Filmography: King Khayam and I (1974)

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Basic Information: Directed: Cesar Gallardo; Story, screenplay: Nestor U. Torre Jr.; Cast: Joseph Estrada, Vilma Santos, Rod Navarro, Marissa Delgado, Lucita Soriano, Rossana Marquez, Lorli Villanueva, Ike Lozada, Anita Linda, Ruben Rustia, Greg Lozano, Jose Villafranca, Rudy Manlapaz, Avel Morado, Romy Nario, Robert Talby, Arturo Moran, Robert Miller, Delia Victorino, Carmen Romasanta, Elizabeth Vaughn, SOS Daredevils, Dondon Nakar, Winnie Santos, Princess, Big 3 Sullivans, Metring David, Bayani Casimiro, Mary Walter, Ronald Rei, Boy Marco; Executive producer: Espiridion Laxa; Original Music: Restie Umali, Levi Celerio

Plot Description: King Kayam’s search for another wife brought him the escapee, Princess Gracia. She doesn’t want to be wed to a man, she doesn’t love so she left her kingdom and ended up in King Kayam’s kingdom. They met and fell in love.

Film Achievement: Vilma and Joseph’s first film together as an adult actors and third overall. Their first film was “Batang Iwahig,” where Vilma was just a child star. The other film was “Dugo at Pag-ibig sa Kapirasong Lupa” where they did not share any screeen time.

Film Review: The film started promising with funny scenes of Joseph Estrada facing his people seeking his advice or help. One was when a man presented his new product, a flying magic carpet but when the carpet didnt fly, Estrada suggested a lighter weight rider. Then veteran actress and much younger, Mary Walter in a cameo role, brought her just bought magic lamp. She complained to the king that the seller fooled her to buy the lamp and wanted a refund. She then caress the lamp and the gennie came out but instead of the expected giant gennie, a midget dwarf came out. Then from this moment the film went downhill. A singing bird, a transexual Ike Lozada being auctioned, Rod Navarro’s over the top villain antics, all failed to sustained our attention. The weak storyline did not help. Patterned with the Hollywood film, King Kayam & I’s only saving grace was the acting of its lead stars. Joseph Estrada’s precense was commanding and convincing as the playboy king and Vilma’s charming innocense despite the sexy dance number at the end complimented Joseph’s macho image. The two did three films, although they didn’t shared a single scene in Dugo at Pagibig sa Kapirasong Lupa, King Kayam was their only film together as mature actors. Their first outing was Batang Iwahig, when Vi was just a childstar and Joseph was in his early years as a bankable action star. Produced by Experidion Laxa of Tagalog Ilang-Ilang Production, the film was just a mild hit, probably the main reason why there was no follow-up project for the two. Two reasons why the film failed was probably the cheap set decorations and the weak story/screenplay of Nestor U Torre, Jr. The song lyrics of Levi Celerio can’t salvaged the mostly canned music of Resti Umali either. This was despite the splendid musical number in the kitchen (when Vilma protested to the cooks that she was a princess and should be treated like one). Die-hard Vilmanians would probably considered Vilma’s dance number at the very end as the hightlight of the film. – RV, (READ MORE)

“…Naging very successful ang unang pagtatambal nina Vilma Santos at Joseph Estrada sa pelikulang King Khayam And I ng TIIP. Kahit bumabagyo ay hugos pa rin ang tao upang mapanood lang ang napabalitang pelikulang ito. Subalit nitong mga huling araw ng pagtatanghal ng nasabing pelikula, medyo naging mahina ang pasok ng tao. may nagsasabing talagang ganito lang ang panahon kapag magpapasko, sa halip na manood ýung iba, ipinamimili muna ng kanilang pamasko ang mga mahal nila sa buhay. At least, ang kaunting salaping gugugulin nila sa entertainment ay ipinagdaragdag nila sa kanilang Christmas savings…” – Levi, Modern Romances and True Confessions Magazine, 16 December 1974

Filmography: Ophelia and Paris (1973)

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Basic Information: Directed, screenplay: Celia Diaz Laurel; Story: Mars Ravelo; Cast: Victor Laurel, Vilma Santos, Marissa Delgado, German Moreno, Rodolfo Boy Garcia, Mary Walter, Subas Herrero, Jose Villafranca, Joonee Gamboa, Andres Centenera, SOS Daredevils, Celia Diaz Laurel, Ronald Remy; Executive producer: Victor Laurel; Original Music: Ryan Cayabyab

Plot Description: No Available Data

Film Achievement: The first movie of Vilma Santos and Cocoy Laurel, the other films are: Disco Fever and Pinay American Style.

Film Review: “…As an actor, he has an enviable filmography. Among his films are “Pinay, American Style” (1979), “Disco Fever” (1978), “Waikiki: Sa Lupa Ng Ating Mga Pangarap” (1980), “Bawal: Asawa Mo, Asawa Ko” (1974), “Ophelia at Paris” with Vilma Santos, “Oh, Margie, Oh” with Margie Moran, “Impossible Dream,” “Till Death Do Us Part” and his last movie, Huwad Na Mananayaw…” – Gypsy Baldovino (READ MORE)

“…Mars Ravelo’s Ophelia at Paris: Prinsipe Paris Walang Kaparis (December 10, 1973) ay handog ng VL Productions na tinampukan nina Vi, Victor Laurel, Marissa Delgado, German Moreno, Rodolfo Boy Garcia, Mary Walter, Subas Herrero, Joonee Gamboa, Celia Diaz Laurel at Ronald Remy sa direksiyon ni Celia Diaz Laurel…” – Alfonso Valencia (READ MORE)

Filmography: Teen-Age Senorita (1971)

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Basic Information: Directed: Jose Pepe Wenceslao; Story, screenplay: Maning Songco; Cast: Vilma Santos, Manny De Leon, Ike Lozada, Joe Alvarez, Yazmin Romero, Ricky Valencia, Chit Morales, Luis Benedicto, Jose Villafranca, Sound Syndicate Combo, Geraldine; Original Music: Pewen

Plot Description: No Available Data

Film Achievement: No Available Data

Film Review: “…Besides teaming up with Edgar Mortiz during her teen years, Vilma Santos also starred and appeared in many movies opposite other leading men…” – Simon Santos (READ MORE)

“…He became the leading man of Nora Aunor after Tirso Cruz III. Theirs was also a popular tandem. Decades later, when I finally got to talk to Nora during an interview, she revealed that their working relationship wasn’t really all that pleasant. Manny disappeared from the scene when Nora moved on to become a more serious actress. Whatever happened to Manny de Leon? When last heard from — many, many years ago — it was full of speculations and, sadly, those bits of information about him were unpleasant…” – Butch Francisco (READ MORE)

“…Kahit love team na sina Vilma at Bobot Mortiz, ipina-partner pa rin si Vi sa iba’t ibang sikat na male heartthrobs noon.” Jojo mentioned singing sensation Eddie Peregrina (paired with Vi in Mardy and I Do Love You, both shown in 1970), showbiz royalty Jay Ilagan (Inspiration, Remembrance, Ang Konduktora all shown in ‘72, and Sister Stella L in ’84), young actor Paolo Romero (Ikaw Lamang in 1971), and even her rival’s partners, Tirso Cruz III (Dingdong, Give Me Your Love, and Nobody’s Child all in ’73) and Manny de Leon (Teenage Señorita in 1971)…” – Rommel R. Llanes (READ MORE)

Filmography: Renee Rose (1970)

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Basic Information: Directed: Emmanuel H. Borlaza; Story: Mars Ravelo; Screenplay: Emmanuel H. Borlaza; Cast: Vilma Santos, Edgar Mortiz, Jose Padilla Jr., Lilia Dizon, Romy Mallari, Jose Villafranca, Nela Alvarez, Yasmin Romero, Beth Manlongat, Dino Festin; Original Music: Restie Umali; Cinematography: Justo Paulino; Film poster: Video48

Plot Description:  No Available Data

Film Achievement:  Mars Ravelos serialized comics directed by Emmanuel H Borlaza. Film with Edgar Mortiz.

Film Reviews; “…Borlaza gave Vilma Santos her very first best actress, winning the 1972 FAMAS for via Dama De Noche. He is also credited in narrowing the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. Total Number of Films in our list of VSR’s Top 50 films = 4 (#10 Lipad Darna Lipad 1973, #32 Dyesebel at ang Mahiwagang Kabibe 1973, #48 Darna and the Giants 1973, #49 Dama De Noche 1972)…” – RV (READ MORE)

“…By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)…In 1970, the love team of Vilma Santos and Edgar “Bobot” Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office…” – Rommel R. Llanes (READ MORE)

“…Noong Dekada ’70, ang mga young stars ay kailangang marunong kumanta dahil yun ang uso kaya naman nagtayo ng sariling recording company ang nasirang manager ni Vi na si William Leary dahil ayaw niyang pahuhuli sa uso ang kanyang alaga. Ilan sa mga naging recording artists ng WILEARS RECORDS bukod kay Vi ay sina Edgar Mortiz, Ed Finlan, Sahlee Quizon, Hilda Koronel at Esperanza Fabon. According to Vi, kapag nagrerecord siya ng kanta ay nakatalikod siya sa dingding ng recording company at si Bobot ang umaalalay sa kanya. Ang SIXTEEN, na sinulat ni Danny Subido ang unang recording na ginawa ni Vi at ito ay flipsided by It’s So Wonderful To Be In Love. Ang SIXTEEN ay agad naging gold record at dahil dito ay gumawa ng pelikula ang Tagalog Ilang Ilang Productions, ang home studio ni Vi at ito ay ginawa nilang pamagat katambal si Edgar Mortiz. Hindi nyo naitatanong, muntik nang manalo si Vi bilang most promising singer sa AWIT AWARDS noong early ’70s…” – Alfonso Valencia (READ MORE)

“…The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche. Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon…” – RV (READ MORE)

“…Si Edgar Mortiz ang unang nakapareha ni Vilma Santos as a teen star. Nakilala sila as the “Subok na Matibay, Subok na Matatag” loveteam called Vi and Bot at naging magka-steady sila sa tunay na buhay. Marami silang ginawang pelikula as teen stars in the early 70s…” – Showbiz Portal (READ MORE)

“…His films lack the arthouse style and social relevance that critics loves most in a Brocka or Bernal films but who cares about the critics when the paying public loves them. And the producers demand his service, from Doc Perez of Sampaguita Pictures, Atty. Esperidion Laxa of Tagalog Ilang Ilang Productions and later on, Vic Del Rosario of Viva Films and Lily Monteverde of Regal Films. Clearly, his films exists with one purpose, to entertain the masses not to depress or remind them with the country’s sad fate of economy or the below poverty line lives of many. The success of the Vilma-Borlaza films gave Vilma Santos versatility and preparation to a more serious acting career. It also narrowed the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. These are perhaps, the most significant contributions of Emmanuel Borlaza to Vilma’s career. Vilma who was considered only second to Nora couldn’t matched her singing talent and so, Borlaza countered this lack of singing with films that showcased Vilma’s acting versatility…” – RV (READ MORE)

Filmography: Hindi Nahahati ang Langit (1966)

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Basic Information: Direction Lauro Pacheco; Cast: Lolita Rodriguez, Marlene Dauden and Eddie Rodriguez/ Also Starring Sammy Barretto, Carina Mujer, Mary Walter, Dely Villanueva, Jose villafranca and Lito garcia/ Featuring Ben Perez, Aruray and Vilma Santos; Screenplay Jose F. Sibal; Music Levi Celerio; Larry Santiago Productions; Release Date January 9, 1966 at Center Theatre; Film poster: Video48

Plot Description: No Available Data

Film Achievement: No Available Data

Film Review: “…Ipinanganak nga marahil si Ma. Rosa Vilma Tuazon Santos sa show business dahil sa pagitan ng taping ng “Larawan..” ay nagkasunod-sunod na ang kanyang mga pelikula…“De Colores” ng Arco-Iris (Marso 30 – April 10, 1968)…hanggang “Young Love” ng VP Enero 1 – 21, 1970) ng lumikha ng rekord sa takilya….Makalipas ang mga tatlong buwan, nakatanggap ng maikling sulat si Mama Santos muka lay G. Agra. Naghahanap ang Sampaguita Picutures ng batang babae na gaganap ng mahalagang papel sa “Anak, Ang Iyong Ina!” at isinali ng amain ang pangalan ni Vi. Hindi puwedeng lumiban si Papa Santos sa pinpasukang government office, at ayaw naman nilang mapahiya ang kamag-anak, kaya napilitan si Mama Santos na humingi ng day=off sa opisina (Aguinaldo’s). Pagdating sa studio, wala si G. Agra at nasa location shooting, ngunit totoong naroroon ang pangalan ni Vi, kaya’t pinapasok sila sa tanggapan. Napadaan sa harapan ni Mama Santos si Bella Flores na dala ang script ng “Trudis Liit.” Nagulumihanan si Mama Santos. Binasa niyang muli ang liham ni G. Agra. Mali yata ang napuntahan nila! Akma niyang tatawagin si Vi na noon ay nkikipaglaro sa iba pang mga bata upang yayain na itong umuwi, nang pumasok sina Mommy Vera, Dr. at Mrs. Perez, at Eddie Garcia. At doon nagsimula ang movie career ni Vi na magpahanggang ngayon ay batbat pa rin ng iba’t ibang panunuri, opinyon at konklusiyon…” – Ched P. Gonzales (READ MORE)

“…In 1963, two great Sampaguita talents, Lolita Rodriguez and Marlene Dauden and drama king Eddie Rodriguez starred in Sapagka’t Kami’y Tao Lamang, the movie that turned out to be a sensational and phenomenal hit. The movie garnered the year’s top FAMAS awards— Best Actor for Eddie Rodriguez; Best Supporting Actress for Marlene Dauden; Best Director for Armando De Guzman. It started the series of the so-called love triangle movies featuring the three dramatic icons in Philippine movies. Ms. Dauden was memorable in such dramas as Anino ni Bathala (1958) and Kamandag (1959). In both films, Marlene won the FAMAS best supporting actress trophies. She was also awarded the FAMAS Best Actress awards twice: Sa Bawa’t Pintig ng Puso (1964) and Kapag Puso’y Sinugatan (1967)…” – Simon Santos (READ MORE)

Filmography: Morena Martir (1965)

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Basic Information: Direction: Jose De Villa; Story: Manuel Songco; Screenplay: Chito B. Tapawan; Cast: Luis Gonzales, Edgar Salcedo, Rosa Mia, Zeny Zabala, Vilma Santos, Elizabeth Bankhead, Loretta Marquez, Venchito Galvez, Jose Villafranca, Renato Del Prado, Nenita Navarro; Music: Restie Umali; Produced: VP Pictures; Film poster: Video48

Plot Description: No Available Data

Film Achievement: Loretta Marquez was given top billing in the 1965 movie, “Morena Martir,” adapted from the popular DZRH radio serial.

Film Review: “…Ipinanganak nga marahil si Ma. Rosa Vilma Tuazon Santos sa show business dahil sa pagitan ng taping ng “Larawan..” ay nagkasunod-sunod na ang kanyang mga pelikula…“Morena Martir” ng VP (Hulyo 20 – Agosto 9, 1965)…ng lumikha ng rekord sa takilya…Makalipas ang mga tatlong buwan, nakatanggap ng maikling sulat si Mama Santos muka lay G. Agra. Naghahanap ang Sampaguita Picutures ng batang babae na gaganap ng mahalagang papel sa “Anak, Ang Iyong Ina!” at isinali ng amain ang pangalan ni Vi. Hindi puwedeng lumiban si Papa Santos sa pinpasukang government office, at ayaw naman nilang mapahiya ang kamag-anak, kaya napilitan si Mama Santos na humingi ng day=off sa opisina (Aguinaldo’s). Pagdating sa studio, wala si G. Agra at nasa location shooting, ngunit totoong naroroon ang pangalan ni Vi, kaya’t pinapasok sila sa tanggapan. Napadaan sa harapan ni Mama Santos si Bella Flores na dala ang script ng “Trudis Liit.” Nagulumihanan si Mama Santos. Binasa niyang muli ang liham ni G. Agra. Mali yata ang napuntahan nila! Akma niyang tatawagin si Vi na noon ay nkikipaglaro sa iba pang mga bata upang yayain na itong umuwi, nang pumasok sina Mommy Vera, Dr. at Mrs. Perez, at Eddie Garcia. At doon nagsimula ang movie career ni Vi na magpahanggang ngayon ay batbat pa rin ng iba’t ibang panunuri, opinyon at konklusiyon…” – Ched P. Gonzales (READ MORE)

“…Loretta Marquez was given top billing in the 1965 movie, “Morena Martir,” adapted from the popular DZRH radio serial…” – Simon Santos (READ MORE)

Filmography: Naligaw na Anghel (1964)

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Basic Information: Direction: Armando de Guzman; Cast: Willie Sotelo, Maggie de la Riva, Vilma Valera, Vilma Santos, Van de Leon, Anita Linda, Carol Varga, Jose Villafranca, Romeo San Jose, Rey Santiago, Toto; Production: Larry Santiago Productions, Inc.; Release Date: 8-17 August 1964; Film poster: Video48

Plot Description: No Available Data

Film Achievement: No Available Data

Film Reviews: “…Ipinanganak nga marahil si Ma. Rosa Vilma Tuazon Santos sa show business dahil sa pagitan ng taping ng “Larawan..” ay nagkasunod-sunod na ang kanyang mga pelikula…“Naligaw Na Anghel” ng LSP (Agosto 8 – 17, 1964)…ng lumikha ng rekord sa takilya…Makalipas ang mga tatlong buwan, nakatanggap ng maikling sulat si Mama Santos muka lay G. Agra. Naghahanap ang Sampaguita Picutures ng batang babae na gaganap ng mahalagang papel sa “Anak, Ang Iyong Ina!” at isinali ng amain ang pangalan ni Vi. Hindi puwedeng lumiban si Papa Santos sa pinpasukang government office, at ayaw naman nilang mapahiya ang kamag-anak, kaya napilitan si Mama Santos na humingi ng day=off sa opisina (Aguinaldo’s). Pagdating sa studio, wala si G. Agra at nasa location shooting, ngunit totoong naroroon ang pangalan ni Vi, kaya’t pinapasok sila sa tanggapan. Napadaan sa harapan ni Mama Santos si Bella Flores na dala ang script ng “Trudis Liit.” Nagulumihanan si Mama Santos. Binasa niyang muli ang liham ni G. Agra. Mali yata ang napuntahan nila! Akma niyang tatawagin si Vi na noon ay nkikipaglaro sa iba pang mga bata upang yayain na itong umuwi, nang pumasok sina Mommy Vera, Dr. at Mrs. Perez, at Eddie Garcia. At doon nagsimula ang movie career ni Vi na magpahanggang ngayon ay batbat pa rin ng iba’t ibang panunuri, opinyon at konklusiyon…” – Ched P. Gonzales (READ MORE)

“…Ang kaunaunahang Teleserye o Telenobela sa Television ng ABS CBN Channel 3 ay pinagbidahan ni Vilma, ito ay ang Larawan ng Pagibig. Dinirek ni Jose Miranda Cruz at mga artista din dito sina Eva Darren, Willie Sotelo, at Rosita Noble. Si Vilma ay 11 years old pa lang dito. Pagkatapos ng taping ng Larawan ng Pagibig, lagare naman si Vi sa kanyang Radio Drama program sa DZRH ang Naligaw na Anghel, kasama nya sina Maggie de la Riva at si Anita Linda na gumanap na ina ni Vilma. Ang T.V. show at Radio drama program ni Vi ay tumagal sa ere ng 3 years…” – Jojo V. Lim (READ MORE)

“…Young and cute Vilma Santos is one of the few child stars who have hit the screen with continued success. Although not as well-publicized as the adult stars, she is gaining popularity with lot of fans who recognize her warm personality and talent. Her successful debut in Sampaguita Pictures’ Trusdis Liit gave her more movie offers. Vilma, who just turned 13 last Nov. 3, has been in the movies for three years and already has 16 pictures to her credit. A talented youngster, she often steals the spotlight from her senior colleagues. In Ging, Naligaw Na Anghel, Anak Ang Iyong Ina, and many other films, she was a standout in tear-jearking scenes. As a result, she is always in demand for such roles. Despite her success, Vilma remains unaffected as a child. At the St. mary’s Academy where she is a six-grader, she has more than her share of friends not because she is a celebrity but because of her natural chumminess. In fact, she is so fond of her friends that their house on Lunas St in La Loma, Quezon City is often filled with them. Her parents, Mr. and Mrs. Amado Santos, do not discourage her gregariousness and instead look upon it as part of her developing personality…Vilma’s movie commitments don’t prevent her from being a good student. She could have been easily way above average if only her shooting schedules sometimes do not prevent her from attending her classes. “Doing two tasks at the same time gave me a hard time at the beginning but I’ve adjusted to it now,” said this youngster who still goes for lollipops, ice cream, toys, and play. Vilma, who spends her leisure hours listening to radio dramas, dancing and playing with her three other sisters, will be seen in her coming films, Sigaw Ng Batingaw of Argo Productions…” – Julio F. Silverio, The Weekly Nation, 31 December 1965, reposted at Pelikula Atbp blog (READ MORE)