Author Archives: @ffv

Follow in her footsteps

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Although she’s still very much in demand and still on top, Vilma Santos’ supposed to be “heir to the throne” is still nowhere in sight.  Some says her throne  has been filled several times, but whoever came, faded – fast and furious. They had a taste of fame but like a flashing meteor, they fade. Some remain active but still pale in comparison to the longevity and popularity of the Star for All Seasons. They follow her footsteps, patterned their career decisions to hers.  They become popular but some gradually retired.  Those remained are the lucky ones…who learned from her experiences and  followed her footsteps…

Victoria Lorna Aluquin, better known as Lorna Tolentino, sometimes known as L.T., an abbreviation of her screen name (born December 23, 1961), is a Filipina actress, host, executive producer and widow of actor Rudy Fernandez. Together, they bore two sons named Ralph and Renz. – Wikipedia (READ MORE)

Like Vilma Santos, Lorna started her stellar career as child star. She gradually transformed her image from sweet innocent teens into a mature versatile actress. Like Rio Locsin and Alma Moreno, Lorna started doing minor roles in earlier Vilma Santos films. Most notably, “Batya’t palu-palo” together with another up and coming actor, the young Philip Salvador. She eventually became as famous as Vilma with hit films like “Dulce Amor,” “Moral,” “Luksong Tinik,” “Abakada Ina” and her most controversial off-beat role, Brocka’s “Maging Aking Ka Lamang.” She even wore the “Darna” customes on small screen. With a series of dramatic roles, she always end up empty handed with award nighs as both Vilma and Nora were playing tug-of-war, during their hey days. When the Vi and Guy rivalry slow-down, she was able to succeed, receiving several trophies and even recorded a grand slam best actress win like Vilma. Lorna and Vilma finally did a movie where both played lead roles, in Eddie Garcia’s record breaking, “Sinasamba Kita.” The two remained friends through the years. Lorna even guested several times on Vi’s television show in the ’90s.

Alma “Ness” Moreno (born Vanessa Moreno Lacsamana born on May 25, 1959) is a Filipina actress politician who has made her mark both as a popular movie and television personality. She was born in Cervantes, Ilocos Sur to Frank Lacsamana, from Pampanga, and Jean Moreno. – Wikipedia (READ MORE)

Like Lorna, Alma played bit roles in a Vilma Santos starrer, Tag-ulan sa Tag-araw. Unlike Lorna whose acting talent was evident early on even as a child star, Alma lacks the intensity. She eventually realized she needed to accept more daring roles to survive in this business, accepting roles that required her to disrobe She almost surpassed the commercial success of Vilma with starring roles in smash hits like “Mrs Eva Fonda 16,” “Bomga Star,” “Bitayin si Baby Ama,” “Nympha,” and “City After Dark.” Alma’s stiff competition during the height of her career was Lorna Tolentino and later on, a more daring star, Rio Locsin. Rio and Lorna also had a competition goin’ on when they did a much publicized film, “Step-sisters.” Meanwhile, Alma and Lorna’s competition reached its pinacle when they did Bernal’s ‘City After Dark.” Their subdued comfrontation scene in a narrow street while rain was pourin heavily was one of the most memorable scene in the film. Alma held herself, acting wise. This is not the only time that the two were connected, in real life, they share the love of one man, the late Rudy Fernandez. Alma was Rudy’s live in partner in the 70s to the half of 80s while Lorna became Rudy’s wife in the later part of 80s until his untimely death. Both actresses have children with the late action star. If Lorna portrayed Darna like Vilma while Alma portrayed Dyesebel like Vilma. Alma and Vilma did one film during the height of Alma’s career, Elwood Perez’s hit film, “Magkaribal.” Like Lorna, she also guested a few times in Vi’s television show despite the fact she also compete with Vi with her own musical variety show, Lovely Ness. It was reported in tabloid during Dolphy’s funeral, that the two tried to avoid each other (by the way, Dolphy was Alma’s ex) for some unclear reasons, some think it was politically motivated as both are now politicians.

Sharon Cuneta-Pangilinan, better known as Sharon Cuneta, is a multi-awarded Filipino singer, actress and TV host dubbed the Megastar of Philippine Entertainment, and fondly called “Mega” by fans and people from the entertainment industry. Her success in the movies (53 starring roles), television (10 shows) and recording (40 albums) make her possibly the greatest Filipino entertainer of all time. Her popularity has translated well into the field of advertising, where she is the highest paid and most effective Filipino celebrity endorser. Cuneta’s long list of endoresements run the gamut from fastfood chain to bank, from make-up line to electronics, from ice cream to tele-communication company. On November 22, 2011, following months of speculations, Sharon’s big move to TV5 was made official by signing a staggering 1 Billion contract with the Kapatid Network – the highest ever paid to a Filipino artist. She parted ways with ABS-CBN, her home network of 24 years, on a cordial note. Her daily afternoon talk show Sharon: Kasama Mo, Kapatid premiered on May 14, 2012 and has been hailed as an engaging program that aims to entertain and to inspire. The show provides the perfect platform for Sharon to be in touch with her audience, reaffirming her stature as a well-loved icon who is now more accessible to fans and viewers alike…” – Wikipedia (READ MORE)

Like Alma and Lorna, Sharon Cuneta became part of Vilma Santos movie in their earlier showbiz career. This time, Sharon sings the theme song of a Vilma Santos starrer, “Langis at Tubig.” Self-confessed Vilmanian, she mentioned that she used to gawked at her idol whenever given a chance since they used to both live in a same closely gated subpision. As Sharon established herself as a huge star herself, the similarities in their career path were quite significant. Both became a singer, although Vi adminitedlly said singing wasn’t her forte, Vi recorded a string of hit albums. Both Vi and Sharon recorded their earlier albums titled “Sixteen.” Both became a bankable contract stars of Viva Films producing such record breaking films like “Bukas Luluhud Ang Mga Tala,” “Sa Hirap at Ginhawa,” and “Sana’y Wala Ng Wakas” for Sharon and “Sinasamba Kita,” “Gaano Kadalas Ang Minsan” and “Saan Nagtatago Ang Pag-ibig” for Vilma to name a few. During the 1990s, both became successful star on the small screen, Vi with her award winning show, “Vilma!” for GMA 7 and Sharon’s equally hit show, “TSCS” (The Sharon Cuneta Show) for ABS CBN Channel 2. In their long filmography, both became Darna, the Filipino flying-comic supershero and also did hit films with the late, Fernando Poe Jr. Sharon was quoted on several articles that she dreaming of one day doing a film with her idol, in an article written by Rose Garcia for PEP on May 14th 2009 she said: “…Bago pa man ang Sharon-Ai-Ai movie, matagal nang pinaplano ang pelikulang pagsasamahan sana ng Megastar at ng Star For All Seasons na si Gov. Vilma Santos. But how does she feel na mas nauna pa ang movie nila ni Ai-Ai sa movie nila ni Ate Vi? “Ay, naku, ‘yan naman talaga ang dream ko!” sambit ni Sharon. “I think, all actors, all actresses, we all have dreams, e, as to who we wanna work with. And I think, it’s a common knowledge na Vilmanian ako and I was never treated in a bad way palagi. And I think, I learn a lot from her on how to be a good idol at yung pakikisama sa tao at pag-appreciate. “I think, one of my ultimate dreams is to always work with Tito Dolphy. Isa sa dream ko, natupad na. Nakasama ko na si Ai and I always told her, before pa. Yung sa amin ni Ate Vi, probably will be a drama and by next year,” balita ni Sharon…”

Maricel Soriano (born Maria Cecilia Dador Soriano on February 25, 1965), known as the Diamond Star is a critically acclaimed Filipina film and television actress. She has starred in many films covering different genres including comedy, fantasy (Inday series), horror, suspense, action, romance and drama. She has appeared in hundreds of films and has scored a number of blockbuster hits. As well as acting, Soriano is also a singer and has recorded several songs including the theme song of her movie Oh My Mama in 1981. In 1987, she performed a sold out concert at the Araneta Coliseum titled “Hello, Hello Maricel.” – Wikipedia, 23 Jul 2009 (READ MORE)

When Sharon entered the scene, she find a stiff competition from the rival of her film studio Viva, Regal’s contract star, Maricel Soriano. Soriano like Vilma started as a child star and became a confident actress, tackling mature roles that her contemporary including Sharon didn’t dare to tackle. Like, Vi, she dared the public to accept her in such memorable films like “Hinugot sa Langit” and “Pinulot Ka Lang sa Lupa” where she played an abortionist and “bida-contrabida” sociallite. A similar career milestone movies patterned with Vi’s “Burlesk Queen” and “Sinasamba Kita.” The two finally did a film in the mid 1980’s in Regal’s commercial film, “Yesterday, Today and Tommorow.” Unlike Sharon who became known first as a singer, Maricel, like Vi were known for her dancing abilities. She did this in her own musical variety show, titled “Maricel Live!” and later in “Maria! Maria!” where she competed for TV ratings with Vi (and Sharon) during the 1990s (Like Vi, she also did TV drama anthology). During this time, Maricel became entangled with the controversial transfer of Vi’s TV co-host, Roderick Paulate to Maricel’s show. But in due time, all were forgotten and the three remained friends to this date. This is not the only time that Vi became part of Maricel’s personal relationships, Vi’s ex, Edu Manzano also became Maricel’s husband for awhile. Both Maricel and Edu, at one point, thought their relationship will last forever. But the two separated after a few years of bliss. Now, in her senior years, Maricel attempted several comeback after years of semi-retirement. Like, Sharon, Maricel confessed her respect and admiration for Vi in several movie articles. And after several year of semi-retirement, she is now reportedly starting some projects for ABS-CBN and also have some film projects lined up.

Claudine Margaret Castelo Barretto-Santiago (born July 20, 1979), popularly known as Claudine Barretto, is an entrepreneur, product endorser, film and television actress from the Philippines. – Wikipedia (READ MORE)

“…The premiere actress admitted that she has her own acting idols. She named the likes of Meryll Streep, Lolita Rodriguez, Nora Aunor, and Gina Alajar. Gov. Vilma also commended Claudine for her versatility as an actress. “Claudine is a very flexible actress. Pwede siyang gumanap na kaaawaan mo siya. Pwede ring sexy and very believable. In any roles na ginagawa mo ibinibigay mo lahat and you’re very believable. Kaya mo lahat gawin, believe me. Drama, sexy, action, comedy, you can do it. For that I commend you.” For Claudine’s exceptional talent, the Gov. Vi said she will not be surprised if Claudine becomes the next Star for All Seasons. “When we did Anak, sa mga promo for the movie, tinanong ako kung nakikita ko ba si Claudine na pwedeng maging next Vilma Santos, ang sagot ko, ‘Of course!’ You have a long way to go,” said Vilma to Claudine who became teary-eyed because of the compliment…” – Push, 14 Jul 2009 (READ MORE)

“…Ang sarap ng pakiramdam sobra, pero bilang isang Vilmanian ayokong may pumalit o sumunod sa yapak ni Ate Vi. There will never be another Vilma Santos. Nag-iisa lang siya. Ako mismo ayokong may magsabi na papalitan o ito ang susunod sa yapak ni Ate Vi unless anak niya parang ganun. Yun yung feeling ko bilang Vilmanian but I’m very honored na of course galing siyempre kay Ate Vi Star for All Seasons yun.” Claudine also said that she respects Ate Vi so much that the latter’s approval is like an award In itself. She said that she promised the Batangas governor that she’ll be the best Claudine Barretto that she can ever be and not a “replacement” for her. “Siya ang pinakamarami nang napanalunang award na grand slam, Hall of Fame award etc. ‘Pag galing kay Ate Vi na sobrang respetado sa industriya at pulitiko, grabe yung honor at privilege na napansin niya yun yung talent mo, para akong nag-grand slam sa sinabi ni Ate Vi,” Claudine shared…” – Push, 23 Jul 2009 (READ MORE)

Among the junior actresses that followed Sharon and Maricel, Claudine and Judy Anny were the most successful in terms of sustaining their popularity. Although Claudine’s career in now on its downward phase, she remained one of the most talented and was praised by Vi herself for being one of those versatile. Claudine, like Vi, started her career as a teen star with an on and off screen love partner, the late Rico Yan. Rico and Claudine was one rumoured to be engaged but his sudden death ruined this wishful dream for their die-hard fans. Prior to her teen transitions, Claudine was a regular cast in Dolphy’s TV sitcom, “Home Along da Riles.” After Yan’s death, Claudine became a serious contender for acting supremacy with several drama tele-series competing with her stiff rival Judy Ann and several drama films. She won acting recognitions with her performance in 2004’s “Milan” (where she competed for acting awards with her rival Judy Ann Santos and with veterans, Vi and Nora) and 2005’s “Dubai” and “Nasaan Ka Man” where she received several trophies and nominations. She also became a certified box office star with films, “Sukob” with Kris Aquino in 2006 and her sole movie with Vi, the blockbuster, “Anak” in 2000.

Judy Ann Santos (born Judy Anne Lumagui Santos-Agoncillo; May 11, 1978) is a Filipino film and television actress, product endorser, recording artist, and film producer. She began as a child actress and made her professional television debut in Kaming Mga Ulila (1986) before her screen debut in the film Silang Mga Sisiw Sa Lansangan (1988) where she appeared as part of the ensemble playing a supporting role. Her first leading role in a television series was in Ula, Ang Batang Gubat (1988), but she received media recognition in her breakthrough television series Mara Clara (1992). She has since spawned highly rated television series, amongst these are Esperanza (1996), Basta’t Kasama Kita (2003), Sa Piling Mo (2006) and Ysabella (2007). Santos starred in commercially successful films in the early 1990s following motion picture adaptations of Mara Clara (1996) and Esperanza (1999). She further achieved television and film success with pairings opposite Wowie de Guzman, Rico Yan and Piolo Pascual. Santos’ performance in the film Sabel (2004) received critical acclaim and earned her the Gawad Urian for Best Actress. – Wikipedia (READ MORE)

Claudine’s rival, Judy Ann also started as a child actress and a regular cast in several teleserye. Like Claudine she also transitioned into a teen star with her successful partner, Wowee de Guzman and later on, Piolo Pascual. Her rumoured real life relationship with Pascual was one of the most publicly dessiminated relationships in the local scene that did not resulted in happy endings, she ended up marrying a newcomer during that time, the more serious with intention to settle, Ryan Agocillio. Judy Ann with the guidance of Vilma’s former supporter Alfie Lorenzo, maintained her popularity compared to Claudine. She successfully turned her successful princess of teleserye career into a full-pledge serious actress with projects like “Magkapatid” (with Sharon Cuneta), and her more serious films “Sabel” and “Ploning.” Although many articles came that she prepared to work with Vi’s rival Nora, she recently clariffied this wasn’t the case, that she prepared to work with both.

Sarah Geronimo Sarah Asher Tua Geronimo, popularly known as Sarah Geronimo or Sarah G. is a Filipino recording artist and actress. Born and raised in Sampaloc, Manila she joined various singing and talent competitions with her father, Delfin Geronimo, as her trainer. In addition, she also joined the cast of now defunct ABS-CBN TV show, Ang TV. However, she rose to fame only after having won the Star for a Night singing competition in 2003. – Wikipedia (READ MORE)

Like Sharon, Sarah Geronimo’s career is similar to Vi’s rival Nora. Both became a singing contest winner. But because of her venturing into television musical variety hosting, her supporter wanted her to follow Vi’s television experience with Sarah venturing into more production numbers. Sarah’s recent success were her film projects opposite John Lyod Cruz, her recording albums and endorsements. She mentioned in several articles that it would be a dream come true to be cast in a Vilma Santos movie. She recorded the theme song of Vi’s 2009 film’s “In My Life.”

Kim Chiu (born Kimberly Sue Yap Chiu/Zhang Jinzhu; April 19, 1990), is a Filipina actress. She lived in Cebu City before she went to Manila for Pinoy Big Brother. Chiu was the first winner of Pinoy Big Brother: Teen Edition and is currently part of ABS-CBN’s Star Magic contract artists. She also having launched her only album entitled ‘Gwa Ai Di’ which means “I Love you” in Minnan dialect. Kim Chiu sometimes speak Hokkien at home back in Philippines. – Wikipedia (READ MORE)

Among the new crop of stars, Sarah’s closes rival would be Kim Chiu. Like Sarah, Kim was a product of reality show. Kim won the pinoy big brother show. She capitalized her popularity venturing into singing and also doing teleserye that Judy Ann and Claudine used to do. Kim’s first encouter with Vi was in television special where she was able to impressed Vi with her intepretation of Vi’s film role, Dolzura Cortez. After this Vi requested her to be cast in this year’s smash hit, “The Healing.” Like her predecessors, Kim also ventured in love team path, first with on and off screen love, Gerald Anderson and lately Xiam Lim. Anderson was once linked to Kim’s contemporary, Sarah Geronimo. It would be a good project if the three reprised the film, “Ikaw Ay Akin,” the Vi-Christopher de Leon-Nora Aunor film. Kim’s recent success is in small screen, co-starring with Maja Salvador in highly rating tele-serye, “Ina Kapatid Anak.”

Maja Ross Andres Salvador (born October 5, 1988) is a Filipina actress, dancer, model, and producer producer who is one of the latest in line of the showbiz clan of the Salvador family. She is currently under the management of ABS-CBN, and a member of Star Magic. – Wikipedia (READ MORE)

Maja Salvador, Kim’s co-star in TV’s “Ina Kapatid Anak” was onced Vi’s protege, she co-starred with Vi in 2006’s highly anticipated drama episode of “Maalaala Mo Kaya” titled “Regalo.” Her performance in this episode was highly praised and crtics even predicted that she is the one to watch. An article came that she was supposed to reprised Vi’s Burlesk Queen role but she clarified that she was too young to do a mature role. Prior to Ina Kapatid Anak, her recent success was her indie film, “Thelma” where she won a best actress trophy from the critic’s group, Gawad Urian.

Angel Locsin (born Angelica Colmenares; April 23, 1985) is a Filipina television and film actress, commercial model, film producer and fashion designer. She starred in the fantasy-themed television series Mulawin in 2004. Soon after, she starred as the superheroine Darna in the TV adaptation of the Mars Ravelo comics. When her contract expired on March 2007, Locsin did not renew her contract with GMA Network and signed an exclusive contract with ABS-CBN. Her first project under ABS-CBN was the television series Lobo. Locsin starred in her first box office movie under Star Cinema, Love Me Again, directed by Rory Quintos. In 2012, she starred in the film ÜnOfficially Yours which became her highest grossing film to date. – Wikipedia (READ MORE)

Angel’s recent project was the filmfest entry, “One More Try” where she played a mother of a sick boy reminiscent of Vi’s “Gaano Kadalas Ang Minsan.” The two first film together was in 2004’s Regal Film “Mano Po 3: My Love.” Prior to this, Angel was one of the two actress who recently wore the Darna customes (the other one was Marian Rivera), as you’ll probably known, Vi was one of the most successful Darna in the history of this franchise. Although Angel remained popular, she lacks a clear rival that other stars has, this maybe to her advantage. Recent articles mentioned that there are plans for a second film for Vi and Angel. Writer Ethel Ramos in her colum for Malaya on July 30, Jul 2012 said: “Two Darnas to join forces…Speaking of Angel, there are talks that she might finally co-star with “Star for All Seasons” Vilma Santos, in a movie. Probably next year, right after the 2013 elections. Ate Vi (as we in showbiz fondly call her), as we all know, is running for a third term as Batangas Governor. By the time she and Angel shoot their movie, she would have won the office anew. The Ate Vi-Angel movie, we also heard, will be Star Cinema’s 20th anniversary offering next year…By the way, come to think of it, Ate Vi, like Angel, has once appeared in a “Darna” movie….”

Snooky Serna (born Maria Milagros Sumayao Serna on April 4, 1966) is a Filipina film and television actress…Being the daughter of actors Von Serna and Mila Ocampo, she started acting early in life via her 1970 landmark debut Wanted: Perfect Mother, where she immediately captured the hearts of Filipino audience as a cute, sweet and smart-talking four-year old. That same year she earned her first acting nomination from FAMAS Awards as Best Child Performer for the film My Little Angel. Trained by acclaimed director and National Artist, Lino Brocka, Snooky showed promise as dramatic actress and later proved to be a fine one. In 1972, she won her first FAMAS Award as Best Child Actress for the film ‘Sana Mahalin Mo Ako’. As a mature actress, she tackled roles which earned acting nominations from various award giving bodies. She was also in Kapag Napagod Ang Puso with Christopher de Leon and Inagaw Mo Ang Lahat Sa Akin (Harvest Home – official Philippine entry to the 1995 Oscars) but unfortunately was snubbed during awards night. Her other major films include Aabot Hanggang Sukdulan, Yesterday, Today and Tomorrow, Hahamakin ang Lahat with Vilma Santos, the fantasy films Blusang Itim, Rosa Mistica, and Madonna: Ang Babaing Ahas. It was with Koronang Itim, that she finally won Best Lead Actress trophy. She has starred in over (80) films from 1970 to 2004…As a mature actress, she tackled roles which earned acting nominations from various award giving bodies. She was also in Kapag Napagod Ang Puso with Christopher de Leon and Inagaw Mo Ang Lahat Sa Akin (Harvest Home – official Philippine entry to the 1995 Oscars) but unfortunately was snubbed during awards night. Her other major films include Aabot Hanggang Sukdulan, Yesterday, Today and Tomorrow, Hahamakin ang Lahat with Vilma Santos, the fantasy films Blusang Itim, Rosa Mistica, and Madonna: Ang Babaing Ahas. It was with Koronang Itim, that she finally won Best Lead Actress trophy. She has starred in over (80) films from 1970 to 2004. – Wikipedia, 23 Jul 2009 (READ MORE)

Snook Serna and Vilma Santos first film together was the 1971 musical, “The Wonderful World of Music” where they co-starred with Tony Ferrer and Boots Anson Roa, Snooky was still a child star and Vi was in a teenage love team with reel and real life sweetheart, Edgar Mortiz. Both actresses started as a child star, Vilma in Trudis Liit in 1963, where she won a FAMAS best child actress while Snooky did seven film in her debut year in 1970 and won a FAMAS best child actress for My Little Angel. Both actress’ route to fame were similar, taking mature roles, started with Vilma in Burlesk Queen (1977) and Snooky in Bata Pa Si Sabel (1981). The two did three more films, in 1986 with the box office hit, “Yesterday, Today & Tomorrow” with Maricel Soriano; in 1988, Vilma appeared in a minor role in the forgettable film, “Bukas Sisikat Din Ang Araw,” with Gabby Concepcion; and finally in 1990 with Lino Brocka’s “Hahamakin Ang Lahat (All Be Damned).” Working with her former mentor, Brocka’s “Hahamakin…” earned both Vilma and Snooky several acting nominations but it was Snooky who was lucky enough to received a PMPC Star Award for supporting actress. Like Vilma, Snooky did television projects, she did a drama anthology for ABS-CBN in 1989 and several guest drama appearances after but her most successful stints was in 1987-88 where she tried to host a musical variety show titled, “Always, Snooky.” She earned two PMPC Star Awards nomination for TV Best Musical Variety Show Host but twice loss to Vilma.

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Discography: SIXTEEN (1970) Vilma Santos “Sixteen” Interview

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What does Vilma Santos think of Vilma Santos now? At Sixteen, I guess is far cry from the Vilma Santos I’ve known eight years ago. I remember I was very childish and too carefree then, pretty naïve to what life would seem to offer and…oh yes, physically, I was skinny. But now, in such a little period of time, I’ve learned so many things about life really is, the differences between winning and losing…the many faces of happiness and success and yes, from a skinny girl…uh, what d’ya know, I fully bloomed into…ugh, would you believe fastest weight gainer! Gee whiz, it makes me feel sick everyday. I wonder how I will look come eight years more and the next to come. But one thing is sure, by that time I’m already a full-grown woman.

Do you have many friends? What king people do you choose for friends? I have lots of friends. But real friends, I doubt if there are many. I admire persons who know how to mingle with anybody and everybody. I despise the opportunist and the unkind.

At present, do you think people you meet are interested in you only as Vilma Santos, the movie star? Nope and…well, yes. There are some. I just don’t know the others.

Does acting come easy for you? Well, for me it’s only a matter of little concentration. I study the part I play and try to feel it in more realistic way. Emotion easily gets me you know, especially when I’m already in front of the camera.

How do you evaluate yourself as an actress? As a singer? I can act, yes but I don’t consider myself a very good actress yet. I guess, I have to learn more, especially in dealing with everybody, with people who support me and work with me and most especially I still have to learn how to accept criticism open-mindedly, gratefully and patiently in which some of the blasts you’ll deserve, many you won’t. And as a singer, gosh…I feel a funny thing inside everytime na naiisip kong I was not a born singer. But everytime I hear my records play, I couldn’t help but kid myself, that I was made after all.

What kind of reaction did you have when your first recording became a hit? Ofcourse I was very very very happy…overwhelmed with joy, for somehow, I didn’t fail my producer William Leary, and the great song writer, Dannie Subido.

Did you feel pressure in preparing your LP album, Sixteen? I’ve felt pressure ever since I began to work in show business. Let’s just say, I was a little nervous.

Is it true that after you were given five complimentary copies of your first LP album, you immediately gave them to five special people closest to your heart, and the two of them were Jay Ilagan and Edgar Mortiz? Yes, but it didn’t mean anything on my part. It’s just a sort of a token of friendship. Just like when they also gave me a copy of their first record.

Is it true that one of your favorite songs which is entitled “Dry Your Eyes” reminds you of Jay Ilagan? Why? Well, its not exactly that way. I mean, kayak o lang nasabi youn kasi… kuwan, ;yon bang…tsk. Kasi kuwa, e ah it reminds me of Jay, because I was deeply touched sa mga write-ups na nababasa ko tungkol sa kanya – na gusto raw niya akong maging ka-love team. But it seems, as he himself said before, were not meant for each other even in real life that’s why I couldn’t help but dedicate the lyrics fo that song to him which goes like this…”Look around, never try to run, for the things to come could be your chance. You’re still young to suffer and to cry, don’t you deny, for I know your part and don’t be afraid to be alone.” And that’s it.

Is it also true that Jay and Edgar are two of your most ardent suitors in real life? Hmmm….yes….

Between Edgar and Jay, who of the two do you think has the greater chance of winning your heart? I haven’t thought about it yet. And besides, I enjoy life as it is now – – being free from love worries. Just wait na lang till I have enough time to study the matter closely, huh?

Speaking of Jay, how did you feel when you were separated as loveteam in Bata-Batuta? I felt sad, not because si Edgar ang ipinalit sa kanya. It was not Edgar’s fault, nor Jay’s or mine. But I was happy, too not because nagkahiwalay kami ni Jay. Tsk…you see, it’s hard to explain eh! Some people might misunderstand me, so let’s better not talk about it anymore, okay?

But do you also dream of working with Jay someday? Yes, why not? Kung may alok, that is. I think Jay is a very nice guy to work with and I’ll look forward to make picture with him in the near future.

Why is it that Edgar reportedly always gets jealous everytime you talk with other boys? I don’t know that! All I know is that I’m free to talk with anybody, and I guess, I have all the freedom to do so.

What qualities of Edgar do you find most attractive? Ditto with Jay Ilagan? They are different personalities. And qualities too. But I like them both, as friends, that is.

Lastly, at what age do you want to go steady with somebody? After my 18th birthday. But it all depends upon the situation, you know. Maybe this year, maybe next year…or maybe never.  END.  –  Published in V Magazine 2006, courtesy of Alan Trambulo.

Gina Alajar and Vilma Santos

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The Truth – “…When you are young, malakas ang loob mong maghiwalay because it marks new beginning in your life. There are options to take and it was easy to let go. I tried to save my marriage and worked hard for it, and every time we’re back into each other arms, I felt God heard my prayers,” she reveals…Gina hopes to regain her self-esteem and self-respect with the decision she made. “I finally accepted the truth that the situation is real. I used to entertain false hopes. Not anymore, I feel totally free…” – Remy M. Umerez, Philippine Daily Inquirer, Jan 1, 2002 (READ MORE)

The Roles – “…Yes, I am aware that theater-owners have a say on the kind of movies they would exhibit in their theaters and they usually have suggestions on the stars producers should hire to recoup their investments,” she had said. . “But you can’t argue against formula movies. They make money for the producers and they are good business for theater exhibitors. However, I need not figure in those formula movies although I find myself in some of those predictable projects. But making movies is also about good craftsmanship, it is also about the fine art of acting and not always primarily about making oodles of money. In most of my movies, I sometimes sacrifice the fees I deserve to be identified with film projects you believe in.”…She garnered two trophies as a child star: one for Ang Kaibigan Kong Sto. Nińo (FAMAS) and Wanted: Perfect Mother (CMMA). She bagged three Best Actress awards from Urian (Brutal, Salome, Kapit sa Patalim) and one each from CMMA (Andrea) and Metro Manila Film Festival (Shake, Rattle and Roll). The last came from the Film Academy of the Philippines (Kaya Kong Abutin ang Langit) and one each from Urian, CMMA and FAMAS (all for Biktima). She was the struggling singer Kathy in Moral, the guilt-ridden Cynthia in Brutal by Marilou Diaz Abaya or the unforgettable child-woman in Salome directed by Laurice Guillen. Lino Brocka farther honed her acting prowess when he got her as the dissident’s wife in Orapronobis and an ill-fated worker’s wife in Kapit Sa Patalim all of which made waves in film fests abroad….

…Lino (Brocka) taught me how to act straight from the heart; Laurice (Guillen) taught me how to make the most of my body as an acting instrument and Marilou (Diaz-Abaya) taught me the value of spontaneous acting by constant rehearsals, how to make the memorized lines come naturally. I credit all of them for what I am now. That they trusted me with those sensitive roles was something I would always remember regardless of how the films fared at the box office.” Even if well-made films did not always translate into box office triumphs, she remembered those films for something that they had imparted to the moviegoers. She had pointed out in the past. “I am proud of Orapronobis, Kapit Sa Patalim, Salome, Moral and Brutal because I find joy in being part of a film that gave us all a lesson. I watch other good pictures to pick up something and be compelled to think – regardless of whether they are about love, friendship or family relationship. I like a film if it gives me something I can adapt to my own life. I do not dislike a film just because I disagree with its message. I also watch film to see other people’s point of view…” – Pablo A. Tariman (READ MORE)

Child Star – “…Ms. Alajar was a child star herself. She started acting when she was eight years old, so she knows the pressures of being a child star. “I am not against child acting because we need child stars. In fact, there are many acting greats who started out as child stars. I just want to make sure that laws on children are properly implemented when dealing with these child stars, for example, not staying up late beyond their sleeping hours. Although, these children do it because of the fulfillment that they get,” she said. Ms. Alajar recalled that when she was a child actress, she couldn’t sleep after eight in the evening because there are still shots that need to be taken after dinner. “So, I slept at 10 in the evening. Then, they woke me up at 2 in the morning. When they did that, I didn’t want to get up. Now, I don’t sleep at 10 in the evening until one in the morning because I get irritable when people wake me up. Somehow, I traced it back to when I was younger,” she said. Now, Ms. Alajar is 42 years old and still looking young and flawless as ever. “I’m glad I lasted this long. Well, I had nothing else to do. I love acting. The passion for acting made me stay,” she said…” – Kathy M. Villalon (READ MORE)

Re-launched – “…After the breathing spell, the teenage Alajar was re-discovered by the late producer Dr. Jose Perez of Sampaguita Pictures, who signed her to an eight-year build-up contract. In Sampaguita, she did teen-aged supporting roles in such films as My Little Brown Girl, Isa, Dalawa, Tatlo, Magtago Na Kayo, Young Dreams and Sweet Sixteen. A year later, she starred in Cofradia, a re-make of a successful film in the 1950s starring Gloria Romero. In this production, which was to launch her career as a star in her own right she met Michael de Mesa, who would later become her husband. Unfortunately, her stint with Sampaguita was interrupted by the death of Dr. Perez. She was thereupon released from her contract and, for a time, her acting career was in limbo. The situation was made worse by the upsurge of sex films in the country. She was thus compelled to take roles that she now herself considers forgettable. Her days as a sex symbol were short-lived, she recalls, for she had neither the heart nor the guts for such vehicles. In the late 1970s, her career was re-launched a second time, there was no looking back. The early 1980s saw her metamorphose into a serious actress via such films as Brutal, Salome, Playgril, Manila by Night and Kontrobersiyal. In Brutal, she distinguished herself winning the best supporting actress award in metro Manila Film Festival. She was also chosen 1980 best actress by the film critics’ group, the Manunuri ng Pelikulang Pilipino, for Brutal. She duplicated the feat by winning the best actress for Urian in Salome in 1981. In 1988, Alajar did only three films: Hiwaga sa Belete Drive, Minsan Pa Yakapin Mo Ako and Birds of Prey. In 1989, she appeared in a film by Lino Brocka, which was shown at the Cannes Film Festival in France. The film Fight for Us, says Gina, “was inspired by certain people and events in the country…” – Justino M. Dormiendo (READ MORE)

Regina Alatiit also known as Gina Alajar was born on (June 28, 1959) in Manila, she is a FAMAS and Gaward Urian Award winning Filipino film actress and television director. – Wikipedia (READ MORE)

Gina Alajar and Vilma Santos

Sister Stella L. (1984) – “…Sa pagkamatay ni Ninoy, ang napagbuhusan namin ng panahon nina Mike at Ding ay isang documentary na pinamagatang Signos at ang pelikulang Sister Stella L. Isang kanta mula sa binabalak na Brechtian zarzuela ang ginamit na isa sa mga theme songs ng Sister Stella L: ang “Aling Pag-ibig Pa,” na binigyang-tinig ni Pat Castillo sa pelikula at sa plaka. Nang ipalabas ang Sister Stella L. sa 1984 Venice International Film Festival, ang pamagat nito ay Sangandaan (Incroci sa Italyano, Crossroad sa Ingles). Pinagtiyap na sa unang storyline ay Sister Corazon de Jesus ang pangalan ni Sister Stella L. Ang nasa isip ko noon ay hindi si Corazon Aquino, kundi ang Sagrado Corazon de Jesus…” – Pete Lacaba (READ MORE)

Big Ike’s Happening (1976) – “…All star casts din ang pelikulang handog ng Larry Santiago at Ike Lozada Productions na Big Ike’s Happening (February 27, 1976) na tinampukan nina Vi, Tirso Cruz III, Walter Navaro, Ike Lozada, Aurora Salve, Gina Alajar, Jojit Paredes, Dondon Nakar, Winnie Santos, Arnold Gamboa, Maribel Aunor, Allan Valenzuela, Doyet Ilagan, Edward Campos, German Moreno, Inday Badiday, Ben David, Lilian Laing, Aruray, Nora Aunor, Perla Bautista, Charlie Davao, Esperanza Fabon, Eddie Peregrina, Bella Flores, Lito Legaspi, Christopher de Leon, Van de Leon, Pinky Montilla, Alma Moreno, Dencio Padilla, Andy Poe, Jerry Pons, Ric Rodrigo, Gloria Romero, Daria Ramirez, Darius Razon, Marianne de la Riva, Eddie San Jose, Ricky Santiago, Lorna Tolentino, Eddie Villamayor at Vic Vargas sa direksiyon nina Pablo at Bobby Santiago…” – Alfonso Valencia (READ MORE)

Dugo at pag-ibig sa kapirasong lupa (1975) – “…A Must for the Filipino History Students and for everyone who wants to awaken the innate nationalism in them. These series of stories depicting the fight of the Filipinos against colonialism of Spain, Japan and even their fellow Filipinos abusing the power in the government. A seemingly serious film but spiced with the star-studded cast like Fernando Poe Jr., Ramon Revilla, Joseph Estrada, Nora Aunor, Dante Rivero, Eddie Garcia, Vic Vargas, Goerge Estregan and the other all time favorite artists. This movie even highlighted the comparison between the love of country and the other kind of love we offer to our family and to our beloved as the story featured love stories in the midst of tragic and bloody war happening in our society…” – Kabayan Central (READ MORE)

Mga Batang Bangketa (1970) – “…By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)…In 1970, the love team of Vilma Santos and Edgar “Bobot” Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office…” – Rommel R. Llanes (READ MORE)

Sixteen (1970) – “…The success of Sixteen can be attributed to the playfulness and simplicity of the song selections. It suited the sweetness and purity of Vilma’s almost child like voice. The album earned Vilma her first golden record award and a remarkable signature song, “Sixteen.” The album established her as a successful recording artist. If I will compare her to today’s list of contemporary artists, I will compare Vilma to the likes of Jennifer Lopez, Britney Spears, and Madonna. Jennifer, Britney, and Madonna has thin but sweet voices just like Vilma. Like Vilma, these pop superstars have to work hard to achieve almost perfect products that their fans loved. Like Vilma, the three pop stars are great dancers which they all used to the max in their choreograph production numbers. The reluctant singer came out on top. Vilma Santos’s debut album made history. Sixteen made Vilma Santos a remarkable singer…” – RV (READ MORE)

Pinagbuklod ng Langit (1969) – “…Pero higit na tumatak si Luis nang gampanan niya ng dalawang beses si Pangulong Ferdinand Marcos. Ito’y sa kontrobersyal na pelikulang “Iginuhit ng Tadhana” bago tumakbo si Marcos bilang presidente noong 1965. Sinundan ito ng “Pinagbuklod ng Langit” noong 1969. Si Imee Marcos, na ginampanan noon ni Vilma Santos, naalala ang galing ni Luis na mahirap na daw tapatan ngayon. “His acting was understated. A great actor and a good friend. He played a big role in our lives. Halos naniniwala na ako na tatay ko siya dahil sa boses. Mahal na mahal namin si Luis Gonzales,” sabi ni Imee. Ayon sa kanyang kabiyak, huling hiling ni Luis na ipa-cremate ang kanyang labi…” – Mario Dumaual (READ MORE)

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Batangas Governor Vilma Santos: Sharing HEARTS for Progress

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In her heart of HEARTS, the heroine of the celluloid world who stands by the right and plight of the underprivileged, has lent her heart to make the HEARTS program available to her constituents in the province of Batangas. The charm and charisma that endeared this actress-turnedpolitician to her millions of fans when she started her career in Philippine filmdom at age 9 is still embodied in Gov. Vilma Santos as she meets people, as she faces the challenges of her office. “Monday is people’s day. That’s the time when I get to meet and find out the needs of my constituents from various sectors.They follow up their requests, ask for assistance. Others just want to see me for picture-taking,” she pauses, smiles and adds, “There were many cases when they still demanded to see me personally even if I had already assisted them in one way or another. They just wanted to see me and thank me. Well, it’s part of my job. It’s physically draining, but the Vilma is still there.” Health & Home staffers and others witnessing the interview nod their heads in agreement. With regard to the urgent need of her constituency, the governor stresses that it is still the basic needs and these are what her government needs to address and enhance. “There are many problems, left and right, up and down. But it’s still the basic needs that are important and they are contained in our HEARTS program.”

This program, she clarifies, was not invented. “It was given enough study time when I won the mayorship in Lipa in 2007, with the help of my husband, Senator Ralph Recto.” The HEARTS Program Health, Education and environment, Agriculture, Roads, Tourism and technology, and Social service and security. For her health program, the governor says her government has many projects. “I’ll give only one. We have 12 district hospitals. One perfect example is the Lipa District Hospital. All of them [hospitals] were rehabilitated and expanded, and we bought new equipment and facilities and distributed Philhealth cards.” She further explains that even though these are district hospitals, people should pay. “We can’t subsist if everything is free. How can you maintain a hospital if everything is free?” (Purchase this H&H Magazine to further read on the article, please feel free to contact the Marketing Department or call us at (632) 364-5205) Jose F. Sarsoza Jr. is editor in chief of Health & Home. – Jose F. Sarsoza Jr. (READ MORE)

A Very Long Rivalry – 1981

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Pre-1981 – As Brocka’s Bona toured the international festival, it looks like Nora was again in command with the acting contest and Vilma was content in making sure that her films were commercial success. By this time, Vilma’s tax problem has become a number one priority. No longer a teen pop star, both Nora and Vilma’s projects declined. It seems like yesterday, when in early 1970s both were releasing one or two films each month. Now, both have limited film projects and have to be selective to succeed at the box office.

Sign of Good Karma – “…In 1981, nanalong MMFF Best Actress si Vilma for Zialcita’s Karma, besting Nora’s multi-character portrayal in Maryo J. delos Reyes’ musical-drama Rock ‘N Roll. Vi, however, failed to win any other nomination for that starrer, while Nora went on to win a trophy (Catholic Mass Media Awards) and Best Actress nomination (Gawad Urian) for Mario O’Hara’s Bakit Bughaw ang Langit?…” – William Reyes (READ MORE)

Nora Aunor’s Films (7): (Bakit Bughaw ang Langit?; Dalaga si Misis, Binata si Mister; Gaano Kita Kamahal; Ibalik ang Swerte; Kami’y Ifugao; Rock N’ Roll; Totoo Ba Ang Tsimis?) – Nora Aunor did seven films this year, three more than her rival Vilma. Although she won on total output, the quality of these films were questionable. The only film critics were raving were Mario O’Harra’s Bakit Bughaw.

Vilma Santos’ Films (4): (Pakawalan Mo Ako; Hiwalay; Karma; Ex-Wife) – Vilma Santos did only four films in 19881, two were mild hits, Hiwalay and Ex-wife, both melodramas. The other two were big hits, “Pakawalan Mo Ako,” was directed by Elwood Perez and the summer’s biggest hit while “Karma” directed by Danny Zialcita was a big hit at the local festival. Both films earned her an acting trophies.

Nora Aunor’s 1981 acting recognition (3) – Best Actress from Catholic Mass Media Awards and two nominations from FAMAS and Urian, all for “Bakit Bughaw ang Langit? .”

Vilma Santos’ 1981 acting recognition (3) – Best Actress from Metro Manil Film Festival and Cebu City Film Festival for “Karma”and Best Actress from FAMAS for “Pakawalan Mo Ako.”

Not Blue – “…O’Hara dwells on Aunor’s face, to suggest that she is not just amused, but actually intrigued. O’Hara, however, does not take the easy way out: he does not allow the relationship of Aunor and Roldan to become actually physical. If there is a sexual love between the two, it is too deep inside them to be articulated. True enough, there are some glaring mistakes. The most obvious occurs when Roldan utters that key line “Bakit bughaw ang langit?” The camera pans out to the sky as expected, but instead of the sky being clear and blue (which is what “bughaw” means), the sky is cloudy and white. The symbol is totally destroyed by such a simple cinematographic mistake. In fact, almost all of the mistakes in the film can be attributed to the cinematographer, who seems not to know how to light a set. Night scenes appear brighter than day scenes, light filtering into houses has no clear sources, camera movements are jerky, shadows are not expressive. O’Hara should learn from this film: he should not use the same cinematographer again. Aunor’s performance here proves that her winning of the Urian Award for Bona is justified. She remains one of the best of our young actresses, especially in the hands of a director who understands film acting. In a film whose screenplay has undistinguished (in fact, even inane) dialogue, Aunor is able to express her emotions primarily through her silent moments. The mark of a true film actress is her behavior when she does not speak. Aunor is destined to become an all-time Best Actress. It is appropriate that Anita Linda – herself an all-time Best Actress- plays her mother in this film. The acting cannot be faulted, not even the acting of newcomer Roldan…” – Isagani R. Cruz, TV TIMES, March 15 -21, 1981 (READ MORE)

Good Karma – “…Happily, “Karma” turned out to be as good as I expected. It’s performers are first-rate – Vilma Santos, Ronaldo Valdez, Tommy Abuel, Chanda Romero, so their award-winning acting didn’t surprise me at all. The script was outstanding but even that was expected, coming from director Danny Zialcita. What impressed me was that minor parts were played by name actors. The housekeeper who appeared in one short sequence could have been played by any elderly woman but those who made the movie wanted nothing less than Etang Discher. The psychiatrist could have been played by any decent-looking man but they didn’t settle for anybody less than Vic Silayan. The male lover at the start of the story had to be acted out by Dante Rivero, that at the end by Christopher de Leon. The movie boasted of several bold scenes. Those involving Vilma weren’t much as we know for a fact that Vilma could show only so much. One scene showing Chanda was a different story. It showed her with absolutely nothing on, yet it didn’t offend anybody as it was executed in style, shot with great care. There was just one thing, which looked unnatural to me, the way in which one of the main characters killed himself. “That’s all right,” Danny assured me. “Before we shot it, we double-checked its possibility.” Reincarnation and transference are undoubtedly mind-boggling subjects but, to his utmost credit, Danny managed to present them simply, bringing them down for everybody to understand. “Bala lang yan. Katawan lang ito. Babalik at babalik kami sa mundong ito,” Dante vowed. Come back they did as they promised building the foundation of the story…” – Bob Castillo, People’s Journal Dec. 12, 1981 (READ MORE)

Post-1981 – “…For Vilma Santos, the previous year, Pakawalan Mo Ako was a huge summer hit that earned Vilma a surprised best actress in FAMAS. That year also released Ex-Wife and Hiwalay, about marital problems. Art imitating life, as there were reports that Vilma and now, ex-husband, Edu Manzano were having some marital problems. But Vilma as trooper as she is, any personal troubles were not publicly noticeable as she goes on with her work, business as usual. Also, Vilma gave birth to her eldest son Luis “Lucky” Manzano. By December of 1981, her film festival entry, Karma earned her another surprise best actress trophy after the FAMAS gave her the nod for Pakawalan Mo Ako. In unrelated news, the entertainment industry were shocked to found that matinee idol, Alfie Anido died on Dec 31st. Like the death of Julie Vega and Rico Yan, it is still unknown the reason behind Anido’s death. She’s determined to make 1982 another successful year. She released a total of six films, out of six; two were certified record breakers, “Sinasamba Kita (I Idolized You)” released in August and “Gaano Kadalas ang Minsan? (How Many Times is Once),” released in November, both produced by Viva Films. The other four films (Relasyon, T-Bird at Ako, Never Ever Say Goodbye, and Haplos) were mild hits. All of her hard work paid off because as early as January of the 1983 she was already poised to reap major awards. Meanwhile for Nora Aunor, 1982 were a mixed bag of mild hits and failed opportunities. “Mga Uod at Rosas,” her collaboration with Lorna Tolentino and director Romy Zusara produced mixed reviews from the critics. Her excellent performance did not help as the film were just mild hit with the audience. Her follow up films, “Annie Sabungera” and “Palenke Queen” both comedies also didn’t do well at the box office making the expectation from her next film higher, as she teamed-up with the hottest star of 1982, her closest rival, Vilma Santos in Danny Zialcita’s fast paced film, “T-bird at Ako.” T-bird’s high expectation wasn’t realized as the film earned just a modest income. By December, all eyes were focused again on Nora and her most ambitious project to date, Ishmael Bernal’s “Himala,” produced by the Imee Marcos’ Experimental Cinema of the Philippines. The film was an entry to the Metro Manila film festival. Nora Aunor was again proclaimed the “queen of local festival” as she won her third Metro Manila Film Festival best actress. Nora’s momentum was rising and she was conditioned to make some serious dent in the following year’s award giving seasons. Critics were all going “gagah” with Aunor’s gigantic performance as Elsa. They said, Himala was very effective in communicating its film’s message, it has moving moments and raw power….” – RV (READ MORE)

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Vilma Santos as Child Actress

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Vilma Santos’ Films as Child Actress:

  • Anak, ang Iyong Ina (1963)
  • Aninong Bakal (1963)
  • Duelo sa Sapang Bato (1963)
  • King & Queen for a Day (1963)
  • Trudis Liit (1963)
  • Ging (1964)
  • Larawan ng Pag-ibig (1964)
  • Naligaw na Anghel (1964)
  • Sa Bawat Pintig ng Puso (1964)
  • Iginuhit ng Tadhana (1965)
  • Kay Tagal ng Umaga (1965)
  • Maria Cecilia (1965)
  • Morena Martir (1965)
  • Sa Baril Magtutuos (1965)
  • Batang Iwahig (1966)
  • Hampaslupang Maton (1966)
  • Hindi Nahahati ang Langit (1966)
  • Ito ang Dahilan (1966)
  • Ito ang Pilipino (1967)
  • Longest Hundred Miles (1967)
  • De Colores (1968)
  • Eagle Commandos (1968)
  • Kasalanan Kaya? (1968)
  • Sino ang may Karapatan? (1968)

Special Film: Ging

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“…Ging (1964) was directed by Cirio Santiago and Teodorico Santos. Although it was made in the old-fashioned way of making films (the flashback scenes in particular), the material used here is timeless – especially since there are more street children in our midst now more than ever. As far as the showbiz scene is concerned, there are still a lot of heartless impresarios today exploiting young talents in the business. But what really made “Ging” a delight to watch was the performance of the very young Vilma Santos. Even at the early age, it was clear that she was already brimming with talent. Vilma, apparently, was born into this world to perform, entertain and make people happy. She was utterly convincing in the dramatic scenes and thoroughly graceful in her musical numbers. Listang-lista – as we’d say in the vernacular. Even then, she was already living up to her showbiz title of “Star for All Seasons” because her performance in “Ging” is not only brilliant, but timeless as well…” – Butch Francisco, People’s Journal 04 March 1999 (READ MORE)

Source: gobitz69

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. – Wikipedia (READ MORE)

Remembering Walter Navarro

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Life Imitating Art – “…In 1971, Director Lino Brocka directs “Stardoom” for Lea, his “indictment of the corruption of values in the local movie industry.” It tells of a frustrated and ambitious stage mother, Toyang (played by Lolita Rodriguez), who forces her son, Joey, into a showbiz career and ultimately ends up in a tragedy. 70s teenage heartthrob, handsome, clean-cut and the boy-next-door type, Walter Navarro starred as the son, Joey Galvez, who at the peak of his stardom was gunned down by his erstwhile girlfriend Nina (Lotis Key), in a fit of jealousy and anger. Whatever happened to Walter Navarro? They say “life imitating art.” The young actor was on the height of his illustrious movie career when something tragic happened to his personal life. There are rumors of drugs that eventually ruined his life…” – Simon Santos (READ MORE)

Walter Navarro, fans called him “Pogi” and rightly so. In the 1970s, Walter was known as the most handsome face in the movie industry. Well mannered, tall, slim and mestizo, he embodied the “Prince Charming” of every Filipina girl. – Wikipedia (READ MORE)

Walter Navarro and Vilma Santos

Swing It Baby (1979) – “…”The latest dance steps…swing, freak, funk, jazz, the scroll, jive…..” Swing It Baby (Marcdh 9, 1979) ng Lea Productions ay pinangunahan nina Vi, Romeo Vasquez, Tito Sotto, Vic Sotto, Joey de Leon, VST & Co., Mike Monseratt, Walter Navarro, Nena Perez Rubio, Sandy Garcia at Geleen Eugenio sa panulat at iskrip ni Oscar Miranda at direksiyon ni Al Quinn…” – Alfonso Valencia (READ MORE)

Let’s Do the Salsa (1976) – “…Ate Vi thus became the chief opponent of Nora Aunor as the movie queen of the 1970s. Her edge is that she also became the queen of hit disco movies filled with singing and dancing, like “Swing It, Baby,” “Disco Fever,” “Rock Baby Rock,” “Let’s Do the Salsa,” and the movie she did with Latin idol Junior, “Good Morning Sunshine…” – Mario Bautista (READ MORE)

Big Ike’s Happening (1976) – “…Enrique “Big Ike” Lozada (August 13, 1940-March 8, 1995) was a Filipino comedian, actor and TV host. He was born on August 13, 1940 in Iloilo City. He started acting at the age of 11 on the movie Mga Bituin ng Kinabukasan with the younger Susan Roces. He died on March 10, 1995 in Manila, of heart attack. He was 54. His had lain at Manila Memorial Park in Parañaque City…” – Wikipedia (READ MORE)

Teribol dobol (1975) – Teribol Dobol is a classic comedy movie. Maritess (Vilma Santos) asked for help from Frankie (Chiquito) a private investigator to investigate her father, who’s foolishly in love with a young lady. This lady & her family only wanted the wealth and fortune of her father. They will plan to poison Don Cosme (father of Maritess) and accuse Maritess for the caused of his death. Will they succeed to bring Maritess to jail?” – Kabayan Central (READ MORE)

Dugo at Pag-ibig sa Kapirasong Lupa (1975) – “…A Must for the Filipino History Students and for everyone who wants to awaken the innate nationalism in them. These series of stories depicting the fight of the Filipinos against colonialism of Spain, Japan and even their fellow Filipinos abusing the power in the government. A seemingly serious film but spiced with the star-studded cast like Fernando Poe Jr., Ramon Revilla, Joseph Estrada, Nora Aunor, Dante Rivero, Eddie Garcia, Vic Vargas, Goerge Estregan and the other all time favorite artists. This movie even highlighted the comparison between the love of country and the other kind of love we offer to our family and to our beloved as the story featured love stories in the midst of tragic and bloody war happening in our society…” – Kabayan Central (READ MORE)

Dalagang Nayon (1972) – “…Film artist Walter Navarro (Vicor) will have his first LP, “King of Balladeer,” this month. He is a contract star of Lea Productions and principal mainstay of the El Bodegon Club. Navarro is doing a film musical with Vilma Santos (Wilear’s) with Mirick Productions…” – Oskar Salazar (READ MORE)

Sweet Sweet Love (1972) – “…Walter Navarro—fans called him “Pogi” and rightly so. In the 1970s, Walter was known as the most handsome face in the movie industry. Well mannered, tall, slim and mestizo, he embodied the “Prince Charming” of every Filipina girl…” – Wikepedia (READ MORE)

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The Untold Story of Vilma Santos

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Anim na taong gulang lamang si Rosa Vilma Tuazon Santos nang ipasiya ng mga madre sa St. Mary’s College sa Magdalena na karapat-dapat siyang gawing madre superiora! Kaya wala silang atubiling isinagawa ang pagbibihis kay Vi bilang madre superiora. Tumayo si Vilma sa tanghalan ng graduation at siya ang naging taga-abot ng certificate sa mga nagtapos. And she was the cutest version of a mother superiora ever, as she stood there ang munting mestiza nina G at Gng. Amado Santos ng Bambang mistulang madre ngunit halos sing-laki lamang ng manyika. Ito ay isang practice na naging kaugalian sa mga ara sa Catholic schools maging para sa lalaki lamang o para sa mga babae lamang. Ang mga batang nagtatapos ng kindergarten ay karaniwang may graduation rites na wika nga, na ang mga selected at outstanding students na grade school ang pinagaganap sa papel ng mga outstanding officials ng eskuwela. Kung mga lalaki ay may arsobispo pa ets. samantalang sa mga babae ay mga characters or madre superiora ang pinakakatawan nila sa mga outstanding student. At laging ganito si Vi nang magsilmulang mag-aral. Kabilang siya sa mga masipag at masinop na pupils ng St. Mary’s. Marahil pinangarap pa ng mga madre na nasa paaralang yaon na baka sakaling magkaroon ng “vocation” si Vi for the call of Christ.

Mabait na bata, mabutihin, she had always been imaginative enough to be an asset to the school. Laging matulungin, usualy, umuuwing umiiyak ang nakatatandang kapatid na si Emily probably older by a year or so at dumarating ng gutom kasi ang Vi ay nauubos ang baon sa pagbibigay doon sa mga estudyantedng walang baon at pagkatapos nakikihalo na lamang sa kapatid na di naman siya mapahindian sapagkat very close sila sa kanilang family. Sa kabilang dako, halata na “for the arts” si Vi bagama’t wala pang nagaakala noon na magiging artista siya. Kasi bistado sa buong eskuwelahan ang hilig ni Vilma. Siya ang malimit na sumusulat ng mga scripts ng bolada para sa grade school. Simpple nga lang para nakababatid siya kaya siya ang naaatasan lagi sa ganitong chore. And this is not surprising. May hilig talaga si Vi noong bata pa siya. Maaaring di siya nagkahilig na malilimayon sa kalye ngunit laging nasa kanilang bahay ang mga kalaro niya at lagi siyang nagmamaestro-maestrohan. Kaya nga ba inakala ng yaya nilang magkakapatid na si Mamay na magiging teacher si Vi o propesora. Kung wala ang mga kalaro galing sa mga kapitbahay ang mga kapatid ang siyang tinitipon at ginagawang mga students niya. At ang katakataka, kahit noon pa, acccepted na ang leadership niya.

Somehow their world revolved around her, and enjoy naman sila sa kanyang company. Talaga nga yatang isinilang si Vi to be an object of admiration ang affection. If her family history is to be traced November 3 nang Vi made her appearance in the happy home of Amado Santos and the former Milagros Tuason some 19 years ago, sa Galang’s Clinic at noon pa man ay panay na ang hanga sa pagka-cute at sa kagandahan ng “mestisa” nila. At palibhasa’y doll-like, enjoy si Gng. Santos sa pagbibihis sa dalawang anak niyang babae sa magkasunod isinilang. Di tio mahirap gawin sapagkat woman executive si Mrs. Santos at this time, sa Aguinaldo department store noon sa Echague branch. Natatawa pa nga siya sa kanyang sarili sapagkat siya ay isang Pharmacy graduate ng MCU at sa nais na makapag-start noon napasok sa clinic helper at clerk ngunit dahil sa sipag at pagsisikap she rose from the ranks into the sales department hanggang sa maging supervisor. That is how systematic and how tiyaga the Santos family are. This was the happy home that Vilma Santos grew up in. Bagaman at working wife ang mother niya samantalang ang papa niya na isa ring pre med student bago nag-asawa ay nagtatrabaho sa isang movie company, the children na binubuo noon ng listong babae, sina Emelyn, Vilma at Maritess ay never felt neglected.

Isinasaayos ni Mrs Santos ang mga pagkain sa bahay baog pumapasok ng opisina at tuwing tanghali ay umuwi upang ma-check up ang mga girls with their Mamay. Tuwing linggo napapasiyal sila kung hindi sa luneta ay sa Lola pagkagaling nila sa lolo nila na si Dr. Patricio Santos ng Bamban. Capas of the sugar rice big estatea doon. Ngunit nang mag-asawa ang mga magulang ni Vil, ipinasya nang galawa to stand on their own two feet, tumigil ng pag-aaral si papa ni Vi at hinarap ang pagha-hanap-buhay. Palibhasa’y true love, lahat ng hirap ay ni-weather nila. As Mr and Mrs Amado Santos (they got married when Vi’s mother was 23) maaaring mahirap lamang sila ngunit at that stage sinikap nang mag-asawa na maidulot sa mga ank lahat ng pangangailangn. Maaaring nakatra sila sa isang paupahan ngunit silang lahat ay maligaya. Ngunit kahit na noong bata pa si Vi, she had that serious energy that keeps on going, endeavoring at dahil ke minsan nakapanggaling siya sa paglalaro na di mapapansin nang kanyang Mamay na basang basa siya nang pawis. She was then about four years old. Nakaligtaan ni Vi na magpalit at natuyuan ng pawis sa likod. Nang gabing yaon ay inapoy ng lagnat at nang di makuha sa mga aspirin at iba-iba pa, itinakbo siya sa ospital. That was the first time na ibinalik si Vi sa ospital buhat nang ipanganak ito because she had always been a healthy baby since birth. That was the time when the doctor shook his head! Napulmonya si Vilma at kailangan ang mariing pangangalaga. At ang mag-asawang Amado at Milagros ay mahigit na isang linggong hali-halili sa pagaalaga sa kanilang pangalawang anak. – Sixteen Magazine, No. 125, 23 June 1973

Why Vilma won’t stop singing

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It’s been almost 20 years since Vilma Santos started to sing professionally, but until now she refuses to be called a singer. And, as everybody would agree, rightfully so. In fact, if there’s any single facet in her long and successful showbiz career that has been the object of continued public censure it is her singing. But be that as it may, the 33-year-old actress persists in singing, seemingly oblivious of the flak that comes her way. Has she, in any way, become calloused throught the years? “No, I still get affected by criticisms,” she onced said. “The thing is I have learned to accept them as part of the business and as something I can’t do without. I think the secret is in learning how to deal and live with them.” That singing was once a passion for her is a fact that the actress does not deny, but she adds “not anymore.” According to her, the success, her first and best-selling record, in the ’70s was fullfillment enough. But that doesn’t mean she no longer enjoys singing. As a matter of fact, she does

And, as far as her singing is concerned, this attitude is the hardest thing to contend with, Santos likes to sing and no amount of reproof – especially when it comes from people she doesn’t respect and believe in – could stop her from doing so. As I see if the actress is one person who does not run away from challenges or problems – the more she is criticized the more she tries to prove her point. Some time ago, in one of her late-night recordings, I asked the actress if she ever had to formal voice lessons. “No, I didn’t have,” she replied while waiting for her cue. “Some voice coaching lang tulad ngayon. Hindi naman talaga ako singer – it is not my craft. I only because I am requested to. Besides, I like doing it for my fans. I don’t think I’ll ever be a professional singer. Acting is really my career.” Tonight, as Vilma Santos celebrates her first year anniversary in Channel 7 and her seventh year on television. “The Star for all Seasons” will show her admirers and detractors alike that singing has not hurt her and her career. Instead, it has endeared her to her audiences and, whether we like it or not, her amateurish singing has helped made her show a sort of a “family affair.”

Anniversary Celebration Special Guest Co-Host: Edu Manzano

Opening Number – One of the biggest production numbers ever produced in television variety shows. GMA 7 says it is the first of its kind ever staged for Phlippine TV – in terms of costumes, special effects, set and other production design that go with it. With a cast of 35-40 dancers, the opening production number alone costs more or less P25,000.00 Vilma’s dance is expected to surpass even the most difficult and talked about numbers she has ever done on TV.

Boogie Dance No. – Vilma and Edu will do a boogie dance number that promises to bring the house down because its originality and showmanship. This is the first time Edu will do a spectacular boogie number on TV.

Revival Medly – Vilma and Ricky Davao will do a medley of this year’s most popular revivals like Black is Black, Sweet for my Sweet, When I Fall In Love, etc. Randy Santiago’s production number with V.I.P. Dancers features a sneak preview of his first major solo concert to be held at the ULTRA tomorrow. Maricel Soniano’s dance number after an absence from the TV variety scene. OPM medley of hits in 1987 as rendered by Aga Muhlach, JC Bonnin, Gretchen Barreto, Leah Salonga, Bing Loyzaga and Keno.

Pasadalamat sa Inyo – Kundimans of different regions in different dialects to thank Vilma! viewers all over the Philippines to be done by Lani Mercado, Manilyn Reynes, Marco Sison and Richard John Reynoso. Lorna Tolentino, Maricel Soriano and Gabby Concepcion Trio – the three stars will do a special number to promote their movie Pinulot Ka Lang Sa Lupa.

VMW – Vilma’s Music Watch to showcase once again the week’s hottest music and dance with Vilma, Maribeth and John Robinson and 40 dancers. Finale – a classical music disco dance – Disco dancing to the classical music of Mozart with special props.

Surprise Romantic Number – Vilma and Edu will thrill their fans as they do another musical number.

Stars Greetings – From Sharon Cuneta, Kris Aquino, Tonton Gutierrez, Ricky Davao, Helen Vela, Kuya Germs, Inday Badiday, and many other Regal and Viva film stars. – JC Nigado, Manila Standard – Oct 2, 1987 (READ MORE)