Vilma Santos: The Best Darna Ever (Videos)


RELATED READING:
Official Mars Ravelo’s Darna Web-site
IMDB: Lipad, Darna, lipad! (1973)
Darna and The Giants (1973)
Fly Darna Fly! (1973) movie series
Vilma Santos: The Best Darna Ever
Celia Rodriguez and Gina Pareno: Memories of Darna
The five Darnas we love!
International Hero: Mars Ravelo’s Darna
Eric Cueto’s Interview with VILMA (Repost)
1st shooting day ng Darna and the Giants
Darna at Ding Philippines 1980
Filmography: Lipad Darna Lipa! (1973)
Filmography: Darna and the Giants (1973)
Filmography: Darna vs. the Planet Women (1975)
Filmography: Darna at Ding (1980)
CLIPS – Eva Linda in Wish Ko Lang (Video)

Discography: Sing Vilma Sing (1972)

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COVERS - 1970S Wakas 1971Sing Vilma Sing (1972)
Side A

1. Da Doo Ron Ron – arranged by Orly Ilacad
2. Aba Daba Honeymoon – arranged by Orly Ilacad
3. Tweedlee Dee – arranged by Orly Ilacad
4. A Kookie Little Paradise – arranged by Orly Ilacad
5. Bobby Bobby Bobby – arranged by Orly Ilacad
6. The Ricky -Tick Song – arranged by Orly Ilacad

Side B
1. It’s Been A Long Long Time – arranged by Orly Ilacad
2. Breaking Up Is Hard to Do – arranged by The Music Machine
3. You Made Me Love you – arranged by Orly Ilacad
4. The Birds And The bees – arranged by The Music Machine
5. He’s so Near ( Yet So Far Away) – arranged by The Music Machine

**********************

Vocal Supervision: Bobby Guzman, Ernie De La Pena
Creative Director: Oscar Salazar
Photography: Vicor Studio
Cover Design: Nick B. Fertierra
Back Cover Notes: Baby A. Gil
Sound Engineer: Ric A. Santos, Jun Orenza, Jess Payumo
Recording Studio: Cinema Audio Inc.
Produced by: Vicor Music Corporation

Back cover LP text: – It is common knowledge that a few years ago, Vilma Santos was regarded solely as an up and coming young actress. Without a doubt, a most talented one, for by that time,she was already holding several acting honors under her belt. Not one to be typed, however she turned to recording. Vilma Santos recordrd “Sixteen” and in the process made recording history. “Sixteen” was that year’s biggest hit and resulting acclaim that came along made a singing star out of the actress. Today Vilma Santos is one of the most fabulous figures in show business. Just a hit short of being legendary. Nearly countless is the number of Vilma’s films which made a magnificent killing at the box office. Now a Famas Best Actress Awardee, Vilma is well on her way to becoming the country’s undisputed movie queen.

As a recording artist, she has her credit several hit albums. A Golden Record Award for the song “Palong Palo Ako” and another possible Golden Record Award for “Tweedlee Dee” – which is one of the songs included in this album. This is how for this young actress has come in the recording field. When Vilma decided to try her hand in recording, she wasn’t by a long shot merely trying to prove her versatility. The truth is the girl-Vilma-loves to sing and she wasn’t about to pass up the chance of waxing some of the songs she loves. In every recording session, there emerges in Vilma the inherent desire of every artist to do her work to the hilt. Vilma is a professional who can’t help but give her best. This comes accross with every movie role, with every performance and in this case with every song. It comes accross distinctly with this L.P. Here, Vilma glistens with a different, dazzling kind of brillance, further intensified by the sparkling beauty of the twelve songs contained in this album.

In “He’s so near (Yet So Far Away)” and “It’s been a long, long time, ” Vilma is wishful, in love. In “Abadaba Honeymoon” and “The Ricky-Tick Song,” she is wacky, a kook, impish, even irrepressible. She is all these in “Sing Vilma Sing.” Vilma Santos is indeed so many things to so many people. Superstar, Award-winning actress. A-one recording artist. She is all these and more. And to think that she’s great as any of them! How many Vilma’s are there? Which is the greater one? Well it really depends on who you’re looking for. Here we present Vilma, the singer. Listen to her to your hearts’ delight. So “Sing Vilma Sing” and make this a brighter, lovelier world to live in.

What Ate Vi gave me on her birthday holiday


I was excited to see a good friend of mine in Malaysia to celebrate her birthday with her family, and to celebrate Ate Aida’s birthday, too.  The only time I have been to Malaysia was on a cruise via Star Cruises, passing through Penang. So finally a trip to see Kuala Lumpur and Genting became a reality.  Even if I was spending only two nights with the Vilma Santos, I welcomed the chance, and the break from the stress of Manila.

Vilma, Ralph, and Ryan planned to celebrate her birthday to be outside the country this time, instead of the usual dinner in her house.  Of course, Ate Emily, Ate Aida, and Sonny (Vi’s brother), plus an entourage of family and friends, were in tow. I wanted to be in Phuket with them for their first stop, but work in Manila prevented me from joining them; I caught up with them in Malaysia.  I missed out on the adventures in Phuket where, I was told, the group rode elephants through the jungle and, on another day, the boys went on a fishing expedition, while the girls had their retail therapy. On the eve of Vilma’s birthday, they had a formal dinner where Ralph surprised her with diamond necklace and earrings. When I ask how much the jewelry cost, all I got was the answer, “You can never put a price tag on love.”  After a week in Phuket, the group flew to Malaysia. Genting is a mountain resort an hour away from Kuala Lumpur, and the highest peak of the mountain resort boasts a complex under the wing of Resorts World. You got it, casino galore!

But Vilma and the crew opted for a more quiet vacation, so they stayed at the mid-levels of the mountain at Awana Golf Resort. I was unfortunate to have the only available room left in the First Hotel. Little did I know I was arriving at the peak of a holiday in Malaysia, and I was greeted by hordes and hordes of tourists in the reception, making me claustrophobic. That’s how crowded Genting Highlands was that day.  Vilma and the girls picked me up after I waited two hours for my room. They were excited to give me a tour of the complex, which was literally a maze within a maze. Each hotel—I know of at least four—are connected in a labyrinth of pathways to food malls, shopping areas, casinos, a theme park, and theaters.  They toured me around, and showed me a hawker’s plaza aptly called “Food for the Seasons”; we all joked that it was named after Vilma Santos herself.  The day ended in a Chinese restaurant Ralph chose. I must say the senator knows his food; I just loved the food there. A nightcap in a sports bar gave us the chance to behave like kids and dance to a few songs before we called it a night.

Retail therapy in KL – The next day Ralph rented two vans to bring us to Kuala Lumpur for a day tour.  First stop was the Petronas Tower, where we all had our souvenir photo. We entered via the Suria Mall, which the girls fondly called, “divi-SURIA.” As girls will be girls, the tour turned into another retail therapy session.  Vilma, who thought that she was not known in KL, walked without care in the world, exploring the shops, only to discover Filipinos working and shopping in the same area.  Initially only a few recognized her and had their photos taken with her. When we sat down in a coffee shop, however, we realized that the number of fans and oglers was growing. The meal became a photo-op, and her anonymity was gone. I joined the fray, and we all made new friends in the end.

Nothing seemed to bother Vi, as she was on vacation mode. She obviously knew how it is to be a celebrity, but still, I was impressed with how patient she was in dealing with different people. She would even ask people who worked there how they were, and if life was good in Kuala Lumpur. She genuinely cared.  As usual, we lost track of time and were a little late for the shuttle back to Genting. We all arrived famished and just ate at Awana.  It was getting late, and I had to pack for my flight the next day. I had to travel three more mountains to my hotel, so I said my goodbyes.  As I was about to leave, Ate Vi offered to take me back to my hotel via the cable car. And that was where the real adventure began.  We got stuck 9,000 feet above the ground, in the cable lines. I videotaped this, and will show it in my podcast, Adventures Behind My Lens, available in iTunes, too. I suggest you wait to see how we survived. I watched the video for the fifth time today, and I still die of laughter every time.

After two nights I had to fly back to Manila, yet already missing the group. Those two days with them left me a valuable lesson. Vilma has been a public figure all her life. Going to the mall, sitting on the sidewalk, eating in a carinderia, even buying street food are things we take for granted. But for Vi, these things are precious moments.  Some say that loss of privacy is a small price to pay for fame and fortune, but let me tell you that her life has not been all fame and fortune. It’s more of work, integrity, and sacrifice. Some people would trade places with her in an instant, but if you knew how she got to where she is now, you would wonder how she ever endured such a life.  She has had really low points in her life. Life is hard enough but it becomes even harder when one is always under microscopic scrutiny. Seeing her enjoy the simple things makes me appreciate the things I take for granted.  Funny that when I flew to Malaysia, I was wondering the birthday gift I could give someone who has everything—only to realize that it was she who gave me something instead: The gift of insight.

Source: Written by Raymund Isaac, Philippine Daily Inquirer, Nov 19, 2011 Telebisyon.net.

Vilma Santos Film Actress (Repost)

In the fickle and uncertain world of showbusiness, there is one name that has remained consistently on top fro the past two decades: Vilma Santos. Hers is an altogether exceptional case as her movie career has brought Santos both popular and critical acclaim. Even more amazing is her star continues to shine more brightly.

In 1963, a chubby, gangling nine-year-old girl was to do a film with Lolita Rodriguez and Luis Gonzales, in Anak ng Iyong Ina. An unexpected turn of events, however, found her auditioning for the lead part of Trudis Liit instead. The movie mogul, Dr. Jose Perez, of Sampaguita Pictures, who was then conducting the audition noticed the girl and thereupon commanded her to act. When she did, the producer was pleased with his find, wasting no time to cast her in the title role. That girl went on to become the first best child actress of the Filipino Academy of Movie Arts and Sciences (FAMAS).

Having hurdled her fist test, the child Santos found herself being cast in the part of the young daughter of the film’s leading adult characters, as in the controversial Iginuhit ng Tadhana, where she portrayed the Marcoses’ eldest daughter, Imee.  At the onset of the popular teenage love teams, who dominated the late sixties and the early seventies, Santos found a loyal screen partner in Edgar Mortiz with whom she would coo and cuddle her way through the fans’ hearts and into the box office. The pair found a worthy match in the Nora Aunor-Tirso Cruz III romantic tandem, which could enviably pave the way for a long-time Santos-Aunor rivalry.

In 1977, Santos found herself gambling with her sweet and virginal image built up by studio machinery by doing the highly controversial Burlesk Queen. With maverick director Celso Ad Castillo at the helm, she essayed the role of a teen-age burlesque dancer in the fifties, who, driven by economic and personal depression, danced her way to the film’s grand finale – an abortion scene. That gamble certainly paid off, for soon after the film’s release, Santos felt that people became increasingly interested in her and more particularly in what she could do, not as a star but as an actress worth her salt, her fans, on the other hand, could only concur in her decision to become a serious thespian.

Her later movies would prove her right. In ht. In Rubia Servios (1978), directed by the top-caliber Lino Brocka, she made people take notice of her acting mettle as she effectively portrayed the harrowing experience of a rape victim. Then, she did Pagputi ng Uwak, Pag-itim ng Tagak (1978), under her own VS film outfit, in the role of a tragic heroine caught in the midst of seething social unrest. Then came the films with director Ishmael Bernal: Ikaw ay Akin (1978), Relasyon (1982) and Broken Marriage (1983). The last two films earned for Santos two consecutive best actress awards from the critics’ body. This was followed by yet another award-winning performance Sister Stella L. (1984) where she did justice to the part of crusading nun who eventually involves herself with the workers’ cause.

Graduating into mature and radically complex roles – away from the mold of which she was typecast – Santos adamantly refused to do the same predictable roles, believing that she would be better off with the then emerging roles of liberated woman and independent minded wife, as the temper of the times so dictated. Her continued popularity in these seemingly novel roles proved that the transition was smooth, and the fans were well-prepared for it.  “If I am still here,” Santos says, “it must be because I am not afraid to take risks in my profession. I also owe it partly to careful planning and getting the right projects. And when I decide to take a chance, and it turns out well, then that would be great. If not, I just have to stand up again.”

Today, the actress is seemingly content with the way her career – and life – has turned out. She continues to get good meaty roles as evidenced by recent pictures such as Baby Tsina, Tagos ng Dugo, Ibulong Mo Sa Diyos, and Pahiram ng Isang Umaga, all of which have earned her both nominations and awards from various award-giving bodies. She continues to strike a happy balance by doing films that would please the critics and her audience of ardent admirers as well.  Now the mother of eight-year old Lucky, her son by estranged actor-husband Edu Manzano, Santos has found newer challenges to keep her weekly musical show, Vilma, which has been accorded recognition by both Star Awards and the Catholic Mass Media Awards. On top of these, she produces occasional drama specials on television, directed by name directors and scriptwriters.  “My career has brought me fame, fortune, and most important of all, professional fulfillment. From the mistakes I have committed in the past, I have emerged a much stronger person,” she says. If she were to live life all over again, Vilma Santos would have no qualms about becoming a movie star all over again.

Source: Written by Justino M. Dormiendo and Photographed by Calixto N. Rodriguez Filipino Heritage

FILM REVIEW: LOVE LETTERS


The Plot: Film-Am Edgar falls in love with Vilma. The two had a set back that ended with Edgar returning all Vilma’s love letters that he regreted and wanted it back. He went to Vilma’s house to retrieve it but was caught and accused of stealing. The whole misunderstanding ended up in court but was settled eventually. Edgar left the country but returned for Alona Alegre’s wedding to Victor Wood. He also reunited Vilma. – RV (READ MORE)

The Reviews: Love Letters started with Vilma entering a living room and Baby De Jesus started playing the piano.  Suddenly, Vilma started singing and after finishing her song, she left the room, while a very young Alona Alegre sitting beside her appeared to be in her own world, as if she heared, nothing.  There were no interaction between the three, no dialouge, making this opening scene quite irritating.  The next scene, we found out that Edgar, played by Edgar Mortiz is a Filipino-American. We assumed that he is vacationing and taking some course. Next scene, Victor Wood is singing on the telephone while Alona Alegre is listening on the other line. Then it Edgar turn to sing.  This time, in the men’s dormitory followed by Baby De Jesus.  Her limited dialouge: she wanted to sing  “to entertain Vilma.”  Then Edgar and Vilma are set to meet in a park but because Vilma was so late, Edgar decided to leave. When she arrived and found no Edgar, she started to cry and ofcourse, she sings!  Not to be outdone, its Romy Mallari’s turn to sing!  Then its Edgar turn to sing again.  Edgar got so mad with Vilma and decided to return all of Vilma’s love letters.  In protest, Vilma returned his gift, a ring and bracelet.

Afterwards she sings the theme song, “Love Letter.” She followed this up with her day dreaming scenes, remeniscing the time when the two of them are singing in the park. She then fell asleep but was awaken by an intruder! Presto! It was Edgar! Stealing their love letters! He escaped when Vilma’s parent caught them talking. The next scenes was a courtscenes. Vilma and Edgar plus Vilma’s parent testified in front of a judge. A phone call from the mayor who is connected to Edgar postponed the judge’s decision.  As turned out, Vilma’s parent also owned some love letters which made them understand what their daughter is now going through. At the breakfast table the next day, Vilma all of the sudden proclaimed that she doesn’t care about Edgar anymore. Then they discovered that Edgar and his friends decided to have a picket line in their house (ala-“Occupy Wall Street”???).  They decided to remained in the picketline over night with more singing.  Sleeping outside, the girls headed by Alona Alegre, decided to join the picketline. Vilma’s parent confronted them and Victor Wood all of the sudden declared that he wanted to marry Alona Alegre! And to add to the drama, Edgar decided to leave the country. The next scenes was Vilma receiving love letters over time. Then finally the promised wedding of Victor Wood and Alona Alegre, Edgar then seranade Alona and Victor.  When Vilma heard and saw Edgar, she run to the church’s balcony.  They reunited with a duet!  The End.

Love Letters is a musical films specially made for the fans of “teeny-bopper” stars – Vi and Bot.  The film was probably shot with improvisations, which means, without a written script.  This was noticeably clear as the film’s main characters and the actual names of the actors were not change at all.  The film’s main plot was the the stealing of love letters that ended in court,  followed by picket line (ala-“Occupy” Wall Street) that was hard to believe.  And also the one-after the other testimonies of Edgar, Vilma and both parents that were irritatingly funny. Although we are used to Vilma’s tolereable singing, we’re more surprise to see a singing Alona Alegre!  She looked more like Eugene Domingo (clearly before her sexy films/image).  One more thing, Alona’s wedding gown was worth a second look, its not like your ordinary wedding gown.  The head piece was a beaded hood that covers her hair and neck.  With so much singing, Baby De Jesus’s voice stands out among the girls but her piano playing acting was over the top. Victor Wood’s duet with Edgar Mortiz, “Beautiful Dreamers” is worth downloading. Danny Subido was responsible for inserting all the musical numbers that was quite a tasks particularly without a well written musical screenplay.  The film was shot in Baguio City and cinematographer, Avelino Peralta’s did a wonderful job showcasing the city on Vilma’s day dreaming except for the akward courtscenes.  Love Letters was produced by Tagalog Ilang-Ilang Production and directed by Abraham Cruz, a forgettable film that only a die hard Vi and Bot fans (and those who loves film nostalgia) can only appreciate. – RV

RELATED READING:
IMDB: Love Letters (1970)
IMDB: Abraham Cruz
IMDB: Edgar Mortiz
IMDB: Esperanza Fabon
IMDB: Romy Mallari
Vilma Santos From Wikipedia
Edgar Mortiz From Wikipedia
Vilma and Edgar Duet (Video)
Clips – Love Letters (Video)
Vilma Santos-Edgar Mortiz Love Team Circa 1970

FILM REVIEW: INSPIRATION


The Plot: Single parents Tony Benetez (Carlos Salazar) and Sylvia Motolla (Merle Tuazon) fell in love and married without their spoiled and protective teen ager kids, Gina (Vilma Santos) and Danny (Jay Ilagnan). They decided to live in one roof with Sylvia getting pregnant and the two kids developing a special relationship. – RV (READ MORE)

The Reviews: Ishmael Bernal’s first film with Vilma Santos was 1972’s “Inspiration,” an unusual teeny-bopper team-up film of Vilma and the late Jay Ilagan. The film established its main characters as both very much protective of their parents. Although its not explained why both Tony Benetez (Carlos Salazar) and Sylvia Mottola (Merle Tuazon) are still single, they ended up dating and  eventually marrying each other. Gina Benetez (Vilma Santos) and Danny Motolla’s (Jay’ Ilagan) parents first met in a polo tournament attended by both families. They were introduced by the socialite grandmother of Danny, Lola Jane (Lilian Laing). Later that same day both single parent met again in a night club. It was clear then that both are attracted to each other but are afraid that their kids will not approved it.  They then continued to  secretly date until one day both kids discovered when all four of them accidentally met in a restaurant.  The complication ended when Lola Jane intervened.  With the help of Gina’s household maid, Choleng, the two planned an intervention.  The meeting ended up with both kids leaving the Lola Jane’s house while the parents eloped.

Without the kids aproval, the newly married couple returned and forced their kids to live in one roof.   Sylvia then got pregnant while Gina and Danny developed a secret affair. Another complication and here come Lola Jane to the rescue, in the hospital after Slyvia delivered her baby, it was understood that Lola Jane has informed Sylvia and Tony about their kids special relationship. The next scene was Gina and Danny having a motorcycle ride that ended up in a park.  Under the tree the two had an innocent chat about their relationship.  The End.

In a musical era of 1970s, “Inspiration” was quite an experimental film, with no musical numbers but with better screenplay and well-written characters. Nestor and Bernal works well in establishing the character of Jay and Vilma. Their dialouges are not “corny” and very realistic. There is no over the top dramatic scenes inserted between musical numbers here. The parent played wonderfully by Merle Tuazon and Carlos Salazar were convincing. Although both Vilma and Jay played their roles effectively, Lilian Laing steals the film as Lola Jane. She was bubly and funny, a sex-starved, karate black belter, polo game afficionado, who loves life, considering she is playing the old grandma who is also the solution to all the complication in the lives of our four main characters.

Bernal was on his element here, a good story teller, pre-“Dalawang Pugad Isang Ibon, Pahiram Ng Isang Umaga and Relasyon.” Although he is directing a light comedy, written by Nestor Torre Jr., he managed to established all the characters without relying on corny dialouges and musical numbers common in this musical era.

RELATED READING:

Eric Cueto’s Interview with VILMA (Repost)

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Eric C: Ate Vi, ano ang pinaka paborito mo sa lahat ng Darna movies mo? (“Vi, what’s your favorite among your Darna movies?”)

Ate Vi: Syempre Lipad Darna Lipad, yon kasi ang unang Darna ko at maganda talaga. May copy ka ba nito? (Of course, it’s “Lipad, Darna, Lipad” since it was my first. It was really well done. Do you have a copy of it?)

Eric C: Wala din ako nito eh, hayaan mo at kapag naka hanap ako bibigyan kita. Paano ka nag handa sa movie na ito, nagkaroon ka ba ng special training sa mga fight scenes mo dito bago nag umpisa ang filming? I heard si Tony Ferrer daw ang isa sa mga nag guide sa iyo. (I don’t have this movie either. But if I am able to find one, I’ll give you a copy. How did you prepare for this movie? Did you have any special “fight training” before you started filming? I heard that Action Star-Tony Ferrer guided you.)

Ate Vi: Walang training sa set na talaga bago mag umpisa ang shooting namin. Hindi si Tony ang nag guide sa akin, yong mga stuntman lile SOS daredevils. (No, there was no training on the set before filming. It wasn’t Tony Ferrer who guided me but the stuntmen called SOS Daredevils.)

Eric C: Hindi ka ba nahirapan sa mga stunts mo? (Did you have any difficulties with your own stunts?)

Ate Vi: Hindi naman, kasi may pagka tomboy din ako noong araw kaya madali kong napag aralan. Actually, minsan nga nag karoon ng aksidente na kailangan ko na mag tumbling at sasaluhin ako ng stuntman ang nangyari nasipa ko sya sa mukha kaya putok yong ilong nya at kailangang dalahin sya sa hospital, ako naman nauntog sa bato kaya ang sakit ng ulo ko. (Not really. I was a bit of a tomboy in those days so I learned things quickly. Actually, there was a time when an accident occured. I had to go and do the tumbling bit where the stuntman was supposed to catch me. I accidentally kicked him in the face and he got a bloody nose and had to be brought to the hospital. I, on the other hand, hit my head on a rock and got a splitting headache.)

Eric C: I heard din na nilagnat ka noong first time ka eksena mo ay mga ahas? (I head that you developed a fever the first time you had a scene with snakes?)

Ate Vi: Oo totoo yon! natakot ako sa mga ahas first shooting day yata namin yon sa may roof top ng isang building sa may Santa Mesa. Isang lingo akong nagkalagnat yata noon? then bago ulit kami mag shooting pinahahawakan na muna nila sa akin yong mga snakes para masanay na ako. (That’s true! I was terrified of the snakes the first day of shooting on a rooftop of a building in Santa Mesa. I think I kept getting fevers for a week. Then , they let me touch the snakes first before every shoot so that I could get over my fear)

Eric C: how’s Celia as Valentina and Gloria as Impakta?

Ate Vi: Celia, she’s really good! and Tita Glo was so scary as Impakta, I love her so much.

Eric C: How about Liza?

Ate Vi: She’s good too! I remember ang costume nya ay yong parang sheep skin at may pair of wings sya. Sa may Antipolo kinunan yong episode ng Babaing Lawin. (She’s good too! I remember her costume that was made of sheepskin with a pair of wings. We filmed the “Babaing Lawin” episode in Antipolo)

Eric C: May aerial fight scenes ba kayo ni Liza? (Did you have aerial fight scenes with Liza?)

Ate Vi: Wala, sa land lang kami nag laban mostly sa cave. I remember kami ni Tita Glo nag laban kami sa ere, naka tayo kami sa parang stage then madilim yong background at yong kalahati ng katawan ni Tita Glo ay may takip na itim na tela, at may malaking electric fan na naka tapat sa amin. (No we didn’t. We fought on land..mostly in a cave. I remember my aerial fight scene with Gloria (Romero). We were standing on a stage with a dark bacground and there was a black cloth covering the half lower part of her body and there was a large electric fan in front of us)

Eric C: May scene ba dito na nakuha mo yong bato mo sa shooting star? (Was there ever an origin scene where you received the magic stone with the coming of the shooting star?)

Ate Vi: May power na ako ni Darna sa umpisa pa lang ng story, sa Darna VS. The Planetwomen yong may nahulog na bato mula sa sky. (I already had the power of DARNA from the start of the movie. I only had an origin scene in “Darna Vs. the Planet Women” where the magic stone fell from the sky.)

Eric C: Excited ka ba ng i offer sa iyo ang Darna for the first time at may napanood ka ba na Darna movies before your Darna? (Were you excited when the role of Darna was offered to you for the first time? Also- Did you watch any of the Darna movies that came before you were offered the part?)

Ate Vi: Napanood ko yong Darna ni Eva Montes sa sine at yong Kay Rosa Del Rosario sa tv. Napanood ko din yong Darna ang Pagbabalik sa tv, i don’t really care about it, kasi parang tinipid yong movie. Of course excited ako ng I-alok sa akin ang Darna. I remember nag paalam pa ako sa mga madre sa school na pinapasukan ko noon, kasi diba na ka two piece si Darna at okay naman sa kanila, kasi nga hindi naman daw bastos yong character ni Darna, superheroine nga sya eh. Tinanong ko rin yong mga fans noon at medyo nga worried din sila sa costume baka daw bastusin ako. Kaya nga noong una sa pictorials ng promo ng movie naka body stocking ako, kaya lang hindi talaga magandang lumabas nakakataba yong stocking. William Leary and Douglas Quijano convinced me na tangalin ko yong stocking sa press con ng Darna. I remember nasa bathroom pa nga ako noon at mag papalit na ko ng Darna costume ko, then tinangal ko na rin kasi sabi nila ” Vi, masagwa talaga yong stocking bakit di mo sila gulatin lumabas ka ng walang stocking tutal may ipapakita ka naman” . At yon na lumabas na ko ng walang body stocking. (I saw Eva Montes’ “Darna at ang babaing Tuod” at the movies and Rosa Del Rosario’s Darna on TV. I also watched “Darna: Ang Pagbabalik (The Return)” on TV but don’t care for it..it had bad production values. Of course, I was excited when I was offered the role of Darna. I even had to ask permission from the Nuns at my school because of Darna’s 2 piece costume. Besides, there’s nothing obscene about the costume because this is a Superheroine after all. But I asked advice from some fans and they were concerned that I might get criticized for being daring. This is why I wore body stockings in the promotional pics for the movie. It looked so terrible and made me look fat with body stockings. William Leary and Douglas Quijano convinced me to remove the body stockings before the Press Con. I remember changing into my Darna costume and I remember their words telling me- “Vi, the stockings look terrible so why don’t you surprise all of them by not wearing them. Besides, you have the looks anyway.” So there – I was at the Press con without the body stockings.”)

Eric C: What do you think of Angel (Locsin) as Darna?

Ate Vi: She’s doing great sa tv series niya na Darna. Napapanood ko ito at bagay sa kanya tama yong ginagawa nya sa mga fight scenes nya, believable talaga! kasi pag Darna ka kailangan di ka malamya at mai papakita mo na kaya mo talagang mag patumba ng mga kalaban mo. (She’s doing great on the TV series as Darna. I do watch it and she looks great as Darna. Even the fight scenes are believable. That’s because when you’re Darna, you cannot be lethargic. You need to look like you can really knockdown Super-Villains.)

Eric C: Do you mind na mag guest appearance sa Darna movie or tv? (Do you mind making a guest appearance in the Darna movie or on a TV series?)

Ate Vi: I don’t mind basta ba maganda yong role. Noong araw sa Darna ni Dolphy inalok ako na mag pasa ng bato kay Dolphy, pero pregnant ako noon kay Lucky. (I don’t mind as long as the role is good. A long time ago, in Dolphy’s Darna..I was offered the role of Darna turning over the stone to Dolphy’s character. But I was pregnant. (My Baby named Lucky.)

Eric C: Ano pa yong mga memorable experience mo about Darna? (What other memorable experiences did you have as Darna?

Ate Vi: Yong flying scenes, mahirap talaga yon kasi kailangang i balance mo yong katawan sa 3 maninipis na bakal na nakasasalo sa katawan ko, at may malaking electric fan na nakatapat sa may mukha ko kaya sakit talaga sa ulo after takes. Also, natatandaan ko rin yong lumilipad ako papuntang Maynila na background music na My Beautiful Baloon. I also remember si Angelito pa ang Ding ko sa Lipad Darna Lipad. (The flying scenes. That was really hard because you have to balance your body on 3 steel bars while a large electric fan in front of my face which gave me headaches after takes. I also remember the flying scene where Darna was flying towards Manila and the background music was the song – “My Beautiful Balloon”. I remember the boy- Angelito who played “Ding” in “Lipad, Darna, Lipad”.

Eric C: May naitabi ka ba na Darna memorabilla? (Were you able to take some Darna memorabilia?)

Ate Vi: Wala, binabalik namin yon sa studio like costumes. (None. We returned everything to the studios)

Eric C: Ano ang pagkakaiba ng Darna noon at ngayon? (What’s the difference between the your Darna and the version today?)

Ate Vi: Ngayon mas advance na ang technology at computerized na talaga, madali ng gawin yong mga mahihirap na scenes. Noon pag nag Narda ako naka steady talaga yong camera tapos bihis agad balif sa dating pwesto, ngayon halos computer na talaga lahat. (Technology is much more advanced today. The harder scenes are easier to make now. Whenever I shot my scenes as Narda changing to Darna, the camera remains steady as as I get dressed in costume and return to the same spot before the transformation.)

Eric C: Ate Vi, nagawa mo na halos lahat ang hindi na lang is to play the role of Impakta or Aswang, will you consider na lumabas ng isa sa mga villainess sa Darna like Gloria Romero noon? (Vilma, You have done every role already except playing “Impakta” or an “Asuwang”. Would you consider playing a Darna villainess like what Gloria Romero did?)

Ate Vi: Naku! mukha na ba akong impakta? (sabay halakhak) actually may ginawa na kong Aswang yong ” Anak ng Aswang” pero hindi ako ang aswang si Tita Glo. Actually very interesting yang role na yan at challenging, i don’t mind playing those kind of roles na kontrabida, basta ba maganda ang story. (Yikes! Do I already look like a Vampire? (Laughs out loud) Actually I starred in a Vampire movie already “Anak ng Aswang” (Vampire’s Child) but I was not the Vampire. Gloria Romero played the Vampire. Actually I think that’s an interesting role and I don’t mind playing a Villainess as long as it’s a good story.)

Eric C: Teka muna ate Vi, kailan mo ba ipapasa sa akin ang bato? (Jokingly, by the way Vilma, when are you surrendering the “magic stone” to me?)

Ate Vi: ( sabay tawa) Hay naku! hindi pa panahon para ipasa ko sa iyo ang bato. (Laughs) Oh well, it’s not time yet for me to give up the “magic stone” to you.”)

Eric C: Ate for the last time sumigaw ka ng Darna please! (Vilma, could you do the “Darna yell” one last time?)

Ate Vi: Baka magising ang mga tao dito sa hotel madaling araw na. (We might wake up the people in this hotel. It’s really late.)

Eric C: Please ate Vi….Medyo pabiro pang isinigaw ni Ate ang Darna) (Please Vi. (Then Vilma gets playful with the “Darna yell”)

Ate Vi: Jworna (pa cute pa sya dito ha!) then di ba meron pang sumigaw ng Daarnaaa, na parang hirap sya sa pag sigaw di ba? (“Jworna!!! (makes funny expressions) Wasn’t there another Actress who sounded like she was having a difficult time yelling “Darna”??)

Eric C: kilala ko yong mga sumigaw ng ganoon ate Vi. (then finally medyo nag emote muna si ate at sabay taas ng kamay) (I know the actress who did the yell that way. ……….AND THEN….. VILMA REALLY GOT INTO CHARACTER)

Ate Vi: DARNA!!! (DARNA!!!!)

Eric C: no pa naman di halos hinimatay ako sa tuwa imagine in person talaga narinig namin na sumigaw si Ate Vi ng Darna at palakpakan ang mga Vilmanians na nakipag puyatan sa pakikipag chikahan sa Darna for all seasons, na kahit walang make up ay super ganda pa rin. (Hehehe I almost fainted with great joy. Imagine- I got to hear the most famous Darna of them all do the yell… in person !! All the Vilma Fans applauded as we all stayed up late into the early morning with the “DARNA OF ALL SEASONS” (who is still very pretty ..even without make-up) – Eric Cueto, Mars Ravelo Darna web-site

Written by Eric Cueto, Mars Ravelo’s Darna web-site READ MORE

About Darna – Darna is a fictional character and Filipino comics superheroine created by writer Mars Ravelo and artist Nestor Redondo. In her more popular incarnations, she is a deceased warrior from another planet manifesting herself through a girl from Earth, named Narda. She first appeared in Pilipino Komiks #77 (May 13, 1950). Darna is a retooling of Ravelo’s earlier character Varga, whose stories he wrote and illustrated himself. She first appeared in Bulaklak Magazine, Volume 4, #17 (July 23, 1947). Ravelo left Bulaklak due to differences with the editors…Starting in 1951, several Darna movies were made. Some made from 1973 onwards starred the future multi-awarded dramatic actress and politician Vilma Santos. In these 1970s films, Darna’s origin was changed; no longer a little girl, Narda was now in her late teens. Also, she herself becomes Darna, unlike the original where she just “channels” her (not unlike Jason Blood and Etrigan). Only Ding knows her secret in this version. Also, the stone comes out of Narda’s mouth every time she changes back; she has to swallow it every time she wants to transform (This became standard for following versions). Darna is not specified as coming from Marte, just as a “warrior of Light”. This version of Darna became most people’s idea of the character for about 3 decades. A catchphrase popularized by the movies and said by Narda runs, “Ding, ang bato!” (“Ding, [give me] the stone!”) (Wikipedia)

RELATED READING:
Filmography: Lipad Darna Lipa! (1973)
Official Mars Ravelo’s Darna Web-site
IMDB: Lipad, Darna, lipad! (1973)
IMDB: Liza Lorena, Actress
IMDB: Gloria Romero, Actress
IMDB: Celia Rodriguez, Actress
Darna and THE Giants (1973)
Fly Darna Fly! (1973) movie series
Vilma Santos: The Best Darna Ever
Celia Rodriguez and Gina Pareno: Memories of Darna
The five Darnas we love!
International Hero: Mars Ravelo’s Darna

Ricky Lo’s 57 VIPs in Vi’s Life (Repost)

Fifty-seven looking Sweet Sixteen (to borrow the title of her hit song way back when she was, uhm, fresh as a daisy and thought that she could sing. Well, she could carry a tune but she eventually turned out to be not a singer but a great actress who has dozens of awards that have left no more space to display in. Name it, she has won it. Looking at her, it seems unthinkable that Batangas Gov. Vilma Santos, still called simply and fondly Vi for short, is seven years and half a century old on Wednesday, Nov. 3. How does she manage to look so young?  “Positive attitude,” she said. And exercise and a healthy diet.

Did you know that Gov. Vi works out every day in one of the rooms of her houses (one in Corinthian Garden and another in Lipa City where she served as mayor for three terms)? She would close all the windows, turn the aircon off and sweat it out. Some detractors may refute it but Vi insists that every part of her body is original, untampered by needle and scalpel. A member of the household staff gives her a massage after a hard day’s work, whether at the Provincial Capitol or on a movie set. “I eat anything,” she said, “but in moderation.” Asked what her priority is, Vi replied, “Family, Batangas and showbiz.” She and her husband, Sen. Ralph Recto, are partners at home and at work. Her son Luis “Lucky” Manzano (from a previous relationship) is like a friend to her. Ryan Christian, her son by Ralph, is growing up to be the sum total of his parents’ best traits.

Successful as a woman and as an artist, what more can Vi ask for? “Maybe a good sleep,” laughed the former insomniac. The journey from Trudis Liit (which she did for Sampaguita Pictures when she was that little, recently adapted as a teledrama by GMA) to, uhm, Governor Liit was fraught with high drama both on the personal level and the professional level, and all sorts of tests and trials which she survived very beautifully. She’s her own glowing trophy.

To mark the 57th milestone in her life, Conversations asked Vi to do a list of the 57 VIPs in her life. Forever Vilmanian Alan Trambulo, who works at the front desk of Radisson Hotel in Manhattan, helped conceptualized this piece. (As of this writing, Vi and Ralph, with son Ryan Christian and close friends and relatives, are vacationing in Seoul. They came back Friday night.)

    1. Amado Constantino Santos (deceased), my father
    2. Milagros Tuazon Santos, my mother
    3. Luis Philippe S. Manzano, my son
    4. Ryan Christian S. Recto, my son
    5. Ralph Gonzalez Recto, my husband
    6. Emelyn Tuazon Santos, my sister
    7. Ma. Theresa Santos, my sister
    8. Conrad Lopez, my brother-in-law (Ma. Theresa’s husband)
    9. Ana Norwina “Winnie” Santos, my sister
    10. Willie Herber, my brother-in-law (Winnie’s husband)
    11. Joel Tuazon Santos, my only brother (the youngest)
    12. Rafael R. Recto (deceased), my father-in-law
    13. Carmen Gonzalez Recto, my mother-in-law
    14. Dr. Edwin Argonza (my cousin who assisted and attended to me when I gave birth to Luis and Ryan)
    15. Dr. Connie Argonza (same reason as above)
    16. Eduardo “Doods” Barrios Manzano
    17. Adrian Manzano (deceased), Dood’s father
    18. Rosario B. Manzano (deceased), Dood’s mother
    19. Amaury Agra (my uncle who introduced me to Starmaker Dr. Jose R. Perez of Sampaguita Pictures where he was a cameraman)
    20. Dr. Jose “Doc” Perez (deceased), my discoverer
    21. William Leary (deceased), my one and only business & appointments manager
    22. Cardinal Gaudencio M. Rosales (the first church personnel who gave me trust to be a public servant)
    23. Bishop Salvador Quizon (who officiated at my wedding to Ralph)
    24. Monsignor Alfredo Madlangbayan (who also officiated at my wedding to Ralph)
    25. Boss Vic del Rosario Jr. (producer of my Viva films…and thanks to his late better half, Ate Mina del Rosario)
    26. Fr. Lito Malibiran (my adviser, critic and friend)
    27. Atty. Espiridion D. Laxa (deceased), my legal adviser and one of my producers.
    28. (Regal Matriarch) Mother Lily Monteverde (who produced most of my acclaimed films including Relasyon, Broken Marriage and Sister Stella L)
    29. Father Remy Monteverde (Mother Lily’s husband who has also been supportive)
    30. Ishmael Bernal (deceased), who was responsible for my winning my first Best Actress grand slam (for Relasyon)
    31. Lino Brocka (deceased), who directed me in some of my most memorable films including Rubia Servios, Adultery and Hahamakin ang Lahat
    32. Douglas Quijano (deceased), whose well-meaning pieces of advice have paid off
    33. Mina Aragon del Rosario (deceased), my dear Ate Mina who carefully and lovingly chose the scripts and stories for the films that I did for Viva Films
    34. Helen Vela (deceased), my gangmate
    35. Coney Reyes, my gangmate
    36. Tina Revilla, my gangmate
    37. Roderick Paulate, my BFF (Best Friend Forever)
    38. Marichu Vera Perez Maceda, my ever-loving and ever-thoughtful Manay Ichu
    39. Marie Babacui, my companion during my younger years, in my escapades, disappearances and rebellious days
    40. Viring Morada (deceased), another kasama sa lahat ng lakad starting from my younger years
    41. Federico M. Garcia (FMG), who negotiated for my contract with Channel 7 for my TV show VIP right before he transferred to Channel 2
    42. Chit A. Guerrero, my EP (Executive Producer) for 15 years in VIP of Channel 7 and 2
    43. Cory Valenzuela Vidanes, the PA (Production Assistant) at that time who almost caused my rift with Ricky Lo (Note: During her show, Vi made a joke about the sartorial taste of Cory V who was a Valenzuela and not yet a Vidanes at that time; she’s married to TV director Bobit Vidanes. That was in 1986 when Cory Aquino was only a few months into her presidency. I mistook Cory Vidanes for Cory Aquino because Vi didn’t mention Cory V’s surname. Vi lashed back at me on camera, very angry and very hurt. Hehehehe!)
    44. Maribeth Bichara, who honed my dancing prowess
    45. Super Morales, who patiently guarded my diction and my grammar in reading spiels for my variety shows
    46. Christopher de Leon, my perennial leading man with whom I made more than two dozen movies; he’s now OIC governor of Batangas while I am in Korea and Vice Gov. Mark Leviste is in UK
    47. Edgar Mortiz, my first love interest on and off the screen
    48. Jose Mari Chan, one person and gentleman whom I truly admire
    49. Ricardo F. Lo, the very first movie writer who interviewed me when I was 12 pa lang yata and who even paid the fare for the taxi that he, my mom and I took to the Manila Times building on Florentino Torres St. in Sta. Cruz, Manila, where we did the cover pictorial for Variety, one of the paper’s Sunday magazines
    50. Malou N. Santos, whom I thank for believing so much in me
    51. The Star Cinema Team
    52. The Regal Family
    53. Batangueños, my constituents
    54. Movie/Showbiz world — the producers, directors, leading men, co-stars, production staff and crew
    55. The media guys who helped package my career
    56. The Vilmanians whom I thank for their unwavering faithfulness and admiration
    57. And all my friends whose names slip my mind at the moment I’m doing this list and from whom I ask forgiveness even as I thank them because they, too, played a very important part in my life.

Written by Ricky Lo, The Philippine Star, Oct 31, 2010 (Philstar)

FILM REVIEW: KING KHAYAM AND I


The Plot: King Kayam’s search for another wife brought him the escapee, Princess Gracia. She doesn’t want to be wed to a man, she doesn’t love so she left her kingdom and ended up in King Kayam’s kingdom. They met and fell in love. – RV

The Reviews: King Kayam is the playboy king of the Vulcan kingdom played convincingly by the younger action star,  Joseph Estrada. King Kayam has several wives (Marissa Delgado, Lucita Soriano, Rossana Marquez) with several kids, the eldest played by teen star, Dondon Nakar. But with all these wives you might think the king will be satisfied sexually, wrong! He wanted more and asked his disciple (Rod Navarro) to find him more wives. Meanwhile on the kingdom of Salamanca, a young princess named Princess Gracia is being groom to be a wife. Her king father (Ruben Rustia) and queen mother (Anita Linda) are looking for suitable husband. When the princess discovered her three suitors, she decided to eloped. Wearing an ordinary disguise clothes and with the help of her sidekick (Lorli Villanueva), they left the kingdom and reached Vulcan.  Bad luck came into them as they were caught by a bad bandits who are selling slaves into the public by auctioning them into the public market like cattle. When the disguised princess turn to be auction, she caught the attention of the king’s disciple and bought her together with her sidekick.

He brought them to the palace and excitedly present the princess to the king but the princess ugly herself with makeup and the king was turned off. The disciple then madly sent them to kitchen to work. But because of her upbringing she can’t handle the hard work and decided to change her escape tactic by cooperating. The disciple then presented her again to the king and with her real beauty caught the king’s attention. The king and the disguised princess developed a romance. The princess explained to the surprise king that she is actually a real princess and the king agreed to return her to her kingdom in exchange, she will teach him what she knows about running a kingdom. The two went into a disguise and the king saw first hand how the ordinary people in his kingdom lives. With the romance blooming, the wives headed by Marissa Delgado, who is having an affair with the disciple, planned a revolt.  The two entrapped the king.  They jailed the king.  Fortunately, Princess Gracia convinced the other wives to fight back and they freed the King.  With the freed King Kayam, he allowed Princess Gracia to return to her kingdom.  KIng Kayam asked her parent if he can marry her and they agreed. The end.

The Dance

The film started promising with funny scenes of Joseph Estrada facing his people seeking his advice or help. One was when a man presented his new product, a flying magic carpet but when the carpet didn’t fly, the king suggested, avoid a heavy/fat rider. Then a much younger veteran actress Mary Walter appeared, brought her magic lamp. She complain that the seller fooled her to buy a defected product. She demonstrated and caressed the lamp. The genie came out but instead of the expected giant gennie, a midget/dwarf genie came out. Then from this moment the film went downhill. A singing bird, a transsexual Ike Lozada (being auctioned), Rod Navarro’s over the top villain antics, all failed to sustained our attention. The weak storyline did not help. Patterned with the Hollywood film, King Kayam & I’s only saving grace was the acting of its lead stars. Joseph Estrada’s presence was commanding and convincing as the playboy king and Vilma’s charming innocence despite the sexy dance number at the end complimented Joseph’s macho image. The two did three films, although they didn’t shared a single scene in Dugo at Pagibig sa Kapirasong Lupa, King Kayam was their only film together as mature actors. Their first outing was Batang Iwahig, when Vi was just a child star and Joseph was in his early years as a bankable action star. Produced by the late, Experidion Laxa of Tagalog Ilang-Ilang Production, the film was just a mild hit, probably the main reason why there was no follow-up project for the two. Two reasons why the film failed was probably the cheap set decorations and the weak story/screenplay of Nestor U Torre, Jr. The song lyrics of Levi Celerio can’t salvaged the mostly canned music of Resti Umali either. This was despite the splendid musical number in the kitchen (when Vilma protested to the cooks that she was a princess and should be treated like one). Die-hard Vilmanians would probably considered Vilma’s dance number at the very end as the highlight of the film.

RELATED READING:
King Khayam and I (1974)
Pelikula Atbp: King Khayam and I (1974)

The Vilma Santos-Ralph Recto Romance (Repost)

How else to explain why so many are joining beauty contests and, win or lose, more often than not, marrying a rich guy? A penniless, pretty lass with bountiful physical assets in, say, showbiz, has more chances than others of attracting and bagging a representative, a senator, a businessman, a somebody with huge financial assets. The Vilma Santos-Ralph Recto romance is like a Cinderella story except that by the time Vilma married Ralph, she was no longer a pauper. She wasn’t looking for a prince or a moneyed papa, for, after all, she was the multi-awarded actor Vilma Santos, the Star for All Seasons. In other words, he was rich, and she, too, was rich. The difference is that he was born rich, and she was not to the wealthy born.

The love story began 20 years ago, in July 1985. For the first time after a one-and-a-half years of being separated from then husband, actor Edu Manzano, Vilma came out of seclusion. Although Vilma and Edu were living separate lives, residing in different houses, Vilma remained constant, maintaining a semblance of fidelity, because, she reasoned out, she was still legally his wife. She didn’t want to give people an opportunity to wag their tongue, to misunderstand or judge her, she avoided getting stoned by negative opinions of her. But when she found out Edu was dating other women, she decided it was time for her to have fun herself, to spread her wings, and to find a life. “Ba’t ako magpapaka-martir?” Vi pouted.

Finally heeding friends who had been advising her to go out and enjoy herself, she dressed up and accepted an invitation to King Kong disco bar, which was owned by director Marilou Diaz-Abaya. So, there she was chatting and laughing with friends Marilou Diaz-Abaya, Maryo J. delos Reyes, Charito Solis, Charlie Peralta, and Greg de Guzman, swaying and stomping under the strobe lights, and feeling free. Then, a tall, mestizo guy approached Vilma and introduced himself: “Excuse me, my name is Ralph Recto. May I have this dance with you?” Vilma snubbed him; no, she did not want to dance with that boy. Was it because she didn’t know him or was it because she was still hurting from a failed marriage? The guy was persistent and patiently waited until he asked her again. Charito Solis nudged Vilma: “Four am na, pagbigyan mo na, isayaw mo na.” And so, the reluctant Vilma danced with Ralph.

While dancing, reports Vilma, Ralph asked her: “Do you know my father?” “No,” Vilma answered. “Do you know Assemblyman Raffy Recto?” Ralph continued. “No,” Vilma replied. “Are you interested in politics?” Ralph ventured. “No,” Vilma shrugged. After the dance, he asked Vilma: “Are you coming back here next Saturday?” Vilma: “Maybe.” Then, he got her phone number and brought his partner back to her table. “At my first glimpse of her, I found her attractive,” say Ralph, “I didn’t know that she was the Star for All Seasons, so to speak.” It was only when he went back to his table that he found out who that attractive young woman was. His barkada from Greenhills told him that the person he was dancing with was Vilma Santos the actor.

All he knew was she was named “Vilma” and that she was “A joyful person.” The funny thing is he had only recently seen the Vilma starrer Sister Stella L. Vilma surmises that maybe he did not recognize her because she was wearing an off-shoulder attire, which was, of course, very different from a nun’s habit. Ralph called up Vilma the following day, and “she obliged me to meet with her again the following week in the same place, the same disco.” “Why? Well, Vilma’s first impression of Ralph was that he was “Very intelligent, down-to-earth, tisoy (mahilig ako sa tisoy).” And so, they did see each other again a week later.

Another week after, recalls Ralph, “we had a private dinner. I felt we would have a meaningful relationship. ”That private dinner was with his parents in Greenhills. Vilma was at once nervous and excited. They knew her background, she didn’t hide from Ralph who or what she really was – that she was 32, that she was married, had one child, had been grist for gossip columnists, had not had higher education, etc. By this time, Vilma knew he was only 21, single, a graduating student at the De La Salle University taking up Economics, and a member of an illustrious Spanish-speaking family. Edu Manzano, meanwhile, drifted further away from Vilma.

Being an American citizen, Edu had married Vilma in Las Vegas, and then porced her in Guam. Three to four months after their first encounter, Vilma and Ralph went MU, or mutual understanding, which is the first stage of today’s couples’ relationship. Mutual understanding meant that they could see each other as often as they liked, but neither one was committed to the other. In other words, in principle, both could go out on a date with other persons, but they might show a special devotion, a special friendship, love and understanding —that is, the two on MU—for one another. Those happy, carefree days would see Ralph attending the shooting of Tagos ng Dugo by Maryo J. He would come from school, stay in his car, wait for her, and then bring her home to Magallanes.

In Magallanes, Vilma recounts: “Magkukuwentuhan kami ni Ralph tungkol sa lahat ng bagay, about everything under the sun. Inaabot kami hanggang sa pagdating ng diyaryo ng 6:30 am. Hindi naming namamalayan na maliwanag na pala, na umaga na.” Vilma sizes Ralph up: “Matalino, maraming alam, pero hindi mayabang. Inisip ko na marami akong matututunan dito.” They enjoyed each other’s company while going places, eating pizza, and having “gimmicks” and so on. Vilma analyses his appeal to her: “Baka nadala niya ako sa kabataan niya, kasi di ko naranasan iyon noong bata ako.” She concentrated on her work as a child, and has done almost nothing but work ever since.

Vilma and Ralph lived in for seven years. She was not prepared to get married then because she had to attend to her career and her small child by Edu, Lucky. Ralph, on the other hand, wanted to be more stable in his profession and his finances. Then, after seven years of living in, Ralph ran for Congress and asked Vilma to campaign for him in Batangas. Vilma accompanied him all over the province. She experienced the hardship of going from city to city, from barrio to barrio. She had a taste of politics. If she was willing to make that sacrifice for him, Vilma thought, “siguro mahal ko itong taong ito.” Ralph told Vilma, “Win or lose, let’s get married.”

“You know,” Vilma warned him, “hindi ako madaling maging asawa. Mahihirapan ka, kilala ako sa Pilipinas.” It would be quite difficult for him to do any hanky-panky because he would easily be found out since Vilma is so popular that almost everything and anything the nosey press would sniff would immediately be reported in the media. The brave Ralph was not intimidated, and at 2 pm of December 11, 1992, they officially tied the knot in a splendid wedding ceremony in Lipa, Batangas.

Some 500-700 guests from politics and showbiz witnessed the exchange of vows. It must have been a relatively blissful union since they already had a chance to get to know each other up close when they were living in. Relates Ralph: “For me, the most trying period in our relationship was the first seven years.” The proverbial sevenyear-itch happened to both Vilma and Ralph before their wedding. Ralph lived in his condo in Greenhills, but he telephoned Lucky almost every day, pretending or so it seemed, that his concern was only Lucky and not Vilma.

Lucky missed his Tito Ralph, and after two weeks, thanks to Lucky, Ralph returned. Vilma, the mother and wife, observes that “the whole time of marriage is a period of adjustment. Habang tumatanda ka, nag-iiba ang priorities mo sa buhay, so mga every five years, kailangang pag-isipan mo ang priorities mo.” “There are times you have to listen to your children. They should retain an old sense of values, like respect for elders, how to properly treat people. You must talk openly with your spouse and your children, you must trust your children, you communicate with them, you text them. You must also know how to let go.”

Like other typical couples, they undergo moments of discord. Sometimes, even when they’re in a bad mood, they still greet each other good morning and good night with a kiss, but a quick, cold one, like they’re merely fulfilling an obligation, a task, so that they can attend to other “more important” matters of the day. However, no problem is unsolvable. Sometimes, they let a month go by in ill humor until things cool off a bit. At the end of 30 days of silence, they would go” “Can we talk?” They find dialogue most effective. No vitriolic physical or verbal barbs, just civilized talk.

Both believe that support for each other is very important in a relationship. “It’s important to support each other’s ambitions, dreams, goals in life. Walang inggitan,” Vilma advises couples. “A career woman has to adjust to a relationship, work on it, get off her pedestal. I learned to say ‘I’m Sorry.” In their political life, Ralph seeks Vilma’s opinion on some of his speeches. Vilma tells him, for example, “to stress this point or ito, heavy, mabigat or ‘yan, tanggalin mo ‘yan…” Also, Vilma confides that she doesn’t compete with Ralph. “In fact, as mayor, I receive guidance from him in making decisions. ”

Vilma claims they are both broadminded. How long has Vilma been mayor of Lipa? “This is my last term. I’ve been mayor for three terms na, three years per term, so a total of nine years. I have been serving Lipa for almost eight years now.” This celebrity couple also lives ordinary lives. For example, Ralph treats Vilma like any other ordinary person, and not like a VIP. Vilma reveals: “Hindi porke Vilma Santos ako and I’m earning a lot, e, wala na siyang ibibigay na allowance sa akin. He takes care of the maintenance of the house. He’s the provider.”

In the last five or six years, Vilma and Ralph have tried to spend more time with each other in spite of their busy schedule. They have been traveling alone, just the two of them, and sometimes with their children Lucky or Luis, now 24 years old, and Ryan, aged 9. Together, they go swimming, bowling, boating, meditating, playing golf, watching television, etc. Right after Ate Vi, aka Mayor Vi, was given the Gawad Plaridel last July 4, 2005, which is sponsored by the University of the Philippines College of Mass Communications, at the Film Institute’s Cine Adarna, husband and wife took a grand vacation. They spent 14 days in Europe, came back to the Philippines for a while, and hied off to Los Angeles, USA, for five days, and to New York and New Jersey for four days.

In New Jersey, Vilma cut the ribbon at the opening of the four-year old Philippine Fiesta Exposition Center. “She’s an excellent mother,” gushes Ralph. “ She takes good care of me and her children. She’s a loving person. Sometimes, she’s hardheaded. But I can live with that. I’ve learned to live with it. And sometimes, I could be hardheaded, too. (Smiles) I’ve no complaints. She is what she is and I love her for what she is. She’s now more concerned about social and political issues.” How does Ralph for his part keep their relationship going? “We count our blessings.

Both of us have been blessed.” Although Vilma doesn’t cook, she sees to it that the cook, upon her culinary guidance, serves Ralph his favorite dish such as baked pasta, which contains corned beef, cream of mushroom, parmesan cheese, and sweet corn. Says Vilma: “My immediate family comes first. I do my part as a mother and as a woman. I don’t plan my life. It’s enough that I live comfortably, my family is fine.” Their terms of endearment for each other are “Papa” and “Mommy.” Has the tag ‘Mr. Vilma Santos’ ever, ever affected Ralph at any point in his life? “No, it has not affected me in a negative way,” explains Ralph, “It has helped me tremendously.

Being Mr. Vilma Santos made it easier for me to identify with the masses. As a kid, my professors in school would tag me as the grandson of the great Claro M. Recto. So I was used to it. I’ve always thought of it positively. There’s nothing in their relationship that he wants to forget. “The relationship is incomplete if I will forget even just a tiny bit of it. There’s nothing I would want to forget or change. I have no complaints about our relationship. I’ve been blessed by this relationship. I’m the luckiest man alive. I hope she feels the same way, too. With a wife like Vi, children like Lucky and Ryan, how can I complain? Why would I want to forget any part of this wonderful and blessed relationship?”

In fact, Ralph will always happily remember “achieving milestones in our life together—getting married, having children, watching them grow up, participating in school activities, helping each other make our community better. Of course, traveling together. I suppose our happiest times are yet to come—which is, growing old together.” The Vilma Santos-Ralph Recto romance, despite all the zigging and zagging, sounds almost like a fairy tale. Yes, perhaps, politics and showbiz do go together.

Source: Written by Ms. Mara P. Lanot, Mr. & Ms. Magazine, Nov 2005

The wedding of Vilma Santos and Ralph Recto was a union of stellar figures in showbiz and politics. Santos is known as the Star for All Seasons and has a huge following from the Filipino audiences. Recto, on the other hand, came from a prominent political family from the province of Batangas. Their wedding which was open to the public created a huge buzz. Being one of the country’s most popular and respected actresses, the people wanted to know every move and possibly every major decision taken and made by Santos. This popularity became one of the reasons why her marriage to Ralph Recto was highly publicized. Another reason why it became talk of the town was because the marriage was not only about Santos marrying some typical guy but a prominent member in society. Their lavish wedding created media frenzy and the public wanted to know every bit of detail that went with the occasion. This wedding proves that there’s no such thing as keeping it low in the worlds of showbiz and politics (Top 10 Biggest Filipino Celebrity Weddings).