u can’t cut in line, go at the back, please

This slideshow requires JavaScript.

This, time “Talagang Mali ang Hula nila…” – Would it be different scenarios if Nora Aunor won the Urian? It would probably get one of the eight spot in the 2014 MMFF for “Whistle Blower” and heightened the pressure for the President to include her in the list of this year’s National Artist. Two reasons that I could think off…that some of her supporter would probably would not like. Noranians has been very vocal particularly in social media. I noticed several Facebook comments that were tragically personal even attacking the President. In the social media, the three main reason suggested were, political, drugs, and her citizenship. I guess if you’re National Artist, your loyalty should be with your country and can’t be divide between two nations. Nora have to go back and forth between the Philippines and the Unites States of America to retained her Green Card. Another anti-Nora mentioned her addiction to gambling and substance abuse, which to some needs clarification from Nora. The other nasty comments were about her non-traditional relationship that ended up in a marriage in Las Vegas which also needs clarification from her. Our own personal opinion is that, all of her struggles makes Nora unique and like her kumare, Vilma deserving of the title, National Artist.

Success in Life – Logically, what is the rush? Why does Aunor’s supporter so obsessed for their idol to be proclaim this year? Truth is, she is clearly not at her peak yet or if you don’t agree with that (because of her so much awards), she is still very much active and can amass more career milestones! In fact she has four more indie projects – that can earn her more awards! Why are they in hurry? Even Nora said in an article, “…Wag na nating pag-usapan…Kung darating, pasalamat tayo. Kung hindi, pasalamat din tayo…” She is wise enough not to psych herself up to avoid disappointment and this could be a blessing in disguise for Nora. I don’t believe that she did not get the NA because of her past troubles. In fact her struggles can be seen as success in life. When you overcome and rise above all the test with your personal life it is a milestone in itself. These setbacks will not startle her when the right time comes, no one will hesitate or ignore her day in the sun.

Seniority – As for her rival, Vi believes in conformity. She knows Filipinos believe in ritual, habits and tradition. In fact, when it comes to National Artists, she believes, it is seniority. Gerardo de Leon got his NA a year after his death. Six years after his death, Brocka got his NA while Bernal got his five years after his demise. Manuel Conde’s recognition came in the longest, he have to wait twenty four years while FPJ only have to wait two years, this are after both died. The only film artist who got his bragging rights alive was film director, Eddie Romero in 2003 when he was seventy-nine years old and retired already in directing films (He will direct two more films after his NA recognition and died last year). That’s why Vi did not put herself into a position where everyone will assumed you will be declared the winner and end up the loser (lesson learned, remember Rubia?).

Don’t Cut in Line – Let’s face it, National Artists are for artists who are: dead, semi-retired and no longer active in their fields particularly in films. It’s stupid but can’t do much about that. We’re fond of rituals, habit and superstitions. Filipinos will say, “una una lang yan (if you’re first in line, you comes first) at bigyan ng “respeto ang mga nakakatanda, (respect the elders).” Which in this case, makes sense. Who will argue that the likes of Dolphy, Charito Solis, Gloria Romero, Lolita Rodriguez, Celso Ad Castillo, Joseph Estrada, Rogelio dela Rosa, Eddie Garcia, Anita Linda, and Carmen Rosales…don’t deserves their day in the sun? Some of these artists already left us but some are still alive. Some are still active and some are already retired. But definitely way senior than Vi and Guy, kunbaga nauna sila sa pila…sabi nga walang singitan sa linya (u can’t cut in line, go at the back, please). – RV

Related Reading:

33rd Year Anniversary of Pakawalan Mo Ako 2/2 (Videos)

This slideshow requires JavaScript.

Release Date: 29 May 1981 (Philippines)

Credits: Directed: Elwood Perez; Story: Pete Lacaba; Screenplay: Jose F. Lacaba, Iskho Lopez, Mauro Gia Samonte; Cast: Vilma Santos, Christopher De Leon, Anthony Castelo, Deborah Sun, Subas Herrero, Mila Ocampo, Ed Villapol; Executive producer: Marichu Maceda; Original Music: Lutgardo Labad; Cinematography: Johnny Araojo; Film Editing: Jose Tarnate; Production Design: Angel Tantoco; Sound: Gaudencio Barredo; Theme Songs: “Dati” performed by Anthony Castello; Production Co: MVP Pictures; Release Date: 29 May 1981 (Philippines) – IMDB

Plot Description: – When Ana’s (Vilma Santos) father died they experience hardship. She decided to stop her schooling and work (selling beauty soaps on the street). Despite being poor, she decided not to ask help from her rich boyfriend Freddie Villaseñor (Christopher DeLeon). When the hardship reached its peak, she decided to join her friend, Bernadette Santos (Deborah Sun) as escort girls. There she met Bernard, a son of a rich clan, who courted her when Anna’s relationship with Freddy failed. As it turned out Anna was pregnant and despite the disapproval of Bernard’s rich father (Subas Herrero), they continued their relationship. The continuing harassment of Bernard’s father and his entourage resulted in Bernard being shot as one of the goons tried to rape Anna and was caught by Bernard. Anna was framed and Bernard rich father hired Freddy to prosecute Anna. The film climax with the prosecutor Freddy discovered the bullet that killed Bernard. This was when he decided to visit Ana’s family and met her son. The film ends with Ana being acquitted and Freddy discovered that Ana’s son was his son. – RV

Related Reading:

33rd Year Anniversary of Pakawalan Mo Ako 1/2

This slideshow requires JavaScript.

Release Date: 29 May 1981 (Philippines)

Credits: Directed: Elwood Perez; Story: Pete Lacaba; Screenplay: Jose F. Lacaba, Iskho Lopez, Mauro Gia Samonte; Cast: Vilma Santos, Christopher De Leon, Anthony Castelo, Deborah Sun, Subas Herrero, Mila Ocampo, Ed Villapol; Executive producer: Marichu Maceda; Original Music: Lutgardo Labad; Cinematography: Johnny Araojo; Film Editing: Jose Tarnate; Production Design: Angel Tantoco; Sound: Gaudencio Barredo; Theme Songs: “Dati” performed by Anthony Castello; Production Co: MVP Pictures; Release Date: 29 May 1981 (Philippines) – IMDB

Plot Description: – When Ana’s (Vilma Santos) father died they experience hardship. She decided to stop her schooling and work (selling beauty soaps on the street). Despite being poor, she decided not to ask help from her rich boyfriend Freddie Villaseñor (Christopher DeLeon). When the hardship reached its peak, she decided to join her friend, Bernadette Santos (Deborah Sun) as escort girls. There she met Bernard, a son of a rich clan, who courted her when Anna’s relationship with Freddy failed. As it turned out Anna was pregnant and despite the disapproval of Bernard’s rich father (Subas Herrero), they continued their relationship. The continuing harassment of Bernard’s father and his entourage resulted in Bernard being shot as one of the goons tried to rape Anna and was caught by Bernard. Anna was framed and Bernard rich father hired Freddy to prosecute Anna. The film climax with the prosecutor Freddy discovered the bullet that killed Bernard. This was when he decided to visit Ana’s family and met her son. The film ends with Ana being acquitted and Freddy discovered that Ana’s son was his son. – RV

Review – “…The second memorable film experience for me was during early 80s where I saw the free sneak preview of “Pakawalan Mo Ako” at Gotesco Theatre near University of the East. I was one of the lucky ones who managed to get in. My college mates weren’t. They got stocked in the pandemonium outside. I was worried sick as I took the long escalator and saw them being crashed by the crowd. The security guards have to closed the gate of the lobby. Fans became so restless and broke the glass windows (where they displayed posters and still photos) . Inside, It was crowded, hot and wild. We were seeing a more mature Vilma Santos. The moviegoers reacts to every scenes from the very beginning up to the very end (the courtroom scene where Vilma cried and swear, “Liars! Liars! You’re all Lying!”)… ” – RV (READ MORE REVIEWS)

Film Achievement:

    FAMAS Awards

  • Best Picture Nomination
  • Best Actress – Vilma Santos
  • Best Musical Score – Lutgardo Labad
  • Best Theme Song – Louie Ocampo
  • Best Actor Nomination – Christopher De Leon
  • Best Director Nomination – Elwood Perez
  • Best Supporting Actor Nomination – Anthony Castelo
  • Best Supporting Actress Nomination – Deborah Sun
  • Source: Who’s Dated Who

Related Reading:

The bags of Loida and Mabuti…

This slideshow requires JavaScript.

Seeing the film poster of both Nora and Vilma’s indie films, we can’t ignore the noticeable similarites. Both seem to be – on the “move,” walking and in deep thoughts. And both were holding a “Bag.” Upon further research, Nora’s bag contained money that she didn’t own. And this is one of the main focus of the film. Will Mabuti, Nora’s character, return the money to the real owner or keep it for herself? Meanwhile, Vilma’s bag contained clothes. Clothes that she uses to several impromptu auditions. Will Loida, Vilma’s character, land that big break she’s been praying all her life, and eventually earn more money for herself and her daughter?

Nora’s Bag – “…Initial reviews of Mabuti were positive. Nora was praised for her quiet and effective performance. She was praised for bringing something new to her long filmography, like her willingness to learn the Ilocano dialect. Her director even admitted wasn’t required when she initially accepted the project. It seems like she was willing to bring something new that even the well-praised Thy Womb didn’t bring out. That “something new,” that we haven’t seen before. Originally written for man, Nora’s character Mabuti, according to writer, Katrina Stuart Santiago, “…this film had technical problems, and I wish it took more care in rendering time and space as important aspects of storytelling. But most this film stands regardless, and that might be because of Aunor. Without her, it’s entirely possible that “Ang Kwento ni Mabuti” wouldn’t survive its own simplicity. Because not much happens in this story, but Aunor takes Mabuti’s character and makes everything happen for her.” The high expectation of “Mabuti” seem to be attributed to the critical success of “Thy Womb.” The later earned Nora several international trophies but the fact is, it failed commercially. Early projections seems to favor Mabuti commercially. The Noranians seems to be in high spirit as they attend the gala premiere of Mabuti and was blessed with the extension of the film’s screening for another week after its first week as part of the CineFilipino Film Festival. The pay out was that Mabuti failed to win Nora the festival’s most expected best actress award. The award went to a new comer, a child protege, named Teri Malvar. Initial prediction from a veteran columnist predicts a tight race for next year acting derby with both Vi and Guy fighting for the trophies with Lorna Tolentino for Burgos and Cherrie Gil for Sonata, all for their performances in indie films.

Ang Kuwento ni Mabuti – “…Mabuti is not a simpleton, but in her world, where words are barely spoken, it is easy to just be. There is want and need, but there is only so much one can do. She is not one to bargain for better, as she is one to try and fix things as much as her abilities allow. She wants to bring the money to the barangay captain, but takes the strange weather as a sign that she shouldn’t; she goes to the military camp to talk to the captain about the money, but the camp is deserted. Mabuti waits for nothing and no one. She seems to always purposefully wait. As she does heartily laugh, in that quiet way that we know the voiceless must. She speaks but doesn’t talk or banter. She is nervous and sad, she is lost and confused, she is happy. And we only know this of Mabuti because she’s got eyes that can pierce through your soul. Which is to say that this is about Aunor, which almost goes without saying, and yet there is something here that she wasn’t able to do in last year’s “Thy Womb.” That is, she learned the language that everybody else in the film was speaking. In this sense Mabuti was more complete as a character than Shaleha; Mabuti was more real. Aunor as such isn’t rendered quiet by the inability to speak in the same way, and Mabuti is allowed to actually be borne of the context that we see is hers in the film. She makes that universe work, and unravel, no matter that it is the tiniest, most removed, universe that many of us cannot fathom. It is a universe of signs. And when Mabuti navigates and negotiates with those signs given her fears and joys, we are allowed to imagine life to be as simple, moral compass and all. Yes, this film had technical problems, and I wish it took more care in rendering time and space as important aspects of storytelling. But most this film stands regardless, and that might be because of Aunor. Without her, it’s entirely possible that “Ang Kwento ni Mabuti” wouldn’t survive its own simplicity. Because not much happens in this story, but Aunor takes Mabuti’s character and makes everything happen for her…” – Katrina Stuart Santiago, GMA News, 23 September 2013 (READ MORE)

Vilma’s Bag – “…Like Nora’s Mabuti, Ektra’s initial reviews were positive. Vilma was praised for her willingness to get demoglarized and her effective take as the an underdog role normally identified with Nora. The initial positive buzz of the film were ignored by Vi’s detractors and even with an unfinished film, early unfavorable articles were published highlighted with the news the films were rejected by the Cannes screening committee. Despite this setback, the film had its gala premiere on July 28 at the CCP, fans and supporters filled the bigger CCP venue. Ekstra went it momentous peak as Cinemalaya top grosser film and after a few weeks went on its commercial screening sponsored by Star Cinema. The film had its successful first week but the film did not sustain its strenght as typhoon hit Metro Manila. It seems like the rain will never stop, the whole country were flooded, and Ekstra despite rumored of being pulled out remained its local exhibition. Ekstra had its world premiere on September 8th at the Toronto International Film Festival. The almost midnight screening were sold out as well as the consecutive screenings. The film were well received and had its limited screenings in North America the following weeks. Ekstra was her follow-up to her commercially successful The Healing. It was clear that Vilma wanted to maintained her bankability but wanted to mix it with the integrity of the indie genre. And Ekstra provided the mixture of both medium, hence the word “maindie” arrived. Ekstra gave Vi her first indie best actress trohphy (Cinemalaya). Like Nora, she is positioned to give anyone a stiff conpetition to next year acting contest.

Ekstra The Bit Player – “…The unshakable optimism of a middle-aged extra is the warm heart driving “The Bit Player,” an appealing dramedy that pokes plenty of good-natured fun at TV soap operas. Anchored by a glowing central performance by Filipino screen queen Vilma Santos as the single mother who smiles her way through work-related indignities in order to pay for her daughter’s education, the pic reps a fine feather in the cap of veteran helmer Jeffrey Jeturian. Winner of the audience award for best film in its category at Cinemalaya and a hit in domestic release in August, this crowdpleaser launches on limited North American screens on Sept. 13…The wise and witty screenplay by Jeturian, Zigcarlo Dulay and Antoinette Jadaone hits the right mix of humor and compassion from the outset. In a funny pre-credits sequence showing an exasperated production crew hiring and firing a succession of extras for the tiny speaking role of a housemaid, eager-to-please hopeful Loida Malabanan (Santos) is pipped for the job at the last moment. Very much a modern incarnation of heroines from classic Hollywood melodramas of the 1950s, Loida only strengthens her resolve in the face of such setbacks. Fiercely determined to not ask her (unseen) ex-husband for financial assistance, Loida is driven to survive and succeed because of her adult daughter, Joyce (Ronaline Enriquez), also a divorcee and a college student whose tuition fees are due. Unhurried opening segments paint a lovely picture of a selfless mother undaunted by being lumped into the category of “nameless wannabees” by fast-talking casting director Josie (Ruby Ruiz, terrific). Loida’s belief that it’s never too late to become a star is one of many character traits that will have audiences rooting for her all the way. With this critical factor firmly in place and Santos in supreme form, Jeturian steers a more overtly comedic path once Loida and her spunky best pal, Venus (Tart Carlos), find work on the set of a soap opera regaling with the title of “You Were Mine First…” – Richard Kuipers, Variety, 11 September 2013 (READ MORE)

2014 Award Prediction and Outcome

  • Luna Awards – Vilma Santos, FAP voting members went for Nora’s Thy Womb the previous year, although they have given Nora their awards three years consecutively, Noranians have enraged some FAP members by complaining too much about Thy Womb not getting the country’s representative to OSCAR, but just based on Vilma’s performance and FAP’s choices in the past, I believe it will be Vilma next year. Despite some critics indicating some disappointments on how her film, Burgos ends -like a “TV drama,” Lorna Tolentino’s performance, was the film’s redeeming value, hence she can be the spoiler between Vi and Guy (As of Feb 2015, FAP announced that they will combined 2014 and 2015 awards into one ceremony this year.  No press release yet if this event will actually happened.  In lighter note, Vi was cited for her movie Ekstra. – RV).
  • Gawad Urian – Tie: Nora Aunor and Vilma Santos. The Filipino critics are undoubtedly the most credible award giving bodies and they all love indie films. With both Nora and Vilma’s films they would have a hard time deciding which to give their trophies. There is a sure chance that they will just give the honor to both actresses but since Nora received her seventh Urian last year, it would be fair to give it to Vi this year. But a spoiler alert comes to mind, They also love Irma Adlawan for Transit (As of Oct, Vi and Guy lost the Gawad Urian Best Actress to the surprising winner, Angeli Bayani for Oscar bound, “Norte.”  There are some back luck for Nora, she lost the National Artist title and her movie “Whistleblower” was not selected to compete for this year’s Metro Manila Film Festival.  On positive side, Nora won the best actress at the Cinemalaya for “Justice” locally titled “Hustisya” and she also received Gawad Plaridel award, following the footstep of her rival, Vilma who received both recognition few years earlier.  Nora’s follow-up indie film after Hustisya was the indie/horror, Dementia who got a commercial release but according to some press release got a lukewarm reception. – RV).
  • PMPC Star Awards – Vilma Santos. The PMPC has some questionable winners in the last few years and in recent years they became more clearer that they are more likely to vote for Vi (KC Concepcion upset both Nora and Vilma, she won for her performance in “Boy Golden” – RV).
  • Golden Screen Awards – The Golden Screen members are trying to imitate the early years of Star Awards and with a new format of dividing their categories into drama and comedy, there is big chance that both Nora and Vilma will end up winning. Ofcourse Vi can be nominated into both categories but it will not be practical if they will not use the opportunity to give Nora and Vilma trophies at the same time. Both of their fans would be happy with Aunor getting the trophy for Drama and Vilma for Comedy (As of Oct, Vilma received a nomination from EnPress’ Golden Screen for best performance in dramatic role while Nora missed the cut – RV).
  • CMMA Awards – Nora Aunor’s film has CMMA written all over it. It is hands down Nora. But Lorna Tolentino’s Burgos, all for its activism that many church followers loves, may give her a stiff fight. Also, Irma’s role in Transit with its Israel as its back drop will also play the role of predicting who will CMMA proclaim their best (As of Oct, no official statement has been release but the official ceremony is scheduled on Oct 29th. – RV).
  • Gawad Tanglaw and Gawad Pasado – These academics turned film critics honored Nora the previous year for Thy Womb. Tanglaw like Vilma more and Pasado according to most fans favored Nora. Vi will win Tanlaw and Nora Pasado (Correct predictions! – RV).
  • FAMAS Awards – Both Vi and Guy are no longer eligible due to their Hall of Famer status. Lorna Tolentino, Cherie Gil and Irma Adlawan will fight for it’s honor with Lorna on top and Cherie as spoiler (KC Concepcion won the best actress, Irma Adlawan was ignored by the oldest group of award entrepreneurs! – RV).

Related Reading:

Si Ate Vi, Gintong Ina

Vi in GraphicsIn 1997, Dove Foundation awarded Ms. Vilma Santos the Celebrity Mother of Gintong Ina Award. This award is very special to ate Vi, because the role of a mother is far more important than her illustrious career. Not that she loves her movie career less, but she knows that being a mother is a lifetime commitment. At walang retakes, pag nagkamali ka. Talagang celebrity, dahil sa dalawang beses niyang pagsisilang ay parehong front page siya sa mga newspapers! Meron bang nakagawa ng ganoon? Si ate Vi lang at wala ng iba. Ate Vi’s dedication as a mother was documented many times by writers from showbiz, politics and even the business sector.

In 1995, the late Inday Badiday wrote at the Phil. Daily Inquirer the following. “WHEN Vilma Santos cried unabashedly for the second time in front of a big crowd of movie reporters (which was later recorded on TV), I sensed that the tears no longer hinted sadness over the demise of her popular show nor her temporary vacation from showbiz. Those were joyous tears that could only be shed by a woman who’s happily in love and who’’ll stop at nothing to make her husband happy and their relationship more beautiful than ever. She later confided, in between sobs, that she was proud of and glad for herself for having arrived at a major decision even if it would mean some sacrifices. ‘Sabagay, parang hindi na rin sacrifice,’ she qualified. ‘Akala ko, sa pelikula lang nangyayari ito, pero kahit ano pala, pwede mong gawin para sa taong minamahal mo.’ But hasn’t she been there before? ‘I was young, carefree and ambitious. I was probably more in love with my career.  Hindi ko namamalayan, naisasakripisyo ko na pala ang personal life ko noon.’

How did Ralph Recto react to her decision? ‘I could see happiness in his eyes,’ she beamed. ‘But I felt, parang nalungkot din siya, parang nanghihinayang not because I’d be losing a lot in terms of financial rewards and other opportunities but because he knows that showbiz is a big part of my life.’ It was at this point when I asked…

‘Is he worth it, Vi? Either I had grown too cynical or thought I was an expert on men. ‘Oh, yes, Ate Luds,’ she said, eyes brimming with happiness. After flashing a sweet smile, she added pointedly: ‘Oh, yes!’ Because I have always believed in Vi’’s words, I decided to make no further comments. But if you were in my place, wouldn’’t you want to know Ralph’s own feelings?

Ralph Recto has always impressed me as a gentleman of the first order. While he has no qualms about being lampooned a ‘Mr. Vilma Santos’, he has conveniently distanced himself from the image of his wife as a star for all seasons. After all, he’s also a star in his own right, a budding politician who’s destined to become an important figure, not to mention his famous surname and illustrious background. Movie writers are always frustrated with Ralph who very rarely grants interviews. The frustration grows even more when he talks because he manages to keep their love life ‘sacred’. But Ralph must have been overwhelmed by his wife’s public display of her love for him that he has allowed himself to be on the spot and say a mouthful.

On their relationship ‘We’ve been fair to each other ever since and that’s one of the reasons our union works. She’’s already in showbiz when I met her. Vilma Santos na siya, hindi ko na puwedeng baguhin ‘yun. I admire her work. I want her to work because I know she’ll grow some more. I’m not the type who believes his wife should stay at home. She also understands I will always be in public service.

On Vi’s decision Nothing to worry about because she’’s not quitting for good. She’ll be back soon, perhaps in a better show with a better format. Hindi naman panghabang-buhay ‘yung sing-and-dance career na ginagawa niya sa TV. Pero ipinagmamalaki ko talaga na may legacy nang maiiwan si Vi. I have been amused by people’’s reactions to her decision. ‘Yung isang kaibigan ko ngang hindi naman taga-showbiz, ibinalita sa ‘kin na nalulungkot daw ang buong bayan nila dahil mawawala na ang show ni Vi. ‘Yung iba, they’re happy for us, especially for Vi who’ll have more time for me daw. Actually, hindi naman ako nagko-complain sa schedule niya talaga because she doesn’t also complain about mine.’

On their vacation ‘It’s for Vi’s benefit. She’s pressured here and she needs to take a good rest. Hindi rin pahinga sa ‘kin because I have to work kahit na sa malayo kami. Pero sandali lang kami talaga. I’d like to reiterate that Vi’s staying in showbusiness.’

On having a child ‘What Vi and I wish is a child who can be a future movie star like her or a politician like me. Or both, why not? Kung hindi pa maging fruitful ngayon, well, we’ll try our luck next time. There’s no need to hurry. I do believe that it will happen in God’s time.

More dreams for Vi ‘In a way, Vi’s decision to quit her show is a sign of her maturity. She’s definitely growing up some more. In the process, she can educate a lot of people aside from entertaining them. She can share her gift to those who believe in her. I want her to be more productive. Lahat naman po tayong mga Pilipino ay kailangang alagaan natin at palakihin pa natin ang talentong ibinigay sa atin ng Panginoon”. This article came out after ate Vi bid goodbye to her long running TV show, to give Ralph a baby. A big sacrifice, considering that she’s earning millions of pesos a month for that show!

Ms. Rina Jimenez-David, a known political columnist, wrote this also at the PDI  “A FEW weeks ago, I dreamt I had a baby. I don’t even know if the baby was a girl or a boy. All I remember is that my family was having a picnic and I was carrying a laughing infant, about five months old, dressed in a white terry-cloth overall, its hood snug over its head, and we were all chuckling and cooing over the baby’s antics. When I told him about my dream the next morning, the hubby looked at me askance, with a scowl that seemed to ask: ‘So what do you want me to do about it?’ Approaching 35, my self-imposed deadline for pregnancy, I would often day-dream about having a third child. But I was brought up short, when, sharing this possibility with the hubby, he pointed out: ‘We hardly have enough time to share with the two kids we have. It would be unfair (to the child) to have a third child when we’re so busy.’ A few days after turning 40, long past the deadline, I fell into an unexplainable blue funk, sunk so deep into despondency I couldn’t even work up the energy to write a column for two straight days. It was, I realize now, a ‘mid-life crisis episode’, but after my dream, I have another explanation: I was bidding my ‘child-bearing years’ goodbye. Our dream analyst Lucito de Jesus may offer a more cogent and reasoned explanation for my ‘dream’ baby (which reminds me, I did plan to write a note to him about it).

But I have come up with my own theory Even if I had rationally and reasonably accepted the fact that I would no longer be getting pregnant, my subconscious was expressing a barely suppressed yearning to hold an infant in my arms again and call the baby mine. Which is why I felt for Vilma Santos, reading about her tearful press conference in which she announced that she was putting a stop not just to her frenetic dance numbers on her weekly TV show, but to her entire showbiz career, in a last-ditch attempt to bear Ralph Recto’s child. I have often thought it evidence that God has been playing favorites that he should make me around the same age as the Star for All Seasons and yet make Ms. Santos look two decades younger. But Eskinol and good genes can only go so far. Inside, the plumbing ages at the same inexorable pace. It is entirely possible for Vilma Santos to get pregnant again, but it will be more difficult to bring the pregnancy to full term without complications.

Which is why pregnancy at her age exacts such a heavy price The abandonment of what for Vilma show before she became a congressman’s wife had been the central focus of her life. How to explain the value of Vilma’s sacrifice? The only way I can understand it, is to wonder how I would feel if I had been asked to stop writing.

Another respected writer, a former Press Secretary of the Aquino administration and founder of FOCAP, the late Mr. Teodoro C. Benigno wrote at The Phil. Star: “No, she was never Venus carved out of a marble statue, or a vamp which she acted out in one or two movies, or a heifer in heat like Sharon Stone. She was not made for any of these roles. If imagination were needed to describe Vilma Santos, she would be the girl inside a floor length shower curtain of sheer gossamer and white lace. On cue, she would come out adorably pretty and entrancing, all lighted up like a Christmas tree, eyes merry and twinkling, the child in her in perpetual battle with the woman in her. The world of entertainment shook mightily several days ago when Vilma, unable to hold back her tears, announced her 15-year-old TV show Vilma on GMA-7 would end very soon. And, yes, she would also stop starring in movies. Why? I suppose nobody else but Vilma Santos could have decided the way she did. She wanted to have a baby with husband Ralph Recto. She wanted to conceive so avidly, so insatiably and desperately she was laying her whole career on the line.

I think I know how she feels. Many, many years ago Sophia Loren felt the same way. Twice, she had a miscarriage, unable to carry a baby inside her womb for more than three months. Sophia and Carlo Ponti were at their wits’ end. When finally she got pregnant for a third time, the whole world of Sophia Loren stopped. Carlo Ponti, on medical advice, hustled her off to a hotel beside a lake in Geneva. There she stayed in bed for nine months, hardly moving, no telephone calls. Only television. She ate her meals in bed. A doctor was in constant attendance. For Vilma and Ralph, it’s like waiting for Godot.

Remember Samuel Beckett’s Waiting for Godot? It’s an allegory . Two persons wait for somebody who could be God, the waiting almost a cry of impotence, grief ad helplessness seeking the miracle of creation, seeking God’s intercession. Is not all that is wondrously alive His? Except that God helps only those who help themselves. Ralph and Vilma cannot have a baby until now because both – due to their busy lives and careers – have always missed the prefect trysting hour in bed. The time to make love was when Ralph was at his best and lustiest and Vilma at her most fertile period. And that never happened. Now, it will happen, or should be guaranteed to happen. Love will still be a many-splendored thing to be performed in the boudoir. There will be no recourse to artificial insemination or in vitro fertilization. Not yet anyway. If this last chance at having a baby in the normal way under ideal conditions should fail, then and only then will they resort to in vitro. We have to give it to Vilma and Ralph.

Finally we find two people who listen to whispers of the beautitudes, who consider having a baby much more important than all the spires and gilded temples of Apollo. Hundreds of couples in the same predicament will just adopt a baby and that’s that. But Vilma is the Eternal Woman in the sense that love and what love creates should seek no other outlet than Nature’s way. Even if what is to be set aside is one of the most successful and spectacular careers in the movie and entertainment world.

Once, when I co-hosted with her during the 25th anniversary of GMA-7, we conversed on the side about her having a baby with Ralph. And she said, ‘Tito Teddy, talagang sabik na sabik na kami, please for us.’ We did a boogie number then, and the audience lapped it up. Vilma just loves to dance, but dances will be verboten after Vilma on GMA-7 closes down. Anything strenuous will be verboten. For if life should ever flicker in her womb, Vilma will do as Sophia Loren did, nurse that first divine shudder of sperm and egg into a fetus. From there, she has to protect her womb with it’s unborn child like a fortress against the elements. Vilma’s is now the cry over the precipice for the Creator to render her pregnant through Ralph. It has been the cry of mothers and would-be mothers since time immemorial.

As a volcano wants to emit the first murmur of pregnancy, so does a mother. Vilma has had a son with Edu Manzano, her first husband, but life today would be almost meaningless without a child with Ralph. It was with her sick and bedridden son Lucky that I saw her for the first time at the Makati Medical emergency ward three or four years ago. She was Vilma with-out makeup, Vilma forlorn and seemingly all alone in this world, Vilma so suddenly vulnerable and helpless. I wanted to talk to her but didn’t. I felt this would be violating the temple of her loneliness, her desire to be alone with her stricken son. It was the first time I ever saw her in person. And so I wrote about that experience in my column titled

Vilma: Vamp or Virgin? The morning the column appeared, Vilma called me up from a shooting location, saying she liked the column very much. I told her later I was thrilled no end by her calling up, a thrill I never felt when talking with VIPs over the phone. And now, Vilma is bidding goodbye. She has not been fetishized like Nora Aunor, with whom she grew up in the movies and the entertainment world. But she stood her own, lasted and endured even as la Aunor long ago fell by the wayside. Vilma had the secret of perpetual wonder, exuberance and adolescence. Even with the passage of decades, she remained perfect for a Lux advertisement. She won a clutch of awards and acting honors. She could emote, she could laugh and cry, she could dance, she could entertain.

She was a good girl who could not be a vamp no matter how she sometimes tried in the movies. Most of all, she was a perfectionist. Once I asked Lea Salonga who she admired most in the world of entertainment. Among the names she mentioned in the US was Barbra Streisand. ‘I admire her a lot, she is a perfectionist,’ Lea said. When it came to the Philippines, Lea mentioned only two names if I recall, the first Vilma Santos. ‘She too is a perfectionist,’ Lea told me. This is the supreme accolade an internationally celebrated performer like Lea Salonga can confer on a fellow performer. What is more, never did the taint of lurid scandal smear Vilma’’s name. Bye Vilma, have your baby. Hope you have twins.

These writers said it all. Iba talaga si ate Vi. Talagang karapat-dapat na hangaan at bigyan ng respeto. Masuwerte sina Luis at Ryan dahil may ina sila na gaya ni Ate Vi. Masuwerte rin si Sen. Ralph dahil may asawa siyang gaya ni ate Vi. Masuwerte si Mama Santos (at maging si Papa Santos) dahil may anak silang gaya ni Ate Vi, sina Emelyn, Maritess, Winnie at Sonny dahil may kapatid silang gaya ni ate Vi. Masuwerte tayong mga Vilmanians dahil may hinahangaan taong gaya ni Ate Vi. Masuwerte ang buong Pilipinas dahil may isang Vilma Santos na nagbigay ningning sa pelikulang Pilipino. Sa mga kasamahan kong Vilmanians, let us strive to be good more than to be happy. After all, not everything that will make us happy is good, but everything that is good will make us happy. Ingatz po tayong lahat. – Eric Nadurata, V magazine Mother’s Day Issue No. 8 (READ MORE)

Eric Nadurata is based in Manila. He is the proud owner of the unofficial Vilma Santos Web-site.

Remembering Bella Flores

This slideshow requires JavaScript.

Hatred (poot) and Jealousy (inggit) – “…In the Joey Reyes short film, Bella gave her audience an idea of how she became a most hated screen villain. On the whole, the film was a funny but down-to-earth crash course on how to achieve immortality as a screen villain. The fool-proof ingredient, according to Bella, was to invest and perfect that art of hatred (poot) and jealousy (inggit) and make use of them to the hilt. Then she added another lesson on the fine art of slapping and hair-pulling and how to produce an equally important wicked laughter as she saw the object of her hatred expire from her equally malevolent stare. Declared Bella in her last film (Kontrabida 101) after dousing wine on the face of the poor waiter: “Bidas (heroines) they come and go. Pero kaming mga kontrabida, we never fade away.” There is a ring of truth in Reyes’s declaration: “There is one and only Bella Flores. She is indeed one of a kind.” Stage director Anton Juan can only agree: “Bella Flores, how many who tried to imitate your art in front of their own mirrors could approximate your wicked eyebrows, flaring nostrils, the sharp-lined lips that formed the word at the edge of gritting teeth, a voice that rasped deep through the breath of smoke. You created the Filipino archetype of the ‘kontrabida’ till your name itself was synonymous with villainy. Rest in peace, Ms. Bella Flores and flowers for you…” – Pablo A. Tariman, The Philippine Star, 20 May 2013 (READ MORE)

Roberta and Trudis – “…Contravida Queen Bella Flores was featured in “Showbiz Central’s” Most Influential segment as she plays a big part in GMA Films’ new movie with Rhian Ramos and Aljur Abrenica, “My Kontrabida Girl.” It’s also a tribute to Bella as she’s celebrating her 60th anniversary in showbiz. The screen name Bella Flores was given to her by the late Sampaguita Pictures’ boss Dr. Jose Perez. “I was so glad when I was told it means beautiful flowers,” she said. Her real name is Remedios Dancel and she was born on Feb. 27, 1936, which means she turned 76 yesterday, Monday (Feb 27/2012). She was only 15 when she did her first villain role maltreating child star Tessie Agana in the blockbuster “Roberta.” She recounted that Vilma Santos auditioned with her for her first movie, “Trudis Liit,” in 1963. “Natakot siya at tumakbo dahil nakita niyang pinahirapan ko ‘yung ibang batang nag-audition,” she said. “Ngayon, governor na siya. Sina Roderick Paulate at Gina Alajar, sa’kin din nagsimula as child stars sa ‘Kaibigan Kong Sto. Nino’…” – Mario Bautista, Malaya (READ MORE)

Female Eddie Garcia – “…There is nothing that I can ask for more,” sambit ni Bella. “I’ve played all kinds of roles. I played the madre roles. Meron akong mga action pictures…plus mga drama. “Even on television, all of my TV shows got the highest ratings. Honest to God! Katulad ngayon, itong Trudis Liit, nakadagdag na naman ako. Nakasama ako sa magandang ratings ng show. “I’m so proud and I’m so happy and so contented that after all those five decades, you know what I mean, I’m still standing up, not sitting down.” Marami nga ang naghahalintulad kay Bella bilang female counterpart ni Eddie Garcia sa patagalan sa showbiz industry. “They compare me always to Eddie Garcia when they interview me. It’s true that we have the most respected names in the world of showbiz. “Kapag sinabi mong Eddie Garcia, sold na lahat. Yari na ang lahat. Wala nang puwedeng ipalit. Ganoon din ang sinasabi nila sa akin,” aniya. Aminado naman si Bella na may mga pagkakataon din na hindi dumarating ang projects sa kanya….” – Paul Mata, PEP, 20 October 2010 (READ MORE)

Miss Bulaklak – “…Acting didn’t run in Bella’s family of eight brothers and seven sisters. Remedios Limson in real life (a mixture of Chinese, Spanish, and German bloods), Bella was a rice vendor on Blumentritt and Antipolo streets in Sta Cruz and eventually became “Miss Bulaklak of 1949” before she invaded the movies. She had her first taste of movies without the knowledge of her parents. “It was only when I arrived home with five stiches on the head I sustained from a freak accident during a shooting that they learned about it. My producer, the late Mommy Dolores H. Vera, took me home. So my parents couldn’t back out anymore!” Bella Flores started out in films as an extra in Ang Lumang Bahay Sa Gulod which was Premiere Productions’ first picture in color and starred Rogelio de la Rosa and Leila Morena. She transferred to Sampaguita Pictures where the late Dr. Jose R. Perez screen named her Bella Flores, which means “magandang bulaklak” in Pilipino. She was to be an extra again in Kilabot Sa Makiling but a sudden twist of fate landed her a longer role as the “other woman.” Bella’s biggest break came when she portrayed the stern and mean aunt to then child stars Tessie Agana and Boy Alano in Roberta, a tearjerker. The sob movie was a smash hit and literally revived Sampaguita Pictures, which was razed by fire in 1951. Bella was then signed up for 13 years and got P500 per picture with a P50 weekly allowance. On top of that, for every picture she made there after, she would be paid P3,000. “During those time, you could already buy a house and lot for only P10,000. Regular taxi fare was P10 and you could go back and forth to studio and home…Age is a state of mind. If you say you’re old, then you’ll look old. Me? I don’t believe I’m old because I always feel young!…” – Manny B. Fernandez, People Magazine, 05 February 1982 (READ MORE)

Bella Flores and Vilma Santos’ Films

  • Ikaw Ang Mahal Ko (1996) – ”…In 1996 Vilma Santos did “Ikaw Ang Mahal Ko” with the late FPJ. The film did not do well, both critically and commercially. This year also was a bad year for the local entertainment industry as Ishmael Bernal died on June 2nd. It was reported that he was scheduled to direct a film about the life story of Lola Rosa Henson, the comfort woman during the Japanese invasion of the Philippines. The project was also reportedly offered to Vilma Santos. From 1997 to 2009, Vilma Santos completed 6 full featured films, two were considered record breaking films and almost all gave her acting recognitions including two international best actress recognitions…” (READ MORE)
  • Pinay, American Style (1979) – “…The film was so forgettable that the critics didn’t even bother to write any reviews. The lack of enthusiasm on the part of the critics was compensated with the box office success of the film. Vilma fits the role as the illegal alien, PX. Her attempt to speak fluent English and pretend that she’s rich when she met the boyish looking Christopher was funny and poignant. She was given enough scenes to shine. One was when she was harassed by her landlady, she promised her the rent money the next day and when she’s gone, she opened her refrigerator and found a staled piece of bread. She took bottled water and ate the staled bread, went to the bedroom and found her mom’s letter. Lying down in bed, she started to break down. A quiet scene without dialogue. A contrast from the earlier scenes where she was talkative as she tried to impress Christopher and telling him she’s rich and from a well-known family. It was obvious in 1979, Elwood Perez wasn’t the kind of director you will expect to produce a serious output. He wasn’t a Bernal or Brocka. He’s a commercial director. It was a better effort though, compared to a much more convoluted Magkaribal or their past successful projects like Nakawin natin ang bawat sandali and masakit masarap ang umibig. In Pinay, Toto Belano’s script wasn’t efficient in ironing out the “love quadrangle” plot twists and establishing the characters of four actors. So the blame can’t be put to solely to Perez’ shoulder. There was a scene were Vilma Santos and Christopher were watching a concert which was obviously not part of the script…” (READ MORE)
  • Huwag hamakin! Hostess (1978) – “…Do you always succeed in packaging a movie? “Often, yes, But, alas, I have failures too.” For instance? “Well, some reasons for failure are due to wrong chemistry of the cast, to the vehicle (story) and/or unsuitability of both elements. Let’s take the movie, Huwag Hamakin: Hostess, which with solid actresses, a move that proved to be contrary to the image of La Aunor. It would have been all right, if Alma Moreno, Nora’s co-star, was paired with another bold actress. But that, we learned only later and too late! I was aware of Guy’s image. But I wasn’t aware that her image wouldn’t go well with the combination. Not even the controversy of including Vilma Santos in the cast helped. It only antagonized both camps of Nora-Vilma fans…” (READ MORE)
  • Big Ike’s Happening (1976) – “…Enrique “Big Ike” Lozada (August 13, 1940-March 8, 1995) was a Filipino comedian, actor and TV host. He was born on August 13, 1940 in Iloilo City. He started acting at the age of 11 on the movie Mga Bituin ng Kinabukasan with the younger Susan Roces. He died on March 10, 1995 in Manila, of heart attack. He was 54. His had lain at Manila Memorial Park in Parañaque City…” (READ MORE)
  • Ding Dong (1970) – “…Ding Dong, adapted into movie from comics written by Pablo S. Gomez; Illustrated by Alfredo P. Alcala for United Komiks, 1970…” (READ MORE)
  • Young Love (1970) – “…The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche. Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon…” (READ MORE)
  • Trudis liit (1963) – “Ang pelikula ni Ate Vi na Trudis Liit ay tandang tanda ng maraming Vilmanians. Nagdulot ito ng unang karangalan para kay Ate Vi at sa murang edad ng siyam. Sa mga Vilmanians ang maraming madramang eksena ni Vilma rito’y natanim sa ating alaala. Ang sabi nga ng isa sa ating Vilmanian na si Henry Llaneza, “the first movie I’ve seen in Black & White TV mula sa bintana ng kapitbahay ay ang “Trudis Liit” na napaiyak ang lahat ng nanonood dito nagsimula ang lahat…” ng kanyang pagiging isang Vilmanian. Katulad ni Henry, dito rin nagsimula ang aking paghanga sa star for all season. Galit na galit ako nuon kay Bella Flores dahil sa pang-aaping ginawa niya kay Trudis. Sa pagkapanalo ni Ate Vi ng FAMAS Best Child Actress sa pelikulang ito, sinundan pa ng Sampaguita Pictures ang tagumpay nito sa pamamagitan ng pelikulang Ging. Dito makikita ang malinaw na talento ni Ate Vi. Hindi lamang sa kanyang hindi pilit na pag-iyak kundi sa pagkanta rin. Dito rin sa pelikulang ito’y nakipagsabayan siya sa pagganap ni Olivia Cenizal at sa pang-aapi ni Carol Varga. Ang dekada ng sisenta ay patuloy na nagbigay ng maraming pelikula kay Ate Vi magmula sa pagiging isang batang artista hanggang sa isang teenager. Umabot ito sa unang karangalan niya bilang isang hindi na batang artista sa pamamagitan ng pagkanominado niya sa Best Supporting Actress muli sa FAMAS at ang kanyang pagkapanalo ng parehong titulo mula naman sa San Beda College…” (READ MORE)

Bella Flores (February 27, 1929 – May 19, 2013), was a FAMAS award-winning Filipino film actress. She was best known for her “iconic” portrayals of film villains. Flores was born in Manila. She was a college sophomore at the Far Eastern University when she appeared in her first film, Tatlong Balaraw (1950), at age 14. Flores was signed by Sampaguita Pictures. She was cast in Roberta as the cruel stepmother of Tessie Agana’s titular character, despite being 15 years old. The film was a box-office success, credited with saving Sampaguita Pictures from bankruptcy after a fire had destroyed its studio. The film’s success also elevated Flores into the upper tier of stars, and typecast her in villainous roles. The film critic Nestor Torre remarked that Flores had “been making life miserable for many generations of hapless stars—all the way back to little Tessie Agana and Boy Alano in ‘Roberta’ in the early 1950s, to her fresh batch of victims in the New Millennium… doing it without skipping a beat—and without aging (much) to boot.” She received the 1967 FAMAS Best Supporting Actress award for her role in Ang Kaibigan Kong Santo Niño. Flores died on May 19, 2013, in Quezon City General Hospital. Her death was a result due to complications from a recent hip surgery. – Wikipedia (READ MORE)

Related Reading:

The Men behind Vilma’s films

MEMORABILIA - Eddie Rodriguez

01. He played Vilma’s disabled father in Burlesk Queen, other films with Ate Vi were Biktima and Vivian Volta.

02. His father played Ka Dencio in Sister Stella L. But he, himself did a number of unforgettable films with Ate Vi mostly in the 70s, films like The Sensations, Young lovers, Kampanerang Kuba, Biktima.

03. She called Ate Vi “precious” and made films with her in the 70s, films like Dingdong, Teenage Senorita, Aloha My Love, Don’t Ever Say Goodbye, Sweet Sweet Vilma, Tsismosang Tindera, Dyesebel, Darna and the Giants, Biktima, Tok Tok Palatok.

04. Not your typical mestizo type matinee idol, he was one of Ate Vi’s regular screenmates in many musicals in the 70s like Love letters, My Pledge of Love, From the Bottom of My Heart, I love You honey, May Hangganan ang Pag-ibig, Renee Rose, The Sensation, Angelica, Young Lovers, Dalagang Nayon.

05. He played Ferdinand Marcos while Ate Vi was Imee in Pinagbukold Ng Langit.

06. This matinee idol won grand slam best supporting actor for playing Ate Vi’s son in Dekada 70.

07. He’s a famous PBA player in the 80s and was one of Ate Vi’s leading man in Tagos Ng Dugo.

08. Prior to becoming the cheater husband in Ina Ka Ng Anak Mo, he did 2 musicals with Ate Vi (Young Love and Sixteen) and later on a dramatic film directed by Luis Enriquez, Ex-Wife.

09. He made history playing a quiet writer who happens to be homosexual in Palipat-lipat, Papalit-palit then later became her leading man in Miss X.

10. He was rumoured to have an affair with Snooky Serna and Nora Aunor, he co-starred with Ate Vi in a smash hit musical, “Good Morning Sunshine.”

11. This trio did three box office hits with Ate Vi (“Swing it Baby,” “Doctor, Doctor I am sick,” “Rock Baby Rock”) and just like Ate Vi, one of them now a serious politician.

12. One of Ate Vi’s serious relationship after her break up with Edgar Mortiz was with this man, now the ex-talent manager/agent of Regine Velasquez, they only did one film, the forgettable but a box office hit, “Lets Do The Salsa” (He appeared briefly in Darna VS The Planet Women in a memorable dance scene).

13. He’s a the regular leading man of Amalia Fuentez but also did unforgettable films with Ate Vi like Mga Reynang Walang Trono, Asawa ko Huwag Mong Agawin, Bulaklak at Paruparo, and Promo Girl.

14. Although not directly link to Vilma, he was known to have a crush on her. He eventually was paired with other teen star. Despite this, he did a number of films with Ate Vi. Films like Vilma & the Beep Beep Minica, Dyesebel at ang Mahiwagang Kabibe and Kamay na Gumagapang.

15. Prior to his teaming up with Ate Vi’s rival, he was originally paired with Ate Vi in the 70s. They did Young Love, Nobody’s Child, Dingdong, Pinagbuklod ng pag-ibig and Give me Your Love.

16. One of the sex symbol of the 70s. He was a regular leading man of Ate Vi. Some of their memorable films together were: Lipad Darna Lipad, Hindi Nakakahiya, Amorseko Kumakabit, Kumakapit, Takbo Vilma Dali, Hatinggabi na, Vilma.

17. Known as character actor, this man did several films with Ate Vi in the 70s, films like Vilma & the Beep Beep Minica, Phantom Lady, Ibong Lukaret, Tatlong Mukha ni Rosa Vilma, Anak ng Aswang, Wonder Vi and Vilma Veinte Nueve.

18. Famous for his song Kamusta Ka, he jumped into films costarring with Ate Vi in Never Ever Say Goodbye.

19. Aside from his numerous hits like Balatkayo, he confirmed his sex symbol status by making a number of movies, one of them was the movie with Ate Vi, 1981’s Pakawalan Mo Ako where Ate Vi won a Famas Best Actress.

20. He is Louie in one of Viva’s explosive film in the 80s. This actor became one of Ate Vi’s most reliable leading man. He gave us unforgettable performances in Langis at Tubig, Hiwalay, Gaano Kadalas ang Minsan, Alias Baby tsina, Muling Buksan ang Puso, Kampanerang Kuba, and T-Bird at Ako.

21. Palimos Ng Pag-Ibig and Romansa were the only films Ate Vi did with this actor.

22. Almost as famous with his “over-emphasized” delivery of lines, this actor did a number of films with Ate Vi. Films like: Karma, T-Bird at Ako, Imortal, Relax ka Lang Sagot Kita, Biktima.

23. They did this mild hit in 1980 way before he married his now ex-wife (an international beauty queen). This ex-action star is now a politician.

24. He was “Enpoy” before becoming Ding, the only child actor and second male (next to the late Dolphy, Chiquito wore a supposed to be a Darna costume in Teribol Dobol but this should not be counted because he did not look as close to Darna) to wear the “Darna” costume in the 1980s.

25. Before he was linked to Marianne Dela Riva, he did this wonderful film with Ate Vi, Halik sa Paa Halik sa Kamay and later did a cameo role in Palimos ng Pag-ibig.

Answers: 01. Leopoldo Salcedo, 02. Tony Santos Jr., 03. Ike Lozada, 04. Romy Mallari, 05. Luis Gonzales, 06. Piolo Pascual, 07. Francis Arnais, 08. Raul Aragon, 09. Mark Gil, 10. Lyod Samartino, 11. Tito, Vic and Joey, 12. Ronnie Henares, 13. Eddie Gutierrez, 14. Romeo Miranda, 15. Tirso Cruz III, 16. Ernie Garcia, 17. Nick Romano, 18. Nonoy Zuniga, 19. Anthonoy Castelo, 20. Dindo Fernando, 21. Edu Manzano, 22. Tommy Abuel, 23. Lito Lapid, 24. Nino Muhllach, 25. Ronald Corveau – V Magazine, No. 3 (READ MORE)