At 28, a changing maturing Vi


I didn’t snub the Metro Manila Filmfest by not attending the awards night. And it’s not true I didn’t expect to win. I did my best in Karma and modesty aside, I knew I had a good chance of winning. But then I had little time left to prepare for the occasion. Duds and I were busy attending to construction workers at the time,” said a more vivacious and vibrant Vilma Santos, adjudged best actress of the 1981 Metro Manila Film Festival for her scintillating performance in Karma, about reincarnation and love eternal.

Vi and hubby Edu are busy looking after the building of their two-storey house on a 683 sqm.lot in United Paranque, Metro Manila. “I’m proud and happy that this is Dud’s gift to me and Lucky,” said Vilma, beaming with joy. “This house is too big for a small family like ours,” she added, referring to the Magallanes house where they’re staying. “We hope to transfer to our new home before the end of the month.” Which also means that Vi is selling her five-bedroom home, complete with swimming pool. The house and lot are being sold for P 1.6 million. “What will I do with a big house like this? We only occupy one room. Maintaining and cleaning the other rooms will just eat up our time. We have other things to pay attention to,” rationalized Vi.

Does the sale have something to do with her BIR problems as some detractors would have it? “Some people are always watching to see what’s your next move. So what if I sell it? I’m not selling somebody else’s property. I know what’s good for me and I know what’s not! My detractors might also want to know that I don’t have any BIR problems any more. I’m thankful to the BIR for helping me,” said Vi, a little tense. At age 28, Vilma Santos’ life is now, “very different” from when she was single. She still has time for friends and reporters, “but I can no longer spend all my time with them now. If people can only see my timetable, they’ll know that I shoot six times a week. I only have Sundays for my family. That one day I don’t want to take away from them,” she said. “But I see to it that I meet my friends at least twice a month. I hope they’ll understand.”

As a married woman, Vilma does not keep a circle of friends. “Frankly, I’ve never had a barkada. Ang barkada ko talaga ay ang pamilya ko. Anyway, my female colleagues from the movies are all my friends.” Vilma denied reports that Edu has been limiting her public appearances. “I want it known that Doods is a very understanding husband. He has nothing against my movie career. He just wants me to give priority to my family and I think he is right. The freedom that he gives me is enough for me not to abuse it,” she said, to straighten out rumors that Edu had asked her to quit acting and that they plan to settle in Canada or in the States. “We’re planning to leave for the US but for a short pleasure trip only.”

Another remarkbale change in Vi is that she can no longer shoot several movies simultaneously. The most is two pictures at a time. Her own ceiling is five movies a year. Before, she used to make an average of one picture a month. She has become choosy about accepting film offers. “At this stage of my career, I can only portray roles that suit my status in real life. Can you imagine a wife and mother playing the role of a carefree, innocent, sweet teenager? I believe that an actress should grow up in her roles. One can’t be a nina bonita forever,” she philosophized.

So far, Vi has accepted only two major film assignments: Relasyon, where she plays mistress to Christopher de Leon; and a still untitled movie to be directed by Eddie Garcia under Viva Films. She has other offers from Sining Silangan, Cinex Films and Mirick Productions, but she is studying them carefully. Vi is managing her own movie career now. Before, she would ask somebody to transact the business with film producers in her behalf. “I was to spoiled and very dependent. But now, I talk business directly with them.” Vi has also limited her alalay to a few. The new set-up challenges Vilma.

This makes life for her more colorful and exciting, and she doesn’t have to have a battery of PROs. “Why should I hire so many of them if I’m trying to do some saving now? Of course, I still need them but I hope they give me a break.” Vilma’s latest MMFF best actress trophy is her fifth major award. She won the FAMAS best actress plum in 1972 for a superb characterization in Dama de Noche. She also won the MMFF best actress statuette for Burlesk Queen in 1977. As a child actress, she romped away (FAMAS) for Trudis Liit, aside from the best actress award she won in 1975 Bacolod City Film Festival for Nakakahiya? Vi sends her heartfelt thanks to Chanda Romero, her co-star in Karma, for her inspiring remarks on awards night:“Lucky girl this Vilma. may Edu na. May Lucky na, may trophy pa!” Vi said she was so touched by Chanda’s unselfish remarks, she tried to reach Chanda by phone, to thank her but she couldn’t.

Vi also extends warmest thanks to her Tito Ed (Rodriguez) for commenting that she, Vilma, is “your favorite and mine.” “For their superlative compliments, I look forward to 1982.” Right now, Vi’s main concern is her son Lucky (born Luis Philippe Manzano eight months ago). Vi and Edu do not approve of their son being public property. There’s nothing wrong with being a movie star, they say.  After all, acting can be ‘inherited’ by their son. But the couple will not go out of their way to force their son into the showbiz world. “I want him to lead a normal life and not to be deprived of the privacy he’s entitled to,” Vi reasoned. One thing sure, she will see to it that Lucky finishes his studies. “ We will not rule his future life. He will decide for himself. If he has artistic leanings, we cannot stop him.  But, repeat, we will not force him to pursue anything he doesn’t like!”

Vi has many things to thank for. First, she has survived keen and cut throat competition for the past many years. Despite new and fresh talents on the scene, she has managed to keep a steady following. All her recent movies have been blockbusters. She’s glad her fans when she was 16 are still her fans today. “Oh yes, just like me, they have matured and grown up. They are the type who do not invade one’s privacy. They know their limitations. But they’re always concerned whenever they hear unpleasant news about me and my family.” Vi is happy that people flock to her movies not because of the ‘boldness’ of the story but because of the character she plays. Posing with her festival trophy, she said with supreme confidence,“ I’ll continue acting so long as my fans like me. From hereon, I promise to make movies that are relevant and will be appreciated by the public.” – Manny B. Fernandez, People magazine, Jan 15, 1982

The Superstar at 18 Vilma Blooms


“Ay naku, musmos pa ‘yan talagang mahilig na sa drama!” And Mrs. Milagros Santos (or Mommy Santos, as she is fondly called by diehard fans), mother of Superstar Vilma, proceeds to relate how her darling daughter religiously followed her favorite soap-operas on the radio in her off-school hours, imitating the airlane actresses later on when the family gathered at the sala. “Umiiyak pa ‘yan,” Mommy Santos goes on, “and she really cried real tears.”

Of course, Vi’s histrionic potentials didn’t escape the attention of her teachers in school. Everytime there was an affair on the campus, she would be there on stage, either delivering a declamation, singing a song or making like a little Rosa Mia in a drama skit. One day in 1962, eight-year old Vi tagged along with her uncle Amaury Agra (a cameraman) to the Sampaguita Studios to watch her favorite actresses and actors act before the cameras. Doc Perez saw her and was so fascinated by Vi’s lovable ways that, there and then, he let her play one of the two waifs in the tearjerker, Anak, Ang Iyong Ina!, a Lolita Rodriguez-Luis Gonzales starrer, afilming at that time. “Doc didn’t even give me a screen test,” Vi cuts in.

Days later, during a shooting lull, Vi wandered around the huge studio and found herself in the office of Doc Perez where some 800 tots were being tested for the title role of the next Sampaguita film. By accident, Vi got into the contest and walked away with the coveted role hands down. “Doc asked me to cry, umiyak naman ako,” Vi recalls, “he asked me to laugh, tumawa naman ako ng husto, ganyan. He asked me to do many other things. He must have been impressed dahil he assigned the role of Trudis Liit kaagad to me.” That was how Vilma Santos broke into the big screen. “My real name is actually Rosa Vilma Santos.  Pero sabi ni Doc, there were several Rosa’s in the movies already, may Rosa Mia, may Rosa Rosal, may Rosa Aguirre, so he decided to drop Rosa from my name.”

For four years, from 1962 to 66, there was hardly any tearjerker without Vilma Santos in the cast.  A born actress, she was very precocious and had a notably alacrity for giving in to what her roles demanded.  She absorbed difficult and emotion-filled dialogues with ease and acted her parts very naturally.   As a child actress, she chalked up more than a dozen movies and had ably pitted acting talents with such drama stalwarts as Eddie Rodriguez, Marlene Dauden, Lolita Rodriguez and Luis Gonzales.  “I have two favorite pictures as a child actress, “ she says. “ang isa ‘yong Trudis Liit nga and the other is Ging where I portrayed the role of a child actress. When I saw the first movie sa sine, I cried because I pitied myself in the movie, kawawa kasi ako doon, e. It was s sob story you know, at kahit siguro ikaw maiiyak ka rin.

In Ging, nahirapan ako ng katakut-takot because it was heavy drama. Pero it gave me a very good chance to really act dahil it had a little of everything, a little drama, a little musical, a little comedy, a little of marami pang iba.” She had to stop appearing in the movies after finishing grade school. “I wanted to concentrate on my studies, that’s why I enrolled at the St. Mary’s Academy. I wanted to take up Fine Arts after graduation. I loved to paint noon, you know, pero ngayon, hindi na masyado.” But once an actress, so the saying goes, always an actress. Vi was in her third year high school when she felt an irresistable itch to work again before the cameras.

At first, her parents (Mr. and Mrs. Amado Constantino Santos) were reluctant but a compromise was reached: no shooting during her class schedules. By this time, Vilma was growing up to be a lady. This was mid-1969. The advent of 1970 brought new prospects for Vi and her young colleagues. Susan Roces and Amalia Fuentes had got hitched and there was some sort of a “search for another queen” in local filmdom.   Because she had a strong public appeal and very endearing ways with her legions of followers (Vilmanians!) Vi was easily considered a possible successor to the throne left vacant by Susan and Amalia.

But she had a rival in the person of Nora Aunor. “There’s realy no personal rivalry between us,” she assures. “Friends kami, e.” It was when she got paired with Edgar Mortiz (Vi’s boyfriend on and off the camera) that Vi’s star shone doubly brighter in the movie firmament.   The team up also did good to Edgar. First paired in Sampaguita’s Young Love (where they appeared with Nora Aunor and Tirso Cruz III), Vi and Edgar have now finished more than two dozen films, all of them veritable box-office hits.  The two are under contract with Tagalog Ilang-Ilang Productions but they have an option to make pictures with other outfits with the proper consent of TIIP bosses. “I like Bobot (that’s how Edgar is called by Vi and their fans) naman because mabait siya at gentleman,” Vi smiles.

The crowning glory of their careers came early this year when they won as Mr and Miss Philippine Movies in a nationwide popularity contest conducted by a vernacular magazine. Their coronation grabbed the headlines when some fans of defeated stars staged a rampage, prompting Mommy Santos to announce on the microphone that “it was not our side that started the commotion. ” Aside from being good neighbors in a subdivision in Quezon City, Vi and Edgar are ‘always together’ anywhere they go. In addition to their movie work, they have also two regular shows on television, The Sensations (which was made into a movie) and Edgar Loves Vilma, both on Channel 2.

They also did several recordings together, all of them a sellout. Vi waxed her first (solo) single when she was 16 and the title of the song was Sixteen. But Vi has a drawing power all her own. No matter who her leading man is, her movies invariably attract moviegoers. Ikaw Lamang, where she had Paolo Romero for her love interest, was acclaimed topgrosser in the Quezon City Film Festival last September. One of her latest pictures, Teen-age Senorita with Manny de Leon, grossed no less than P40,000 on its first day showing in two theaters. (The movie was made by Zodiac Films, an outfit owned by Manny’s family.) Vi celebrated her 18th birthday last November 3 in a style befitting a superstar. There was a whole-day celebration; fans from as far north as Ilocos and as far south as Cebu came to greet her.  The unforgettable day was capped with a formal ball at The Plaza where Vi had no less than Manda Elizalde, the senatorial candidate she and Bobot had campaigned for in the last elections, as a special guest. And like a faithful boyfriend, Edgar stayed close to Vilma throughout the affair.

Two weeks later, the two left to make two movies in Hawaii and USA. At 18, you may ask, what else does Vilma Santos crave for? “Not much”, she says. “I just hope that good things will continue to happen to me, that my fans will remain loyal and true.” Despite success, Vi has remained level-headed; she has admirably kept her sweet and charming disposition. Even when confronted with malicious gossip about her, she just remains calm: “I don’t mind rumors very much. As a movie star, I am susceptible to gossips, but I choose to ignore them.” And because she is truly aware that stardom is temporary, Vilma Santos doesn’t mind working hard now, accepting the many offers that come her way as long as they don’t endanger her health -and her image. “My philosophy is simple,” she says, “Make hay while the sun shines.” Mommy Santos could only nod in agreement. – Written by Ricardo F. Lo The Sunday Times Magazine – Dec. 5, 1971

Thrilla in Lipa

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She dusted off a tear.  An adoring crowd of 5,000 people held its breath, an interregnum to an expected climax.  She said “I will run” and the crowd was ready to go.  To wherever she would lead them.  The Batangas capitol in May.  Tomorrow, who knows?  The electricity of that moment in Lipa City, when Mayor Vilma Santos announced her candidacy for Batangas governor, was hard to miss.  Those with a sense of politics can always feel those defining moments.

It is said that Karl Rove was once asked by the Elder Bush to give car keys to his son George W. and what Rove saw in their first meeting was a future president swaggering in a bomber jacket, not a near bum which George W. was then. As Rove handed the car keys to George W., he likewise indentured his political skills to his future president. Just two weeks ago on a sunny day in Lipa City, Vilma Santos, without a script and out of reel range, shook the ground of Philippine politics with her own defining moment.

She was no longer Vilma Santos, who became mayor on the usual formula of movie fame. She was, in the broader political landscape, several times larger than her small physical frame and her city mayor-status. She spoke of dreams, of family, of heeding a clamor, the usual stuff. But she did this with seeming earnestness and that obvious political gravitas. And because of the TV news crew, she did it on a national stage.

Indeed, will that Lipa moment merely take her to the capitol? Or elsewhere in 2010? Nobody is pushing Ms. Santos to run for president now. All of that is still presumptuous and premature. She has to wait for two months to take the capitol, that boorish character is a temporary hurdle. But give her a maximum of two years and there will be pressure for her to consider running for the presidency. Her advantage is that no superhuman accomplishments have to be accomplished to vest her with the perception of fitness and competence.

She already has been crowned with the tiara of efficiency. The reality is anybody could have done what she did in Lipa City. Most growth-driven Philippine provinces and cities grow on their own, with little help from government. Or, despite government.  She only has to do one third of what the Opus Dei-member former governor did and she will be hailed as the “best governor” of Batangas.

Ms. Santos has this uncanny knack of being associated with the positive things in her life, her colorful Romeo Vazques days entirely forgotten. This is very rare in politics, where the muck is what is always remembered. Even the grand old figure of Philippine politics, former Senate President Jovito Salonga, said there is something rare about Vilma Santos, an actress who went to politics and who later honed her craft in public administration. If the political handlers of the three known presidential aspirants managed to watch that thriller in Lipa, a redrawing of political plan is in order.

The leading aspirant cannot just live off the glory of his “Mr. Palengke” ads.  It will be a tired one by 2010, the public markets may no longer have local products to sell unless we check the savagery of unfair international trade and put the safety nets in place for our agriproducers. The other one has to put his “Sipag at Tiyaga” story to rest. It is now the generation of get-rich-quick tech wizards, of the Google duo who turned billionaires overnight, of Indian steel magnates who never started from scratch. It is not all about a booming voice, Kabayan should realize.  He has to recompose his story. Starting really small, as the late Inday Badiday’s coffee boy, and succeeding, is an episode good for one senatorial run. It would be an exhausted story by 2010. Right now, only Vilma Santos has bankable political script with a compelling narrative at that. – Marlen V. Ronquillo, The Manila Times March 25, 2007

RELATED ARTICLES: “Maligayang-maligaya ako!” – DAPAT sana’y nu’ng Biyernes pa nang hapon ginanap na ang proklamasyon ni Gov. Vilma Santos, mahirap nang kuwestiyunin pa ang malaking agwat ng kanyang boto kay Gov. Armand Sanchez.  Pero si Mayor Vilma mismo ang tumanggi. Gusto muna niyang makumpleto ang bilangan, naiiwanan pa nu’ng mga panahong yun ang boto ng Tanauan, Batangas. Sabi ng tatawagin na nating Governor Vilma Santos ngayon, “Kailangan kumpleto ang lahat ng lugar para mas maayos, gusto na nilang ganapin ang proclamation, pero sabi ko, hintayin na ang boto ng lahat ng bayan para mas malinaw.

“Maligayang- maligaya ako sa naging takbo ng kandidatura ko, wala akong masasabi sa ngayon kundi maraming salamat sa lahat ng mga kababayan kong nagtiwala sa akin,” maigsing sabi ng Star for All Seasons.  Marami nang programa ang nagpapaabot ng imbitasyon sa kanya para sa live guesting, pero muli, tumanggi muna ang aktres/politiko.  Forgive me, gusto ko nang ipaabot ang pasasalamat ko sa mga kababayan ko, pero gusto ko muna talagang matapos ang bilangan. Ayokong ma-proclaim nang hindi pa tapos ang lahat ng towns, gusto kong plantsado lahat, ayokong magkaroon pa ng problema, baka ma-technical pa tayo. Mahimbing na ang tulog niya ngayon, pero ang kasiyahan niya, ay hindi pa isangdaan porsiento, gusto muna niyang malaman at makitang stable na ang posisyon ng kanyang asawa sa labanan. Pangako ni Gov. Vilma, kapag maayos na ang kartada ni Sen. Ralph Recto ay pagbibigyan na niya ang mga imbitasyon, kumpleto na ang kanyang kaligayahan sa mga panahong ’yun. –  Cristy Fermin, Balita, 05/21/07

Vilma Santos prinoklama nang bagong gobernadora ng Batangas -IDINEKLARA na ng Commission on Elections bilang bagong gobernador ng Batangas ang aktres at alkalde ng Lipa City na si Vilma Santos.  Sa report ng ANC, nakakuha ng 475,740 votes si Santos kumpara sa pinakamahigpit nitong katunggali na si incumbent Gov. Armand Sanchez na nakakuha lamang ng 344,959 na boto. Ani Santos, agad siyang magsasagawa ng konsultasyon sa mga residente upang matukoy ang mga proyekto na kailangan niyang pagtuunan ng pansin. Samantala, inireklamo naman sa Comelec ni Sanchez ang pagkapanalo ni Santos. Sa report ng dzBB, naghain ng petisyon si Sanchez sa pamamagitan ng abugado nito upang maideklara ang “total failure of elections” sa Batangas.  Inakusahan ng kampo ni Sanchez ang kampo ni Santos nang ballot switching, vote padding at vote-buying. – People’s Journal 05/22/07

QueenStar, new title for Vilma?

Is the title Star For All Seasons not enough for Vilma Santos?   Not if you ask an Ateneo student who wrote a paper for his film course in school and proposed that the title “Queenstar” fits Vilma better. Listen to what reader Xavier Limtuaco of Makati City has to say: My best friend wrote a paper on his Film Course at the Ateneo on what the appropriate title should be for Ms. Vilma Santos.  He proposed the title “Queenstar” because her current title “Star for All Seasons” undermines her status and achievements as a movie queen and all-time Best Actress.

He got an “A” from Father Nick Cruz for his paper. “Star for all Seasons” sounds so plain when compared to the strength or magnitude of “Superstar” and “Megastar” which is why he thought of “Queenstar.”  I loved the title because I was proposing myself to change her title to “Queen for all Seasons.” With “Star for all Seasons” Vilma is simply a star with no adjective describing her star status. 

“Queenstar” befits Ate Vi to a T because she has been Box-Office Queen many times and she has been called “Queen Vi” many times as well.  Vilma is the only movie queen to have successfully combined commercial and artistic success unlike most movie queens or dramatic actresses who can not have the best of both worlds.  I hope that your column could push for the new title for Ate Vi since she deserves a better and more appropriate title. “Queenstar” is a title Vilma richly deserves in view of her outstanding artistic achievements in local show business then… until now when, after 42 years in the business, she is still at the peak of her career with projects lined up for her by major film studios like Regal, Star Cinema and Unitel. Hail to Vilma Santos, Queenstar! Sincerely, Xavier Limtuaco –  FUNFARE By Ricardo F. Lo The Philippine Star 02/21/2005

Her Dreams and Aspirations


When someone has achieved so much in life and countless blessings and rewards have been reaped, is there anything more that a person would aspire for? For Vilma Santos, a Movie Queen of the highest magnitude and Star For All Seasons, the answer would be a resounding yes. At this stage in her life where she multi-tasks as a mother, wife, actress, public servant and icon to millions, Ate Vi still wants to do many things. She has many plans for herself, her family, her solid and loyal fans, her flourishing political career and, of course, her illustrious movie career even after having been in local show business for the past 43 years.

Ate Vi considers herself as a “work-inprogress ” because she is a willing student and a non-stop learner who sees life, whether in the personal, show business or political aspect, as a continuing learning process. Being the first woman mayor of Lipa City, Mayor Vi’s priority at the moment is to finish her third and final term which ends in May 2007 and to leave with a passing grade and a good legacy as Mayor. Indeed, Mayor Vi will surely realize this because Lipa City has easily become one of the best managed cities in the Philippines with revenues soaring year after year since she assumed the mayorship in 1998.

The best thing about being Mayor and “Ina ng Lipa” is her ability as a leader to inspire her constituents which paves the way for unity to attain and realize a common goal. Nowadays, people are convincing Mayor Vi to take the next best and higher step which is to run for Governor of Batangas. If she decides to run, her political experience and immense popularity will serve her well and her expected victory will certainly be a cause for euphoric celebration.

After her marriage to actor-model Edu Manzano in 1980, giving birth to her first son, Luis, who is now a successful actor and TV host, and weathering seemingly insurmountable tax and financial problems with the unselfish guidance and assistance of her closest advisers, Vilma picked up the pieces and put her life in order. She settled down and married then Congressman of Batangas and now Senator Ralph G. Recto. They have been blessed with a precocious child, Ryan Christian. Vilma now leads an organized and peaceful life devoid of controversy or scandal. Like any other mother and wife, Vilma always prays for her family to remain intact and for love and respect to endure and abound between her family members. If she finds time in the near future, she would like to try her luck in other worthy endeavors and engage in the real estate business.

Her solid and loyal fan base is truly one of Vilma’s greatest assets. Her Vilmanians have been there supporting her all these years from the time she was a child actress to her sweet sixteen days and now that she is already a mother and public servant. She considers her fans as part of her life, derives inspiration from their supportive presence through the years and looks forward to their gettogethers. Ate Vi humbly says that she owes her fans what she is today. Inspite of her stature as a top movie star and public servant, she still possesses the endearing traits that her fans have always loved in her – humility, warmth and sincerity. Her innate ability to handle fame and power and her capacity to sincerely interact with people from all walks of life are truly worth emulating and should serve as a lesson to anyone on the timeless value of humility and sincerity.

Although Vilma directed a well-received TV movie before (“Lazarito”), she still wishes to direct a full-length film feature soon. She holds in high esteem her favorite lady directors like Laurice Guillen, Marilou Diaz-Abaya, Rory Quintos, and Olive Lamasan. She would like to work with Peque Gallaga in the future and hopes to be reunited with Chito Rono and Mike de Leon who have both directed her best films.

Vi’s dream role before was to play a young retardate like the role of Patty Duke, one of her favorites, in “The Miracle Worker” but also considers the role of the teacher played by the late Anne Bancroft as similarly challenging. Other foreign actresses Vilma admires because of their flexibility in playing various roles are Jodie Foster, Julia Roberts and the great Meryl Streep who was jokingly referred to by a renowned columnist as “the Vilma Santos of  Hollywood.” Show business will always be part of Vilma’s life because according to her, this is “in her blood.” She has been in the business for the past 43 years and has shown no signs of stopping. The best years still lie ahead for Vilma because she is still at her thespic peak.

She wants to keep making movies in the tradition of Gloria Romero, a great veteran actress she admires and looks up to and who she had the privilege of working with in several unforgettable films including “Anak, Ang Iyong Ina,” and “Saan Nagtatago ang Pag-ibig.” Vilma also highly respects another great veteran actress, Lolita Rodriguez, for her sheer talent and professionalism. They played mother and daughter when Vilma was a child actress in “Kasalanan Kaya?” (1968) a highly-charged family drama directed by the late actor-director Eddie Rodriguez.

Vilma’s present state of affairs both in the public and private aspect truly bespeaks of someone who has taken complete control of her life and someone with a high level of emotional intelligence and maturity. She is one person who deserves all the blessings in life because she has worked hard and knows how to handle, preserve and share these blessings.

Any Vilmanian would still want her to make more movies and win more awards even if she is already the most awarded local actress in Philippine movies. Her political agenda is still uncertain. But wherever Vilma goes, her fans and supporters will surely be there all the way. They will stand by her side no matter what happens because, in this day and age, genuine icons like Vilma Santos are rare and hard-to-find and when they are found, they are loved, nurtured, treasured and cherished forever. – Paolo Salas, Celebrity Chronicle, Nov 2006

Why Vilma succeeded, Nora failed in politics

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Imagine a question that still gives pause to Vilma Santos — mayor of Lipa City, candidate for governor of Batangas, and showbiz’s “Star for All Seasons,” among other callings. This one did on Monday, during merienda with a handful of women journalists: “What are your plans for Mother’s Day?” Santos glanced at her husband, reelectionist Sen. Ralph Recto, across the table. “Where will you be on Sunday?” One word to describe their days and nights of late — “hectic.” But, Mayor Vi hastened to add, “We manage.” She did not elaborate.

Asked when they were last together, not counting hours when they slept, she figured, “Day before Monday.” That was not a complaint. “We don’t expect too much of one another,” she explained. “He has a big campaign to run, and I am focused on my own. Not once have I gone with him this year, in fact.” Although the senator constantly asks about her political jaunts, he can’t join her, either. “Luis (her son by Edu Manzano) does when he can, though,” Santos said. On Tuesday, the young actor participates in his mother’s motorcade around the province. “Luis is very busy himself,” Santos added, sounding apologetic. “I try not to impose, but he says he doesn’t mind.

 Besides it’s so much more fun with him.” Luis Manzano is a music veejay and an upcoming comedian with a current hit movie. Still found time, believe it or not, to mind her husband’s wardrobe — “what he should wear, what he should bring on his trips” – his minimum requirement at the moment, she noted, along with one other thing: “That I listen to his speeches.” Which she does very willingly, she said, especially because it was one of the ways she learned from him. “Public speaking as a politician and talking to the people as an artista are two different things,” Santos pointed out. “I’ve also asked him to listen to all my speeches since I went into public service.” Well, all except one.

“Oh, yes, when I declared my candidacy, the words in that announcement were all mine,” she recalled, proudly. “When I asked Ralph later what he thought, he said, ‘It was good, but a little strong.’ Actually, it would have been stronger, had I not sat up the whole night before deleting this and that from all the things that I wrote down while I was still very emotional.” No better sign – Once she wrapped her mind around it, Santos believed her gubernatorial candidacy was meant to be. “Especially because Ricky (Recto, her husband’s brother, who originally opposed her) eventually gave way,” she said. “What better sign could I ask for?”

Speaking of signs, it’s true that her “yes, you should” moment came while she worked the treadmill. She recounted: “I had asked for a week, right? All I did was write down everything that I felt, exercise, pray. One day, I was on the treadmill, dripping, and still I hadn’t decided. Then a letter came. Without stepping down the machine, I read it; it was my answer.” She begged off from disclosing the letter’s content. “Let me just assure you it was from someone whom I had no reason to doubt.”

Recto said he witnessed that week, and confirmed that his wife was praying so intently, he didn’t dare interrupt: “She’s saying she learned certain things from me. Well, that is something I learned from her — how to be prayerful, but also how to be pragmatic.”  He teased his wife: “Of course, it’s inevitable that you should be my teacher …”  She rolled her eyes: “What he’s about to say now is, ‘After all, when you won your first acting award, I hadn’t been born.’” One of the journalists assured Mayor Vi: “We know you’re older, but look, the senator’s caught up – he looks your age already.” Recto wouldn’t let this pass: “That only means I’m the better caregiver.”

Nora Aunor – Why did she think she succeeded in politics, where her arch rival in the movies, Nora Aunor, failed? “I think it boils down to priorities and direction,” Santos said. “Also, we both had very bad times, financially; I guess I was lucky to have bounced back when I did.” Smiling, the senator offered another explanation: “She met me.” Being a movie star has served her quite well in office, Santos said. “Maraming nagbabayad ng taxes, at marami sa kanila, gusto muna ako ma-meet. And when some people come to ask me for something, even if I can’t give what they want, they still leave with a smile on their faces.

But I really hope that’s not the only reason they reelected me,” she added. Only a week before the elections and they both looked a little too relaxed for comfort. Santos had a ready explanation: “That’s because I don’t have plans beyond this. If I win, that would be great. If not, I’d have already done well at the level that I’d chosen to serve.” The best part about being mayor of Lipa, she said, was having the macho men of the city give her — “a woman, artista pa” — respect and trust as a leader. “Seventy-two barangay captains, puro barako, ha, acknowledging what this little woman did for the city.

That’s something money can’t buy. Legacy ko na ‘yon.” Batangueña at heart Not to say that, just because she has become a Batangueña at heart (she’s from Pampanga), she has also become barako. “When I got a death threat after a drug lab in Lipa was raided and shut down, I almost dropped the phone, and I shook all over,” she said. Santos is pretty confident about her and her husband’s chances. “The surveys are good, and we’re working hard,” she pointed out. She wouldn’t speak for him, but she insisted that life, if she missed her present target, would pretty much be fulfilling, nevertheless.

“I could make more movies, maybe even do a stage play, such as one that the Cultural Center has been proposing to me,” she said. To which her husband replied, “Yes, you should make a movie this year, I think you can.” Obviously, Santos jested, things would remain the same at home: “Siya pa rin ang hari, pero ako ang alas.” Also, it’s clear, she would continue being a dedicated parent to 11-year-old Ryan Christian, who’s “artista na, politiko pa yata.” Recto concurred: “He greets people with a firm handshake and a pat on the shoulder — and he’s just a boy.” Santos reported: “Last October, in school (La Salle, Greenhills), nag-grand slam ‘yon. He won golds in the oratorical contest, interpretative reading … and balagtasan!” – Emmie G. Velarde Inquirer 05/08/2007

Career Highlights


In the finicky and unstable world of Philippine show business, Vilma Santos (Rosa Vilma Tuazon Santos-Recto born on November 3, 1953 in Manila) has remained on top as the longest-reigning Philippine movie queen. Known everywhere as the “Star For All Seasons,” her career longevity and phenomenal staying power from the 1960s up to the present is the envy of many because she has been able to maintain her stature as a top actress for the past four decades by combining artistic acclaim and commercial success having been a Best Actress and Box-Office Queen Hall of Fame awardee. Her immense talent and incredible range as an actress, charisma and excellent public relations, hard work, dedication and commitment to her craft have made her one of the most respected, admired and beloved actresses in Philippine movies.

Of major and significant importance in setting Vilma apart from her contemporaries and peers in the movie industry are her inherent traits of internal discipline and selflessness, her physical, emotional and mental endurance (as described by the late National Artist Ishmael Bernal) and her excellent choice of talented and wellknown film collaborators (directors, writers, producers) through the years which enabled her to make noteworthy and highly-successful film projects and thereby achieve one of the most successful careers in local show business. Vilma has worked with the biggest film producers in the country namely Star Cinema, Viva Films and Regal Entertainment and her continuing association with the best people in the business has brought out the best in her as a person, actress and public servant.

The late starbuilder, Dr. Jose Perez, saw Vilma when she was 9 yrs old and realized early on her potential as an actress when she auditioned and eventually won the title role in Mars Ravelo’s “Trudis Liit” (1963) produced by Vera Perez Pictures where Vilma won her first acting award as Best Child Actress from the FAMAS. In her teenage years, Vilma was signed into a contract by Atty. Espiridion Laxa, her friend and mentor, who produced most of her movies as a top teen idol with favorite screen partner, Edgar Mortiz, under Tagalog Ilang-Ilang Productions. The most memorable films were “Inspiration,” Vilma’s first actress-director collaboration with the late National Artist (Film) Ishmael Bernal and “Dama de Noche,” directed by Emmanuel H. Borlaza where Vilma won her first Best Actress award from the FAMAS in 1972 at the age of 19. In an unprecedented career move, Vilma went solo in 1973 and eclipsed all her contemporaries when she agreed to play “Darna,” another Mars Ravelo heroine and the local version of Wonder Woman, in the hugely successful landmark film “Lipad, Darna, Lipad” which broke all existing box-office records. Produced by Sine Pilipino, the movie’s monumental success elevated Vilma to the enviable position of Philippine Movie Queen. Proving further her utmost versatility, Vilma successfully graduated to adult roles when she played a tragic stripteaser in “Burlesk Queen” (1977), a dramatic period movie set in the 1950s. The film, conceived and directed by Celso Ad Castillo, was highly acclaimed and won 10 awards in the Metro Manila Film Festival including the Best Actress Award for Vilma and Best Director for Castillo.

In the years that followed, Vilma carefully chose her film projects and came up with some of the most memorable characters onscreen – an avenging rape victim in “Rubia Servios” (1978) directed by National Artist (Film) Lino Brocka; a sympathetic mistress in “Relasyon” (1982) directed by National Artist Ishmael Bernal where she won her first acting award grandslam; a politicized nun in “Sister Stella L.” (1984) directed by Mike de Leon; and a homicidal nymphomaniac in “Tagos ng Dugo” (1987) directed by Maryo de los Reyes. By demonstrating her range, depth and intensity as an actress in many of her films, Vilma delivered some of the most compelling performances and most unforgettable acting moments ever witnessed on the local screen and firmly established herself as one (of a few) of local cinema’s greatest actresses.

The late National Artist Lino Brocka likened Vilma’s acting abilities to water because according to him “she can register anything.” She has been called “the Meryl Streep of the Philippines” and US Variety Magazine described her as the Ultimate Philippine Cinematic Diva. Her stature as a great actress was further confirmed when > independent-minded career woman in “Bata, Bata Paano Ka Ginawa” (1998) directed by Chito Rono and based on the Palanca award-winning novel by Lualhati Bautista; a suffering overseas worker in “Anak” (2000) directed by Rory Quintos; a mother who evolves during Martial Law in “Dekada ‘70” (2002) also directed by Rono and written by Bautista; and a Filipino-Chinese anti-crime crusader in “Mano Po III: My Love” (2004) directed by Joel Lamangan.

On July 4, 2005, Vilma was given the prestigious Gawad Plaridel (Film) by the University of the Philippines for her outstanding achievements in film and her social responsibility in bringing onscreen, especially during the past few years, the changing role of the Filipina in today’s society who is critical and vigilant, liberative and transformative, free and independent. Named after Marcelo H. del Pilar who believed in a progressive society and a socially-responsible media, Vilma received her award in glittering ceremonies at the Cine Adarna of the University of the Philippines and delivered a well-received and highly-inspiring lecture on her unparalleled career as an actress and how she was able to use her stature and popularity as a movie queen in choosing carefully her roles that showed the modern Filipina in today’s society.

In his article “The Actor as Role Model,” noted writer and film critic Gino Dormiendo said that “what makes her reign more phenomenal is that today, with over 200 movies to her name, Vilma Santos, star and actor, continues to shine luminously, an enduring and truly endearing figure in the movies, recognized for her outstanding record as an actor and a sterling symbol of professionalism to her colleagues in the industry.” Vilma’s excellent film output especially during the last few years is a shining testament to her maturity as a film artist which the late National Artist Ishmael Bernal confirmed after working with Vilma in some of their best films together.
Bernal witnessed first-hand her evolution from actress to artist from the first time they worked together in “Inspiration” (1971) until their final collaboration in “Pahiram ng isang Umaga” (1989).

Vilma’s recent multi-faceted roles showing Filipinas to be independent-minded fighters capable of finding their rightful place in society highlighted the importance of woman empowerment. Dormiendo further wrote that “in her continuing evolution, she has chosen to play her most coveted performance as a role model for Filipino women and, in today’s global village, a shining symbol of courage and integrity for all women everywhere.” Indeed, Vilma is a shining example of the brilliant multi-tasker by being able to successfully do a balancing act and perform with diligence, dignity and grace her various roles in society – as a wife and mother; an actress, film artist and movie queen; and a highly-regarded and much-admired public servant. In this regard, Vilma is truly the definitive modern Filipino woman of our times and for all seasons. – Paolo Salas, Celebrity Chronicle, Nov 2006

kilometric lines and crispy diallogues


Natakot ako at natatakot pa sa maaari nilang gagawin, Pero kung padadala tayo sa takot… Kung susuko tayo ngayon, ay parang isinuko na rin natin ang ating karapatang mabuhay ng marangal at parang isinuko na rin natin ang ating kinabukasan. Ilang beses akong sinabihan at pinaalalahanan, na ako’y isang madre lamang. Isang madre na hindi dapat makialam sa mga bagay na wala siyang nalalaman. Pero una sa lahat, ako’y isang tao. Ako’y isang Kristyano.  At bilang isang Kristyano, alam ko at alam nating lahat na tayo ay nasa tama, na tama ang ating pinaglalaban at kung naririto lamang si Kristo, natitiyak kong kasama natin siya sa pakikibakang ito. Katarungan para kay Ka Dencio! – Sister Stella L

The title Queen of kilometric lines would definitely be fitted for no other than Miss Vilma Santos, and why not, she can memorize and deliver a long dialogue with no sweat. If my memory serves it right, the longest one was from Pagputi ng Uwak, Pagitim ng Tagak and it goes like this: “Madalas kong maisip, mula noong magkalayo tayo, lahat ng sinabi mo sa akin nang bumalik ako galing sa Maynila…” etc. etc. Hindi ko kayang sabayan yon, only Ate Vi can do that and nobody can beat her. I remember that Leroy Salvador was so impressed with our Queenstar during the showing of Sister Stella L “Iyang si Vilma, kayang-kayang magkabisa ng mahabang linya at sabayan ito sa dubbing ng walang sablay, that’s a talent”.

Trivia no 1: Do you know that Vilma became Stella in the movie twice? First was in “Batya’t Palupalo” as a rich young student who fell in love with Delfin (FPJ), second is in Sister Stella L as an activist nun. There’s a lot of ingredients on how to make a big hit movie from the stars to storyline to directing up to small details including promotion, script and line deliveries.

Crispy dialogue is Ate Vi’s forte, TATAK VILMA as they say. “Si Val, si Val na walang malay”, “Para kang karenderyang bukas sa lahat ng gustong kumain” and the all-time favorite “Ibalik mo sa akin si Jun-jun”, these famous lines helped it’s marketing vehicle for it’s box-office success.  Parang libreng promotion na nga dahil ginagaya ng lahat ng tao, sa school, sa palengke, sa bahay, sa trabaho at pati sa mga sing-along bar. I remember a classmate of mine in college named Lorenzo, he was disappearing in the class all the time, for some reasons he left the room for hours and my professor always looked for him. “Nawawala si Jun-jun” he joked. The whole class would laugh and spoof Ate Vi by saying “Jun-jun, Jun-jun.” From there on his name was not Lorenzo anymore because everybody called him Jun-jun until we graduated college.

Trivia Question no 2: Ano-anong pelikula naging anak ni Ate Vi si Jun-jun? Answer: Gusto kita, Mahal ko siya, Pakawalan mo ako, Ipagpatawad Mo, Paano ba ang mangarap?, Never Ever Say Goodbye. Crispy dialougues and a little bit of sampalan is one of Vilma Santos trademarks that Viva/Regal Films continues to follow as the main formula for their movies.

Confrontation scene is the most important part of the film injected by crispy dialogues. Eto yung nakakagigil habang lumalaban ng sagutan si Ate Vi at nakikipagbatuhan ng linya sa kontrabida o sa kapwa bida. In Magkaribal, Alma Moreno tried hard to insist that Boyet loves her more than Vilma, at kayang-kayang sabayan ni Eric Cueto ang sagot ni Ate Vi na…”Mababa ka pa rin sa akin Cristy, ako pa rin ang asawa, ikaw pa rin ang kerida.” There’s another back to back tarayan that Allan Trambulo had mastered, Ate Vi told Maricel “Anak ka lang, ako ang asawa, karugtong ng buhay, kasiping sa kama” then Maricel replied “Eto naman ang alam ko, ako ang anak, dugo ng kanyang dugo. Ang anak hindi napapalitan, ang asawa nahihiwalayan.” Ate Vi ended the conversation with “Tingnan natin.”

People would react “Laban ka?” And of course, I have my own favorite confrontation scene from the blockbuster movie Anak. When Claudine refused to let her boyfriend drive for Vilma. Claudine goes like “Hindi mo siya driver, boyfriend ko siya,” then Vilma was like “Kaya nga gusto ko siyang makilala dahil kung makakasama mo siya habang buhay, dapat lang na makilala ko ang pagkatao niya.” Claudine was so irate and answered back “Hindi habang buhay ko siyang makakasama” pero syempre makakalusot ba siya kay Ate Vi by saying “Kung ganoon hindi mo siya dapat inuwi dito…” Pause, eye to eye contact tahimik pareho then Ate Vi ulit “Nagkakaintindihan ba tayo?” the audience went crazy and applaused “ganyan nga Josie, ganyan nga.”

But let’s not forget that Filipino audience are always waiting for a good moral lesson in every conversation in the movie. Ate Vi’s character give us some advices in it’s own way, mga salitang nagmamarka sa isip at tumatatak sa puso, tulad ni Leah Bustamante sa Bata, bata paano ka ginawa? “Di ba dapat nasa eskwelahan ka, kelan ka pa natutong magbulakbol? Alam mo ba na pag naloko ka sa sugal, hanggang sa paglaki mo maloloko ka dyan. Hanggang sa magkaasawa ka na, hanggang magka-anak ka na. Mapapabayaan mo ang buhay mo, maloloko ang buhay mo.” This is perfect, as Jojo Lim quips patama sa Mare nya.

Before I end my article let me leave you my favorite dialogue of all time, here it is…. Claudine: “Hindi mo ko naiintindihan. Hindi ko hiningi ang lahat lahat ng ibinigay nyo sa amin. Kayo ang may gusto noon hindi ako.” Vilma: “Dahil mahal ko kayo, mahal ko kayo. Ngayon, sabihin mo sa akin. Ako ba inintindi mo? Sarili mo lang ang iniisip mo. Sana tuwing umiinom ka ng alak, habang humihitit ka ng sigarilyo. Habang nilulustay mo perang padala ko ay naisip mo, sana kung ilang pagkain ang tiniis kong hindi kainin para may maipadala lang sa inyo. Sana habang natutulog ka sa kutsong hinihigaan mo ay naisip mo kung ilang taon ang tiniis kong matulog mag-isa habang nasasabik ako sa yakap ng mga mahal ko sa buhay. Alam mo ba kung gaano kasakit ang magalaga ng mga batang hindi ko naman kaano-ano samantalang kayo na mga anak ko ay di ko man lang maalagaan. Alam mo ba kung gaano kasakit yon bilang ina? Kung di mo ako maituring bilang ina, respetuhin mo naman ako bilang tao. Yun lang Carla, yun man lang.” – Franco Gabriel, V magazine 2007 (READ MORE)

The Vilma Santos-Ralph Recto Romance

How else to explain why so many are joining beauty contests and, win or lose, more often than not, marrying a rich guy?  A penniless, pretty lass with bountiful physical assets in, say, showbiz, has more chances than others of attracting and bagging a representative, a senator, a businessman, a somebody with huge financial assets.  The Vilma Santos-Ralph Recto romance  is like a Cinderella story except that by the time Vilma married Ralph, she was no longer a pauper. She wasn’t looking for a prince or a moneyed papa, for, after all, she was the multi-awarded actor Vilma Santos, the Star for All Seasons. In other words, he was rich, and she, too, was rich. The difference is that he was born rich, and she was not to the wealthy born.

The love story began 20 years ago, in July 1985. For the first time after a one-and-a-half years of being separated from then husband, actor Edu Manzano, Vilma came out of seclusion. Although Vilma and Edu were living separate lives, residing in different houses, Vilma remained constant, maintaining a semblance of fidelity, because, she reasoned out, she was still legally his wife. She didn’t want to give people an opportunity to wag their tongue, to misunderstand or judge her, she avoided getting stoned by negative opinions of her. But when she found out Edu was dating other women, she decided it was time for her to have fun herself, to spread her wings, and to find a life. “Ba’t ako magpapaka-martir?” Vi pouted.

Finally heeding friends who had been advising her to go out and enjoy herself, she dressed up and accepted an invitation to King Kong disco bar, which was owned by director Marilou Diaz-Abaya. So, there she was chatting and laughing with friends Marilou Diaz-Abaya, Maryo J. delos Reyes, Charito Solis, Charlie Peralta, and Greg de Guzman, swaying and stomping under the strobe lights, and feeling free. Then, a tall, mestizo guy approached Vilma and introduced himself: “Excuse me, my name is Ralph Recto. May I have this dance with you?” Vilma snubbed him; no, she did not want to dance with that boy. Was it because she didn’t know him or was it because she was still hurting from a failed marriage? The guy was persistent and patiently waited until he asked her again. Charito Solis nudged Vilma: “Four am na, pagbigyan mo na, isayaw mo na.”  And so, the reluctant Vilma danced with Ralph.

While dancing, reports Vilma, Ralph asked her: “Do you know my father?” “No,” Vilma answered. “Do you know Assemblyman Raffy Recto?” Ralph continued. “No,” Vilma replied. “Are you interested in politics?” Ralph ventured. “No,” Vilma shrugged.  After the dance, he asked Vilma: “Are you coming back here next Saturday?”  Vilma: “Maybe.” Then, he got her phone number and brought his partner back to her table.  “At my first glimpse of her, I found her attractive,” say Ralph, “I didn’t know that she was the Star for All Seasons, so to speak.” It was only when he went back to his table that he found out who that attractive young woman was.  His barkada from Greenhills told him that the person he was dancing with was Vilma Santos the actor.

All he knew was she was named “Vilma” and that she was “A joyful person.” The funny thing is he had only recently seen the Vilma starrer Sister Stella L. Vilma surmises that maybe he did not recognize her because she was wearing an off-shoulder attire, which was, of course, very different from a nun’s habit.  Ralph called up Vilma the following day, and “she obliged me to meet with her again the following week in the same place, the same disco.” “Why? Well, Vilma’s first impression of Ralph was that he was “Very intelligent, down-to-earth, tisoy (mahilig ako sa tisoy).”  And so, they did see each other again a week later.

Another week after, recalls Ralph, “we had a private dinner.  I felt we would have a meaningful relationship.  ”That private dinner was with his parents in Greenhills.  Vilma was at once nervous and excited.  They knew her background, she didn’t hide from Ralph who or what she really was – that she was 32, that she was married, had one child, had been grist for gossip columnists, had not had higher education, etc. By this time, Vilma knew he was only 21, single, a graduating student at the De La Salle University taking up Economics, and a member of an illustrious Spanish-speaking family. Edu Manzano, meanwhile, drifted further away from Vilma.

Being an American citizen, Edu had married Vilma in Las Vegas, and then divorced her in Guam. Three to four months after their first encounter, Vilma and Ralph went MU, or mutual understanding, which is the first stage of today’s couples’ relationship. Mutual understanding meant that they could see each other as often as they liked, but neither one was committed to the other.  In other words, in principle, both could go out on a date with other persons, but they might show a special devotion, a special friendship, love and understanding —that is, the two on MU—for one another.  Those happy, carefree days would see Ralph attending the shooting of Tagos ng Dugo by Maryo J.  He would come from school, stay in his car, wait for her, and then bring her home to Magallanes.

In Magallanes, Vilma recounts: “Magkukuwentuhan kami ni Ralph tungkol sa lahat ng bagay, about everything under the sun.  Inaabot kami hanggang sa pagdating ng diyaryo ng 6:30 am.  Hindi naming namamalayan na maliwanag na pala, na umaga na.”  Vilma sizes Ralph up: “Matalino, maraming alam, pero hindi mayabang. Inisip ko na marami akong matututunan dito.”  They enjoyed each other’s company while going places, eating pizza, and having “gimmicks” and so on. Vilma analyses his appeal to her: “Baka nadala niya ako sa kabataan niya, kasi di ko naranasan iyon noong bata ako.”  She concentrated on her work as a child, and has done almost nothing but work ever since.

Vilma and Ralph lived in for seven years. She was not prepared to get married then because she had to attend to her career and her small child by Edu, Lucky. Ralph, on the other hand, wanted to be more stable in his profession and his finances. Then, after seven years of living in, Ralph ran for Congress and asked Vilma to campaign for him in Batangas. Vilma accompanied him all over the province. She experienced the hardship of going from city to city, from barrio to barrio. She had a taste of politics. If she was willing to make that sacrifice for him, Vilma thought, “siguro mahal ko itong taong ito.”  Ralph told Vilma, “Win or lose, let’s get married.”

“You know,” Vilma warned him, “hindi ako madaling maging asawa. Mahihirapan ka, kilala ako sa Pilipinas.” It would be quite difficult for him to do any hanky-panky because he would easily be found out since Vilma is so popular that almost everything and anything the nosey press would sniff would immediately be reported in the media. The brave Ralph was not intimidated, and at 2 pm of December 11, 1992, they officially tied the knot in a splendid wedding ceremony in Lipa, Batangas.

Some 500-700 guests from politics and showbiz witnessed the exchange of vows. It must have been a relatively blissful union since they already had a chance to get to know each other up close when they were living in. Relates Ralph: “For me, the most trying period in our relationship was the first seven years.” The proverbial sevenyear-itch happened to both Vilma and Ralph before their wedding. Ralph lived in his condo in Greenhills, but he telephoned Lucky almost every day, pretending or so it seemed, that his concern was only Lucky and not Vilma.

Lucky missed his Tito Ralph, and after two weeks, thanks to Lucky, Ralph returned. Vilma, the mother and wife, observes that “the whole time of marriage is a period of adjustment. Habang tumatanda ka, nag-iiba ang priorities mo sa buhay, so mga every five years, kailangang pag-isipan mo ang priorities mo.” “There are times you have to listen to your children. They should retain an old sense of values, like respect for elders, how to properly treat people. You must talk openly with your spouse and your children, you must trust your children, you communicate with them, you text them. You must also know how to let go.”

Like other typical couples, they undergo moments of discord. Sometimes, even when they’re in a bad mood, they still greet each other good morning and good night with a kiss, but a quick, cold one, like they’re merely fulfilling an obligation, a task, so that they can attend to other “more important” matters of the day. However, no problem is unsolvable. Sometimes, they let a month go by in ill humor until things cool off a bit. At the end of 30 days of silence, they would go” “Can we talk?” They find dialogue most effective. No vitriolic physical or verbal barbs, just civilized talk.

Both believe that support for each other is very important in a relationship. “It’s important to support each other’s ambitions, dreams, goals in life. Walang inggitan,” Vilma advises couples. “A career woman has to adjust to a relationship, work on it, get off her pedestal. I learned to say ‘I’m Sorry.” In their political life, Ralph seeks Vilma’s opinion on some of his speeches. Vilma tells him, for example, “to stress this point or ito, heavy, mabigat or ‘yan, tanggalin mo ‘yan…” Also, Vilma confides that she doesn’t compete with Ralph. “In fact, as mayor, I receive guidance from him in making decisions. ”

Vilma claims they are both broadminded. How long has Vilma been mayor of Lipa? “This is my last term. I’ve been mayor for three terms na, three years per term, so a total of nine years. I have been serving Lipa for almost eight years now.” This celebrity couple also lives ordinary lives.  For example, Ralph treats Vilma like any other ordinary person, and not like a VIP. Vilma reveals: “Hindi porke Vilma Santos ako and I’m earning a lot, e, wala na siyang ibibigay na allowance sa akin. He takes care of the maintenance of the house.  He’s the provider.”

In the last five or six years, Vilma and Ralph have tried to spend more time with each other in spite of their busy schedule. They have been traveling alone, just the two of them, and sometimes with their children Lucky or Luis, now 24 years old, and Ryan, aged 9. Together, they go swimming, bowling, boating, meditating, playing golf, watching television, etc.  Right after Ate Vi, aka Mayor Vi, was given the Gawad Plaridel last July 4, 2005, which is sponsored by the University of the Philippines College of Mass Communications, at the Film Institute’s Cine Adarna, husband and wife took a grand vacation. They spent 14 days in Europe, came back to the Philippines for a while, and hied off to Los Angeles, USA, for five days, and to New York and New Jersey for four days.

In New Jersey, Vilma cut the ribbon at the opening of the four-year old Philippine Fiesta Exposition Center. “She’s an excellent mother,” gushes Ralph. “ She takes good care of me and her children.  She’s a loving person. Sometimes, she’s hardheaded. But I can live with that. I’ve learned to live with it. And sometimes, I could be hardheaded, too. (Smiles) I’ve no complaints. She is what she is and I love her for what she is. She’s now more concerned about social and political issues.” How does Ralph for his part keep their relationship going? “We count our blessings.

Both of us have been blessed.” Although Vilma doesn’t cook, she sees to it that the cook, upon her culinary guidance, serves Ralph his favorite dish such as baked pasta, which contains corned beef, cream of mushroom, parmesan cheese, and sweet corn. Says Vilma: “My immediate family comes first. I do my part as a mother and as a woman. I don’t plan my life. It’s enough that I live comfortably, my family is fine.”   Their terms of endearment for each other are “Papa” and “Mommy.” Has the tag ‘Mr. Vilma Santos’ ever, ever affected Ralph at any point in his life? “No, it has not affected me in a negative way,” explains Ralph, “It has helped me tremendously.

Being Mr. Vilma Santos made it easier for me to identify with the masses. As a kid, my professors in school would tag me as the grandson of the great Claro M. Recto. So I was used to it. I’ve always thought of it positively. There’s nothing in their relationship that he wants to forget. “The relationship is incomplete if I will forget even just a tiny bit of it. There’s nothing I would want to forget or change. I have no complaints about our relationship. I’ve been blessed by this relationship. I’m the luckiest man alive. I hope she feels the same way, too. With a wife like Vi, children like Lucky and Ryan, how can I complain? Why would I want to forget any part of this wonderful and blessed relationship?”

In fact, Ralph will always happily remember “achieving milestones in our life together—getting married, having children, watching them grow up, participating in school activities, helping each other make our community better. Of course, traveling together. I suppose our happiest times are yet to come—which is, growing old together.” The Vilma Santos-Ralph Recto romance, despite all the zigging and zagging, sounds almost like a fairy tale. Yes, perhaps, politics and showbiz do go together. – “The Vilma Santos-Ralph Recto Romance” written by Ms. Mara P. Lanot, Mr. & Ms. Magazine, Nov 2005

Age Difference – “…Their first meeting -and first dance- would lead to much more time spent together, until Recto one day asked for her hand in marriage. “I was prepared to settle down and I wanted to have a kid as well, so I asked her. I was a congressman then, and I asked her already, if she wanted to get married,” he said. It wasn’t an enthused “yes” he had gotten from Santos then, Recto recalled. Even her colleagues from the industry had some reservations about their union. “Medyo nagdalawang isip din siya,” Recto said, referring to Santos. “I think in the beginning, many of her friends and colleagues didn’t want us to get married.” “Of course they would think that I’m 10 years younger, I suppose,” Recto said. “Hindi naman kasi conventional ‘yung ganoong laki ng deperensya sa edad, ‘di ba?” Looking past their age difference, Recto and Santos would eventually exchange vows in December 1992…” – ABS-CBN News (READ MORE)

DEKADA 60: Si Ate Vi, Si GING

All Vilmanians and even those who just love watching old Tagalog movies must have been glued to their TV screens last Thursday afternoon when Channel 9’s “Premiere Pilipino Klasiks” aired “Ging”, Vilma Santos’ follow-up movie after she was introduced in Sampaguita Pictures’ “Trudis Liit”. Produced by Premiere Productions when Vilma was only 10 (circa 1963), “Ging” casts the now-Star for All Seasons (and Lipa City Mayor, too! (now Governor of Batangas-FRV)) as a street child who is in charge of taking care of her invalid mother, played by Olivia Cenizal.

In flashback fashion, we find out that Ms. Cenizal was once a big movie star who fell in love and married a young rich man (portrayed in the film by Jose Padilla, Jr.) Padilla’s aristocratic mother (Etang Discher), unfortunately, breaks up the union and the two lovers go their separate ways. Vilma, as Ging, was born shortly after. While begging for food scraps from customers at the restaurant of the Chinese Ponga (I doubt if today’s generation have any idea who he is or how he looks like), she is spotted by Ramon D’Salva and his wife, Carol Varga. The couple immediately express their wish to adopt her. Vilma was hesitant at first at the idea – until she was promised by D’Salva that she would be sent to school, and her mother, to the hospital for medical treatment. Once she is in the D’Salva home, the couple show their true colors. They exploit her by making her perform in vaudeville presentations.

Although she is a hit and a top money maker, she is still badly treated by Varga. For one, she is not given proper nutrition to stunt her growth (child stars are supposed to be cute and small). Little Vilma rebels when she finds out that D’Salva does not fulfill his promise of sending her mother to the hospital for treatment. She runs away and in the process bumps into people related to her biological father.  Padilla and Cenizal are reunited and the little heroine lives happily ever after with her parents. “Ging” was directed by Cirio Santiago and Teodorico Santos.  Although it was made in the old-fashioned way of making films (the flashback scenes in particular), the material used here is timeless – especially since there are more street children in our midst now more than ever.

As far as the showbiz scene is concerned, there are still a lot of heartless impresarios today exploiting young talents in the business. But what really made “Ging” a delight to watch was the performance of the very young Vilma Santos. Even at the early age, it was clear that she was already brimming with talent. Vilma, apparently, was born into this world to perform, entertain and make people happy. She was utterly convincing in the dramatic scenes and thoroughly graceful in her musical numbers. Listang-lista – as we’d say in the vernacular. Even then, she was already living up to her showbiz title of “Star for All Seasons” because her performance in “Ging” is not only brilliant, but timeless as well. – The Reviewer, Butch Francisco People’s Journal 04 March 1999 Article and Pictures submitted by Eric Nadurata for V magazine