Filmography: Lipad Darna Lipad! (1973)

“Ding, ang bato! dali!” – Narda/Darna

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Basic Information: Directed: Emmanuel H. Borlaza, Elwood Perez, Joey Gosiengfiao; Story: Mars Ravelo; Screenplay: Joey Gosiengfiao; Cast: Vilma Santos, Gloria Romero, Celia Rodriguez, Liza Lorena, Eddie Garcia, Marissa Delgado, Ernie Garcia, Dick Israel, Ruel Vernal, Angie Ferro, Angelito, Nanette Lizares, Rod Dasco, Cloyd Robinson, Mary Walter, Adul de Leon, Bobby Roldan, Edgar Oira, Karlo Vero, Francisco Cruz, Chanda Romero, Gilda Gomez, Ellen Esguerra, Oskar Peralta, Urduja, Louie Acosta; Executive Producer: Victor Gosiengfiao; Original Music: Jonas Sebastian, Demetrio Velasquez; Cinematography: Rodolfo Diño

Plot Description: After a long period of absence, Vilma Santos resurrected the Filipino version of Wonder Woman, Darna, in a fantastic trilogy. Despite the lack of height familiar with previous Darnas, Vilma Santos’ bubbly youthful portrayal as Darna and the alter ego character Narda radiated the screen against Philippine cinema’s senior screen queens, Gloria Romero as the “Babaing Impakta (Vampire Woman),” Celia Rodriguez as “Babaing Ahas (Snake Woman),” and Liza Lorena as “Babaing Lawin (Hawk Woman).” The film was release on March 23, 1973 to a massive crowd in Metro Manila. Tagalog Ilang Ilang Production who produced the film reportedly distributed Darna dolls and Coca-cola drinks to the moviegoers. The film was a trilogy that focuses on the fights scenes between Darna and her nemesis with great effect and with the help of Darna’s equally perky young brother, Ding portrayed by child star, Angelito. The special effect that was considered way ahead of its time were in full displayed in this film. The goriness make-up, particularly Gloria Romero’s was a proof that Filipinos were creative and talented, way ahead of Hollywood or even Bollywood. – RV

Film Achievement: Top Record-Breaking Box-office Film of 1973; The first of four Darna films starring Vilma Santos; One of Vilma Santos and Gloria Romero 13 films – (Anak ang Iyong Ina, Iginuhit ng Tadhana, De Colores, Pinagbuklod ng Langit, Anak ng Aswang, Lipad Darna Lipad, Happy Days are Here Again, Karugtong ang Kahapon, Nakakahiya?, Hindi Nakakahiya, Makahiya at Talahib, Saan Nagtatago Ang Pag-ibig?, Kapag Langit Ang Humatol) – RV (READ MORE)

Film Review: In the Silver Age era of Darna, the movie “Lipad, Darna, Lipad!” (“Fly, Darna, Fly!” 1973), played by the lovely Vilma Santos, made a new version of the story. In this time, Narda was a teenager in her late teens. She discovered the magic stone after the event of a falling star landed near her home one night. She discovered that the magic pebble gave her superpowers that made her Darna. She and her brother were the only ones who knew the secret and their grandmother was not aware of it in this version. Narda herself becomes Darna and were not two different characters. She was also not from Planet Marte but was just a champion warrior of the forces of light. Every time Darna turns back to her mortal self, the magic stone reappears in her mouth and she takes it out and hides it until she needs it again. Every time the need arises, she has to swallow the pebble again and say Darna to transform. – Silver Age Darna, Supersexyheroines website

In 1951, 2 Darna movies were made starring Rosa Del Rosario, followed by another two starring Liza Moreno in the early 60’s, one by Eva Montes and one by Gina Pareno in 1969. But it was not until 1973’s “Lipad, Darna, Lipad” starring Vilma Santos when “Darna mania” would be rekindled and made this version the highest grossing Darna movie of them all. A feat that has not been equalled to this day. In these 1970s films, Darna’s origin was slightly tweaked with a new twist yet remained faithful to Mars Ravelo’s vision. No longer a little girl, Narda was now in her late teens. Also, she herself becomes Darna, unlike the original where she just “channels” her. Only Ding knows her secret in this version unlike the original where both Ding and their Grandmother knew the secret. Also, the stone comes out of Narda’s mouth every time she changes back from being Darna; she has to swallow it every time she wants to transform (This became standard for following versions). Darna is not specified as coming from Marte, just as a “warrior of Light”. This version of Darna became most people’s idea of the character for about 3 decades. A famous catch phrase by Narda popularized by the movies and NOT the comics version is “Ding, Ang Bato!” (“Ding, the Stone!) – Nostalgia Manila blog site

LIPAD, DARNA, LIPAD (1973) – The quintessential action-fantasy Pinoy flick that appeals to all ages, from generation to generation. This movie is a major milestone for Vilma because it proved that she could really carry a solo movie and bring in the dough (up to now of course!). Vilma’s Darna franchise is the most memorable and successful of all Pinoy fantasy-action genres. Imitated but never equalled, Vilma’s Darna lives on. Unforgettable. Memorable. It grows on you. No Pinoy kid ever grows up without being a part of the Darna magic. The enormous success of Lipad, Darna, and Lipad led to three more Darna movies with Vilma Santos. As a result, the star for all seasons became the star for all Darnas—Santos played her four times, more than any other actress in the super heroine’s history.

Lipad, Darna, Lipad! were thus divided into three separate segments, directed by three different directors. In Darna’s case, the three directors were Maning Borlaza, Joey Goesiengfao, and Elwood Perez—three names that promised an adventure that could do Andy Warhol proud.

First episode: “Ang Impakta” Starring Gloria Romero as Miss Luna, Narda’s school teacher who has a dark secret. She is actually a flying blood sucking creature at night. In this thrilling episode she knows the secret identity of Narda. The most memorable part was when Ms. Luna asked Narda to help her with some paper works. Little that she know, while she was busy checking the papers Ms. Luna excused herself, she then went to the next room and transformed into a scary vampire.

Ding found out that Ms. Luna is the vampire and Narda forgot to bring the magical stone , he rushed to her sister who then was being strugled by the monster. As soon as he got there, he threw the stone to her much terrified sister and she immediately changed to Darna. Followed was the famous aerial fight scene. Nanette Medved and Bing Loyzaga tried to copy the infamous fight scene in 1990 Viva films Darna. Episode one was directed by Maning Borlaza.

Second episode: Vilma also had to battle with Celia Rodriguez, who played a campy Valentina, a supermodel by day and a snake priestess by night. One scene has the actress naked in bed being caressed by a dozen snakes. Indeed, with the likes of Gosiengfao, Perez, and Borlaza at the helm, Darna is sure to get stuck in grotesque situations reminiscent of the Rocky Horror Movie. Their take on Darna is sometimes too risqué and violent for little children; but as a camp fest, the movie works.

In this episode Valentina, tried to steal Narda’s magical stone. Also, there was a scene where Valentina dressed up as Darna. I love the exciting part where Darna and Valentina battled on top of a high rise building. Darna, was almost a no match to her mortal enemy. Dangerously armed with lazer beams coming out from Valentina’s eyes, Darna was helpless and knocked down several times. Until, she stumbled upon into a piece of broken mirror and used it as a shield againts Valentina’s deadly lazer beams. Darna quickly made her looked in the mirror. Her lazer beams bounced back and she turned into a stone. From the roof, Valentina fell hard on the ground and broked into shattered pieces. Anjanette Abayarri and Cherrie Gil almost did the same scene in ” Darna, Ang Pagbabalik! ” Second Episode was directed by Elwood Perez.

Vilma Santos with co stars Ernie Garcia and Celia Rodriguez as Dr. Valentina Vrandakapoor, Phd in reptilian zoology from the University of new Delhi. Not to be overlooked is Darna’s arch-rival Valentina. Celia Rodriguez breathed new life to the term antagonist with her classy portrayal of the serpent-haired villainess. Rodriguez set a new standard by which evil women are to be judged.

Third episode: The final& episode was “Babaing Lawin” ( Hawk Woman), starring Liza Lorena as Babaing Lawin. I barely remember this one, there was this scene where Narda and Ding got caught and almost drowned in a quick sand. In Hawk Woman’s cave there’s this stream, that can make her wings disappear by walking across to it. There was also this character named Agila, a bird man played by Rod Dasco, he’s like the Hawk Woman’s mate. There was some fight scenes in the cave between Hawk Woman and and Darna. At the end of the story Darna and Hawk Woman, mend their ways. – Eric Cueto (READ MORE)

“Due to the Internet, one day soon I’m sure information on all of the cinematic obscurities of the world will be available to us, but at the moment it’s still wonderful to uncover a country’s hidden pop culture hitherto unnoticed by the rest of the planet. Take Video48, a mind-shattering trip into the uncharted realms of Filipino cinema, featuring a menagerie of stills, posters and articles from films I never even dared to dream existed! I stumbled across home-grown super-heroes such as Mars Revelo’s Darna a few years back, and Eric Cueto’s fansite provided a wealth of information on her cinematic adventures, (whilst also revealing tantalising glimpses of her on-screen contemporaries), but I certainly hadn’t realised the extent to which comic book characters pervaded the Philippine big-screen. Chances are the country was second only to Turkey when it came to cinematic Super-heroes – Darna herself has starred in 14 films and two TV series, which certainly puts Wonder Woman to shame…Sadly most of these fantasy films are unlikely to have survived – the condition of the Vilma Santos’ early Darna movies is supposedly so wretched that a DVD release has been permanently canned, and ancient VHS copies of Darna & the Giants and Darna & the Planet Women are jealously guarded by the few collectors who salvaged them from rental shops. Just as in Turkey, these films were probably considered to be as disposable as the comic books on which they were based – but I for one would go ga-ga for a double bill of this years The Dark Knight with 1973’s Fight Batman Fight (fair enough, my brain might melt out of my ears afterwards, but what a way to go…” – Poptique (READ MORE)

“…Vilma, now 20, still looking virginal and sweet kicked 70’s phenomenal superstar Nora’s butt at the boxoffice and earned her box-office wings via this monumental hit. The Emancipation of Baby Vi. Mariah Carey could not agree more. There was no turning back since then. The Fantasy Queen was born. Forty-three year old Tita Gloria gamely and bravely accepted the role of Ms. Luna, teacher by day and Manananggal by night. Movie Queen Gloria was deglamorized and became the evil incarnate as a vampire. Amalia Fuentes was the original movie queen who bravely accepted a daring role such as a vampire that won her a FAMAS statuette in Gerry De Leon’s Ibulong Mo Sa Hangin, and changed her goody-two-shoe image forever. Was she the original queen of reinvention that gave Vilma an idea to do the same via the landmark movie Burlesk Queen? Hmmm…for the first time, La Santos was billed above La Romero. Times have changed. The tables were turned. Vilma Santos is the New Box-Office Champ and Tita Glo and Company could only “bow” to the Reel/Real Queen: Ms. Rita Gomez, Helen Gamboa, Boots Anson-Roa, Barbara Perez and others did not have second thoughts to do a movie with the resurgent Vilma. Who wouldn’t want to be famous again and have fun working with the most hardworking and versatile actress? In my book, the aerial Good versus Evil fight of Vilma and Gloria as Darna and Impakta was one of the most thrilling and unforgettable scenes of my movie-going life. How I wish the movie resurfaces from Indonesia or from Timbuktu and my Vilma collection will be complete. That will be heaven! Where, oh, where is that classic movie? The Manananggal episode of Lipad, Darna, Lipad was so good that the two have to followed up their success via Anak Ng Aswang…” – Mario O. Garces (READ MORE)

“…This four-time FAMAS-winning actress is best remembered for her role as the slithering Dr. Valentina Vrandakapoor in the 1973 film Lipad, Darna, Lipad. In the iconic movie, she donned the reptile headdress for the Medusa-inspired character and gave Darna (Vilma Santos) hell. Although she’s been appearing in less villainous roles, Celia Rodriguez is still active in both movie and television these days. She played a supporting character in Darna’s latest TV incarnation, with Marian Rivera as the superheroine…” – Spot.ph (READ MORE)

Most Popular Darna “…Ding, ang bato!” yells Narda, the adolescent country lass, to her younger brother. Ding obligingly hands over a shiny pebble which Narda swallows to turn herself into the vivacious super-vixen, Darna. Mars Ravelo’s superheroine, clad in crimson bikinis and knee-high stiletto boots, may perhaps be the most famous local fantasy character given life on the silver screen. Though not actually considered a career-defining role, portraying Darna is, nonetheless, highly-coveted. Darna has been portrayed by no less than nine actress in 12 feature films. Rosa del Rosario first wore the scarlet two piece in May 1951. She reprised the role after three months. Liza Moreno, Eva Montes and Gina Pareno followed her. The inter-galactic pebble found its way to Vilma Santos’ throat in 1973 via the flick “Lipad, Darna, Lipad!” Santos, now a two-term mayor of Lipa City in Batangas, is probably the most popular Darna, with a total of four movies in a span of seven years. Some of these were made known to younger generations through afternoon airings on television in the late ’80s. Maybe RPN 9 should do that again so that even younger generations can marvel at Darna’s greatness, albeit antiquated, in such movies as “Darna and the Giants” and “Darna vs. the Planet Women…” – Armin Adina, Philippine Daily Inquirer, June 06, 2003 (READ MORE)

“…And so, yielding to the theory that “misery loves company,” the two failures teamed up. They picked up from where they had left off. Backed up by some enterprising businessmen who firmly believed the duo would make good next time (they were joined by Joey’s brother, Victor, and movie scribe Douglas Quijano and others), they formed Sine Pilipino and turned out the three-episode “Lipad, Darna, Lipad.” Joey and Elwood directed two of the episodes. In an interview, the two directors intimated that, depending on public reaction, it could have been their last stint in the movies. Miracles of miracles, Lipad, Darna,,,broke existing box office records at that time! But alas, despite the movie success, Sine Pilipino closed shop due to “mismanagement.” Undaunted, Elwood and Joey formed another company, this time the Juan de la Cruz Productions. Just the same, the budding outfit folded up because it had a rough time with the Board of Censors. By then, the drive against bomba movies and smut publications were massive and sustained, and the guidelines were different to those of today…” – Manny B. Fernandez, Expressweek, July 12, 1979 (READ MORE)

Darna is Not a ‘Rip-off” of Wonder Woman – “…Because of the character’s immense popularity, several other studios would license the character and produce more Darna movies throughout the next several decades. After Rosa Del Rosario, Vilma Santos (who first played Darna in 1973’s “Lipad, Darna, Lipad”) would be the most well known and the most in demand to play the character. She starred in a total of 4 Darna movies. Her 4th and final one being in 1980. For years after that, no more Darna movies were produced…” – Raffy Arcega, Comic Book Movie (READ MORE)

Gina Pareño – “…Mara­ming naging Darna sa kani-kanilang panahon pero ang unang inabot naming lumabas na Darna ay si Gina Pareño. Aba, kung nakita ninyo si Gina noong panahong iyon, ang ganda talaga niya at hanep ang katawan. ’Tapos ang maraming Darna movies na napanood namin, ang star ay si Vilma Santos, na nagsimula sa Lipad, Darna, Lipad. Iniba ang title dahil ang sinundang pelikula na Takbo, Vilma, Dali ay naging isang napakalaking hit din noong panahong iyon. Aba, isipin ninyo, noong panahong iyon ay nakakagawa ng isang pelikulang black and white sa halagang P120,000 lamang. Eh kinse pesos lang ang sine noon. Ang Darna ni Vilma kumita ng tatlung daang libong piso sa Metro Manila pa lamang at kakaunti pa ang sinehan noon ha. At kung titingnan naman ninyo si Vilma nung nag-uumpisa — maganda, sexy, at maputi. Kung negra ka, ano ang hitsura mo kung magsusuot ka ng costume ni Darna? Baka mapagkamalan ka pang lumilipad na tuko? Pagkatapos ni Vilma, marami ring naging ibang Darna, pero honestly ni hindi na namin napanood ang mga pelikula. Hindi dahil nagsawa kami sa Darna movies ha. In fact, hanggang ngayon mahilig pa rin kami sa super heroes. Nanonood nga kami ng anime eh. Pero hindi namin nagustuhan ang iba…” – Ed de Leon, Pang-Masa, 08 Oct 2013 (READ MORE)

Valentina – “…Iba talaga si Direk Maryo J. dahil he brings out the best in his actors,” says Katrina, whose daughter Katrence turned one year old last Wednesday. “Dito sa ‘Magkano Ba ang Pag-ibig’, tatlo kaming aktres na nag-Valentina ang nagkasama-sama. Una si Tita Celia Rodriguez na nag-Valentina kay Gov. Vilma Santos sa ‘Lipad Darna Lipad’ in 1973. Then si Alessandra de Rossi na nag-Valentina on TV to Angel Locsin’s Darna noong 2005, at ako na nag-Valentina kay Marian Rivera sa 2009 version ng ‘Darna…” – Mario Bautista, Journal, 23 September 2013 (READ MORE)

Intergalactic Warrior – “…There were comic-inspired franchises that never travelled beyond their own borders, such as the Darna series from the Philippines in the 1970s – she was an intergalactic warrior disguised as an earthling – and which helped actress Vilma Santos turn the fame she achieved into a political career that still sees her serving as governor of Batangas province…” – Matt Scott, South China Morning Post, 20 April, 2014 (READ MORE)

Sa paggawa ng pelikula, kung maringgan man ng pagdaing si Vilma Santos ay bihirang-bihira. Nangyayari lang ito kung ipagpalagay nating siya’y may dinaramdam, hapong-hapo at talagang hindi na makakaya ng katawang humarap sa kamera kahit ibigin niya. Gayon man, kung nagkataong napakahalaga ng eksena at kinakailangang gawin niya, khait anong sama ng pakiramdam niya’y humaharap siay sa kamera. At sa pagtungo niya sa set o location, lagi siyang nasa oras. Kung maatraso ma’y saglit lang. Ganyan ka-professinal si Vilma Santos. Ngunit sa Lipad, Darna, Lipad ay dumaraing siya. Hindi sa hindi niya enjoy gawin ito. Ang totoo’y sa pelikulang ito lang siya na-involved. Ibig na niyang matapos na ito’t makita ang pinagpaguran niya. Talaga palang mahirap gumawa ng costumes picture. Lalo pa’t kung tulad nito! Una ang naging suliranin namin ay ang Darna costumes ko. Kasi kinakailangan maging maliksi ang kilos ko bilang Darna, kaya kailangang alisin na ang padding. Kaso nga lilitaw naman ang malaking bahagi ng aking katawan. Mabuti na lang at sumang-ayon ang aking fans. “Pangalawa, nag-aalala ako sa mga eksenang bakbakan namin nina Gloria Romero, Celia Rodriguez at Liza Lorena. Kasi baka masaktan ko sila nang di sinasadya. Ang pangatlo ay ang likas ng pagkatakot ko…sa mga ahas. Kasi may bahagi roong tungkol sa Babaing Ahas, si Valentina. Dito, laging kailangan ang ahas sa mga eksena. Mga sari-saring ahas. Maliliit at malalaki. At makamandag! Ang pinakamahirap sa lahat ay ang pag-su-shooting. Kailangan naming tapusin ito anuman ang mangyari. Kaya nasasagap ko ang lamig ng gabi at init ng araw. At ang suot ko nga’y labas ang malaking bahagi ng katawan! At alam n’yo namang kailang lang ay naospital ako dahil sa respiratory defects!” Ito ang daing ni Vilma Santos sa pinakamahirap niyang pelikula, ang Lipad, Darna, Lipad. Ngunit mahihinuha naman ninyo na ang pagdaing niya’y parang paglalambing lang. Dinaraan pa nga niyang lahat sa biro. Pagka’t ang tutoo, mahal na mahal niya ang pelikulang ito. Dahil ito nga ang pinakamahirap. At sa isang artista, kung alin ang pinakamahirap ay siya namang pinakamasarap! – Cleo Cruz, Love Story Magazine, 1973

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Filmography: Mga Rosas sa Putikan (1976)

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Basic Information: Story, Screenplay and Direction: Emmanuel H. Borlaza; Cast: Vilma Santos, Celia Rodriguez, Barbara Luna, Trixia Gomez and Merle Fernandez, Arnold Gamboa, Romeo Enriquez, Sandy Garcia, Monica Morena, Ike Lozada; Cinematography Oscar Querijero; Musical Director George Canseco; Executive Producer: Vilma Santos; Production Company: V.S. Films; Release Date: September 10, 1976 – Video48

Plot Description: No Available Data

Film Achievement: Borlaza gave Vilma Santos her very first best actress, winning the 1972 FAMAS for via Dama De Noche. He is also credited in narrowing the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor.

Film Review: “…His films lack the arthouse style and social relevance that critics loves most in a Brocka or Bernal films but who cares about the critics when the paying public loves them. And the producers demand his service, from Doc Perez of Sampaguita Pictures, Atty. Esperidion Laxa of Tagalog Ilang Ilang Productions and later on, Vic Del Rosario of Viva Films and Lily Monteverde of Regal Films. Clearly, his films exists with one purpose, to entertain the masses not to depress or remind them with the country’s sad fate of economy or the below poverty line lives of many. The success of the Vilma-Borlaza films gave Vilma Santos versatility and preparation to a more serious acting career. It also narrowed the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. These are perhaps, the most significant contributions of Emmanuel Borlaza to Vilma’s career. Vilma who was considered only second to Nora couldn’t matched her singing talent and so, Borlaza countered this lack of singing with films that showcased Vilma’s acting versatility…” – RV (READ MORE)

“…Sa pagsasaliksik ko ay di ko sinasadyang makita ang mga pamagat ng pelikulang may kaugnayan sa putik. Labing-isa ang nakita ko, at marahil mas marami pa rito. Sa pamagat pa lamang ay kapansin-pansing napakalalim ng kahulugan ng salitang ‘putik’. Halina’t tunghayan ang ilan sa mga ito…Marahil, lahat ng pelikulang ito ay pumatok sa takilya, lalo na’t pawang mga bigating artista ang siyang bida sa mga ito. Kung susuriin natin ang mga pamagat pa lamang, kapansin-pansin ang iba’t ibang kahulugan ng putik. Tayo ay nagmula sa putik dahil nilalang tayo mula sa putik, kung papansinin ang pelikulang “Putik Ka Man… Sa Alabok Magbabalik”, habang sa “Magkumpareng Putik”, marahil ito’y tungkol sa paglalabanan ng dalawang magkumpareng kinulapulan ng putik ang bawat isa. Ibig sabihin, dinungisan ang pangalan at binalewala ang pinagsamahan bilang magkaibigan. Ang mga pelikulang “Mga Rosas sa Putikan“, “Ginto sa Putikan”, at “Dinampot Ka Lang sa Putik” ay marahil tumutukoy sa mga babaeng mahihirap na natagpuan ng mayaman at naging asawa…” – Mga Pagninilay ni Goriong Putik (READ MORE)

“…Then she did Mga Rosas Sa Putikan for her own VS Films where she played a country girl forced into prostitution in the big city. The movie did fairly well at the tills. Good sign…” – Ricardo F. Lo, Expressweek, Jan 19 1978 (READ MORE)

Filmography: Coed (1979)

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Basic Information: Directed: Emmanuel H. Borlaza; Story, screenplay: Allan Jayme Rabaya; Cast: Vilma Santos, Jay Ilagan, Celia Rodriguez, Allan Valenzuela, Romeo Enriquez, Romeo Rivera, Jun Soler, Angge, Jojo Santiago, Cora Tanada, Larry Leviste, Marilyn Villarruz, Rosemarie Sarita; Original Music: George Canseco; Cinematography: Mike Accion; Film Editing: Abelardo Hulleza

Plot Description: No Available Data

Film Achievement: Borlaza gave Vilma Santos her very first best actress, winning the 1972 FAMAS for via Dama De Noche. He is also credited in narrowing the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor.

Film Review: “…Sabi ni Mama Santos, ako daw ang “pumatay” sa kanilang Pagputi…eto ang parusa ko, bigyan ko daw sila ng isang Kampus? so I’m making for them Coed. You see, when I was working on Kampus? at UP Los Banos, I realized their problems and lifestyle can be a source of even 10 movie materials. At kapag ang student force pala ang nag-patronize sa Tagalog movie, ang laki ng audience!” Borlaza revealed…I’m very meticulous about is: the audience were to identify itself with my main character, will it be happy with the poetic justice I execute? Will they find it correct and realistic? In Kampus? for instance, students who were pleased with the movie told me they liked the ending very much. They agreed with it. Vilma was bedded first by Mat Ranillo III, but ended up with Bembol who was the right choice after all. They say in real life, the man you walk down the aisle with is not necessarily the first man you had sex with. Also they say the dialouges were very in – like the way actual students would speak them. Siguro, once they sit in the theater, they are not bothered by such questions as ‘Why” or “how come?” Is the star value the main thing in selling movies? “In the case of Kampus?, yes, because Vilma Santos was my main star and she’s the current box office queen…” – Manny B. Fernandez, Expressweek, November 9, 1978 (READ MORE)

“…Borlaza’s films lack the arthouse style and social relevance that critics loves most in a Brocka or Bernal films but who cares about the critics when the paying public loves them. And the producers demand his service, from Doc Perez of Sampaguita Pictures, Atty. Esperidion Laxa of Tagalog Ilang Ilang Productions and later on, Vic Del Rosario of Viva Films and Lily Monteverde of Regal Films. Clearly, his films exists with one purpose, to entertain the masses not to depress or remind them with the country’s sad fate of economy or the below poverty line lives of many. The success of the Vilma-Borlaza films gave Vilma Santos versatility and preparation to a more serious acting career. It also narrowed the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. These are perhaps, the most significant contributions of Emmanuel Borlaza to Vilma’s career. Vilma who was considered only second to Nora couldn’t matched her singing talent and so, Borlaza countered this lack of singing with films that showcased Vilma’s acting versatility…” – RV (READ MORE)

Jay Ilagan (March 6, 1953 – February 3, 1992) is a Filipino actor. He hosted Stop, Look and Listen and starred in My Son, My Son and Going Bananas. He was married and separated with another popular movie personality Hilda Koronel and a common-law husband of Amy Austria at the time of his death. He died in a motorcycle accident in 1992. He was 39. – Wikipedia (READ MORE)

Filmography: Darna at Ding (1980)

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Basic Information: Directed, story, screenplay: J. Erastheo Navoa, Cloyd Robinson; Cast: Vilma Santos, Niño Muhlach, Celia Rodriguez, Marissa Delgado, Veronica Jones, Max Alvarado, Panchito, Angie Ferro, Bayani Casimiro, Rez Cortez, Teroy de Guzman, Moody Diaz, Paquito Diaz, Ike Lozada, Lily Miraflor, German Moreno, Palito, Don Pepot, Jimmy Santos, Al Tantay, Tsing Tong Tsai, Donna Villa; Cinematography: Hermo Santos; Film Editing: Eduardo Jarlego Jr.; Production Design: Ruben Arthur Nicdao; Sound: Luis Reyes

Plot Description: Darna at Ding, Vilma’s fourth and final portrayal of Darna, takes her to another wild adventures, this time with her younger brother Ding. When a mysterious rock falls into the hands of Narda, she has no idea that it will change her life forever. Later, she finds out that the rock is an amulet that gives her super power. This is the start of the many adventures of Darna, that have her battling with the evil sorceress Lei Ming and Hawk Woman. A whole new adventue with the popular Philippine heroine, Darna at Ding is another classic worth watching! – Kabayan Central (READ MORE)

Narda (Vilma Santos) and her young brother Ding (Niño Muhlach) find a glowing stone that has fallen from that sky and when swallowed by Narda turns her into a superwoman. From then on, the tandem of Narda and Ding embark into adventures of saving the world from evil. Together they fight the avenging German woman scientist (Marissa Delgado) who turns healthy people into zombies by injecting them with microbes that is transmittable through their saliva. Then Narda and Ding stay with their aunt in Chinatown, Manila where a Chinese witch is kidnapping children. But Ding is made ill by the witch’s sorcery. Will Darna’s power be effective to save her brother against black magic? – TFC Now (READ MORE)

Film Achievement: The last of the four Vilma Santos Darna films; Official Selection: 11th FilmAsia (2015) Czech Republic

Film Review: “…The climax of this “Darna vs. the Dragon Lady” part of Darna At Ding sees Lei Ming conjure up an evil double of Darna to keep our heroine busy while, elsewhere in her lair, a towering robot bears menacingly down upon Ding. It’s a suitably whiz-bang finale to this loopy, kitchen sink confection, and one that makes the long, strange and circuitous route that we’ve taken to get to it seem perhaps less arduous in retrospect. Still, at a solid two hours, Darna At Ding is an example of a movie that pulls out all the stops, but perhaps shouldn’t have. While it’s combination of horror movie chills, superhero thrills and slapstick spills might have been catnip for the Filipino audience of its day, for the rest of us it might prove mildly exhausting. Nonetheless, I find Vilma Santos so appealing in her role that it’s hard for me to imagine hating any Darna movie that she appears in, and this one’s no exception.” – Todd of “luchadiaries” (READ MORE)

The movie started on how Narda got her power as Darna. As soon as Narda transformed into Darna, she quickly started her adventure with Ding fighting the Hawk Woman. And soon after Darna and Ding found a giant and both lost the fight to Darna. As the story unfold Dr. Vontesberg pretended as a good samaritan with an evil plan to destroy the towns people who killed her grandfather mistakenly accused as a devil worshipper. Dr. Vontesberg summoned the dead and terrorized the townspeople. Narda was captured by the mad Dr. Vontesberg and showed her how she operates her plans. Ding got on time to rescue her helpless sister and they both stopped Vontesberg evil plans. Then, Darna and Ding flew their way to the city. And on their way, they captured a bunch of loose prisoners, after this scene was a long lots of talking non-action scenes. Finally, Lei Ming and Darna measured their strength and powers. Lei Ming created an evil Darna to destroy the real Darna. At the end Lei Ming lose and took her own life. – Super Heroes Lives (READ MORE)

“Due to the Internet, one day soon I’m sure information on all of the cinematic obscurities of the world will be available to us, but at the moment it’s still wonderful to uncover a country’s hidden pop culture hitherto unnoticed by the rest of the planet. Take Video48, a mind-shattering trip into the uncharted realms of Filipino cinema, featuring a menagerie of stills, posters and articles from films I never even dared to dream existed! I stumbled across home-grown super-heroes such as Mars Revelo’s Darna a few years back, and Eric Cueto’s fansite provided a wealth of information on her cinematic adventures, (whilst also revealing tantalising glimpses of her on-screen contemporaries), but I certainly hadn’t realised the extent to which comic book characters pervaded the Philippine big-screen. Chances are the country was second only to Turkey when it came to cinematic Super-heroes – Darna herself has starred in 14 films and two TV series, which certainly puts Wonder Woman to shame…Sadly most of these fantasy films are unlikely to have survived – the condition of the Vilma Santos’ early Darna movies is supposedly so wretched that a DVD release has been permanently canned, and ancient VHS copies of Darna & the Giants and Darna & the Planet Women are jealously guarded by the few collectors who salvaged them from rental shops. Just as in Turkey, these films were probably considered to be as disposable as the comic books on which they were based – but I for one would go ga-ga for a double bill of this years The Dark Knight with 1973’s Fight Batman Fight (fair enough, my brain might melt out of my ears afterwards, but what a way to go…” – Poptique (READ MORE)

Most Popular Darna “…Ding, ang bato!” yells Narda, the adolescent country lass, to her younger brother. Ding obligingly hands over a shiny pebble which Narda swallows to turn herself into the vivacious super-vixen, Darna. Mars Ravelo’s superheroine, clad in crimson bikinis and knee-high stiletto boots, may perhaps be the most famous local fantasy character given life on the silver screen. Though not actually considered a career-defining role, portraying Darna is, nonetheless, highly-coveted. Darna has been portrayed by no less than nine actress in 12 feature films. Rosa del Rosario first wore the scarlet two piece in May 1951. She reprised the role after three months. Liza Moreno, Eva Montes and Gina Pareno followed her. The inter-galactic pebble found its way to Vilma Santos’ throat in 1973 via the flick “Lipad, Darna, Lipad!” Santos, now a two-term mayor of Lipa City in Batangas, is probably the most popular Darna, with a total of four movies in a span of seven years. Some of these were made known to younger generations through afternoon airings on television in the late ’80s. Maybe RPN 9 should do that again so that even younger generations can marvel at Darna’s greatness, albeit antiquated, in such movies as “Darna and the Giants” and “Darna vs. the Planet Women…” – Armin Adina, Philippine Daily Inquirer, June 06, 2003 (READ MORE)

“…That’s not to say that there aren’t fun moments to be had in this twelfth Darna outing – quite the contrary. The opening is fantastically absurd [I really dig those forced perspective giant effects], as is the Darna-versus-Darna battle that serves as the climax. But for every moment of overt glee there are twenty or so more in which nothing happens at all. It’s a pity, really, as the potential for entertainment is certainly there, but remains woefully un-tapped. From a production standpoint Darna at Ding was better than I anticipated, and there was obviously at least a little money put behind it. Special effects were about as good as I expected, and work well enough without becoming entirely embarrassing. The cast is quite good too, paltry as the material they have to work with is. Vilma Santos is always a pleasure to have on screen, and Nino Mulhach never becomes tiresome or annoying as Ding. The giant who sees such little action is familiar as well – Max Alvarado, who would go on to play Columbus, one of the multitude of villains in for y’ur height only. The soundtrack is groovy but of dubious legality. I recognized much of what was played, but could only pin down Pink Floyd’s Time for certain…” – Kevin Pyrtle, WTF-FILM (READ MORE)

Darna is Not a ‘Rip-off” of Wonder Woman – “…Because of the character’s immense popularity, several other studios would license the character and produce more Darna movies throughout the next several decades. After Rosa Del Rosario, Vilma Santos (who first played Darna in 1973’s “Lipad, Darna, Lipad”) would be the most well known and the most in demand to play the character. She starred in a total of 4 Darna movies. Her 4th and final one being in 1980. For years after that, no more Darna movies were produced…” – Raffy Arcega, Comic Book Movie (READ MORE)

Intergalactic Warrior – “…There were comic-inspired franchises that never travelled beyond their own borders, such as the Darna series from the Philippines in the 1970s – she was an intergalactic warrior disguised as an earthling – and which helped actress Vilma Santos turn the fame she achieved into a political career that still sees her serving as governor of Batangas province…” – Matt Scott, South China Morning Post, 20 April, 2014 (READ MORE)

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