Basic Information: Directed: Emmanuel H. Borlaza; Story: Jose Javier Reyes; Screenplay: Jose Javier Reyes; Cast: Vilma Santos, Snooky Serna, Maricel Soriano, Gabby Concepcion, Richard Gomez, Eddie Garcia, Liza Lorena, Chanda Romero, Deborah Sun, Jimi Melendez; Executive producer: Lily Y. Monteverde; Original Music: Willy Cruz; Cinematography: Conrado Baltazar; Film Editing: George Jarlego; Production Design: Dez Bautista, Rei Nicolas; Art Direction: Arlene Abuid, Judy Lou de Pio; Sound: Rudy Baldovino
Plot Description: After a string of unsuccessful relationships, Corina married Teddy, an old widow whose daughter, Ana and sister Julita never approved of his new wife.
An assertive young stepmother, a rebellious stepdaughter, and a working wife whose career provides tension between the wife and her husband are the portraits of the strong-willed woman of the 1980s. – ABS-CBN (READ MORE)
After a string of unsuccessful relationships with different men, Corina (Vilma Santos) finally settles down with Teodolfo/Teddy, (Eddie Garcia), an old widowed man whose daughter, Ana (Maricel Soriano) and sister Julita (Rosemarie Gil), never approved of his new wife. In her best attempt of being a good wife and stepmother to her new family, Corina gets smitten by Neil (Gabby Concepcion), a married man with a kid whom she had an affair with. Things get haywire as Corina starts to feel guilty about cheating on Teddy who has been good to her. Ana also discovers her adulterous acts and tries to kick her out of the family. Just when Neil is ready to leave his wife Vicky (Snooky Serna) and their kid for Corina, everything turns around when Teddy’s death revealed a secret that changed their lives forever. – Regal (READ MORE)
Film Review: “…Often pitted against then-rival Maricel Soriano, she made numerous blockbuster movies with her in the ’80s like Underage, Schoolgirls, Story of Three Loves and Anak ni Waray vs. Anak ni Biday, among others. She also had her share of TV shows including the weekly musical variety ‘Always Snooky’ and weekly drama feature on ‘Regal Drama Presents: Snooky’ in ABS-CBN Channel 2. As a mature actress, she tackled roles which earned acting nominations from various award giving bodies. She was also in Kapag Napagod Ang Puso with Christopher de Leon and Inagaw Mo Ang Lahat Sa Akin (Harvest Home – official Philippine entry to the 1995 Oscars) but unfortunately was snubbed during awards night. Her other major films include Aabot Hanggang Sukdulan, Yesterday, Today and Tomorrow, Hahamakin ang Lahat with Vilma Santos, the fantasy films Blusang Itim, Rosa Mistica, and Madonna: Ang Babaing Ahas. It was with Koronang Itim, that she finally won Best Lead Actress trophy. She has starred in over (80) films from 1970 to 2004…” – Wikipedia (READ MORE)
“…Statistically, there are really more husbands who betray their wives than the other way around. And since films basically mirror life, there are more movies about philandering husbands than adulterous wives. In the eternal love triangle of Eddie Rodriguez, Lolita Rodriguez and Marlene Dauden, it is always the man who is at fault. And then, there are those film bios of our super cops who are always portrayed as having mistresses – like Joe Pring (played by Phillip Salvador), who had a legal wife in the film (portrayed by Aurora Sevilla) and yet maintained a mistress (Maila Gumila) on the side. Films about wives fooling around are actually fewer. However, these movies seem to be more exciting because they often have drama and suspense. This is likely because the adulterous character has to dangerously tread on the ego of the husband. In local cinema, I remember a few films about women characters playing with fire. Amalia Fuentes playing a married actress in love with co-star Eddie Rodriguez in Pag-ibig Mo, Buhay Ko; Hilda Koronel (married to an older man, Mario Montenegro), who falls for the charms of Orestes Ojeda in Marupok, Mapusok, Maharot; Vilma Santos agreeing to become the mistress of Mario Montenegro in order to have a better life – in spite of being married to Phillip Salvador in Adultery; Vilma Santos again, bored with her old husband (Eddie Garcia) and carries on an affair with Gabby Concepcion in Yesterday, Today and Tomorrow and Anna Marie Gutierrez in the aptly titled Unfaithful Wife…” – Butch Francisco (READ MORE)
Komiks Genre – “…Encouraged by the huge successes of Viva Films’ komiks melodramas, a lot of local film producers are reviewing their producers are reviewing their production thrusts for the year to see if they can fit in the illustrated komiks materials, if any titles are left unsold and unoptioned. It would seem that Viva, Seiko, Amazaldy and Cine Suerte have cornered practically all the popular serials running in various komiks magazines, such is the faith of our local producers in the works of our komiks masters, the likes of Carlo Caparas, Jim Fernandez, Nerissa Cabral, Elena Patron, et al. The komiks, made no mistake about it, has been mined by local moviemakers before. A generation of Sampaguita stars should be grateful for the komiks for practically all of them got their awards essaying a komiks characters, Inspirasyon for Carmen Rosales, Basahang Ginto for Alicia Vergel, Gilda for Lolita Rodriguez, Bondying for Fred Montilla, the list can go on and on…the glory days of komiks were raised to a new plateau by Viva Films whose devotion and belief in the komiks serial proved to be Sharon Cuneta’s (also Vilma Santos’) box office blessing. With the Viva’s success formula, most film company are following suit. Regal’s Yesterday, Today and Tomorrow, for example, is a huge success. It is also a tried-and-tested komiks formaula film. Parang Viva Films, observed one moviegoers, with all that gloss, quatable dialogue, and seeming superficialities of the komiks aristocracy…” – Oscar Miranda, Timesweek, 9 February 1986, reposted by Pelikula Atbp blogsite (READ MORE)