Vi And Bot – Sweet Sixteen

Posted on August 15, 2010 by @ffv Standard

Sina Vilma Santos at Edgar Mortiz ang isa sa mga itunuturing na pinaka-durable loveteam ng lokal na aliwan. Alam naman ng lahat na si Edgar ang first love ni Ate Vi. Ang mga tagahangang nakasaksi sa kanilang pagmamahalan ay di-akalaing magwawakas agad iyon. Ate Vi was 14 years old then nang mapasama sa popular radio show ni Ka Tinno Lapuz,ang Eskwelahang Munti. Dito niya nakilala ang di inaasahang magiging ka-loveteam na si Edgar. Nakilala ang kanilang loveteam as “Vi and Bot” .Sumabay ang kanilang team-up sa “Guy and Pip” nina Tirso at Nora. Una silang napanood sa lokal na aliwan bilang suporta ng yumaong singer na si Eddie Peregrina sa pelikulang “My Darling Eddie” in 1969. Klik agad ang kanilang tambalan and from then on ay nagkasunodsunod na ang kanilang mga ginawang pelikula, gayundin ang mga TV shows, tulad ng “The Sensations” at “Edgar Loves Vilma.” Kinanta ng dalawa ang Devoted To you and the fans were hooked. Nagsimulang nagtatag ang kanilang mga tagahanga ng Vi-Bot Fans Club all over the country, as against sa karibal nitong Guy and Pip tandem. Parang kabuteng nagsulputan ang kanilang mga fans from Aparri to Jolo.

Tinagurian noon ang kanilang tambalan na Subok na Matibay, Subok na Matatag na siyang blurb noon ng isang kilalang bangko na naging commercial nila. Sinundan agad ng pelikulang The Jukebox King as second lead na nagtampok din kay Eddie Peregrina. Taong 1970, ginawa nila ang “Young Love” under VP Pictures na kung saan kasama ang karibal nilang tandem, ang Guy and Pip. Nagkasunod-sunod ang pagpapareha nila sa mga pelikulang Song and Lovers, Bulaklak at Paru-Paro, My Pledge of Love, Love Is For the Two Of Us, From The Bottom Of My Heart, Young Idols, Sixteen, Because You are Mine, Love Letters, Sweetheart, Mga Batang Bangketa, I Love You Honey, Edgar Loves Vilma, Sapagkat Sila’y aming Mga Anak, Vilma My Darling, Baby Vi at Renee Rose. Sa loob ng taong 1970, nakagawa ang kanilang tambalan ng labing walong pelikula. That was also the same time na na-inlove na si Bobot kay Vi. By the way, ang aktres mismo ang nagbinyag kay Edgar ng Bobot. Nang mabuo na nga ang kanilang tambalan, unti-unti nang nagpalipad-hangin si Bobot kay Vi. Ayon nga sa pagbabalik-tanaw, si Ate Vi noon ay labing-anim na taong gulang nang maging magkatipan sila ni Bot. Ang kanikanilang tagahanga ay naniwalang meron na talagang affair ang mga idols nila. In February, 1970 nagtapat si Bobot kay Vi ng “I love You.” Nadebelop ang feelings nila sa isa’t isa dahil sa kanilang loveteam. Pero aprubado naman ng kani-kanilang parents ang relasyon. Botong-boto kasi at giliw na giliw si Mama Santos kay Bobot noon. Naging neighbors pa nga sila ni Bobot sa Arfel Homes sa Project 6, Quezon City. Nasundan pa ang kanilang pagtatambal noong sumunod na taon, 1971.

Ginawa nila ang Love At First Sight, The Sensations, Angelica, The Wonderful World Of Music, Young Lovers, Our Love Affair at Eternally. Mapapansin na karamihan sa mga pelikula na kanilang ginawa ay puro hango sa titulo sa mga kantang pinatanyag noon. Usually, ang karamihan sa mga eksena ay tadtad ng mga musical numbers. Dahil sa kainitan ng tagumpay sa takilya at popularidad ang kanilang tambalan, ginawa ng Tagalog Ilang-Ilang Productions, ang Aloha My Love, taong 1972 na kinunan pa sa Hawaii, Don’t Ever Say Goodbye na kinunan pa sa Pasadena Palm Spring, San Francisco USA, Dulce Corazon, Remembrance na ka-love triangle ang yumaong si Jay Ilagan, Dama de Noche, an award winning movie ni Vi na nagpanalo sa kanya ng FAMAS Best Actress where she played a dual role, 3 Mukha ni Rosa Vilma at Leron-Leron Sinta. Their trip in Hawaii where they did Aloha My Love was very memorable. Marami kasi ang umaasa nilang mga fans na magaganap ang Hawaiian wedding nila pero hanggang sa pelikula lang ito nangyari. Taong 1973, muli silang nagtambal sa pelikulang Now and Forever at Anak ng Asuwang.

Nasundan pa ng dalawang pelikula noong 1974, ang Biktima at Kampanerang Kuba. Akala nila ay panghabambuhay na ang kanilang relasyon. But tulad ng kasabihan, nothing lasts forever, nabuwag din ang kanilang tambalan. Mahigit na 50 pelikula ang kanilang pinagtambalan. On and off, pinapanatili ng Tagalog Ilang-Ilang ang kanilang loveteam na talagang tinatangkilik ng kanilang matatapat na tagahanga. Ang last movie na pinagtambalan nila ay ang “Karugtong ng Kahapon,” taong 1975 para sa TIIP. Nagkaroon ng lamat ang kanilang loveteam nang mapatambal si Ate Vi sa iba’t ibang leading men. Nag-split sila formally noong April 28, 1974. Sa kanilang break-up ay hindi nawalan ng pag-asa si Bobot who kept looking forward for a reconciliation. Only years after, when Bobot got married nang hindi na talaga sila puwede pang magkabalikan ni Ate Vi,ang kanyang first love. Ate Vi went on with her career as a solo star at tinangkilik ng publiko na maipareha sa ibang aktor. Sa paghihiwalay ng landas nina Vi at Bobot sa pelikula ay napanatili nila ang kanilang magandang bonding hanggang ngayon. – Willie Fernandez, V Magazine, Dec. 2006

Rate this:

Pagbabalik-Tanaw: Eddie at Vilma

Posted on August 15, 2010 by @ffv Standard

This slideshow requires JavaScript.

Hit na hit sa takilya at Patok ang Mr. and Miss R.P. Movies na sina Eddie Rodriguez at Vilma Santos, ang nagkamit ng award bilang “Pinakamahusay na actor at actress sa Bacolod Film Festival para sa pelikulang “Nakakahiya.” At hindi lamang iyan. Nakamit din ng pelikulang ito ang mga sumusunod: Best Picture, best screenplay, best director, best sound, at best film editing awards. Isang bagay lamang ang ikinalulungkot ng mga taga-Bacolod. Hindi nakarating sina Eddie at Vilma upang tanggapin ang kanilang awards. At ang pinakahuling karangalang tinanggap ng dalawang sikat na tambalang ito ay ang pagkakapili sa kanilang dalawa bilang Mr. and Miss R. P. Movies ng taong ito. Isang karangalan ang mapiling Mr. and Miss R. P. Movies. Iisa lamang ang kahulugan nito ang mataas na pagpapahalaga sa kanilang dalawa ng pelikulang Tagalog bilang mga pangunahing alagad ng sining. At hindi naman alangan ang pagkakahirang kina Eddie at Vilma sapagkat kapwa sila dedicated sa kanilang propesyon. Si Eddie, bukod sa isang mahusay na actor, director at prodyuser ay isa pa ring mahusay na scriptwriter. At hindi lamang sa pelikula nagdi-direct si Eddie Rodriguez. Maging sa kanyang weekly tv show, ang “Sanyugto” ay siya rin ang director. – Ely L. Jovez, Liwayway Magazine, researched by Charlie Gomez, inilathala sa V magazine, no 6 Jan-Feb 2006

One of the greatest dramatic actors of Philippine cinema, he starred in such classics directed by Gregorio Fernandez as Kundiman ng Lahi, Luksang Tagumpay and Malvarosa with Charito Solis, Rebecca del Rio and Vic Silayan for LVN Pictures, Inc. He won a best actor FAMAS trophy for his performance in Sapagkat Kami’y Tao Lamang where he co-starred with Lolita Rodriguez and Marlene Dauden (who won as best supporting actress) under the direction of Armando de Guzman for Hollywood Far East Productions. He tried his hands in secret agent films like Paolo Staccato and Perro Gancho. He formed Virgo Productions with wife Liza Moreno, an actress-writer who wrote stories which Eddie acted in and directed. These films included Babae, Ikaw ang Dahilan, Kasalanan Mo, Ang Pagsintang Labis, Kapag Pusoy Sinugatan, Iginuhit sa Buhangin, Alaala mo, Daigdig ko, Bakit Ako Pa?, and Ikaw. Dubbed as the country’s drama king, he also directed Kung Kailangan Mo Ako (with Sharon Cuneta and Rudy Fernandez), Maging Sino Ka Man and Di Na Natuto (with Sharon Cuneta and Robin Padilla) Minsan Pa and Kahit Konting Pagtingin (with Fernando Poe Jr. and Sharon Cuneta). His real name was Luis Enriquez from Zamboanga City. – FAP (READ MORE)

once played father “…One of the greatest dramatic actors of Philippine cinema, he starred in such classics directed by Gregorio Fernandez as Kundiman ng Lahi, Luksang Tagumpay and Malvarosa with Charito Solis, Rebecca del Rio and Vic Silayan for LVN Pictures, Inc…His real name was Luis Enriquez from Zamboanga City (FAP). Eddie Rodriguez who was once played father to Vilma Santos in Vilma’s child star years later became her leading man in smash hits Nakakahiya and the sequel Hindi Nakakahiya. Total Number of films with Vilma Santos: 10 (Nakakahiya, Hindi Nakakahiya, Simula ng Walang Katapusan, Halik sa Paa Halik sa Kamay, Hiwalay, Mga Mata ni Angelita, Kay Tagal ng Umaga, Hindi Nahahati ang Langit, Kasalanan Kaya?, Sino ang may Karapatan?).” – RV (READ MORE)

bikini-clad lead role “…Luis Enriquez aka Eddie Rodriguez first directed a young Vilma Santos in 1968 Kasalanan Kaya, another love triangle genre starring the dramatic trio of Marlene Dauden, Eddie Rodriguez and Lolita Rodriguez. Vilma received an early acting recognitions from this film by receiving a FAMAS Nomination for Best Supporting Actress. When Enriquez directed Vilma again, it was a calculated risk that allowed a still young Vilma into a bikini-clad lead role opposite his director himself, Eddie Rodriguez. The film, Nakakahiya, a may-december affair between an older man and a young woman was an entry to 1975 Bacolod City Film Festival. Aside from making the the film a smash hit, Vilma received the festival’s Best Actress. Enriquez will direct Vilma in five more films, the last one was ExWife in 1981 where surprisingly Luis used in film credits his screen name, Eddie Rodriguez. Theri total number of colloborations were seven (Ex-Wife 1981, Halik sa Kamay Halik sa Paa 1979, Hindi Nakakahiya 1976, Ikaw Lamang 1971, Kasalanan Kaya? 1968, Nakakahiya? 1975, Simula ng Walang Katapusan)…” – RV (READ MORE)

Numbers of films Together: 10
As Vilma’s leading man – 5 – Nakakahiya, Hindi Nakakahiya, Simula ng Walang Hanggan, Halik sa Paa Halik sa Kamay, Hiwalay
Vilma Santos as child star – 4 – Hindi Nahahati ang Langit , Kay Tagal ng Umaga, Kasalanan Kaya? Sino Ang May Karapatan?
Eddie Rodriguez as director – 6 – Nakakahiya, Hindi Nakakahiya, Simula ng Walang Hanggan, Halik sa Paa Halik sa Kamay, Kasalanan Kaya, Ikaw Lamang

Rate this:

Vi-Boyet Tandem: Pinagtibay ng Panahon

Posted on August 15, 2010 by @ffv Standard

This slideshow requires JavaScript.

Ang tambalang Vilma-Boyet ay pinagtibay ng panahon. Hindi basta-basta na maigugupo ng kahit sino o ng kahit anong tambalan. Tulad din ng alak na habang tumatagal ay lalong sumasarap. There have been many loveteams in Philippine cinema but the tandem of Vilma Santos and Christopher de Leon has chalked up the longest list of movies that have been given awards and made good records at the boxoffice. Until now, their tandem has been unsurpassed. Their loveteam is the most enduring tandem in local cinema. Siguro may iba pang loveteam na nakagawa ng mas maraming pelikula kaysa sa kanila like during the height of the Vi and Bot and Nora-Tirso but theirs did not span decades, nakakaahon lang sila within the short period of time at the height of their popularity. Hindi man naging magkapalad sina Vi at Boyet bilang lovers sa tunay na buhay ay nagklik naman sila sa masa bilang lovers sa pelikula. Matatandaan na sumibol din ang tambalang Nora-Boyet noon sa pelikula at kapag-daka’y nauwi sa totohanan. Sa kabila ng katotohanang ito ay hindi gaanong tinanggap ng publiko ang kanilang pareha sa puting tabing.

They were first paired in 1975 in Celso Ad Castillo’s Tag-ulan sa Tag-araw, as first cousins who fall in love with each other. With the success at the tills of the movie, sinundan pa ito ng sunud-sunod na pelikula that crossed over the 80’s, the 90’s and up until this new millennium. Ilan sa mga pelikulang ginawa nila sa bakuran ng Sampaguita Pictures na mahirap malimutan ay ang Masarap, Masakit ang Umibig, taong 1977 kung saan ka-triangle ang sumisikat na aktor noong si Mat Ranillo. Sinundan ito ng Nakawin Natin ang Bawat Sandali ng VP Pictures, taong 1978 na pinamahalaan ng batikang director na si Elwood Perez, Disco Fever; (a rare Vi-Boyet musical); at Ikaw Ay Akin (with Nora Aunor megged by the late Ishmael Bernal). Nang kalagitnaan ng taong 1980, ipinadala si Ate Vi sa States ng Tagalog Ilang-Ilang boss na si Atty.Laxa para gumawa ng reunion movie with Romeo Vasques and Boyet, ang “Gusto Kita, Mahal Ko Siya”. Habang buntis noon kay Luis ay ginawa ni Ate Vi ang “Pakawalan Mo Ako”, taong 1981 sa direksyon ni Elwood Perez at nanalo siya ng second FAMAS Best Actress award sa role bilang babaeng idiniin ng kanyang biyenan sa pagpatay sa asawang si Anthony Castelo. Pinaka-memorable naman para kay Ate Vi ang pelikulang Relasyon na idinerek ng mahusay na Ishmael Bernal sa ilalim ng Regal Films, taong 1982.Sa pelikulang ito nagtamo ng kanyang unang grandslam si Ate Vi bilang Best Actress sa lahat ng award giving bodies. Later, kinuha ang serbisyo ng aktres ng Viva Films na katatatag lamang noon at ginawa nila ni Boyet ang isang commercial hit movie na “Sinasamba Kita”. Komersyal na komersyal ang dating ng pelikula ito na hindi lamang umani ng tagumpay sa takilya, kungdi pati na rin sa mga kritiko. Taong 1983 nang gawin nila ni Boyet ang record-breaker na “Paano Ba ang Mangarap” kung saan papel ng isang api-apihang manugang ni Armida Siguion Reyna ang kanyang ginampanan. Sinundan naman agad ng “Broken Marriage” under Regal Films at sa direksyon pa rin ni Ishmael Bernal, ang director to whom Ate Vi is very much indebted dahil sa mga natamong best actress awards sa mga pelikulang idinirehe nito. Isa pa rin ito sa mga mahalagang pelikulang nagawa ni Ate Vi na nagbigay sa kanya ng karangalan bilang mahusay na aktres sa URIAN and of course kay Boyet bilang mahusay na aktor. Sa Viva Films sila nakagawa ng maraming pelikulang pinagtambalan dahil na rin sa isinasaad ng kani-kanilang mga kontrata. Kaya naman sa pagtatapos ng taong 1983, ginawa nila ni Boyet ang “Minsan Pa Natin Hagkan Ang Nakaraan”, the only movie na namatay silang magkasama kung saan asawa siya ni Eddie Garcia sa pamamahala ni direk Marilou Diaz Abaya.

Taong 1989 nang gawin naman nila ni Boyet ang Imortal na kung saan natamo ni Ate Vi ang Metro Manila Film Festival Best Actress at si Boyet naman ang tinanghal na Best Actor. Muling naulit ang kanilang pagtatambal ng taong 1991 sa pelikulang “Ipagpatawad Mo” ng Viva Films,sa direksyon ni Laurice Guillen at sa pagkakaga-nap niya bilang supportive mother of an autistic child ay napagwagian niya ang ikalimang URIAN Best Actress award. Taong 1993, nang gawin naman nila ang award winning movie na “Dahil Mahal Kita, Dolzura Cortez” sa ilalim ng OctoArts films at sa pamamahala ni direk Laurice Guillen na nagbigay kay Ate Vi ng ikalawang Grand Slam Best Actress award. Sinundan ito ng “Nag-iisang Bituin” under Regal Films na ka-triangle naman ang mahusay na aktor na si Aga Muhlach under the helm of Jose Javier Reyes. Muling naulit ang kanilang pagtatambal noong 1997 nang gawin nila ang “Hanggang Ngayon Ika’y Minamahal” ng Neo Films na pinamahalaan naman ni direk Ike Jarlego Jr. Limang taon ang nakalipas at muling nagpugay ang kanilang tambalan sa pelikulang “Dekada ’70” ng Star Cinema sa direksyon ng award winning director na si Chito Rono. Sa pelikulang ito nanalo si Ate Vi ng kanyang ika-apat na Grand Slam Best Actress.

Mano Po 3, My Love is Vilma’s 22nd film with Boyet kung saan nagwagi ang numero unong aktres ng MMFF, Gawad Tanglaw, Gawad Suri at Star Awards ng Best Actress awards. In most of these films, either Best Actress si Ate Vi(Relasyon, Broken Marriage, Pakawalan Mo Ako, Imortal, Ipagpatawad Mo, Dulzura Cortez, Dekada ’70 at Mano Po 3) at si Boyet naman sa Best Actor ( Broken Marriage, Haplos, Imortal, Ipagpatawad Mo, Dolzura Cortez at Dekada). Sa dami ng pelikulang ginawa nilang dalawa na pawang big hits at nagbigay sa kanila ng acting recognitions, hindi tuloy maiwasang itanong ng karamihan kung ano ang sikreto ng kanilang matagumpay na tambalan. “We’ve never been linked to each other and yet the public loves seeing our movies together. Siguro it’s because we have this unbelievable chemistry. We know each other so well that tinginan lang on screen, we already know what to do to make a take very good.” Ate vi relates. “Siguro yung respeto sa isa’t-isa at pagiging professional ni Boyet. Kapag trabaho, seryoso siya talaga. Ang galing niyang magdala. Alam niya kung paano niya ako sasaluhin kapag nahalata niyang nawawala na ako.” sabi pa ng actress-politician. In an interview, Boyet was asked why does he think his partnership with Vilma continues to thrive even after 30 years? “I just love working with Vi because she is such a giving co-actor. Hindi siya nangaagaw ng eksena. If the scene is yours, susuportahan ka niya nang husto for you to shine. You can’t help but get carried away kapag siya ang kaeksena mo dahil napakahusay niya..O di ba, very well said. Ang trabaho kina Ate Vi at Boyet ay hindi kailanman nahaluan ng malisya. They have over the years worked strictly on the professional level. Off camera ay best friends sila. Sa katunayan nga, si Boyet ang unang aktor na pinagtapatan ni Ate Vi na magpapakasal kay Senator Ralph at ng kanyang pagbubuntis kay Ryan. Platonic daw ang tawag sa uri ng relasyong namagitan kina Ate Vi at Boyet in the sense na alam nila kung hanggang saan ang limitasyon ng closeness nila. Platonic dahil hindi na kailangan an0g anumang physical contact upang ipahayag ang kanilang nararamdaman para sa isa’t isa.

SUBOK NA MATIBAY…SUBOK NA MATATAG ang tambalang VILMA-BOYET. No other loveteam can compile such successes,award wise and box-office wise. Their tandem spells capital B-I-G-H-I-T at the box-office. Mula nang gawin nila ang first movie nila noong late 70’s hanggang ngayon ay hindi pa rin pinagsasawaan at patuloy na tinatangkilik ng publiko at kanilang mga tagasubaybay na mapanood sila sa silver screen.Loveteam for all seasons, ika nga.O may hihirit pa ba? – Willie Ferrnandez, V Magazine, Dec 2006 NO. 9

The List
1. Tag-ulan sa Tag-araw (1976) – Directed by Celso Ad Castillo
2. Masarap, Masakit ang Umibig (1977) – Directed by Elwood Perez
3. Ikaw ay Akin (1978) – Directed by Ishmael Bernal
4. Disco Fever (1978) – Directed by Al Quinn
5. Nakawin Natin ang Bawa’t Sandali (1978) – Directed by Elwood Perez
6. Magkaribal (1979) – Directed by Elwood Perez
7. Pinay American Style (1980) – Directed by Elwood Perez
8. Gusto Kita, Mahal ko Siya (1980) – Directed by Emmanuel H. Borlaza
9. Pakawalan Mo Ako (1981) – Directed by Elwood Perez
10. Relasyon (1982) – Directed by Ishmael Bernal
11. Sinasamba Kita (1982) – Directed by Eddie Garcia
12. Haplos (1982) – Directed by Antonio Jose Perez
13. Paano ba ang Mangarap? (1983) – Directed by Eddie Garcia
14. Broken Marriage (1983) – Directed by Ishmael Bernal
15. Minsan Pa Nating Hagkan ang Nakaraan (1983) – Directed by Marilou Diaz Abaya
16. Imortal (1989) – Directed by Eddie Garcia
17. Ipagpatawad Mo (1991) – Directed by Laurice Guillen
18. Dahil Mahal Kita: The Dolzura Cortez Story (1993) – Directed by Laurice Guillen
19. Nagiisang Bituin (1994) – Directed by Jose Javier Reyes
20. Hanggang Ngayon Ika’y Minamahal (1997) – Directed by Ike Jarlego Jr.
21. Dekada ’70 (2002) – Directed by Chito S. Rono
22. Mano Po 3: My Love (2004) – Directed by Joel Lamangan

Rate this:

Top 10 Leading Men (Videos)

Posted on August 15, 2010 by @ffv Standard

This slideshow requires JavaScript.

1. Christopher de Leon – Christopher De Leon (October 31, 1956 in Manila ) is a Filipino film actor who has 11 award wins and 23 award nominations, he has also become involved in politics. In the 1980s he appeared on the gag show Going Bananas and has appeared in over 120 films since the early 1970s. On July 1, 2010, he was sworn into office as the board member of the 2nd district of Batangas (Wikipedia). One of Philippine movies enduring love team, Vilma Santos and Christopher De Leon successfully transformed their film career from commercial success into critically acclaimed tandem. Both gave memorable performance in their 22 films mostly directed by acclaimed directors. The most notable commercial success are Elwood Perez’ Pakawalan Mo Ako and critically praised Relasyon.

Total Number of films with Vilma Santos – 23 (Tag-ulan sa Tag-araw, Masarap Masakit ang Umibig, Ikaw ay Akin, Disco Fever, Nakawin Natin ang Bawa’t Sandali, Magkaribal, Pinay American Style, Gusto Kita Mahal ko Siya, Pakawalan Mo Ako, Relasyon, Sinasamba Kita, Haplos, Paano ba ang Mangarap?, Broken Marriage, Minsan Pa Nating Hagkan ang Nakaraan, Imortal, Ipagpatawad Mo, Dahil Mahal Kita: The Dolzura Cortez Story, Nagiisang Bituin, Hanggang Ngayon Ika’y Minamahal, Dekada ’70, Mano Po 3: My Love, Karma)

2. Edgar Mortiz – Edgar “Bobot” Mortiz is a Filipino movie/TV actor and actor. Born Edgardo Mortiz on August 30, 1954. He was the champion for 13 weeks on the network’s talent search, “Tawag ng Tanghalan,” hosted by Pugo and Patsy (both deceased). He was the Original and unbeatable partner of Vilma Santos (Wikipedia). The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche.

Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon

3. Romeo Vasques – A best actor awardee in the Asian Film Festival for his portrayal in Ako ang Maysala, He also starred in Lydia, Siete Amores, Wedding Bells, Isinakdal Ko Ang Aking Ama, Ginang Hukom, and Ako’y Iyong-Iyo which was all produced by Sampaguita Pictures Inc. His other movies included Ibulong Mo Sa Hangin, Hani-Hanimun, Sa Muling Pagkikita, Sa Digmaan at Pag-ibig, Ikaw ang Gabi at Ang Awit, Sa Pagsikat Ng Araw, Hanggang sa Kurtinang Bakal, Mariveles, Walang Wakas sa Matatapang, Pwede Ako… Puwede Ka Pa Ba?, Sa Aming Muling Pagkikita and Reputasyon. He co-starred witn Susan Roces in Bandana, Prinsesang Gusgusin and Maruja. His daughter with Amalia Fuentes, Liezel Sumilang, became the wife of Albert Martinez. His real name is Ricardo Sumilang from Lucban, Quezon (FAP).

Total Number of films with Vilma Santos – 11 (Nagaapoy na Damdamin, Pulot-Gata Puwede Kaya?, Dalawang Pugad Isang Ibon, Pinagbuklod ng Pag-ibig, Bakit Kailangan Kita, Pag-ibig Ko Sa Iyo Lang Ibibigay, Swing it Baby, Gusto Kita Mahal Ko Siya, Ayaw Kong Maging Querida, Dugo At Pag-ibig Sa Kapirasong Lupa, Happy Days Are Here Again)

4. Jay Ilagan – Born Julius Abad Ilagan on January 20, 1953 in Manila. Son of Sampaguita Pictures leading lady Corazon Noble and director Angel Esmeralda, he started as a child actor in the Philippine cinema. A matinée idol, he hosted “Stop, Look and Listen” and starred in My Son, My Son and Goin’ Bananas. He died from motorcycle accident in February, 1992 (Wikipilipinas). Jay Ilagan and Vilma Santos did twelve films with commercial success except for one, their most critically acclaimed film, Sister Stella L.

Total Number of films with Vilma Santos – 12 (Inspiration, Ang Konduktora, Tsismosang Tindera, Tatlong Mukha ni Rosa Vilma, Ang Hiwaga ni Mariang Cinderella, Paano Ba Ang Mangarap, Sister Stella L, Coed, Leron Leron Sinta, Ito Ang Pilipino, Remembrance, Karugtong Ng Kahapon)

5. Dindo Fernando – Born Jose Tacorda Chua Surban on Nov 19, 1940, Dindo Fernando became one of the most popular dramatic actor in the Philippines. He was famous as the father of famous TV soup character, Flor De Luna played by Janice De Belen in the 80s. He started at Sampaguita Pictures opposite Nida Blanca in 60s and later branched out into commercial drama actor in the 70s and 80s. His famous movie with Vilma was Gaano Kadalas Ang Minsan and Langis At Tubig.

Total Number of films with Vilma Santos – 7 (Langis at Tubig, Gaano Kadalas ang Minsan, Baby Tsina, Kampanerang Kuba, Langis At Tubig, Hiwalay, T-Bird At Ako)

6. Eddie Rodriguez – One of the greatest dramatic actors of Philippine cinema, he starred in such classics directed by Gregorio Fernandez as Kundiman ng Lahi, Luksang Tagumpay and Malvarosa with Charito Solis, Rebecca del Rio and Vic Silayan for LVN Pictures, Inc…His real name was Luis Enriquez from Zamboanga City (FAP). Eddie Rodriguez who was once played father to Vilma Santos in Vilma’s child star years later became her leading man in smash hits Nakakahiya and the sequel Hindi Nakakahiya.

Total Number of films with Vilma Santos – 10 (Nakakahiya, Hindi Nakakahiya, Simula ng Walang Katapusan, Halik sa Paa Halik sa Kamay, Hiwalay, Mga Mata ni Angelita, Kay Tagal ng Umaga, Hindi Nahahati ang Langit, Kasalanan Kaya?, Sino ang may Karapatan?)

7. Mat Ranillo – Matias Archibald S Ranillo III is son to veteran actress Gloria Sevilla and Mat Ranillo Jr. and brother to actress, Suzette Ranillo. He is now more popular as the dad of starlet, Krista Ranillo. Mat did four films with Vilma, the most memorable was Rubia Servios, directed by the late Lino Brocka.

Total Number of films with Vilma Santos, (as the film’s leading man) – 6 (Dalawang Pugad Isang Ibon, Kampus, Masarap Masakit ang Umibig, Rubia Servios, Relaks Ka Lang Sagot Kita, Mga Mata ni Angelita)

8. Bembol Rocco – Rafael Roco, Jr. (born November 20, 1953) is an award-winning Filipino actor whose work ranges from films to television. He is famous for his critically acclaimed role as Julio Madiaga in Maynila: Sa mga Kuko ng Liwanag. Though he acts in his country’s films, he also had a small role in the 1982 Australian-U.S. film The Year of Living Dangerously(wikipedia). Bembol Rocco did three films with Vilma Santos, two of which were box office hit and one was critically acclaimed, Pagputi ng Uwak Pag-itim ng Tagak.

Total Number of films with Vilma Santos – 4 (Pagputi ng Uwak, Pag-itm ng Tagak, Coed, Kampus, Pinay American Style)

9. Philip Salvador -Phillip “Ipe” Salvador (born Phillip Mikael Reyes on Salvador August 21, 1953) is a three-time FAMAS award-winning Filipino actor. (Wikipedia)Vilma and Philip did three films, all directed by critically acclaimed directors, Marilou Diaz Abaya and the late, Lino Brocka. All these films were critically acclaimed and box office hits. He is also included in another VSR hit film, Sinasamba Kita.

Total Number of films with Vilma Santos – 5 (Adultery, Baby Tsina, Rubia Servios, Batya’t Palu-palo, Bato Sa Buhangin)

10. Fernando Poe Jr. – Ronald Allan Kelley Poe (August 20, 1939 – December 14, 2004), better known as Fernándo Poe, Jr. and colloquially known as FPJ and Da King, was a Filipino actor and cultural icon. (wikiedia)Two of the three films FPJ and VSR did was a record breaking box office hits. FPJ received the Philippine National Artist Award in 2006.

Total Number of films with Vilma Santos – 5 (Batya’t Palu-Palo, Bato sa Buhangin, Ikaw ang Mahal Ko, Dugo At Pag-ibig sa Kapirasong Lupa, Mga Mata ni Angelita)

RELATED READING:

Rate this:

The Seasons In Vilma’s Life

Posted on August 10, 2010 by @ffv Standard

This slideshow requires JavaScript.

The camp of Gov. Vilma Santos credits movie journalist JC Nigado for giving the actress-turned-politician the tag Star for All Seasons. For the longest time — since the early ’70s, rival Nora Aunor was called Superstar. In 1986, Sharon Cuneta was built up as the Megastar and yet Vilma remained untitled.

In 1988, when Vilma marked her 25th year in show business in a PICC extravaganza put up by GMA 7 with the help of Chit Guerrero for her weekly variety show, Vilma!, Nigado wrote a series of articles where he called her Star for All Seasons. Other titles were coined for other stars after that, but only a few managed to maintain those titles and Vilma is undeniably one of them.

Tonight, after Charo Santos’ Maalaala Mo Kaya, ABS-CBN will start airing a five-part special called Vilma: A Woman for All Seasons, which will trace the various facets of her life and career as an actress (the only one with four grand-slam wins), as a TV host and dancer (her Vilma! show on GMA 7 that ran for nine years was the best-produced — without question), as a wife and mother (the first time she is showing her new home in Alabang — a must-see on Aug. 15) and as a public servant (her image as Lipa mayor first and now Batangas governor is untainted). For the final episode on Aug. 29, son Luis Manzano will show viewers some of the behind-the-scenes in the making of their movie All My Life, which will be shown by Star Cinema in September.

I had a reunion with Vilma recently and we both agreed that the title Woman/Star for All Seasons is so apt for her because she had been through all the seasons of life round and round. Together, we sat down to trace the various seasons of her life.

Happiest seasons – “When I gave birth to my son Luis/Lucky — lucky talaga siya.”

“When I evolved as an actress and, modesty aside, started getting those grand-slam awards.” “When I was given a second chance at marriage. Imagine, si Ralph (her husband, NEDA chief Recto), binata and he inherited an instant family.”

“When I gave birth to my other son, Ryan and he grew up to be a healthy boy,” she still sighs with relief now. “That was a difficult pregnancy that made me stay in bed for months.” The truth is, practically the whole nation prayed for her successful delivery and we are all happy that Ryan has turned into a bright and intelligent teenager.

Saddest seasons – “When I discovered in the late ‘70s that financially I was negative P16-M.” This was due to failed investments and mismanagement, particularly of her movie production outfit, VS Films. “The interest of the bank loans I made, I didn’t realize I had already accumulated — from P2-M, it swelled to P7-M. When I woke up one day, wala na akong ari-arian. All my assets were frozen because I also had problems with the BIR.” To her credit, she slaved it out to be able to recover and pay her bank debts. She did films left and right, but she never enjoyed her talent fees from those blockbusters because all these went straight to the bank and to the BIR. For her upkeep (she had to eat, too, of course and maintain a staff), she accepted the offer to do the BBC-2 variety show V.I.P. (Vilma in Person) that aired live Sundays. Looking back, that contributed to the failure of her first marriage (to Edu Manzano) because she had to sacrifice her Sundays, which was supposed to be family day.

“Also sad was the passing away of my father in 1986.” Even local showbiz mourned the death of Amado Santos because he was a good man and was missed by all.

Frustrating seasons – “When my first marriage failed. But God is good. He gave me another chance — and may bonus pa na another son.”

“When my career went down in the late ‘70s and for that I only blame myself because those were the years I was being unprofessional. For example, there was this Christmas presentation I was supposed to do and I fled to Baguio. I did not show up on the set.” Now, I really salute her because it takes a big person to admit that mistake when she could have passed on the blame on other people and even the system. But that’s Vilma Santos.

Rebellious seasons – “When I put my personal life and happiness over my career. Height ng katigasan ng ulo ko ‘yun. I was doing five to six movies a year and maybe na-burn out din ako. I was looking for independence. I wanted my freedom.” She says that her rebellious years happened when she was between 24 to 27 years old. Actually, if you ask me, she started rebelling late. She must have really been up to here to rebel at that point of her life.

Scariest seasons – “If you want me to panic and get scared, tell me that one of my family members is ill. If one of my children is sick, I don’t work — I don’t even sleep. I stay beside my child all the time.” I witnessed that myself when Luis got sick (was it dengue?) before he reached his teens. Nothing and nobody could make Vilma get out of the hospital room (maybe not even an earthquake) because she wanted to stay with her first-born all throughout the ordeal. No tapings, no shoots. If only for that, she should have been awarded best mother of the year. “Even with Ryan now, kaunting lagnat lang, I take his temperature every hour — until he gets annoyed with me na. Ha! Ha! Ha!”

Most romantic seasons – “All seasons,” she says, letting out a hearty laughter.

People have extolled Vilma Santos as a great performer and politician. But has anyone cited her for being witty, too? – Butch Francisco, The Star, Aug 1, 2009

Rate this:

Filmography: Mga Mata ni Angelita (1978)

Posted on August 3, 2010 by @ffv Standard

This slideshow requires JavaScript.

Basic Information: Directed: Lauro Pacheco; Story: Ricardo Y. Feliciano; Screenplay: Jose Flores Sibal; Cast: Julie Vega, Gloria Sevilla, Amado Cortez, Mat Ranillo III, Roldan Rodrigo, Boots Anson-Roa, Alma Moreno, Christopher De Leon, Tony Carreon, German Moreno, Rez Cortez, Eddie Rodriguez, Paquito Diaz, Rosanna Ortiz, Naty Bernardo, Vilma Santos, Nora Aunor, Joseph Estrada, Ricky Santiago, Bert ‘Tawa’ Marcelo, Rey Malonzo, Trixia Gomez, Marissa Delgado, Etang Discher, Paquito Salcedo, Ramon Revilla, Didith Reyes, Ike Lozada, Aruray, Patria Plata, Helen Gamboa, Dolphy, Fernando Poe Jr.; Original Music by Carlos Rodriguez

Plot Description: A star-studded film featuring a blind orphan named Angelita (Julie Vega) who was found unconcious by the groups of nuns after Belen (Gloria Sevilla) attempted to kill her by letting her walk straight ahead on the edge of the cliff. In the monastery, she started her deep devotion to Virgin Mary in the convent which was last seen missing her pair of eyes. Angelita started to search for her parents and along her way, touched various lives both poor and rich until she found her mother, Janet (Helen Gamboa). – Kabayan Central (READ MORE)

The story revolves around that of a blind girl named Anghelita who was given the eyes of the Virgin Mary. But having her sight back, she will see what the world really is, filled with pain and sins. So, in search for her long lost mother, she will be instrumental in changing the lives of people along her way. – Wikepedia

Film Achievement: 1978 FAMAS: Best Child Actress – Julie Vega

Film Review: Mga Mata ni Angelita was written by Ricardo Feliciano and became a number one hit radio drama from 1974 to 1978. It was made into a film by Larry Santiago Productions and catapulted the late Julie Vega into fame. The film was a phenomenal hit when it premiered in 1978, mainly because of its big name stars such as Ramon Revilla, Helen Gamboa, Dolphy, Vilma Santos, Nora Aunor, the late Fernando Poe Jr., Christopher De Leon, Alma Moreno, Rez Cortez, Paquito Diaz, and Eddie Rodriguez, to name a few. – Wikepedia

“…Julie Vega was only 10 years old when she was launched to full stardom in the 1978 movie, “Mga mata ni Angelita.” She appeared in previous movie outings as Darling Postigo. The young Vega was ably supported by an all super star cast headed by the King of Philippine Movies, Fernando Poe, Jr. (in the role of Conrado, the ex-convict) and Comedy King Dolphy (as Tacio, the taho vendor). Also appearing in cameo roles were Joseph Estrada (as himself as Mayor); Nora Aunor (a metro-aide sweeper); Vilma Santos ( as a worried wife); Ramon Revilla (as barrio captain); Alma Moreno (as a jealous sweetheart); Christopher de Leon (as the lover) and many more…” – Simon Santos (READ MORE)

“…This study looks at the existence of Filipino films that are focused on the discourse of religiosity, featuring a female protagonist who imbibes the image and assumes the role of a female deity. The films included are Mga Mata ni Angelita (The Eyes of Angelita, 1978, Lauro Pacheco), Himala (Miracle, 1982, Ishmael Bernal), Ang Huling Birhen sa Lupa (The Last Virgin, 2002, Joel Lamangan) and Santa Santita (Magdalena, 2004, Laurice Guillen). In the four narratives, the female protagonists eventually incur supernatural powers after a perceived apparition of the Virgin Mary or the image of the Virgin Mary, and incurring stigmata or the wounds of Christ…While some were filmed for the purpose of screening during the Lenten season, there are those which were meant to be mainstream films. These went on to become both critical and commercial successes, carrying controversial topics which challenge the Filipino audience’s notion of religiosity and spirituality. Mga Mata ni Angelita, from which Julie Vega rose to fame, features a star-studded cast, including Vilma Santos, Nora Aunor, Dolphy, German Moreno, Boots Anson-Roa, Helen Gamboa and Fernando Poe, Jr. who shared very little screen time with the well-loved child star of the 80s…” – Erika Jean Cabanawan, Review of Women’s Studies, 2010 (READ MORE)

Related Reading:

Rate this:

1st shooting day ng Darna and the Giants

Posted on July 28, 2010 by @ffv Standard

This slideshow requires JavaScript.

Bagama’t bahagyang umuulan at kulimlim ang panahon, naging napakasaya ng first shooting day ni Vilma Santos sa pinakabago niyang pelikula, ang Darna and The Giants, pamaskong handog ng TIIP.

Ang paghihintay ng paghinto ng ulan ay nakapagbigay ng sapat na panahon para makapalagayang-loob ni Vilma ang beteranong bituin na si Katy DelaCruz na makakasama niya sa kauna-unahang pagkakataon. Gumaganap ito na lola nila ni Dondon Nakar (bilang kapatid ni Narda, si Ding), at tulad ng isang propesyonal na artista, mataman nitong tinatanong kay director Maning Borlaza ang mga mumunting detalye ng kanyang karakter bago magsiyuting.

Magsisimula na lamang ang siyuting ay tuloy pa rin ang mga harmless jokes sa set, at tulad ng isang maunawaing direktor, si Borlaza ay tahimik lamang sa kanyang script. Nagbibiro lamang ito kapag inaayos ang mga ilaw at ang kamera, ngunit sa sandaling handa na ang lahat, seryoso na siya at sa nakikitang disiplina, seryoso na rin ang mga kasama sa kanikanilang trabaho.

Papel ni Narda ang unang kinunan kay Vilma, since hindi pa tapos ang costume niya as Darna. Sa bakuran ng tahanan nina Mr. and Mrs. Enerio Custodio sa Barrio Culiat Novaliches ginanap ang mga unang eksena ni Vilma. Pagkabihis ni Vilma ng isang simpleng pambahay, inalis niya an grelos at singsing sabay hindi ng asetona upang maalis din ang cutex sa kanyang mga kuko sa kamay. Dito pabirong tinanong ng make-up artist na si Dading Rabela kay direktor Borlaza kung lalagyan ng false eyelashes si Vilma. Tawanan ang lahat ng tingnan ng matalim ng direktor si Dading.

Mistulang tanawin sa baryo ang unang eksena nila sa kinapapalooban ng paglalaba ni Vilma. Sa foreground ay nagsisibak ng kahoy si Romeo Miranda, samantalang nagpapalipad naman ng sarangola si Dondon, habang nagmamasid si Mommy Kate na nagpipili ng bigas sa may bintana.

“Direk, titingin ho ba ako kay Romy?” tanong ni Vilma bago mag-take. “Ay, naku, wala kang pakialam sa kanya,” sagot naman ng direktor. Sa gayong casual ang friendly atmosphere sa set, ganadong-ganado ang mga bituin at hindi alintana ang katotohanang lampas na ang lunch break. Maging close-up ni Romy na hangos siyang tutungo kay Vilma ay nakatikim din siya ng biro mula kay direktor Borlaza.

“Ikaw, ha? Pag “kissing scene,” sugod-Bataan ka, ha?” Ayong sa script, gagawa ng childish mischievousness si Dondon, na botong-boto kay Romy para sa kanyang Ate Narda. Sasabihin niya kay Romy na mahal ito ng kanyang ate at payag pang pahalik. Sa kabilang dako, gagawa naman siya ng drama kay Narda, na kapag hindi nito sinagot si Romy ay magpapakamatay ang binata. Kaso, ang sagot ni Narda: “Wala ‘kong pakialam. May itak diyan, baka gusto niyang magsaksak sa sarili, o di kaya ay baka gusto niyang tumalong na lamang sa bangin.”

At dahil iba nga ang sinabi ni Dondon kay Romy, laking bigla ni Narda nang halikan siya ng binata sa pisngi. Iyong tayo na iyon ni Narda, isang malakas ng sampal ang dumapo sa kanang pisngin ni Romy at talsikan ang mga bula ng sabon sa kanyang mukha. Galit na galit si Narda. Hiyang-hiya naman ang nabiglang talisuyo. Pagkasabing-pagkasabi ng direktor “Cut!,” Abot-abot naman ang hingi ng “sorry” ni Vilma sa namumula pang si Romy.

In between takes, ikinuwento ni direktor Borlaza kina Vilma at Mommy Kate ang ilan sa magagandang camera tricks ng pelikula. Halimbawa, ay ang eksenang ihuhulog ni Darna ang giant na si Cesar Ramirez sa bulkan. Ipapakita dito ang close-up ng pagbitiw ni Darna kay Cesar sa bibig ng bulkan, at isang continuing close-up ng katawan ni Cesar na hinihigop ng lava. Natural, excited ang Vilma, at amused na amused naman sa kanya si Mommy Kate.

Nagpatuloy ang siyuting, at patuloy din ang pagbibiro ng direktor habang nagbibigay ng instructions sa lahat. Magkaganito man, mababakas naman ang paggalang sa kanya ng buong cast and crew. Ngunit ang mahalaga, naruroon ang camarederie, ang warmth ang casualness, kung kayat relazed ang lahat at natural na natural ang mga bituin sa harap ng kamera.

Nang dakong gabi ay “harana scene” naman ang kinunan. Tatlong up and coming singer stars ang gumanap dito, sina Rodel Naval, Raymond Dabao, at Aristeo Dimavivas na nagparinig ng magagandang awiting katutubo.

As expected, nang dakong tanghali ay dumating nang grupo-grupoang mga nag-aaral sa culiat High school, na walking distance lamang ang layo sa location site. Maging ang ilang guro ay dumating at naghintay ng pagkakataon na magpakuha ng larawan na kasama sina Vilma at Romero. Bagama’t punon-puno ng tao ang malawak na bakuran, tahimik naman sila kapag take. Kaya lang, nahirapan ang crew sa pagpapaalala na huwag nilang tapakan ang napakaraming tanim doon. Napilitan tuloy na “itago” si Vilma sa loob ng bahay nina Mr. custudio kapag hindi rin lamang siya kailangan sa eksena. Ngunit sa sandaling matanaw nila ito, dagsa ang tilian ng mga tao.

Mga isang lingo lamang at inaasahan ni direktor Borlaza na matatapos lahat ang eksena ni Narda. Tamang-tama naman iyon upang matapos ang custome ni Vilma para sa mga Darna scenes na karamihan ay kukunan sa isang makatotohanan and colorful na kuweba na ipinagawa sa loob ng studio grounds ng Premiere Productions. Kulay gold ang costume dito ni Vilma na may red sash sa may baywang.

At upang matapos ang pelikula in time for its December 22 playdate, malamang na ipagpaliban muna ni Vilma ang pagtungo sa Hongkong para sa dubbing ng Twin Fist For Justice. Gayon din, hindi na muna niya sisimulan ang Phantom Lady, since bukod sa malayo pa ang playdate nito ay hindi pa rin tapos ang costume niya. – Source: unknown via internet posting (updating)

Rate this:

A real Roman holiday

Posted on July 24, 2010 by @ffv Standard

When Sen. Ralph Recto went to Rome for the first time a few years ago, he threw a coin in the fountain (Fontana D Trevi) believing that, according to tradition, if you do so your wish will be granted. You know, the song: Three coins in the fountain, which one will the fountain bless? Thrown by three hopeful lovers, each one seeking happiness… Ralph threw only one coin and his wish to be back in the Holy City was granted. Last March 24, Ralph was back in Rome, not alone but with his wife, Lipa City Mayor Vilma Santos, and their son Ryan Christian, along with Vilma’s sister Emelyn, Vilma’s brother Sonny Boy, Ryan’s yaya Fely and Vilma’s Girl Friday/accountant Aida Fandialan. They were there purposely as guest in the ordination of Cardinal Gaudencio Rosales, formerly Archbishop of Lipa and now Archbishop of Manila. It was one event the Rectos will remember for a long, long time.

The formal invitation to the ordination read: Prefettura Della Casa Pontificia CONSISTORO ORDINARIO PUBBLICO tenulo dal Santo Padre BENEDETTO XVI per la creazione di 15 nuovi Cardinali VENERDI 24 Marzo 2006 piaza San Pietro – ore 10,30. The footnote in the card read: L’ingresso sara consentito Dalle ore 8,30. Cardinal Rosales was No. 5 on the list of 15 new cardinals who were given the red hat. The day before the ordination, the entourage went around as if they were wearing a halo all because they saw Pope Benedict XVI in person. Because they were with the foreign dignitaries, Vilma, Ralph and Ryan got close to The Pope, together with First Daughter Luli Arroyo, Cristina Ponce Enrile, Bea Zobel and the family of Cardinal Rosales. Because Ralph knew his way around, he acted as the entourage’s tour guide, even as the photographer (along with Sonny Boy). When they visited the Fontana D Trevi, Ryan threw plenty of coins because, he said, he wanted to be back in Rome as many times as possible. The rest of the group did the same.

On March 29, Ryan turned 10. To mark his birthday, Papa Ralph gifted his boy with 11 toys, the extra toy as “bonus” for the celebrator’s having gotten good grades at La Salle where he made it to the Top 5. Bright boy! Ryan also got a few medals last year during the oratorical contest. By this time, the entourage should be in Los Angeles to be with other members of the Santos family (including Winnie Santos). On weekend, the birthday celebration continued for Ryan who was brought to Disneyland for yet another visit. From April 13 to 17, they will go on a Royal Caribbean tour, with Mexico as kick-off point. They will be back in time for the birthday on April 21 of Vilma’s son Luis who must be hitting his head on the wall for begging off from the trip. It was, indeed, a real Roman holiday. Asked by Funfare during a brief phone chat if she wanted to go back to Rome, Vilma said, “Yes, of course. By all means!” Thank God, she threw not just one but a handful of coins to the Fontana D Trevi. – Written By Ricardo F. Lo, The Philippine Star, FUNFARE 04/03/2006

Rate this:

Classic OPM

Posted on July 24, 2010 by @ffv Standard

I would like to share with you some songs that have been written originally as theme songs for Vilma Santos movies. Song that became big hits and now considered as Original Pilipino Classic.

1. DITO BA – Composed by the late George Canseco. This song was the theme song of MISS X. Ito ang awi-ting nagpakilala at nagpasikat kay Kuh Ledesma . This was one of Ledesma’s earliest hit which also gave her multi–platinum awards. Kaya sa ayaw at sa gusto ni Kuh, malaki ang naitulong ng awiting ito
sa kanyang career. Kahit nag-concert siya USA, kasama si Nora Aunor alam kong mas malapit sa puso niya si Vilma. Isa pang awitin ni Kuh na talaga namang napakaganda at mangangarap ka kapag pinakikinggan mo ay ang MINSAN SA ISANG PANAHON. Gawa din ito ni George Canseco para maging
theme song ng pelikulang KARMA.

2. LANGIS AT TUBIG – Another Canseco composition that have been made for the movie of the same title. Dito nagsimulang marinig ang kakaibang tinig ni Sharon Cuneta. Naging mega hit ang awiting ito at maririnig sa lahat ng sulok ng Pilipinas, dahil walang singing contests na hindi mo maririnig ang awiting ito. The people behind the making of this Vilma Santos classic movie were also the people behind Sharon Cunetas first movie DEAR HEART. I believe that LANGIS AT TUBIG is a big influence to Sharon Cuneta’s film career, remember she is originally known as a singer.

3. IBIG KONG IBIGIN KA – The song have been composed by Vic Villafuerte for the movie “PAKAWALAN MO AKO”. Sang by one of Ate Vi’s leading men in the film, the dashing debonaire, Anthony Castelo. Actually, during that time “BALATKAYO” lang ang talagang hit ni Anthony. But because of this song muling nagkaroon ng hit si Anthony and actually gave him a gold record award. Naging favorite din ito ng mga sumasali sa singing contest, pero talagang ang may mahusay lang na tinig ang pwedeng umawit nito. To date, this is still one of my favorite OPM.

4. KUNG KAILANGAN MO AKO – This was composed by Rey Valera as theme song of the movie “ROMANSA”. The movie is the first team-up of Ate Vi and former husband Edu Manzano. Sa trailer palang ng movie ang awiting ito kaagad ang bubungad. Ito ang isa sa biggest hits ni Rey Valera at naging multiplatinum din and awiting ito. Hanggang ngayon sikat pa rin ang awiting ito at madalas gamitin na theme songs ng pelikula at television drama. Naging title at theme song din ito ng pelikula ni Sharon Cuneta at Rudy Fernandez, ditto with one of teleserye in ABS-CBN kung saan unang napansin at nakilala si PIOLO PASCUAL. Incidentally, Piolo became one of Ate Vis anak in DEKADA 70.

5. KUNG TAYOY MAGKAKALAYO – Another Rey Valera composition that was used as theme song of the movie “HIWALAY.” The song is also a hit and considered by song critics as one of Rey Valeras best composition. This is one of my favorite song and I enjoyed singing it on videoke. Madamdamin
talaga ang awiting ito and Rey Valera admitted that this is one of his favorites and would you believe he composed this song alone in LA LOMA CEMETERY?

6. HIRAM – This was again originally written by George Canseco for the movie “PALIMOS NG PAG-IBIG.” Magnificently rendered by ZSA ZSA PADILLA that gave her first platinum record and her biggest hit. Ito ang awiting nagpasikat ng husto kay ZSA ZSA PADILLA aminin man nya o Hindi. Hanggang sa Ngayon bumebenta pa ang awiting ito. Inawit din ito ni Sharon
Cuneta at ginamit na theme song ng pelikula nila ni Richard Gomez ang MINSAN MINAHAL KITA. And now it was the title and theme song of ABS-CBN Soap Opera staring Kris Aquino.

7. SINASAMBA KITA- Written by Rey Valera and Lyrics by George Canseco was made for the movie of the same title. Katulad ng movie record breaking din ang song dahil naging mega hit ito sa mga record bar and naging multi platinum din ito. This is Rey Valeras biggest hit. Lalong sumikat nang awitin din ni Sharon Cuneta. This was also included in one of Regine Velasquez’ album. That meams marami ang kumita sa awiting ito at hanggang ngayon sikat pa rin.

8. Sino ang makakalimot sa mga walang kamatayang awitin ni BASIL VALDEZ na sadyang ginawa para sa pelikula ni Vilma Santos. Kung ano ang title ng song siya ring title ng movie. Ang mga awiting ito ay all time favorites ng mga videoke officionados. Mostly if not all composed by George Canseco, these songs gave Basil either Gold or Platinum. Here they are: GAANO KADALAS ANG MINSAN, PAANO BA ANG MANGARAP, MINSAN PA NATING HAGKAN ANG NAKARAAN, MULING BUKSAN ANG PUSO, SAAN NAGTATAGO ANG PAG-IBIG.

9. SANA MAULIT MULI – This song was used as theme song of the movie “IBULONG MO SA DIYOS.” Originally sang by GARY VALENCIANO and one of Ate Vi’s leading men in the film. This is Gary’s first hit tagalog song. Lalong sumikat ang kanta nang awitin ni Regine Velasquez. Inawit din ito ni Lea Salonga at naging theme song ng ng movie nila ni Aga Muhlach sa Star Cinema. The movie won Best Picture and gave Aga his first Best Actor trophy sa URIAN.

10. SANGANDAAN & ALING PAG-IBIG PA – Kung madalas kang mag-attend ng mga rallies especially during the time of EDSA revolution and up to now sa mga labor rallies madalas mong maririnig ang mga awiting ito. These songs have been featured in the movie SISTER STELLA L. These were magnificently rendered by PAT CASTILLO. Ang mga awiting ito ang nagpakilala sa singer na ito. Sa mga music lounge lang naman talaga sya maririnig at makikita, pero simula ng awitin nya ang mga songs na ito nagsimula syang makilala ng masa. Laging kasama ang mga awiting ito sa mga Nationalistic and Patriotic albums. We can now consider Vilma Santos not just a powerful figure in the movie industry but in the music industry as well. Kahit hindi sya and singer or composer malaki ang naiambag nya sa pagsikat ng Original Pilipino Music. Imagine how influential Ate Vi is, mapa-kanta or singer napapasikat nya as long as ma-identify ito sa kanya. – Written by “Aries Roll-on” V Magazine

RELATED READING: Theme Songs (1964-2009)

Rate this:

Queen Vi

Posted on July 24, 2010 by @ffv Standard

Scene: struggling with her emotion, she kneels beside the bed where her father lies dead. The crippled old man couldn ’t accept the fact that his daughter was dancing for a living. Earlier, they had a quarrel and when she left the house, the old man had killed himself. “Bakit naman hindi n’yo ako hinintay?” she’s now whispering to him in remorse, “hindi naman talaga ako galit sa ‘yo, a. Di ba kayo rin kung minsan nakapagsasalita kayo ng masakit sa akin pero naintindihan kita dahil alam ko galit ka at hindi mo sinasadya. Dapat naman sana naintindihan mo rin ako,” she continues, breaking into sobs, “dadalawa na nga lang tayo sa buhay iniwanan mo pa ako. Hindi naman tama ‘yon!” And with the camera fixed on her in a semi-closeup shot, she weeps through her kilometric dialogues with startling spontaneity, the scene lasting all of ten minutes.

The scene is one of Vilma Santos’ high moments in Burlesk Queen, Celso Ad. Castillo’s magnum opus which earned for Vilma the Best Actress award in the Metro Manila Film Festival concluded last week. It’s a difficult scene and an actress of lesser skill could have buckled along the way and wasted rolls of precious film, but not Vilma who acquitted herself beautifully well in just one take. “Halos wala kaming rehearsal,” Vilma recalls, “kasi si Direk ayaw ng masyadong rehearsal dahil nagiging mechanical daw ang labas. Gusto niya after one rehearsal, take na kaagad because he believes that the first take is always the best.” Then she adds as an afterthought: “Nakakapagod ang eksenang ‘yon. Emotionally, that is.” Had she done the role of a burlesque dancer three years ago, Vilma would have stirred a big hornet’s nest among her loyal diehards… she would have been burned in effigies in indignant rallies all over the country… but no such untoward reaction happened, thank heavens. “My fans have grown up with me,” Vilma says, “they have matured. Besides, I’m already 24 and I’m not getting any younger. Ayoko naman nang palagi na lang akong naka-ribbon sa buhok at nalo-lollipop. Hindi na ako ang dating sweet-sweet. Come to think of it, mas mahirap mag-maintain ng sweet image dahil kaunting mali mo lang nama-magnify na kaagad, pinalalaki kaagad.”

Her metamorphosis began in late 1976 when she agreed to be kissed by Rudy Fernandez in Makahiya at Talahib. It was a “feeler” of sort and when the public clacked its tongue in obvious approval, Vilma shelved her lollipops-and-roses image and proved that she, too, could be a woman – a wise move indeed because at that time her career was on a downswing and her movies were not making money. Then she did Mga Rosas sa Putikan for her own VS Films where she played a country girl forced into prostitution in the big city. The movie did fairly well at the tills. Good sign. And came her romance with Romeo Vasquez, boosting both their stocks at the box office (thier two starrers, Nag-aapoy na Damdamin and Pulot-Gata where Vilma did her own wet style, were big moneymakers). The tandem, although it did help Vilma, actually helped Vasquez more in re-establishing himself at the box office (without Vilma, his movies with other leading ladies hardly create any ripple). In Susan Kelly, Edad 20, Vilma played a notorious-woman role that required her to wear skimpy bikini briefs in some scenes, following it up with two giant sizzlers (Dalawang Pugad, Isang Ibon and Masarap, Masakit ang Umibig) that catapulted her as the newest Bold Queen. Then came Burlesk Queen.

Scene: she comes home one night to find the mother of her week-old husband packing his clothes. He has eloped with her but he’s a Mama’s boy, a backbone-less guy when face-to-face with his mother, and he has now agreed to go home with Mama. She couldn’t persuade him to stay. As mother and son descend the long flight of stairs, the burlesk queen is left all alone in her room, in tears, with nothing and no one to clutch on to. At first she pleads with him but realizing the futility of it all, she proceeds to mock him and humiliate him, “Sige, she yells at him, “magsama na kayong dalawa, magsiping pa kayong dalawa, wala na akong pakialam. Ikaw, Jessie, wala ka namang paninindigan. Sige, magsama na kayo ng mama mo. Sige, gawin mong babae si Jessie, gawin mo siyang bakla!” Vilma’s change of image is part of her newly-found “liberation.” Liberation from what? “From many things,” Vilma answers. “From fear of being criticized, from fear of what people would say about me, from certain restrictions and inhibitions, from everything that was slowly choking me.” That exactly was how she felt early last year: all choked up.

So she slipped into a private hole after a quarrel with her Mama, refusing to be seen in public and thus setting off speculations that she was in hiding because she was on the family way. “No such thing,” says Vilma who had posed in a pair of bikinis to disprove the rumor. “Na-rumor pa na nagpa- abort daw ako at kung anu-ano pa, na nagwawala na raw ako. Pero ako naman hindi ko na iniintindi ang mga tsismis, bale wala na sa akin. Basta ako, I tell the truth and if people don’t believe me, okay lang. Dati-rati, nagri-react kaagad ako, pero ngayon, sanay na ako.” She was so confused and depressed at that time, “so filled up to my neck with problems and the pressure of too much work,” that Vilma was all set to kiss the movies goodbye. “Nakahanda na akong mamuhay ng tahimik noon, as an ordinary person.”

And how was he able to overcome that blue period? “Well, when they let me alone, nang payagan akong magsarili, that’s when everything seemed to loosen up. That’s the time I really felt free. Now, I have all the privacy I want, sa bahay ko, that is.” Although she now lives by herself in a single-girl’s pad, Vilma still runs home to Mama and Papa when she has to make important decisions. When Burlesk Queen was offered to her, Vilma bided her time until she talked with her parents. “Okay,” her Mama agreed, “as long as the sexy scenes would be treated well.” Says Vilma: “I am liberated in the sense that I have moved out of the family residence. Why did I do it? Because I feel I am old enough to take care of myself, gusto ko namang masubukan ang independence. I feel that I am old enough to know what I want. “Ngayon,” she adds, “anu’t-ano pa man ang mangyari, buhay ko na ito. Kung madapa man ako, sisikapin ko nang bumangon ng sarili ko.” Her kind of liberation includes freedom to choose her dates and to go out unchaperoned. To criticisms about her going out with a married man, Vilma snorts: “Ako naman, I don’t care whether a man is a sinner or a saint. Basta niri-respeto niya ako at ang pamilya ko, niri-respeto ko rin siya.”

Scene: She emerges on stage in a lace gown and, gradually, as the music gets hotter and hotter and the audience’s applause louder and louder, she unwraps herself and starts the greatest performance of her life. She has lost her father and her lover Jessie and she has nothing more to live for. The baby in her womb has to go, there shouldn’t be any memory of Jessie. And she dances on and on and on until she collapses in a bloody heap. The dance lasts for 17 minutes. It is her dance of death. Vilma almost backed out of the tree-fourths finished movie when she learned about the finale sequence. No, she wouldn’t do it, she couldn’t do it. She ignored call slips and went into hiding. Poor Celso, he was drowning in his own tears of desperation and banging his head against the wall.

Burlesk Queen was his “last card”, he wanted to retrieve his dwindling popularity, he wanted to save face and if he didn’t get what he wanted now, he would be finished. Finally one day, he received a basketful of fruits – “Peace offering,” Celso calls it, “from Vilma.” “It took us almost seven nights, shooting straight, to finish that sequence. I learned the dance from an expert real-life burlesque dancer. During shootings, palaging close-door. My God, I couldn’t have done it with so many people around.” She had to take several shots of brandy before the shooting. “Otherwise, I could have died from nervousness. ”According to Romy Ching, producer of Burlesk Queen, he didn’t really have the Metro Filmfest in mind because he had a November 25 playdate. But when he saw the rushes, he changed plans. “Hindi ka magsisisi na tinanggap mo ito,” he told Vilma, “it will be worth it.” Says Vilma: “I didn’t expect to win, although marami ang nagsasabi sa akin na malaki ang pag-asa ko. Ako naman, I don’t believe anything unless talagang nangyayari. Kasi noon, I expected to win, sa film festival din sa Quezon City, but somebody else did. I was very disappointed. Noong awards night nga, I wasn’t convinced I would win hanggang hindi ko pa hawak ‘yong trophy.”

After the award, Vilma has understandably upped her asking price. She’s now worth only P300,000, may kaunting tawad pa if the role is good and the director is good. That business-and pleasure trip to Europe with Vasquez shall have to wait while Vilma is fulfilling her previous commitments. The morning after the awards night, tempting offers swamped Vilma, P300,000 and all, but she is not about to grab them all. She wants first to resume the shooting of her own outfit’s much delayed project, Pagputi ng Uwak, Pag-itim ng Tagak, where she co-stars with Bembol Roco and has for director, yes, Celso Ad. Castillo. “We want to make it as good as, if not better than, Burlesk Queen,” Vilma and Celso promise. It better be. – Ricardo F. Lo, Queen Vi (or Or, how Vilma Santtoss came out of the doldrums and reasserted herself at the Box Ofice) Expressweek Magazine January 19, 1978