The bags of Loida and Mabuti…

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Seeing the film poster of both Nora and Vilma’s indie films, we can’t ignore the noticeable similarites. Both seem to be – on the “move,” walking and in deep thoughts. And both were holding a “Bag.” Upon further research, Nora’s bag contained money that she didn’t own. And this is one of the main focus of the film. Will Mabuti, Nora’s character, return the money to the real owner or keep it for herself? Meanwhile, Vilma’s bag contained clothes. Clothes that she uses to several impromptu auditions. Will Loida, Vilma’s character, land that big break she’s been praying all her life, and eventually earn more money for herself and her daughter?

Nora’s Bag – “…Initial reviews of Mabuti were positive. Nora was praised for her quiet and effective performance. She was praised for bringing something new to her long filmography, like her willingness to learn the Ilocano dialect. Her director even admitted wasn’t required when she initially accepted the project. It seems like she was willing to bring something new that even the well-praised Thy Womb didn’t bring out. That “something new,” that we haven’t seen before. Originally written for man, Nora’s character Mabuti, according to writer, Katrina Stuart Santiago, “…this film had technical problems, and I wish it took more care in rendering time and space as important aspects of storytelling. But most this film stands regardless, and that might be because of Aunor. Without her, it’s entirely possible that “Ang Kwento ni Mabuti” wouldn’t survive its own simplicity. Because not much happens in this story, but Aunor takes Mabuti’s character and makes everything happen for her.” The high expectation of “Mabuti” seem to be attributed to the critical success of “Thy Womb.” The later earned Nora several international trophies but the fact is, it failed commercially. Early projections seems to favor Mabuti commercially. The Noranians seems to be in high spirit as they attend the gala premiere of Mabuti and was blessed with the extension of the film’s screening for another week after its first week as part of the CineFilipino Film Festival. The pay out was that Mabuti failed to win Nora the festival’s most expected best actress award. The award went to a new comer, a child protege, named Teri Malvar. Initial prediction from a veteran columnist predicts a tight race for next year acting derby with both Vi and Guy fighting for the trophies with Lorna Tolentino for Burgos and Cherrie Gil for Sonata, all for their performances in indie films.

Ang Kuwento ni Mabuti – “…Mabuti is not a simpleton, but in her world, where words are barely spoken, it is easy to just be. There is want and need, but there is only so much one can do. She is not one to bargain for better, as she is one to try and fix things as much as her abilities allow. She wants to bring the money to the barangay captain, but takes the strange weather as a sign that she shouldn’t; she goes to the military camp to talk to the captain about the money, but the camp is deserted. Mabuti waits for nothing and no one. She seems to always purposefully wait. As she does heartily laugh, in that quiet way that we know the voiceless must. She speaks but doesn’t talk or banter. She is nervous and sad, she is lost and confused, she is happy. And we only know this of Mabuti because she’s got eyes that can pierce through your soul. Which is to say that this is about Aunor, which almost goes without saying, and yet there is something here that she wasn’t able to do in last year’s “Thy Womb.” That is, she learned the language that everybody else in the film was speaking. In this sense Mabuti was more complete as a character than Shaleha; Mabuti was more real. Aunor as such isn’t rendered quiet by the inability to speak in the same way, and Mabuti is allowed to actually be borne of the context that we see is hers in the film. She makes that universe work, and unravel, no matter that it is the tiniest, most removed, universe that many of us cannot fathom. It is a universe of signs. And when Mabuti navigates and negotiates with those signs given her fears and joys, we are allowed to imagine life to be as simple, moral compass and all. Yes, this film had technical problems, and I wish it took more care in rendering time and space as important aspects of storytelling. But most this film stands regardless, and that might be because of Aunor. Without her, it’s entirely possible that “Ang Kwento ni Mabuti” wouldn’t survive its own simplicity. Because not much happens in this story, but Aunor takes Mabuti’s character and makes everything happen for her…” – Katrina Stuart Santiago, GMA News, 23 September 2013 (READ MORE)

Vilma’s Bag – “…Like Nora’s Mabuti, Ektra’s initial reviews were positive. Vilma was praised for her willingness to get demoglarized and her effective take as the an underdog role normally identified with Nora. The initial positive buzz of the film were ignored by Vi’s detractors and even with an unfinished film, early unfavorable articles were published highlighted with the news the films were rejected by the Cannes screening committee. Despite this setback, the film had its gala premiere on July 28 at the CCP, fans and supporters filled the bigger CCP venue. Ekstra went it momentous peak as Cinemalaya top grosser film and after a few weeks went on its commercial screening sponsored by Star Cinema. The film had its successful first week but the film did not sustain its strenght as typhoon hit Metro Manila. It seems like the rain will never stop, the whole country were flooded, and Ekstra despite rumored of being pulled out remained its local exhibition. Ekstra had its world premiere on September 8th at the Toronto International Film Festival. The almost midnight screening were sold out as well as the consecutive screenings. The film were well received and had its limited screenings in North America the following weeks. Ekstra was her follow-up to her commercially successful The Healing. It was clear that Vilma wanted to maintained her bankability but wanted to mix it with the integrity of the indie genre. And Ekstra provided the mixture of both medium, hence the word “maindie” arrived. Ekstra gave Vi her first indie best actress trohphy (Cinemalaya). Like Nora, she is positioned to give anyone a stiff conpetition to next year acting contest.

Ekstra The Bit Player – “…The unshakable optimism of a middle-aged extra is the warm heart driving “The Bit Player,” an appealing dramedy that pokes plenty of good-natured fun at TV soap operas. Anchored by a glowing central performance by Filipino screen queen Vilma Santos as the single mother who smiles her way through work-related indignities in order to pay for her daughter’s education, the pic reps a fine feather in the cap of veteran helmer Jeffrey Jeturian. Winner of the audience award for best film in its category at Cinemalaya and a hit in domestic release in August, this crowdpleaser launches on limited North American screens on Sept. 13…The wise and witty screenplay by Jeturian, Zigcarlo Dulay and Antoinette Jadaone hits the right mix of humor and compassion from the outset. In a funny pre-credits sequence showing an exasperated production crew hiring and firing a succession of extras for the tiny speaking role of a housemaid, eager-to-please hopeful Loida Malabanan (Santos) is pipped for the job at the last moment. Very much a modern incarnation of heroines from classic Hollywood melodramas of the 1950s, Loida only strengthens her resolve in the face of such setbacks. Fiercely determined to not ask her (unseen) ex-husband for financial assistance, Loida is driven to survive and succeed because of her adult daughter, Joyce (Ronaline Enriquez), also a divorcee and a college student whose tuition fees are due. Unhurried opening segments paint a lovely picture of a selfless mother undaunted by being lumped into the category of “nameless wannabees” by fast-talking casting director Josie (Ruby Ruiz, terrific). Loida’s belief that it’s never too late to become a star is one of many character traits that will have audiences rooting for her all the way. With this critical factor firmly in place and Santos in supreme form, Jeturian steers a more overtly comedic path once Loida and her spunky best pal, Venus (Tart Carlos), find work on the set of a soap opera regaling with the title of “You Were Mine First…” – Richard Kuipers, Variety, 11 September 2013 (READ MORE)

2014 Award Prediction and Outcome

  • Luna Awards – Vilma Santos, FAP voting members went for Nora’s Thy Womb the previous year, although they have given Nora their awards three years consecutively, Noranians have enraged some FAP members by complaining too much about Thy Womb not getting the country’s representative to OSCAR, but just based on Vilma’s performance and FAP’s choices in the past, I believe it will be Vilma next year. Despite some critics indicating some disappointments on how her film, Burgos ends -like a “TV drama,” Lorna Tolentino’s performance, was the film’s redeeming value, hence she can be the spoiler between Vi and Guy (As of Feb 2015, FAP announced that they will combined 2014 and 2015 awards into one ceremony this year.  No press release yet if this event will actually happened.  In lighter note, Vi was cited for her movie Ekstra. – RV).
  • Gawad Urian – Tie: Nora Aunor and Vilma Santos. The Filipino critics are undoubtedly the most credible award giving bodies and they all love indie films. With both Nora and Vilma’s films they would have a hard time deciding which to give their trophies. There is a sure chance that they will just give the honor to both actresses but since Nora received her seventh Urian last year, it would be fair to give it to Vi this year. But a spoiler alert comes to mind, They also love Irma Adlawan for Transit (As of Oct, Vi and Guy lost the Gawad Urian Best Actress to the surprising winner, Angeli Bayani for Oscar bound, “Norte.”  There are some back luck for Nora, she lost the National Artist title and her movie “Whistleblower” was not selected to compete for this year’s Metro Manila Film Festival.  On positive side, Nora won the best actress at the Cinemalaya for “Justice” locally titled “Hustisya” and she also received Gawad Plaridel award, following the footstep of her rival, Vilma who received both recognition few years earlier.  Nora’s follow-up indie film after Hustisya was the indie/horror, Dementia who got a commercial release but according to some press release got a lukewarm reception. – RV).
  • PMPC Star Awards – Vilma Santos. The PMPC has some questionable winners in the last few years and in recent years they became more clearer that they are more likely to vote for Vi (KC Concepcion upset both Nora and Vilma, she won for her performance in “Boy Golden” – RV).
  • Golden Screen Awards – The Golden Screen members are trying to imitate the early years of Star Awards and with a new format of dividing their categories into drama and comedy, there is big chance that both Nora and Vilma will end up winning. Ofcourse Vi can be nominated into both categories but it will not be practical if they will not use the opportunity to give Nora and Vilma trophies at the same time. Both of their fans would be happy with Aunor getting the trophy for Drama and Vilma for Comedy (As of Oct, Vilma received a nomination from EnPress’ Golden Screen for best performance in dramatic role while Nora missed the cut – RV).
  • CMMA Awards – Nora Aunor’s film has CMMA written all over it. It is hands down Nora. But Lorna Tolentino’s Burgos, all for its activism that many church followers loves, may give her a stiff fight. Also, Irma’s role in Transit with its Israel as its back drop will also play the role of predicting who will CMMA proclaim their best (As of Oct, no official statement has been release but the official ceremony is scheduled on Oct 29th. – RV).
  • Gawad Tanglaw and Gawad Pasado – These academics turned film critics honored Nora the previous year for Thy Womb. Tanglaw like Vilma more and Pasado according to most fans favored Nora. Vi will win Tanlaw and Nora Pasado (Correct predictions! – RV).
  • FAMAS Awards – Both Vi and Guy are no longer eligible due to their Hall of Famer status. Lorna Tolentino, Cherie Gil and Irma Adlawan will fight for it’s honor with Lorna on top and Cherie as spoiler (KC Concepcion won the best actress, Irma Adlawan was ignored by the oldest group of award entrepreneurs! – RV).

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Si Ate Vi, Gintong Ina

Vi in GraphicsIn 1997, Dove Foundation awarded Ms. Vilma Santos the Celebrity Mother of Gintong Ina Award. This award is very special to ate Vi, because the role of a mother is far more important than her illustrious career. Not that she loves her movie career less, but she knows that being a mother is a lifetime commitment. At walang retakes, pag nagkamali ka. Talagang celebrity, dahil sa dalawang beses niyang pagsisilang ay parehong front page siya sa mga newspapers! Meron bang nakagawa ng ganoon? Si ate Vi lang at wala ng iba. Ate Vi’s dedication as a mother was documented many times by writers from showbiz, politics and even the business sector.

In 1995, the late Inday Badiday wrote at the Phil. Daily Inquirer the following. “WHEN Vilma Santos cried unabashedly for the second time in front of a big crowd of movie reporters (which was later recorded on TV), I sensed that the tears no longer hinted sadness over the demise of her popular show nor her temporary vacation from showbiz. Those were joyous tears that could only be shed by a woman who’s happily in love and who’’ll stop at nothing to make her husband happy and their relationship more beautiful than ever. She later confided, in between sobs, that she was proud of and glad for herself for having arrived at a major decision even if it would mean some sacrifices. ‘Sabagay, parang hindi na rin sacrifice,’ she qualified. ‘Akala ko, sa pelikula lang nangyayari ito, pero kahit ano pala, pwede mong gawin para sa taong minamahal mo.’ But hasn’t she been there before? ‘I was young, carefree and ambitious. I was probably more in love with my career.  Hindi ko namamalayan, naisasakripisyo ko na pala ang personal life ko noon.’

How did Ralph Recto react to her decision? ‘I could see happiness in his eyes,’ she beamed. ‘But I felt, parang nalungkot din siya, parang nanghihinayang not because I’d be losing a lot in terms of financial rewards and other opportunities but because he knows that showbiz is a big part of my life.’ It was at this point when I asked…

‘Is he worth it, Vi? Either I had grown too cynical or thought I was an expert on men. ‘Oh, yes, Ate Luds,’ she said, eyes brimming with happiness. After flashing a sweet smile, she added pointedly: ‘Oh, yes!’ Because I have always believed in Vi’’s words, I decided to make no further comments. But if you were in my place, wouldn’’t you want to know Ralph’s own feelings?

Ralph Recto has always impressed me as a gentleman of the first order. While he has no qualms about being lampooned a ‘Mr. Vilma Santos’, he has conveniently distanced himself from the image of his wife as a star for all seasons. After all, he’s also a star in his own right, a budding politician who’s destined to become an important figure, not to mention his famous surname and illustrious background. Movie writers are always frustrated with Ralph who very rarely grants interviews. The frustration grows even more when he talks because he manages to keep their love life ‘sacred’. But Ralph must have been overwhelmed by his wife’s public display of her love for him that he has allowed himself to be on the spot and say a mouthful.

On their relationship ‘We’ve been fair to each other ever since and that’s one of the reasons our union works. She’’s already in showbiz when I met her. Vilma Santos na siya, hindi ko na puwedeng baguhin ‘yun. I admire her work. I want her to work because I know she’ll grow some more. I’m not the type who believes his wife should stay at home. She also understands I will always be in public service.

On Vi’s decision Nothing to worry about because she’’s not quitting for good. She’ll be back soon, perhaps in a better show with a better format. Hindi naman panghabang-buhay ‘yung sing-and-dance career na ginagawa niya sa TV. Pero ipinagmamalaki ko talaga na may legacy nang maiiwan si Vi. I have been amused by people’’s reactions to her decision. ‘Yung isang kaibigan ko ngang hindi naman taga-showbiz, ibinalita sa ‘kin na nalulungkot daw ang buong bayan nila dahil mawawala na ang show ni Vi. ‘Yung iba, they’re happy for us, especially for Vi who’ll have more time for me daw. Actually, hindi naman ako nagko-complain sa schedule niya talaga because she doesn’t also complain about mine.’

On their vacation ‘It’s for Vi’s benefit. She’s pressured here and she needs to take a good rest. Hindi rin pahinga sa ‘kin because I have to work kahit na sa malayo kami. Pero sandali lang kami talaga. I’d like to reiterate that Vi’s staying in showbusiness.’

On having a child ‘What Vi and I wish is a child who can be a future movie star like her or a politician like me. Or both, why not? Kung hindi pa maging fruitful ngayon, well, we’ll try our luck next time. There’s no need to hurry. I do believe that it will happen in God’s time.

More dreams for Vi ‘In a way, Vi’s decision to quit her show is a sign of her maturity. She’s definitely growing up some more. In the process, she can educate a lot of people aside from entertaining them. She can share her gift to those who believe in her. I want her to be more productive. Lahat naman po tayong mga Pilipino ay kailangang alagaan natin at palakihin pa natin ang talentong ibinigay sa atin ng Panginoon”. This article came out after ate Vi bid goodbye to her long running TV show, to give Ralph a baby. A big sacrifice, considering that she’s earning millions of pesos a month for that show!

Ms. Rina Jimenez-David, a known political columnist, wrote this also at the PDI  “A FEW weeks ago, I dreamt I had a baby. I don’t even know if the baby was a girl or a boy. All I remember is that my family was having a picnic and I was carrying a laughing infant, about five months old, dressed in a white terry-cloth overall, its hood snug over its head, and we were all chuckling and cooing over the baby’s antics. When I told him about my dream the next morning, the hubby looked at me askance, with a scowl that seemed to ask: ‘So what do you want me to do about it?’ Approaching 35, my self-imposed deadline for pregnancy, I would often day-dream about having a third child. But I was brought up short, when, sharing this possibility with the hubby, he pointed out: ‘We hardly have enough time to share with the two kids we have. It would be unfair (to the child) to have a third child when we’re so busy.’ A few days after turning 40, long past the deadline, I fell into an unexplainable blue funk, sunk so deep into despondency I couldn’t even work up the energy to write a column for two straight days. It was, I realize now, a ‘mid-life crisis episode’, but after my dream, I have another explanation: I was bidding my ‘child-bearing years’ goodbye. Our dream analyst Lucito de Jesus may offer a more cogent and reasoned explanation for my ‘dream’ baby (which reminds me, I did plan to write a note to him about it).

But I have come up with my own theory Even if I had rationally and reasonably accepted the fact that I would no longer be getting pregnant, my subconscious was expressing a barely suppressed yearning to hold an infant in my arms again and call the baby mine. Which is why I felt for Vilma Santos, reading about her tearful press conference in which she announced that she was putting a stop not just to her frenetic dance numbers on her weekly TV show, but to her entire showbiz career, in a last-ditch attempt to bear Ralph Recto’s child. I have often thought it evidence that God has been playing favorites that he should make me around the same age as the Star for All Seasons and yet make Ms. Santos look two decades younger. But Eskinol and good genes can only go so far. Inside, the plumbing ages at the same inexorable pace. It is entirely possible for Vilma Santos to get pregnant again, but it will be more difficult to bring the pregnancy to full term without complications.

Which is why pregnancy at her age exacts such a heavy price The abandonment of what for Vilma show before she became a congressman’s wife had been the central focus of her life. How to explain the value of Vilma’s sacrifice? The only way I can understand it, is to wonder how I would feel if I had been asked to stop writing.

Another respected writer, a former Press Secretary of the Aquino administration and founder of FOCAP, the late Mr. Teodoro C. Benigno wrote at The Phil. Star: “No, she was never Venus carved out of a marble statue, or a vamp which she acted out in one or two movies, or a heifer in heat like Sharon Stone. She was not made for any of these roles. If imagination were needed to describe Vilma Santos, she would be the girl inside a floor length shower curtain of sheer gossamer and white lace. On cue, she would come out adorably pretty and entrancing, all lighted up like a Christmas tree, eyes merry and twinkling, the child in her in perpetual battle with the woman in her. The world of entertainment shook mightily several days ago when Vilma, unable to hold back her tears, announced her 15-year-old TV show Vilma on GMA-7 would end very soon. And, yes, she would also stop starring in movies. Why? I suppose nobody else but Vilma Santos could have decided the way she did. She wanted to have a baby with husband Ralph Recto. She wanted to conceive so avidly, so insatiably and desperately she was laying her whole career on the line.

I think I know how she feels. Many, many years ago Sophia Loren felt the same way. Twice, she had a miscarriage, unable to carry a baby inside her womb for more than three months. Sophia and Carlo Ponti were at their wits’ end. When finally she got pregnant for a third time, the whole world of Sophia Loren stopped. Carlo Ponti, on medical advice, hustled her off to a hotel beside a lake in Geneva. There she stayed in bed for nine months, hardly moving, no telephone calls. Only television. She ate her meals in bed. A doctor was in constant attendance. For Vilma and Ralph, it’s like waiting for Godot.

Remember Samuel Beckett’s Waiting for Godot? It’s an allegory . Two persons wait for somebody who could be God, the waiting almost a cry of impotence, grief ad helplessness seeking the miracle of creation, seeking God’s intercession. Is not all that is wondrously alive His? Except that God helps only those who help themselves. Ralph and Vilma cannot have a baby until now because both – due to their busy lives and careers – have always missed the prefect trysting hour in bed. The time to make love was when Ralph was at his best and lustiest and Vilma at her most fertile period. And that never happened. Now, it will happen, or should be guaranteed to happen. Love will still be a many-splendored thing to be performed in the boudoir. There will be no recourse to artificial insemination or in vitro fertilization. Not yet anyway. If this last chance at having a baby in the normal way under ideal conditions should fail, then and only then will they resort to in vitro. We have to give it to Vilma and Ralph.

Finally we find two people who listen to whispers of the beautitudes, who consider having a baby much more important than all the spires and gilded temples of Apollo. Hundreds of couples in the same predicament will just adopt a baby and that’s that. But Vilma is the Eternal Woman in the sense that love and what love creates should seek no other outlet than Nature’s way. Even if what is to be set aside is one of the most successful and spectacular careers in the movie and entertainment world.

Once, when I co-hosted with her during the 25th anniversary of GMA-7, we conversed on the side about her having a baby with Ralph. And she said, ‘Tito Teddy, talagang sabik na sabik na kami, please for us.’ We did a boogie number then, and the audience lapped it up. Vilma just loves to dance, but dances will be verboten after Vilma on GMA-7 closes down. Anything strenuous will be verboten. For if life should ever flicker in her womb, Vilma will do as Sophia Loren did, nurse that first divine shudder of sperm and egg into a fetus. From there, she has to protect her womb with it’s unborn child like a fortress against the elements. Vilma’s is now the cry over the precipice for the Creator to render her pregnant through Ralph. It has been the cry of mothers and would-be mothers since time immemorial.

As a volcano wants to emit the first murmur of pregnancy, so does a mother. Vilma has had a son with Edu Manzano, her first husband, but life today would be almost meaningless without a child with Ralph. It was with her sick and bedridden son Lucky that I saw her for the first time at the Makati Medical emergency ward three or four years ago. She was Vilma with-out makeup, Vilma forlorn and seemingly all alone in this world, Vilma so suddenly vulnerable and helpless. I wanted to talk to her but didn’t. I felt this would be violating the temple of her loneliness, her desire to be alone with her stricken son. It was the first time I ever saw her in person. And so I wrote about that experience in my column titled

Vilma: Vamp or Virgin? The morning the column appeared, Vilma called me up from a shooting location, saying she liked the column very much. I told her later I was thrilled no end by her calling up, a thrill I never felt when talking with VIPs over the phone. And now, Vilma is bidding goodbye. She has not been fetishized like Nora Aunor, with whom she grew up in the movies and the entertainment world. But she stood her own, lasted and endured even as la Aunor long ago fell by the wayside. Vilma had the secret of perpetual wonder, exuberance and adolescence. Even with the passage of decades, she remained perfect for a Lux advertisement. She won a clutch of awards and acting honors. She could emote, she could laugh and cry, she could dance, she could entertain.

She was a good girl who could not be a vamp no matter how she sometimes tried in the movies. Most of all, she was a perfectionist. Once I asked Lea Salonga who she admired most in the world of entertainment. Among the names she mentioned in the US was Barbra Streisand. ‘I admire her a lot, she is a perfectionist,’ Lea said. When it came to the Philippines, Lea mentioned only two names if I recall, the first Vilma Santos. ‘She too is a perfectionist,’ Lea told me. This is the supreme accolade an internationally celebrated performer like Lea Salonga can confer on a fellow performer. What is more, never did the taint of lurid scandal smear Vilma’’s name. Bye Vilma, have your baby. Hope you have twins.

These writers said it all. Iba talaga si ate Vi. Talagang karapat-dapat na hangaan at bigyan ng respeto. Masuwerte sina Luis at Ryan dahil may ina sila na gaya ni Ate Vi. Masuwerte rin si Sen. Ralph dahil may asawa siyang gaya ni ate Vi. Masuwerte si Mama Santos (at maging si Papa Santos) dahil may anak silang gaya ni Ate Vi, sina Emelyn, Maritess, Winnie at Sonny dahil may kapatid silang gaya ni ate Vi. Masuwerte tayong mga Vilmanians dahil may hinahangaan taong gaya ni Ate Vi. Masuwerte ang buong Pilipinas dahil may isang Vilma Santos na nagbigay ningning sa pelikulang Pilipino. Sa mga kasamahan kong Vilmanians, let us strive to be good more than to be happy. After all, not everything that will make us happy is good, but everything that is good will make us happy. Ingatz po tayong lahat. – Eric Nadurata, V magazine Mother’s Day Issue No. 8 (READ MORE)

Eric Nadurata is based in Manila. He is the proud owner of the unofficial Vilma Santos Web-site.

Remembering Bella Flores

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Hatred (poot) and Jealousy (inggit) – “…In the Joey Reyes short film, Bella gave her audience an idea of how she became a most hated screen villain. On the whole, the film was a funny but down-to-earth crash course on how to achieve immortality as a screen villain. The fool-proof ingredient, according to Bella, was to invest and perfect that art of hatred (poot) and jealousy (inggit) and make use of them to the hilt. Then she added another lesson on the fine art of slapping and hair-pulling and how to produce an equally important wicked laughter as she saw the object of her hatred expire from her equally malevolent stare. Declared Bella in her last film (Kontrabida 101) after dousing wine on the face of the poor waiter: “Bidas (heroines) they come and go. Pero kaming mga kontrabida, we never fade away.” There is a ring of truth in Reyes’s declaration: “There is one and only Bella Flores. She is indeed one of a kind.” Stage director Anton Juan can only agree: “Bella Flores, how many who tried to imitate your art in front of their own mirrors could approximate your wicked eyebrows, flaring nostrils, the sharp-lined lips that formed the word at the edge of gritting teeth, a voice that rasped deep through the breath of smoke. You created the Filipino archetype of the ‘kontrabida’ till your name itself was synonymous with villainy. Rest in peace, Ms. Bella Flores and flowers for you…” – Pablo A. Tariman, The Philippine Star, 20 May 2013 (READ MORE)

Roberta and Trudis – “…Contravida Queen Bella Flores was featured in “Showbiz Central’s” Most Influential segment as she plays a big part in GMA Films’ new movie with Rhian Ramos and Aljur Abrenica, “My Kontrabida Girl.” It’s also a tribute to Bella as she’s celebrating her 60th anniversary in showbiz. The screen name Bella Flores was given to her by the late Sampaguita Pictures’ boss Dr. Jose Perez. “I was so glad when I was told it means beautiful flowers,” she said. Her real name is Remedios Dancel and she was born on Feb. 27, 1936, which means she turned 76 yesterday, Monday (Feb 27/2012). She was only 15 when she did her first villain role maltreating child star Tessie Agana in the blockbuster “Roberta.” She recounted that Vilma Santos auditioned with her for her first movie, “Trudis Liit,” in 1963. “Natakot siya at tumakbo dahil nakita niyang pinahirapan ko ‘yung ibang batang nag-audition,” she said. “Ngayon, governor na siya. Sina Roderick Paulate at Gina Alajar, sa’kin din nagsimula as child stars sa ‘Kaibigan Kong Sto. Nino’…” – Mario Bautista, Malaya (READ MORE)

Female Eddie Garcia – “…There is nothing that I can ask for more,” sambit ni Bella. “I’ve played all kinds of roles. I played the madre roles. Meron akong mga action pictures…plus mga drama. “Even on television, all of my TV shows got the highest ratings. Honest to God! Katulad ngayon, itong Trudis Liit, nakadagdag na naman ako. Nakasama ako sa magandang ratings ng show. “I’m so proud and I’m so happy and so contented that after all those five decades, you know what I mean, I’m still standing up, not sitting down.” Marami nga ang naghahalintulad kay Bella bilang female counterpart ni Eddie Garcia sa patagalan sa showbiz industry. “They compare me always to Eddie Garcia when they interview me. It’s true that we have the most respected names in the world of showbiz. “Kapag sinabi mong Eddie Garcia, sold na lahat. Yari na ang lahat. Wala nang puwedeng ipalit. Ganoon din ang sinasabi nila sa akin,” aniya. Aminado naman si Bella na may mga pagkakataon din na hindi dumarating ang projects sa kanya….” – Paul Mata, PEP, 20 October 2010 (READ MORE)

Miss Bulaklak – “…Acting didn’t run in Bella’s family of eight brothers and seven sisters. Remedios Limson in real life (a mixture of Chinese, Spanish, and German bloods), Bella was a rice vendor on Blumentritt and Antipolo streets in Sta Cruz and eventually became “Miss Bulaklak of 1949” before she invaded the movies. She had her first taste of movies without the knowledge of her parents. “It was only when I arrived home with five stiches on the head I sustained from a freak accident during a shooting that they learned about it. My producer, the late Mommy Dolores H. Vera, took me home. So my parents couldn’t back out anymore!” Bella Flores started out in films as an extra in Ang Lumang Bahay Sa Gulod which was Premiere Productions’ first picture in color and starred Rogelio de la Rosa and Leila Morena. She transferred to Sampaguita Pictures where the late Dr. Jose R. Perez screen named her Bella Flores, which means “magandang bulaklak” in Pilipino. She was to be an extra again in Kilabot Sa Makiling but a sudden twist of fate landed her a longer role as the “other woman.” Bella’s biggest break came when she portrayed the stern and mean aunt to then child stars Tessie Agana and Boy Alano in Roberta, a tearjerker. The sob movie was a smash hit and literally revived Sampaguita Pictures, which was razed by fire in 1951. Bella was then signed up for 13 years and got P500 per picture with a P50 weekly allowance. On top of that, for every picture she made there after, she would be paid P3,000. “During those time, you could already buy a house and lot for only P10,000. Regular taxi fare was P10 and you could go back and forth to studio and home…Age is a state of mind. If you say you’re old, then you’ll look old. Me? I don’t believe I’m old because I always feel young!…” – Manny B. Fernandez, People Magazine, 05 February 1982 (READ MORE)

Bella Flores and Vilma Santos’ Films

  • Ikaw Ang Mahal Ko (1996) – ”…In 1996 Vilma Santos did “Ikaw Ang Mahal Ko” with the late FPJ. The film did not do well, both critically and commercially. This year also was a bad year for the local entertainment industry as Ishmael Bernal died on June 2nd. It was reported that he was scheduled to direct a film about the life story of Lola Rosa Henson, the comfort woman during the Japanese invasion of the Philippines. The project was also reportedly offered to Vilma Santos. From 1997 to 2009, Vilma Santos completed 6 full featured films, two were considered record breaking films and almost all gave her acting recognitions including two international best actress recognitions…” (READ MORE)
  • Pinay, American Style (1979) – “…The film was so forgettable that the critics didn’t even bother to write any reviews. The lack of enthusiasm on the part of the critics was compensated with the box office success of the film. Vilma fits the role as the illegal alien, PX. Her attempt to speak fluent English and pretend that she’s rich when she met the boyish looking Christopher was funny and poignant. She was given enough scenes to shine. One was when she was harassed by her landlady, she promised her the rent money the next day and when she’s gone, she opened her refrigerator and found a staled piece of bread. She took bottled water and ate the staled bread, went to the bedroom and found her mom’s letter. Lying down in bed, she started to break down. A quiet scene without dialogue. A contrast from the earlier scenes where she was talkative as she tried to impress Christopher and telling him she’s rich and from a well-known family. It was obvious in 1979, Elwood Perez wasn’t the kind of director you will expect to produce a serious output. He wasn’t a Bernal or Brocka. He’s a commercial director. It was a better effort though, compared to a much more convoluted Magkaribal or their past successful projects like Nakawin natin ang bawat sandali and masakit masarap ang umibig. In Pinay, Toto Belano’s script wasn’t efficient in ironing out the “love quadrangle” plot twists and establishing the characters of four actors. So the blame can’t be put to solely to Perez’ shoulder. There was a scene were Vilma Santos and Christopher were watching a concert which was obviously not part of the script…” (READ MORE)
  • Huwag hamakin! Hostess (1978) – “…Do you always succeed in packaging a movie? “Often, yes, But, alas, I have failures too.” For instance? “Well, some reasons for failure are due to wrong chemistry of the cast, to the vehicle (story) and/or unsuitability of both elements. Let’s take the movie, Huwag Hamakin: Hostess, which with solid actresses, a move that proved to be contrary to the image of La Aunor. It would have been all right, if Alma Moreno, Nora’s co-star, was paired with another bold actress. But that, we learned only later and too late! I was aware of Guy’s image. But I wasn’t aware that her image wouldn’t go well with the combination. Not even the controversy of including Vilma Santos in the cast helped. It only antagonized both camps of Nora-Vilma fans…” (READ MORE)
  • Big Ike’s Happening (1976) – “…Enrique “Big Ike” Lozada (August 13, 1940-March 8, 1995) was a Filipino comedian, actor and TV host. He was born on August 13, 1940 in Iloilo City. He started acting at the age of 11 on the movie Mga Bituin ng Kinabukasan with the younger Susan Roces. He died on March 10, 1995 in Manila, of heart attack. He was 54. His had lain at Manila Memorial Park in Parañaque City…” (READ MORE)
  • Ding Dong (1970) – “…Ding Dong, adapted into movie from comics written by Pablo S. Gomez; Illustrated by Alfredo P. Alcala for United Komiks, 1970…” (READ MORE)
  • Young Love (1970) – “…The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche. Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon…” (READ MORE)
  • Trudis liit (1963) – “Ang pelikula ni Ate Vi na Trudis Liit ay tandang tanda ng maraming Vilmanians. Nagdulot ito ng unang karangalan para kay Ate Vi at sa murang edad ng siyam. Sa mga Vilmanians ang maraming madramang eksena ni Vilma rito’y natanim sa ating alaala. Ang sabi nga ng isa sa ating Vilmanian na si Henry Llaneza, “the first movie I’ve seen in Black & White TV mula sa bintana ng kapitbahay ay ang “Trudis Liit” na napaiyak ang lahat ng nanonood dito nagsimula ang lahat…” ng kanyang pagiging isang Vilmanian. Katulad ni Henry, dito rin nagsimula ang aking paghanga sa star for all season. Galit na galit ako nuon kay Bella Flores dahil sa pang-aaping ginawa niya kay Trudis. Sa pagkapanalo ni Ate Vi ng FAMAS Best Child Actress sa pelikulang ito, sinundan pa ng Sampaguita Pictures ang tagumpay nito sa pamamagitan ng pelikulang Ging. Dito makikita ang malinaw na talento ni Ate Vi. Hindi lamang sa kanyang hindi pilit na pag-iyak kundi sa pagkanta rin. Dito rin sa pelikulang ito’y nakipagsabayan siya sa pagganap ni Olivia Cenizal at sa pang-aapi ni Carol Varga. Ang dekada ng sisenta ay patuloy na nagbigay ng maraming pelikula kay Ate Vi magmula sa pagiging isang batang artista hanggang sa isang teenager. Umabot ito sa unang karangalan niya bilang isang hindi na batang artista sa pamamagitan ng pagkanominado niya sa Best Supporting Actress muli sa FAMAS at ang kanyang pagkapanalo ng parehong titulo mula naman sa San Beda College…” (READ MORE)

Bella Flores (February 27, 1929 – May 19, 2013), was a FAMAS award-winning Filipino film actress. She was best known for her “iconic” portrayals of film villains. Flores was born in Manila. She was a college sophomore at the Far Eastern University when she appeared in her first film, Tatlong Balaraw (1950), at age 14. Flores was signed by Sampaguita Pictures. She was cast in Roberta as the cruel stepmother of Tessie Agana’s titular character, despite being 15 years old. The film was a box-office success, credited with saving Sampaguita Pictures from bankruptcy after a fire had destroyed its studio. The film’s success also elevated Flores into the upper tier of stars, and typecast her in villainous roles. The film critic Nestor Torre remarked that Flores had “been making life miserable for many generations of hapless stars—all the way back to little Tessie Agana and Boy Alano in ‘Roberta’ in the early 1950s, to her fresh batch of victims in the New Millennium… doing it without skipping a beat—and without aging (much) to boot.” She received the 1967 FAMAS Best Supporting Actress award for her role in Ang Kaibigan Kong Santo Niño. Flores died on May 19, 2013, in Quezon City General Hospital. Her death was a result due to complications from a recent hip surgery. – Wikipedia (READ MORE)

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The Men behind Vilma’s films

MEMORABILIA - Eddie Rodriguez

01. He played Vilma’s disabled father in Burlesk Queen, other films with Ate Vi were Biktima and Vivian Volta.

02. His father played Ka Dencio in Sister Stella L. But he, himself did a number of unforgettable films with Ate Vi mostly in the 70s, films like The Sensations, Young lovers, Kampanerang Kuba, Biktima.

03. She called Ate Vi “precious” and made films with her in the 70s, films like Dingdong, Teenage Senorita, Aloha My Love, Don’t Ever Say Goodbye, Sweet Sweet Vilma, Tsismosang Tindera, Dyesebel, Darna and the Giants, Biktima, Tok Tok Palatok.

04. Not your typical mestizo type matinee idol, he was one of Ate Vi’s regular screenmates in many musicals in the 70s like Love letters, My Pledge of Love, From the Bottom of My Heart, I love You honey, May Hangganan ang Pag-ibig, Renee Rose, The Sensation, Angelica, Young Lovers, Dalagang Nayon.

05. He played Ferdinand Marcos while Ate Vi was Imee in Pinagbukold Ng Langit.

06. This matinee idol won grand slam best supporting actor for playing Ate Vi’s son in Dekada 70.

07. He’s a famous PBA player in the 80s and was one of Ate Vi’s leading man in Tagos Ng Dugo.

08. Prior to becoming the cheater husband in Ina Ka Ng Anak Mo, he did 2 musicals with Ate Vi (Young Love and Sixteen) and later on a dramatic film directed by Luis Enriquez, Ex-Wife.

09. He made history playing a quiet writer who happens to be homosexual in Palipat-lipat, Papalit-palit then later became her leading man in Miss X.

10. He was rumoured to have an affair with Snooky Serna and Nora Aunor, he co-starred with Ate Vi in a smash hit musical, “Good Morning Sunshine.”

11. This trio did three box office hits with Ate Vi (“Swing it Baby,” “Doctor, Doctor I am sick,” “Rock Baby Rock”) and just like Ate Vi, one of them now a serious politician.

12. One of Ate Vi’s serious relationship after her break up with Edgar Mortiz was with this man, now the ex-talent manager/agent of Regine Velasquez, they only did one film, the forgettable but a box office hit, “Lets Do The Salsa” (He appeared briefly in Darna VS The Planet Women in a memorable dance scene).

13. He’s a the regular leading man of Amalia Fuentez but also did unforgettable films with Ate Vi like Mga Reynang Walang Trono, Asawa ko Huwag Mong Agawin, Bulaklak at Paruparo, and Promo Girl.

14. Although not directly link to Vilma, he was known to have a crush on her. He eventually was paired with other teen star. Despite this, he did a number of films with Ate Vi. Films like Vilma & the Beep Beep Minica, Dyesebel at ang Mahiwagang Kabibe and Kamay na Gumagapang.

15. Prior to his teaming up with Ate Vi’s rival, he was originally paired with Ate Vi in the 70s. They did Young Love, Nobody’s Child, Dingdong, Pinagbuklod ng pag-ibig and Give me Your Love.

16. One of the sex symbol of the 70s. He was a regular leading man of Ate Vi. Some of their memorable films together were: Lipad Darna Lipad, Hindi Nakakahiya, Amorseko Kumakabit, Kumakapit, Takbo Vilma Dali, Hatinggabi na, Vilma.

17. Known as character actor, this man did several films with Ate Vi in the 70s, films like Vilma & the Beep Beep Minica, Phantom Lady, Ibong Lukaret, Tatlong Mukha ni Rosa Vilma, Anak ng Aswang, Wonder Vi and Vilma Veinte Nueve.

18. Famous for his song Kamusta Ka, he jumped into films costarring with Ate Vi in Never Ever Say Goodbye.

19. Aside from his numerous hits like Balatkayo, he confirmed his sex symbol status by making a number of movies, one of them was the movie with Ate Vi, 1981’s Pakawalan Mo Ako where Ate Vi won a Famas Best Actress.

20. He is Louie in one of Viva’s explosive film in the 80s. This actor became one of Ate Vi’s most reliable leading man. He gave us unforgettable performances in Langis at Tubig, Hiwalay, Gaano Kadalas ang Minsan, Alias Baby tsina, Muling Buksan ang Puso, Kampanerang Kuba, and T-Bird at Ako.

21. Palimos Ng Pag-Ibig and Romansa were the only films Ate Vi did with this actor.

22. Almost as famous with his “over-emphasized” delivery of lines, this actor did a number of films with Ate Vi. Films like: Karma, T-Bird at Ako, Imortal, Relax ka Lang Sagot Kita, Biktima.

23. They did this mild hit in 1980 way before he married his now ex-wife (an international beauty queen). This ex-action star is now a politician.

24. He was “Enpoy” before becoming Ding, the only child actor and second male (next to the late Dolphy, Chiquito wore a supposed to be a Darna costume in Teribol Dobol but this should not be counted because he did not look as close to Darna) to wear the “Darna” costume in the 1980s.

25. Before he was linked to Marianne Dela Riva, he did this wonderful film with Ate Vi, Halik sa Paa Halik sa Kamay and later did a cameo role in Palimos ng Pag-ibig.

Answers: 01. Leopoldo Salcedo, 02. Tony Santos Jr., 03. Ike Lozada, 04. Romy Mallari, 05. Luis Gonzales, 06. Piolo Pascual, 07. Francis Arnais, 08. Raul Aragon, 09. Mark Gil, 10. Lyod Samartino, 11. Tito, Vic and Joey, 12. Ronnie Henares, 13. Eddie Gutierrez, 14. Romeo Miranda, 15. Tirso Cruz III, 16. Ernie Garcia, 17. Nick Romano, 18. Nonoy Zuniga, 19. Anthonoy Castelo, 20. Dindo Fernando, 21. Edu Manzano, 22. Tommy Abuel, 23. Lito Lapid, 24. Nino Muhllach, 25. Ronald Corveau – V Magazine, No. 3 (READ MORE)

Remembering Chichay

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The “Queen” – “…This movie was in tribute of the staff and crew behind the movies produced by Sampaguita Pictures. They were played by Dolphy, Panchito, Chichay and other actors and actresses of the said film outfit. The title was about a popularity contest in the studio where some of the said staff and crew were the candidates. Here, the King of Comedy played a janitor named “Julio Antukin” who became involved in most of the hilarious situations in the movie studio premises like throwing the pin of the grenade instead of the grenade, when he replaced a bit player, at the site where a movie director, played by Ading Fernando, was standing giving instructions about a scene. Another one was when he was assigned in the sound room where his clumsiness in the operation of its equipment caused the switching of the male and the female voices of its contract stars, played by Jose Mari Gonzales and Liberty Ilagan, in a musical number scene. In the end, he redeemed himself, when he was able to help the studio from being robbed by a gang of criminals which made him the “King” while Chichay was the “Queen”. Vilma Santos appeared in this movie as Dolphy’s younger kid sister…” – Melcore’s CinePlex Blog (READ MORE)

Pamosong Komedyante – “…Samantala sa entablado naman ng mga eskuwelahan at sa mga syudad, ipinalabas din ang dulang New Yorker in Tondo, isang komedya tungkol sa isang balikbayan na mas Amerikano pa kaysa Amerikano pero kayumanggi naman. Nauso rin sa radyo ang komedya tulad ng Sebya Mahal Kita na pinalabasan nina Sylvia Guerrero at Eddie San Jose. Ang iba pang pamosong mga komedyante ay sina Oscar Obligacion, Chichay at Aruray atbp…Sa larangan ng pelikula, si Ai-Ai pa rin ang bida sa mga komedya, na marahil ay namana ang kanyang pagiging komedyante sa mga “greats” tulad ni Chichay at Aruray na sumikat noong mga 50′s at hanggang 60′s. Bandang 70′s o 80′s ginawang katatawanan ang isang artista na sobra ang dunong daw…” – Wilhelmina S. Orozco (READ MORE)

Patsy vs Chichay – “…Her best episode in Wanted: Boarders in the old ABS-CBN Channel 4 was when Chichay guested in the show. Chichay had a daughter, singer Geraldine, and Patsy could never pronounce the girl’s name correctly (she kept saying Gungadine). From the start, there was already animosity between Patsy and Chichay. It turned out that Chichay was the ex-girlfriend of Patsy’s husband, Pugo, and it was a riot in the show. That episode was a landmark on Philippine TV because there supposedly was a feud between Chichay and Patsy off-screen. Nobody ever knew if this was true or just a joke between them and no one knew the exact reason why they were feuding in the first place. The public waited for the answer when Patsy was featured as guest in the Joy Virata-Robert Jaworski talk show Celebrity in 1978 on Channel 4 (then already a government studio). Unfortunately, when Ms. Virata asked that question, Patsy evaded it by merely answering: “It’s a military secret.” The year after, Patsy died and buried along with her mortal remains was the mystery about her supposed feud with Chichay. But at the funeral, there was only one celebrity who went, Chichay….” – Butch Francisco, The greatest comedians of all time (Third of a series), Philstar, Aug 19 2006 (READ MORE)

Toothless Miss – “…During her absence, something “that I couldn’t figure out till now” occurred. When she returned, a new Chichay was born: the toothless Miss. By conservative estimate, Chichay has to date 120 photoplays to her credit, the most decisive and memorable of which is Buhay Pilipino, a movie she made with Pancho Magalona and Tita Duran in 1951 because it gave birth to the masungit and tsismosa aunt-image that Chichay is now well-known for. She has a CAT Award (for Best TV Actress of 1967) to attest to her acting ability. Chichay the person is a far cry from Chichay the jester. whenever she is free from commitments (which is very seldom), she stays at home and reads her favorite fun magazines: 1001 Jokes, Mad and Taurus. She is fond of cats. She has not seen any movie for the past five years, even her own films. Her favorite comedienne is Lucille Ball. Fifty years old last January 21, Chichay professes she has a deep-seated devotion to show business: “I want to laugh away the rest of my life…” – Ricardo F. Lo, Sunday Times Variety, April 27 1969 (READ MORE)

Chichay (born Amparo R. Custodio; January 21, 1918 – May 31, 1993) was a Filipino comedienne. Her short and stocky stature, scratchy voice and prematurely aged appearance allowed her to portray grandmothers while only in her thirties. She was born in Tondo, Manila, the daughter of a ship steward, Jose Pacifico Custodio and Maria Robles of Bulacan. In 1945, she married Hercules Saenz Moya of Iloilo. She entered showbusiness as a teen, joining the “Samahang Antonieta” as a singer with her sister Iluminada. She also appeared as a chorus line dancer at the bodabil shows of Katy de la Cruz. Soon a regular at the bodabil circuit, she received her stage name “Chichay” from Atang de la Rama. The name was a corruption of the Japanese word “Chiisai”, meaning “short”, in reference to Chichay’s own short height and she got famous for her toothless appearance but in reality she still got 2 molars left…Chichay remained a contract star with Sampaguita Pictures for almost two decades. After her stint with Sampaguita, she remained in demand as a character actress, often in comic roles. In 1972, she was nominated for a FAMAS Best Supporting Actress award for her role in Bilanguang Puso. She was active in film until her death in 1993. Among her last roles was as Lola Basyang in the 1986 Regal Films fantasy movie, Mga Kuwento ni Lola Basyang. – Wikipedia (READ MORE)

Chichay and Vilma Santos

  • 1980 – Yakapin Mo ‘ko, Lalaking Matapang – Chichay played the grandmother to Vilma Santos, Lito Lapid is Vi’s leading man.
  • 1974 – Happy Days Are Here Again – A collection of film segments of the big three – LVN Films, Premiere Productions and Sampaguita Pictures, Chichay was in Fred Montilla’s segment playing the titular role, “Bondying” while Vilma Santos, now a teen idol, was in the musical segments with her fellow teenstars, Edgar Mortiz, Nora Aunor and Tirso Cruz III.
  • 1963 – King and Queen for a Day – Still a child actor, Vilma Santos played supporting to lead stars, Dolphy and Chichay.

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Golden Ging (Videos and Music)

FILMS - Golden Ging (1964 - 2014)

Released Date: 20 January 1964

Basic Information: Directed: Cirio H. Santiago, Teodorico C. Santos; Story: Mars Ravelo; Screenplay: Teodorico C. Santos; Cast: Vilma Santos, Jose Padilla Jr., Olivia Cenizal, Carol Varga, Ramon D’Salva, Aruray, Etang Discher, Georgie Quizon, Ponga, Jose Garcia, Paquito Salcedo, Eva Montes, Marvin Molina, Pol Todd; Executive producer: Adela Santiago; Cinematography: Lito Padrino; Film Editing: Demetrio De Santos; Production Design: Bert Amazar; Theme Songs: “Ulila” composed by Levi Celerio, performed by Vilma Santos

Plot Description: Ging is a poignant story of a poor gifted girl, trying to make both ends meet by singing and dancing in crowded streets and cafeterias. – Komiklopedia (READ MORE)

Video Links 2013

DATE Video Links
12-31-2013 The Year in Pictures
12-31-2013 In Memoriam
12-31-2013 The Year in Pictures
12-31-2013 In Memoriam
12-14-2013 Gov. Vilma Santos, nagsumite na ng tamang SOCE at mananatili na sa pwesto
12-13-2013 Saksi: Gov. Vi, nagsumite na ng tamang SOCE at mananatili na sa pwesto
12-12-2013 BT: Gov. Vi, kabilang sa mga pinabababa sa pwesto ng Comelec dahil sa SOCE
12-12-2013 Gov Vilma Santos Protests Allegations That She Failed To Pass SOCE
12-12-2013 Gov. Vilma Santos-Recto, ipinakita ang patunay na nagpasa siya ng SOCE
12-12-2013 Gov. Vilma Santos-Recto, ipinakita ang patunay na nagpasa siya ng SOCE
13-09-2013 Gov. Vi insists she filed SOCE
12-09-2013 Gov. Vi, pinayuhan si Rep. Pacquiao na makipagkasundo na lang sa BIR
12-09-2013 Vilma, ibinuko ang umamo’y wedding plans ni Marian at Dingdong
12-08-2013 Quantum Reel
12-08-2013 BT: Marian R, Elmo Magalona at Jessa Zaragoza, nakiisa sa ‘Ala Eh Festival’
12-05-2013 Tunay na Buhay – Philip Salvador
12-03-2013 Dyesebel 1973 Philippines Movie
12-03-2013 Saksi: Pagpapailaw sa mga parol, pinangunahan ni Gov. Vilma Santos-Recto
11-26-2013 ABS-CBN’s ‘Dyesebel’ teaser makes a splash
11-17-2013 Gov. Vi says she could be the next president
11-15-2013 Call Center Girl (Gov. Vilma Santos)
11-15-2013 Luis on finding new love: ‘Hinga muna ‘ko!’
11-14-2013 Relasyon (1982) Theatrical Trailer
11-13-2013 Kris teases Angel about ex-boyfriend Luis
11-11-2013 Tatak TGP TVC
11-07-2013 Primetime Drama – Vilma S, Gabby C, Eric Q & Zsa Zsa P
11-04-2013 Why Vilma and Bobot didn’t end up together
11-04-2013 Vilma Santos grilled on ‘Ihaw Na’
11-03-2013 Primetime Drama – Vilma Santos, Jimi Melendez & Christopher De Leon
11-01-2013 Pamilya, ginunita si Bella; Charice ginunita ang ama
11-01-2013 Vilma Santos on BANANA NITE November 4, 2013 Teaser
10-31-2013 Pahiram Ng Isang Umaga (1989) Theatrical Trailer
10-30-2013 UBER Icon: Vilma Santos
10-29-2013 Luis dances ‘Thriller’ on ‘Minute To Win It’
10-29-2013 Tagisan Ng Husay
10-28-2013 Primetime Drama – Vilma Santos & Phillip Salvador
10-28-2013 Jon santos as vilma santos at regine concert
10-28-2013 Balitaan: Batangas Gov. Vilma Santos, humingi ng sorry dahil sa hindi pagboto
10-26-2013 Darna and The Giants (1973) Full Movie
10-26-2013 Gov. Vi at Expo The Exposition of the Global Filipino in Orange County
10-25-2013 Paano ba ang mangarap? (1983) Vilma Santos, Christopher De Leon
10-25-2013 Pinoy Full Movie – Relaks Ka Lang Sagot Kita (1994)
10-25-2013 Luis confirms split; KC avoids talking about Chandler Parsons
10-24-2013 Luis confirms split with Jennylyn Mercado
10-23-2013 BT: Luis, sinabing malabo na silang magkabalikan ni Jennylyn Mercado
10-20-2013 The Original Indie Film Maker
10-20-2013 Vi with Gloria Romero
10-20-2013 Vi with Carmina Villaroel
10-19-2013 Startalk: Jennylyn Mercado at Luis Manzano, hiwalay na
10-19-2013 Tom-Den gear up for ‘MHL’ US tour, album promo
10-13-2013 Paano Ba Ang Mangarap – Pilita Corrales
10-12-2013 Anak Vilma Santos Claudine Barreto
10-10-2013 Vilma Santos’s Advertisement: BSMA-2a (group 7)
10-08-2013 Video: ASAP 072212 Karylle & Christian/ Vilma Santos Tribute
10-07-2013 Mano po III: My love (2004) Theatrical Trailer
10-06-2013 Gov. VSR Activities (September 30-October 4)
10-06-2013 Haplos (1982) Official Trailer
10-05-2013 2013 SDAFF – The Bit Player Trailer
10-05-2013 Vilma – where’s the party?
09-29-2013 Gov. VSR Activities (September 24-27)
09-29-2013 Gov. VSR Activities (September 16-20)
09-25-2013 Batangan Hym
09-24-2013 Buhay Artista Ngayon 1979 Comedy King Dolphy, Vilma Santos
09-21-2013 Vi with Ronnie Henares
09-21-2013 Ikaw Ay Akin
09-21-2013 Darna vs the Planet Women
09-18-2013 Pusong Mamon
09-18-2013 Marecel Soriano in Kaya Kong Abutin Ang Langit
09-18-2013 Lupang Hinirang
09-18-2013 Ynez Veneracion in Dama de Noche
09-16-2013 Swing…it Baby! (1978) Vilma Santos, Tito Vic & Joey
09-13-2013 Ang pagtupad ni Vi sa kanyang fan na isang cancer patient
09-12-2013 Edu Manzano vows to challenge himself on new late night weekend talk show
09-11-2013 Lingkod Bayani (Civil Service Month)
09-11-2013 Serbisyo Sibil – Activities (September 2-8)
09-11-2013 VSR Activities (August 26-30)
09-11-2013 Hilda Koronel in Crying Ladies
09-10-2013 TIFF2013 The Bit Player Introduction and Q&A
09-09-2013 Ikaw ang mahal ko 1996 Pinoy Filipino Full Film
09-07-2013 Burlesk Queen 1977
09-06-2013 Iginuhit ng Tadhana – Marcos Era
09-06-2013 Iginuhit ng Tadhana – Vilma Santos and Ferdinand Bong Bong Marcos
09-06-2013 Ito Ang Pilipino – Jay Ilagan and Vilma Santos
09-04-2013 EKSTRA starring Vilma Santos Full Movie Trailer – w US screening schedule
09-02-2013 Generation RX – Secrets of the Rich and Famous – Gov. Vilma Santos
09-01-2013 The Famous “Jun-Jun” Scene of Vilma Santos in Paano Ba Ang Mangarap?
09-01-2013 Vilma Santos in Paano Ba Ang Mangarap
09-01-2013 CLIPS Vi with Zorayda Sanchez
09-01-2013 CLIPS – Len Santos and Lito Pimentel with Christopher de Leon
09-01-2013 CLIPS – Vi in Broken Marriage
09-01-2013 CLIPS – Vi with Anita Linda
09-01-2013 CLIPS – Vi with Christopher de Leon
09-01-2013 CLIPS – Vi with Bella Flores and Mila Ocampo
09-01-2013 CLIPS – Vi with Deborah Sun and Christopher de Leon
09-01-2013 CLIPS – Vi with Deborah Sun and Ed Villapol
09-01-2013 CLIPS – Vi with Laurice Guillen
09-01-2013 Ate Vi, ‘family’ greet Bobot Mortiz happy birthday
08-31-2013 Jon Santos impersonates ‘Ate Vi’
08-31-2013 CLIPS Vi with Zorayda Sanchez
08-31-2013 CLIPS Vi with Subas Herrero and Christopher de Leon
08-31-2013 CLIPS – Vi with Rio Locsin and Christopher de Leon
08-31-2013 CLIPS -Vi with Philip Salvador
08-31-2013 CLIPS – Where’s The party
08-31-2013 CLIPS – Vi with Roderick Paulate
08-30-2013 CLIPS – Vi with Nora Aunor 2
08-30-2013 CLIPS – Vi with Nora Aunor 1
08-30-2013 CLIPS – Vi with Guy Pip and Bot
08-30-2013 CLIPS – Vi with Alma Moreno and Nora Aunor
08-30-2013 Jon Santos impersonates Ate Vi
08-29-2013 Darna and the Giants 1973 Pinoy UFO Ancient Alien Theory Filipino Film
08-29-2013 Burlesk Queen (1977) Pinoy Filipino Full Film
08-29-2013 Haplos 1982 Pinoy Filipino Full Film
08-29-2013 2013 Iglesia Ni Cristo
08-28-2013 Ryan Christian Recto, gustong makasama si Vilma Santos sa isang movie
08-24-2013 Dyesebel 1973 Pinoy Filipino Full Film
08-24-2013 Vilma Santos with Tito, Vic & Joey
08-22-2013 Piolo Pascual feels proud to have worked with Vilma Santos on “ekstra”
08-17-2013 Vilma’s interview after the VSSI Special screening of Ekstra
08-15-2013 EKSTRA Now Showing in the Philippines
08-14-2013 Lahat sila bumabati ng HAPPY BDAY SER CHIEF!
08-14-2013 EKSTRA Celebrity Screening
08-13-2013 Ang pelikulang umani ng parangal at papuri sa Cinemalaya
08-13-2013 EKSTRA (AiAi delas Alas, Coco Martin, Angel Locsin dating ekstra)
08-13-2013 EKSTRA (Judy Ann Santos dating ekstra)
08-13-2013 Ekstra Grand Press Conference
08-13-2013 EKSTRA (Sarah Geronimo, Pokwang)
08-14-2013 Celebrities support Ate Vi’s first indie film
08-12-2013 CHITO ROÑO on Star Cinema
08-12-2013 Vilma Santos accepts Cinemalaya award for Ekstra!
08-10-2013 Vilma Santos meets Luis’ look-alike
08-09-2013 Para kay Marian Rivera, Malaking Pasasalamat Galing kay Gov Vi
08-09-2013 WINNER @ Cinemalaya 2013 – Ekstra
08-09-2013 Vilma Santos wants to do more indie films
08-09-2013 Talent fee for ‘Ekstra’ wasn’t an issue for Ate Vi
08-09-2013 ‘Noranian’ Tart Carlos talks about working with Ate Vi
08-08-2013 Buhay-Ekstra ni Vilma
08-08-2013 Ekstra Grand Presscon
08-07-2013 Cinemalaya 9 Best Supporting Actress-Ruby Ruiz (Ekstra)
08-06-2013 Cinemalaya 2013 Awards Night
08-06-2013 UB: Gov. Vi, itinanghal na best actress ng Cinemalaya
08-06-2013 Ate Vi wins first Cinemalaya best actress award
08-05-2013 Tour sa Governor’s Mansion with Ate Vi
08-06-2013 EKSTRA (Limampung taon na siyang bida sa kanyang mga pelikula)
08-05-2013 EKSTRA (Ano ba ang role mo)
08-05-2013 EKSTRA (Small roles, big dreams)
08-05-2013 EKSTRA (Pagdating ng big break niya, will it make her or break her)
08-05-2013 EKSTRA (Kelan pa makikila ang isang ekstra)
08-05-2013 EKSTRA (Si Vilma Santos ay magbibida bilang Ekstra)
08-05-2013 EKSTRA (Vilma Santos now)
08-05-2013 Vilma Santos, wagi bilang best actress sa Cinemalaya
08-04-2013 BT: Cinemalaya 2013 Film Fetival Awards
08-04-2013 ‘Transit’ at ‘Sana Dati,’ humakot ng parangal sa Cinemalaya 2013
08-04-2013 WINNER @ Cinamalaya 2013 Ekstra
08-02-2013 Ekstra Gala Premiere
07-31-2013 The Ryzza Mae Show: Jon Santos as Ate V.
07-31-2013 EKSTRA full trailer (Starring Vilma Santos)
07-31-2013 Vilma Santos happy to be a part of the indie family
07-31-2013 Kris goes to Israel on Cory’s death anniversary
07-29-2013 Gov. Vi dumalo sa gala night ng indie film niya sa Cinemalaya
07-28-2013 Jul 28, 2013 Oath Taking of Sen. Ralph Recto
07-28-2013 Will KC Concepcion be the next Darna?
07-26-2013 PostScript: Indie Films with Jessica Soho
07-23-2013 InterAksyon’s guide to Cinemalaya 2013 part 1: Directors Showcase
07-23-2013 Vilma Santos-Recto: Sa buong buhay ko naka-focus sa mga anak ko
07-23-2013 Grace Poe explains ‘film tourism’
07-22-2013 Cinemalaya 2013 – Grand PressCon Part 02
07-22-2013 Cinemalaya 2013 – Grand PressCon Part 01
07-22-2013 Oath Taking of Sen. Ralph Recto
07-21-2013 Si Dolphy sa Mga Mata ni Anghelita
07-21-2013 Si Iking at Aruray
07-21-2013 Ang Atik
07-21-2013 Si Tasyo
07-21-2013 Si Tasyo at Si Betty
07-21-2013 Si Vilma, Si Nora at si Anghelita
07-20-2013 Buhay Artista Ngayon (1979) Comedy King Dolphy, Vilma Santos
07-20-2013 Si Dolphy sa Mga Mata ni Anghelita
07-20-2013 Si Vilma, Si Nora at si Anghelita…
07-16-2013 Can we ever get the old Caronia song out of our heads?
07-16-2013 Sharon Cuneta: The Mega Exclusive Special
07-16-2013 Maricel Soriano comeback!
07-16-2013 Mga Mata ni Anghelita (1978) 1/2 – Julie Vega
07-16-2013 Powerhouse July 16, 2013
07-13-2013 This Tuesday on Powerhouse: Batangas Gov. Vilma Santos-Recto
07-12-2013 Powerhouse is ushering in a new season with a new host
07-11-2013 Generation RX – Allergy – Airing Date July 13 2013
07-10-2013 Susan Roces, matagal nang pangarap magkontrabida
07-09-2013 Mga mapangahas ang tema, inaabangan sa Cinemalaya 2013
07-08-2013 Darna and The Giants (1973) Full Movie
07-08-2013 PTV4- The Weekend News -Micronutrient Deficiency
07-08-2013 Activities Last Week
07-07-2013 Marian Rivera is thankful for getting the opportunity to work w/ Vi
07-05-2013 Ms. Jennylyn Mercado with Ms. Vilma Santos
07-05-2013 A ‘cinesthesia’ of the old and the new in Cinemalaya 2013
07-05-2013 Trailers: Cinemalaya 2013 Directors Showcase
07-03-2013 Leron Leron Sinta (1972) Vilma Santos
07-03-2013 Gov. Vilma Santos-Recto (Extra)
07-02-2013 Gov. Vi, itinangging nagsasama na sa isang bahay sina Luis at Jen
06-28-2013 Gov. Vilma Santos-Recto: “health first policy”
06-28-2013 Vi Nagpasalamat sa Mga Big Stars na Nag Cameo sa Ekstra
06-28-2013 News5E: Vilma Santos, Nanumpa Para sa Huling Termino
06-28-2013 24 Oras: Gov. Vi excited na para sa pagpapalabas ng Ekstra
06-27-2013 BT: Batangas Governor Vilma Santos, muling nanumpa
06-27-2013 Press conference with Gov. Vilma Santos-Recto
06-27-2013 News5E: Vilma Santos, Gusto nang magka-apo?
06-27-2013 Gov Vi, gusto nang magka-apo
06-24-2013 The Lesbian Chronicles
06-20-2013 Burgos Official Movie Trailer
06-20-2013 Luis tapes last episode of ‘Deal Or No Deal’
06-20-2013 NTG: Indie film na ‘Ekstra: The Bit Player’ na pagbibidahan ni Vi
06-16-2013 Luis Manzano for Salvatore Mann Shoes and Bags
06-16-2013 The Healing (2012) Vilma Santos, Kim Chiu
06-13-2013 Zamboanga Massacre (1989) Ramon Revilla Sr., Eddie Garcia
06-14-2013 Dekada ’70 (2002) [Full Movie]
06-14-2013 News5E – Nora and Vilma
06-13-2013 CineFilipino entry ‘Puti’ pays homage to Mike De Leon’s ‘Itim’
06-11-2013 Luis Manzano: “Hindi natuturo ang comedy.”
06-11-2013 Sneak peek: Vilma goes indie in ‘Ekstra’
06-10-2013 Huh? Vilma Santos as an ‘Ekstra’?
06-09-2013 Nora Aunor speaks Ilocano in ‘Ang Kwento ni Mabuti’
06-09-2013 ‘Ekstra’ Starring Vilma Santos – Full Trailer
06-09-2013 Ekstra (The Bit Player) Cinemalaya Trailer
06-08-2013 Vilma Santos mesmerizes as ‘Ekstra’ trailer goes viral
06-06-2013 Ekstra – Official Trailer
06-05-2013 Dyesebel 1973 (Full Movie)
06-01-2013 Christopher de Leon impersonator is ‘Ultimate Kalokalike’
05-31-2013 Dugo at Pag-Ibig sa Kapirasong Lupa (1975) Full Movie
05-28-2013 Amalia Fuentes Quits Teleserye
05-26-2013 Kapuso Mo, Jessica Soho 26 May 2013 Full Episode Watch
05-25-2013 Kapamilya stars spoof Star Cinema movies
05-25-2013 Remembering Bella Flores
05-25-2013 Naiibang Indie Film
05-23-2013 No more heartthrob roles for Piolo
05-23-2013 Gandang Gabi Vice, May 26, 2013
05-23-2013 Nyoy Volante – Ipagpatawad Mo
05-21-2013 Proclamation of Gov Vi
05-19-2013 Dakilang Ekstra Clip 3
05-19-2013 ‘Reyna ng Kontrabida’ na si Bella Flores, pumanaw na
05-18-2013 Aga Muhlach rejects Fuentebella win
05-17-2013 You’ll Always Be Loved Babalo, Tita swarding, Boy, Romula Espena
05-16-2013 KB: Gov. Vilma Santos-Recto, magsisilbi sa kanyang ika-3 termino
05-16-2013 Gov Vi wins by over 600,000 votes
05-15-2013 Vilma Santos-Recto proclaimed Batangas governor for 3rd term
05-15-2013 Gov Vi wins by over 600,000 votes
05-15-2013 24 Oras: Panayam kay Batangas Gov. Vilma Santos-Recto
05-15-2013 Gov. Vilma Santos at Vice Gov. Leviste sa Batangas, naiproklama na
05-15-2013 Reelected Gov. Santos-Recto, wala pa raw plano sa 2016 elections
05-15-2013 Star studded: Celebs winning, losing in 2013 polls
05-14-2013 UB: Batangas Gov. Vilma Santos-Recto, muling nanalong gobernador
05-12-2013 5 Darnas Rock on ASAP – Shaina, Iya, Empress, Cristine and Kim
05-11-2013 Dakilang Ekstra clip 2
05-09-2013 Dahil Mahal Kita: The Dolzura Cortez Story (FULL MOVIE)
05-09-2013 Anak – Vilma Santos, Claudine Barreto, etc
05-09-2013 Hollywood actor Lou Diamond Phillips remembers Filipino roots
05-05-2013 Dakilang Ekstra clip 1
05-03-2013 Luis Manzano’s Birthday Interview
04-27-2013 Gov. Vilma santos-Recto at LP and NPC campaign rally
04-27-2013 EKSTRA na lang?
04-26-2013 Edu Manzano on Kapamilya, Deal or No Deal
04-24-2013 Batya ‘t palo-palo – Baliktanaw sa nakaraan – Vilma Santos, FPJ
04-24-2013 Gov. Vilma & Sen. Recto dance @ Lian Batangas
04-24-2013 Luis turns emotional on ‘Minute To Win It’
04-24-2013 Gov. Vilma Santos – Vote Team Vergara (LP)
04-22-2013 Luckymanzano birthday message to his supporters
04-22-2013 Sweet Sixteen / Vilma Santos
04-21-2013 Birthday girl Kim Chiu cries on ‘The Buzz’
04-20-2013 Nauna Kang Naging Akin Book 2 (unofficial video)
04-19-2013 Darna at iba pang karakter ni Mars Ravelo, Kapamilya na
04-17-2013 Darna and The Giants (1973) Vilma Santos Full Movie
04-14-2013 FILMS – Tagos Ng Dugo Photos (1987)
04-14-2013 FILMS – SSL Photos (1984)
04-13-2013 “Burgos”: A Mother’s Courageous Search
04-10-2013 TEASER fan made – EKSTRA July 2013 (unofficial video)
04-10-2013 TEASER fan made – EKSTRA AKTRES July 2013 (unofficial video)
04-08-2013 Bb. Pilipinas 2013 – The Golden Road to the Crown Part 1
04-08-2013 Show Me The Way – Vilma Santos & Edgar Mortiz
04-05-2013 Vilma Santos Film Reviews Photos
04-05-2013 ‘Ekstra (The Bit Player’)-A Fan Made Teaser
04-05-2013 Movie Queen and Vilmanians Magazine
04-05-2013 Vilma Santos Film Reviews Photos
04-01-2013 Golden 50
04-01-2013 Vilma Santos’ Birthday Pics
03-29-2013 The Making of Ekstra, The Bit Player (Photo Album)
03-29-2013 Remembering Carmen Rosales (Photos)
03-29-2013 Fashion Trends 1970s
03-26-2013 Batangas in 2013: Gearing up for Holy War
03-18-2013 Last Week Activities of Gov Vi.
03-17-2013 Remembering – Danny Zialcita v1
03-16-2013 Doris of ‘Be Careful’ fame: I was a battered wife
03-15-2013 Remembering – Danny Zialcita v2
03-15-2013 Hiwaga Ng Pag ibig by Nora Aunor
03-15-2013 Komedyanteng si Subas Herrero, pumanaw na
03-05-2013 Artists gather to fight political repression
03-03-2013 Activities Last Week Feb 26 and March 1, 2013
02-24-2013 Activities of Gov Vi, from February 18 – 22, 2013
02-22-2013 Bato sa Buhangin (1976) Fernando Poe Jr.,Vilma Santos
02-20-2013 Sinsay Dine!
02-17-2013 Speech of Sen. Ralph G. Recto (Batangas City)
02-16-2013 Gov. Vi expressed her interest to work with Bam Aquino
02-14-2013 Aking Bituin – Allan Castro
02-13-2013 Gov. Vilma Santos, nanguna sa kampanya ng Team PNoy sa Batangas
02-11-2013 Activities of Gov Vi, From Feb 4-8, 2013
02-05-2013 GAP 2 Batangas Gov. Vi
02-05-2013 Bella Flores, may Alzheimer’s disease
01-29-2013 The Healing – Movie Review
01-29-2013 Gov. Vilma Santos Recto & Vice Gov. Mark Leviste in Nasugbu
01-24-2013 Batangas Alah Eh Festival 2012 Highlights
01-24-2013 Serbisyo Sibil
01-18-2013 Ang Latest – 1/9/2013
01-14-2013 Activities of Gov Vi from Jan 7-9, 2013
01-12-2013 Jan 12, 2013: Interview with Gov. Vilma Santos
01-10-2013 Production Number in VSR Grand Finals
01-09-2013 Mamang Kutsero
01-09-2013 Basta’t Isipin Mong Mahal Kita
Web-site Video Links
You Tube Film Scenes – Gun!
You Tube SFAS – Intro version 1
You Tube SFAS – Intro version 2
You Tube Vilma Santos’ Awards
You Tube Vilma Santos’ Photos
You Tube Vilma Santos’ Filmography
You Tube The Films of Christopher de Leon and Vilma Santos
You Tube The Films of Christopher and Vilma
You Tube Filipino Movie Queens with Vilma Santos in Films
You Tube VSSI Inc.
You Tube KMJandal Channel
You Tube Star For All Seasons
You Tube ABSCBN News On-line
You Tube Sari-saring Sineng Pinoy
You Tube limva123′s Channel – Wilbert’s Rare Oldies
You Tube SIMON7153′s Channel – Philippines Movies/Sports
You Tube gobitz69′s Channel
You Tube Tribute to VI and GUY
Vmeo Vilma Santos: Star For All Seasons
Dailymotion Vilma Santos: Star For All Seasons

In Memoriam

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Pepe Pimentel

“…Along with fellow “Kuarta o Kahon” co-hosts Encar Benedicto-Ordoñez and Plinky Recto, Amy Perez had been planning to visit mentor, pioneering TV host and comedian Pepe Pimentel for the longest time. Pimentel passed away on Thursday. He was 82. (He was found lifeless in the bathroom of his home by wife Cecil.) “It’s shocking. It’s sad,” said Perez. Ordoñez, who co-hosted the long-running game show “Kuarta o Kahon” with Pimentel for 11 years, told the Philippine Daily Inquirer that she would usually call him on his birthday on April 27, just to keep in touch and thank him for teaching her the basics of hosting…Batangas Gov. Vilma Santos recalled: “He surely left his mark in the Philippine entertainment industry. ‘Kuarta o Kahon’ was a classic.” Pimentel also appeared in movies (like the comedies “Ang Tatay Kong Kalbo” in 1963 and “I Won! I Won!” in 1985) and commercials…” – Bayani San Diego Jr., Philippine Daily Inquirer, 26 January 2013 (READ MORE)

Subas Herrero

“…Actor Subas Herrero, one half of the comic tandem “Champoy,” loved sweets, his youngest son Choy recalled. Herrero, who passed away in Rochester, New York, on Friday (Manila time), was diagnosed with diabetes at age 30. Still, show biz colleagues related, he managed to live a full and fulfilling life until his passing at the age of 69. He was a true-blue foodie, for one. Mitch Valdes, costar on “Champoy,” also a groundbreaking gag show, said: “He was a big, passionate man with big appetites. A gentle giant”….Herrero was a versatile performer, too. “Although he was previously known as a comedian, Subas delivered a powerful performance as a villain in my film ‘Pakawalan Mo Ako,’” recounted filmmaker Elwood Perez. Actress and Batangas Gov. Vilma Santos, star of that 1981 movie, asserted: “No one can deny the extent of his contributions to both the movie and television industries…” – Bayani San Diego Jr., Philippine Daily Inquirer, 17 March 2013 (READ MORE)

Danny Zialcita

“…Danny Zialcita, who passed away last March 10 at the age of 73, is Philippine cinema’s poet of modern love — a distinction that evolved from his long stint, starting with espionage and his other variations in the ’60s. The most widely discussed facet of Zialcita’s work in the wake of his passing is the writing — the swinging repartee of his dialogue that is by turns smart and shoddy, saucy and snappy. This bright, popcorn dialogue articulates the expressive amorality of his characters and also drives the pacing of the narrative, even if it’s not exactly a visual element per se. Apart from that compelling feature, a Danny Zialcita film is a delirious and earthy spectacle, evoking the lost art of the hand-painted movie billboard, and animated all the more by his actors, who demonstrate how a great ensemble is itself a visual ingredient…The rampant femininity of Zialcita’s films is what finally distinguishes their identity. Vilma’s body of work is amazing — with Zialcita, and also with Garcia and Bernal — such that she might have been endeavoring to be a comprehensive interpreter of the contemporary Filipina. But every actress in the alluring roster of Zialcita’s canon has wielded her singular, tonic presence ― from Beth Bautista, torchbearer of the Charito Solis school of acting, to Lyka Ugarte, a flighty embodiment of the spirit of Zialcita’s sex comedies, to several other ladies…” – Ricky S. Torre, Rappler, 21 March 2013 (READ MORE)

Bella Flores

“…Bella Flores, the legendary character actress best known for kontrabida roles in films and on TV, passed away early Sunday morning at 1:27AM. In an interview with radio station DZBB, singer Imelda Papin who helped bring the 84-year-old actress to the Quezon City General Hospital, said doctors tried to revive Flores three times but to no avail. A source who declined to be identified said the remains of Flores can be viewed starting Sunday night at the Loyola Memorial Chapel in Commonwealth Avenue, Quezon City. Early this year, Flores was confined at the San Juan Medical Center due to complications from a recent hip surgery. At the time, daughter Ruby Arcilla was already resigned to her mother’s fate and wished nothing more than for her to be around long enough to celebrate her 84th birthday last February 27…She was nominated a total of seven times for a FAMAS Best Supporting Actress award, the first in 1957 for “Busabos” and the last in 1985 for her unforgettable turn in “Mga Batang Yagit”. She won the award in 1967 for “Kaibigan Kong Sto Niño”. Playing kontrabida roles in most of the more than 100 films to her credit, Flores made life miserable onscreen for generations of lead stars that included Tessie Agana, Charito Solis, Lolita Rodriguez, Gloria Romero, Susan Roces, Nora Aunor, Vilma Santos, Alma Moreno, Dolphy, Joseph Estrada, Fernando Poe, Jr., Ramon Revilla, Maricel Soriano and Gelli de Belen…” – Edwin P. Sallan, InterAksyon, 19 May 2013 (READ MORE)

Ama Quiambao

“…Ama Quiambao is a familiar face to many Filipinos. She has played mother, grandmother, maid, storekeeper, or ordinary taongbayan (crowd) in countless movies and television shows that her name does not seem important to many – people simply recognize her as an actress even if they do not know her name. People associate roles with her. When a group of friends watched a play at the Cultural Center of the Philippines last year, my companions nudged me when they saw her in the audience. They didn’t know who she was, but each one had a distinct memory of a movie or TV show where she played a memorable role. My distinct memory of her as an actress was her performance as Sepa, one of Nora Aunor’s devotees in Himala. She’s the actress that declares Elsa as a saint and rallies the faithful to come back to the hill to pray at the end of the film. To say that Quiambao was a constant and steady presence in the lives among those of us who were babysat by television would be apt. Supporters of local theatre, however, know Ama Quiambao as a magnificent theatre actress. Quiambao collapsed onstage at the Huseng Batute Theatre of the CCP last Friday while playing Ester in Pamamanhikan, a one-act play on the special friendship between two middle-aged women. The Play is one of 13 plays being staged as part of the ninth edition of Virgin Labfest, a festival featuring – as the blurb says – untried, untested, unstaged plays. Quimbao had a heart attack while doing what she loved doing best – being an actress. Quiambao was therefore top of mind all throughout the Virgin Labfest this week. Performances began with an appeal for prayers and donations for her…” – Bong Austero, Manila Standard Today, 07July 2013 (READ MORE)

Eddie Romero

“…Eddie Romero, one of most best-known Filipino filmmakers, died of prostate cancer on Tuesday, May 28. Romero was 88. Named a National Artist of the Philippines in 2003, Romero (born on July 7, 1924, in Dumaguete City) began his film career in the late ’40s, when The Philippines were still recovering from the devastation of World War II. His international reputation rests chiefly on his low-budget horror and action movies; usually Filipino / American co-productions made in collaboration with actor-producer John Ashley. Among those are the the horror sci-fier Brides of Blood (1968), featuring veteran Kent Taylor, Beverly Powers, tropical-island natives, and radioactively mutated human-eating plants; Beast of Blood (1971), featuring John Ashley and a headless monster; The Twilight People (1972), which has no connection to either Stephenie Meyer or the Cullen Clan — in the film, reminiscent of Erle C. Kenton’s Island of Lost Souls (1932), a mad scientist living on an isolated island creates half-human, half-animal beings, among them Panther Woman Pam Grier…omero’s most prestigious film is probably the 1976 musical drama Ganito kami noon… Paano kayo ngayon?, winner of the Filipino Academy of Movie Arts and Sciences’ Best Director Award, and Metro Manila Film Festival Awards for Best Director and Best Screenplay (Romero and Roy Iglesias). Set at the turn of the 20th century, Ganito kami noon… Paano kayo ngayon?, which translates more or less as “We Were So … How Are You Today?” tells the story of a country bumpkin who becomes a member of an imaginary community during the time The Philippines went from being a Spanish colony to a de facto American colony. All the while, the movie’s hero looks for his “Filipino identity.” Ganito kami noon… Paano kayo ngayon? starred Christopher De Leon and Gloria Diaz. Of note, as per the IMDb Eddie Romero was an associate producer in Francis Ford Coppola’s Best Picture Academy Award nominee Apocalypse Now (1979). Set in Vietnam but shot in The Philippines, Apocalypse Now featured Martin Sheen, Marlon Brando, Frederic Forrest, Robert Duvall, and Dennis Hopper…” – Andre Soares, Alt Film Guide (READ MORE)

Behn Cervantes

“…Stage and screen actor-director Behn Cervantes died Thursday, August 15. He was 74. Sources have confirmed to Rappler his death at about 10:00 Thursday morning at the Asian Hospital in Alabang, Muntinlupa, where he had been confined due to complications from pneumonia. Cervantes was due to turn 75 on August 26. His dying wish for a belated announcement had complicated the disclosure of his passing. According to a close family friend, the stage and screen actor-director had expressed his wish that his death be announced a week later…He takes pride in his 1976 film, “Sakada,” which counts among the great social-realist and allegorical films at the time. Cervantes’ other film credits, as listed in imdb.com, include “Masikip, Masakit, Mahapdi” and “Bawal na Pag-ibig.” “Sakada” also featured a diverse cast representing the vital chapters of Philippine cinema — including Hilda Koronel, Bembol Roco, Alicia Alonzo, Robert Arevalo, Rosa Rosal, Gloria Romero, and Pancho Magalona (whose son, Francis, would fashion his own distinct milieu in our country’s pop culture). Together with the late film director Lino Brocka, Cervantes had been at the forefront of the anti-Marcos protest movement during the 14-year dictatorship. His wit and flair for drama still showed even in this theater, which, in hindsight, the actor-director jokingly qualified as the “ibagsak” genre…” – Rappler, 15 August 2013 (READ MORE)

June Keithley

“…Media and theater personality June Keithley, who was thrust into the historic 1986 EDSA Revolt as the voice that held the line for anti-dictatorship forces with her continuing broadcast from a renegade “Radyo Bandido,” died Sunday night, according to the ABS-CBN network, where she and her late husband Angelo Castro worked for many years. Keithley had been battling cancer for the past few years, alongside the equally cancer-stricken Castro, a broadcast journalist who anchored the network’s late-night English-language news program until several weeks before his death. Keithley succumbed to cancer at the St. Luke’s Medical Center. Few other details were available at press time. As a convent-bred colegiala who once admitted in an interview that she was in “rebellion” mode in her youth, the talented Keithley credited her most important mentor, the late Jesuit communicator Fr. James Reuter, with giving her direction and inspiring her to do social action work. It was also the influence of Reuter, once persecuted by the Marcos regime for encouraging churchmen critical of martial law, that was seen as instrumental in making Keithley a willing participant in the dramatic events that unfolded at EDSA starting on February 22, 1986. Ms. Keithley’s role became critical on the second day of the 4-day revolt after the Catholic Church-run Radio Veritas, the only one trusted by people to run independent live broadcasts of the unfolding developments, suddenly went off the air, its facilities having been damaged by loyalist forces. When Marcos forces bombed the broadcasting tower of Radio Veritas on February 23, it seemed the dictatorship had taken away from Filipinos the only access to news and information they had on the unfolding events…” – InterAksyon, 24 November 2013 (READ MORE)