What’s Love Got To Do With It? Isang Gabi Tatlong Reyna


One rainy Friday night in August, 1990, all roads led to the Metropolitan Theater where the top-rating and the most awarded musical-variety TV show Vilma! would air one of its most-watched episodes, ever. Vilma Santos, who would turn 37 that year, was on cloud nine. She was the toast of the town, in both movies and television. Her Lino Brocka directed movie “Hahamakin Lahat” was a commercial and critical success. Come hell or high water (there was a tropical storm), fans queued at the SRO theaters and saw her out and out Cruella Deville role as Gabby Concepcion’s paramour. Some like her bad. Vilma, the versatile actress scored again. Earlier, she won her first of six Star PMPC and her fourth Urian best actress awards for her ’best’ performance in years in “Pahiram ng Isang Umaga,” which was directed by Ishmael Bernal. She also just finished “Kapag Langit ang Humatol” with Laurice Guillen at the helm. At the PMPC Star Awards for TV, Vilma’s show harvested the biggest awards. And on that particular rainy night at the jam packed Metropolitan Theater, Vilma Santos was paying tribute to a Movie Queen she loved dearly and who reciprocated that love. Amalia Fuentes was the special guest, who just turned 50. Vilma! was giving her a tribute, with special appearances of former Sampaguita Productions ’stars.’ Everybody knew that despite the infamous Romeo Vasquez/Vilma Santos le affair Amalia and Vilma remained the best of friends. With a sincere, charismatic and humble La Vilma, who could resist her charm? Yes, the original Taray Queen, forceful and outspoken former queen of Philippine movies, she with a strong personality but with the most beautiful face in Philippine cinema, acquiesced to her friend’s request to grace the most watched TV show. Love begets love. Respect begets respect.

The retired and reclusive Amalia Fuentes could not say no to the current darling of Philippine movies. To recall, the senior and junior movie queens appeared in these movies: Bulaklak at Paru-paro (1970), Mga Reynang Walang Trono (1976) and Asawa Ko, Huwag Mong Agawin (1986). Amalia directed Vilma’s episode in Mga Reyna and agreed to second billing to Vilma in Asawa Ko. No doubt about it, Amalia Muhlach Sumilang Fuentes, is a Vilmanian. To seal their sisterhood and camaraderie, Vilma is Ninang to Liezl Martinez and to the latter’s son Alfonso. Why, Liezl even sang a song ’’Wind Beneath My Wings’ to her surprised mother that night which drove the strong-willed and still beautiful Amalia to tears. A Kodak moment, indeed. Priceless! While interviewing the three Muhlach generations, Fuentes, Liezl and young daughter Aliyanna, Amalia revealed to Vilma that she is protective of her ’unica hija’ Liezl. “Ay naku, I think I also have become like my Mom, I’m also very protective of my children,” Liezl remarks. Ex-Sampaguita stars Luis Gonzales and German Moreno served as Vilma’s co-hosts who provided comic relief as they recalled their Sampaguita days with Amalia Fuentes. Debonair Eddie Gutierrez also came to greet Amalia a Happy Birthday. Then Daisy Romualdez, Amalia’s contemporary and best friend danced the mambo/cha-cha with dancing queen Vilma, along with Kuya Germs and Luis Gonzalez. “I messed up that dance number,” Daisy gamely confesses, “wala kasing practice.” On her friend Nena (Amalia), Daisy admires her colleague for being frank and outspoken like her. “Nagkasundo kami kaagad dahil pareho kaming prangka ni Nena, hindi kami plastik,” she bemuses. The highlight of the evening was when Vilma introduced another special guest, the other Queen of Philippine movies, Amalia’s rival, Ms. Susan Roces. Radiant and regal in her Susan Roces hairdo and dark, glossy gown, Ms. Roces was polite and generous with her comments on her kumarerival. Vilma, obviously starstruck, throws a question to Susan: “What can you say about Ate Nena as being mataray and you Ate Susan as soft-spoken?” Susan: “I’d like to make a correction Vi, Amalia is not mataray, she is just outspoken, pero nasa lugar, so there’s a difference there.” Applause from the audience. “Alam mo ba Vi na my mother dotes on Amalia dahil pareho silang prangka? Sabi ng Mommy ko, iyang si Susan hindi pumaris kay Amalia, prangka at di iyakin.” Amalia on Susan: “I want to be like Susan dahil she is so sweet and soft-spoken. Doon nga sa weekly sessions namin, sabi ni Doctor Perez, why don’t you be like Susan, matiyaga sa fans, ikaw, sumakit lang ang ulo mo, ayaw mo nang harapin ang fans.” Guffaws and chuckles. The conversation turns serious. Vilma: “How did you handle the competition? Did the intrigues get in your way, affected you?” Susan, smiling sweetly, with a politically correct comment: “Hindi naman. We were in the same movie company and we were treated fairly. We’re like one big family.

In your case with Nora, and Gloria Romero and Nida Blanca, it’s different. Magka-iba kayo ng movie companies.” Vilma: “Ay ang sarap, sana, one of these days magksama rin kami ni Nora Aunor like this one, Ate Susan and Ate Nena, together.” Amalia Fuentes, Susan Roces and Vilma Santos. Isang Gabi, Tatlong Reyna. Susan, a movie queen, honoring a rival-friend movie queen Amalia on her 50th. birthday. Amalia confessed on the show and thanked Susan for throwing a surprise birthday party for her days before the Vilma show. What’s love got to do with it? In the case of Susan and Amalia, it’s love. In the case of Vilma and Amalia, it’s also love. Diva to diva. Competitors can be friends. May it also happen to Vilma Santos and Nora Aunor. Rivals on the silver screen, friends for life. After all, love conquers all. It is more permanent than fleeting fame and fortune. – Mario O. Garces, V Magazine Issue Nos 6 (READ MORE)

Susan Roces: A Superstar For All Seasons

Bago pa man naikabit ang mga titulong Superstar at Phenomenal kay Nora Aunor, at Star For All Seasons kay Vilma Santos, nauna nang itinawag ang mga ito kay Susan Roces noong siya’y nasa pinakarurok ng kanyang katanyagan, Dekada 60.

Breathes there a star with box office success history of Susan Roces? Isa sa ating nation’s top story and magazine writers has added a new cliche to the thousand and one adjectives used to describe the most popular today ng ating pelikula, Susan. He calls her a “movie phenomenon” which ranks her among “cinerama, technicolor, zoom lenses, etc…” things na bahagi na ng motion picture industry, with their incalculable influence in its development and growth. At the rate Susan is going since 1961, mula sa hindi na mabilang na mga box office hits, winning one movie title after another, one popularity award after another, napakadaling sabihin na siya’y isang institution. Pero, tiyakang tututol dito ang millions of her fans…sa halip nito they would insist na their Susan is the best for them on the screen…her face that refreshes, her sweetness that just seems to creep into their hearts, her life and love story which simply feeds their need for vicarious and story-book existence. Susan is the fullfillment of every Walter Mitty dream: Kay Susan ang story ng isang babaing who became a national celebrity through her chosen profession, by proving herself as an actress. Pero, don’t call her an institution yet please naman. Kung magkakagayun nga naman, nangangahulugan ito na her glorious days of triumph are over.

For the purposes ng artikulong ito, it is more than apt to say na Susan is a phonomenon, period. What other star can boast of her success – magmula pa sa Sampaguita Pictures na doo’y isa siyang contract star, she hit big time una nang sila’y magkatambal ni Romeo Vasquez sa pelikulang “Sino Ang Maysala.” Ito ang pelikulang naglunsand sa kanilang dalawa bilang ganap na bituin. Indeed, it was a blessing in disguise for Eddie Gitierrez nang ipasya ni Bobby na maging free-lancer. Biglang-bigla, Eddie hit the big league bilang bagong screen sweetheart ni Susan, with “Eddie Loves Susie” as their biggest hit. It also heightened suspense in predicting a real life love teaming of the two most beautiful people of SPI. Kaya naman hindi nakapagtataka na nang magsimula nang nag-freelance si Susan, and Ronnie Poe entered her life, all kinds of expectations were fanned. Will the king of box office win the heart of the Queen of the box-office? Sabi ng mga fans ni Eddie Gutierrez, “We hope no.” Sabi naman ng mga fans ni Susan,” It will not be difficult for Susan is the answer to everyman’s prayer.” Singit naman ng mga tagahanga ni Ronnie, “There goes our movie idol who has never permitted any girl to come before him. Karaniwan, ang mga katambal na bituing babae ni Ronnie sa kanyang pelikula ay mga newcomers o bagong mukha.

Pero nang makatambal ni Ronnie si Susan, he shares the spotlight equally with her. That must be “love!” How rightly the FPJ fans sized up their idol. Sa daigdig na ito ng dog eats dog way of life, of calous take advantage of your neighbor, he will take advantage of you, Susan is like a whiff of fress air, na nagpipilit sa tuwina on keeping faith with principles, contracts, and high sense of values. When everyone was being tempted to free-lance, despite contract, Susan herself was being besieged with irresistibly tempting offers. She did not even struggle to say “no.” Basta, she just kept shaking her head, sa pagsasabing, “There is a time and place for everything.” How right she was! Susan Roces, the freelancer went from one box office hit to another. Mula nang gawin niya ang “Ang Daigdig Ko’y Ikaw” na katambal ni Ronnie Poe, she seemed to have made the trend for later Susan Rocess successes. “Bayan Ko Lumaban Ka” opposite Romeo Vasquez was another box office phenomenon. “Zamboanga” reportedly broke the records of the pre-war version, at ito’y isa pang tambalang -Susan-Ronnie. Isang bagay lang ang masasabi natin kina Susan at Ronnie, they never tried to hit saturation point of the box office sa pamamagitan ng malimit na pagtatambal. By now, it is movie history how she gave a rebirth to Romeo Vasquez movie career when they made “Maruja” together.

Hindi makakalimutan ni Ricky Belmonte and pangyayaring siya’y a virtual unknown… a Tirso Cruz member of the family, but just that, until he was given his first picture – a the leading man of Susan in “Si Sianang at ang 7 Tsikiting.” Then, he started hittign it big. May nagsasabi na Eddie Gutierrez seems to lack for good roles nowadays. Sa malas, movie fans any other way except as Susan Roces leading man. Gayunman, this article was inspired by the success that was “Kulay Rosas Ang Pag-ibig.” Ito ang kasaysayan taht established Susan the phenomenon that she is, of the local motion pictures today. Made in 12 shooting days, in Eastmancolor, “Kulay…” is reportedly the first venture ni Susan bilang prodyuser. Pero, sinasabi ni Susan na it is not fair to call her the producer. Why I don’t know. Pero the fact is, the movie was ready for screening after 15 days and it was shown in the first class Ever Theatre. It has even proved to be a complete hit, na masasabing a big break for a new leading man of Susan, namely Ramil Rodriguez, Susan, the box office star is a starmaker in her own right, don’t you think so? Kaya naman no wonder that this writer who has made many box office hits for movie stars, from the time of Tita Duran to Fred Montilla down to Joseph Estrada, feels justified in making this observation tungkol kay Susan.

She is a phenomenom, at maaaring star na may pinaka-mahabang reign as a movie queen, na pinatutunayan ng maraming titles & trophies na kanyang natamo, at higit sa lahat sa napakarami niyang box office successes. Hindi nakapagtataka na sime movie fans wrote in that they couldn’t care less na hanggang ngayon ay hindi pa nakapagtatamo si Susan ng FAMAS acting award. The time will come, they are sure. For how come that is convincing to her millions of fans, at hindi to a handful of movie reviewers? It should happen anytime now, these Susan Roces fans predict. Sang-ayon ba kayo? – Teena Cruzet, Tin-Edyers Songs & Shows, June 27, 1968 (READ MORE)

Susan Roces bares what saved her marriage with Ronnie Poe – “Despite the usual showbiz intrigues that have come their way, the marriage of Fernando Poe Jr. and Susan Roces remains among the more durable relationship in showbiz. What could be their secret. “We’re friends! That’s very, very important in a relationship,” said Susan Roces. “Kasi, if you’re just lovers, it wears off easily. I love you, heart and soul. One hundred percent. Dapat ikaw din. Ako lang ang mahal mo, Ganoon. That’s when a person becomes so possessive na nakakasakal ba. If you’re friends, mas maganda. You can tell your wife or your husband certain things at puedeng magkaroon ng certain freedom. Hindi ‘yung sa kanya lang nakatutok ang mata mo that you see all the wrong things he has done and you start imagining what he can do when you’re not beside him.” According to her she and Ronnie agreed from the start to talk things over. “Let me explain,” Ronnie told her, “If there is something I should explain. Hindi ‘yung you’ve already made a conclusion based on what you read or heard na minsan naman eh hindi totoo.” She said there were times when a woman should be at home for her husband. Pero sa klase ng ating trabaho, this cannot always be so,” explained Susan. “Ako naman, whenever Ronnie shoots a film at alam kong medyo mahihirapan siya, I make it a point to be home para asikasuhin ko siya. I mean, you cannot let the maids take over. Tapos when he is settled at nakapahingana ang I have some other commitments I should attend to, that’s when I go. Wala namang problema doon. I guess it’s just a matter of understanding each other’s needs and the element of trust should always be there. Pag walang trust, malabo talaga.” – Lulubelle Lam Ramos, Manila Standard, May 10, 1991 (READ MORE)

Jesusa Purificación Sonora (born July 28, 1941), better known as Susan Rocés, is a Filipina actress and widow of Ronald Allan Kelley Poe, better known as Fernando Poe, Jr. Following the death of her husband in 2004, Rocés became a rallying point for the political opposition…Born to a French American mother and a Filipino father of Spanish and Chinese descent, Rocés is a member of one of the country’s biggest clans, the Locsin family of Negros Occidental. Their forebear Wo Sin Lok, a peddler from Amoy, had himself baptised into the Catholic Church as Agustín Locsin and married Cecilia Sayson of Molo. Rocés’s sister, Rosemarie Sonora, and niece Sheryl Cruz are also actresses. Rocés married Fernando Poe, Jr. and they have an adopted daughter, incumbent MTRCB Chairman Mary Grace Poe-Llamanzares. – Wikipedia (READ MORE)

Leron Leron Sinta Films

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Leron leron sinta (1972) – Directed by Emmanuel H. Borlaza, written by Nestor Torre, produced by Tagalog Ilang-Ilang Productions, featured Vilma Santos, Edgar Mortiz, Jay Ilagan, Florence Aguilar, Lillian Laing, Karlo Vero, Beth Manlongat, Ruben Tizon, Angelito, The Family Birth Control, Julius Obregon, Romeo Miranda, Rene Baraza, Lito Ladores, Eric Domingo, Caloy Distrito, Raffy Engle, Geoffrey Beltran, Catalino Almario Jr., Tacio Tangkad, Bayani Casimiro, Lito Calzado, Daisy Romualdez, and Manny Paner. (READ MORE)

Leron leron sinta (1964) – Directed by Rosa Mia, written by Gina Leonardo and Chari C. Araullo, adapted for screen by Medy Tarnate and Leticia Roxas, produced by Sampaguita Pictures, featured Susan Roces, Eddie Gutierrez, Liberty Ilagan, Introducing Ramil Rodriguez, Meldy Corrales, Bella Flores, Gina Pareno, Vic Pacia, directed by Rosa Mia. (READ MORE)

Buhay Artista

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Post-War – “…Ayon kay Mona Lisa, kasama siya sa tropa nina Fernando Poe, na siyang pangunahing aktor at direktor sa panahon ng giyera. Kasama nila sina Willie Chavez, Jaime dela Rosa at iba pa, nagpalipat-lipat sila sa Lyric, Capitol at Avenue Theaters. Ang artistang nakilala sa mga pelikulang, Ang Pagbabalik, Kolehiyala, Dilim at Liwanag, Bago Lumubog Ang Araw, Bahay Kubo at Magmamani ay napilitang kumanta, sumayaw at sumali sa mga iskit sa tanghalan. Bago pa lamang nagdadalaga si Virginia Montes sa gulang na katorse nang una niyang subukan ang stage shows sa mga huling taon ng WWII. Namatay sa giyera ang kaniyang ama at siya ang inaasahang tumulong sa kaniyang ina para sa buhayin silang magkakapatid. Kasama naman siya sa tropa ng mga nagsisipagtanghal sa Orient Theatre sa pamamahala ni Papang Salvador (Lou Salvador, Sr.) at ng kabiyak nitong si Aling Cora (ina nina Mina Aragon, Philip at Ramon Salvador). Sumasayaw sa stage si Virgie. Naalaala pa niya nang bago siya lumalabas ay naiiyak siya tuwing magsusuot siya ng maigsi. Pero wala naman siyang magawa, kasi iyon ang costume nila. Ang kanilang choreographer ay si Chuchi, sa supervision ni Don Jose Zarah na pagkatapos naman ng digmaan ay siyang namahala sa Clover Theatre. Kabilang sa mga artistang lumalabas sa mga stage shows noon sina Teroy de Guzman, Golay (kilala ngayon bilang Dolphy), Panchito Alba, Etang Discher, Rene Pangan, Chiquito, Balot, Metring David, Gregorio Ticman, Patsy, Lopito, Bayani Casimiro, Nieves at Ester Chavez…” – Irene Diaz-Castillo, Charlie V. Lozo and Liza Endaya, Ang Showbiz Ngayon, September 11, 1989 (READ MORE)

Television Show – “…The legendary comic duo of Dolphy and Panchito headlined Buhay Artista, one the top-rating TV shows in the 60s. A Sunday evening treat for the whole family telecast over Channel 3, from 7:30 t0 8:30 p.m….” – Simon Santos (READ MORE)

“…He is best remembered for the long-running TV show “Buhay Artista” (with Panchito) and “John en Marsha” with Nida Blanca as his with in an inspiring story about a poor yet happy family. The TV show was made into movies, just like “Home Along da Riles,” the show that followed it…” – Ricky Lo, The Philippine Star, July 11, 2012 (READ MORE)

Susan and Dolphy in Buhay Artista (1967) – Susan played a movie fan who became a movie star, opposite Dolphy. The have done several films prior to Buhay Artista, some are: Lab na Lab Kita (1962); Pepe En Pilar (1966); Susanang Daldal (1962) and Sa Lingo ang Bola (1961).

“…”Malaki ang agwat ng edad namin ni Dolphy. Ang kabarkada ko talaga [noon], yung kapatid niya, si Georgie [Quizon],” banggit din ni Susan sa younger brother ni Dolphy na namatay sa isang aksidente [hit-and-run], ilang taon na ang nakakaraan. “Pero very supportive si Dolphy sa amin ni Georgie. “Pagka merong extra’ng trabaho, binibigyan niya kami, sa mga radio shows niya. Du’n naman ako na-train sa voice acting. “Marami din kaming pinagsamahan na radio programs, nung panahon na ‘yon, sa dzRH,” wika rin ni Susan na naging tampok sa Mga Reyna ng Vicks (1958), pelikulang base sa radio program na ang sponsor ay Vicks Vaporub. Ito rin ang pinagbasehan ng kuwento ng Sapagka’t Kami’y Mga Misis Lamang [1977], tampok pa rin si Susan, Nora Aunor, Celia Rodriguez at Chichay. “Nu’ng nag-produce na siya [Dolphy], pagkatapos ng kontrata niya sa Sampaguita Pictures, at nung ako naman ay freelancer na rin, muli kaming nagkasama sa marami ring proyekto ng RVQ Productions. “Kaming Mga Taga-Ilog [1968], Pepe En Pilar [1966]… hindi ko na halos mabilang,” ang sabi ni Susan…”Mabait si Dolphy. Although malayo ang agwat namin sa edad, hindi namin siya tinatawag na ‘Kuya’ o ‘Tito,’ dahil alam namin na hindi siya magiging masaya na tawagin namin siya nang gano’n. “Pero alam niya na iginagalang namin siya. Kagalang-galang na, katulad nga ng maraming sinabi, yung mga na-interview, sabi nila, ‘Pag nakikita mo si Dolphy, kakaiba siya. “Iilan lang sa mga public personalities natin na pagpasok nila [sa isang pagtitipon] parang mapapatigil ka sa kanya, [dahil sa] respeto. “Sa personal, hindi naman siya pala-kuwento. Ah, mas madalas tahimik siya at nakikinig siya sa mga kuwento. “Gusto niya, meron siyang nakaka-kuwentuhan, pero i-e-encourage ka niyang ikaw ang magkuwento. “Ang bonding moments namin [noon], siyempre… pagkain!” nangiti si Susan pagkabanggit nito. Then, she recalled, “Paborito niya yung huling pinaluto ko para sa kanya. “That was a few months ago, na nasa bahay lang siya at ang sabi ng doktor, kailangan kumain siya nang kumain… kare-kare, adobo. Yun ang mga gusto niya…” – William R. Reyes (READ MORE)

Vilma and Dolphy in Buhay Artista (1979) – Dolphy and Vilma Santos did four films together. The first one was in her first year in show biz and in a Dolphy-Chichay film. After six years, the two reunited in one of early films of Nida Blanca and Dolphy. The film was sort of about family planning and birth control. Vi was in minor role and one of the child actors featured in the film. They followed this up with minor roles in the Cirio Santiago’s all-star-cast film. By later part of 1970s, both Dolphy and Vilma became a regular staples in award shows receiving several trophies as box office king and queen. Finally, after almost a decade from their last outings and no longer his film daughter, Dolphy and Vilma did their last film (to this day), this time, Vilma played the leading lady, in a film, ironically, about show business. Also, that year, Doply became the only male actor who portrayed Darna, the female comic-super-heroine in Darna Kuno. Not to be undone, Vilma will reprise the role the following year in her fourth and final film as Darna in Darna at Ding. At present time, both superstars made headlines as contenders for Philippines’ National Artists honors. Vilma respectfully and publicly asked for Dolphy to confer the title ahead of her.

“…Nakapanayam ng PEP.ph (Philippine Entertainment Portal) at ilang entertainment press sina Vilma at Lani, at kanilang ikinuwento sa amin ang mga hindi nila malilimutang sandali kasama ang Comedy King. Malungkot si Star for All Seasons Vilma Santos-Recto sa pagpanaw ni Dolphy, at sa opinyon niya’y “napilay” ang industriya ng pelikula at telebisyon sa ating bansa. Gayunman, hindi niya kailanman malilimutan ang Hari ng Komedya dahil “legacy na siya ng movie industry.” Dagdag pa niya, “So, katawan lang ‘yan, pero ‘yong legacy na iniwan ni Tito Dolphs would, ah, will definitely stay in the movie industry. “Hindi mabubuo ang movie industry kung wala si Dolphy.” Nagkasama sina Vilma at Dolphy sa pelikulang Buhay Artista Ngayon (1979), at nang mapanood niya raw ulit ito’y naalala niya ang tawanan nila sa set noong ginagawa ang pelikula. Kuwento niya, “Grabe, na-miss ko si Tito Dolphy. Ang galing namin sumayaw! “‘Yong dance sequence namin nakaka-miss talaga. “Pero wala, kanya-kanyang kontribusyon ‘yon, and at the end of the day, what’s important is the legacy na iiwan mo sa mga taong nagmahal sa ’yo. “For sixty years nagsilbi si Tito Dolphs, so talagang he’s one of the pillars ng pelikulang Pilipino.” At kung ang National Artist Award naman ang pag-uusapan, ito lamang ang opinyon ni Ate Vi: “Deserving si Tito Dolphy. “Deserving sa contribution, sa ginawa niya, lahat, lahat ng ginagawa niya noon—deserving si Tito Dolphs…” – Joyce Jimenez (READ MORE)

What’s Love Got To Do With It – Isang Gabi Tatlong Reyna

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One rainy Friday night in August, 1990, all roads led to the Metropolitan Theater where the top-rating and the most awarded musical-variety TV show VILMA! would air one of its most-watched episodes, ever.

Vilma Santos, who would turn 37 that year, was on cloud nine.  She was the toast of the town, in both movies and television.   Her Lino Brocka directed movie, “Hahamakin Lahat” was a commercial and critical success.  Come hell or high water (there was a tropical storm), fans queued at the SRO theaters and saw her out and out Cruella Deville role as Gabby Concepcion’s paramour.  Some like her bad.

Vilma, the versatile actress scored again.  Earlier, she won her first of six Star PMPC and her fourth Urian best actress awards for her ’best’ performance in years in Pahiram ng Isang Umaga, which was directed by Ishmael Bernal.  She also just finished Kapag Langit ang Humatol with Laurice Guillen at the helm. At the PMPC Star Awards for TV, Vilma’s show harvested the biggest awards. And on that particular rainy night at the jam packed Metropolitan Theater, Vilma Santos was paying tribute to a Movie Queen she loved dearly and who reciprocated that love. Amalia Fuentes was the special guest, who just turned 50.  Vilma! was giving her a tribute, with special appearances of former Sampaguita Productions ’stars.’

Everybody knew that despite the infamous Romeo Vasquez/Vilma Santos le-affair Amalia and Vilma remained the best of friends.  With a sincere, charismatic and humble La Vilma, who could resist her charm?  Yes, the original Taray Queen, forceful and outspoken former queen of Philippine movies, she with a strong personality but with the most beautiful face in Philippine cinema, acquiesced to her friend’s request to grace the most watched TV show.   Love begets love. Respect begets respect.  The retired and reclusive Amalia Fuentes could not say no to the current darling of Philippine movies.

To recall, the senior and junior movie queens appeared in these movies: Bulaklak at Paru-paro (1970), Mga Reynang Walang Trono(1976) and Asawa Ko, Huwag Mong Agawin (1986).   Amalia directed Vilma’s episode in Mga Reyna and agreed to second billing to Vilma in Asawa Ko.   No doubt about it, Amalia Muhlach Sumilang Fuentes, is a Vilmanian.  To seal their sisterhood and camaraderie, Vilma is Ninang to Liezl Martinez and to the latter’s son Alfonso.   Why, Liezl even sang a song ’’Wind Beneath My Wings’ to her surprised mother that night which drove the strong-willed and still beautiful Amalia to tears.  A Kodak moment, indeed.  Priceless! While interviewing the three Muhlach generations, Fuentes, Liezl and young daughter Aliyanna, Amalia revealed to Vilma that she is protective of her ’unica hija’ Liezl.  “Ay naku, I think I also have become like my Mom, I’m also very protective of my children,” Liezl remarks.

Ex-Sampaguita stars Luis Gonzales and German Moreno served as Vilma’s co-hosts who provided comic relief as they recalled their Sampaguita days with Amalia Fuentes.  Debonair Eddie Gutierrez also came to greet Amalia a Happy Birthday.  Then Daisy Romualdez, Amalia’s contemporary and best friend danced the mambo/cha-cha with dancing queen Vilma, along with Kuya Germs and Luis Gonzalez. “I messed up that dance number,” Daisy gamely confesses, “wala kasing practice.” On her friend Nena (Amalia), Daisy admires her colleague for being frank and outspoken like her. “Nagkasundo kami kaagad dahil pareho kaming prangka ni Nena, hindi kami plastik,” she bemuses.

The highlight of the evening was when Vilma introduced another special guest, the other Queen of Philippine movies, Amalia’s rival, Ms. Susan Roces. Radiant and regal in her Susan Roces hairdo and dark, glossy gown, Ms. Roces was polite and generous with her comments on her kumare-rival.  Vilma, obviously starstruck, throws a question to Susan: “What can you say about Ate Nena as being mataray and you Ate Susan as soft-spoken?”  Susan: “I’d like to make a correction Vi, Amalia is not mataray, she is just outspoken, pero nasa lugar, so there’s a difference there.”  Applause from the audience.  “Alam mo ba Vi na my mother dotes on Amalia dahil pareho silang prangka?  Sabi ng Mommy ko, iyang si Susan hindi pumaris kay Amalia, prangka at di iyakin.”

Amalia on Susan: “I want to be like Susan dahil she is so sweet and soft-spoken.  Doon nga sa weekly sessions namin, sabi ni Doctor Perez, why don’t you be like Susan, matiyaga sa fans, ikaw, sumakit lang ang ulo mo, ayaw mo nang harapin ang fans.” Guffaws and chuckles.  The conversation turns serious.  Vilma: “How did you handle the competition? Did the intrigues get in your way, affected you?”  Susan, smiling sweetly, with a politically correct comment: “Hindi naman. We were in the same movie company and we were treated fairly.  We’re like one big family.  In your case with Nora, and Gloria Romero and Nida Blanca, it’s different.  Magka-iba kayo ng movie companies.”  Vilma: “Ay ang sarap, sana, one of these days magksama rin kami ni Nora Aunor like this one, Ate Susan and Ate Nena, together.”

Amalia Fuentes, Susan Roces and Vilma Santos.  Isang Gabi, Tatlong Reyna. – Susan, a movie queen, honoring a rival-friend movie queen Amalia on her 50th. birthday.   Amalia confessed on the show and thanked Susan for throwing a surprise birthday party for her days before the Vilma show.  What’s love got to do with it?  In the case of Susan and Amalia, it’s love.  In the case of Vilma and Amalia, it’s also love. Diva to diva. Competitors can be friends.  May it also happen to Vilma Santos and Nora Aunor.  Rivals on the silver screen, friends for life.   A fter all, love conquers all.  It is more permanent than fleeting fame and fortune.  What’s Love Got To Do With It?  Isang Gabi Tatlong Reyna – Mario O. Garces, V Magazine

Remembering Vilma’s 18th Birthday!


The year was 1971, when ate Vi celebrated her debut. Ang tagal na pala. Parang kailan lang when I cut these photos sa isang newspaper. I was still in grade school then, at wala pang pambili ng mga magazines. So, I content myself sa newspaper naming sa bahay. As far as I can remember, isang bonggang birthday celebration iyon. Nagkaroon ng isang asalto on the eve of her birthday. Meron din fans party na ginanap sa Mehan garden, pero ang talagang coming-out party niya ay ginanap sa The Plaza restaurant. Wala na itong restaurant na ito ngayon, but it was very popular ng mga panahon na iyon.

The restaurant, which was, located sa Makati, ay siya ring naging venue ng reception ng wedding nina FPJ at Susan Roces. Ang asalto, fans party sa Mehan garden at ang debut party ay added attraction sa movie nina ate Vi at Edgar na “Eternally.” Ang gown ni ate Vi was made by Ben Farrales. Sa isang write-up interview kay Danilo Franco, na siyang gumawa ng wedding gown ni ate Vi, nabanggit nito that he was working for Mang Ben during that time. The white gown bore hand-painted pink roses, which were made by Danilo Franco. Star-studded ang party ni ate Vi. Halos lahat ng young stars of the era ay dumating. Ang mga kasamahan niya sa TV show na The Sensations ang siyang mga kasali sa cotillion.

Dumalo rin ang big stars of the era like sina Rosemarie at Ricky Belmonte, at doon nila inannounce na magpapakasal sila the following month. Special guest din si Mr. Manda Elizalde of Panamin, na tinulungan noon nina ate Vi at Edgar para ikampanya para sa Senado. Dumalo rin ang super big action star noon na si Tony Ferrer kasama ang kanyang misis na si Mutya Ng Pilipinas winner, Alice Crisostomo. Naroon rin ang mga producers ni Ate Vi at ang mga press people. It’s now 2005, 34 years na ang nakakaraan, pero andito pa rin si Ate Vi at siyang nangungunang Reyna ng pelikulang Pilipino. Nawala na ang mga kasabayan niya at maging ang mga sumunod sa kanya, pero nanatiling nag-iisa ang tunay na Reyna ng Pelikulang Pilipino sa lahat ng panahon. – Eric Nadurata, V Magazine 2006

Related Readings:
Vilma Santos-Edgar Mortiz Love Team Circa 1970
Edgar Loves Vilma
IMDB: Edgar Mortiz
Vilma Santos From Wikipedia
Edgar Mortiz From Wikipedia
Vilma Santos-Edgar Mortiz Love Team Circa 1970
The Sweet Voice of Vilma Santos
Vilma Santos’ Sixteen Interview
Discography: Sixteen (1970)
If Vilma comes, can Edgar be far behind?
Love Letters thief
Vi and Bot Photo Album
Ang Makulay na Buhay-Pag-ibig ni Rosa Vilma Santos
Ultimate Scrapbook (Repost)
Pelikula, ATBP’s Nostalgia 2: Vilma and Edgar
Vi And Bot – Sweet Sixteen
Remembering Vilma’s 18th Birthday
Paper Doll by Vilma Santos & Edgar Mortiz Illustrated by Rudy Nebres Kislap, 1974-1975
Nostalgia: Subok na Matibay Subok na Matatag Vilma-Edgar
Top 10 Leading Men
Family Life in the 70s
Love Letters (1970)
Vilma and Edgar Duet (Video)
Sixteen – Vilma Santos (Video)
CLIPS – Sixteen (Video)