FILM REVIEW: Kampanerang Kuba’s religious rituals and miracles

Kampanerang Kuba started with Andang (Vilma Santos), a hunch back bell-ringer running away from the people in the market. She was accuse of stealing. When she got back from the church (where she lives and work), she was confronted and physically assaulted by Tateng (Celia Rodriguez) for no justifiable reason. Thankfully, Father Damian, the old sick priest intervened. He has long been her protector. Andang felt sad when she found out that Father Damian is leaving. On his absence, a young priest, Father Agaton (Edgar Mortiz) will take over. Aside from ringing the bell, Andang clean and feed the piglets (owned by Ellen and Tateng, they are the church’s caretakers). She normally eats with her bare hands while talking to her patron saint, Saint Martin. She talks and treats the idol along side the church’s bell towers like they are humans. Meanwhile, Tateng, the daughter of the head caretaker, Ellen (Patria Plata), is a sex maniac who loves to abuse Andang. She also seduce men in exchange of material things like jewelry.

One time Andang caught Tateng having sex with Crispin (Dindo Fernando) inside the church, when Tateng found out that she was around, she physically abuse her. Then the following day, while feeding the piglets, Tateng verbally abuse her. Andang retaliate and the two had mud-wrestling inside pig pen. Tateng’s mother Ellen was about to join the fight when Father Agaton arrived and intervened. The next day, a group of women arrived and accused Tateng of accepting gifts from their husband that they own. When Tateng overheard the loud complaints, she quickly went to Andang and pretended she wanted to make amends and gave her a necklace. When the group of women finally faced Tateng, she lied and told them to look for the jewelry at Andang.

The women then went to Andang and accused her of stealing. Afraid of her safety, Andang went to the church’s roof telling them that if they will not stop, she will jump. Tateng convinced Andang not to jump and that she is her friend. The trusting Andang came back and was welcome by the women with physical assaults. They tied her down with a long rope and dragged her on the ground until Crispin, who riding the horse (where Andang was tied down) reached the town’s mountain hill where he threw Andang’s lifeless body. When Andang miraculously regained consciousness, she was seen talking to her patron saint, Saint Martin. He blessed her and was able to bring her back to the church. There, she was blessed by the Virgin Mary. A holy miracle happened, flower petals falls down from the sky and holy lights beams Andang. She slowly changed from the ugly hunch back girl into a beautiful woman. As turned out she became Sandra Belmonte. A woman long gone and who were once the topic of town gossips. Sandra’s two sister found her into the church the next day. Surprised and very thankful, they brought her back to their big home. Andang now assumed the identity of Sandra. Sandra as it turned out has suitor, Roel (Ernie Garcia) who she didn’t like. She also discovered that she missed her life as Andang and now sure that she is in love with Father Agaton.

Can’t control her feelings anymore, she went to the church for the Catholic ritual of confession. And with Father Agaton, she confess her love for him. Tateng overheard this, and coerced the priest to have sex with her in exchange for her silence but failed. In retaliation, she spread this information to the town’s people. Headed by Tateng’s admirer, Max Alvarado, the priest was confronted by the angry people. The priest denied the affair. The town’s people decided to tied the priest into a post and burn him. This is because the priest doesn’t want leave the church. When Sandra who was with Roel, discovered what was happening, she luckily escape madness and went inside the church to pray to Saint Martin. Her pray were answered by the sudden ringing of the church’s bells followed by a loud thunder. It started to rain killing the fire and saving the poor priest. It was a miracle. Tateng’s sinful mind cleared and she ask Father Agaton’s forgiveness, who gladly obliged. Father Agaton then search for Sandra when her suitor Roel appeared. They both went to the church tower and saw Andang instead. The end.

Kampanerang Kuba’s convoluted long story maybe attributed to the original comics material written by Pablo Gomez. A good director should iron out all the unbelievable plots specially all the one-dimensional characters. For example, Celia Rodriguez character, Tateng. She is so masochistic that viewer might wonder why she is so mean. Also, with her tower-nesque beauty, why she decided to remained in a town where everything seems to be so trivial and everyone seems loves to gossip, even the men. Nilo Saez (with Jose Flores Sibal wrote the script) failed miserably in this regard. Shot in Nagcarlan Laguna, Kampanerang Kuba showcased the old Filipino beliefs in patron saints, religious rituals and miracles. It also demonstrates that people can be so cruel, can passed judgement, and can asked for forgiveness that quick when confronted with truth. All will be forgiving without taking into account all the harm that they have done. In the real world, these people will be punished. Celia Rodriguez seems to be wooden in so many scenes but equally infuriating when she started to do her verbal and physical abuse of Andang. With limited dialogue, a young Dindo Fernando portrayed Tateng’s lover convincingly. All the other supporting roles including Perla Bautista, Ernie Garcia and others gave forgettable performances. About the two main lead, Edgar Mortiz and Vilma Santos, both did what they can to portrayed their respective roles. Edgar Mortiz seems to be trying very hard to be effective as the priest but acting is clearly not his forte. Would this be different if Jay Ilagan did this role? Vilma Santos succeed more with her solo scenes, talking to the patron saints and the bell tower, eating with her bare hands and trying to beautify her ugly face. She appeared to be gearing up for more versatile roles that requires her not to sing but to act. – RV

RELATED READING:
Kampanerang Kuba (1974)
Pinoy Classics Review: Kampanerang Kuba (1973)

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Filmography: Kampanerang Kuba (1974)

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Basic Information: Directed: Nilo Saez; Story: Pablo S. Gomez; Screenplay: Nilo Saez, Jose Flores Sibal; Cast: Vilma Santos, Edgar Mortiz, Celia Rodriguez, Dindo Fernando, Rosanna Marquez, Perla Bautista, Max Alvarado, Ernie Garcia, Tony Santos, Jr., Patria Plata, Metring David, Greg Lozano, Joaquin Fajardo, Steve Alcarado, Romy Luartes, Francisco Cruz, Carmen Romasanta, Danny Rojo, Edwin Cruz, SOS Daredevils, P I Boys; Executive producer: Espiridion Laxa; Original Music: Tito Arevalo; Cinematography: Benjamin L. Lobo

Plot Description: Kampanerang Kuba (lit. Hunchbacked Lady Bellringer) was a fantasy soap opera television series broadcast by ABS-CBN in the Philippines. It was inspired by 1973 film with same title, which was starred by Vilma Santos and Bobot Mortiz. It was tagged as Pinoy Disney. It was originally based from a comic book series written by Pablo Gomez. – Wikipedia (READ MORE)

Film Achievement: Film adapted from comics written Pablo S. Gomez; Illustrated by Alex Nino for Planet Komiks, 1971; Remade into TV series in 2005 by ABS-CBN and starring Anne Curtis, Luis Manzano, Jomari Yllana with Edgar Mortiz and directed by Wenn Deramas, Andoy Ranay.

Film Review: Kampanerang Kuba’s convulated, long story maybe attributed to the original comics material of Pablo Gomez. A good director should ironed out all the twists and turns and all its one-dimenssional characters. For example, Celia Rodriguez character, Tateng. She is so masochistic that it is just right to know why she is so mean and that with her towernesque beauty, she decided to remained in the town where everything seems to be so tribial. Nilo Saez (with Jose Flores Sibal adapted the script) failed miserably in this regard. Shot in Nagcarlan Laguna, Kampanerang Kuba showcased the old Filipino beliefs in patron saints, religious rituals and miracles. It also demonstrates that people can be so cruel, can passed judgement, and can asked for forgiveness that quick when confronted with truth. All will be forgiving without taking into account all the harm that they have done. In the real world, these people will be punished. Celia Rodriguez seems to be wooden in so many scenes but equally infuririating when she started to do her verbal and physical abuse of Anda. With limited dialouge, a young Dindo Fernando portrayed Tateng’s lover convincingly. All the other supporting roles including Perla Bautista, Ernie Garcia and others gave a forgettable performances. About the two main lead, Edgar Mortiz and Vilma Santos did what they can to portrayed their roles. Edgar Mortiz seems to be trying very hard to be effective as the priest but acting is clearly not his forte. Would this be different if Jay Ilagan did this role? Vilma Santos succeed more with her solo scenes, talking to the patron saints and the bell tower, eating with her bare hands and trying to beautify her ugly face. – RV, (READ MORE)

“Despite of (or perhaps because of) her hideous appearance, she is held dear by the parish priest Padre Damaso but abhorred by the church caretaker, Edeng who maltreats her at every opportunity. Andang is ugly, ugly, ugly and deserves all the pain she can get…don’t think Mang Martin will give the miracle for free. Vilma emerges as the ugly hunchback Andeng! Sandra is gone! Death to fantasy!…” – Silver Screen Surfer, (READ MORE)

Feast for Eyes, Soul – “With only a little over an hour spent on the road, Lenten pilgrims can explore the heritage churches of Laguna province for the traditional “visita iglesia” (church visit) today. Laguna has 86 Catholic churches, 26 of these built between the 16th and 19th centuries. The churches give pilgrims glimpses of the Catholic faith’s beginnings and its role in the spiritual and cultural development of Laguna. Jerry Gaela, 51, a parish priest administering St. Paul the First Hermit Cathedral in San Pablo City, said that while visita iglesia was not a required practice among Catholics, it was “additional devotion for personal and spiritual growth.” Visita iglesia is traditionally done on the night of Maundy Thursday when the Blessed Sacrament is displayed in the churches. People used to visit seven churches, but now, they would go to as many as 14 churches and pray at the Stations of the Cross. The spirit is “to accompany the Lord in his Passion,” Gaela said. These are seven of Laguna’s heritage churches worth a visit today…San Bartolome Apostol Church, Nagcarlan town, The baroque church, 15 km from San Pablo, was first built in 1583 using light materials. It was in 1752 when the second church was built from stone and brick. However, the structure was damaged by a fire in 1781. A choir loft was added when the church was rebuilt in 1845 by Rev. Vicente Velloc, who also built the nearby Nagcarlan underground cemetery. The church was featured in the 1974 film, “Kampanerang Kuba,” starring now Batangas Rep. Vilma Santos-Recto, and the film’s 2005 television remake of the same title, starring Anne Curtis…” – Kimmy Baraoidan, Philippine Daily Inquirer, 13 April 2017 (READ MORE)

Filmography: King Khayam and I (1974)

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Basic Information: Directed: Cesar Gallardo; Story, screenplay: Nestor U. Torre Jr.; Cast: Joseph Estrada, Vilma Santos, Rod Navarro, Marissa Delgado, Lucita Soriano, Rossana Marquez, Lorli Villanueva, Ike Lozada, Anita Linda, Ruben Rustia, Greg Lozano, Jose Villafranca, Rudy Manlapaz, Avel Morado, Romy Nario, Robert Talby, Arturo Moran, Robert Miller, Delia Victorino, Carmen Romasanta, Elizabeth Vaughn, SOS Daredevils, Dondon Nakar, Winnie Santos, Princess, Big 3 Sullivans, Metring David, Bayani Casimiro, Mary Walter, Ronald Rei, Boy Marco; Executive producer: Espiridion Laxa; Original Music: Restie Umali, Levi Celerio

Plot Description: King Kayam’s search for another wife brought him the escapee, Princess Gracia. She doesn’t want to be wed to a man, she doesn’t love so she left her kingdom and ended up in King Kayam’s kingdom. They met and fell in love.

Film Achievement: Vilma and Joseph’s first film together as an adult actors and third overall. Their first film was “Batang Iwahig,” where Vilma was just a child star. The other film was “Dugo at Pag-ibig sa Kapirasong Lupa” where they did not share any screeen time.

Film Review: The film started promising with funny scenes of Joseph Estrada facing his people seeking his advice or help. One was when a man presented his new product, a flying magic carpet but when the carpet didnt fly, Estrada suggested a lighter weight rider. Then veteran actress and much younger, Mary Walter in a cameo role, brought her just bought magic lamp. She complained to the king that the seller fooled her to buy the lamp and wanted a refund. She then caress the lamp and the gennie came out but instead of the expected giant gennie, a midget dwarf came out. Then from this moment the film went downhill. A singing bird, a transexual Ike Lozada being auctioned, Rod Navarro’s over the top villain antics, all failed to sustained our attention. The weak storyline did not help. Patterned with the Hollywood film, King Kayam & I’s only saving grace was the acting of its lead stars. Joseph Estrada’s precense was commanding and convincing as the playboy king and Vilma’s charming innocense despite the sexy dance number at the end complimented Joseph’s macho image. The two did three films, although they didn’t shared a single scene in Dugo at Pagibig sa Kapirasong Lupa, King Kayam was their only film together as mature actors. Their first outing was Batang Iwahig, when Vi was just a childstar and Joseph was in his early years as a bankable action star. Produced by Experidion Laxa of Tagalog Ilang-Ilang Production, the film was just a mild hit, probably the main reason why there was no follow-up project for the two. Two reasons why the film failed was probably the cheap set decorations and the weak story/screenplay of Nestor U Torre, Jr. The song lyrics of Levi Celerio can’t salvaged the mostly canned music of Resti Umali either. This was despite the splendid musical number in the kitchen (when Vilma protested to the cooks that she was a princess and should be treated like one). Die-hard Vilmanians would probably considered Vilma’s dance number at the very end as the hightlight of the film. – RV, (READ MORE)

“…Naging very successful ang unang pagtatambal nina Vilma Santos at Joseph Estrada sa pelikulang King Khayam And I ng TIIP. Kahit bumabagyo ay hugos pa rin ang tao upang mapanood lang ang napabalitang pelikulang ito. Subalit nitong mga huling araw ng pagtatanghal ng nasabing pelikula, medyo naging mahina ang pasok ng tao. may nagsasabing talagang ganito lang ang panahon kapag magpapasko, sa halip na manood ýung iba, ipinamimili muna ng kanilang pamasko ang mga mahal nila sa buhay. At least, ang kaunting salaping gugugulin nila sa entertainment ay ipinagdaragdag nila sa kanilang Christmas savings…” – Levi, Modern Romances and True Confessions Magazine, 16 December 1974

Filmography: Because You’re Mine (1970)

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Basic Information: Directed: Leody M. Diaz; Story: Quntin DeGuia; Screenplay: Henry Cuno; Cast: Vilma Santos, Edgar Mortiz, Anita Linda, Sonny Cortez, Ben David, Metring David, Bobby Roldan, Scarlet, Levi Celerio, Cloyd Robinson, Ernie Vega, Wilhelmina Landicho, Etang Discher, Inday Jalandoni; Original Music: Danny Subido; Film poster: Video48

Plot Description: No Available Data

Film Achievement: No Available Data

Film Review: “…By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)…In 1970, the love team of Vilma Santos and Edgar “Bobot” Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office…” – Rommel R. Llanes (READ MORE)

“…Noong Dekada ’70, ang mga young stars ay kailangang marunong kumanta dahil yun ang uso kaya naman nagtayo ng sariling recording company ang nasirang manager ni Vi na si William Leary dahil ayaw niyang pahuhuli sa uso ang kanyang alaga. Ilan sa mga naging recording artists ng WILEARS RECORDS bukod kay Vi ay sina Edgar Mortiz, Ed Finlan, Sahlee Quizon, Hilda Koronel at Esperanza Fabon. According to Vi, kapag nagrerecord siya ng kanta ay nakatalikod siya sa dingding ng recording company at si Bobot ang umaalalay sa kanya. Ang SIXTEEN, na sinulat ni Danny Subido ang unang recording na ginawa ni Vi at ito ay flipsided by It’s So Wonderful To Be In Love. Ang SIXTEEN ay agad naging gold record at dahil dito ay gumawa ng pelikula ang Tagalog Ilang Ilang Productions, ang home studio ni Vi at ito ay ginawa nilang pamagat katambal si Edgar Mortiz. Hindi nyo naitatanong, muntik nang manalo si Vi bilang most promising singer sa AWIT AWARDS noong early ’70s…” – AlfonsoValencia (READ MORE)

“…The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche. Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon…” – RV (READ MORE)

Filmography: Edgar Loves Vilma (1970)

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Basic Information: Direction: Leonardo L. Garcia; Cast: Vilma Santos, Edgar Mortiz/ Also Starring Perla Bautista, Nello Nayo, Nick Aladdin, Mary Walter, Metring David, Yazmin Romero, Dell martin and Ben David/ Featuring Jess Lapid, Jr., Joji Mercado, Bernadine Escolar, Wilma Landicho, Cherry Lachica, Noly Ong, Marissa Magadia, Rico Villa, Chito Liwanag, Romy Brieding; Story and Screenplay: Rico Bello Omagap; Music Eddie Mataranas; Production Company: Jela Productions; Release Date: September 27, 1970/ Globe; Film poster: Video48

Plot Description: Daughter of a nightclub singer, Vilma met Edgar whose father, like Vilma’s mother is also single parent. While dating, their parent also fell in love. Some twists of events happened, like the sudden break-up of their parent due to Edgar’s grandmother’s disapproval of her son’s relationship to Vi’s mother who is a night club singer, which was a societal taboo for the upper class during those days (the 60s-70s). Another twist was the kidnapping of Vilma. But all we’re ironed out in the end, just in time for the final musical production number, showing the whole gang dancing and singing to Vilma’s hit song, “Do Re Mi Fa Sol La Love You!”

Film Achievement: No Available Data

Film Reviews; “…By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)…In 1970, the love team of Vilma Santos and Edgar “Bobot” Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office…” – Rommel R. Llanes (READ MORE)

“…Noong Dekada ’70, ang mga young stars ay kailangang marunong kumanta dahil yun ang uso kaya naman nagtayo ng sariling recording company ang nasirang manager ni Vi na si William Leary dahil ayaw niyang pahuhuli sa uso ang kanyang alaga. Ilan sa mga naging recording artists ng WILEARS RECORDS bukod kay Vi ay sina Edgar Mortiz, Ed Finlan, Sahlee Quizon, Hilda Koronel at Esperanza Fabon. According to Vi, kapag nagrerecord siya ng kanta ay nakatalikod siya sa dingding ng recording company at si Bobot ang umaalalay sa kanya. Ang SIXTEEN, na sinulat ni Danny Subido ang unang recording na ginawa ni Vi at ito ay flipsided by It’s So Wonderful To Be In Love. Ang SIXTEEN ay agad naging gold record at dahil dito ay gumawa ng pelikula ang Tagalog Ilang Ilang Productions, ang home studio ni Vi at ito ay ginawa nilang pamagat katambal si Edgar Mortiz. Hindi nyo naitatanong, muntik nang manalo si Vi bilang most promising singer sa AWIT AWARDS noong early ’70s…” – Alfonso Valencia (READ MORE)

“…The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche. Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon…” – RV (READ MORE)

Filmography: The Jukebox King (1969)

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Basic Information: Directed: Consuelo P. Osorio; Story: Consuelo P. Osorio; Screenplay: Consuelo P. Osorio; Cast: Eddie Peregrina, Vilma Santos, Edgar Mortiz, Esperanza Fabon, Bebong Osorio, Mildred Ortega, Joe Alvarez, Nick Aladdin, Dolly Favorito, Ben David, Tommy Angeles, Metring David, Dely Villanueva, Perla Adea, Armando De Guzman Jr., Eduardo Padilla; Original Music: Demet Velasquez; Film poster: Video48

Plot Description: No Available Data

Film Achievement: No Available Data

Film Review: “…Peregrina’s popularity was high, particularly among masses. Jukebox, the coin-operated machine which plays selected music, was said to have attained much popularity as well because of continuous requests of Peregrina’s songs. His fame surge even more among the Filipino masses when he became movie star, cast with the leading ladies of the 1970s, including Esperanza Fabon and Nora Aunor, with whom he had a TV show entitled The Eddie-Nora Show on Channel 9 in the 1960s. Among his movies included Mardy, Memories of Our Dreams with Esperanza Fabon. He co-starred with his wife Lyn Salazarin in Batul of Mactan in 1974. He was also the leading man in Dito sa Aking Puso (1970) with Nora Aunor and with Vilma Santos in Mardy. Most of his films were produced by JBC Productions, which invariably paired him with Vilma Santos, Edgar Mortiz, Esperanza Fabon, and directed by Bebong Osorio. When not busy attending show business commitments, he managed his own business, including Edviper Records and the Pervil Photo Studio…” – Wikepedia (READ MORE)

“…During the early 60’s, a singer’s popularity was practically determined by the jukebox, a coin-operated machine that can play specially selected songs from self-contained media. It was a period when fans dropped 20 centavos in a jukebox to listen to Timi Yuro’s “Crazy” or Matt Monro’s “Walk Away” and “Before You Go.” Of course, Eddie’s songs like “Together Again,” “Two Lovely Flowers,” “Mardy” and “I Do Love You” were such national anthems and outdid their foreign counterparts not only in the jukebox market but also on the airwaves, in restaurants and well…the local cabarets…” – Gypsy Baldovino (READ MORE)

“…By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)…In 1970, the love team of Vilma Santos and Edgar “Bobot” Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office…” – Rommel R. Llanes (READ MORE)

Filmography: Buhay Artista Ngayon (1979)

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Basic Information: Directed: Frank Gray Jr.; Story: Roy Vera Cruz; Screenplay: Tony Cruz; Cast: Dolphy, Vilma Santos, Freddie Quizon, Panchito, Babalu, Eddie San Jose, Cachupoy, Bayani Casimiro, Metring David, Georgie Quizon, Amay Bisaya, Danny Catindig, Pons De Guzman, Tatlong Itlog, Ellen Esguerra, Moody Diaz, Odette Khan, Cloyd Robinson, German Moreno, Ike Lozada, Florante, Joe Quirino; Executive producer: Rodolfo V. Quizon; Original Music: Dominic Salustiano; Cinematography: Amado De Guzman; Film Editing: Efren Jarlego; Sound: Gabby Castellano; Theme Songs: “Buhay Artista” performed by Dolphy, Music by Dominic Salustiano Lyrics by Florante

Plot Description: No Available Data

Film Achievement: Dolphy and Vilma Santos did four films together. The first one was in her first year in show biz and in a Dolphy-Chichay film. After six years, the two reunited in one of early films of Nida Blanca and Dolphy. The film was sort of about family planning and birth control. Vi was in minor role and one of the child actors featured in the film. They followed this up with minor roles in the Cirio Santiago’s all-star-cast film. By later part of 1970s, both Dolphy and Vilma became a regular staples in award shows receiving several trophies as box office king and queen. Finally, after almost a decade from their last outings and no longer his film daughter, Dolphy and Vilma did their last film (to this day), this time, Vilma played the leading lady, in a film, ironically, about show business. Also, that year, Doply became the only male actor who portrayed Darna, the female comic-super-heroine in Darna Kuno. Not to be undone, Vilma will reprise the role the following year in her fourth and final film as Darna in Darna at Ding. At present time, both superstars made headlines as contenders for Philippines’ National Artists honors. Vilma respectfully and publicly asked for Dolphy to confer the title ahead of her. – RV (READ MORE)

Film Review: “…Dolphy and Vilma Santos were honored Dec. 28 by the National Council for Children’s Television (NCCT) and the Department of Education (DepEd). The King of Comedy and the Star for All Seasons received the Lifetime Achievement Award during the 1st Lingkod TV Awards held at the Rajah Sulayman Theater in First Santiago in Intramuros, Manila…” – Crispina Martinez-Belen, Manila Bulletin, December 29, 2010 (READ MORE)

“…Talagang poor second lang noon si Vilma kay Nora Aunor, subali’t nang gawin niya ang trilogy film ng Sine Pilipino na Lipad Darna Lipad ay talagang lumipad ng husto ang kanyang box office appeal. Sinundan pa ito ng mga pelikulang Takbo Vilma Dali at Hatinggabi Na Vilma. Anupa’t itinambal din si Vilma sa mga matured leading man na katulad nina Eddie Rodriguez sa mga pelikulang Nakakahiya, Hindi Nakakahiya Part 2 kung saan nagkamit siya ng Best Actress Award sa 1st Bacolod City Film Festival at Simula Ng Walang Katapusan, Dante Rivero sa Susan Kelly Edad 20, Chiquito sa Teribol Dobol, Dolphy sa Buhay Artista Ngayon, Joseph Estrada sa King Khayan & I, Fernando Poe Jr. sa Batya’t Palu Palo at Bato Sa Buhangin, Jun Aristorenas sa Mapagbigay Ang Mister Ko, Dindo Fernando sa Langis at Tubig at Muling Buksan Ang Puso at Romeo Vasquez sa Nag-aapoy Na Damdamin, Dalawang Pugad Isang Ibon, Pulot Gata Pwede Kaya at Pag-ibig Ko Sa ‘Yo Lang Ibibigay…” – Alfonso Valencia (READ MORE)