Flores de Mayo

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Fashion Show – “…The Sta. Cruz de Mayo, or popularly identified as the Santacuzan activity itself, as introduced by Franciscan Missionaries, is a retelling of biblical stories and characters climaxing with the “finding of the True Cross” by the Empress Helena and her son Constantine I, the first emperor of the Holy Roman Empire. This Novena procession is normally held at the end of May. In the past, the Santa Cruz de Mayo participants were encouraged to dress up in biblical costumes and to hold the appropriate symbols of their role in their hands. Sadly, with multiple queens or reinas, the present Santacruzan has become a fashion show, an unfortunate turn of event discouraged by the Church. The Filipino Heritage Festival Inc. (FHFI), in celebration of Heritage Month last May, campaigned for the return of the original practice of the Santacruzan by encouraging people to be aware of its inherent religious significance as well as its cultural value in our nation’s history…” – Philippine Daily Inquirer, July 15 2012 (READ MORE)

Hermana Mayor – “…Namukadkad ang samu’t saring klase ng bulaklak sa loob ng kapitolyo nang inalala ni Governor Vilma Santos Recto ang pagdiriwang ng Flores de Mayo kasama ang mga kawani at opisyales sa pamahalaang panlalawigan ng Batangas. Hangad ni Gov. Vi na muling maiangat ang kultura ng mga Batangueño lalo na at sila ang nagpalaganap ng paggunita ng pista ng mga bulaklak tuwing Mayo. Ang selebrasyong ito ay isang sagradong pagdiriwang ng pagbibigay parangal kay Birheng Maria sa pamamagitan ng paghahandog ng bulaklak sa kanyang taglay na huwarang kalinisan at kabutihan. Noong ika-7 ng Mayo ay pormal na binuksan ang tuklong sa Kapitolyo na hudyat ng pakikiisa ng buong Pamahalaang Panlalawigan sa Flores de Mayo at doon din ay masayang ginampanan ni Gov. Vi ang pagiging Hermana Mayor sa unang araw ng pag-aalay ng bulaklak sa Birheng Maria. Kaugnay dito ay nagtakda ng mga tanggapang magiging abala sa paghehermana hanggang sa ika-30 ng Mayo. Tulad din ng karaniwang parokya, magkakaroon ng isang Grand Santacruzan na magiging culminating event ng Flores de Mayo sa Kapitolyo…” – Mamerta P. De Castro, PIA, May 13 2012 (READ MORE)

True Cross – “…Tradition ascribes the Finding of the True Cross to Emperor Constantine’s mother, a Christian convert. As a token of piety, Helena had churches built, and, at an advanced age of 80, went on a pilgrimage to Jerusalem. At Calvary, she had several excavations made in which 3 crosses were found. To determine the real thing, she had a dying man placed on each cross who recovered upon being touched by the authentic cross. Another story tells of her discovery of 3 nails that shone like gold. Although details of her life are vague and legendary, she was, at one time, considered one of the most important women in the world. The proper Santacruzan not only gives tribute to Mary and the finder of the Jesus’ cross but also gives recognition to characters from both the Old and New Testament. The procession opens with boys holding ciriales, poles topped with a cross and candles. Heading the cast of charcaters is the ancient Matusalem, followed by 2 Reina Banderadas, flagbearers of the Philippine and papal standards. Toddlers carrying placards spelling out AVE MARIA precede the parade of gorgeous sagalas. Three maidens representing the virtues of Fe, Esperanza, Caridad (Faith, Hope and Charity) come next, trailed by the Divina Pastora, with a lamb or goat. More queens make their appearance in this order: Reina Mora (the moorish queen, Reina Saba (Queen of Sheba), Infanta Judith (holding Holofernes’ decapitated head), Reina Sentenciada, Abogada and Reina Justicia. Next in line are more pretty sagalas bearing the symbols of Christ’s passion: 3 dice on a plate, 30 pieces of silver (supot ng Hudas), St. Peter’s rooster (manuk ng San Pedro), the spear, 3 nails, INRI sign and kuronang suksuk. The major beauties of the town follow, starting with Veronica, Maria Magdalena, Maria Salome and Rosa Mistica. The last 3 queens make their grand entrance in this order: The Reina de los Flores holding a bouquet of flowers, Reina Ester, the beloved Jewish Queen of Persia holding a scepter, and finally, framed by a flowered arch, the crowned Reina Elena, a role especially reserved for the town’s loveliest belle, dressed in a magnificent flowing gown with a small crucifix in hand. Walking by her side is Principe Constantino, representing her young son, with a cape, crown and sword. The use of handsome escorts is a fairly modern concept as well as the appearance of multiple Elenas (as in Reina Elena 1, Elena 2, etc). Sometimes too, the Reina Elena is treated separately from an Emperatriz, although both are one and the same. Often lost or ignored in the rear-end of the procession is a figure representing San Macario, the bishop who escorted Helena to Jerusalem…” – Alex R. Castro, Views from Pangpang, Sep 12 2007 (READ MORE)

Movie Queen and Vilmanians Magazines

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Star-worship – “…The komiks of the 1970s reflected the general view of the Filipinos to Philippine movie stars. The late 1960s decade saw the emergence of the star-studio system-wherein movie stars were groomed to become studio assets. The drive to publicize the groomed stars (like Nora Aunor, Vilma Santos, Tirso Cruz III, and Edgar Mortiz) made sure that even komiks-magazines carried their photos and gossip stories. Some publishers even came up with komiks-magazines that bordered on the star-worship, with titles like Superstar Nora Aunor Movie Entertainment Magazine, Movie Queen Vilma Santos Showbiz Magazine and Topstar PIP Movie Entertainment Magazine. These komiks (and other similar titles) turned the komiks pages mostly into photo albums of stars and gossip columns, which may have attracted a following from young fans, but alienated the more mature komiks readers. The young fans, of course, were mostly high school and university students who were spending a large portion of their allowance collecting these fan komiks-magazines. In general, parents became concerned about this and forbade the reading of komiks, contributing to the general view that komiks had no educational value….” – Antonio S. Velasquez, komiklopedia (READ MORE)

Movie Queen Vilma Santos Showbiz Magazine – “…is an entertainment komiks magazine published by Gold Star Publishing Corporation. First released in 1970 with Mar F. Cornes as Editor, this magazine contained showbiz news, articles, moviestars pin-ups, movie ads and illustrated short stories of different genres. Its title was named after Vilma Santos, a motion picture star who was then very popular. When Martial rule was imposed in 1972, its title was changed into ”Movie Queen Showbiz Magazine….” – Antonio S. Velasquez, komiklopedia (READ MORE)

Die Hard Vilmanians Magazine – “…is an entertainment comics magazine published by ACR Publications. Its maiden issue came out in 1971 with Angel C. Reyes as Managing Editor and Phil. Ver. Posadas as Editor. The title of the magazine was named after Vilma Santos’ die hard fans or followers…” – Antonio S. Velasquez, komiklopedia (READ MORE)

Paper Doll – “…Written by Vilma Santos and Edgar Mortiz, Illustrated by Rudy Nebres, Kislap Magasin, 1974-1975…” – Antonio S. Velasquez, komiklopedia (READ MORE)

1973 FAMAS Awards Night

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1973 FAMAS – “…Halos mangilid ang luha sa kanyang mga mata nang tanggapin niya ang kanyang FAMAS Awards. Sa wakas ay nagtamo rin ng karangalan at pagkilala ang kanyang pagsisikap at kakayahan. Baguhan pa lamang si Nick Romano sa pelikula at iyon ay ang una niyang nomination at nakamit din niya ang kanranagalan best bilang supporting actor nang gabing iyon. Kung naruwa man si Joseph Estrada sa inaning karangalan ng kapatid niya nang gabing iyon ay ganoon din si Tony Ferrer sa kapatid niyang si Nick Romano. Most applauded si Marrissa Delgado nang gabing iyon dahilan sa noong nakaraang taon ay siya ang nagkamit ng FAMAS award for best supporting actress at ngayon ay siya na naman na nagpapatunay lamang na talaganag karapatdapat siya sa karangalang natamo niya last year. Hindi mailarawan ang kagalakan niya ng gabing iyon. Umiiyak siya’t naliligayahan nang siya mismo ang tumanggap ng tangan niyang trophy na ang buong akala niya’y ibibigay niya sa bagong awardee. Dalawa ang best Actress ng gabing iyon. Nangangahulugang kapuwa mabigat ang labanan at walang itulak kabigin kina Boots Anson Roa at Vilma Santos kaya minabuti ng inampalan na bigyan kapwa ng best actress award sina Boots at Vilma…” – Aruy Tapusan Komiks Magasin, No. 32, 19 Hunyo 1973

21st FAMAS AWARDS (1972)

DATE: April 29, 1973

PLACE: Coral Ballroom, Manila Hilton Hotel, United Nations Avenue, City of Manila

Best Picture(nominees)

  • Ang Alamat [FPJ Productions]
  • Babae, Ikaw ang Dahilan [Virgo Production]
  • Kill the Pushers [JE Productions] [WINNER]
  • Mahalin Mo Sana Ako [Virgo Production]
  • Tatay na si Erap [JE Productions]
  • Villa Miranda [Lea Productions]

Best Actor(nominees)

  • Jun Aristorenas for Elias, Basilio at Sisa
  • Joseph Estrada for Kill the Pushers
  • George Estregan for Sukdulan [WINNER]
  • Fernando Poe, Jr. for Ang Alamat
  • Ramon Revilla for Nardong Putik
  • Dante Rivero for Villa Miranda
  • Eddie Rodriguez for Babae, Ikaw ang Dahilan

Best Actress(nominees)

  • Nora Aunor for A Gift of Love
  • Marlene Dauden for Babae, Ikaw ang Dahilan
  • Amalia Fuentes for Babae, Ikaw ang Dahilan
  • Pilar Pilapil for Isinilang Ko ang Anak ng Ibang Babae
  • Boots Anson – Roa for Tatay Na Si Erap [tie-WINNER]
  • Susan Roces for Bilangguang Puso
  • Vilma Santos for Dama De Noche [tie-WINNER]

Best Supporting Actor(nominees)

  • Romy Diaz for Ang Alamat
  • Eddie Garcia for ‘Til Death Do Us Part
  • Eddie Mercado for Dito sa Aking Puso
  • Jose Padilla, Jr. for Ang Alamat
  • Nick Romano for Tatlong Mukha ni Rosa Vilma [WINNER]
  • Ruben Rustia for Kill the Pushers
  • Lou Salvador, Jr. for Villa Miranda

Best Supporting Actress(nominees)

  • Alicia Alonzo for Villa Miranda
  • Zenaida Amador for Kill the Pushers
  • Chichay for Bilangguang Puso
  • Marissa Delgado for ‘Til Death Do Us Part [WINNER]
  • Cristina Reyes for Sukdulan
  • Ely Roque for Tatay na si Erap
  • Mary Walter for Babae, Ikaw ang Dahilan

Best Child Actor(nominees)

  • Robin Aristorenas for Elias, Basilio at Sisa [WINNER]
  • Marlon Bautista for Nardong Putik
  • Frankie Navaja, Jr. for Ang Alamat
  • Randy for Isinilang Ko ang Anak ng Ibang Babae

Best Child Actress(nominees)

  • Jingle for Babae, Ikaw ang Dahilan
  • Beth Manlongat for Tatlong Mukha ni Rosa Vilma
  • Maricris for Babae, Ikaw ang Dahilan
  • Snooky Serna for Mahalin Mo Sana Ako [WINNER] [as Snooky]

Best Director(nominees)

  • Lino Brocka for Villa Miranda
  • Augusto Buenaventura for Kill the Pushers [WINNER]
  • Celso Ad. Castillo for Ang Alamat
  • Tony Cayado for Nardong Putik
  • Manuel Cinco for Isinilang Ko ang Anak ng Ibang Babae
  • Armando Garces for Sukdulan
  • Eddie Rodriguez for Babae, Ikaw ang Dahilan [as Luis Enriquez]

Best Story – Liza Moreno for Babae, Ikaw Ang Dahilan [WINNER] [as Louise de Mesa]

Best Screenplay – Augusto Buenaventura for Kill the Pushers; Eddie Rodriguez for Mahalin Mo Sana Ako [tie-WINNER] [as Luis Enriquez]

Best Cinematography B/W – Ricardo Remias for Babae, Ikaw Ang Dahilan [WINNER]

Best Cinematography Color – Nonong Rasca for Nardong Putik [WINNER]

Best Editing – Marcelino Navarro for Nardong Putik [WINNER]

Best Musical Score – Restie Umali for Ang Alamat [WINNER]

Best Sound – Angel Avellana for Kill the Pushers

Dr. Cirio Santiago Memorial Award – To Jose Perez

Source: FAMAS Unofficial web-site

Vilma Santos – Child Actress (Videos)

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“Nakihalo lang ako doon sa mga nag-a-audition sa Trudis Liit [1963],” pagbabalik-tanaw ng aktres kung paano siya napasok sa showbiz at naging bida nga kaagad sa nabanggit niyang proyektong iyon. Hindi ako dapat talaga doon [sa audition na iyon]. Nakipila lang ako. Pagpila ko, tinatawag ako ng mommy ko na, ‘Hindi ka diyan! Sabi ko, ‘Andito na, e!’ Makulit na ako no’ng time na ‘yon! So, anyway, tinawag ako ni Doc Perez [of Sampaguita Pictures] at that time. Pinaarte ako. Nag-adlib-adlib pa ako. Nakuha naman ako. So, when I started, dalawa kaagad ang pelikula ko—Trudis Liit at Anak, Ang Iyong Ina [1963]. Ang naaalala ko lang tungkol sa maaga kong pagpasok sa pag-aartista, parang laro lang sa akin iyon. Parang naglalaro lang ako noon kaya hindi trabaho sa akin iyon, e. So, very-very memorable sa akin iyon. At saka no’ng Trudis Liit, every lunch, lagi akong may apple. Lagi akong may chicken. Every lunch talaga ‘yon. Parang… Siguro bata, so ibibigay nila ‘yong gano’ng ano sa ‘yo. Parang may prize ka, gano’n. So, memorable sa akin iyon.” – Vilma Santos (READ MORE)

YEAR FILMS
1963 Anak, ang Iyong Ina
1963 Aninong Bakal
1963 Duelo sa Sapang Bato
1963 King & Queen for a Day
1963 Trudis Liit
1964 Ging
1964 Larawan ng Pag-ibig
1964 Naligaw na Anghel
1964 Sa Bawat Pintig ng Puso
1965 Iginuhit ng Tadhana
1965 Kay Tagal ng Umaga
1965 Maria Cecilia
1965 Morena Martir
1965 Sa Baril Magtutuos
1966 Batang Iwahig
1966 Hampaslupang Maton
1966 Hindi Nahahati ang Langit
1966 Ito ang Dahilan
1967 Ito ang Pilipino
1967 Longest Hundred Miles
1968 De Colores
1968 Eagle Commandos
1968 Kasalanan Kaya?
1968 Sino ang may Karapatan?

Related Readings:
Vilma Santos- the Child star
IMDB: Trudis liit (1963)
Trudis Liit From Wikipedia
DEKADA 60: Si Ate Vi, Si GING
Favorite Penpal (Repost)
DEKADA 60: Si Ate Vi, Si GING (Repost)
FAMAS Recognitions
Vilma Santos in Mars Ravelo’s “Ging” komiks Serial and Movie Adaptation
Film Scenes – Child Star (Video)

Vilma Santos’ Reel and Real Wedding (PHOTOS)

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Vilma Santos already had an 11-year-old son, Luis Manzano, when she married former senator Ralph Recto, who is 10 years her junior. Filipinos were not too keen about May-December affairs when their relationship was made public. Still, the couple beat all odds and got married on 11 December 1992. They have a son named Ryan Christian. – Wikipilipinas (READ MORE)

“…Vilma and Ralph lived in for seven years. She was not prepared to get married then because she had to attend to her career and her small child by Edu, Lucky. Ralph, on the other hand, wanted to be more stable in his profession and his finances. Then, after seven years of living in, Ralph ran for Congress and asked Vilma to campaign for him in Batangas. Vilma accompanied him all over the province. She experienced the hardship of going from city to city, from barrio to barrio. She had a taste of politics. If she was willing to make that sacrifice for him, Vilma thought, “siguro mahal ko itong taong ito.” Ralph told Vilma, “Win or lose, let’s get married.” “You know,” Vilma warned him, “hindi ako madaling maging asawa. Mahihirapan ka, kilala ako sa Pilipinas.” It would be quite difficult for him to do any hanky-panky because he would easily be found out since Vilma is so popular that almost everything and anything the nosey press would sniff would immediately be reported in the media. The brave Ralph was not intimidated, and at 2 pm of December 11, 1992, they officially tied the knot in a splendid wedding ceremony in Lipa, Batangas. Some 500-700 guests from politics and showbiz witnessed the exchange of vows. It must have been a relatively blissful union since they already had a chance to get to know each other up close when they were living in. Relates Ralph: “For me, the most trying period in our relationship was the first seven years.” The proverbial sevenyear-itch happened to both Vilma and Ralph before their wedding. Ralph lived in his condo in Greenhills, but he telephoned Lucky almost every day, pretending or so it seemed, that his concern was only Lucky and not Vilma…” – Ms. Mara P. Lanot (READ MORE)

FILMOGRAPHY: RELASYON (PHOTOS)

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“Ang hirap dito sa relasyon natin, puro ikaw ang nasusunod, kung saan tayo pupunta, kung anong oras tayo aalis, kung anong kakainin natin, kung anong isusuot ko sa lahat ng oras, ako naman sunod ng sunod parang torpeng tango ng tango yes master yes master!” – Maria Lourdes Castaneda

“Ano ba ako rito istatwa? Eh dinadaan daanan mo na lang ako ah, hindi mo na ako kinakausap hindi mo na ako binabati hindi mo na ako hinahalikan ah…namputsang buhay ‘to. Ako ba may nagawa akong kasalanan hah? Dahil ang alam ko sa relationship, give and take. Pero etong atin, iba eh! Ako give ng give ikaw take ng take! Ilang taon na ba tayong nagsasama? Oo, binigyan mo nga ako ng singsing nuong umpisa natin, pero pagkatapos nuon ano? Wala na! Ni-siopao hindi mo ako binigyan eh dumating ka sa bahay na ito ni butong pakwan hindi mo ako napasalubungan sa akin eh kaya kung tiisin lahat pero sobra na eh…hindi naman malaki hinihingi ko sayo eh konti lang… alam ko kerida lang ako…pero pahingi naman ng konting pagmamahal…kung ayaw mo ng pagmamahal, atleast konsiderasyon man lang. Kung di mo kayang mahalin bilang isang tunay na asawa, de mahalin mo ako bilang isang kaibigan, Kung ayaw mo pa rin nun bigyan mo na lang ako ng respeto bilang isang tao hindi yung dadaan daanan mo lang sa harapan na para kang walang nakikita!” – Maria Lourdes Castaneda

Emil, a young executive, and his mistress Marilou, a planetarium guide, decide to be live-in partners. In the process, they discover each other’s failing, which result in the strain in their relationship, bringing about their temporary separation. When they finally decide to resume their relationship, under a set-up wherein the man devides his time between his family and mistress, he dies frpm an attack of cerebral aneurysm. The woman decides to start a new life abroad, finding strength in the Jove of her departed lover. – Manunuri web-site

RELATED READING:
Relasyon, Ishmael Bernal (1982)
Nora at Vilma… Ang RELASYON Ng HIMALA
IMDB: The Affair
Relasyon (Photos)
Relasyon (1982)
Wikipedia: Ishmael Bernal
Ishmael Bernal (1938-1996)
The Films of Ishmael Bernal Circa 1971-79, Part One
The Films of Ishmael Bernal Circa 1980-94, Part Two
Tribute to Ishmael Bernal
Ishmael Bernal (1938-1996)
The Films of Ishmael Bernal Circa1980-96, Part Two
Remember The Face: Bernal Film Director
The Bernal-Santos Collaborations
Relasyon