by Rosa Rosal, Rogelio de la Rosa, Carmen Rosales, Ric Rodrigo, Susan Roces, Amalia Fuentes, Vilma Santos, Nora Aunor, and Sharon Cuneta…The era of stellar actresses like Vilma Santos and Nora Aunor showcased a more down-to-earth fashion…” – Manila Bulletin, 20 February 2007

Mini LP Fad – “…The mini-LP fad is fast catching fire for love duets. For Alpha, there is a mini by Nora Aunor and Manny de Leon; for Wilear’s minis are by Vilma Santos and Edgar Mortiz, Ed Finlan and Hilda Koronel; and for Vicor, mini is by Perla Adea and Tirso Cruz III. The mini has four selections and plays at 33 1/2. The retail price is now 6 peso (US $1)…” – Oscar Salasar, Billboard, 04 July 1970

Film Premiere Draws 28 Philippines Record Artists – “…Twenty eight of the Philippines’ young recording artists singing in English presented one song at the gala premiere night of the locally produced film “Haydee” at the Rizal Theater in suburban Makati. The impressive convergence was a first in the Philippine entertainment history. But because it was for charity, local producers and artists gave all-out cooperation. Proceeds of the “Haydee” premiere were earmarked for the 1970 Awit Awards, the Philippine’s versions of the U.S. Grammys. Five record companies were represented in the two-hour on-stage attractions – Alpha Recording System, D’Swan Recording System, Vicor Recording, Villar Records, and Willears Records. The Alpha artist were Eva Vivar, Baby Alcaraz, Geraldine and Jay Ilagan. The D’Swan artists were Ernie Garcia, Jonathan Potenciano, Linda Alcid, and Eddie Peregrina. Singer-pianist Baby de Jesus guested under the label. The Vicor artists were Eric Dimson, Boy Mondragon, Freddie Esguerra, Sonny Cortez, Millie Mercado, Victor Wood, Perla Adea and Tirso Cruz III. Villar was represented by Roggie Nieto. The Willear’s artists were Alice Cerrudo, Raul Aragon, Raquel Montessa, Elizabeth Ledesma, Romy Mallari, Esperanza Fabon, Vilma Santos, Edgar Mortiz and Ed Finlan. The back-up group was the Blinkers…” – Oscar Salasar, Billboard, 06 June 1970

Nobo Bono Jr. – “…There is a scramble among record companies to sign “Tawag Ng Tanghalan” national champion Nobo Bono Jr. The singer is contracted with the Talent Center of ABS-CBN which acts as his agent and personal manager. Bono is appearing weekly with Willear’s artists Edgar Mortiz and Vilma Santos in the new live TV series titled “The Young Ones” on Channel 2…” – Oscar Salasar, Billboard, 08 Aug 1970

Hawaiian LP – “…Willear’s issued a Hawaiian LP titled “Aloha My Love” by Vilma Santos and Edgar Mortiz. It is a soundtrack of the film of the same title which is scheduled for exhibition here…” – Oscar Salasar, Billboard, 11 March 1972

Wilear’s Top Company in Phlippine Awards – “…The third annual presentation of the Awit Awards was held at the Manila Hotel with Senator Doy Laurel of the Philippine Congress as guest of honor and principal speaker. The sponsoring group was the Philippine Academy of Recording Arts and Sciences (PARAS). The event criticized in the local circle because of its unpopular results and deglamourized presentation, gave posthumous awards of merit to Frankie Martin, a juror last year, and Santiago Suarez, one of Filipino musical starwarts. The founder of the Awit Awards, Billboard correspondence Oskar Salazar, was also honored. Wilear’s Records scored heavily in the awards this year. The foreign division was permanently scrapped. Two major companies, Villar Records and Dyna Products, Incl did not submit nominations this year. The 1970 winners are…Record Company of the Year – Wilear’s Records; Song of the Year – “Forever Loving You” by Bert Dominic (Billboard); Best Single – “Sixteen” by Vilma Santos (Wilear’s)…” – Oscar Salasar, Billboard, 14 August 1971

The Wonderful World of Music – “…The Wonderful World of Music,” produced by Tagalog Ilang-Ilang, was judged best musical in the Manila Film Festival. The picture stars Vilma Santos and Edgar Mortiz, both artists of Wilear’s…” – Oscar Salasar, Billboard, 24 July 1971

Internation Talent Directory – “…Vilma Santos (Vocalist, Wilear’s Records: The Sensations (LP); Sixteen (single & LP); Sweethearts (LP); Sweet Sweet Vilma (LP). PA: Cebu City, Ilo-ilo City, Olongapo City. TV: Edgar Loves Vilma, Oh My Love, The Sensations; Films: Angelica, Love Letters, My Pledge of Love, Our Love Affair, The Sensations, The Wonderful World of Music. Awards: Loveteam of the Year, Queen of Philippine Movies. PM: William C. Leary…” – Oscar Salasar, Billboard, 04 July 1970

Second Album – “…Wilear’s Records will come with the second LP of Vilma Santos to be titled “Sweet Sweet Vilma…” – Oscar Salasar, Billboard, 26 September 1970

Remembrance – “…Film artist Walter Navarro (Vicor) will have his first LP, “King of Balladeers,” this month. He is a contract star of Lea Productions and principal mainstay of the El Bodegon Club. Navarro is doing a film musical with Vilma Santos (Wilear’s) with Mirick Productions…Remembrance, another film musical, was chosen “best musical” in the Manila Film Festival. The film stars Vilma Santos (Wilear’s) and Edgar Mortiz (Wilear’s). The film also won in the categories of best film editing, best sound, and best script…” – Oscar Salasar, Billboard, 29 July 1972

Tie sa FAMAS – “…Dalawa ang Best Actress sa gabing iyon. Nangangahulugang kapwa mabigat ang labanan at walang itulak kabigin kina Boots Anson Roa at Vilma Santos kaya minabuti ng inampalang na bigyan kapwa ng Best Actress na sina Boots at Vilma…” – Aruy Tapusan Komiks Magasin, 19 Hunyo 1973

Ate Vi Trivia – “…Vilma Santos (born Maria Rosa Vilma Tuazon Santos, November 3, 1953), tinaguriang “Star for All Seasons,” siya ang kauna-unahang babaeng gobernador ng Batangas. Siya rin ang kauna-unahang babaeng mayor ng Lipa City. The only actress na nanalo ng three consecutive years as best actres sa Urian Awards (the country’s film critics awards body) para sa kanyang mga pelikulang Relasyon (1982), Broken Marriage (1983), at Sister Stella L (1984). Hindi siya nanalo ng kahit isang best actres award sa mga pelikulang dinirek ng the late, great Lino Brocka. Unang aktress sa Philippine movies na naka-grand slam nung 1983 as best actress for her performance in Relasyon (1982) from the Catholic Mass Media, Urian, Film Academy and FAMAS awards-giving bodies. Si Ate Vi ang pinakamaraming Gawad Urian awards sa industriya ng showbiz, tallying 8 wins, 5 additional nominations (all for Best Actress) and 2 special awards for being the best actress of the ’80s and the ’90s!…” – Hi Magazine, December 2007

Would it be Good Karma? – One of the most misunderstood occult concepts. The nearest equivalent in European thought is contained in the idea of fate, though the oriental term indicates that fate is not a haphazard sequence of events of experiences, but is dependent on actions of previous lives or spiritual conditions. The idea is that a spirit undertakes to live in an earthy body for a given period of time, usually in order to learn something which cannot be learned in a disembodied state, and has to accept rewards and punishments for good and bad deeds committed in previous incarnations. In order that understanding may grow, any evil committed against another person will have to experienced by the perpetrator. The working out of Karma is not done consiously by ordinary people. The real reasons for the majority of peopleès actions and relationships may be understood only when the nature of their Karma is grasped -which is virtually impossible to understand or judge another person when seen in the context of one material lifetime only. Vilma Santos fits the role to a T. For the past years that she has suffered a string of misfortunes and setbacks in real and reel life, she has honed herself as promise, a common objective: to give the viewing pubic what it wants – entertainment with a capital E. For Danny Zialcita, aside from having a good screenplay, good direction and brilliant actors and actresses, the movie should have artistic values. Karma promises to be a very good vehicle not only for Zialcita but also for Vilma Santos and the rest of the cast. Will this movie be a good Karma for director Danny Zialcita, Vilma Santos and the rest of the cast? It’ll be a different kind of feeling you’ll get after viewing it. – Bong de Leon, Jingle Extra Hot Magazine, 02 November 1981, Reposted at: Pelikula Atbp (READ MORE)

Sparring Partner – Marahil ay napapansin ninyong lagi nang kasama sa Superstar Show ni Nora Aunor kung linggo and dalawang ito, sina Arnold at Eddie, (Ang hiuli ay kapatid na bunso ni Nora at mahal na mahal niya). Mainstay na sila sa TV show na ito, at nakakatuwa naman sila. Kailan lamang nagkakilala sina Eddie at Arnold ngunit kung makikita ninyo sila, aakalain ninyong matagal na silang magkaibigan. Kapag walang klase, lagi silang magkasama. Kung hindi si Arnold ang nasa bahay nina Eddie, si Eddie ang nasa bahay nina Arnold. Tuwang-tuwa naman ang magulang ni Arnold, at higit si Nora, pagkat nakikita niyang maligaya ang kanyang kapatid sa pakikipaglaro sa bagong kaibigan. At alam naman ninyo, ang mahal ng kapatid niyang ito ay mahal din niya. Kami naman ay natutuwa sa pagsasamahan ng dalawang batang ito kung kaya isang araw na naroon kami sa Greenhills residence ni Nora ay naakit kaming kunan ng pictorial ang magkaibigang ito na sa tingin namin ay tunay na sparring partner. – Ric S. Aquino, December 25, 1972, Unknown Entertainment Magazine posted by Arnold Gamboa on his Facebook page.

A Personal Survey – The Top 10 RP Movie Queens – “…Here is the attempt of one cineaste who has seen too many Tagalog films. See if you will agree with the list…1. Vilma Santos (1953-) Longevity is her weapon. To her credit is a mighty record of box-office successes and a stellar collection of film and public service awards. The 80s made her not only the number one film actress of the land. She became the highest-paid actress and constantly in-demand as a product endorser. Hosting-wise, she was phenomenon on TV’s Vilma! Vilma Santos-Recto is a picture of the ultimate movie queen. She is the prime example of an artist who has gone through several re-inventions. Ate Vi’s most important traits are her versatility, he willingness to learn, and her courage to always try something new. Her sincere appreciation of followers and fans also contributed to her status as the Star for All Seasons. Score Card: Longevity: 1960s-2000s, 5 decades; Artistic Achievements: Excellent; Box-office Records: Excellent…” – Rendt Viray, INsider The Entertainment Weekly, 12 December 2007

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Ernie Garcia and Vilma Santos

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The Painter – “…He took a break from acting in the ‘80s in order to shed his sexy image. He decided to resume his love for singing and performed in the United States and Japan. When he came back to the Philippines, he was glad to learn that movie fans as well as his friends in showbiz still remember him for his performances in movies. He was no longer the Ernie who appeared in sexy roles, but instead, he started doing roles in movies that would identify him as an “actor”, and not simply as a movie celebrity. He eventually ventured on painting and entered the world of theater. Ernie did a lot of stage work like “Noli Me Tangere,” and “El Fili.” He did “Hamlet” for the late Rolando Tinio in which he garnered an Aliw Award for best actor on stage in 1988. He received the FAMAS best supporting actor the following year (1989) when he made the movie, “Bukas Sisikat Din Ang Araw” He also received the Best Supporting Actor for the same movie given by the Star Awards. While he was busy acting on stage, Ernie discovered and harnessed his love for the visual arts. He started painting and experimented on the canvas and eventually explored other art mediums like tiles and fiberglass….” – Romy R. Protacio (READ MORE)

Sexy Actor – “…Ernie started his showbiz career on television in the ‘70s before trying his hand at the movies. Prior to acting, the then 16-year-old neophyte was more known as a singer whose repertoire would range from popular ballads to upbeat numbers. He had his first taste of real acting when he filled in for Eddie Peregrina in the soap opera Aliw ng Buhay, and was paired with fellow young upstart, Gina Alajar. Ernie’s TV drama stint caught the producers’ attention and eventually paved the way for his entry into the movies. “I was asked to play important roles in three Vilma Santos films—Takbo, Vilma, Dali; Hatinggabi na Vilma; and Lipad, Darna, Lipad,” said Ernie. He was soon paired with Chanda Romero in Uhaw na Bulaklak, which became a big hit, especially to the “Bisaya” audience. The success of the team-up resulted in three more movies—Alma Bonita, Ikaduhang Bathala, and Sabrina. All these films raked in huge box office sales, which gave Ernie the title King of Visayan Movies. Subsequently, the public also started seeing Ernie as a serious-sexy actor, an image he perfectly carried out in the movies Hubad sa Mundo, Araw-Araw, Gabi-gabi, Beer House, Sumigaw Ka Hanggang Ibig Mo, Amor Seko, Ingat Kayo, Playboy Ako, Pagmamahal Mo, Buhay Ko, Eva Fonda, 16, Bukas Sisikat Din Ang Araw, among many others. He also starred in a Hong Kong-Korean-Philippines joint project titled Ang Mahiwagang Kris. But of all his films, Ernie was particularly proud of the 1982 Celso Ad Castillo obra, Virgin People. When the movie premiered at the Manila Film Center, the sizeable crowd applauded Ernie’s acting—which still gives him chills to this day, every time he recalls the event…” – Bong Godinez (READ MORE)

Ernie Garcia or Ernesto Garcia in real life, was born on August 12 in Caloocan City, Philippines. His father, Artemio Garcia, is a Caviteno but grew up in Masbate, and his mother, Marina Sta. Maria is from Bulacan, a pure Tagalog. He started schooling at San Sebastian College. He was a former University of Santo Tomas Architecture student. He is known as the Bold King of Philippine cinema due to his many daring scenes in movies that he starred in. Before becoming a movie actor, Ernie started his showbiz career on television in the ‘70s. – Buddhist Celebrities (READ MORE)

Ernie Garcia and Vilma Santos

Ernie Garcia and Vilma Santos did eight films together, seven of it was in the 70s. Their last film together was in 1988 where Vi appeared in a cameo role and Ernie Garcia supporting leading actor Snooky and Gaby Concepcion. He received a FAMAS nomination for this effort.

Bukas Sisikat Din Ang Araw (1988) – “…Ang tatay ni KC Concepcion na si Gabby Concepcion ay isa rin sa mga kaibigan ni Vi. Ilan ding pelikula ang ginawa ni Vi at Gabby katulad ng Pahiram Ng Isan Umaga, Sinungaling Mong Puso, Hahamakin Lahat, Ibigay Mo Sa Akin Ang Bukas at Asawa Ko Huwag Mong Agawin. Sa pelikulang Bukas Sisikat Din Ang Araw, kung saan si Gabby ang prodyuser ay naging special guest si Vi na sa totoo lang ay halos kasinlaki ang billing niya (Vi) sa mga major characters nito. Isa sa mga anak ni Gabby, anak niya kay Grace Ibuna ay inaanak ni Vi katuwang sina Lorna Tolentino, Alma Moreno, Snooky Serna at Maricel Soriano…” – Alfonso Valencia (READ MORE)

Amorseko Kumakabit Kumakapit (1978) – “…Ang first anniversary presentation ng Diamond Films na Amorseko Kumakabit Kumakapit (April 13, 1978) ay pinangunahan nina Vi, George Estregan, Ernie Garcia, Rez Cortez, Beth Bautista, Cloyd Robinson, Dick Israel, Laila Dee, Brenda del Rio, Anita Linda, Angie Ferro, Mary Walter at Odette Khan sa panulat at iskrip ni Ruben Arthur Nicdao at direksiyon ni Maria Saret…” – Alfonso Valencia (READ MORE)

Hindi Nakakahiya (1976) – “…Luis Enriquez aka Eddie Rodriguez first directed a young Vilma Santos in 1968 Kasalanan Kaya, another love triangle genre starring the dramatic trio of Marlene Dauden, Eddie Rodriguez and Lolita Rodriguez. Vilma received an early acting recognitions from this film by receiving a FAMAS Nomination for Best Supporting Actress. When Enriquez directed Vilma again, it was a calculated risk that allowed a still young Vilma into a bikini-clad lead role opposite his director himself, Eddie Rodriguez. The film, Nakakahiya, a may-december affair between an older man and a young woman was an entry to 1975 Bacolod City Film Festival. Aside from making the the film a smash hit, Vilma received the festival’s Best Actress. Enriquez will direct Vilma in five more films, the last one was ExWife in 1981 where surprisingly Luis used in film credits his screen name, Eddie Rodriguez. Theri total number of colloborations were seven (Ex-Wife 1981, Halik sa Kamay Halik sa Paa 1979, Hindi Nakakahiya 1976, Ikaw Lamang 1971, Kasalanan Kaya? 1968, Nakakahiya? 1975, Simula ng Walang Katapusan)…” – RV (READ MORE)

Kampanerang Kuba (1974) – “…With limited dialouge, a young Dindo Fernando portrayed Tateng’s lover convincingly. All the other supporting roles including Perla Bautista, Ernie Garcia and others gave a forgettable performances. About the two main lead, Edgar Mortiz and Vilma Santos did what they can to portrayed their roles. Edgar Mortiz seems to be trying very hard to be effective as the priest but acting is clearly not his forte. Would this be different if Jay Ilagan did this role? Vilma Santos succeed more with her solo scenes, talking to the patron saints and the bell tower, eating with her bare hands and trying to beautify her ugly face…” – RV (READ MORE)

Lipad, Darna, lipad! (1973) – “…Ding, ang bato!” yells Narda, the adolescent country lass, to her younger brother. Ding obligingly hands over a shiny pebble which Narda swallows to turn herself into the vivacious super-vixen, Darna. Mars Ravelo’s superheroine, clad in crimson bikinis and knee-high stiletto boots, may perhaps be the most famous local fantasy character given life on the silver screen. Though not actually considered a career-defining role, portraying Darna is, nonetheless, highly-coveted. Darna has been portrayed by no less than nine actress in 12 feature films. Rosa del Rosario first wore the scarlet two piece in May 1951. She reprised the role after three months. Liza Moreno, Eva Montes and Gina Pareno followed her. The inter-galactic pebble found its way to Vilma Santos’ throat in 1973 via the flick “Lipad, Darna, Lipad!” Santos, now a two-term mayor of Lipa City in Batangas, is probably the most popular Darna, with a total of four movies in a span of seven years. Some of these were made known to younger generations through afternoon airings on television in the late ’80s. Maybe RPN 9 should do that again so that even younger generations can marvel at Darna’s greatness, albeit antiquated, in such movies as “Darna and the Giants” and “Darna vs. the Planet Women…” – Armin Adina, Philippine Daily Inquirer, June 06, 2003 (READ MORE)

Takbo, Vilma, Dali! (1972) – “…Joey Gosiengfiao had his “sweet revenge.” “It was not wasy for us in the beginning,” Joey relates. “Just before the showing of our first film, Takbo, Vilma Dali!, Martial Law was declared. There were no newspapers then so we had to post bills all over the city, hanggang Pasay nagdidikit kami nina Douglas. We also distributed hand bills. Sa awa ng Diyos, kumita ang pelikula.” Of the films he has done, Joey considers Sunugin Ang Samar as the most difficult, not only because of its scope but also because action is not his forte. It took him three months to make the movie because the script (by Wilfrido Nolledo) called for different settings and they had to move from one place to another. Joey didn’t exactly follow Nolledo’s script but he saw to it that “the spirit was retained.” Of late, Joey has organized his own company called Juan de la Cruz Productions together with Elwood and Douglas. Their inital production, Asawa Mo, Asawa KO, was a moneymaker. SP specializes in home-movie types while JC makes more of the woman’s movie, “that’s because we are not good for action pictures.” Joey is now connected with SP only as a director…” – Expressweek, December 12 1974 (READ MORE)

Hatinggabi na Vilma (1972) – “…The following year, Santos made fourteen films, mostly forgettable musicals. It was also a year where her benefactor started to positioned her as more of a film actress than a singing film star. The results was successful experiments that showcased her comedic ability (Ang Kundoktora), screaming action stunts (Takbo Vilma Dali) and dramatic capability (Dama De Noche). Her followers was delighted when she earned her first acting recognition the next year receiving the FAMAS best actress via Dama De Noche. Most of her films in 1972 were directed by Emmanuel Borlaza however, she was able to do one film with Ishmael Bernal, “Inspiration” with the late Jay Ilagan, one of her regular film partner. According to Bernal, the film wasn’t as successful as what he expected, as the film flopped. Aside from Inspiration, Bernal did two other films, El Vibora (starring Vic Vargas and Boots Anson Roa) and Till Death Do Us Part (starring the young Hilda Koronel and Victor Laurel)…” – RV (READ MORE)

Remembrance (1972) – “…Remembrance,” another film musical, was chosen “best musical” in the Manila Film Festival. The film stars Vilma Santos (Wilear’) and Edgar Mortiz (Wilear’s). The film also won in the categories of best film editing, best sound and best script…” – Oskar Salazar (READ MORE)

Related Reading:

Bukas Sisikat Din Ang Araw (1988)

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Basic Info: Direction: Mitos Villareal; Cast: Snooky Serna, Gabby Concepcion, Ernie Garcia, Vivian Foz, Vilma Santos, Tita Muñoz, Augusto Victa, Celina Chase, Julio Diaz, Melissa De Leon, Roland Montes; Released date: 17 March 1988

Plot Description: No Available Data

Film Achievement: 1988 FAMAS Best Supporting Actor Nomination – Ernie Garcia

Film Review: Seeing this soporific melodrama is like a long journey into the night. One wishes that it soon ends for a radiant sunrise to follow. But alas this movie only ignites small sparks of interest to keep us from yawning. The film’s bleak cinematography makes it a visual turn-off, the script needs tightening, the cerebral plot is too familiar and that bit of social relevance has not been smoothly integrated into the story. Serna (Estrella) plays a young, pretty and brainy lawyer but who has not been using her mind well in her romance with company manger Concepcion (Gerry). She feels like a whore each time Gerry brings her to his home but is too weak to resist his bedroom charm. Estrella has just passed the bar and since she’s brilliant, her law office forthwith sends her abroad to handle some cases. It must have taken her several years because when she returns home her child sired by Gerry is already a grown-up girl (Celina Chase). Serna with her sweet and fragile looks, does not project the image of a bright lawyer who is making a headway in her career. We never see her in the law firm she works for or even scanning over some paperwork. She is not smart to tackle her problem from the legalistic point of view. She gets pregnant but we don’t see her wih a bulging tummy and she delivers a bay which she gives to her cousing Aida (Vivian Post) and her husband Roel (Ernie Garcia) for adoption. Estrella does not inform Gerry of her pregnancy when she should have. So off he goes to Germany on official business with Carina (Melissa de Leon), daughter of company owner Dona Mercedes (Tita Munoz).

Melissa is a novice version of elder sister Pinky de Leon and for a new comer in a dramatic role, her acting is good enough. Munoz is noted for her strong personality on screen but here she delivers a restrained portrayal perhaps because her voice was dubbed by someone else. Dona Mercedes, as written in the script, is a confusing character. She is not an avaricious woman who is content with the profits Gerry brings into the company. Gerry employs fair labor practices but his assistant Atty. Cruz (Augusto Victa) is anti-labor. In a sudden change of heart, Dona Mercedes falls for the scheme of Cruz which triggers a labor strike. Gerry is already home but Cruz calls the shots. And yet, before this, Dona Mercedes has made it clear to her daughter that she needs Gerry. Gerry, by the way, has gotten married to Carina abroad but their relationship turns sours. Once home, Carina immediately seeks her old beau Randy (Julio Diaz) who is now married. Villareal’s treatment is not cinematic. She relies too much on dialogue to make the story move. Estrella’s pregnancy delivery of her baby and developments in her career are simply verbalized. Carina orders Randy to abandon his wife in exchange for a juicy position in her company but we don’t see him working. The illicit lovers vanish from the scene after their poolside dalliance and resurface much later.

The film’s main weakness is in the script. The trips of Estrella and Gerry and Carino go beyond realistic expectations. And to think that Estrella has only been sent by her office to handle a case or some cases and the couple to close a deal with a business associate. It takes years before they return. In one scene, Carina realizes her love for Gerry who is by then packing his bags to leave her for good. Carina pleads for him to stay but he has already made his decision. The next scene shows Carina in a hotel room with Randy and her she tells him that she is calling it quits. But why go to bed with him in the first place? Actually the central plot which has been complicated by too many subplots is about the romance between Estrella and Gerry. We know that they have to be back to each other’s arms to fullfill a happy ending. Villareal and her scenarist contrive a familiar device. Randy kills Carina with a gun in Gerry’s house where she has sought refuge. And for the coup de grace, Randy’s wife (Vilma Santos) suddenly appears on the scene to kill her philandering husbang. So as not to waste the much vaunted acting prowess of Santos, she is made to deliver a passionate monologue after shooting Diaz. Santos appears too late in the story and she should have an ealier scene to motivate her criminal act in the end.

Being an avowed womanizer, Randy’s murder of Carina seems out of character. Unless he has fallen hard for Carina, which is unlikely, Randy can simply hook another rich woman to replace her in case his wife rejects him. The most incredulous scene happens in a hospital where the doctor refuses to give medical aid to labor leader Roel who has been shot by a security guard during the strike. “I don’t think he’s gonna make it,” says the negligent doctor who should be shot too. And yet, Roel is able to tell Gerry that Lilet is his daughter by Estrella. Concepcion shows traces that he is intent on tackling mature roles but he doesn’t strike us as a believable young executive. The most powerful performer in the film is Vivian Fos. Garcia suits the role of a labor leader but the script does not give him much to do. The same applies to Diaz whose debonair look makes him a credible playboy but his character lacks depth. This meadering melodrama shows no promise of a brighter tomorrow for the local cinema. – Luciano E. Soriano, Manila Standard, Mar 28, 1988 (READ MORE)

“…Ate Vi made around 198 films from 1963 to 2002. This includes cameo appearances in Dugo at Pagibig sa Kapirasong Lupa, Mga Mata ni Angelita, Huwag Hamakin Hostess (with Nora Aunor and Alma Moreno with Vilma getting Orestes Ojeda in the end), Candy, No Other Love, Charot, Rizal Alih, Engkanto, and ‘Bukas Sisikat Din Ang Araw’, a Gabby-Snooky starrer, produced by friend Gabby Concepcion…” – The 28th (READ MORE)

“…Ernie won many acting awards. He was Aliw Awards’ Best Actor in 1988 for his portrayal in Rolando Tinio’s Filipino translation of William Shakespeare’s “Hamlet.” He also garnered two Best Supporting Actor trophies from FAMAS and PMPC Star Awards for Movies in 1989, in the late Mitos Villareal’s directorial opus “Bukas Sisikat Din ang Araw” which starred Gabby Concepcion and Snooky Serna and where he played the role of a labor union leader…” – Crispina Martinez-Belen (READ MORE)

“…Ang tatay ni KC Concepcion na si Gabby Concepcion ay isa rin sa mga kaibigan ni Vi. Ilan ding pelikula ang ginawa ni Vi at Gabby katulad ng Pahiram Ng Isan Umaga, Sinungaling Mong Puso, Hahamakin Lahat, Ibigay Mo Sa Akin Ang Bukas at Asawa Ko Huwag Mong Agawin. Sa pelikulang Bukas Sisikat Din Ang Araw, kung saan si Gabby ang prodyuser ay naging special guest si Vi na sa totoo lang ay halos kasinlaki ang billing niya (Vi) sa mga major characters nito. Isa sa mga anak ni Gabby, anak niya kay Grace Ibuna ay inaanak ni Vi katuwang sina Lorna Tolentino, Alma Moreno, Snooky Serna at Maricel Soriano. Noong last episode ng Vilma show sa GMA 7 ay isa si Gabby sa mga special guests ni Vi at nag-compose pa ng tula si Gabby para kay Vi. Noon namang nagkaroon ng problema si Gabby dahil sa kontrobersiya sa Manila Film Festival noong 1994 ay isa si Vi sa mga naging sabihan niya ng kanyang mga problema. Si Gabby ay naging best supporting actor ng Star Awards for Movies noong 1992 para sa pelikulang Sinungaling Mong Puso, best actor ng Urian noong 1992 para sa Narito Ang Puso Ko at best supporting actor ng Urian para sa pelikulang Makiusap Ka Sa Diyos noong 1991…” – Alfonso Valencia (READ MORE)

FILM REVIEW: Kampanerang Kuba’s religious rituals and miracles

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Kampanerang Kuba started with Andang (Vilma Santos), a hunch back bell-ringer running away from the people in the market. She was accuse of stealing. When she got back from the church (where she lives and work), she was confronted and physically assaulted by Tateng (Celia Rodriguez) for no justifiable reason. Thankfully, Father Damian, the old sick priest intervened. He has long been her protector. Andang felt sad when she found out that Father Damian is leaving. On his absence, a young priest, Father Agaton (Edgar Mortiz) will take over. Aside from ringing the bell, Andang clean and feed the piglets (owned by Ellen and Tateng, they are the church’s caretakers). She normally eats with her bare hands while talking to her patron saint, Saint Martin. She talks and treats the idol along side the church’s bell towers like they are humans. Meanwhile, Tateng, the daughter of the head caretaker, Ellen (Patria Plata), is a sex maniac who loves to abuse Andang. She also seduce men in exchange of material things like jewelry.

One time Andang caught Tateng having sex with Crispin (Dindo Fernando) inside the church, when Tateng found out that she was around, she physically abuse her. Then the following day, while feeding the piglets, Tateng verbally abuse her. Andang retaliate and the two had mud-wrestling inside pig pen. Tateng’s mother Ellen was about to join the fight when Father Agaton arrived and intervened. The next day, a group of women arrived and accused Tateng of accepting gifts from their husband that they own. When Tateng overheard the loud complaints, she quickly went to Andang and pretended she wanted to make amends and gave her a necklace. When the group of women finally faced Tateng, she lied and told them to look for the jewelry at Andang.

The women then went to Andang and accused her of stealing. Afraid of her safety, Andang went to the church’s roof telling them that if they will not stop, she will jump. Tateng convinced Andang not to jump and that she is her friend. The trusting Andang came back and was welcome by the women with physical assaults. They tied her down with a long rope and dragged her on the ground until Crispin, who riding the horse (where Andang was tied down) reached the town’s mountain hill where he threw Andang’s lifeless body. When Andang miraculously regained consciousness, she was seen talking to her patron saint, Saint Martin. He blessed her and was able to bring her back to the church. There, she was blessed by the Virgin Mary. A holy miracle happened, flower petals falls down from the sky and holy lights beams Andang. She slowly changed from the ugly hunch back girl into a beautiful woman. As turned out she became Sandra Belmonte. A woman long gone and who were once the topic of town gossips. Sandra’s two sister found her into the church the next day. Surprised and very thankful, they brought her back to their big home. Andang now assumed the identity of Sandra. Sandra as it turned out has suitor, Roel (Ernie Garcia) who she didn’t like. She also discovered that she missed her life as Andang and now sure that she is in love with Father Agaton.

Can’t control her feelings anymore, she went to the church for the Catholic ritual of confession. And with Father Agaton, she confess her love for him. Tateng overheard this, and coerced the priest to have sex with her in exchange for her silence but failed. In retaliation, she spread this information to the town’s people. Headed by Tateng’s admirer, Max Alvarado, the priest was confronted by the angry people. The priest denied the affair. The town’s people decided to tied the priest into a post and burn him. This is because the priest doesn’t want leave the church. When Sandra who was with Roel, discovered what was happening, she luckily escape madness and went inside the church to pray to Saint Martin. Her pray were answered by the sudden ringing of the church’s bells followed by a loud thunder. It started to rain killing the fire and saving the poor priest. It was a miracle. Tateng’s sinful mind cleared and she ask Father Agaton’s forgiveness, who gladly obliged. Father Agaton then search for Sandra when her suitor Roel appeared. They both went to the church tower and saw Andang instead. The end.

Kampanerang Kuba’s convoluted long story maybe attributed to the original comics material written by Pablo Gomez. A good director should iron out all the unbelievable plots specially all the one-dimensional characters. For example, Celia Rodriguez character, Tateng. She is so masochistic that viewer might wonder why she is so mean. Also, with her tower-nesque beauty, why she decided to remained in a town where everything seems to be so trivial and everyone seems loves to gossip, even the men. Nilo Saez (with Jose Flores Sibal wrote the script) failed miserably in this regard. Shot in Nagcarlan Laguna, Kampanerang Kuba showcased the old Filipino beliefs in patron saints, religious rituals and miracles. It also demonstrates that people can be so cruel, can passed judgement, and can asked for forgiveness that quick when confronted with truth. All will be forgiving without taking into account all the harm that they have done. In the real world, these people will be punished. Celia Rodriguez seems to be wooden in so many scenes but equally infuriating when she started to do her verbal and physical abuse of Andang. With limited dialogue, a young Dindo Fernando portrayed Tateng’s lover convincingly. All the other supporting roles including Perla Bautista, Ernie Garcia and others gave forgettable performances. About the two main lead, Edgar Mortiz and Vilma Santos, both did what they can to portrayed their respective roles. Edgar Mortiz seems to be trying very hard to be effective as the priest but acting is clearly not his forte. Would this be different if Jay Ilagan did this role? Vilma Santos succeed more with her solo scenes, talking to the patron saints and the bell tower, eating with her bare hands and trying to beautify her ugly face. She appeared to be gearing up for more versatile roles that requires her not to sing but to act. – RV

RELATED READING:
Kampanerang Kuba (1974)
Pinoy Classics Review: Kampanerang Kuba (1973)

Filmography: Lipad Darna Lipad! (1973)

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“Ding, ang bato! dali!” – Narda/Darna

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Basic Information: Directed: Emmanuel H. Borlaza, Elwood Perez, Joey Gosiengfiao; Story: Mars Ravelo; Screenplay: Joey Gosiengfiao; Cast: Vilma Santos, Gloria Romero, Celia Rodriguez, Liza Lorena, Eddie Garcia, Marissa Delgado, Ernie Garcia, Dick Israel, Ruel Vernal, Angie Ferro, Angelito, Nanette Lizares, Rod Dasco, Cloyd Robinson, Mary Walter, Adul de Leon, Bobby Roldan, Edgar Oira, Karlo Vero, Francisco Cruz, Chanda Romero, Gilda Gomez, Ellen Esguerra, Oskar Peralta, Urduja, Louie Acosta; Executive Producer: Victor Gosiengfiao; Original Music: Jonas Sebastian, Demetrio Velasquez; Cinematography: Rodolfo Diño

Plot Description: After a long period of absence, Vilma Santos resurrected the Filipino version of Wonder Woman, Darna, in a fantastic trilogy. Despite the lack of height familiar with previous Darnas, Vilma Santos’ bubbly youthful portrayal as Darna and the alter ego character Narda radiated the screen against Philippine cinema’s senior screen queens, Gloria Romero as the “Babaing Impakta (Vampire Woman),” Celia Rodriguez as “Babaing Ahas (Snake Woman),” and Liza Lorena as “Babaing Lawin (Hawk Woman).” The film was release on March 23, 1973 to a massive crowd in Metro Manila. Tagalog Ilang Ilang Production who produced the film reportedly distributed Darna dolls and Coca-cola drinks to the moviegoers. The film was a trilogy that focuses on the fights scenes between Darna and her nemesis with great effect and with the help of Darna’s equally perky young brother, Ding portrayed by child star, Angelito. The special effect that was considered way ahead of its time were in full displayed in this film. The goriness make-up, particularly Gloria Romero’s was a proof that Filipinos were creative and talented, way ahead of Hollywood or even Bollywood. – RV

Film Achievement: Top Record-Breaking Box-office Film of 1973; The first of four Darna films starring Vilma Santos; One of Vilma Santos and Gloria Romero 13 films – (Anak ang Iyong Ina, Iginuhit ng Tadhana, De Colores, Pinagbuklod ng Langit, Anak ng Aswang, Lipad Darna Lipad, Happy Days are Here Again, Karugtong ang Kahapon, Nakakahiya?, Hindi Nakakahiya, Makahiya at Talahib, Saan Nagtatago Ang Pag-ibig?, Kapag Langit Ang Humatol) – RV (READ MORE)

Film Review: In the Silver Age era of Darna, the movie “Lipad, Darna, Lipad!” (“Fly, Darna, Fly!” 1973), played by the lovely Vilma Santos, made a new version of the story. In this time, Narda was a teenager in her late teens. She discovered the magic stone after the event of a falling star landed near her home one night. She discovered that the magic pebble gave her superpowers that made her Darna. She and her brother were the only ones who knew the secret and their grandmother was not aware of it in this version. Narda herself becomes Darna and were not two different characters. She was also not from Planet Marte but was just a champion warrior of the forces of light. Every time Darna turns back to her mortal self, the magic stone reappears in her mouth and she takes it out and hides it until she needs it again. Every time the need arises, she has to swallow the pebble again and say Darna to transform. – Silver Age Darna, Supersexyheroines website

In 1951, 2 Darna movies were made starring Rosa Del Rosario, followed by another two starring Liza Moreno in the early 60’s, one by Eva Montes and one by Gina Pareno in 1969. But it was not until 1973’s “Lipad, Darna, Lipad” starring Vilma Santos when “Darna mania” would be rekindled and made this version the highest grossing Darna movie of them all. A feat that has not been equalled to this day. In these 1970s films, Darna’s origin was slightly tweaked with a new twist yet remained faithful to Mars Ravelo’s vision. No longer a little girl, Narda was now in her late teens. Also, she herself becomes Darna, unlike the original where she just “channels” her. Only Ding knows her secret in this version unlike the original where both Ding and their Grandmother knew the secret. Also, the stone comes out of Narda’s mouth every time she changes back from being Darna; she has to swallow it every time she wants to transform (This became standard for following versions). Darna is not specified as coming from Marte, just as a “warrior of Light”. This version of Darna became most people’s idea of the character for about 3 decades. A famous catch phrase by Narda popularized by the movies and NOT the comics version is “Ding, Ang Bato!” (“Ding, the Stone!) – Nostalgia Manila blog site

LIPAD, DARNA, LIPAD (1973) – The quintessential action-fantasy Pinoy flick that appeals to all ages, from generation to generation. This movie is a major milestone for Vilma because it proved that she could really carry a solo movie and bring in the dough (up to now of course!). Vilma’s Darna franchise is the most memorable and successful of all Pinoy fantasy-action genres. Imitated but never equalled, Vilma’s Darna lives on. Unforgettable. Memorable. It grows on you. No Pinoy kid ever grows up without being a part of the Darna magic. The enormous success of Lipad, Darna, and Lipad led to three more Darna movies with Vilma Santos. As a result, the star for all seasons became the star for all Darnas—Santos played her four times, more than any other actress in the super heroine’s history.

Lipad, Darna, Lipad! were thus divided into three separate segments, directed by three different directors. In Darna’s case, the three directors were Maning Borlaza, Joey Goesiengfao, and Elwood Perez—three names that promised an adventure that could do Andy Warhol proud.

First episode: “Ang Impakta” Starring Gloria Romero as Miss Luna, Narda’s school teacher who has a dark secret. She is actually a flying blood sucking creature at night. In this thrilling episode she knows the secret identity of Narda. The most memorable part was when Ms. Luna asked Narda to help her with some paper works. Little that she know, while she was busy checking the papers Ms. Luna excused herself, she then went to the next room and transformed into a scary vampire.

Ding found out that Ms. Luna is the vampire and Narda forgot to bring the magical stone , he rushed to her sister who then was being strugled by the monster. As soon as he got there, he threw the stone to her much terrified sister and she immediately changed to Darna. Followed was the famous aerial fight scene. Nanette Medved and Bing Loyzaga tried to copy the infamous fight scene in 1990 Viva films Darna. Episode one was directed by Maning Borlaza.

Second episode: Vilma also had to battle with Celia Rodriguez, who played a campy Valentina, a supermodel by day and a snake priestess by night. One scene has the actress naked in bed being caressed by a dozen snakes. Indeed, with the likes of Gosiengfao, Perez, and Borlaza at the helm, Darna is sure to get stuck in grotesque situations reminiscent of the Rocky Horror Movie. Their take on Darna is sometimes too risqué and violent for little children; but as a camp fest, the movie works.

In this episode Valentina, tried to steal Narda’s magical stone. Also, there was a scene where Valentina dressed up as Darna. I love the exciting part where Darna and Valentina battled on top of a high rise building. Darna, was almost a no match to her mortal enemy. Dangerously armed with lazer beams coming out from Valentina’s eyes, Darna was helpless and knocked down several times. Until, she stumbled upon into a piece of broken mirror and used it as a shield againts Valentina’s deadly lazer beams. Darna quickly made her looked in the mirror. Her lazer beams bounced back and she turned into a stone. From the roof, Valentina fell hard on the ground and broked into shattered pieces. Anjanette Abayarri and Cherrie Gil almost did the same scene in ” Darna, Ang Pagbabalik! ” Second Episode was directed by Elwood Perez.

Vilma Santos with co stars Ernie Garcia and Celia Rodriguez as Dr. Valentina Vrandakapoor, Phd in reptilian zoology from the University of new Delhi. Not to be overlooked is Darna’s arch-rival Valentina. Celia Rodriguez breathed new life to the term antagonist with her classy portrayal of the serpent-haired villainess. Rodriguez set a new standard by which evil women are to be judged.

Third episode: The final& episode was “Babaing Lawin” ( Hawk Woman), starring Liza Lorena as Babaing Lawin. I barely remember this one, there was this scene where Narda and Ding got caught and almost drowned in a quick sand. In Hawk Woman’s cave there’s this stream, that can make her wings disappear by walking across to it. There was also this character named Agila, a bird man played by Rod Dasco, he’s like the Hawk Woman’s mate. There was some fight scenes in the cave between Hawk Woman and and Darna. At the end of the story Darna and Hawk Woman, mend their ways. – Eric Cueto (READ MORE)

“Due to the Internet, one day soon I’m sure information on all of the cinematic obscurities of the world will be available to us, but at the moment it’s still wonderful to uncover a country’s hidden pop culture hitherto unnoticed by the rest of the planet. Take Video48, a mind-shattering trip into the uncharted realms of Filipino cinema, featuring a menagerie of stills, posters and articles from films I never even dared to dream existed! I stumbled across home-grown super-heroes such as Mars Revelo’s Darna a few years back, and Eric Cueto’s fansite provided a wealth of information on her cinematic adventures, (whilst also revealing tantalising glimpses of her on-screen contemporaries), but I certainly hadn’t realised the extent to which comic book characters pervaded the Philippine big-screen. Chances are the country was second only to Turkey when it came to cinematic Super-heroes – Darna herself has starred in 14 films and two TV series, which certainly puts Wonder Woman to shame…Sadly most of these fantasy films are unlikely to have survived – the condition of the Vilma Santos’ early Darna movies is supposedly so wretched that a DVD release has been permanently canned, and ancient VHS copies of Darna & the Giants and Darna & the Planet Women are jealously guarded by the few collectors who salvaged them from rental shops. Just as in Turkey, these films were probably considered to be as disposable as the comic books on which they were based – but I for one would go ga-ga for a double bill of this years The Dark Knight with 1973’s Fight Batman Fight (fair enough, my brain might melt out of my ears afterwards, but what a way to go…” – Poptique (READ MORE)

“…Vilma, now 20, still looking virginal and sweet kicked 70’s phenomenal superstar Nora’s butt at the boxoffice and earned her box-office wings via this monumental hit. The Emancipation of Baby Vi. Mariah Carey could not agree more. There was no turning back since then. The Fantasy Queen was born. Forty-three year old Tita Gloria gamely and bravely accepted the role of Ms. Luna, teacher by day and Manananggal by night. Movie Queen Gloria was deglamorized and became the evil incarnate as a vampire. Amalia Fuentes was the original movie queen who bravely accepted a daring role such as a vampire that won her a FAMAS statuette in Gerry De Leon’s Ibulong Mo Sa Hangin, and changed her goody-two-shoe image forever. Was she the original queen of reinvention that gave Vilma an idea to do the same via the landmark movie Burlesk Queen? Hmmm…for the first time, La Santos was billed above La Romero. Times have changed. The tables were turned. Vilma Santos is the New Box-Office Champ and Tita Glo and Company could only “bow” to the Reel/Real Queen: Ms. Rita Gomez, Helen Gamboa, Boots Anson-Roa, Barbara Perez and others did not have second thoughts to do a movie with the resurgent Vilma. Who wouldn’t want to be famous again and have fun working with the most hardworking and versatile actress? In my book, the aerial Good versus Evil fight of Vilma and Gloria as Darna and Impakta was one of the most thrilling and unforgettable scenes of my movie-going life. How I wish the movie resurfaces from Indonesia or from Timbuktu and my Vilma collection will be complete. That will be heaven! Where, oh, where is that classic movie? The Manananggal episode of Lipad, Darna, Lipad was so good that the two have to followed up their success via Anak Ng Aswang…” – Mario O. Garces (READ MORE)

“…This four-time FAMAS-winning actress is best remembered for her role as the slithering Dr. Valentina Vrandakapoor in the 1973 film Lipad, Darna, Lipad. In the iconic movie, she donned the reptile headdress for the Medusa-inspired character and gave Darna (Vilma Santos) hell. Although she’s been appearing in less villainous roles, Celia Rodriguez is still active in both movie and television these days. She played a supporting character in Darna’s latest TV incarnation, with Marian Rivera as the superheroine…” – Spot.ph (READ MORE)

Most Popular Darna “…Ding, ang bato!” yells Narda, the adolescent country lass, to her younger brother. Ding obligingly hands over a shiny pebble which Narda swallows to turn herself into the vivacious super-vixen, Darna. Mars Ravelo’s superheroine, clad in crimson bikinis and knee-high stiletto boots, may perhaps be the most famous local fantasy character given life on the silver screen. Though not actually considered a career-defining role, portraying Darna is, nonetheless, highly-coveted. Darna has been portrayed by no less than nine actress in 12 feature films. Rosa del Rosario first wore the scarlet two piece in May 1951. She reprised the role after three months. Liza Moreno, Eva Montes and Gina Pareno followed her. The inter-galactic pebble found its way to Vilma Santos’ throat in 1973 via the flick “Lipad, Darna, Lipad!” Santos, now a two-term mayor of Lipa City in Batangas, is probably the most popular Darna, with a total of four movies in a span of seven years. Some of these were made known to younger generations through afternoon airings on television in the late ’80s. Maybe RPN 9 should do that again so that even younger generations can marvel at Darna’s greatness, albeit antiquated, in such movies as “Darna and the Giants” and “Darna vs. the Planet Women…” – Armin Adina, Philippine Daily Inquirer, June 06, 2003 (READ MORE)

“…And so, yielding to the theory that “misery loves company,” the two failures teamed up. They picked up from where they had left off. Backed up by some enterprising businessmen who firmly believed the duo would make good next time (they were joined by Joey’s brother, Victor, and movie scribe Douglas Quijano and others), they formed Sine Pilipino and turned out the three-episode “Lipad, Darna, Lipad.” Joey and Elwood directed two of the episodes. In an interview, the two directors intimated that, depending on public reaction, it could have been their last stint in the movies. Miracles of miracles, Lipad, Darna,,,broke existing box office records at that time! But alas, despite the movie success, Sine Pilipino closed shop due to “mismanagement.” Undaunted, Elwood and Joey formed another company, this time the Juan de la Cruz Productions. Just the same, the budding outfit folded up because it had a rough time with the Board of Censors. By then, the drive against bomba movies and smut publications were massive and sustained, and the guidelines were different to those of today…” – Manny B. Fernandez, Expressweek, July 12, 1979 (READ MORE)

Darna is Not a ‘Rip-off” of Wonder Woman – “…Because of the character’s immense popularity, several other studios would license the character and produce more Darna movies throughout the next several decades. After Rosa Del Rosario, Vilma Santos (who first played Darna in 1973’s “Lipad, Darna, Lipad”) would be the most well known and the most in demand to play the character. She starred in a total of 4 Darna movies. Her 4th and final one being in 1980. For years after that, no more Darna movies were produced…” – Raffy Arcega, Comic Book Movie (READ MORE)

Gina Pareño – “…Mara­ming naging Darna sa kani-kanilang panahon pero ang unang inabot naming lumabas na Darna ay si Gina Pareño. Aba, kung nakita ninyo si Gina noong panahong iyon, ang ganda talaga niya at hanep ang katawan. ’Tapos ang maraming Darna movies na napanood namin, ang star ay si Vilma Santos, na nagsimula sa Lipad, Darna, Lipad. Iniba ang title dahil ang sinundang pelikula na Takbo, Vilma, Dali ay naging isang napakalaking hit din noong panahong iyon. Aba, isipin ninyo, noong panahong iyon ay nakakagawa ng isang pelikulang black and white sa halagang P120,000 lamang. Eh kinse pesos lang ang sine noon. Ang Darna ni Vilma kumita ng tatlung daang libong piso sa Metro Manila pa lamang at kakaunti pa ang sinehan noon ha. At kung titingnan naman ninyo si Vilma nung nag-uumpisa — maganda, sexy, at maputi. Kung negra ka, ano ang hitsura mo kung magsusuot ka ng costume ni Darna? Baka mapagkamalan ka pang lumilipad na tuko? Pagkatapos ni Vilma, marami ring naging ibang Darna, pero honestly ni hindi na namin napanood ang mga pelikula. Hindi dahil nagsawa kami sa Darna movies ha. In fact, hanggang ngayon mahilig pa rin kami sa super heroes. Nanonood nga kami ng anime eh. Pero hindi namin nagustuhan ang iba…” – Ed de Leon, Pang-Masa, 08 Oct 2013 (READ MORE)

Valentina – “…Iba talaga si Direk Maryo J. dahil he brings out the best in his actors,” says Katrina, whose daughter Katrence turned one year old last Wednesday. “Dito sa ‘Magkano Ba ang Pag-ibig’, tatlo kaming aktres na nag-Valentina ang nagkasama-sama. Una si Tita Celia Rodriguez na nag-Valentina kay Gov. Vilma Santos sa ‘Lipad Darna Lipad’ in 1973. Then si Alessandra de Rossi na nag-Valentina on TV to Angel Locsin’s Darna noong 2005, at ako na nag-Valentina kay Marian Rivera sa 2009 version ng ‘Darna…” – Mario Bautista, Journal, 23 September 2013 (READ MORE)

Intergalactic Warrior – “…There were comic-inspired franchises that never travelled beyond their own borders, such as the Darna series from the Philippines in the 1970s – she was an intergalactic warrior disguised as an earthling – and which helped actress Vilma Santos turn the fame she achieved into a political career that still sees her serving as governor of Batangas province…” – Matt Scott, South China Morning Post, 20 April, 2014 (READ MORE)

Sa paggawa ng pelikula, kung maringgan man ng pagdaing si Vilma Santos ay bihirang-bihira. Nangyayari lang ito kung ipagpalagay nating siya’y may dinaramdam, hapong-hapo at talagang hindi na makakaya ng katawang humarap sa kamera kahit ibigin niya. Gayon man, kung nagkataong napakahalaga ng eksena at kinakailangang gawin niya, khait anong sama ng pakiramdam niya’y humaharap siay sa kamera. At sa pagtungo niya sa set o location, lagi siyang nasa oras. Kung maatraso ma’y saglit lang. Ganyan ka-professinal si Vilma Santos. Ngunit sa Lipad, Darna, Lipad ay dumaraing siya. Hindi sa hindi niya enjoy gawin ito. Ang totoo’y sa pelikulang ito lang siya na-involved. Ibig na niyang matapos na ito’t makita ang pinagpaguran niya. Talaga palang mahirap gumawa ng costumes picture. Lalo pa’t kung tulad nito! Una ang naging suliranin namin ay ang Darna costumes ko. Kasi kinakailangan maging maliksi ang kilos ko bilang Darna, kaya kailangang alisin na ang padding. Kaso nga lilitaw naman ang malaking bahagi ng aking katawan. Mabuti na lang at sumang-ayon ang aking fans. “Pangalawa, nag-aalala ako sa mga eksenang bakbakan namin nina Gloria Romero, Celia Rodriguez at Liza Lorena. Kasi baka masaktan ko sila nang di sinasadya. Ang pangatlo ay ang likas ng pagkatakot ko…sa mga ahas. Kasi may bahagi roong tungkol sa Babaing Ahas, si Valentina. Dito, laging kailangan ang ahas sa mga eksena. Mga sari-saring ahas. Maliliit at malalaki. At makamandag! Ang pinakamahirap sa lahat ay ang pag-su-shooting. Kailangan naming tapusin ito anuman ang mangyari. Kaya nasasagap ko ang lamig ng gabi at init ng araw. At ang suot ko nga’y labas ang malaking bahagi ng katawan! At alam n’yo namang kailang lang ay naospital ako dahil sa respiratory defects!” Ito ang daing ni Vilma Santos sa pinakamahirap niyang pelikula, ang Lipad, Darna, Lipad. Ngunit mahihinuha naman ninyo na ang pagdaing niya’y parang paglalambing lang. Dinaraan pa nga niyang lahat sa biro. Pagka’t ang tutoo, mahal na mahal niya ang pelikulang ito. Dahil ito nga ang pinakamahirap. At sa isang artista, kung alin ang pinakamahirap ay siya namang pinakamasarap! – Cleo Cruz, Love Story Magazine, 1973

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Filmography: Hatinggabi Na, Vilma (1972)

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Basic Information: Directed: Joey Gosiengfiao; Screenplay: Joey Gosiengfiao; Cast: Vilma Santos, Barbara Perez, Romeo Rivera, Ruel Vernal, Dick Israel, Zeneda Amador, Ernie Garcia, Cloyd Robinson, Subas Herrero, Angie Ferro, Lito Trinidad

Plot Description: No Available Data

Film Achievement: Joey Gosiengfiao films with Vilma Santos: Hatinggabi Na Vilma 1972; Takbo, Vilma, Dali 1972; Lipad, Darna, Lipad 1973; Promo Girl 1978 – RV (READ MORE)

Film Review: “…Joey Gosiengfiao’s films are anything but righteous, much less respectable. That was their glory and greatness, and the reason he could never win an award–Christ, I think, with his abhorrence of respectability, would like the man’s style. Take, for example, the scene between Eddie Gutierrez and Ricky Belmonte in Bomba Star (roughly translated, Porn Star, 1980). Belmonte and Gutierrez are working out in a gym; Gutierrez starts casting looks at Belmonte; Belmonte coyly returns his looks. The two start teasing each other, tickling each other, suddenly find themselves on the floor wrestling with each other…enter Gutierrez’s lover, played by Marissa Delgado–she doesn’t do anything, just strikes a glamour pose, a sardonic expression on her face and the world’s longest cigarette holder between her fingers. I wish I could explain why the moment is so irreducibly funny, but I can’t; if I could, I suspect it wouldn’t be funny at all…” – Noel Vera (READ MORE)

“…Talagang poor second lang noon si Vilma kay Nora Aunor, subali’t nang gawin niya ang trilogy film ng Sine Pilipino na Lipad Darna Lipad ay talagang lumipad ng husto ang kanyang box office appeal. Sinundan pa ito ng mga pelikulang Takbo Vilma Dali at Hatinggabi Na Vilma. Anupa’t itinambal din si Vilma sa mga matured leading man na katulad nina Eddie Rodriguez sa mga pelikulang Nakakahiya, Hindi Nakakahiya Part 2 kung saan nagkamit siya ng Best Actress Award sa 1st Bacolod City Film Festival at Simula Ng Walang Katapusan, Dante Rivero sa Susan Kelly Edad 20, Chiquito sa Teribol Dobol, Dolphy sa Buhay Artista Ngayon, Joseph Estrada sa King Khayan & I, Fernando Poe Jr. sa Batya’t Palu Palo at Bato Sa Buhangin, Jun Aristorenas sa Mapagbigay Ang Mister Ko, Dindo Fernando sa Langis at Tubig at Muling Buksan Ang Puso at Romeo Vasquez sa Nag-aapoy Na Damdamin, Dalawang Pugad Isang Ibon, Pulot Gata Pwede Kaya at Pag-ibig Ko Sa ‘Yo Lang Ibibigay…” – Alfonso Valencia (READ MORE)

“…Noon namang kainitan ng Vilma-Nora rivalry…Marso 23, 1973, ay ipinalabas ang higanteng trilogy movie ng Sine Pilipino na “Lipad, Darna, Lipad.” Ang pelikulang ito na tinatampukan din nina Angelito bilang si Ding, Gloria Romero bilang Babaing Impakta, Liza Lorena bilang Babaing Lawin at Celia Rodriguez bilang Valentina, ang Babaing Ahas ang sumira ng takilya nang mga panahong yun kaya’t nabigyan din siya dito na Box Office Queen title. Hindi lang sa takilya ito tumiba ng husto dahil nang ipalabas ito sa telebisyon makaraan lamang ang ilang buwan ay naging numero uno din ito sa telebisyon lalo na sa mga bata. Di nga ba’t tinalo nito ang pelikula ni FPJ na may pamagat na “Esteban” na kasabay nitong ipinalabas? At makaraan naman ang isang linggo, nang ipalabas naman ang pelikula nina Joseph Estrada at Nora Aunor na may pamagat na “Erap Is My Guy” ay tinalong muli ng “Lipad Darna Lipad” ang nasabing pelikula nina Erap at Guy. Tumagal din sa mga sinehan ito ng mahigit na isang buwan. Talagang naaliw ang mga manonood lalo na noong lumilipad si Darna sa himpapawid habang ang background music ay Up Up and Away. Ang “Lipad, Darna, Lipad” ay idinerek nina Emmanuel Borlaza, Elwood Perez at Joey Gosiengfiao. Ang dalawang pelikulang produced pa din ng Sine Pilipino at sabi nga ni Rita Gomez, ito ang iyong huling sigaw…”Takbo, Vilma, Dali” ay ipinalabas noong Septyembre 29, 1972 at ang kahindik-hindik na pagtutuos ni Vi at Barbara Perez sa “Hatinggabi na, Vilma” ay ipinalabas noong Nobyembre 8, 1972 ay halos ganun din ang dinanas sa takilya katulad ng “Lipad Darna Lipad”…” – Alfonso Valencia (READ MORE)

“…The following year, Santos made fourteen films, mostly forgettable musicals. It was also a year where her benefactor started to positioned her as more of a film actress than a singing film star. The results was successful experiments that showcased her comedic ability (Ang Kundoktora), screaming action stunts (Takbo Vilma Dali) and dramatic capability (Dama De Noche). Her followers was delighted when she earned her first acting recognition the next year receiving the FAMAS best actress via Dama De Noche. Most of her films in 1972 were directed by Emmanuel Borlaza however, she was able to do one film with Ishmael Bernal, “Inspiration” with the late Jay Ilagan, one of her regular film partner. According to Bernal, the film wasn’t as successful as what he expected, as the film flopped. Aside from Inspiration, Bernal did two other films, El Vibora (starring Vic Vargas and Boots Anson Roa) and Till Death Do Us Part (starring the young Hilda Koronel and Victor Laurel)…” – RV (READ MORE)

“…Joey re-emerged in the movie scene in 1972, bristling with fresh ideas. This time he made a big gamble by helping his brother Victor and some friends put up Sine Pilipino, the company that would revolutionize trends in local movie-making. SP specializes in campy, stylish movies with imperative, three-word titles: Takbo, Vilma, Dali; Hatinggabi na, Vilma; Zoom, Zoom Superman!l; Si Popeye Atbp.; and Sunugin Ang Samar. Except for the last mentioned which was an action saga, the four SP flicks were spoofs characterized by madness. They revived the all-star casting system, lumping together in one movie several big stars. The flicks made money. Joey Gosiengfiao had his “sweet revenge.” “It was not easy for us in the beginning,” Joey relates. “Just before the showing of our first film, Takbo, Vilma Dali!, Martial Law was declared. There were no newspapers then so we had to post bills all over the city, hanggang Pasay nagdidikit kami nina Douglas. We also distributed hand bills. Sa awa ng Diyos, kumita ang pelikula.” Of the films he has done, Joey considers Sunugin Ang Samar as the most difficult, not only because of its scope but also because action is not his forte. It took him three months to make the movie because the script (by Wilfrido Nolledo) called for different settings and they had to move from one place to another. Joey didn’t exactly follow Nolledo’s script but he saw to it that “the spirit was retained.” Of late, Joey has organized his own company called Juan de la Cruz Productions together with Elwood and Douglas. Their inital production, Asawa Mo, Asawa KO, was a moneymaker. SP specializes in home-movie types while JC makes more of the woman’s movie, “that’s because we are not good for action pictures.” Joey is now connected with SP only as a director…” – Expressweek, December 12 1974 (READ MORE)

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Filmography: Takbo, Vilma, Dali (1972)

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Basic Information: Direction, screenplay: Joey Gosiengfiao; Cast: Vilma Santos, Rita Gomez, Paquito Diaz, Max Alvarado, Romeo Rivera, Ernie Garcia; Executive producer: Douglas Quijano

Plot Description: No Available Data

Film Achievement: Joey Gosiengfiao films with Vilma Santos: Hatinggabi Na Vilma 1972; Takbo, Vilma, Dali 1972; Lipad, Darna, Lipad 1973; Promo Girl 1978 – RV (READ MORE)

Film Review: A very effective suspense-thriller. There are images here that haunt you even long after the screening – like the sight of the old Mother Superior (Mary Walter) being tortured and pushed around before she is finally killed. – Butch Francisco (READ MORE)

“…Joey Gosiengfiao’s films are anything but righteous, much less respectable. That was their glory and greatness, and the reason he could never win an award–Christ, I think, with his abhorrence of respectability, would like the man’s style. Take, for example, the scene between Eddie Gutierrez and Ricky Belmonte in Bomba Star (roughly translated, Porn Star, 1980). Belmonte and Gutierrez are working out in a gym; Gutierrez starts casting looks at Belmonte; Belmonte coyly returns his looks. The two start teasing each other, tickling each other, suddenly find themselves on the floor wrestling with each other…enter Gutierrez’s lover, played by Marissa Delgado–she doesn’t do anything, just strikes a glamour pose, a sardonic expression on her face and the world’s longest cigarette holder between her fingers. I wish I could explain why the moment is so irreducibly funny, but I can’t; if I could, I suspect it wouldn’t be funny at all…” – Noel Vera (READ MORE)

“…Noon namang kainitan ng Vilma-Nora rivalry…Marso 23, 1973, ay ipinalabas ang higanteng trilogy movie ng Sine Pilipino na “Lipad, Darna, Lipad.” Ang pelikulang ito na tinatampukan din nina Angelito bilang si Ding, Gloria Romero bilang Babaing Impakta, Liza Lorena bilang Babaing Lawin at Celia Rodriguez bilang Valentina, ang Babaing Ahas ang sumira ng takilya nang mga panahong yun kaya’t nabigyan din siya dito na Box Office Queen title. Hindi lang sa takilya ito tumiba ng husto dahil nang ipalabas ito sa telebisyon makaraan lamang ang ilang buwan ay naging numero uno din ito sa telebisyon lalo na sa mga bata. Di nga ba’t tinalo nito ang pelikula ni FPJ na may pamagat na “Esteban” na kasabay nitong ipinalabas? At makaraan naman ang isang linggo, nang ipalabas naman ang pelikula nina Joseph Estrada at Nora Aunor na may pamagat na “Erap Is My Guy” ay tinalong muli ng “Lipad Darna Lipad” ang nasabing pelikula nina Erap at Guy. Tumagal din sa mga sinehan ito ng mahigit na isang buwan. Talagang naaliw ang mga manonood lalo na noong lumilipad si Darna sa himpapawid habang ang background music ay Up Up and Away. Ang “Lipad, Darna, Lipad” ay idinerek nina Emmanuel Borlaza, Elwood Perez at Joey Gosiengfiao. Ang dalawang pelikulang produced pa din ng Sine Pilipino at sabi nga ni Rita Gomez, ito ang iyong huling sigaw…”Takbo, Vilma, Dali” ay ipinalabas noong Septyembre 29, 1972 at ang kahindik-hindik na pagtutuos ni Vi at Barbara Perez sa “Hatinggabi na, Vilma” ay ipinalabas noong Nobyembre 8, 1972 ay halos ganun din ang dinanas sa takilya katulad ng “Lipad Darna Lipad”…” – Alfonso Valencia (READ MORE)

“…Talagang poor second lang noon si Vilma kay Nora Aunor, subali’t nang gawin niya ang trilogy film ng Sine Pilipino na Lipad Darna Lipad ay talagang lumipad ng husto ang kanyang box office appeal. Sinundan pa ito ng mga pelikulang Takbo Vilma Dali at Hatinggabi Na Vilma. Anupa’t itinambal din si Vilma sa mga matured leading man na katulad nina Eddie Rodriguez sa mga pelikulang Nakakahiya, Hindi Nakakahiya Part 2 kung saan nagkamit siya ng Best Actress Award sa 1st Bacolod City Film Festival at Simula Ng Walang Katapusan, Dante Rivero sa Susan Kelly Edad 20, Chiquito sa Teribol Dobol, Dolphy sa Buhay Artista Ngayon, Joseph Estrada sa King Khayan & I, Fernando Poe Jr. sa Batya’t Palu Palo at Bato Sa Buhangin, Jun Aristorenas sa Mapagbigay Ang Mister Ko, Dindo Fernando sa Langis at Tubig at Muling Buksan Ang Puso at Romeo Vasquez sa Nag-aapoy Na Damdamin, Dalawang Pugad Isang Ibon, Pulot Gata Pwede Kaya at Pag-ibig Ko Sa ‘Yo Lang Ibibigay…” – Alfonso Valencia (READ MORE)

“…The following year, Santos made fourteen films, mostly forgettable musicals. It was also a year where her benefactor started to positioned her as more of a film actress than a singing film star. The results was successful experiments that showcased her comedic ability (Ang Kundoktora), screaming action stunts (Takbo Vilma Dali) and dramatic capability (Dama De Noche). Her followers was delighted when she earned her first acting recognition the next year receiving the FAMAS best actress via Dama De Noche. Most of her films in 1972 were directed by Emmanuel Borlaza however, she was able to do one film with Ishmael Bernal, “Inspiration” with the late Jay Ilagan, one of her regular film partner. According to Bernal, the film wasn’t as successful as what he expected, as the film flopped. Aside from Inspiration, Bernal did two other films, El Vibora (starring Vic Vargas and Boots Anson Roa) and Till Death Do Us Part (starring the young Hilda Koronel and Victor Laurel)…” – RV (READ MORE)

“…Joey re-emerged in the movie scene in 1972, bristling with fresh ideas. This time he made a big gamble by helping his brother Victor and some friends put up Sine Pilipino, the company that would revolutionize trends in local movie-making. SP specializes in campy, stylish movies with imperative, three-word titles: Takbo, Vilma, Dali; Hatinggabi na, Vilma; Zoom, Zoom Superman!l; Si Popeye Atbp.; and Sunugin Ang Samar. Except for the last mentioned which was an action saga, the four SP flicks were spoofs characterized by madness. They revived the all-star casting system, lumping together in one movie several big stars. The flicks made money. Joey Gosiengfiao had his “sweet revenge.” “It was not wasy for us in the beginning,” Joey relates. “Just before the showing of our first film, Takbo, Vilma Dali!, Martial Law was declared. There were no newspapers then so we had to post bills all over the city, hanggang Pasay nagdidikit kami nina Douglas. We also distributed hand bills. Sa awa ng Diyos, kumita ang pelikula.” Of the films he has done, Joey considers Sunugin Ang Samar as the most difficult, not only because of its scope but also because action is not his forte. It took him three months to make the movie because the script (by Wilfrido Nolledo) called for different settings and they had to move from one place to another. Joey didn’t exactly follow Nolledo’s script but he saw to it that “the spirit was retained.” Of late, Joey has organized his own company called Juan de la Cruz Productions together with Elwood and Douglas. Their inital production, Asawa Mo, Asawa KO, was a moneymaker. SP specializes in home-movie types while JC makes more of the woman’s movie, “that’s because we are not good for action pictures.” Joey is now connected with SP only as a director…” – Expressweek, December 12 1974 (READ MORE)

“…For the last seven years the name Joey Gosiengfiao has streaked like a dazzling comet across the movie firmament after Bomba Star, Babae!, Piknik and Takbo Vilma Dali! became blockbusters one after the other. Significantly, not all the four Gosiengfiao flicks were sexplosives, a category which today, seems to be the main requisite for box office acceptance. Takbo Vilma Dali! was s suspense thriller that easily catered to all ages and to the average Filipino family…” – Manny B. Fernandez, Expressweek, March 1, 1979 (READ MORE)

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Filmography: Hindi Nakakahiya (1976)

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Basic Information: Directed: Luis Enriquez; Story: Ric Torres; Screenplay: Ric Torres Luis Enriquez; Cast: Eddie Rodriguez, Vilma Santos, Gloria Romero, Marissa Delgado, Ernie Garcia, Renato Robles Nello Nayo, Patricia Mijares; Original Music: Rudy Arevalo; Cinematography: Hermo U. Santos

Plot Description: A sequel to the box office hit about a May-December romance. Young Vilma Santos is reunited with old flame Eddie Rodriguez. Though already engaged to another man, Vilma finds herself falling in love again with the elderly gentleman. She is confused and mixed-up. Eddie’s presence makes it even harder for her to judge objectively her own feelings, but all’s well that ends well. Co-starring Gloria Romero, Marissa Delgado, Ernie Garcia, Renato Robles, Nello Nayo, and Patricial Mijares. Produced and directed by Luis Enriquez. – Trigon Video

Film Achievement: One of Vilma Santos and Gloria Romero 13 films – (Anak ang Iyong Ina, Iginuhit ng Tadhana, De Colores, Pinagbuklod ng Langit, Anak ng Aswang, Lipad Darna Lipad, Happy Days are Here Again, Karugtong ang Kahapon, Nakakahiya?, Hindi Nakakahiya, Makahiya at Talahib, Saan Nagtatago Ang Pag-ibig?, Kapag Langit Ang Humatol) – RV (READ MORE)

One of film projects Rodriguez and Santos collaborated. (Ex-Wife 1981 (director), Halik sa Kamay Halik sa Paa 1979, Hindi Nakakahiya 1976 (director), Ikaw Lamang 1971, Kasalanan Kaya? 1968, Nakakahiya? 1975 (director), Simula ng Walang Katapusan (director) 1978) – RV (READ MORE)

Film Review: Luis Enriquez aka Eddie Rodriguez first directed a young Vilma Santos in 1968 Kasalanan Kaya, another love triangle genre starring the dramatic trio of Marlene Dauden, Eddie Rodriguez and Lolita Rodriguez. Vilma received an early acting recognitions from this film by receiving a FAMAS Nomination for Best Supporting Actress. When Enriquez directed Vilma again, it was a calculated risk that allowed a still young Vilma into a bikini-clad lead role opposite his director himself, Eddie Rodriguez. The film, Nakakahiya, a may-december affair between an older man and a young woman was an entry to 1975 Bacolod City Film Festival. Aside from making the the film a smash hit, Vilma received the festival’s Best Actress. Enriquez will direct Vilma in five more films, the last one was ExWife in 1981 where surprisingly Luis used in film credits his screen name, Eddie Rodriguez. Theri total number of colloborations were seven (Ex-Wife 1981, Halik sa Kamay Halik sa Paa 1979, Hindi Nakakahiya 1976, Ikaw Lamang 1971, Kasalanan Kaya? 1968, Nakakahiya? 1975, Simula ng Walang Katapusan) – RV (READ MORE)

Filmography: Amorseko Kumakabit Kumakapit (1978)

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Basic Information: Directed: Maria Saret; Story, screenplay: Ruben Arthur Nicdao; Cast: Vilma Santos, George Estregan, Ernie Garcia, Rez Cortez, Beth Bautista, Cloyd Robinson, Dick Israel, Laila Dee, Brenda Del Rio, Angie Ferro, Mary Walter, Odette Khan, Jarro Joaquin, Anita Linda; Original Music: Totoy Nuke; Cinematography: Vic Anao; Film Editing: Edgardo Vinarao

Plot Description: No Available Data

Film Revies: No Available Data

Film Achievement: “…Estregan won critical acclaim for many of his performances. In 1972, he was named FAMAS Best Actor for Sukdulan, and would win two other FAMAS Awards for Best Supporting actor for Kid Kaliwete (1978) and Lumakad Kang Hubad sa Mundong Ibabaw (1980). He was nominated for the FAMAS Award three other times, as Best Actor for Lumapit, Lumayo ang Umaga (1975) and Lalake Ako (1982), and for Best Supporting Actor in Magkayakap sa Magdamag (1986). He also received a nomination from the Gawad Urian as Best Actor for Hostage: Hanapin si Batuigas (1977)…” – Wikipedia (READ MORE)