Filmography: Tok, Tok, Palatok (1974)

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Basic Information: Directed: F. H. Constantino; Screenplay: Bert R. Mendoza; Cast: Vilma Santos, Panchito, Bentot, Pugak, Dencio Padilla, Tange, Max Alvarado, Jojit Paredes, Ike Lozada, Ponga, Rodolfo boy Garcia, Alicia Alonzo, Mary Walter, Ange; Original Music: D’ Amarillo; Cinematography: Fermin Pagsisihan

Plot Description: Vilma Santos played a twin sister…of a snake.

Film Achievement: No Available Data

Film Review: “…That was not the first time I met her. Actually, I know her way way back when she was only 8 or 9 years old, pumupunta sila sa amin. Kasi regular customer ng Mother ko ang Mama niya sa ready made clothes, yun kasi ang business ng Mother ko noon sa Rustans. I was about 10 or 11 years old then, and while her mom is making the selection of cloth, iniiwan naman niya si Vilma sa living room namin. Minamasdan ko siya, ang ganda-ganda ng mukha niya…Maasikaso sa set, malambing, mabait lalo na sa maliliit na crew. Doon kami nagkaroon ng bonding when we were doing that film. Mabuting tao talaga si Vilma, she has a good heart and always willing to help others. We became very close, di ko makakalimutan na minsan ay nag-drive ako ng 3 hours just to see her…Let’s split it up into two. Personality and how she relates to others. Personality wise, mabuting tao siya, she is so trusting to the extend that it becomes disadvantage on her part , she trusted people so much. About relation to others, she is so approciable, a perfect politician, she’s always ready to help, not skimming, she has social conscience and will do things to achieve her goal…” – Franco Gabriel (READ MORE)

“…And so, to prove them wrong, Vilma’s manager smartly plotted follow-up recordings. Not only did Vilma record her follow-up album, she recorded a string of mini-LPs. Mini-LPs are shorter version of the big vinyl record with two songs on each side. She ventured into Tagalog songs, recording six songs that include instants hits like Isipin Mong Basta’t Mahal Kita, a theme song to a film she did opposite Filipino chess grand master, Eugene Torre; Palong-Palo, where she received a golden record award in 1974 and an up-tempo opm, Tok-Tok Palatok, another theme song from one of her comedy film with the same title opposite Jojit Paredes…” – RV (READ MORE)

“…Very few probably are aware that Ronnie was once a matinee idol in the music profession. He was the other half of the famous singing duo called The Two of Us. His partner was Jojit Paredes, the cousin of Jim Paredes, who was also a kilabot ng mga colegiala as part of the Apolinario Mabini Hiking Society, now better known as the APO. Ronnie and Jojit were schoolmates in La Salle grade school, while Jim and his then large group were from rival Ateneo…After The Two of Us, Jojit eventually disappeared from the scene (he is now in L.A. married to an American and works as an assistant administrator in a hospital), while Ronnie’s popularity lingered, especially when he and Vilma Santos began dating. Ronnie also joined Penthouse 7 as executive producer/dancer and also part of the group was Ida Ramos, who many years later would become his wife. (Ida Henares now heads GMA Artist Center.) In between, he also hosted his own variety shows on TV, primarily in the Broadcast City stations…” – Butch Francisco (READ MORE)

RELATED READING: Interview with Jojit Paredes

Filmography: Basta’t Isipin Mong Mahal Kita (1975)

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Basic Information: Directed: Armando De Guzman; Cast: Vilma Santos, Eugene Torre, Panchito, Coney Reyes, Roldan Aquino, Teroy De Guzman, Teddy Blarmino, Ellen Esguerra, Ponga, Greg Lozano, Rhonna Mercado, Golay, Menggay, Marlyn Pastera, Ursula carlos; Theme Songs: “Isipin mong Mahal Kita” performed by Vilma Santos

Plot Description: No Available Data

Film Achievement: No Available Data

Film Review: “…Eugene Torre: “…Medyo mahirap kasi (It was quite difficult because) I played a poor man and a rich man at the same time…I had to wear a tuxedo in some scenes then plain clothes the next. It was hard to make the switch…” – Manolo Pedralvez, Rappler, 28 June 2014 (READ MORE)

“…And so, to prove them wrong, Vilma’s manager smartly plotted follow-up recordings. Not only did Vilma record her follow-up album, she recorded a string of mini-LPs. Mini-LPs are shorter version of the big vinyl record with two songs on each side. She ventured into Tagalog songs, recording six songs that include instants hits like Isipin Mong Basta’t Mahal Kita, a theme song to a film she did opposite Filipino chess grand master, Eugene Torre; Palong-Palo, where she received a golden record award in 1974 and an up-tempo opm, Tok-Tok Palatok, another theme song from one of her comedy film with the same title opposite Jojit Paredes…” – RV (READ MORE)

“…Coney made her movie debut in “Return of the Dragon” in 1975. She has been hosted for Student Canteen since its first airing on GMA Network in 1975. In 1982, Coney Reyes left Studio Canteen for Eat Bulaga on RPN. In exchange, Chiqui Holmann-Yulo filled the slot vacated by Reyes. Coney’s hosting stint with Eat Bulaga opened more opportunities for her and has been co-starred with Dolphy, Fernando Poe Jr., Vilma Santos, Lorna Tolentino, Maricel Soriano, Helen Vela, Aiza Seguerra and Vic Sotto among others in several movies and TV programs…” – Wikipilipinas (READ MORE)

“Eugenio Torre (born November 4, 1951) is a chess Grandmaster (GM). He is considered the strongest chess player the Philippines has ever produced during the 1980s and 1990s period, following the heels of Fischer-era Filipino chess champions National Master (NM) Ramon Lontoc, International Master (IM) Renato Naranja, IM Rodolfo Tan Cardoso and GM Rosendo Balinas, Jr. Super GM Wesley So is currently the top Philippine chess player. GM Torre shot to prominence in 1976 as a possible future title challenger after winning a strong four-man tournament in Manila ahead of world champion Anatoly Karpov – thus becoming the first player to finish ahead of Karpov in a tournament since the latter became world champion. The high-point of his career came in the early 1980s when he was ranked world No.17; successfully going on to qualify to be a candidate for the world championship after tying for first with Lajos Portisch during the 1982 Toluca Interzonal. Torre has the distinction of being the first Asian player to earn the title of International Grandmaster. He qualified for the Candidates Matches for the 1984 World Championship. In that preliminary stage, the contenders play matches against each other to determine who will challenge the world champion. Torre was eliminated when he lost his match against Zoltán Ribli by a score of 6-4. After losing his quarter-final candidates match to Zoltán Ribli in 1983, Torre became disillusioned with chess and more or less went into semi-retirement. He went on to become a minor celebrity due to his daily one hour TV programme Chess Today…” – Wikipedia (READ MORE)

Filmography: Ging (1964)

“Pagmasdan n’yo ako…ako po’y ulilang lubos…inaapi at hinahamak…kung hindi n’yo po kahahabagan ay nasaan ang katarungan?!” – Ging

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Basic Information: Directed: Cirio H. Santiago, Teodorico C. Santos; Story: Mars Ravelo; Screenplay: Teodorico C. Santos; Cast: Vilma Santos, Jose Padilla Jr., Olivia Cenizal, Carol Varga, Ramon D’Salva, Aruray, Etang Discher, Georgie Quizon, Ponga, Jose Garcia, Paquito Salcedo, Eva Montes, Marvin Molina, Pol Todd; Executive producer: Adela Santiago; Cinematography: Lito Padrino; Film Editing: Demetrio De Santos; Production Design: Bert Amazar; Theme Songs: “Ulila” composed by Levi Celerio, performed by Vilma Santos

Plot Description: A young Vilma Santos starred as Ging. A smart mouth street kid who have to beg for money to support her crippled mother. She was adopted by a deceitful couple who heard her sing in a restaurant. The couple made Ging into a singing sensation but abuse her, limiting her food intake and sleep to prevent her to grow. Ging eventually left them and surprisingly discovered her father. She reconciled with him and her crippled mother. – RV

Ging is a poignant story of a poor gifted girl, trying to make both ends meet by singing and dancing in crowded streets and cafeterias. – Komiklopedia (READ MORE).

Film Achievement: No Available Data

Film Reviews: “…Pagbalikang tanaw naman natin ngayon ang mga batang karakter sa komiks. Sila ang nagbigay aliw, kinalugdan at minahal ng mga komiks readers noon, particularly ng ating mga ina (kasama na dito ang yumao kong nanay) na siyang tumangkilik, nagbasa at sumubaybay sa kanilang mga kasaysayan. Unahin natin si GING, isang batang iniyakan ang kasaysayan at unang ipinakilala ng creator nito na si Mars Ravelo ka-tandem ang dibuhistang si Elpidio Torres sa mga pahina ng Liwayway Magazine noong 1963. Ito ay isinalin sa pelikula sa ilalim ng pamamahala nina Direk Cirio H. Santiago at Teodorico C. Santos. Si Vilma Santos ang gumanap sa title role na Ging…” – Arman Francisco, Komixpage, 28 June 2015 (READ MORE)

All Vilmanians and even those who just love watching old Tagalog movies must have been glued to their TV screens last Thursday afternoon when Channel 9’s “Premiere Pilipino Klasiks” aired “Ging”, Vilma Santos’ follow-up movie after she was introduced in Sampaguita Pictures’ “Trudis Liit.” Produced by Premiere Productions when Vilma was only 10 (circa 1963), “Ging” casts the now-Star for All Seasons (and Batangas Governor, too!) as a street child who is in charge of taking care of her invalid mother, played by Olivia Cenizal. In flashback fashion, we find out that Ms. Cenizal was once a big movie star who fell in love and married a young rich man (portrayed in the film by Jose Padilla, Jr.)

Padilla’s aristocratic mother (Etang Discher), unfortunately, breaks up the union and the two lovers go their separate ways. Vilma, as Ging, was born shortly after. While begging for food scraps from customers at the restaurant of the Chinese Ponga (I doubt if today’s generation have any idea who he is or how he looks like), she is spotted by Ramon D’Salva and his wife, Carol Varga. The couple immediately express their wish to adopt her. Vilma was hesitant at first at the idea – until she was promised by D’Salva that she would be sent to school, and her mother, to the hospital for medical treatment.

Once she is in the D’Salva home, the couple show their true colors. They exploit her by making her perform in vaudeville presentations. Although she is a hit and a top money maker, she is still badly treated by Varga. For one, she is not given proper nutrition to stunt her growth (child stars are supposed to be cute and small). Little Vilma rebels when she finds out that D’Salva does not fulfill his promise of sending her mother to the hospital for treatment. She runs away and in the process bumps into people related to her biological father. Padilla and Cenizal are reunited and the little heroine lives happily ever after with her parents.

“Ging” was directed by Cirio Santiago and Teodorico Santos. Although it was made in the old-fashioned way of making films (the flashback scenes in particular), the material used here is timeless – especially since there are more street children in our midst now more than ever. As far as the showbiz scene is concerned, there are still a lot of heartless impresarios today exploiting young talents in the business. But what really made “Ging” a delight to watch was the performance of the very young Vilma Santos. Even at the early age, it was clear that she was already brimming with talent. Vilma, apparently, was born into this world to perform, entertain and make people happy. She was utterly convincing in the dramatic scenes and thoroughly graceful in her musical numbers. Listang-lista – as we’d say in the vernacular. Even then, she was already living up to her showbiz title of “Star for All Seasons” because her performance in “Ging” is not only brilliant, but timeless as well. – Butch Francisco, People’s Journal 04 March 1999 (READ MORE)

Ang sarap balikan ng mga pelikula ng the Premier Acress of the Land. Mga pelikulang may mga temang napapanahon kahit sabihin pang luma na ang mga ito. May tatak Vilma Santos. GING (1964) – all of 11 years, here is the newly-crowned FAMAS best child actress sa isa sa mga title roles niya bilang anak ng laos na artista (Olivia Cenizal) na nalumpo after she gave birth to Ging (Vilma). Ang ama ni Ging ay isang bit player na Mama’s boy, si Jose Padilla, Jr.(SLN) whose mother is the screen’s perennial conravida, Etang Discher (SLN), mother of the late Panchito.

Padilla abandoned Ging and her mother on her mother’s wishes so he won’t be dropped from her “pamana” (will). Mother and daughter lived in a slum area. Their squalid lives are made bearable with the presence of a cantankerous neighbor Aruray and her son who was sired by a black G.I. named George. Aruray’s son is about Ging’s age. They practically were street urchins who beat the other kids in soliciting alms, thanks to Ging’s histrionics: she would fake syncope (play dead) and “kawawa” by relating her sad plight as an abandoned poor daughter with a paraplegic of a mother – through a song that would drive her audience at a restaurant to tears and pity – and would give her free food and money.

The ploy works all the time. Little did Ging realize that an unscupulous couple, racketeers Ramon D’Salva and Carol Varga were observing her in a restaurant and saw in her a goldmine: they would adopt her and make them rich as her talent manager. Talk of child exploitation. Reluctant at first, Ging agrees to go with the evil couple provided she would go to shool and that they would send her alcoholic mother (bagay na bagay ito sa isang artista) to the hospital for treatment. Of course, the evil and scheming couple reneged on their promises. They exploited Ging by forcing her to work overtime and would starve her so she wouldn’t grow up and lose her audience. Luckily, she has a guardian angel in Georgie Quizon, Dolphy’s erthswhile brother who, along with Aruray provided comic relief, and who would protect Vilma from her exploiters.

Young Vilma’s raw, innate talent surfaces most especially in her scenes where she vacllates or mulls in leaving her mother. Her final goodbye scene with her mother is heartbreaking, enough a motivation for a Vilma fan Nora Aunor in Iriga city to follow in her footsteps. “One day, I wanna be like Vilma, I will sing and make people cry. Love that “gripo” princess to death. Idol ko siya.” Shot in black and white and adapted from the comics to the screen by Mars Ravelo, the movie was directed by Cirio Santiago and Teodorico Santos.

The movie is a must have for any true blue Vilmanian. Listang-lista at ang husay ni Vilma rito. Naroong kumanta siya (the voice over seemed like her singing voice), sumayaw at nagdrama. Luma si Madonna doon sa isang parang La Isla Bonita number niya. One memorable scene was when she was singing her signature song to the audience of her longing to see her mother and her father – the camera captures her pain and agony and the deep wound she suffers from her abusers – a poignant scene, complete with tears and and a well-internalized acting. Bravo! Karapat-dapat na U.P. Gawad Plaridel Awardee – maliit pa lang ang dyaske, ang husay talaga. Sa katunayan, some scenes from Ging were included in the audio-visual presentation at both the FAMAS Hall of Fame awards and the recent U.P. Gawad Plaridel coronation of the Summa Cum Laude of All Philippine Actors. Ang galing-galing mo talaga, Rosa Vilma Tuazon Santos-Recto! – Mario Garces, V magazine issue no. 6 2006 (READ MORE)

Georgie Quizon – “…Like Dolphy, Georgie started out in comedy roles. In fact, he was his brother’s follower noon pang nasa Sampaguita Studios si Dolph at isa siyang mainstay ditto. Nang minsang isinama ni Dolph si Georgie sa kanyang shooting ay namataan si Georgie ng isang direktor a binigyan ito ng bit role. He was found out to have his brother’s talent and soon, Georgie found himself in one picture after another, mostly in Susan Roces-starrers where he played her sidekick or friendly neighbor. Ito ang simula ng binyag ni Georgie sa pelikula. Naging sikat din siyang comedian. Kaya lang ang problema niya ay hindi siya makakatakas sa image at pangalan ng kanyang kapatid na lalong sikat. Kahit ano ang gawin niya ay siyempre, associated and identified siya kay Dolphy. “Ito ang malaki kong problema,” nabanggit ni Georgie sa amin. “But I also love my brother! Kung wala naman si Ompong ay sino kami, aber! Siguro, ganito ang buhay kung mayroon kang tanyag na kapatid na parehong propesyon. Kung sino ang mas sikat, iyon ang mas kilala. At ang hindi ay nananatili sa background. Tulad ko,” aniya. “Ako ang anino ni Dolphy. Hindi ako kilala sa sarili ko. Ako raw ay kapatid ni Dolphy. And never was I called my name. Kung minsan nga ay ako raw si Dolphy. Ganoon. “Kung minsan, I feel flattered. Pero kadalasan, tinatanggap ko na lamang nang basta ganoon. Kibit balikat baga. Ano pa nga ba ang magagawa ko? Kapatid ko iyon at sikat pa! “Kaya lang, I really want to be on my own. I want to be known as Georgie at hindi yung kapatid ni Dolphy. I am my won individual. Iba ako, iba siya. Nagkataon lamang na nagko-comedy rin ako. Kaya hindi talaga ako makakatakas sa kanyang anino,” pagtatapat ni Georgie….

…As a whole, wala naman siyang reklamo. Okey naman ang takbo ng kanyang showbiz career. Hindi siya nawawalan ng assignment. Tuwing Linggo, mayroon siyang TV show, nagge-guest din siya sa mga tanyag na shows at kung minsan, kumakanta siya sa mga roadshows, sa mga bases. “Para sa akin, tipong okey na ang lahat,” banggit pa ni Georgie. Everything’s fine. I am busy everyday. Malusog pa ang ermat, masasaya kaming lahat. Wala na yata akong mahihiling pa,” Georgie confessed. The other surviving brother of Dolphy and Georgie is named JIMMY, ang bunso sa lahat na hindi kailanman sumali sa showbiz. Nasa States siya ngayon at isang medical intern sa isang tanyag na ospital doon. Sampu sanang lahat sina Dolph, kaya lang tatlo na ang namatay. Sina Tessie, ang uang Jimmy na siyang pang-walo at si Melencio, Jr. na binawian ng buhay noong early 1970’s. Ang iba – sina Zony, Dolphy, Josie, Laura, Auring at Georgie – ay pawang naging showbiz folks at dalawa na lamang sa kanila ang aktibo sa pelikula. Sina Dolphy at Georgie nalamang, bagamat ang iba, sa pamamagitan ng kanilang mga anak, ay kasama pa rin sa iba’t ibang aspeto ng paggawa ng pelikula, particular na sa RVQ Productions syempre…” – Ross F. Celino, Jingle Extra Hot Movie Entertainment Magazine No. 20, June 22, 1981 (READ MORE)

“…Young and cute Vilma Santos is one of the few child stars who have hit the screen with continued success. Although not as well-publicized as the adult stars, she is gaining popularity with lot of fans who recognize her warm personality and talent. Her successful debut in Sampaguita Pictures’ Trusdis Liit gave her more movie offers. Vilma, who just turned 13 last Nov. 3, has been in the movies for three years and already has 16 pictures to her credit. A talented youngster, she often steals the spotlight from her senior colleagues. In Ging, Naligaw Na Anghel, Anak Ang Iyong Ina, and many other films, she was a standout in tear-jearking scenes. As a result, she is always in demand for such roles. Despite her success, Vilma remains unaffected as a child. At the St. mary’s Academy where she is a six-grader, she has more than her share of friends not because she is a celebrity but because of her natural chumminess. In fact, she is so fond of her friends that their house on Lunas St in La Loma, Quezon City is often filled with them. Her parents, Mr. and Mrs. Amado Santos, do not discourage her gregariousness and instead look upon it as part of her developing personality…Vilma’s movie commitments don’t prevent her from being a good student. She could have been easily way above average if only her shooting schedules sometimes do not prevent her from attending her classes. “Doing two tasks at the same time gave me a hard time at the beginning but I’ve adjusted to it now,” said this youngster who still goes for lollipops, ice cream, toys, and play. Vilma, who spends her leisure hours listening to radio dramas, dancing and playing with her three other sisters, will be seen in her coming films, Sigaw Ng Batingaw of Argo Productions…” – Julio F. Silverio, The Weekly Nation, 31 December 1965, reposted at Pelikula Atbp blog (READ MORE)