Premiere Nights

Premiere Nights 1

Oh, it’s October, month of the “Holy Rosary!” Kay bilis malagas ng mga araw, hindi natin namamalayan, bagong taon na naman. Nagkakaedad na tayong lahat subali’t andito pa rin tayo…..humahanga pa rin kay Miss Vilma Santos. Kung sabagay, sabi nga nila, age is just a number, hehehe! Sa tinagal-tagal sa industriya ng pelikulang Pilipino ni Vilma, apatnapu at anim na taon na siya sa pelikula to be exact, kulang-kulang sa limang dekada ay hindi pa rin siya matinag sa kanyang kinalalagyan. Nagsilaho na ang kanyang mga kakontemporaryo. Nagsusulputan na ang mga bagong mukha subali’t parang bulalakaw na mabilis ding nawawala. Si Vilma ay andiyan pa rin…nagniningning pa rin ang kanyang bituin…tinitingala pa rin hindi lang bilang isang magaling na alagad ng sining kundi isa na ring mahusay na public servant. Pero kahit na nasa itaas siya ay nakatuntong pa rin siya sa lupa kaya naman lahat halos ng mga nangyayari sa kanya ay pulos positibo, kahit na minsan ay may mga taong bumabatikos sa kanya. Ipinagsasawalang kibo na lang niya ang mga ito, para que pa nga naman eh pampa-stress lang yan noh! At dahil diyan, siya pa rin ang Nag-iisang Bituin…nakakapag-demand ng mataas na talent fee sa kanyang mga pelikula at commercials na ginagawa. Siya pa rin ang “premiere actress” ng bansang Pilipinas. At yamang napapag-usapan ang kanyang pagiging “premiere actress” kung kaya’t balikan natin ang mga “premiere night” ng mga pelikula ni Governor Vilma Santos-Recto.

Noong araw, madalang ang mga pelikulang may “premiere night.” Ang mga sinehang pinagdarausan ng mga “premiere night” noon ay mga nangawala o nagsipagsara na katulad ng Galaxy Theater sa Avenida Rizal, Lyric Theater sa Escolta, Rizal at Magallanes Theater sa Makati City, New Frontier at Remar Theater sa Cubao, Quezon City at Gotesco Theater sa Recto Avenue, Quiapo, Manila. Nauso na ang mga “malls” na karaniwan ay may apat hanggang labingdalawang sinehan na pinagpapalabasan ng mga pelikula. Nilamon na ng mga sinehan sa mga naglalakihang malls ang mga lumang sinehan noon. Eh bakit pa nga ba ikaw manonood sa mga dating sinehan samantalang kung sa “mall” ka pupunta ay andun na lahat…..supermarket, department store, food court, amusement center at may mga shows pa. Ngayon…..halos lahat ng pelikulang tagalog ay may “premiere night”…..na karaniwan ay may mga nag-iisponsor at ito ay ginaganap sa mga sinehan sa mga malls. Pati ang mga digital films ay may “premiere night” na rin na sa UP Film Center ipinalalabas.

Ang pelikulang Pakawalan Mo Ako na ipinalabas noong Mayo 29, 1981 ay nag-premiere showing sa Lyric Theater at sponsored ito ng Catholic Women’s League Manila Chapter. Natandaan ko pa noon na ang pases na ginamit ko para manood ng pelikulang ito ay ibinigay lang sa akin ng isa kong kaopisinang tagahanga ni Nora Aunor. Eksaktong alas siyete ng gabi ito nagsimula. Walang artistang dumalo sa nasabing premiere night subali’t nang ito ay muling nag-premiere night sa Gotesco Theater ay talagang may mga nabasag na salamin sa lobby ng sinehan dahil sa pagkakagulo ng mga manonood. Si Vi ay hindi nakarating dahilan sa siya ay kapapanganak lamang kay Luis. Ang pelikulang ito kung saan si Elwood Perez ang naging direktor ay tinatampukan din nina Christopher de Leon at Anthony Castelo ay isa sa mga sumira ng takilya. Nakamit ni Vi ang pangalawang best actress award mula sa Famas sa pelikulang ito.

Nang mag-premiere night naman ang unang pelikula ni Vi sa Viva Films na Sinasamba Kita na idinerek ni Eddie Garcia ay talagang naging pandemonium. Ito ay ginanap sa New Frontier Theater, Cubao, Quezon City at nang makapasok na ang mga tao sa loob at magsisimula na ang pelikula ay nagkalat ang mga tsinelas sa lobby ng sinehan na naiwan ng mga tagahangang natapakan ng mga nais makapanood ng pelikula. Ito ay ipinalabas sa mga sinehan noong Agosto 19, 1982 at tinampukan din nina Christopher de Leon, Philip Salvador at Lorna Tolentino.

Sunud-sunod ang mga pelikula ni Vilma sa Viva Films na nagkaroon ng premiere night at katulad ng mga nauna ay nagkakagulo pa rin ang kanyang mga tagahanga. Ito ay ang mga pelikulang Gaano Kadalas Ang Minsan? at Paano Ba Ang Mangarap? na sa New Frontier Theater din ginanap. Ang New Frontier Theater pala ay itinuturing na pinakamalaking sinehan sa buong Asia nang mga panahong yun. Ang Gaano Kadalas Ang Minsan? na idinerek ni Danny L. Zialcita ay ipinalabas noong Nobyembre 11, 1982 at tinampukan din nina Dindo Fernando at Hilda Koronel…..samantalang ang Paano Ba Ang Mangarap? na idinerek naman ni Eddie Garcia ay ipinalabas noong Hunyo 9, 1983 at tinampukan din nina Christopher de Leon at Jay Ilagan.

Ang premiere night ng pelikulang Never Ever Say Goodbye ay sa Galaxy Theater naman ginanap. Bukod kay Vi ay dumalo din ang mga stars ng nasabing pelikula katulad nina Nonoy Zuñiga. Nagkaroon pa ng isang maliit na programa bago nag-umpisa ang pelikula. Ito ay ipinalabas sa mga sinehan noong Oktubre 7, 1982 sa direksiyon ni Gil Portes.

Sa Magallanes Theater ginanap ang premiere showing ng pelikulang tinatampukan ni Vi at ni Nora Aunor na T-Bird At Ako. Hindi dumalo ang dalawang lead stars ng pelikula, yung mga supporting stars lamang ang mga dumalo pati na rin ang prodyuser ng pelikula na si Irene Lopez. Si Danny L. Zialcita ang direktor ng pelikulang ito na ipinalabas noong Setyembre 2, 982 at tinampukan din nina Dindo Fernando at Tommy Abuel.

Sa Film Center sa Roxas Boulevard, Pasay City naman nag-premiere showing ang pelikula ng Mirick Films na inilahok sa 1982 Metro Manila Film Festival na Haplos. Kasama ni Vi sa pelikulang ito sina Christopher de Leon na nanalong best actor at Rio Locsin sa direksiyon ni Butch Perez. Hindi nakadalo si Vi at Boyet subali’t andun si Rio Locsin na kasama pa noon ang asawang si Al Tantay.

Premiere Nights 2Samantala, nagkaroon ng double screening sa loob lamang ng isang gabi sa Rizal Theater ang pelikulang Sister Stella L. Punung-puno ang dalawang screening at grabe ang naging reception ng mga tao. Umaatikabong palakpakan ang maririnig sa loob ng Rizal Theater nang matapos ang pelikula. Nakita kong dumalo doon sina German Moreno at Babette Villaroel. Palibhasa’y ang Rizal Theater ay malapit lang sa Forbes Park, Bel-Air, Dasmariñas Village at San Lorenzo kung kaya’t karamihan sa mga nanood ay mga alta sosyedad. Sosyal talaga ang pelikula at ito lang yata ang pelikulang pinapalakpakan ng mga tao pagkatapos ng screening, maging ng mga class C, D at E. Nagkaroon din ng mga special screening ang pelikulang ito ni Mike de Leon sa iba’t ibang paaralan ng Metro Manila. Di nga ba’t isa si NEDA Secretary Ralph Recto na nanood nito na noon ay estudyante pa lang? Inilabas ito sa mga sinehan noong Hulyo 12, 1983 at napanalunan ng pelikulang ito sa Urian ang halos lahat ng awards sa iba’t ibang kategorya kabilang na ang tatlong taong sunud-sunod na best actress award ni Vi.

Ang una’t huling pelikula ni Vilma sa Via Hoffman Films na Tagos Ng Dugo ay nag-premiere night sa New Frontier Theater din. Bago pa dumating si Vi ay halos isara na ng mga guwardiya ang pintuan ng sinehan dahilan sa hindi na nila ma-accomodate ang napakaraming taong manonood. Nang dumating si Vi ay agad sinimulan ang pelikula. Sa loge ng sinehan naupo si Vi at ang kanyang mga co-stars. Nang matapos ang pelikula at magbukas ang ilaw ay walang humpay sa pagkaway si Vi sa mga taong nasa ibaba ng sinehan. Ang mga taong nanood ay walang pagod sa kasisigaw sa pagtawag kay Vi. Ang pelikulang ito na idinerek ni Maryo J. de los Reyes ay nag-regular showing sa mga sinehan noong Enero 25, 1987. Sa pelikulang ito natamo ni Vi ang ikaapat na best actress award sa Famas at pangalawa naman niya sa Catholic Mass Media Award.

Ang pelikulang tinampukan ni Vi kasama sina Tonton Gutierrez, Ricky Davao at Cherrie Gil na may pamagat ng Saan Nagtatago Ang Pag-ibig? ay sa Rizal Theater din nag-premiere showing. Sobrang dami ding tao ang nanood palibhasa’y dito noon ginaganap ang Vilma Show nang panahong yun. Ang pelikulang ito na idinerek ni Eddie Garcia ay ipinalabas sa mga sinehan noong Setyembre 2, 1987. Dito sa pelikulang ito nanalo si Tonton Gutierrez ng kanyang best actor award mula sa Catholic Mass Media Award at Star Awards for Movies. Si Eddie Garcia ay nanalo ring best director mula sa iba’t ibang award giving bodies.

Ang true-to-life story ni Dolzura Cortez na pinamagatang Dahil Mahal Kita: The Dolzura Cortez Story ay sa New Frontier Theater nag-premiere night. Dumalo sa nasabing premiere showing ang dating Secretary of Health na naging senador na si Flaviano Javier na umaming isang Vilmanian siya. Ito ang kauna-unahang pelikulang tumatalakay sa isang taong may AIDS (Acute Immune Deficiency Syndrome). Ito ay inilahok ng Octo Arts Films sa Manila Film Festival kung saan nasungkit ni Vi ang best actress award. Ito ay sa direksiyon ni Laurice Guillen. Nakamit din ni Vi ang kanyang pangalawang grand slam sa pelikulang ito.

Sa Greenhills Theater naman nag-premiere showing ang pelikulang Nag-iisang Bituin na bukod kay Vi ay tinampukan din nina Christopher de Leon, Aga Muhlach at ng isa ring Vilmanian na si Jao Mapa. Ito ang unang pelikula ni Vi kay Jose Javier Reyes na nag-regular showing noong Agosto 31, 1994. Isa sa mga sponsors ng pelikulang ito, kung saan si Vi ang endorser, ay ang Eskinol Facial kung saan namahagi sila sa pamamagitan ng paghahagis ng maliliit na bote ng Eskinol sa mga taong manonood. Isa sa mga Vis na nanood ay aksidenteng tinamaan sa mata subali’t ito ay kanilang ipinagamot.

Ang pelikulang pinagsamahan nina Vi, Gabby Concepcion, Aga Muhlach at Aiko Melendez na may pamagat na Sinungaling Mong Puso ay nag-premiere night sa Gotesco Theater. Tulad ng dati, nagkabasag-basag na naman ang mga salamin sa lobby ng sinehan. Nang mag-regular showing na ang pelikulang ito sa mga sinehan noong Agosto 27, 1993 ay bumabagyo at binaha pa ang ibang sinehang pinaglabasan ng nasabing pelikula subali’t super blockbuster pa din ito quesehodang nakababad ang mga paa ng ibang taong nanood. Ang pelikulang ito ay idinerek ni Maryo J. de los Reyes. Dito nagwagi si Aga ng best actor award at si Gabby naman ay best supporting actor.

Sa Remar Theater naman nag-premiere night ang pelikulang tinampukan nina Vi, Cesar Montano at Ronnie Ricketts na Ikaw Lang sa direksyon ni Chito Roño. Hindi magkamayaw ang mga tao nang dumating ang mga lead stars. Ang pelikulang ito ay ipinalabas sa mga sinehan noong Enero 12, 1994.

Ang pelikula tungkol sa OFW na Anak ay nag-premiere showing sa dalawang sinehan ng SM Megamall. Hindi mahulugang karayom ang mga taong nanood ng nasabing pelikula. Dumating ang mga lead stars ng pelikula at talagang walang katapusang tilian at sigawan ang mga fans sa loob ng sinehan habang pinapanood ang nasabing pelikula. Ipinalabas ang pelikulang ito noong May 12, 2000 sa kasagaran ng mga bomb threats subali’t hindi ito naging hadlang para hindi pasukin ng tao ang pelikula. Ito na yata ang pelikulang pinilahan ng husto sa takilya. Ang pelikulang ito ay sa direksiyon ni Rory Quintos at dito muling nabigyan si Vi ng box-office queen award kahit na hall of famer na siya. Nanalo din si Vi ng best actress award mula sa Star Awards for Movies at Pasado. Ang pelikulang ito din ang nanalong best film ng Catholic Mass Media Awards.

Nagkaroon ng ilang linggong exhibit sa lobby ng Robinson’s Galeria noong December 2002 ang pelikulang Dekada ’70. Mga damit, sapatos at iba’t ibang aksesorya noong dekada ’70 ang naka-display sa exhibit. Ang premiere showing naman nito sa isang sinehan ng Robinson’s Galeria ay dinaluhan nina Charo Santos, Malou Santos, Chito Roño at ang mga stars ng pelikula na sina Vi, Boyet, Piolo Pascual, Marvin Agustin, Carlos Agassi, John Wayne Sace at Danilo Barrios. Dumalo din si Marilou Diaz Abaya at panay ang bati niya sa mga stars at direktor ng pelikula. Dito sa pelikulang ito nasungkit ni Vi ang kanyang pang-apat na grand slam.

Sinabi noon ni Mother Lily Monteverde na ang final Mano Po movie ay itong pelikula nina Vi at Boyet na panlaban nila sa 2004 Metro Manila Film Festival na Mano Po 3 My Love, subali’t hindi ito nangyari dahil may mga sumunod na Mano Po pa. Nagkaroon ng red carpet premiere night ang nasabing pelikula sa SM Megamall. Dumalo ang mga stars ng pelikula na sina Vi, Boyet, Angel Locsin, Karylle, Dennis Trillo, Angelica Panganiban, Carlo Aquino, Jay Manalo, Boots Anson Roa, Eddie Garcia, Patrick Garcia, John Pratts at iba pa. Nanalong best actress at best actor sina Vi at Boyet. Nanalo ring best picture ang pelikula ganundin ang best float. Ito ang unang directorial job ni Joel Lamangan kay Vilma. Nanalo din si Vi ng best actress award mula sa Star Awards for Movies, Gawad Tanglaw at Gawad Suri.

Sa kabuuan, ang lahat ng “premiere night” na pelikula ng tinaguriang “premiere actress” ng bansa ay talagang malaking tagumpay. Panalong-panalo talaga!!!. – Alfonso Valencia (READ MORE)

Premiere Nights 3Unprecedented Stella L Premiere – Kung ang batayan ay ang premiere night ng Sister Stella L na ginanap sa Rizal theater noong June 22, sigurado nang dudumugin nang masa ang pelikulang ito ni Mike De Leon kapag regula showing na ito sa commercial theaters. Talaga namang very, very successful ang nasabing premiere night at ayon nga sa mga nakakaalam, never in the history of local cinema na ang isang pelikula’y dalawa ang screenings sa premiere showing at parehong SRO. Obviously, maraming A-B crowd nung gabing ‘yon, tulad ng grupo ni Chona Kasten na namataan namin, pero marami ring mga manggagawa at mga miyembro ng iba’t ibang sektaryang pang relihiyon. Ang nag-isponsor ng premiere night na ‘yon ay ang The Organization for the Promotion of Church People’s Right/Response (PCPR). Ang Sister Stella L na pelikula ng Regal Films ay ipapaplabas umpisa sa July 14. – Movie Flash Magazine, July 12 1984

Paano malalaman kung magiging malakas sa takily ang isang pelikula? Isa sa mga sukatan ang premiere ngiht. Hangga’t maari’y ayaw ng ibang produser na magpa-premiere night. Usually kasi, may nag-iisponsor nito, at sa kanila, sa charity – kung tutoo mang sa charity – napupunta ang bayad sa takilya. At siyempre pa, dahil premiere night ekstra ang halaga ng tiket, P25 sa orkestra, P50-100 sa balcony at loge. Bukod sa malaking kawalan din yon sa produser sa regular run ng pelikula, puewede pang mapintas-pintasan ito, at pag kumalat iyon, bagsak ang pelikula! Sa isang dako, kung gustong makatulong ng produser sa charity, at kung sampalataya siya sa kanyang pelukula, mainam magpa-premiere night para higit na maipaalam sa lahat na maganda ito. Iyon ang nasa isip ni Mother Lily nang ipa-premiere night ang “Sister Stella L.” sa Rizal theater sa Makati. Umbrella organization ng mga madre ang nag-isponsor ng premiere night, dalawang screening iyon. Umuulan nang gabing iyon, pero dagsa pa rin ang mga tao. Siksikan. Gayunpama’y disiplinado. Marami rin kasi sa mga ito ang mga madre. Kung karaniwan nang umaasa pa rin sa walk-in ang ibang nagpapa-premiere night, iba naman ang nangyari sa “Sister Stella L.”

Bago pa ang first screening, dakong alas sinko-medya, sold out na ang tiket. Nakikiusap na talaga ang mga hindi nakabili ng tiket na bibili sila, pero ubos na. Dumating doon ang ina ng tunay na Sister Stella L. “No, my daughter is not an activist, she only wanted to help the needy,” sabi nito. Sa kasalukuya’y nasa abroad daw ito, nagtungo roon pagkaraang lumabas mula sa pagkaka-detain ng 11 months sa isang militar camp. Mula sa siyuting ng “Alyas Baby Tsina,” dumating si Vilma Santos. Kagulo sa kanya ang mga tao sa lobby. Magkasabay na pumasok sina Gina Alajar at Michael De Mes, at naisip namin, mali nga ‘ata ‘yung balitang nagkahiwalay sila. Very, very successful ang premiere night na iyon. Katunayan, gusto pa itong masundan ng isang labor sector, tumanggi na lang si Mother Lily. “They will give me raw three hundred thousand, but I said no. Paano naman ang regular run ko?” – Bibsy Estrella (READ MORE)

“…The Bicol Festival Foundation, in cooperation with Philtanco, is sponsoring the movie premiere of the film Saan Nagtatago ang Pag-ibig?, tonight at 7:30, at the Rizal Theatre in Makati. The movie, directed by Eddie Garcia, stars by Eddie Garcia, stars Vilma Santos, Gloria Romero, Ricky Davao, Cherie Gil, Alicia Vergel and Tonton Gutierrez. The Bicol Festival Foundation is headed by Justice Francis F. Gachitorena of the Sandiganbayan. Film director Garcia who is a Bicolano himself has offered this latest Vilma Santos starrer to the Bicolanos, many of whom have been devastated by typhoon Herming a few weeks ago. He said, ‘This is my little contribution in the Bicolano’s who will be celebrating the Penafrancia Festival next month.” The Bicolanos in Manila will hold teh Grand Bicolandia Festival from September 7-13 at the Manila Garden Hotel in Makati and many activities have been schedule to drum up support for the plight of the Bicolanos in the provinces. Tickets are available a the theater gate at Visual Horizons with telephone no. 815-0024 or Philtranco at telephone no. 833-7180…” – Manila Standard, Sep 01 1987 (READ MORE)

LATEST NEWS - Premiere Night Jul 25 2012 3The Healing’s Premiere Night – “…The entire cast of “The Healing,” led by multi-awarded actress and Batangas Gov. Vilma Santos and young actress Kim Chiu, arrived together, wearing red outfits and flashing smiles to fans who attended the event. Santos was escorted by her husband Senator Ralph Recto. Before the movie was screened, Santos said she is truly proud of this movie because she and the rest of the cast really worked hard to make it beautiful. “We’re all very excited and we would like to thank each and everyone of you for joining us in the premiere night of ‘The Healing.’ Pinamamalaki po naming lahat ito dahil pinagpaguran namin,” she said. Santos said she is hoping moviegoers would enjoy the film and feel scared at the same time. Among the celebrities who attended the premiere night were Piolo Pascual, Maja Salvador, Matteo Guidicelli and Robi Dominggo. Chiu’s former boyfriend Gerald Anderson was also there as well as actor Xian Lim, who is currently being linked to her…The Healing was graded A by the Cinema Evaluation Board and it opens in theaters nationwide today, July 25…” – ABS-CBN News (READ MORE)

LATEST NEWS - July 2013 Ekstra Gala 1Eksta’s Premiere Night – “…As early as 5:00 p.m., people were already queuing for the 6:15 screening. The line became longer in just a few minutes, while other people were excitedly awaiting the arrival of Gov. Vilma Santos-Recto. The Vilmanians were hoping to get a glimpse of their idol enter the Main Theater. The celebrities started arriving, which made the task of containing the crowd a little difficult for the ushers. But they politely obliged when they were asked to clear the area leading to the Main Theater. When the signal was given that the moviegoers could now enter the theater, the people dashed toward the main entrance, hoping to be the first to get inside. This could have been a scene straight from Philippine cinema’s classic eras, such as the pre-martial law Manila film festivals. And the star of the night was a veteran performer with 5 decades in the industry. Vilma said the premiere erased her apprehensions about venturing into independent cinema for the first time. “Yung pinaka-reception kanina, yun na ang pinaka-bayad namin (The reception was already the reward).” Jeturian was a PA (production assistant) in the 1984 production of Marilou Diaz Abaya’s “Alyas Baby Tsina.” Vilma was the star of that film, and Jeturian remembers already dreaming of becoming a filmmaker at the time…” – Rappler (READ MORE)

Advertisements

Classic OPM

MEMORABILIA - Vi 1970s 3

I would like to share with you some songs that have been written originally as theme songs for Vilma Santos movies. Song that became big hits and now considered as Original Pilipino Classic.

01. DITO BA – Composed by the late George Canseco. This song was the theme song of MISS X. Ito ang awi-ting nagpakilala at nagpasikat kay Kuh Ledesma. This was one of Ledesma’s earliest hit which also gave her multi–platinum awards. Kaya sa ayaw at sa gusto ni Kuh, malaki ang naitulong ng awiting ito sa kanyang career. Kahit nag-concert siya USA, kasama si Nora Aunor alam kong mas malapit sa puso niya si Vilma. Isa pang awitin ni Kuh na talaga namang napakaganda at mangangarap ka kapag pinakikinggan mo ay ang MINSAN SA ISANG PANAHON. Gawa din ito ni George Canseco para maging theme song ng pelikulang KARMA.

02. LANGIS AT TUBIG – Another Canseco composition that have been made for the movie of the same title. Dito nagsimulang marinig ang kakaibang tinig ni Sharon Cuneta. Naging mega hit ang awiting ito at maririnig sa lahat ng sulok ng Pilipinas, dahil walang singing contests na hindi mo maririnig ang awiting ito. The people behind the making of this Vilma Santos classic movie were also the people behind Sharon Cunetas first movie DEAR HEART. I believe that LANGIS AT TUBIG is a big influence to Sharon Cuneta’s film career, remember she is originally known as a singer.

03. IBIG KONG IBIGIN KA – The song have been composed by Vic Villafuerte for the movie “PAKAWALAN MO AKO.” Sang by one of Ate Vi’s leading men in the film, the dashing debonaire, Anthony Castelo. Actually, during that time “BALATKAYO” lang ang talagang hit ni Anthony. But because of this song muling nagkaroon ng hit si Anthony and actually gave him a gold record award. Naging favorite din ito ng mga sumasali sa singing contest, pero talagang ang may mahusay lang na tinig ang pwedeng umawit nito. To date, this is still one of my favorite OPM.

04. KUNG KAILANGAN MO AKO – This was composed by Rey Valera as theme song of the movie “ROMANSA.” The movie is the first team-up of Ate Vi and former husband Edu Manzano. Sa trailer palang ng movie ang awiting ito kaagad ang bubungad. Ito ang isa sa biggest hits ni Rey Valera at naging multiplatinum din and awiting ito. Hanggang Ngayon sikat pa rin ang awiting ito at madalas gamitin na theme songs ng pelikula at television drama. Naging title at theme song din ito ng pelikula ni Sharon Cuneta at Rudy Fernandez, ditto with one of teleserye in ABS-CBN kung saan unang napansin at nakilala si PIOLO PASCUAL. Incidentally Piolo became one of Ate Vis anak in DEKADA 70.

05. KUNG TAYOY MAGKAKALAYO – Another Rey Valera composition that was used as theme song of the movie “HIWALAY.” The song is also a hit and considered by song critics as one of Rey Valeras best composition. This is one of my favorite song and I enjoyed singing it on videoke. Madamdamin talaga ang awiting ito and Rey Valera admitted that this is one of his favorites and would you believe he composed this song alone in LA LOMA CEMETERY?

06. HIRAM – This was again originally written by George Canseco for the movie “PALIMOS NG PAG-IBIG.” Magnificently rendered by ZSA ZSA PADILLA that gave her first platinum record and her biggest hit. Ito ang awiting nagpasikat ng husto kay ZSA ZSA PADILLA aminin man nya o Hindi. Hanggang sa Ngayon bumebenta pa ang awiting ito. Inawit din ito ni Sharon Cuneta at ginamit na theme song ng pelikula nila ni Richard Gomez ang MINSAN MINAHAL KITA. And now it was the title and theme song of ABS-CBN Soap Opera staring Kris Aquino.

07. SINASAMBA KITA– Written by Rey Valera and Lyrics by George Canseco was made for the movie of the same title. Katulad ng movie record breaking din ang song dahil naging mega hit ito sa mga record bar and naging multi platinum din ito. This is Rey Valera’s biggest hit. Lalong sumikat nang awitin din ni Sharon Cuneta. This was also included in one of Regine Velasquez’ album. That meams marami ang kumita sa awiting ito at hanggang ngayon sikat pa rin.

08. Sino ang makakalimot sa mga walang kamatayang awitin ni BASIL VALDEZ na sadyang ginawa para sa pelikula ni Vilma Santos. Kung ano ang title ng song siya ring title ng movie. Ang mga awiting ito ay all time favorites ng mga videoke officionados. Mostly if not all composed by George Canseco, these songs gave Basil either Gold or Platinum. Here they are: GAANO KADALAS ANG MINSAN; PAANO BA ANG MANGARAP; MINSAN PA NATING HAGKAN ANG NAKARAAN; MULING BUKSAN ANG PUSO; SAAN NAGTATAGO ANG PAG-IBIG

09. SANA MAULIT MULI – This song was used as theme song of the movie “IBULONG MO SA DIYOS.” Originally sang by GARY VALENCIANO and one of Ate Vi’s leading men in the film. This is Gary’s first hit tagalog song. Lalong sumikat ang kanta nang awitin ni Regine Velasquez. Inawit din ito ni Lea Salonga at naging theme song ng ng movie nila ni Aga Muhlach sa Star Cinema. The movie won Best Picture and gave Aga his first Best Actor trophy sa URIAN.

10. SANGANDAAN & ALING PAG-IBIG PA – Kung madalas kang mag-attend ng mga rallies especially during the time of EDSA revolution and up to now sa mga labor rallies madalas mong maririnig ang mga awiting ito. These songs have been featured in the movie SISTER STELLA L. These were magnificently rendered by Pat Castillo. Ang mga awiting ito ang nagpakilala sa singer na ito. Sa mga music lounge lang naman talaga sya maririnig at makikita, pero simula ng awitin nya ang mga songs na ito nagsimula syang makilala ng masa. Laging kasama ang mga awiting ito sa mga Nationalistic and Patriotic albums. We can now consider Vilma Santos not just a powerful figure in the movie industry but in the music industry as well. Kahit hindi sya and singer or composer malaki ang naiambag nya sa pagsikat ng Original Pilipino Music. Imagine how influential Ate Vi is, mapa-kanta or singer napapasikat nya as long as ma-identify ito sa kanya. And now Vilmanians, start compiling these songs in one CD and be proud to be a true blooded Vilmanians Saranghamnida Ate Vi! – a – V Magazine (READ MORE)

Watching Vilma’s Films

FILMS - Lipad  Darna Lipad

The Beginning – When I was a little kid, I remember watching my very first Vilma movie with my aunt. It was “Lipad Darna Lipad.” The theatre was Cinerama on Claro M Recto near the underpass headin’ towards Quiapo. I remember the crowded theatre. The carpeted floor and velvet curtains. With no more seats and an SRO crowd, we sat on the stairs near the balcony area. People were screaming and into each fight scenes. I remember vividly how my aunt almost got into a fight because she wanted me to sit on one of the seat that was vacated and a man standing in front of us wanted the seat too. Celia Rodriguez was really scary with her head covered with snakes and her voice was so icy cold. Liza Lorena didn’t registered much on me but Gloria Romero was even scarier! This film brought me some nightmares but it also gave me and my cousins something to play about every afternoon after school.

FILMS - Pakawalan Mo Ako 1Pakawalan – The second memorable film experience for me was during early 80s where I saw the free sneak preview of “Pakawalan Mo Ako” at Gotesco Theatre near University of the East. I was one of the lucky ones who managed to get in. My college mates weren’t. They got stocked in the pandemonium outside. I was worried sick as I took the long escalator and saw them being crashed by the crowed. The security guards have to closed the gate of the lobby. Fans became so restless and broke the glass windows (where they displayed posters and still photos) . Inside, It was crowded, hot and wild. We were seeing a more mature Vilma Santos. From the very beginning, the crowed went along the story until one of the climatic scene – the courtroom scene where she cried and swear! Oh my god I still remember the crowd swearing and cursing too! It was so wild!

ARTICLES - Sister Stella L 1OF2 (6)Activism – The third movie experience was when I saw Sister Stella L at Capri near the Philippine Rabbit Bus Station on Rizal Avenue (it is always called Avenida). Now, the total opposite happened to me. The theatre was half empty but most of the people I noticed were students and office workers. This film affected me so much and I started to join rallies and demonstration along Mediola and at our school. I also remember that Sharon Cuneta had a film showing at the same time, and most of my friends watched this film instead. I was so disappointed that they decided to see this film instead of SSL. This film also became my mantra at school. It inspired me to take issues and voice out what I think, I became militant. I rebelled against my family who I believe were too strict. I wanted my freedom and so this film inspired me. The end result was my independence. Up to this day, I will never forget the time when I had an argument with my grandfather, it wasn’t funny back then. I told him: “Tama na, panahon na, hindi habang panahon pipigilan n’yo ako sa pagsasalita” – the line from SSL.

FILMS - Rubia Servios 12Why does he have to rape Rubia? – Another memorable experience was when my aunt got into a huge fight in front of Galaxy Theatre on Avenida. Being a true Vilmanians and with her deadly weapon, her umbrella, my aunt pulled the hair of this two crazy Nora Aunor fans. This was after the two said nasty things about Vilma while passing on in front of the theatre. I ended up on the cement floor hiding near the newspaper stands. Thank god she always came up on top because we were always able to go home uninjured. Rubia Servios was showing at the Galaxy Theatre back then. Again we have to sat down on floor, my aunt’s realized that she can’t put me on her lap anymore as I am a bit heavier now. As I observe, people are more serious this time. No shouting but silence as the story being told to us. The crowd was so into it too but no shouting instead a feeling of sighs and sadness. My aunt cried as she watched Rubia crawled on the sandy side of the beach. Rubia Servious was for adults only but my aunt’s sister was the ticket collector or “takilyera”. So I was able to get in. Philip Salvador was so “hot” in his black swimming trunk, I dreamt of him a number of times. As we watched the film, I remember asking my aunt about why does he (Philip) have to rape Darna? My aunt patiently explained, about love and lust. My innocent mind were corrupted that day. Eventually, I got over that rape scenes but revenge when Vilma killed Phillip using a boat paddle still stucked on my mind.

FILMS - Magkaribal 2Naked Christopher – Lastly, the one that was so special to me, was when I saw Magkaribal at Luneta theatre. I went to so many theatres to get in but at last the woman at the box office was so busy reading comics that she didn’t even bother to ask about my age. The film was “For Adults Only” and I agreed. Christopher De Leon here was so sexy, riding a horse, naked. And Alma Moreno was so young and thin. Even her boobs here are well proportioned to her body, although its already huge. And ate Vi here was at her best, acting wise. The crowd here are more mature, a combination of college students and office workers. The theatre was not SRO but all the seats are taken and it was obvious that the film was catered to couples.  – RV

Pinagtibay ng Panahon 1/2


Ang tambalang Vilma-Boyet ay pinagtibay ng panahon. Hindi basta-basta na maigugupo ng kahit sino o ng kahit anong tambalan. Tulad din ng alak na habang tumatagal ay lalong sumasarap. There have been many loveteams in Philippine cinema but the tandem of Vilma Santos and Christopher de Leon has chalked up the longest list of movies that have been given awards and made good records at the boxoffice. Until now, their tandem has been unsurpassed. Their loveteam is the most enduring tandem in local cinema. Siguro may iba pang loveteam na nakagawa ng mas maraming pelikula kaysa sa kanila like during the height of the Vi and Bot and Nora-Tirso but theirs did not span decades, nakakaahon lang sila within the short period of time at the height of their popularity. Hindi man naging magkapalad sina Vi at Boyet bilang lovers sa tunay na buhay ay nagklik naman sila sa masa bilang lovers sa pelikula. Matatandaan na sumibol din ang tambalang Nora-Boyet noon sa pelikula at kapag-daka’y nauwi sa totohanan. Sa kabila ng katotohanang ito ay hindi gaanong tinanggap ng publiko ang kanilang pareha sa puting tabing.

They were first paired in 1975 in Celso Ad Castillo’s Tag-ulan sa Tag-araw, as first cousins who fall in love with each other. With the success at the tills of the movie, sinundan pa ito ng sunud-sunod na pelikula that crossed over the 80’s, the 90’s and up until this new millennium. Ilan sa mga pelikulang ginawa nila sa bakuran ng Sampaguita Pictures na mahirap malimutan ay ang Masarap, Masakit ang Umibig, taong 1977 kung saan ka-triangle ang sumisikat na aktor noong si Mat Ranillo. Sinundan ito ng Nakawin Natin ang Bawat Sandali ng VP Pictures, taong 1978 na pinamahalaan ng batikang director na si Elwood Perez, Disco Fever; (a rare Vi-Boyet musical); at Ikaw Ay Akin (with Nora Aunor megged by the late Ishmael Bernal). Nang kalagitnaan ng taong 1980, ipinadala si Ate Vi sa States ng Tagalog Ilang-Ilang boss na si Atty.Laxa para gumawa ng reunion movie with Romeo Vasques and Boyet, ang “Gusto Kita, Mahal Ko Siya”. Habang buntis noon kay Luis ay ginawa ni Ate Vi ang “Pakawalan Mo Ako”, taong 1981 sa direksyon ni Elwood Perez at nanalo siya ng second FAMAS Best Actress award sa role bilang babaeng idiniin ng kanyang biyenan sa pagpatay sa asawang si Anthony Castelo. Pinaka-memorable naman para kay Ate Vi ang pelikulang Relasyon na idinerek ng mahusay na Ishmael Bernal sa ilalim ng Regal Films, taong 1982.Sa pelikulang ito nagtamo ng kanyang unang grandslam si Ate Vi bilang Best Actress sa lahat ng award giving bodies. Later, kinuha ang serbisyo ng aktres ng Viva Films na katatatag lamang noon at ginawa nila ni Boyet ang isang commercial hit movie na “Sinasamba Kita”. Komersyal na komersyal ang dating ng pelikula ito na hindi lamang umani ng tagumpay sa takilya, kungdi pati na rin sa mga kritiko. Taong 1983 nang gawin nila ni Boyet ang record-breaker na “Paano Ba ang Mangarap” kung saan papel ng isang api-apihang manugang ni Armida Siguion Reyna ang kanyang ginampanan. Sinundan naman agad ng “Broken Marriage” under Regal Films at sa direksyon pa rin ni Ishmael Bernal, ang director to whom Ate Vi is very much indebted dahil sa mga natamong best actress awards sa mga pelikulang idinirehe nito. Isa pa rin ito sa mga mahalagang pelikulang nagawa ni Ate Vi na nagbigay sa kanya ng karangalan bilang mahusay na aktres sa URIAN and of course kay Boyet bilang mahusay na aktor. Sa Viva Films sila nakagawa ng maraming pelikulang pinagtambalan dahil na rin sa isinasaad ng kani-kanilang mga kontrata. Kaya naman sa pagtatapos ng taong 1983, ginawa nila ni Boyet ang “Minsan Pa Natin Hagkan Ang Nakaraan”, the only movie na namatay silang magkasama kung saan asawa siya ni Eddie Garcia sa pamamahala ni direk Marilou Diaz Abaya.

Taong 1989 nang gawin naman nila ni Boyet ang Imortal na kung saan natamo ni Ate Vi ang Metro Manila Film Festival Best Actress at si Boyet naman ang tinanghal na Best Actor. Muling naulit ang kanilang pagtatambal ng taong 1991 sa pelikulang “Ipagpatawad Mo” ng Viva Films,sa direksyon ni Laurice Guillen at sa pagkakaga-nap niya bilang supportive mother of an autistic child ay napagwagian niya ang ikalimang URIAN Best Actress award. Taong 1993, nang gawin naman nila ang award winning movie na “Dahil Mahal Kita, Dolzura Cortez” sa ilalim ng OctoArts films at sa pamamahala ni direk Laurice Guillen na nagbigay kay Ate Vi ng ikalawang Grand Slam Best Actress award. Sinundan ito ng “Nag-iisang Bituin” under Regal Films na ka-triangle naman ang mahusay na aktor na si Aga Muhlach under the helm of Jose Javier Reyes. Muling naulit ang kanilang pagtatambal noong 1997 nang gawin nila ang “Hanggang Ngayon Ika’y Minamahal” ng Neo Films na pinamahalaan naman ni direk Ike Jarlego Jr. Limang taon ang nakalipas at muling nagpugay ang kanilang tambalan sa pelikulang “Dekada ’70″ ng Star Cinema sa direksyon ng award winning director na si Chito Rono. Sa pelikulang ito nanalo si Ate Vi ng kanyang ika-apat na Grand Slam Best Actress.

Mano Po 3, My Love is Vilma’s 22nd film with Boyet kung saan nagwagi ang numero unong aktres ng MMFF, Gawad Tanglaw, Gawad Suri at Star Awards ng Best Actress awards. In most of these films, either Best Actress si Ate Vi(Relasyon, Broken Marriage, Pakawalan Mo Ako, Imortal, Ipagpatawad Mo, Dulzura Cortez, Dekada ’70 at Mano Po 3) at si Boyet naman sa Best Actor ( Broken Marriage, Haplos, Imortal, Ipagpatawad Mo, Dolzura Cortez at Dekada). Sa dami ng pelikulang ginawa nilang dalawa na pawang big hits at nagbigay sa kanila ng acting recognitions, hindi tuloy maiwasang itanong ng karamihan kung ano ang sikreto ng kanilang matagumpay na tambalan. “We’ve never been linked to each other and yet the public loves seeing our movies together. Siguro it’s because we have this unbelievable chemistry. We know each other so well that tinginan lang on screen, we already know what to do to make a take very good.” Ate vi relates. “Siguro yung respeto sa isa’t-isa at pagiging professional ni Boyet. Kapag trabaho, seryoso siya talaga. Ang galing niyang magdala. Alam niya kung paano niya ako sasaluhin kapag nahalata niyang nawawala na ako.” sabi pa ng actress-politician. In an interview, Boyet was asked why does he think his partnership with Vilma continues to thrive even after 30 years? “I just love working with Vi because she is such a giving co-actor. Hindi siya nangaagaw ng eksena. If the scene is yours, susuportahan ka niya nang husto for you to shine. You can’t help but get carried away kapag siya ang kaeksena mo dahil napakahusay niya..O di ba, very well said. Ang trabaho kina Ate Vi at Boyet ay hindi kailanman nahaluan ng malisya. They have over the years worked strictly on the professional level. Off camera ay best friends sila. Sa katunayan nga, si Boyet ang unang aktor na pinagtapatan ni Ate Vi na magpapakasal kay Senator Ralph at ng kanyang pagbubuntis kay Ryan. Platonic daw ang tawag sa uri ng relasyong namagitan kina Ate Vi at Boyet in the sense na alam nila kung hanggang saan ang limitasyon ng closeness nila. Platonic dahil hindi na kailangan an0g anumang physical contact upang ipahayag ang kanilang nararamdaman para sa isa’t isa.

Subok na Matibay, Subok na Matatag ang tambalang VILMA-BOYET. No other loveteam can compile such successes,award wise and box-office wise. Their tandem spells capital B-I-G-H-I-T at the box-office. Mula nang gawin nila ang first movie nila noong late 70’s hanggang ngayon ay hindi pa rin pinagsasawaan at patuloy na tinatangkilik ng publiko at kanilang mga tagasubaybay na mapanood sila sa silver screen.Loveteam for all seasons, ika nga.O may hihirit pa ba? – Willie Ferrnandez, V Magazine, Dec 2006

The List
01. Tag-ulan sa Tag-araw (1976) – Directed by Celso Ad Castillo
02. Masarap, Masakit ang Umibig (1977) – Directed by Elwood Perez
03. Ikaw ay Akin (1978) – Directed by Ishmael Bernal
04. Disco Fever (1978) – Directed by Al Quinn
05. Nakawin Natin ang Bawa’t Sandali (1978) – Directed by Elwood Perez
06. Magkaribal (1979) – Directed by Elwood Perez
07. Pinay American Style (1980) – Directed by Elwood Perez
08. Gusto Kita, Mahal ko Siya (1980) – Directed by Emmanuel H. Borlaza
09. Pakawalan Mo Ako (1981) – Directed by Elwood Perez
10. Karma (1981) (Christopher De Leon in cameo role) – Directed by Danny Zialcita
11. Relasyon (1982) – Directed by Ishmael Bernal
12. Sinasamba Kita (1982) – Directed by Eddie Garcia
13. Haplos (1982) – Directed by Antonio Jose Perez
14. Paano ba ang Mangarap? (1983) – Directed by Eddie Garcia
15. Broken Marriage (1983) – Directed by Ishmael Bernal
16. Minsan Pa Nating Hagkan ang Nakaraan (1983) – Directed by Marilou Diaz Abaya
17. Imortal (1989) – Directed by Eddie Garcia
18. Ipagpatawad Mo (1991) – Directed by Laurice Guillen
19. Dahil Mahal Kita: The Dolzura Cortez Story (1993) – Directed by Laurice Guillen
20. Nagiisang Bituin (1994) – Directed by Jose Javier Reyes
21. Hanggang Ngayon Ika’y Minamahal (1997) – Directed by Ike Jarlego Jr.
22. Dekada ’70 (2002) – Directed by Chito S. Rono
23. Mano Po 3: My Love (2004) – Directed by Joel Lamangan

GO TO PART TWO

Pinagtibay ng Panahon 2/2


Ang tambalang Vilma-Boyet ay pinagtibay ng panahon. Hindi basta-basta na maigugupo ng kahit sino o ng kahit anong tambalan. Tulad din ng alak na habang tumatagal ay lalong sumasarap. There have been many loveteams in Philippine cinema but the tandem of Vilma Santos and Christopher de Leon has chalked up the longest list of movies that have been given awards and made good records at the boxoffice. Until now, their tandem has been unsurpassed. Their loveteam is the most enduring tandem in local cinema. Siguro may iba pang loveteam na nakagawa ng mas maraming pelikula kaysa sa kanila like during the height of the Vi and Bot and Nora-Tirso but theirs did not span decades, nakakaahon lang sila within the short period of time at the height of their popularity. Hindi man naging magkapalad sina Vi at Boyet bilang lovers sa tunay na buhay ay nagklik naman sila sa masa bilang lovers sa pelikula. Matatandaan na sumibol din ang tambalang Nora-Boyet noon sa pelikula at kapag-daka’y nauwi sa totohanan. Sa kabila ng katotohanang ito ay hindi gaanong tinanggap ng publiko ang kanilang pareha sa puting tabing. – Willie FerrnandezREAD MORE

The List
01. Tag-ulan sa Tag-araw (1976) – Directed by Celso Ad Castillo
02. Masarap, Masakit ang Umibig (1977) – Directed by Elwood Perez
03. Ikaw ay Akin (1978) – Directed by Ishmael Bernal
04. Disco Fever (1978) – Directed by Al Quinn
05. Nakawin Natin ang Bawa’t Sandali (1978) – Directed by Elwood Perez
06. Magkaribal (1979) – Directed by Elwood Perez
07. Pinay American Style (1980) – Directed by Elwood Perez
08. Gusto Kita, Mahal ko Siya (1980) – Directed by Emmanuel H. Borlaza
09. Pakawalan Mo Ako (1981) – Directed by Elwood Perez
10. Karma (1981) (Christopher De Leon in cameo role) – Directed by Danny Zialcita
11. Relasyon (1982) – Directed by Ishmael Bernal
12. Sinasamba Kita (1982) – Directed by Eddie Garcia
13. Haplos (1982) – Directed by Antonio Jose Perez
14. Paano ba ang Mangarap? (1983) – Directed by Eddie Garcia
15. Broken Marriage (1983) – Directed by Ishmael Bernal
16. Minsan Pa Nating Hagkan ang Nakaraan (1983) – Directed by Marilou Diaz Abaya
17. Imortal (1989) – Directed by Eddie Garcia
18. Ipagpatawad Mo (1991) – Directed by Laurice Guillen
19. Dahil Mahal Kita: The Dolzura Cortez Story (1993) – Directed by Laurice Guillen
20. Nagiisang Bituin (1994) – Directed by Jose Javier Reyes
21. Hanggang Ngayon Ika’y Minamahal (1997) – Directed by Ike Jarlego Jr.
22. Dekada ’70 (2002) – Directed by Chito S. Rono
23. Mano Po 3: My Love (2004) – Directed by Joel Lamangan


TAGULAN SA TAGARAW


MASARAP MASAKIT ANG UMIBIG


IKAW AY AKIN


MAGKARIBAL


PINAY AMERICAN STYLE


PAKAWALAN MO AKO


RELASYON


SINASAMBA KITA


HAPLOS


PAANO BA ANG MANGARAP


BROKEN MARRIAGE


MINSAN PA NATING HAGKAN ANG NAKARAAN


IPAGPATAWAD MO


DEKADA 70


MANO PO 3: MY LOVE

GO TO PART ONE

1981 FAMAS Best Actress

This slideshow requires JavaScript.

Bumandila na anaman ang JE Productions sa nakaraang FAMAS awards night nang makopo nila ang tatlong pinakamalalaking tropeo ng karangalan kabilang na ang Best Picture para sa Kumander Alibasbas, Best Actor para kay Joseph Estrada at sa Best Director para kay Augusto “Totoy” Buenaventura sa sermeonyang ginanap sa Metropolitan Theatre. Ito ang ikalimang karangalan natamo ni Erap sa iisang kategorya na nag-akyat sa kanya sa tinatawag na Hall of Fame, at siya rin ang kauna-unahang aktor na hall of famer sa best actor category. Natamo ni Erap ang unang best actor award noong 1962, Patria Adorada at ngayong 1981, Kumander Alibasbas. Ito namang Kumander Alibasbas ang ikatlong best director award na natamo ni Totoy Buenaventura. Una ay ang Kill the Pushers noong 1971 at Bakya Mo Neneng noong 1978. Sa best screenplay award ay hall of famer na si Buenaventura. Sobra pa nga sa quota ang natamong karangalan ni Buenaventura sa dapat na maging hall of famer. Anim na best screenplay awards na ang kanyang natatamo sa FAMAS: Kalibre .45 noong 1956, Psycho Sex Killer, 1968, Patria Adorada, 1969, Tatay na si Erap, 1970, Kill the Pushers, 1971, Bakya Mo Neneng, 1978.

Ang Kumander Alibasbas din ang isa sa mga box-office hit nang nakaraang taon. Kasaysayan ng isang rebel leader sa gitna ng tinatawag na labor unrest sa Central Luzon before Martial Law, ang Kumander Alibasbas ay naging kontroberyal sapagkat tumalakay rin ito sa ilang political problems ng bansa. Tinatayang may maselang tema, subalit mahusay na nailarawan nang walang “nasagasaan.” Umiiral ang cinematic effects ng pelikula na siyang nakatawag ng pansin sa mga humusga. Ang aktress na si Vilma Santos naman ang nagkamit ng Best Actress award dahilan sa makatotohanan niyang pagganap sa pelikula ng MVP na Pakawalan Mo Ako na tumatalakay sa tatsulok na pag-ibig na kung saan ay nakapareha niya sina Christopher de Leon at Anthony Castelo sa direksiyon ni Elwood Perez. Nakamit ni Chanda Romero ang Best Supporting Actress award sa pelikulang Karma na siya rin pinagwagihan sa best supporting actor award ni Tommy Abuel. Tatlong award rin ang natamo ng FPJ para sa pelikulang Ang Pagbabalik ng Panday: Best Art Direction, Rolando Sacristia; Best Sound para kay Cesar Lucas at Best Cinematography para kay Vir Reyes. Tuwang tuwa ang mga fans ng bulilit na si Sheryl Cruz na hinirang bilang Best Child Actress para sa Basang Sisiw at ang Best Child Actor ay natamo ng isang baguhang si Mark Versoza para sa pelikulang I Confess. Si Sheryl ay anak ng magasawang artistang sina Ricky Belmonte at Rosemarie Sonora. Sabi nga ni Inday Badiday, naunahan pa ni Sheryl na magka-award sina Ricky at Rosemarie. Dalawang award naman ang natamo ng pelikulang Init o Lamig; Best Editing for Edgardo Vinarao at Best Story for Baby Nebrida. Bukod kay Vilma Santos, ang Pakawalan Mo Ako ay nagkamit din ng dalawa pang award: Best Theme Song for Louie Ocampo at Jimmy Santiago at Best Music for Lutgardo Labad.

Nakamit ni Mother Lily Monteverde ang special award na Cirio Santiago Memorial Award; kay German Moreno ang Jose R. Perez Memorial Award; at Marichu Vera Perez ang Gregorio Valdez Memorial Award. Stage emcees sina Bert “Tawa” Marcelo at Coney Reyes-Mumar at achor woman naman si Helen Vela. Naging performer sina Rico J. Puno, Sharon Cuneta, Ivy Violan, Something Special, Lirio Vital, at Obusan Dance Troupe. Matabang mataba marahil ang puso ng presidente ng FAMAS na si Ros H. Olgado, sampu ng mga opisyales at kasapi ng akademiya dahil sa talumpati ng guest of honor na si Ms. Imee Marcos, ang direktor general ng Experimental Cinema of the Philippines. Lalo na nang ipahayag niya ang pagnanasang makapagpatuloy pa ang FAMAS sa pagkakaloob ng prestihiyosong awards ng tulad nang ipinamahagi nang gabing iyon. Sinabi pa ni Imee na kung nagkakaroon man ng krisis sa FAMAs, iyon ay bahagi ng pagunlad. Aniya, parang puno ng kawayan ang FAMAS na maaaring humahapay kapag may malakas na unos subalit makaraan ang unos na ‘yon ay muling titindig na tila aabutin pati ang langit. Ayon sa mga observer, ang nakaraang awards night ay lalong nagpatunay na ang FAMAS ay matibay pa rin at may prestihiyo at ito pa lamang ang kaisa-isang award giving body na nirerespeto at pinagsisikapang makamit ng mga taga-industriya. Sa lahat ng mga awardee, congratulations and mabuhay kayong lahat! – Mar D’Guzman Cruz, Pelikula ATBP (READ MORE)

Related Reading:

FAMAS HALL OF FAME – BEST ACTRESS

This slideshow requires JavaScript.

“…From 1972 to 1988 Vilma Santos were nominated twelve times. Most critics considered this as a huge accomplishments, she won for 1988 (Ibulong Mo Sa Diyos), 1987 (Tagos ng Dugo), 1982 (Relasyon), 1981 (Pakawalan Mo Ako), 1972 (Dama de Noche), but some were worried that this is premature as they expected more breakthrough performances from her young career. Now, 37, Vilma is still honing her craft. The 38th FAMAS Awards held again at the Fiesta Pavilion of Manila Hotel on May 19, 1990 was not only memorable for Vilma Santos but also for her rival, Nora Aunor. Vilma relegated to hall of famer, disqualify her to compete with Nora. Not surprisingly, Nora won her fifth best actress, which also automatically qualifies her as next year’s hall of famer…” – RV (READ MORE)

The Award: The Filipino Academy of Movie Arts and Sciences bestows the Hall of Fame Award to individuals who have displayed mastery over their craft and artistry over their chosen fields in the Philippine motion picture industry. First given in the 24th FAMAS Awards (1975) in 1976 to actor Eddie Garcia, sound engineers Angel Avellana and Demetrio de Santos, director Gerardo de Leon, cinematographer Felipe Sacdalan and musical scorer Tony Maiquez for winning five or more FAMAS Awards in their respective categories, the Hall of Fame Award is a gold-plated FAMAS statuette with two semi-circles of laurel leaves anchored to each of her shoulders and her base. The cylindrical base, on the other hand, contains a gold leaf at the front, which contains the acronym “FAMAS” in big bold letters, the winner’s name, the category in which he or she has won the Hall of Fame Award and the year in which it was given. The original Hall of Fame statuette presented in 1976 was almost identical to the present one, except that the laurel leaves only arched up until the FAMAS lady’s hips. In the 1980s, the redesigned Hall of Fame Award contained the FAMAS lady standing atop a trapezoidal pedestal with two semi-circles of laurel leaves anchored to each of her shoulders and base. The trapezoidal base bore a gold scroll where FAMAS’ name, the name of the winner, the year of bestowing and the category in which it was won was written.

The bestowing of a Hall of Fame Award is determined by the number of FAMAS awards won by a certain individual in a category. To win a Hall of Fame Award, one must have won five FAMAS Awards for a certain competitive category. The Hall of Fame Award is given to an individual on the next awards ceremony following his/her fifth FAMAS Award on a certain category. A Hall of Fame Award signifies the end of one’s chances of nomination for the same category and thus, the end of one’s chances of winning a FAMAS Award for the same category, with the exception of the Best Picture category, since the merits of a Best Picture nomination and win depends on the collaborative effort of many movie artisans rather than a single effort of an individual, which is awarded in the rest of the other categories. This explains why Premiere Productions, Producer Hall of Famer, still had FAMAS Best Picture nominations beyond 1977, its year of receiving the Hall of Fame. The following individuals (and production company) were bestowed a Hall of Fame Award. Each Hall of Fame inductee are grouped according to the category in which they won the award and the calendar year in which they have received their Hall of Fame Award. – FAMAS (READ MORE)

Dama de Noche (1972) “…It is, Vilma was quoted as saying, her dream role fulfilled. The very professional Vilma has come out with the resolution than henceforth she will demand to see the script and also see that the script is demanding— or she’ll say nix. Well, Dama de Noche is exactly just that: demanding. In it she delineates the twin-sister roles of sweet Armida and deranged Rosanna. Vilma sobs and screams, giggles, and crazy-dances, claws and clowns, sobs again and screams some more. But she does more than all these things. She acts. In the Filipino movieworld where crying is synonymous with acting, that certainly is being ahead of one’s kind. Vilma as Armida is drab and dry, almost a movie prop. It is in the portrayal of Rosanna that Vilma would tear one’s heart away. The many close-ups so effectively used throughout the movie show the unglamorous Vilma: her frowns, her lip-twitching, her uninhibited and stifled sobs. But Vilma is less successful with the shifty look that is the distinctive trait of the deranged. She compensates for this in the ‘betrayal’ scene when Rosanna suspects that Leo, Armida and the psychiatrist (Fred Montilla) all conspired to imprison her in the hospital. Another outstanding feat is the subdued scene where Rosanna learns that Leo has gone to the Lerma villa to meet Armida. The vivacious Rosanna is just as winsomely pathetic. Watching her is just like seeing a bosom friend trying to pretend she’s happy when both of you know she’s not only in this case, Rosanna is truly happy. Her non-knowledge of her plight is what is particularly heart-curling…” – The Times Journal (READ MORE)

Pakawalan Mo Ako (1981) “…Mula umpisa hanggang sa huli’y umiikot ang istorya sa karakter ni Vilma bilang si Ana, isang escort girl. Markado ang papel ni Vilma at makikita ito sa mga eksena sa kulungan at hukuman. Ang Pakawalan Mo Ako ay mula sa panulat ni Pete Lacaba at iskrinplay nina Pete Lacaba, Mao Gia Samonte at Isko Lopez. Kung ikukumpara sa mga ibang pelikula ni Elwood Perez mas pulido at makatotohanan ang mga eksena’t dialouge ng pelikula. Tulad ng konprontahin nga ma ni Bernard si Ana sinabi nito na: “Puta, Puta! Puta! Hindi lang naman kayo ang unang nagparatang sa akin ng ganyan! Puta! Puta! Putang Ina n’yong lahat…” At nang unang dalhin ni Bernard si Ana sa bahay nito at pagtangkaang gahasain, pumiglas si Ana at sabay kuha sa pera at sabay sabing: “kukunin ko ang bayad sa halik may sukli ka pa!” At siyempre ang eksena sa hukom kung saan paulit ulit niyang sinasabi ang salitang: “Sinungaling!…” Ang musika ni Lutgardo Labad ay minsan nakakaabala sa tunay na eksena ngunit angkop na angkop ang theme song ng pelikula, ang “Dati” na kinanta mismo ni Antony Castelo. Merong mahahabang linya si Christopher DeLeon sa bandang huli at nakuha naman niyang bigyan ng buhay ang papel niya bilang abogado ng taga-usig kahit na parang pilit ang pagpapalit niya ng panig para sa tagapagtanggol sa bandang huli, sa kanyang closing remarks. Alam niya marahil na talagang pelikula ito ni Ate Vi…” – RV (READ MORE)

Relasyon (1982) “…Like 1972 of the previous decade, 1982 turned out to be a repeat in terms of success for Vilma Santos. If critics took noticed in 1972, her performance in Dama De Noche, a decade after, the critics went gagah over her performance in ”Relasyon,” directed by Bernal. The film earned Vilma all the local best actress trophies from all award-giving bodies. Aside from this success, she will also be crowned as the box office queen of 1982 (the next year for her body of work this year) because of the financial success of her six films notably, “Sinasamba Kita” a film directed by Eddie Garcia and “Gaano Kadalas ang Minsan?’ directed by Danny Zialcita. Bernal on the other hand not only was credited for Vilma success for “Relasyon” he also received accolades for “Himala” a film by Nora Aunor, Vilma’s rival. Both “Himala” and “Relasyon” were considered two of Bernal’s signature films. In addition to this, he did two Marecel Soriano films, the comedy “Galawgaw” and the drama, “Hindi Kita Malimot” and finally another Cherrie Gil film, “Ito Ba Ang Ating Mga Anak…Bernal gave Vilma Santos her first grandslam best actress awards and consecutive Gawad Urian best actress (1982 and 1983). Their first film together was Inspiration (1972) and last was Pahiram Ng Isang Umaga (1989).” – RV (READ MORE)

Tagos ng Dugo (1987) “…So what could be all the fuss about Tagos’ value? “Production values” is the often-heard reason, needing elucidation. A breakthrough for Philippine psychological movies? Probably. Let me explore a few other angles on this seeming cross between Francois Truffaut’s The Bride Wore Black and Luis Buñuel’s Belle du Jour — I don’t know if screenwriter Jake Tordesillas or De los Reyes himself should be congratulated for the cohesion of multi-resultants in this work. Part of this multi-readings would be the movie as a feminist take on womankind’s monthly pains as a form of excuse for female monthly insanities, insanities our machos regard as regular terrorism on the whole of mankind (men or society as a whole). It is with that reading that the ending apologies, by Vilma Santos in the lead role, might be understood as a plea for understanding of how all of woman’s monthly Eve-behavior should not be seen as a Biblical sin but as an equal (to, say, men’s beastly) naturalness…Another feminist reading, more radical perhaps, would treat the film as a view of how Philippine society (the men in it, primarily) approaches provincial innocence, educational weakness, and “females’ weaker sanity” as stimuli for abuse. . . . There is, however, the possibly more general reading of the film as an apologia for insanity qua itself, how it should be treated as a disease instead of as a monster to be eliminated. And finally, there’s the possibility that the film is actually a depiction of how crazy the world outside the insane mind really is, albeit this view would probably be the least successful direction for the film….As a bonus, maybe we can also bring the movie to more latent, more philosophical territory, say, how it depicts the sanity of innocence. But, given the validity and possible weight of all those approaches, what finally makes this movie a jewel in Philippine cinema history is how it brings forth — every time you watch it — its case achievements in directorial and film editing dramaturgy (including the recurring stage-like choreography, Hitchcockish camera positionings, and acting pacing within). For the serious student of third-world filmmaking, here is a requisite Philippine movie from where to cull precious fragments. In these fragments, he/she is sure to find sparkles that are in themselves gems…” – Vicente-Ignacio S. de Veyra III (READ MORE)

Ibulong Mo Sa Diyos (1988) “…Vilma hit the jackpot. After 11 nominations with four wins, her twelfth nomniation produced her an unexpected win. It elevated her to the hall of fame status. All artist who wins five automatically put them to the hall of fame list. It is a big honour but prohibit any one on the list to compete in the future for the same category. Regal films’ Ibulong Mo Sa Diyos, directed by Elwood Perez was a surprised winner. Not only it earned Vilma her fifth award as best actress, it also gave the late Miguel Rodriguez a best supporting actor award and the best director for Perez. Technical awards were also given to Ricardo Jacinto, cinematography, Rey Maliuanag, production design, Gary Valenciano, theme song, and George Jarlego, editing. The late Nida Blanca was also nominated for best supporting actress…” – RV (READ MORE)

“…Elwood Perez and Vilma Santos colloborated in seven films. The first one was the trilogy that he co-directed with two other director, Borlaza and Gosiengfiao (these three are the most underrated and under appreciated directors in the Philippines), the remake of Mars Ravelo comic super hero, Darna in Lipad Darna Lipad. The film was a record-breaking hit Box-office Film. They follow this up with a more mature projects as Vilma started to switched her image from sweet to a mature versatile actress, pairing her with Christopher DeLeon in five films starting with Masarap Masakit Ang Umibig in 1977. The Perez-Santos-DeLeon team produced seven blockbuster hits that gave Vilma two FAMAS best actress awards that secured her elevation to FAMAS highest honour, the FAMAS Hall of Fame award. She won in 1979 for Pakawalan Mo Ako and 1988 for Ibulong Mo Sa Diyos…” – RV (READ MORE)

“…A series of unfortunate events seemed to hound Nora’s career up to this point. October 1, 1989 was to be the last airing date of the 22-year-old musical-variety show Superstar on RPN 9. A month later, it was revived on IBC 13 with a new title, The Legend … Superstar, but this was short-lived lasting only up to early 1990. Naging mas masuwerte si Vilma Santos sa hinu-host na Vilma! on GMA 7, which started in 1981 as VIP (Vilma in Person) ng lumang BBC 2 (naibalik sa Lopez owners ang ABS-CBN after the EDSA Revolution). Nagbida si Vilma sa isa sa mga pinakaimportanteng pelikula ng Dekada ‘80: Regal Films’ Pahiram Ng Isang Umaga (by Ishmael Bernal), na sinimulan in 1988 at ipinalabas in early 1989. In December 1989, Vilma headlined a period romance-drama (Viva Films’ Imortal, megged by Eddie Garcia) at nanalo sila ng kaparehang si Christopher de Leon ng acting plums sa MMFF. Sa awardings for that year, si Vilma ang nanalong Best Actress sa Star Awards (for Pahiram), her first form the Philippine Movie Press Club. ‘Kumpletung-kumpleto na ang career ko!” nasabi ni Vilma as she accepted her trophy. Later, it was Nora’s turn to get a Best Actress trophy for the first time from the Film Academy of the Philippines, for Elwood Perez’s three-year-in-the-making Bilangin Ang Bituin Sa Langit. ‘Kumpletung-kumpleto na ang career ko!” sabi rin niya in her acceptance speech. Na-elevate si Vilma sa FAMAS Hall of Fame, for having bagged five Best Actress statuettes: Dama de Noche, Pakawalan Mo Ako, Relasyon, Tagos ng Dugo, and Elwood Perez’s Ibulong Mo Sa Diyos. Nora won her fourth Best Actress plum sa FAMAS, also for Bilangin. Walang itulak-kabigin sa dalawa, kaya marapat lang na mag-tie sila for Best Actress, as in the 1990 Gawad Urian, na ‘pantay na parangal ”ang ipinagkaloob ng Manunuri kina Nora (for Bilangin Ang Bituin Sa Langit) at Vilma (for Pahiram Ng Isang Umaga)…” – William Reyes (READ MORE)