Filmography: Darna and the Giants (1973)

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Basic Information: Directed, screenplay: Emmanuel H. Borlaza; Cast: Vilma Santos, Helen Gamboa, Loreta Marquez, Rosanna Marquez, Romeo Miranda, Desiree Destreza, Florence Aguilar, Ike Lozada, Pepito Rodriguez, Cesar Ramirez, Zandro Zamora, Max Alvarado, Renato Robles, Protacio Dee, Chris “Bhuda” Cruz, Jing Caparas, SOS Daredevils, Greg Lozano, Ricky Valencia, Dave Esguerra, Robert Miller, Karlo Vero, Lorelei, Carina Zawalsky, Lorna Locsin, Nita Lincoln, Elizabeth Vaughn, Christine Soriano, Danny Rojo; Cinematography: Ben Lobo

Plot Description: The second film after the massive success of Lipad Darna Lipa (Fly Darna Fly), Vilma Santos returned as Darna/Narda in Darna and the Giants. Directed by Emmanuel H. Borlaza, Giants was about X3X (Helen Gamboa) who infected ordinary people with serum that made them giants. The giants played havoc to the city and thank goodness Darna eliminated them before demonic X3X conquered the whole world. Now paired with Don Don Nakar as Ding, Vilma radiated the screen for the second time. Kudos to the tricky special effects that made the giants realistic. Ike Lozada stole the film though. His scenes were the funniest in years. Darna used a huge church bell to defeat him. It was unclear why the fat giant, Ike, were allergic to the sound of the church bell. Darna rung the bell to great effects, making the giant Ike felt excruciating pain in his ears. Darna then threw the bell on Ike’s head suffocating him to his immediate death. That alone made everyone’s theatre tickets worth every penny! And lots of pennies as the film became the top grosser of the 1974 Christmas festival. – RV

Vilma Santos Stars in “Darna and the Giants” – Darna fights Alien Invaders and battles “X3X”, an intergalactic Warrior-Queen whose science performs genetic engineering on earthlings and turns them into Giants to bring the Planet Earth to it’s knees. Until Darna eventually kicks the crap out of her and the Giants. – International Hero (READ MORE)

Film Achievement: Top Box Office Film of 1973 Metro Manila Film Festival

Film Review: Sine Pilipino got then hot young star Vilma Santos to essay the role of Darna. But the problem was, Vilma was hesitant to wear the two-piece costume. So, during their photo shoot for the publicity photos of the new Darna movie, she wore the Darna costume on top of her body stocking. Vilma was finally convinced by producers Douglas Quijano and William Leary to lose the body stocking and wear just the costume on the day of the press conference. The press people were surprised on seeing how sexy Vilma was in her Darna costume, which was back to the original red bikini and gold stars. Lipad, Darna, Lipad! (1973) is the first and only trilogy of the superheroine.

It was a box-office hit on its first day of showing and considered a turning point in Vilma’s career. It was also the first Darna movie where Darna and Narda was played by the same actress. Unfortunately, there is no existing copy left of this classic film. Vilma starred in three more Darna films: Darna and the Giants (1974) and Darna vs. the Planetwomen (1975), which were both under Tagalog Ilang-Ilang Productions, and Darna and Ding (1980) under Niño Muhlach’s D’Wonder Films. Darna and the Giants was the continuation of Vilma’s first Darna movie and Darna again wore the gold bikini costume, while Darna vs. the Planetwomen was a rebooted version of the Darna origin, with Vilma’s Narda this time portrayed as a crippled teenager who was given a magical stone by a mysterious source. The costume is back to red this time with the stars on Darna’s bra also colored red and the headpiece, all gold. Darna and Ding was the last time Vilma played Darna. Her costume this time was sexier and more revealing. In this movie, she was joined by Ding who now has his own superpowers. – Rico J Rod (Read More)

“…Unang ginampaman ni Vilma Santos ang papel ni Darna sa Lipad, Darna Lipad! (Sine Pilipino, 1973). Isang pelikulang may tatlong kasaysayan kung saan nakaharap nito ang palagiang kalabang sina Valentina, Ang Babaeng Lawin at ang Impakta. Sa pagkakataong ito ay mga higante naman ang kinaharap ni Darna. Masasabing, sa pagganap ng aktres bilang Darna tuluyang bumulusok ang kanyang kasikatan. Tunay na akmang-akma dito ang pisikal na kaanyuan ni Darna. Nabigyan din ito ng panibagong bihis nang umpisahan ng aktres ang paglabas sa papel ni Darna. Sa mga naunang pelikula, kadalasa’y dalagita si Narda, at nag-iibang anyo lamang ito kung nilunok na ang batong nagbibigay kapangyarihan bilang Darna. Dahilan sa si Vilma Santos ang naatasang gumanap bilang Darna ay kinailangang ito rin ang lumabas bilang Narda. Sinimulan ng nobelistang si Mars Ravelo ang pagsusulat ng Darna taong 1947 sa magasing Bulaklak. Unang isinapelikula ito ng Royal Films noong 1951 na nagtampok kay Rosa del Rosario samantalang ginampanan naman ni Cristina Aragon ang papel ni Valentina at si Mila Nimfa naman ang gumanap na Narda. Masasabing tanging si Vilma Santos lamang ang nag-iisang aktres na gumanap bilang Darna sa apat na pagkakataon. Isang uri ng pagganap na tunay na nagluklok kay Darna bilang malaking bahagi ng kulturang Pilipino. Sa bawat pagkakataong ito ay tunay na inangkin ni Vilma Santos ang katauhan ni Darna na patuloy na nagbigay aliw sa mga manonood ng sineng Pinoy.” – Jojo Devera, Sari-saring Sineng Pinoy (READ MORE)

“Due to the Internet, one day soon I’m sure information on all of the cinematic obscurities of the world will be available to us, but at the moment it’s still wonderful to uncover a country’s hidden pop culture hitherto unnoticed by the rest of the planet. Take Video48, a mind-shattering trip into the uncharted realms of Filipino cinema, featuring a menagerie of stills, posters and articles from films I never even dared to dream existed! I stumbled across home-grown super-heroes such as Mars Revelo’s Darna a few years back, and Eric Cueto’s fansite provided a wealth of information on her cinematic adventures, (whilst also revealing tantalising glimpses of her on-screen contemporaries), but I certainly hadn’t realised the extent to which comic book characters pervaded the Philippine big-screen. Chances are the country was second only to Turkey when it came to cinematic Super-heroes – Darna herself has starred in 14 films and two TV series, which certainly puts Wonder Woman to shame…Sadly most of these fantasy films are unlikely to have survived – the condition of the Vilma Santos’ early Darna movies is supposedly so wretched that a DVD release has been permanently canned, and ancient VHS copies of Darna & the Giants and Darna & the Planet Women are jealously guarded by the few collectors who salvaged them from rental shops. Just as in Turkey, these films were probably considered to be as disposable as the comic books on which they were based – but I for one would go ga-ga for a double bill of this years The Dark Knight with 1973’s Fight Batman Fight (fair enough, my brain might melt out of my ears afterwards, but what a way to go…” – Poptique (READ MORE)

Most Popular Darna “…Ding, ang bato!” yells Narda, the adolescent country lass, to her younger brother. Ding obligingly hands over a shiny pebble which Narda swallows to turn herself into the vivacious super-vixen, Darna. Mars Ravelo’s superheroine, clad in crimson bikinis and knee-high stiletto boots, may perhaps be the most famous local fantasy character given life on the silver screen. Though not actually considered a career-defining role, portraying Darna is, nonetheless, highly-coveted. Darna has been portrayed by no less than nine actress in 12 feature films. Rosa del Rosario first wore the scarlet two piece in May 1951. She reprised the role after three months. Liza Moreno, Eva Montes and Gina Pareno followed her. The inter-galactic pebble found its way to Vilma Santos’ throat in 1973 via the flick “Lipad, Darna, Lipad!” Santos, now a two-term mayor of Lipa City in Batangas, is probably the most popular Darna, with a total of four movies in a span of seven years. Some of these were made known to younger generations through afternoon airings on television in the late ’80s. Maybe RPN 9 should do that again so that even younger generations can marvel at Darna’s greatness, albeit antiquated, in such movies as “Darna and the Giants” and “Darna vs. the Planet Women…” – Armin Adina, Philippine Daily Inquirer, June 06, 2003 (READ MORE)

“…The film was released just two years after president Ferdinand Marcos instituted martial law in the Philippines. The resulting censorship of opposition opinions in the media (scripts for films had to be screened by the government before production was allowed to begin) would have prevented direct opposition to Marcos’ methods to be espoused, but the simple story of a 006giant army trampling on the rights of the general populace could easily have slipped by as pure fantasy. Even if not directly relatable to that contemporary situation, the conflict undoubtedly played well with a country occupied in the past by everyone from the Spanish to the English to the imperial Japanese. This was the big Christmas season release for Tagalog Ilang-Ilang Productions, and it’s obvious that a good deal of money was put into it. The plentiful special effects moments were devised by effects man Jessie Sto. Domingo and special photographer Tommy Marcelino. The giants are brought to life through simple photographic effects and, more frequently, the use of massive forced-perspective setups requiring hundreds of extras to run about in the background while the giants stand among scaled miniatures in the foreground. It all looks pretty quaint by the industry standards of today, but the shear enthusiasm of those involved is deserving of admiration all the same. I imagine this was quite a succesful domestic release in its time, the star power of the beautiful Vilma Santos being more the enough to guarantee healthy ticket sales. The rest of the cast is full of recognizable industry regulars. Divina Valencia [Pussy Cat, Queen of the Wild Bunch] receives second billing in spite of her few lines, but has definite screen presence as a giant in a Viking helmet. Max Alvarado, who seems to be in just about every Filipino film production since 1950, has a prominent role as a giant as well – a role he would reprise in the fantastic opener for Darna at Ding…” – Kevin Pyrtle, WTF-FILM (READ MORE)

Darna is Not a ‘Rip-off” of Wonder Woman – “…Because of the character’s immense popularity, several other studios would license the character and produce more Darna movies throughout the next several decades. After Rosa Del Rosario, Vilma Santos (who first played Darna in 1973’s “Lipad, Darna, Lipad”) would be the most well known and the most in demand to play the character. She starred in a total of 4 Darna movies. Her 4th and final one being in 1980. For years after that, no more Darna movies were produced…” – Raffy Arcega, Comic Book Movie (READ MORE)

Intergalactic Warrior – “…There were comic-inspired franchises that never travelled beyond their own borders, such as the Darna series from the Philippines in the 1970s – she was an intergalactic warrior disguised as an earthling – and which helped actress Vilma Santos turn the fame she achieved into a political career that still sees her serving as governor of Batangas province…” – Matt Scott, South China Morning Post, 20 April, 2014 (READ MORE)

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Filmography: Aloha, My Love (1972)

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Basic Information: Director: Emmanuel H. Borlaza; Story: Pierre Salas; Screenplay: Emmanuel H. Borlaza; Cast: Vilma Santos, Edgar Mortiz, Josephine Estrada, Dave Curtis, Ike Lozada; Original Music: Danny Subido; Cinematography: Benjamin L. Lobo; Film poster: Video48

Plot Description: “…A love story shot in the land God created for lovers…the land where people never say I love you, instead they say…..” Aloha My Love (March 3, 1972) ng Tagalog Ilang-Ilang Productions na pinangunahan nina Vi, Edgar Mortiz, Josephine Estrada at Dave Curtis na sinulat in Pierre Salas at sa iskrip at direksiyon ni Emmanuel H. Borlaza…” – Alfonso Valencia (READ MORE)

Film Achievement: Aloha My Love is also a music album of Edgar Mortiz and Vilma Santos.

“…Borlaza gave Vilma Santos her very first best actress, winning the 1972 FAMAS for via Dama De Noche. He is also credited in narrowing the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. Total Number of Films in our list of VSR’s Top 50 films = 4 (#10 Lipad Darna Lipad 1973, #32 Dyesebel at ang Mahiwagang Kabibe 1973, #48 Darna and the Giants 1973, #49 Dama De Noche 1972)…” – RV (READ MORE)

Film Reviews: “…By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)…In 1970, the love team of Vilma Santos and Edgar “Bobot” Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office…” – Rommel R. Llanes (READ MORE)

“…The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche. Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon…” – RV (READ MORE)

“…Si Edgar Mortiz ang unang nakapareha ni Vilma Santos as a teen star. Nakilala sila as the “Subok na Matibay, Subok na Matatag” loveteam called Vi and Bot at naging magka-steady sila sa tunay na buhay. Marami silang ginawang pelikula as teen stars in the early 70s…” – Showbiz Portal (READ MORE)

“…Sa tuwing sumasapit ang Christmas at valentine’s Day ay nagtatapatan ang mga pelikula nila. Nang ginawa nina Guy at Pip sa Hawai ang pelikulang Blue Hawai, hindi nagpatalo ang Vilma at Edgar. Nagtungo rin sila sa Hawai at ginawa nila ang pelikulang Aloha, My Love bilang pantapat sa pelikula nina Nora at Tirso. Ganyan talaga kainit ang labanan noon ng dalawang parehang ito. Pagkatapos ipalabasa ang mga pelikulang Blue Hawai at Aloha My Love na parehong kumita sa takilya, nagtungo rin ang dalawang pangkat sa USa para gawin naman nila ang pang-Valentine’s Day offering nila. Don’t Ever Say Goodbye ang kina Vilma at Edgar, samantalang ang kina Guy at Pip naman ay ang Gift of Love. Hindi lang iyan. Tuwing sasapit naman ang Metro Manila Film Festival ay nagkakaroon din sila ng kanya-kanyang entry under their respective production companies – ang Tagalog Ilang Ilang for Vi and Bot at Sampaguita Pictures kina Guy at Pip. Halos sila na lang ang siyang pinapanood at iniidolo ng fans…” – Ely S. Sablan (READ MORE)

“…Ang pangatlong long playing album nina Vi at Bot ay ang All I See Is You na ini-release noong August 30, 1971 (kaarawan ni Edgar Mortiz) na binubuo ng medley of songs na atin Cu Pung Singsing at Leron Leron Sinta, Baby Cakes, Little Brown Gal, Grown Up Like Me, Nine Little Teardrops, Jealous Heart, The Wonderful World of Music, El Condor Pasa, Hawaiian Wedding Song, I Understand, My Special Angel at Just Say You’ll Be Mine. Ang awiting Butsiki ni Yoyoy Villame ay hinango sa awiting Baby Cakes. Ang THE Wonderful World of Music ay ginawang titulo ng pelikula nina Vi at Bot na inilahok sa 1971 Manila Film Festival kung saan ito ang nakakuha ng Best Musical Film. Kasama nina Vi at Bot sa pelikulang ito ang noo’y batang bata pang si Snooky (Serna). Ang pang-apat na long playing album nina Vi at Bot ay pinamagatang Aloha My Love na ini-release noong February 1972 at naglalaman ng mga awiting Hawaiian Medley, Beyond The Reef, All Alone Am I, Why Don’t You Believe Me, Eternally, My World Is My World, Aloha Oe, Seven Lonely Days, Mandolins In The Moonlight, Daddy, Seventeen at Two People In Love. Ang Aloha My Love ay titulo din ng pelikulang ginawa nina Vi at Bot sa Hawaii. Ang Eternally ay isinapelikula din ng Tagalog Ilang Ilang Productions na tinampukan pa rin nina Vi at Bot. Napakasuwerte ni Vi dahil nagkaroon ulit siya ng pangatlong solo long playing album na may pamagat na Sing Vilma Sing. Ito ay binubuo ng mga awiting Da Doo Run Run, Abadaba Honeymoon, Tweedle Dee, Bo Weebel, A Kookie Little Paradise, Bobby Bobby Bobby, A Rick-Tick Song, It’s Been A Long Long Time, Breaking Up Is Hard To Do, You Made Me Love You, The Birds & The Bees at He’s So Near (Yet So Far Away). Ang A Rick-Tick Song ang ginawang theme song ng radio program ni Ric Radam sa DZRH noong early ’70s… ” – Alfonso Valencia (READ MORE)

Filmography: The Sensations (1971)

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Basic Information: Directed, screenplay: Tony Santos Sr.; Story: Rose Reynaldo, Tony Dantes; Cast: Vilma Santos, Edgar Mortiz, Ike Lozada, Perla Adea, Romy Mallari, Tony Santos Jr., Baby De Jesus, Darius Razon, Rhodora Silva, Vic Pacia, Ben David, Angge, Beth Manlongat; Original Music: Freddie Delgado

Plot Description:   No Available Data

Film Achievement:   No Available Data

Film Review: “…Ang The Sensations ay produce ng ABS CBN at dinerek ni Tony Santos Sr. Consistent No. 1 Top rater ang show at kasama ni Vi & Bot sina Perla Adea, Romy Mallari, Rhodora Silva, Darius Razon, Baby de Jesus, Tony Santos Jr., Janine Frias, atbpa. Dahil sa kasikatan nila Vi & Bot ginawang movie ang The Sensations noong April, 1971, big boxoffice hit ito kaya sinundan agad ni direk tony ng ” Young Lovers ” noong August, 1971, big hit din ito. Ginawan din ng L.P. Album nila Vi & Bot ang The Sensations at muling tinangkilik ng masang pilipino…” – Jojo V. Lim (READ MORE)

“…Sa tuwing sumasapit ang Christmas at valentine’s Day ay nagtatapatan ang mga pelikula nila. Nang ginawa nina Guy at Pip sa Hawai ang pelikulang Blue Hawai, hindi nagpatalo ang Vilma at Edgar. Nagtungo rin sila sa Hawai at ginawa nila ang pelikulang Aloha, My Love bilang pantapat sa pelikula nina Nora at Tirso. Ganyan talaga kainit ang labanan noon ng dalawang parehang ito. Pagkatapos ipalabasa ang mga pelikulang Blue Hawai at Aloha My Love na parehong kumita sa takilya, nagtungo rin ang dalawang pangkat sa USa para gawin naman nila ang pang-Valentine’s Day offering nila. Don’t Ever Say Goodbye ang kina Vilma at Edgar, samantalang ang kina Guy at Pip naman ay ang Gift of Love. Hindi lang iyan. Tuwing sasapit naman ang Metro Manila Film Festival ay nagkakaroon din sila ng kanya-kanyang entry under their respective production companies – ang Tagalog Ilang Ilang for Vi and Bot at Sampaguita Pictures kina Guy at Pip. Halos sila na lang ang siyang pinapanood at iniidolo ng fans…” – Ely S. Sablan (READ MORE)

“…Ang The Sensations ay isa sa pinakasikat at numero unong musical variety show noong early ’70s. Dito din sa programang ito nakilala sina Darius Razon, Rhodora Silva, Florence Aguilar, Eva Vivar, Geraldine, Richard La Torre, Romeo Miranda, Rene Ordoñez, Esperanza Fabon (na isa nang judge ngayon sa Quezon City), ang Two of Us na sina Ronnie Henares at Jojit Paredes at marami pang iba. Sa programa nina Vic at Tony ay palaging pinapatugtog nila ang mga plaka nina Vilma at Edgar (duet) katulad ng Something Stupid (na naging theme song ng Vilma-Edgar fans), Goodnight My Love, I Love You Honey (na ginawang title ng pelikula nila), I Have Dreamed, I Understand, Better Than All, I Wonder Why, Always With You, Two People in Love, You Don’t Love Me Anymore at marami pang iba. Si Vic Pacia ay namatay sa isang car accident. Samantala sa The Sensations, pinauso ni Vilma ang sayaw na Vilma’s Penguin. Kwelang kwela ang mga bumubuo ng The Sensations at ito ay sa direksiyon ng isa sa pinakamahusay na aktor ng pelikulang Pilipino na si Tony Santos Sr. (si Ka Dencio sa pelikulang Sister Stella L, remember? at naging Best Supporting Actor din sa Asya). As a matter of fact, ang The Sensations ay ginawang pelikula ng Tagalog-Ilang-Ilang Productions na kinunan pa sa iba’t ibang parte ng Pilipinas. May kinunan din nito sa Pagsanjan Falls kung saan muntik nang malunod si Romy Mallari. Nang ideklara ni President Marcos ang martial law noong 1972 ay biglang nawala din ang The Sensations, pati na ang ABS CBN 2 ay isinara, subali’t ito ay pinalitan ng Santos, Mortiz And Associates sa ibang TV station na. Nang maghiwalay ng landas sina Vilma at Edgar ay nawala na din ang Santos, Mortiz And Associates. Nagkaroon ng tampuhan ang grupo nina Edgar at Tony Santos, Sr. at ang grupo ni Vilma at Ike Lozada. Si Vilma ay ipinareha ni Ike kay Jojit Paredes pero nanligaw din si Ronnie Henares kay Vi. Si Vilma at Jojit ay iginawa ng pelikula ni Baby K. Jimenez (isang drumbeater ni Nora Aunor) via Tok Tok Palatok, isang comedy movie. Si Vilma at Ronnie naman ay gumawa din ng pelikula sa Lea Productions na may pamagat na Let’s Do The Salsa, isa namang musical film…” – Alfonso Valencia (READ MORE)

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Filmography: Don’t Ever Say Goodbye (1972)

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Basic Information: Director: Emmanuel H. Borlaza; Story, screenplay: Emmanuel H. Borlaza, Manolo Hombrebueno; Cast: Edgar Mortiz, Vilma Santos, Peter Cassidy, Ike Lozada, Jeffrey Ayesa; Produced: Espiridion Laxa; Original Music: Danny Subido; Cinematography: Ben Lobo; Film poster: Video48

Plot Description:  No Available Data

Film Achievement: “…Borlaza gave Vilma Santos her very first best actress, winning the 1972 FAMAS for via Dama De Noche. He is also credited in narrowing the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. Total Number of Films in our list of VSR’s Top 50 films = 4 (#10 Lipad Darna Lipad 1973, #32 Dyesebel at ang Mahiwagang Kabibe 1973, #48 Darna and the Giants 1973, #49 Dama De Noche 1972)…” – RV (READ MORE)

Film Review: “…Pagkagaling nila Vi & Bot sa Amerika para sa shooting ng “Don’t Ever Say Goodbye”, ay sinayaw ni Vi sa The Sensations ang The Shaft na usong sayaw noon sa U.S., agad nagustuhan ng mga tao ang dancing skills ni Vi at nauso lagi ang mga sayaw ni Vi at mula noon ay kinilala ang charisma, grace, at natural dancing prowess ni Vi na later on ay pinakita niya at tampok lagi at inaabangan ng mga tao sa kanyang top rated musical variety shows na ang pinakahuli ay ang Vilma!…” – Jojo V. Lim (READ MORE)

“…By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)…In 1970, the love team of Vilma Santos and Edgar “Bobot” Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office…” – Rommel R. Llanes (READ MORE)

“…Noong Dekada ’70, ang mga young stars ay kailangang marunong kumanta dahil yun ang uso kaya naman nagtayo ng sariling recording company ang nasirang manager ni Vi na si William Leary dahil ayaw niyang pahuhuli sa uso ang kanyang alaga. Ilan sa mga naging recording artists ng WILEARS RECORDS bukod kay Vi ay sina Edgar Mortiz, Ed Finlan, Sahlee Quizon, Hilda Koronel at Esperanza Fabon. According to Vi, kapag nagrerecord siya ng kanta ay nakatalikod siya sa dingding ng recording company at si Bobot ang umaalalay sa kanya. Ang SIXTEEN, na sinulat ni Danny Subido ang unang recording na ginawa ni Vi at ito ay flipsided by It’s So Wonderful To Be In Love. Ang SIXTEEN ay agad naging gold record at dahil dito ay gumawa ng pelikula ang Tagalog Ilang Ilang Productions, ang home studio ni Vi at ito ay ginawa nilang pamagat katambal si Edgar Mortiz. Hindi nyo naitatanong, muntik nang manalo si Vi bilang most promising singer sa AWIT AWARDS noong early ’70s…” – Alfonso Valencia (READ MORE)

“…The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche. Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon…” – RV (READ MORE)

“…Si Edgar Mortiz ang unang nakapareha ni Vilma Santos as a teen star. Nakilala sila as the “Subok na Matibay, Subok na Matatag” loveteam called Vi and Bot at naging magka-steady sila sa tunay na buhay. Marami silang ginawang pelikula as teen stars in the early 70s…” – Showbiz Portal (READ MORE)

“…His films lack the arthouse style and social relevance that critics loves most in a Brocka or Bernal films but who cares about the critics when the paying public loves them. And the producers demand his service, from Doc Perez of Sampaguita Pictures, Atty. Esperidion Laxa of Tagalog Ilang Ilang Productions and later on, Vic Del Rosario of Viva Films and Lily Monteverde of Regal Films. Clearly, his films exists with one purpose, to entertain the masses not to depress or remind them with the country’s sad fate of economy or the below poverty line lives of many. The success of the Vilma-Borlaza films gave Vilma Santos versatility and preparation to a more serious acting career. It also narrowed the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. These are perhaps, the most significant contributions of Emmanuel Borlaza to Vilma’s career. Vilma who was considered only second to Nora couldn’t matched her singing talent and so, Borlaza countered this lack of singing with films that showcased Vilma’s acting versatility…” – RV (READ MORE)

“…Sa tuwing sumasapit ang Christmas at valentine’s Day ay nagtatapatan ang mga pelikula nila. Nang ginawa nina Guy at Pip sa Hawai ang pelikulang Blue Hawai, hindi nagpatalo ang Vilma at Edgar. Nagtungo rin sila sa Hawai at ginawa nila ang pelikulang Aloha, My Love bilang pantapat sa pelikula nina Nora at Tirso. Ganyan talaga kainit ang labanan noon ng dalawang parehang ito. Pagkatapos ipalabasa ang mga pelikulang Blue Hawai at Aloha My Love na parehong kumita sa takilya, nagtungo rin ang dalawang pangkat sa USa para gawin naman nila ang pang-Valentine’s Day offering nila. Don’t Ever Say Goodbye ang kina Vilma at Edgar, samantalang ang kina Guy at Pip naman ay ang Gift of Love. Hindi lang iyan. Tuwing sasapit naman ang Metro Manila Film Festival ay nagkakaroon din sila ng kanya-kanyang entry under their respective production companies – ang Tagalog Ilang Ilang for Vi and Bot at Sampaguita Pictures kina Guy at Pip. Halos sila na lang ang siyang pinapanood at iniidolo ng fans…” – Ely S. Sablan (READ MORE)

Filmography: Teen-Age Senorita (1971)

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Basic Information: Directed: Jose Pepe Wenceslao; Story, screenplay: Maning Songco; Cast: Vilma Santos, Manny De Leon, Ike Lozada, Joe Alvarez, Yazmin Romero, Ricky Valencia, Chit Morales, Luis Benedicto, Jose Villafranca, Sound Syndicate Combo, Geraldine; Original Music: Pewen

Plot Description: No Available Data

Film Achievement: No Available Data

Film Review: “…Besides teaming up with Edgar Mortiz during her teen years, Vilma Santos also starred and appeared in many movies opposite other leading men…” – Simon Santos (READ MORE)

“…He became the leading man of Nora Aunor after Tirso Cruz III. Theirs was also a popular tandem. Decades later, when I finally got to talk to Nora during an interview, she revealed that their working relationship wasn’t really all that pleasant. Manny disappeared from the scene when Nora moved on to become a more serious actress. Whatever happened to Manny de Leon? When last heard from — many, many years ago — it was full of speculations and, sadly, those bits of information about him were unpleasant…” – Butch Francisco (READ MORE)

“…Kahit love team na sina Vilma at Bobot Mortiz, ipina-partner pa rin si Vi sa iba’t ibang sikat na male heartthrobs noon.” Jojo mentioned singing sensation Eddie Peregrina (paired with Vi in Mardy and I Do Love You, both shown in 1970), showbiz royalty Jay Ilagan (Inspiration, Remembrance, Ang Konduktora all shown in ‘72, and Sister Stella L in ’84), young actor Paolo Romero (Ikaw Lamang in 1971), and even her rival’s partners, Tirso Cruz III (Dingdong, Give Me Your Love, and Nobody’s Child all in ’73) and Manny de Leon (Teenage Señorita in 1971)…” – Rommel R. Llanes (READ MORE)

Filmography: Young Love (1970)

“I hate you…dirty…you’re dirty! I hate youuuu!…huwag n’yo nang mabangit-bangit ang pangalan nyan! Kinasusuklaman ko siya!..ngayon ko lang nakita ang kapangitan ng buhay ang akala ko masaya’t maganda na ang daigdig…” – Tere

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Basic Information: Directed: Tony Cayado; Story: German Moreno; Screenplay: Medy Tarnate; Cast: Vilma Santos, Nora Aunor, Tirso Cruz III, Edgar Mortiz, Ike Lozada, German Moreno, Raul Aragon, Bella Flores, Etang Discher, Tony Cayado, Evelyn Bonifacio, Tina Lapuz, Arlene Bautista, Angge; Executive producer: Jose Vera Perez; Original Music: Medy Tarnate; Cinematography: Felipe Santiago; Sound: Flaviano Villareal; Theme Songs: “Young Love” performed by Vilma Santos, Nora Aunor, Tirso Cruz III, Edgar Mortiz; Film poster: Video48

Plot Description: Both Nora Aunor and Tirso Cruz III joined a singing contest and won. With a support from friends, Vilma Santos and Edgar Mortiz they became lovers. – RV

Film Achievement: First film of Vilma Santos and Nora Aunor together.

Film Review: Taong 1970. Gumawa si Vilma Santos ng dalawamput isang pelikula na puro musicals. Isa lamang ang nagawa niyang drama (Sapagkat Sila’y Aming Mga Anak). Nakakapagtaka dahil hindi naman siya singer. Marahil ito ay dahil sa love team nila ni Edgar Mortiz at ito ang “trend” ng panahong ito. Pito-pito kung gumawa sila ng pelikula ng panahong iyon kung baga dalawang pelikula ang pinapalabas nila sa loob ng isang buwan. Isa na rito ang pelikula ng Sampaguita Pictures, ang “Young Love” na tinampukan ni Nora Aunor, Tirso Cruz III, Vilma Santos at Edgar Mortiz.

Mapupuna na ang pelikulang ito ay bida si Nora at Tirso at supporting lamang si Vilma at Edgar. Mula sa istorya ni German Moreno at screenplay ni Medy Tarnate ang “Young Love” ay puno ng nakakalokang sitwasyon at napakababaw ng mga eksena at diyalogo. Ang director nito’y si Tony Cayado. At ang mga sayaw ay sa ilalim ng choreography ni Lito Calzado. Hindi natin alam kung bakit tinawag na “Young Love” ang pelikula samantalang hindi naman ito tungkol sa pag-iibigan ng mga kabataan rito kundi tungkol sa singing contest na sinalihan nina Ditas Aunor (Nora Aunor) at Joey Cruz (Tirso Cruz III). Naging tabla ang resulta ng singing contest at ginawa silang mga mainstay singers ng television show. Matapos ng contest ay makikitang naghahabulan na si Ditas at Joey sa may mga puno ng niyog at makikitang nagliligawan rin sina Tere (Vilma Santos) at Buboy (Edgar Mortiz) sabay kanta ang apat ng “Young Love.”

Sa tutoo lang, ito lang ang eksena kung saan maririnig na kumakanta rin si Vilma at nakipagsabayan siya kay Nora. Sa tuwing papasok sa eksena si Bella Flores ay tili ito ng tili at laging sinisigawan si Ditas which was very typical ng mga contrabida nuong panahong ito and very irritating. Narito rin si Etang Discher na isang ulyanin na lola ni Tirso at Vilma. Pilit nitong pinapapunta si Tirso sa Australia pero laging niloloko nito ang matanda at sinasabing natapos na pala ang isang taon at nakabalik na raw ito mula Australia. Tapos nito’y makikita si Ike Lozada na kumakanta sa harap ng mga batang lansangan.

Samantala si Bella Flores ay nakipagayos kay Tom Junes (Raul Aragon) upang sabotahin mismo nito ang show ng kanyang sariling pamangkin. Makikita ang nakakalokang sex scene ng dalawa. At ang sumunod na eksena ay ang drama scene ni Ate Vi. Dahil marahil sa walang eksena si Ate Vi na kumakanta ay binigyan siya ng sariling eksena at katapat ito ng maraming eksena ni Nora na kumakanta. Ito ay nang mahuli ni Ate Vi niya si Tom Junes at Bella Flores na nagse-sex. Takbo ito habang umiiyak. Makikita na dumating ito sa sariling bahay at sa kuwarto nito’y pinagsisira niya ang pictures ni Tom Junes kasama ng album nito. Devoted fan pala siya ni Tom Junes. Cut! Tapos na ang eksena ni Ate Vi. Pasok ang mga musical numbers, kanta ng ilang beses si Nora, Tirso, Edgar and Ike Lozada. Meron ding dance numbers, pero wala si Ate Vi sa mga dance numbers na ito. And then it’s the end. Napapakamot ako sa ulo.

Nakakaloka talaga. Makikitang hindi pinag-isipan ang istorya nito. Ginawa nilang i-showcase ang pagiging singer ni Nora Aunor. Kadalasan ang mga kanta niya ay mga version ng mga English popular cover songs at hindi original Filipino songs. Tulad ng “I Believe” at marami pang iba. Kung tutuusin ito ang trend nuon, ang mga kantang galing sa amerika. So much of the fact that lahat ng mga drum beaters ni Nora ay sinisigaw ang kanyang pagiging isang ulirang Filipina dahil sa kanyang pisikal na itsura. Pero mukha ka ngang dalagang Filipina pero pagbuka naman ng bunganga mo eh lumalabas mga kantang banyaga anong klaseng dalagang Filipina yan? Sa sobrang inpluensiya ng mga banyagang kanta ng kalagitnaan ng dekada 70 ay nagkaroon ng rebelyon sa ere ng mga radyo.

Nauso ang Original Pilipino Music o OPM bilang sagot sa musikang dayuhan. Sumulpot ang mga musikerong Juan DeLaCruz, Hotdog, Cinderella, VST & Co., Sampaguita, Freddy Aguilar, Coritha, Mike Hanopol, at marami pang iba na ang mga kanta ay tagalog at pawang komposisyon ng mga Pilipino. Ang mga kanta ni Nora ay puro mga English kontradiksyon ng mga sinisigaw ng fans niya na isang imahen ng Filipino si Nora. Kung ang itsura man niya ay pilipinang-pilipina ang mga kinakanta naman niya ay – puro kanta ng dayuhan. Ito rin ang dahilan kung bakit wala siyang masasabing signature song dahil puro version niya lamang ang mga kantang ni-record ng panahong iyon. Samatala si Vilma Santos na hindi singer ay nagkaroon ng kanyang sariling signature songs bagamat English ang mga lyrics ng mga ito, original Filipino composition naman ang mga ito tulad ng “Bobby Bobby Bobby” at “Sixteen.” Kasabay nito’y ni-record din niya ang mga tagalog songs na “Isipin Mong bastat mahal kita,” “Bato sa buhangin,” at “Palong-palo.” Nang kalagitanaan ng dekada 70 ay kapunapuna na kaunti na lamang ang mga pelikulang kantahan at hindi na kumikita ang mga ito kung kaya mapupuna na nag-umpisa nang gumawa ng matitinong pelikula kapwa sina Nora Aunor at Vilma Santos.

Ang “Young Love” ay isang halimbawa ng pelikulang gawa ng unang bahagi ng dekada 70. Mabilisang gawa. Mababaw ng istorya at hitik ng mga musical numbers. Mayroon mga nakakatawang eksena tulad ng pagkanta sa mga burulan ng patay basta magkaroon lang ng eksena ng kantahan. Tutoo ito, may mga eksena na nagkakantahan sa ilalim ng punong kahoy. Mga sayawan, habulan, at ligawan sa mga beach at kahuyan. Nag-click ito sa mga tao nang unang bahagi ng dekada sitentat ngunit sinawaan rin ang mga tao at nang dumating na ang huling bahagi ng dekada ay nagbago ito. Dito dumating ang panahon na nagbago na ang imahen ni Vilma Santos at nag-umpisa na itong ungusan ang walang kawawaang pagkanta ni Nora sa mga basurang pelikula niya.

Ang “Young Love” ay puno ng walang kawawaang musical numbers ni Nora Aunor. Puno rin ito ng mga eksenang nakakaloka na kahit na ang batang paslit ay magkakamot ng ulo at sasabihin ang “huh?” Kung hindi mo hahahanapin ang matinong istorya at ang hangad mo lang ay makita kung gaano kagaling kumanta si Nora Aunor kahit pa sa burulan ng patay tiyak na mage-enjoy ka sa pelikulang ito dahil maraming eksena rito si Nora na kumakanta ng walang kawawaang kantang dayuhan. – RV, V Magazine 2007

“…Ipinanganak nga marahil si Ma. Rosa Vilma Tuazon Santos sa show business dahil sa pagitan ng taping ng “Larawan..” ay nagkasunod-sunod na ang kanyang mga pelikula…“My Darling Eddie” ng JBC (Disyembre 16 – 23, 1969, “Mardy” ng JBC (Disyembre 31 – Enero 6, 1969)…hanggang “Young Love” ng VP Enero 1 – 21, 1970) ng lumikha ng rekord sa takilya….Makalipas ang mga tatlong buwan, nakatanggap ng maikling sulat si Mama Santos muka lay G. Agra. Naghahanap ang Sampaguita Picutures ng batang babae na gaganap ng mahalagang papel sa “Anak, Ang Iyong Ina!” at isinali ng amain ang pangalan ni Vi. Hindi puwedeng lumiban si Papa Santos sa pinpasukang government office, at ayaw naman nilang mapahiya ang kamag-anak, kaya napilitan si Mama Santos na humingi ng day=off sa opisina (Aguinaldo’s). Pagdating sa studio, wala si G. Agra at nasa location shooting, ngunit totoong naroroon ang pangalan ni Vi, kaya’t pinapasok sila sa tanggapan. Napadaan sa harapan ni Mama Santos si Bella Flores na dala ang script ng “Trudis Liit.” Nagulumihanan si Mama Santos. Binasa niyang muli ang liham ni G. Agra. Mali yata ang napuntahan nila! Akma niyang tatawagin si Vi na noon ay nkikipaglaro sa iba pang mga bata upang yayain na itong umuwi, nang pumasok sina Mommy Vera, Dr. at Mrs. Perez, at Eddie Garcia. At doon nagsimula ang movie career ni Vi na magpahanggang ngayon ay batbat pa rin ng iba’t ibang panunuri, opinyon at konklusiyon…” – Ched P. Gonzales (READ MORE)

“…The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche. Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon…” – RV (READ MORE)

“…By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)…In 1970, the love team of Vilma Santos and Edgar “Bobot” Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office…” – Rommel R. Llanes (READ MORE)

“…Walang makapaniwala na magiging gayon kalakas takilya sina Nora at Tirso. Nagimbal ang mga taga-pelikula. Bakit daw gayon kalaki ang kinikita ng unang dalawang pelikula nina Nora at Tirso? Tsamba lamang daw kaya iyon o biglang nagbago ng panlasa ng mga manonood? Hindi tsamba. Ang mga sumunod pang pelikula nina Nora at Tirso ay mas malaki ang kinita. Daang-libo ang kinita ng “Teenage Excapades” at “Halina, Neneng Ko.” Itinambal ng Towers si Nora sa iba pang kabataang artista, malaki rin ang kinita. Katunayan na malaki ang hukbo ng mga tagahanga ni Nora. Sinubok naman ng Barangay Productions na itambal si Tirso kay Gemma Suzara, hindi gaanong kinagat ng mga fans. Nag-produce ng pelikula ang mag-anak na Cruz, pinagsama sina Ricky Belmonte at Tirso sa “Ricky na, Tirso Pa” isinama naman sa magpinsan si Pilar Pilapil. Tinapatan ng Tower ng isang pelikula ni Nora ang pelikula ng mga Cruz. Resulta: mas maraming nanood sa pelikula ni Nora. Ano ang ibig sabihin nito? Gusto ng mga fans na maging magkatambal sina Nora at Tirso. Sinagot ng VP Pictures ang kahilingang ito sa pamamagitan ng “Young Love.” Bukod kina Tirso at Nora ay isinaman pa ang mga young ones na sina Vilma Santos at Edgar Mortiz. Patok sa takilya!…” – Romy Galang, Pilipino Magazine, 18 February 1970 (READ MORE)

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Filmography: Ding Dong (1970)

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Basic Information: Director: Mar S. Torres; Writer: Pablo S. Gomez; Cast: Tirso Cruz III, Vilma Santos, Norma Blancaflor, Dely Atay-atayan, Ven Medina; Release Date:17 July 1970; Film poster credit: Video 48

Plot Description: No Available Data

Film Achievement: Ding Dong was serialize weekly by United Komiks in 1970. It was written by comics novelist Pablo S. Gomez and illustrated by Alfredo P. Alcala. The comic novel was adapted into movie the same year. – Komiklopedia (READ MORE)

Film Review: Tirso Cruz III (born Tirso Silvano Cruz III, April 1, 1952, in Manila) is a Filipino actor and singer. He is one of the famous actors in Philippine show business. Nicknamed “Pip,” his love team with Nora Aunor is regarded as the most famous love team in Philippine Cinema. Tirso was first managed by the late Douglas Quijano. He is recently known for his villainous and supportive characters on TV and movies. He is married to Lynn Ynchausti-Cruz and has two sons (TJ and Bodie) and one daughter (Djanin). Tirso was Roman Catholic, and is now an Evangelical Born-Again Christian. – Wikipedia (READ MORE)

“…Jojo Lim, Vilma Santos Solid International, Incorporated (VSSI, Inc) president, told PEP, “Kahit love team na sina Vilma at Bobot Mortiz, ipina-partner pa rin si Vi sa iba’t ibang sikat na male heartthrobs noon.” Jojo mentioned singing sensation Eddie Peregrina (paired with Vi in Mardy and I Do Love You, both shown in 1970), showbiz royalty Jay Ilagan (Inspiration, Remembrance, Ang Konduktora all shown in ‘72, and Sister Stella L in ’84), young actor Paolo Romero (Ikaw Lamang in 1971), and even her rival’s partners, Tirso Cruz III (Dingdong, Give Me Your Love, and Nobody’s Child all in ’73) and Manny de Leon (Teenage Señorita in 1971). During her team-up with Edgar Mortiz, mestizo young star Jimmy Morato was reported courting Vilma…” – Rommel R. Llanes (READ MORE)

Filmography: Young Lovers (1971)

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Basic Information: Directed, screenplay: Tony Santos; Story: Rose Reynaldo, Tony Santos; Cast: Vilma Santos, Edgar Mortiz, Ike Lozada, Perla Adea, Rommy Mallari, Tony Santos Jr., Baby De Jesus, Janine Frias, Len Gutierrez, Angge, Dencio Padilla, Vic Pacia, Ben David, Eddie San Jose, Rosa Aguirre, Nita Carmona, Tony Dantes, Romy Luartes, Miguel Lopez, Jerry Reyes, The Peoples Worry Combo; Executive producer: Experidiun Laxa; Original Music: Freddie Delgado; Cinematography: Ben Lobo

Plot Description: No Available Data

Film Achievement: No Available Data

Film Review: “…By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)…In 1970, the love team of Vilma Santos and Edgar “Bobot” Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office…” – Rommel R. Llanes (READ MORE)

“…Noong Dekada ’70, ang mga young stars ay kailangang marunong kumanta dahil yun ang uso kaya naman nagtayo ng sariling recording company ang nasirang manager ni Vi na si William Leary dahil ayaw niyang pahuhuli sa uso ang kanyang alaga. Ilan sa mga naging recording artists ng WILEARS RECORDS bukod kay Vi ay sina Edgar Mortiz, Ed Finlan, Sahlee Quizon, Hilda Koronel at Esperanza Fabon. According to Vi, kapag nagrerecord siya ng kanta ay nakatalikod siya sa dingding ng recording company at si Bobot ang umaalalay sa kanya. Ang SIXTEEN, na sinulat ni Danny Subido ang unang recording na ginawa ni Vi at ito ay flipsided by It’s So Wonderful To Be In Love. Ang SIXTEEN ay agad naging gold record at dahil dito ay gumawa ng pelikula ang Tagalog Ilang Ilang Productions, ang home studio ni Vi at ito ay ginawa nilang pamagat katambal si Edgar Mortiz. Hindi nyo naitatanong, muntik nang manalo si Vi bilang most promising singer sa AWIT AWARDS noong early ’70s…” – Alfons. Valencia (READ MORE)

“…The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche. Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon…” – RV (READ MORE)

“…Si Edgar Mortiz ang unang nakapareha ni Vilma Santos as a teen star. Nakilala sila as the “Subok na Matibay, Subok na Matatag” loveteam called Vi and Bot at naging magka-steady sila sa tunay na buhay. Marami silang ginawang pelikula as teen stars in the early 70s…” – Showbiz Portal (READ MORE)

Filmography: Big Ike’s Happening (1976)

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Basic Information: Directed: Pablo Santiago and Bobby Santiago; Writing credits: Tommy C. David, Santiago and Lozada; Cast: Tirso Cruz III, Walter Navarro, Ike Lozada, Aurora Salve, Gina Alajar, Jojit Paredes, Dondon Nakar, Arnold Gamboa, Maribel Aunor, Winnie Santos, German Moreno, Allan Valenzuala, Inday Badiday, Doyet Ilagan, Ben David, Edward Campos, Lilian Laing, Aruray; Special Guest Stars: Vilma Santos, Nora Aunor, Perla Bautista, Charlie Davao, Esperanza Fabon, Bella Flores, Lito Legaspi, Christopher De Leon, Van De Leon, Pinky Montilla, Alma Moreno, Dencio Padilla, Eddie Perigrina, Andy Poe, jerry Pons, Ric Rodrigo, Gloria Romero, Daria Ramirez, Darius Razon, Marianne Dela Riva, Eddie San Jose, Ricky Santiago, Lorna Tolentino, Eddie Villamayor, and Vic Vargas; Executive Producer: Larry Santiago; Original Music: D’Amarillo; Cinematography: Joe Batac Jr.

Plot Description: No Available Data

Film Achievement:   Ranked 32nd on Top-US-Grossing Tagalog-Language Feature Films Released In 1976

Film Review: Enrique “Big Ike” Lozada (August 13, 1940-March 8, 1995) was a Filipino comedian, actor and TV host. He was born on August 13, 1940 in Iloilo City. He started acting at the age of 11 on the movie Mga Bituin ng Kinabukasan with the younger Susan Roces. He died on March 10, 1995 in Manila, of heart attack. He was 54. His had lain at Manila Memorial Park in Parañaque City. – Wikipedia (READ MORE)

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Filmography: Mga Rosas sa Putikan (1976)

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Basic Information: Story, Screenplay and Direction: Emmanuel H. Borlaza; Cast: Vilma Santos, Celia Rodriguez, Barbara Luna, Trixia Gomez and Merle Fernandez, Arnold Gamboa, Romeo Enriquez, Sandy Garcia, Monica Morena, Ike Lozada; Cinematography Oscar Querijero; Musical Director George Canseco; Executive Producer: Vilma Santos; Production Company: V.S. Films; Release Date: September 10, 1976 – Video48

Plot Description: No Available Data

Film Achievement: Borlaza gave Vilma Santos her very first best actress, winning the 1972 FAMAS for via Dama De Noche. He is also credited in narrowing the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor.

Film Review: “…His films lack the arthouse style and social relevance that critics loves most in a Brocka or Bernal films but who cares about the critics when the paying public loves them. And the producers demand his service, from Doc Perez of Sampaguita Pictures, Atty. Esperidion Laxa of Tagalog Ilang Ilang Productions and later on, Vic Del Rosario of Viva Films and Lily Monteverde of Regal Films. Clearly, his films exists with one purpose, to entertain the masses not to depress or remind them with the country’s sad fate of economy or the below poverty line lives of many. The success of the Vilma-Borlaza films gave Vilma Santos versatility and preparation to a more serious acting career. It also narrowed the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. These are perhaps, the most significant contributions of Emmanuel Borlaza to Vilma’s career. Vilma who was considered only second to Nora couldn’t matched her singing talent and so, Borlaza countered this lack of singing with films that showcased Vilma’s acting versatility…” – RV (READ MORE)

“…Sa pagsasaliksik ko ay di ko sinasadyang makita ang mga pamagat ng pelikulang may kaugnayan sa putik. Labing-isa ang nakita ko, at marahil mas marami pa rito. Sa pamagat pa lamang ay kapansin-pansing napakalalim ng kahulugan ng salitang ‘putik’. Halina’t tunghayan ang ilan sa mga ito…Marahil, lahat ng pelikulang ito ay pumatok sa takilya, lalo na’t pawang mga bigating artista ang siyang bida sa mga ito. Kung susuriin natin ang mga pamagat pa lamang, kapansin-pansin ang iba’t ibang kahulugan ng putik. Tayo ay nagmula sa putik dahil nilalang tayo mula sa putik, kung papansinin ang pelikulang “Putik Ka Man… Sa Alabok Magbabalik”, habang sa “Magkumpareng Putik”, marahil ito’y tungkol sa paglalabanan ng dalawang magkumpareng kinulapulan ng putik ang bawat isa. Ibig sabihin, dinungisan ang pangalan at binalewala ang pinagsamahan bilang magkaibigan. Ang mga pelikulang “Mga Rosas sa Putikan“, “Ginto sa Putikan”, at “Dinampot Ka Lang sa Putik” ay marahil tumutukoy sa mga babaeng mahihirap na natagpuan ng mayaman at naging asawa…” – Mga Pagninilay ni Goriong Putik (READ MORE)

“…Then she did Mga Rosas Sa Putikan for her own VS Films where she played a country girl forced into prostitution in the big city. The movie did fairly well at the tills. Good sign…” – Ricardo F. Lo, Expressweek, Jan 19 1978 (READ MORE)