Remembering Danny Zialcita

This slideshow requires JavaScript.

Danny’s Film Style – “…Sabi ni Danny, marami siyang naririnig na takot ang mga artista sa kanya dahil sa kakaiba raw niyang working habits. “Iba akong magpatakbo ng set. For those stars I haven’t handled yet, working with me will be like breaking old habits. It doesn’t necessarily mean na ours is the better habit. Iba lang.” Karaniwan, maraming hindi nakagamay sa style ni Danny na walang script. Kay Danny, the script should be just a guide for the sequence ng scenes. Sasabihin lang ni Danny ang situwasyon sa artista, bahala na ang artista sa interpretation at sa dialogue “I allow them to contribute to the interpretation of the story base on their everyday experience. Paglabas natural ang arte nila. Mahirap kung sunod lang nang sunod sa sinasabi ng isang papel,” paliwanag ni Danny. “Ang importante lang,” dagdag ni Danny, “ay alam ng direktor kung saan pupunta ang istorya.” Isa pang style ni Danny na hindi nakukuha ng maraming artista ay ang mabilis na pacing ng kanyang mga pelikula. “Pag sa akin, no long pauses in between dialogue. Brief and concise ang takbo ng ma linya.” Naniniwala si Danny na ang editing ang isa sa mga dahilan ng ikinagaganda ng kanyang mga pelikula. “I’m more of an editor than a director; more of a scriptwriter than a director,” sabi niya. Ang editing ay isang aspeto ng paggawa ng pelikula na talagang pinagaralan ni Danny. Ipinagmamalaki ni Danny na hindi siya aksayado sa film. “I already edit my film while still on the shooting. Nandoon ang concentration ko as director. I hardly expose film.” As a director, naniniwala si Danny na dapat, may malaki siyang papel sa pagpili ng final title ng pelikula. Binibigyan din niya ng importansiya ang music sa pelikual. “I love music, I give room for it in my films…” – Vivienne Rafael, Movie Flash Magazine, December 23, 1982 (READ MORE)

Man starts and God finishes – “…Perhaps, it was because we were his most recent contact from media if one could call five years recent. At that time, he agreed to an interview, asked that we see him at his home and spoke of a project for Gabby Concepcion, which we filed for The Philippine Star. At that time, we wrote: “Gabby’s father Rolly was on the phone talking with Danny and he hands us the phone. Apparently, Rolly has a story for Gabby he wants Danny to direct. Zialcita’s mind was not only as sharp as it was in the past; his excitement at reappearing once again on the scene was infectious. He told us of how God had been guiding his every move in the past. Man starts and God finishes, he stated. He felt this during the peak of his career when he was churning out movie after movie… Nine hits in a row? That couldn’t have been possible without Divine intervention,” he interjects. Upon his death Sunday, we were told his body was cremated and no wake was scheduled. It seemed to us that Danny had directed his final movie. And we remember “Man starts and God finishes…” – Bibsy M. Carballo, The Philippine Star, March 15, 2013 (READ MORE)

Beautiful Women and Cool Wife – “…Zialcita is a son of a banker whose wife took care of the kids and the home. If he had a knack for narrative, it must have come from his paternal grandmother who wrote short stories for Liwayway Magazine. Danny studied at the Ateneo de Manila up to high school before he was sent by his dad to the Sophia University in Japan to take up business management—and to cut the budding romance between his son and the actress Charito Solis. While he was indeed enrolled in a business course in the beginning, he was soon moonlighting in the film editing classes, and ended up just focusing on the latter. He wasn’t able to finish his studies and at 19, got married to Leonor Vergara, a favorite leading lady and then girlfriend of Fernando Poe Jr. Despite Danny’s reputation for being a playboy, the two have been married for 47 years now, and have three grown children. “Ask the girls,” says Mark Gil, with a knowing laugh when I ask him to comment on the director’s ladies’ man image. And Zialcita always had the most beautiful women on the set: Lyka Ugarte, Dang Cecilio, Pinky de Leon, Rio Locsin, Hilda Koronel, and Gloria, of course. “My favorite is still upstairs,” he tells me when asked who among the actresses was his favorite. “I believe in duty, responsibility and continuity…I have a way of hiding what is important.” And then he adds, “Mapagbigay ako.” “He loved women,” says Gloria. “He is very cariñoso, very touchy, laging nakasampay sa’yo. Even with the men.” But Danny never made a move on her. “How can he? We were always shooting in his house; his wife was upstairs.” The Zialcita movie atmosphere, they say, is always relaxed. Mostly because he is the producer of most of his films he can take his time, and he was usually shooting at home, in the old Zialcita mansion on Lee Street in Mandaluyong. “Basta may painting at may salamin, it was shot in Danny’s house,” Mark Gil says. “Kaya ‘yung mga walls namin puro butas,” says daughter Beth. He would just change the paintings and the look of the house for every film. They would also shoot in the house across owned by a relative. “Even while he was doing his bomba movies, he would do it here,” adds Beth. “I would come home from school and see people in the house na walang damit.” While he did collect many paintings, ivories and sculptures not only for his films but also as a personal hobby, Danny also collected still photographs of scantily clad women whose blown-up incarnations Beth would see posted in his private den. His wife Leonor, says Beth, never seemed to mind. “She is a very cool wife…” – Jerome Gomez for Metro Him, ABS-CBN News, 03/12/2013 (READ MORE)

Danny’s Vi and Guy – “…Batangas Gov. Vilma Santos told the Inquirer: “I learned a lot from him. He popularized crispy, witty dialogue that sounded very natural. He was intelligent and clannish. He liked working with the same set of actors. I felt privileged to be among his regulars.” Santos starred in Zialcita’s biggest 1980s hits: “Langis at Tubig,” “Karma,” “Gaano Kadalas ang Minsan” and “T-Bird at Ako.” The last one also top-billed Nora Aunor. Told about the news, Aunor said that, apart from “T-Bird at Ako,” she guested in a Zialcita movie that launched singer Kuh Ledesma in 1982, “Tinimbang ang Langit.” “We also have an unfinished movie ‘Sa Dulo ng Panahon’ (produced by Regal Films in 1988),” said Aunor. “Mahusay siyang direktor. Mabilis mag-isip at magaganda ang mga dialogue namin lagi. He was a great director, quick-witted. He always gave us beautiful lines to deliver…” – Bayani San Diego Jr., Philippine Daily Inquirer, March 14, 2013 (READ MORE)

Dear Sharon – “…None at all. My first single, Tawag ng Pagibig (by Rey Valera), didnít click. It was my second, Mr. Deejay (also by Valera), released six months later, which did. When I was 14, I rode on the float of the movie Langis at Tubig during the parade at the Cebu Film Festival. I sang the theme song of that movie (directed by Danny Zialcita). Ate Vi (Vilma Santos), one of the stars, was pregnant with Lucky so I kind of pinchhit for her. Direk Danny was very impressed by the public reaction. After the parade, he talked to my Mom about the movie Dear Heart. Hindi daw niya itutuloy if he couldnít get me to star in it…Direk Danny wanted my character in the movie to be close to my real self para daw hindi ako mahirapan. So in the movie, I had bodyguards and my father was strict and crazy over me; I even had a yaya who called me Miss Universe. Very real life, di ba? I had crushes and puppy loves even before I met Gabby. Before I joined showbiz, ang crush ko noon ay si Dondon Nakar. But before Dondon, there was Bruce Lee, and now Jet Li. I did have a crush on Albert (Martinez) but not on Gabby. I thought Gabby was mayabang; so among the Regal Babies, mas gusto ko sina Alfie Anido at Jimi Melendez (both dead). In fact, when they asked me who I wanted as my leading man in Dear Heart, I said, “Anybody but Gabby Concepcion.í I found out na mabait naman pala siya when we started shooting…” – Ricky Lo, The Philippine Star, August 11, 2002 (READ MORE)

Comatose – “…Atenean, Danny Zialcita, passed away Monday, March 11 after more than a year of being comatose. He was 73. Director, producer and writer, Zialcita was legendary. He was revered for his glossy movies that often showed middle-class characters delivering witty quips and kilometric dialogues that he often wrote and re-wrote on the set itself. “Lady Killer” was made in 1965 and he went on to make 52 movies, most of which he himself wrote. Among his most famous are “Bakit Manipis ang Ulap,” “Nang Masugatan ang Gabi (1984), “Nagalit ang Buwan sa Haba ng Gabi” (1983), “Gaano Kadalas ang Minsan?” (1982), “Langis at Tubig” “Hindi sa Iyo ang Mundo, Baby Porcuna,” “Ikaw at ang Gabi” (1979). He was credited for plucking the teen recording artist Sharon Cuneta and making her into a star via the teen romance “Dear Heart” (1981), which paired her with Gabby Concepcion. Zialcita and Cuneta would later reunite in 1983 for “To Love Again.” He was also the director of “T-Bird at Ako,” which has the two most awarded Filipina actresses Nora Aunor and Vilma Santos. He was married to former actress of Premiere Productions Leonor Vergara with whom he had a daughter…” – Malaya, March 17 2013 (READ MORE)

Danny Zialcita and Vilma Santos

  • Langis at Tubig (1980) – Zialcita’s first collaboration with Vi. She played the other wife of Dindo Fernando who was had a shotgun wedding to a provincial naivette, played by Amy Austria who he impregnated.
  • Karma (1981) – After the hit, Langis at Tubig, zialcita did Karma with Vi. The film was one of the top grosser in the December festival. It also earned Vi another best actress. Manny A. Valera, writer for Jingle Extra Hot Magazine wrote in December 28, 1981, Vi was so proud of this Zialcita’s directed film she explained: “…Masaya ako ngayon. Sa darating na Filmfest kasi, maganda ang panlaban kong pelikula. Kung nagustuhan ng mga manonood ang Langit at Tubig last year, mas magugustuhan nila ang Karma. Hindi kiyeme-kiyeme ang sinasabi ko. Nakita ko na kasi ang mga rushes, “I consider Danny as one of the best among our movie directors. Pulido siyang magtrabaho. Pari iyong mga bold scenes namin, talagang artistically done. All praises ako sa kanya. Nakasama ko na rin siya before and because of that, may inter-action kaming dalawa. Vibes na vibes kami. Sure ako, hindi ako mapapahiya sa filmfest entry ko. “Karma will be my Christmas gift to all my fans who, until now, have not stopped loving me. Ang pagtingin ko sa kanila ay extra special kaya naman, extra-special ang regalo ko…”
  • T-Bird at Ako (1982) – Aside from several guest appearances in all star cast films like Dugo at Pag-ibig sa Kapirason Lupa, Happy Days Are Here Again and other forgetable films, this is the fourth films that Vi and Guy did together. Zialcita masterfully directed the two and despite the unequal weight in terms of roles, Vi gamely faced Nora in several memorable confrontation scenes that include witty/crisp dialouges, slapping and a kissing scene (well, almost lips to lips, a kiss in a cheek). Art immitating life? We all know that Guy had a rumour gay wedding in the U.S. that she herself briefly discussed in an article years back. And she also candidly admitted several times, she’s also a Vilmanian. Zialcita was way ahead of his time, creating one of few Filipino films about a career minded and succesful lawyer who happens to be a lesbian. Seldom we see such characters in Filipino local films and he has done this several times in films like Mahinhin vs Mahinhn. Despite the dissappointing ending where lesbian Nora agreed to be with her patient suitor, played by Tommy Abuel, instead of Vi, the film has answeared what both Vi and Guy’s fans has been expecting since Bernal’s Ikaw Ay Akin, the typical battle confrontations. It may come probably too late as the film was not as successfull commercially.
  • Gaano Kadalas ang Minsan? (1982) – Zialcita and Vi’s last film together. Hilda was originally cast in Langis at Tubig in 1980 but he took out Hilda and cast Amy Austria instead. He then make-up for this decision by giving Hilda one of the lead in this drama that reminds local film buff of the Lolita-Eddie-Marlene troika in 60s. In an interview by Jerome Gomez, for Metro in 2008, “…From 1979 to 1986, Zialcita was on a roll, doing one film after another, pulling off nine hits in a row beginning with Gaano Kadalas in 1981 up to his sex comedies that include May Lamok Sa Loob ng Kulambo. He could demand anything from a producer and his wish would be granted. When Viva Films asked him to do Gaano Kadalas, he told Vic and Mina del Rosario that he will only do it if they get George Canseco to write the theme song (most of his popular films had songs by Canseco), and that Hilda Koronel would be one of the leads. Viva granted him both, even if it had to pay more for Hilda than for Vilma. “May utang ako kay Hilda eh, I took her out of Langis at Tubig…” Gaano Kadalas broke box office records set by another Vilma starrer, Sinasamba Kita released few months eartlier, it grossed 7.3 Million in its few days run in Metro Manila in 1982, equivalent to 17.4 millions to today’s money.

Danny Zialcita (November 24, 1939 – March 10, 2013) is a fun-loving gifted and colorful filmmaker who left his mark as one of the best in the stimulating era of the ’60s and ’70s. Then without any warning he left the industry. Stories of drug addiction, withdrawal from the world, and worse, loss of sanity dogged his absence until even his colleagues lost touch with him and didn’t know what to believe. Zialcita is a master of improvisation on the set, he also had the knack for casting the right actors, choosing the right material, and pleasing his producers. One of his favorite actors was Dindo Fernando whom he termed “the complete actor” and cast him in such movies as Langis at Tubig, Karma, Gaano Kadalas Ang Minsan, Mahinhin at Mahinhin, its sequel Malakas, si Maganda at si Mahinhin and Ikaw at ang Gabi which gave Dindo his first Urian Best Actor trophy. Other favorites were Vilma Santos cast in Karma, T-Bird at Ako, Langis at Tubig; Pinky de Leon; Laurice Guillen; Ronaldo Valdes; and Beth Bautista who won Best Actress award in Hindi sa Iyo ang Mundo Baby Porcuna. – Bibsy M. Carballo (READ MORE)

Related Reading:

Advertisements

Premiere Nights

Premiere Nights 1

Oh, it’s October, month of the “Holy Rosary!” Kay bilis malagas ng mga araw, hindi natin namamalayan, bagong taon na naman. Nagkakaedad na tayong lahat subali’t andito pa rin tayo…..humahanga pa rin kay Miss Vilma Santos. Kung sabagay, sabi nga nila, age is just a number, hehehe! Sa tinagal-tagal sa industriya ng pelikulang Pilipino ni Vilma, apatnapu at anim na taon na siya sa pelikula to be exact, kulang-kulang sa limang dekada ay hindi pa rin siya matinag sa kanyang kinalalagyan. Nagsilaho na ang kanyang mga kakontemporaryo. Nagsusulputan na ang mga bagong mukha subali’t parang bulalakaw na mabilis ding nawawala. Si Vilma ay andiyan pa rin…nagniningning pa rin ang kanyang bituin…tinitingala pa rin hindi lang bilang isang magaling na alagad ng sining kundi isa na ring mahusay na public servant. Pero kahit na nasa itaas siya ay nakatuntong pa rin siya sa lupa kaya naman lahat halos ng mga nangyayari sa kanya ay pulos positibo, kahit na minsan ay may mga taong bumabatikos sa kanya. Ipinagsasawalang kibo na lang niya ang mga ito, para que pa nga naman eh pampa-stress lang yan noh! At dahil diyan, siya pa rin ang Nag-iisang Bituin…nakakapag-demand ng mataas na talent fee sa kanyang mga pelikula at commercials na ginagawa. Siya pa rin ang “premiere actress” ng bansang Pilipinas. At yamang napapag-usapan ang kanyang pagiging “premiere actress” kung kaya’t balikan natin ang mga “premiere night” ng mga pelikula ni Governor Vilma Santos-Recto.

Noong araw, madalang ang mga pelikulang may “premiere night.” Ang mga sinehang pinagdarausan ng mga “premiere night” noon ay mga nangawala o nagsipagsara na katulad ng Galaxy Theater sa Avenida Rizal, Lyric Theater sa Escolta, Rizal at Magallanes Theater sa Makati City, New Frontier at Remar Theater sa Cubao, Quezon City at Gotesco Theater sa Recto Avenue, Quiapo, Manila. Nauso na ang mga “malls” na karaniwan ay may apat hanggang labingdalawang sinehan na pinagpapalabasan ng mga pelikula. Nilamon na ng mga sinehan sa mga naglalakihang malls ang mga lumang sinehan noon. Eh bakit pa nga ba ikaw manonood sa mga dating sinehan samantalang kung sa “mall” ka pupunta ay andun na lahat…..supermarket, department store, food court, amusement center at may mga shows pa. Ngayon…..halos lahat ng pelikulang tagalog ay may “premiere night”…..na karaniwan ay may mga nag-iisponsor at ito ay ginaganap sa mga sinehan sa mga malls. Pati ang mga digital films ay may “premiere night” na rin na sa UP Film Center ipinalalabas.

Ang pelikulang Pakawalan Mo Ako na ipinalabas noong Mayo 29, 1981 ay nag-premiere showing sa Lyric Theater at sponsored ito ng Catholic Women’s League Manila Chapter. Natandaan ko pa noon na ang pases na ginamit ko para manood ng pelikulang ito ay ibinigay lang sa akin ng isa kong kaopisinang tagahanga ni Nora Aunor. Eksaktong alas siyete ng gabi ito nagsimula. Walang artistang dumalo sa nasabing premiere night subali’t nang ito ay muling nag-premiere night sa Gotesco Theater ay talagang may mga nabasag na salamin sa lobby ng sinehan dahil sa pagkakagulo ng mga manonood. Si Vi ay hindi nakarating dahilan sa siya ay kapapanganak lamang kay Luis. Ang pelikulang ito kung saan si Elwood Perez ang naging direktor ay tinatampukan din nina Christopher de Leon at Anthony Castelo ay isa sa mga sumira ng takilya. Nakamit ni Vi ang pangalawang best actress award mula sa Famas sa pelikulang ito.

Nang mag-premiere night naman ang unang pelikula ni Vi sa Viva Films na Sinasamba Kita na idinerek ni Eddie Garcia ay talagang naging pandemonium. Ito ay ginanap sa New Frontier Theater, Cubao, Quezon City at nang makapasok na ang mga tao sa loob at magsisimula na ang pelikula ay nagkalat ang mga tsinelas sa lobby ng sinehan na naiwan ng mga tagahangang natapakan ng mga nais makapanood ng pelikula. Ito ay ipinalabas sa mga sinehan noong Agosto 19, 1982 at tinampukan din nina Christopher de Leon, Philip Salvador at Lorna Tolentino.

Sunud-sunod ang mga pelikula ni Vilma sa Viva Films na nagkaroon ng premiere night at katulad ng mga nauna ay nagkakagulo pa rin ang kanyang mga tagahanga. Ito ay ang mga pelikulang Gaano Kadalas Ang Minsan? at Paano Ba Ang Mangarap? na sa New Frontier Theater din ginanap. Ang New Frontier Theater pala ay itinuturing na pinakamalaking sinehan sa buong Asia nang mga panahong yun. Ang Gaano Kadalas Ang Minsan? na idinerek ni Danny L. Zialcita ay ipinalabas noong Nobyembre 11, 1982 at tinampukan din nina Dindo Fernando at Hilda Koronel…..samantalang ang Paano Ba Ang Mangarap? na idinerek naman ni Eddie Garcia ay ipinalabas noong Hunyo 9, 1983 at tinampukan din nina Christopher de Leon at Jay Ilagan.

Ang premiere night ng pelikulang Never Ever Say Goodbye ay sa Galaxy Theater naman ginanap. Bukod kay Vi ay dumalo din ang mga stars ng nasabing pelikula katulad nina Nonoy Zuñiga. Nagkaroon pa ng isang maliit na programa bago nag-umpisa ang pelikula. Ito ay ipinalabas sa mga sinehan noong Oktubre 7, 1982 sa direksiyon ni Gil Portes.

Sa Magallanes Theater ginanap ang premiere showing ng pelikulang tinatampukan ni Vi at ni Nora Aunor na T-Bird At Ako. Hindi dumalo ang dalawang lead stars ng pelikula, yung mga supporting stars lamang ang mga dumalo pati na rin ang prodyuser ng pelikula na si Irene Lopez. Si Danny L. Zialcita ang direktor ng pelikulang ito na ipinalabas noong Setyembre 2, 982 at tinampukan din nina Dindo Fernando at Tommy Abuel.

Sa Film Center sa Roxas Boulevard, Pasay City naman nag-premiere showing ang pelikula ng Mirick Films na inilahok sa 1982 Metro Manila Film Festival na Haplos. Kasama ni Vi sa pelikulang ito sina Christopher de Leon na nanalong best actor at Rio Locsin sa direksiyon ni Butch Perez. Hindi nakadalo si Vi at Boyet subali’t andun si Rio Locsin na kasama pa noon ang asawang si Al Tantay.

Premiere Nights 2Samantala, nagkaroon ng double screening sa loob lamang ng isang gabi sa Rizal Theater ang pelikulang Sister Stella L. Punung-puno ang dalawang screening at grabe ang naging reception ng mga tao. Umaatikabong palakpakan ang maririnig sa loob ng Rizal Theater nang matapos ang pelikula. Nakita kong dumalo doon sina German Moreno at Babette Villaroel. Palibhasa’y ang Rizal Theater ay malapit lang sa Forbes Park, Bel-Air, Dasmariñas Village at San Lorenzo kung kaya’t karamihan sa mga nanood ay mga alta sosyedad. Sosyal talaga ang pelikula at ito lang yata ang pelikulang pinapalakpakan ng mga tao pagkatapos ng screening, maging ng mga class C, D at E. Nagkaroon din ng mga special screening ang pelikulang ito ni Mike de Leon sa iba’t ibang paaralan ng Metro Manila. Di nga ba’t isa si NEDA Secretary Ralph Recto na nanood nito na noon ay estudyante pa lang? Inilabas ito sa mga sinehan noong Hulyo 12, 1983 at napanalunan ng pelikulang ito sa Urian ang halos lahat ng awards sa iba’t ibang kategorya kabilang na ang tatlong taong sunud-sunod na best actress award ni Vi.

Ang una’t huling pelikula ni Vilma sa Via Hoffman Films na Tagos Ng Dugo ay nag-premiere night sa New Frontier Theater din. Bago pa dumating si Vi ay halos isara na ng mga guwardiya ang pintuan ng sinehan dahilan sa hindi na nila ma-accomodate ang napakaraming taong manonood. Nang dumating si Vi ay agad sinimulan ang pelikula. Sa loge ng sinehan naupo si Vi at ang kanyang mga co-stars. Nang matapos ang pelikula at magbukas ang ilaw ay walang humpay sa pagkaway si Vi sa mga taong nasa ibaba ng sinehan. Ang mga taong nanood ay walang pagod sa kasisigaw sa pagtawag kay Vi. Ang pelikulang ito na idinerek ni Maryo J. de los Reyes ay nag-regular showing sa mga sinehan noong Enero 25, 1987. Sa pelikulang ito natamo ni Vi ang ikaapat na best actress award sa Famas at pangalawa naman niya sa Catholic Mass Media Award.

Ang pelikulang tinampukan ni Vi kasama sina Tonton Gutierrez, Ricky Davao at Cherrie Gil na may pamagat ng Saan Nagtatago Ang Pag-ibig? ay sa Rizal Theater din nag-premiere showing. Sobrang dami ding tao ang nanood palibhasa’y dito noon ginaganap ang Vilma Show nang panahong yun. Ang pelikulang ito na idinerek ni Eddie Garcia ay ipinalabas sa mga sinehan noong Setyembre 2, 1987. Dito sa pelikulang ito nanalo si Tonton Gutierrez ng kanyang best actor award mula sa Catholic Mass Media Award at Star Awards for Movies. Si Eddie Garcia ay nanalo ring best director mula sa iba’t ibang award giving bodies.

Ang true-to-life story ni Dolzura Cortez na pinamagatang Dahil Mahal Kita: The Dolzura Cortez Story ay sa New Frontier Theater nag-premiere night. Dumalo sa nasabing premiere showing ang dating Secretary of Health na naging senador na si Flaviano Javier na umaming isang Vilmanian siya. Ito ang kauna-unahang pelikulang tumatalakay sa isang taong may AIDS (Acute Immune Deficiency Syndrome). Ito ay inilahok ng Octo Arts Films sa Manila Film Festival kung saan nasungkit ni Vi ang best actress award. Ito ay sa direksiyon ni Laurice Guillen. Nakamit din ni Vi ang kanyang pangalawang grand slam sa pelikulang ito.

Sa Greenhills Theater naman nag-premiere showing ang pelikulang Nag-iisang Bituin na bukod kay Vi ay tinampukan din nina Christopher de Leon, Aga Muhlach at ng isa ring Vilmanian na si Jao Mapa. Ito ang unang pelikula ni Vi kay Jose Javier Reyes na nag-regular showing noong Agosto 31, 1994. Isa sa mga sponsors ng pelikulang ito, kung saan si Vi ang endorser, ay ang Eskinol Facial kung saan namahagi sila sa pamamagitan ng paghahagis ng maliliit na bote ng Eskinol sa mga taong manonood. Isa sa mga Vis na nanood ay aksidenteng tinamaan sa mata subali’t ito ay kanilang ipinagamot.

Ang pelikulang pinagsamahan nina Vi, Gabby Concepcion, Aga Muhlach at Aiko Melendez na may pamagat na Sinungaling Mong Puso ay nag-premiere night sa Gotesco Theater. Tulad ng dati, nagkabasag-basag na naman ang mga salamin sa lobby ng sinehan. Nang mag-regular showing na ang pelikulang ito sa mga sinehan noong Agosto 27, 1993 ay bumabagyo at binaha pa ang ibang sinehang pinaglabasan ng nasabing pelikula subali’t super blockbuster pa din ito quesehodang nakababad ang mga paa ng ibang taong nanood. Ang pelikulang ito ay idinerek ni Maryo J. de los Reyes. Dito nagwagi si Aga ng best actor award at si Gabby naman ay best supporting actor.

Sa Remar Theater naman nag-premiere night ang pelikulang tinampukan nina Vi, Cesar Montano at Ronnie Ricketts na Ikaw Lang sa direksyon ni Chito Roño. Hindi magkamayaw ang mga tao nang dumating ang mga lead stars. Ang pelikulang ito ay ipinalabas sa mga sinehan noong Enero 12, 1994.

Ang pelikula tungkol sa OFW na Anak ay nag-premiere showing sa dalawang sinehan ng SM Megamall. Hindi mahulugang karayom ang mga taong nanood ng nasabing pelikula. Dumating ang mga lead stars ng pelikula at talagang walang katapusang tilian at sigawan ang mga fans sa loob ng sinehan habang pinapanood ang nasabing pelikula. Ipinalabas ang pelikulang ito noong May 12, 2000 sa kasagaran ng mga bomb threats subali’t hindi ito naging hadlang para hindi pasukin ng tao ang pelikula. Ito na yata ang pelikulang pinilahan ng husto sa takilya. Ang pelikulang ito ay sa direksiyon ni Rory Quintos at dito muling nabigyan si Vi ng box-office queen award kahit na hall of famer na siya. Nanalo din si Vi ng best actress award mula sa Star Awards for Movies at Pasado. Ang pelikulang ito din ang nanalong best film ng Catholic Mass Media Awards.

Nagkaroon ng ilang linggong exhibit sa lobby ng Robinson’s Galeria noong December 2002 ang pelikulang Dekada ’70. Mga damit, sapatos at iba’t ibang aksesorya noong dekada ’70 ang naka-display sa exhibit. Ang premiere showing naman nito sa isang sinehan ng Robinson’s Galeria ay dinaluhan nina Charo Santos, Malou Santos, Chito Roño at ang mga stars ng pelikula na sina Vi, Boyet, Piolo Pascual, Marvin Agustin, Carlos Agassi, John Wayne Sace at Danilo Barrios. Dumalo din si Marilou Diaz Abaya at panay ang bati niya sa mga stars at direktor ng pelikula. Dito sa pelikulang ito nasungkit ni Vi ang kanyang pang-apat na grand slam.

Sinabi noon ni Mother Lily Monteverde na ang final Mano Po movie ay itong pelikula nina Vi at Boyet na panlaban nila sa 2004 Metro Manila Film Festival na Mano Po 3 My Love, subali’t hindi ito nangyari dahil may mga sumunod na Mano Po pa. Nagkaroon ng red carpet premiere night ang nasabing pelikula sa SM Megamall. Dumalo ang mga stars ng pelikula na sina Vi, Boyet, Angel Locsin, Karylle, Dennis Trillo, Angelica Panganiban, Carlo Aquino, Jay Manalo, Boots Anson Roa, Eddie Garcia, Patrick Garcia, John Pratts at iba pa. Nanalong best actress at best actor sina Vi at Boyet. Nanalo ring best picture ang pelikula ganundin ang best float. Ito ang unang directorial job ni Joel Lamangan kay Vilma. Nanalo din si Vi ng best actress award mula sa Star Awards for Movies, Gawad Tanglaw at Gawad Suri.

Sa kabuuan, ang lahat ng “premiere night” na pelikula ng tinaguriang “premiere actress” ng bansa ay talagang malaking tagumpay. Panalong-panalo talaga!!!. – Alfonso Valencia (READ MORE)

Premiere Nights 3Unprecedented Stella L Premiere – Kung ang batayan ay ang premiere night ng Sister Stella L na ginanap sa Rizal theater noong June 22, sigurado nang dudumugin nang masa ang pelikulang ito ni Mike De Leon kapag regula showing na ito sa commercial theaters. Talaga namang very, very successful ang nasabing premiere night at ayon nga sa mga nakakaalam, never in the history of local cinema na ang isang pelikula’y dalawa ang screenings sa premiere showing at parehong SRO. Obviously, maraming A-B crowd nung gabing ‘yon, tulad ng grupo ni Chona Kasten na namataan namin, pero marami ring mga manggagawa at mga miyembro ng iba’t ibang sektaryang pang relihiyon. Ang nag-isponsor ng premiere night na ‘yon ay ang The Organization for the Promotion of Church People’s Right/Response (PCPR). Ang Sister Stella L na pelikula ng Regal Films ay ipapaplabas umpisa sa July 14. – Movie Flash Magazine, July 12 1984

Paano malalaman kung magiging malakas sa takily ang isang pelikula? Isa sa mga sukatan ang premiere ngiht. Hangga’t maari’y ayaw ng ibang produser na magpa-premiere night. Usually kasi, may nag-iisponsor nito, at sa kanila, sa charity – kung tutoo mang sa charity – napupunta ang bayad sa takilya. At siyempre pa, dahil premiere night ekstra ang halaga ng tiket, P25 sa orkestra, P50-100 sa balcony at loge. Bukod sa malaking kawalan din yon sa produser sa regular run ng pelikula, puewede pang mapintas-pintasan ito, at pag kumalat iyon, bagsak ang pelikula! Sa isang dako, kung gustong makatulong ng produser sa charity, at kung sampalataya siya sa kanyang pelukula, mainam magpa-premiere night para higit na maipaalam sa lahat na maganda ito. Iyon ang nasa isip ni Mother Lily nang ipa-premiere night ang “Sister Stella L.” sa Rizal theater sa Makati. Umbrella organization ng mga madre ang nag-isponsor ng premiere night, dalawang screening iyon. Umuulan nang gabing iyon, pero dagsa pa rin ang mga tao. Siksikan. Gayunpama’y disiplinado. Marami rin kasi sa mga ito ang mga madre. Kung karaniwan nang umaasa pa rin sa walk-in ang ibang nagpapa-premiere night, iba naman ang nangyari sa “Sister Stella L.”

Bago pa ang first screening, dakong alas sinko-medya, sold out na ang tiket. Nakikiusap na talaga ang mga hindi nakabili ng tiket na bibili sila, pero ubos na. Dumating doon ang ina ng tunay na Sister Stella L. “No, my daughter is not an activist, she only wanted to help the needy,” sabi nito. Sa kasalukuya’y nasa abroad daw ito, nagtungo roon pagkaraang lumabas mula sa pagkaka-detain ng 11 months sa isang militar camp. Mula sa siyuting ng “Alyas Baby Tsina,” dumating si Vilma Santos. Kagulo sa kanya ang mga tao sa lobby. Magkasabay na pumasok sina Gina Alajar at Michael De Mes, at naisip namin, mali nga ‘ata ‘yung balitang nagkahiwalay sila. Very, very successful ang premiere night na iyon. Katunayan, gusto pa itong masundan ng isang labor sector, tumanggi na lang si Mother Lily. “They will give me raw three hundred thousand, but I said no. Paano naman ang regular run ko?” – Bibsy Estrella (READ MORE)

“…The Bicol Festival Foundation, in cooperation with Philtanco, is sponsoring the movie premiere of the film Saan Nagtatago ang Pag-ibig?, tonight at 7:30, at the Rizal Theatre in Makati. The movie, directed by Eddie Garcia, stars by Eddie Garcia, stars Vilma Santos, Gloria Romero, Ricky Davao, Cherie Gil, Alicia Vergel and Tonton Gutierrez. The Bicol Festival Foundation is headed by Justice Francis F. Gachitorena of the Sandiganbayan. Film director Garcia who is a Bicolano himself has offered this latest Vilma Santos starrer to the Bicolanos, many of whom have been devastated by typhoon Herming a few weeks ago. He said, ‘This is my little contribution in the Bicolano’s who will be celebrating the Penafrancia Festival next month.” The Bicolanos in Manila will hold teh Grand Bicolandia Festival from September 7-13 at the Manila Garden Hotel in Makati and many activities have been schedule to drum up support for the plight of the Bicolanos in the provinces. Tickets are available a the theater gate at Visual Horizons with telephone no. 815-0024 or Philtranco at telephone no. 833-7180…” – Manila Standard, Sep 01 1987 (READ MORE)

LATEST NEWS - Premiere Night Jul 25 2012 3The Healing’s Premiere Night – “…The entire cast of “The Healing,” led by multi-awarded actress and Batangas Gov. Vilma Santos and young actress Kim Chiu, arrived together, wearing red outfits and flashing smiles to fans who attended the event. Santos was escorted by her husband Senator Ralph Recto. Before the movie was screened, Santos said she is truly proud of this movie because she and the rest of the cast really worked hard to make it beautiful. “We’re all very excited and we would like to thank each and everyone of you for joining us in the premiere night of ‘The Healing.’ Pinamamalaki po naming lahat ito dahil pinagpaguran namin,” she said. Santos said she is hoping moviegoers would enjoy the film and feel scared at the same time. Among the celebrities who attended the premiere night were Piolo Pascual, Maja Salvador, Matteo Guidicelli and Robi Dominggo. Chiu’s former boyfriend Gerald Anderson was also there as well as actor Xian Lim, who is currently being linked to her…The Healing was graded A by the Cinema Evaluation Board and it opens in theaters nationwide today, July 25…” – ABS-CBN News (READ MORE)

LATEST NEWS - July 2013 Ekstra Gala 1Eksta’s Premiere Night – “…As early as 5:00 p.m., people were already queuing for the 6:15 screening. The line became longer in just a few minutes, while other people were excitedly awaiting the arrival of Gov. Vilma Santos-Recto. The Vilmanians were hoping to get a glimpse of their idol enter the Main Theater. The celebrities started arriving, which made the task of containing the crowd a little difficult for the ushers. But they politely obliged when they were asked to clear the area leading to the Main Theater. When the signal was given that the moviegoers could now enter the theater, the people dashed toward the main entrance, hoping to be the first to get inside. This could have been a scene straight from Philippine cinema’s classic eras, such as the pre-martial law Manila film festivals. And the star of the night was a veteran performer with 5 decades in the industry. Vilma said the premiere erased her apprehensions about venturing into independent cinema for the first time. “Yung pinaka-reception kanina, yun na ang pinaka-bayad namin (The reception was already the reward).” Jeturian was a PA (production assistant) in the 1984 production of Marilou Diaz Abaya’s “Alyas Baby Tsina.” Vilma was the star of that film, and Jeturian remembers already dreaming of becoming a filmmaker at the time…” – Rappler (READ MORE)

Top 100 Vilma Santos Films

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

RANK FILM (YEAR) SCORE
01. Burlesk Queen (1977) 30.90
02. Bata, Bata…Paano Ka Ginawa? (1998) 28.90
03. Dekada’70 (2002) 28.80
04. The Dolzura Cortez Story (1993) 28.70
05. Ikaw ay Akin (1978) 28.60
06. Rubia Servios (1978) 28.50
07. Relasyon (1982) 27.90
08. Pahiram Ng Isang Umaga (1989) 27.80
09. Broken Marriage (1983) 27.70
10. Lipad, Darna, Lipad (1973) 27.60
…LINK

11. Imortal (1989) 26.90
12. Anak (2000) 26.80
13. Tagos ng Dugo (1987) 26.70
14. Adultery (1984) 26.60
15. Pagputi ng Uwak Pag-itim ng Tagak (1978) 25.90
16. Trudis Liit (1963) 25.80
17. Gaano Kadalas ang Minsan? (1982) 25.70
18. Paano Ba ang Mangarap? (1983) 25.60
19. Sinasamba Kita (1982) 25.50
20. Tag-ulan sa Tag-araw (1975) 25.40
…LINK

21. In My Life (2009) 24.90
22. Saan Nagtatago Ang Pag-ibig? (1987) 24.80
23. Ipagpatawad Mo (1991) 24.70
24. Mano Po 3 My Love (2004) 24.60
25. Pakawalan Mo Ako (1981) 24.50
26. Karma (1981) 24.40
27. Hahamakin Lahat (1990) 24.30
28. Sinungaling Mong Puso (1992) 24.20
29. Dalawang Pugad, Isang Ibon (1977) 24.10
30. Ex-Wife (1981) 24.09
…LINK

31. D’ Lucky Ones (2006) 24.08
32. Dyesebel atang Mahiwagang Kabibe (1973) 24.07
33. Sister Stella L. (1984) 23.90
34. Kapag Langit Ang Humatol (1990) 23.80
35. Miss X (1980) 23.70
36. Ikaw Lang (1993) 23.60
37. Bato sa Buhangin (1976) 23.50
38. Nakakahiya? (1975) 23.40
39. Hindi Nakakahiya (1976) 23.30
40. Batya’t Palu-Palo (1974) 23.20
…LINK

41. Haplos (1982) 22.90
42. Ibulong Mo Sa Diyos (1988) 22.80
43. Pinay, American Style (1979) 22.70
44. Langis at Tubig (1980) 22.60
45. Palimos Ng Pag-ibig (1986) 22.50
46. Muling Buksan ang Puso (1985) 22.40
47. Kampanerang Kuba (1974) 22.30
48. Darna and the Giants (1973) 22.20
49. Dama De Noche (1972) 21.95
50. Hatinggabi Na, Vilma (1972) 21.90
…LINK

51. T-Bird at Ako (1982) 21.80
52. Alyas Baby Tsina (1984) 21.70
53. Halik sa Kamay, Halik sa Paa (1979) 21.60
54. Minsan pang Nakaraan (1983) 21.50
55. Masarap, Masakit ang Umibig (1977) 21.40
56. Hindi Nahahati ang Langit (1966) 21.30
57. Susan Kelly, Edad 20 (1977) 21.20
58. Hiwalay (1981) 21.10
59. Rock, Baby, Rock (1979) 21.09
60. Mga Mata Ni Angelita (1978) 21.08
…LINK

61. Bertang Kerengkeng (1976) 21.07
62. Ibong Lukaret (1975) 21.06
63. Vilma Viente Nueve (1975) 21.05
64. Takbo, Vilma, Dali (1972) 21.04
65. Nag-iisang Bituin (1994) 20.90
66. Karugtong ang Kahapon (1975) 20.80
67. Ging (1964) 20.70
68. Anak, ang Iyong Ina (1963) 20.60
69. Kay Tagal ng Umaga (1965) 20.50
70. Yesterday, Today and Tomorrow (1986) 20.40
…LINK

71. Magkaribal (1979) 20.30
72. Anak ng Aswang (1973) 20.20
73. Simula ng Walang Katapusan (1978) 20.10
74. Promo Girl (1978) 20.09
75. Biktima (1974) 20.08
76. Good Morning, Sunshine (1980) 20.07
77. Kasalanan Kaya? (1968) 19.90
78. Mga Rosas sa Putikan (1976) 19.80
79. Nakawin Natin ang Bawat Sandali (1978) 19.70
80. Modelong Tanso (1979) 19.60
…LINK

81. Darna at Ding (1980) 19.50
82. Mga Reynang Walang Trono (1976) 19.40
83. Nag-aapoy na Damdamin (1976) 19.30
84. Pulot-gata, Pwede Kaya? (1977) 19.20
85. Kamay na Gumagapang (1974) 19.10
86. Young Love (1970) 19.09
87. Ito ang Pilipino (1967) 18.90
88. Ikaw Lamang (1971) 18.80
89. Kampus (1978) 18.70
90. Coed (1979) 18.60
LINK

91. The Sensations (1971) 18.50
92. Never Ever Say Goodbye (1982) 17.90
93. Asawa ko, Huwag Mong Agawin (1986) 17.80
94. Ayaw Kong Maging Kerida (1983) 17.70
95. Ibigay Mo Sa Akin Ang Bukas (1987) 17.60
96. Gusto Ko Siya, Mahal Kita (1980) 17.50
97. Amorseko (1978) 17.40
98. Pag-ibig ko sa iyo lang Ibibigay (1978) 17.30
99. Tatlong Mukha ni Rosa Vilma (1972) 17.20
100. Pinagbuklod ng Pag-ibig (1978) 17.10
…LINK

Criteria: Box Office Records, Critics Recognitions, Other Factors(Relevance, Longevity, Entertainment Impact)

Top 100 Vilma Santos Films (part ten)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

10.  Lipad, Darna, Lipad 1973
SCORE: 7(A) + 10(B) + 10(C) + 0.6(D) = 27.6(T)
Directed by Emmanuel H. Borlaza, Elwood Perez and Joey Gosiengfiao, co-starring: Gloria Romero, Celia Rodriguez, Liza Lorena, Marissa Delgado, Angie Ferro, Mary Walter,  Adul de Leon, Chanda Romero, Eddie Garcia, Ernie Garcia, Dick Israel, Ruel Vernal, Angelito, Cloyd Robinson. Based on the novel of Mars Ravelo.  Top Record-Breaking Box-office Film of 1973.   The first of four Darna films starring Vilma Santos. – MORE INFO (no available video)

9.  Broken Marriage 1983
SCORE: 10(A) + 7(B) + 10(C) + 0.7(D) = 27.7(T)
Directed by Ishmael Bernal, co-starring: Christopher De Leon,  Tessie Tomas, Harlene Bautista,  Orestes Ojeda, Lito Pimentel, Richard Arellano, Cesar Montano, Len Santos, Ray Ventura. Vilma received her second Gawad Urian Best Actress and a FAMAS nomination for best actress. – MORE INFO

8.  Pahiram Ng Isang Umaga 1989
SCORE: 10(A) + 7(B) + 10(C) + 0.8(D) = 27.8(T)
Directed by Ishmael Bernal, co-starring:  Gabby Concepcion, Eric Quizon, Billy Crawford, Zsa Zsa Padilla, Olivia Cenizal, Tita Muñoz, Dexter Doria, Vicky Suba, Gina Perez, Alma Lerma, Becky Misa, Gil de Leon, Subas Herrero, Cris Vertido, Toby Alejar.  Written by Jose Javier Reyes.  Vilma Santos received her first best actress from the PMPC Star Awards as well as the Gawad Urian.  She also received nomination from FAP. – MORE INFO

7.  Relasyon 1982
SCORE: 10(A) + 7(B) + 10(C) + 0.9(D) = 27.9(T)
Directed by Ishmael Bernal, co-starring: Christopher De Leon, Jimi Melendez, Lucy Quinto, Beth Mondragon, Olive Madridejos,  Ernie Zarate, Manny Castañeda, Bing Fabregas, Augusto Victa.  The very first “Grand Slam” for Best Actress in Philippine.  Vilma won all the Philippines’ best actress awards of 1982.   She received recognitions from Gawad URIAN, FAP, CMMA, FAMAS. – MORE INFO

6.  Rubia Servios 1978
SCORE: 10(A) + 10(B) + 8(C) + 0.5(D) = 28.5(T)
Directed by Lino Brocka, co-starring: Phillip Salvador, Mat Ranillo III.  Vilma received a nominationf for best performer in the 1978 Metro Manila Film Festival.  The film was the top revenue grosser.  – MORE INFO

5.  Ikaw ay Akin 1978
SCORE: 10(A) + 8(B) + 10(C) + 0.6(D) = 28.6(T)
Directed by Ishmael Bernal,  co-starring: Christopher De Leon, Nora Aunor, Ellen Esguerra, Odette Khan, Charmie Benavidez, Sandy Andolong, Nick Romano, Zandro Zamora, Ernie Zarate, Cris Vertido, Anton Juan.  Vilma received a Gawad URIAN Nomination for Best Actress. – MORE INFO

4.  Dahil Mahal Kita, The Dolzura Cortez Story 1993
SCORE: 10(A) + 8(B) + 10(C) + 0.7(D) = 28.7(T)
Directed by Laurice Guillen, co-starring:  Christopher De Leon, Charito Solis, Jackie Aquino, Maila Gumila, Mia Gutierrez, Eula Valdez,   Noni Buencamino, Gil Portes.  Vilma Santos won the Film Academy of the Philippines’ Best Actress.  She also won Gawad Urian, PMPC STAR, Metro Manila Film Festival and FAMAS Circle of Excellence. – MORE INFO

(no available video)

3.  Dekada’70 2002
SCORE: 10(A) + 8(B) + 10(C) + 0.8(D) = 28.8(T)
Directed by Chito S. Roño, co-starring: Christopher De Leon, Piolo Pascual, Marvin Agustin, Carlos Agassi, Danilo Barrios, Kris Aquino, Ana Capri, Dimples Romana, Marianne de la Riva, Tirso Cruz III, Orestes Ojeda, John Wayne Sace.  Written by Lualhati Bautista.  Vilma Santos won the 2003 Cinemanila International Film Festival Best Actress.  She also won the best actress from FAP, Gawad URIAN, PMPC Star and YCC Best Performer.  The film was the Philippines’ official entry at the 76th Academy Awards best foreign language film.  –  MORE INFO

2.  Bata, Bata…Paano Ka Ginawa? 1998
SCORE: 10(A) + 8(B)+ 10(C) + 0.9(D) = 28.9(T) Directed by Chito S. Roño, co-starring: Albert Martinez, Carlo Aquino, Raymond Bagatsing, Ariel Rivera, Serena Dalrymple, Angel Aquino, Cherry Pie Picache, Rosemarie Gil, Dexter Doria.  Written by Lualhati Bautista.  Vilma won the 1999 Brussels International Festival of Independent Films Best Actress.  She also won the best actress from FAP, Gawad Urian, PMPC Star and the Young Critics Circle Best Performer. – MORE INFO

1.  Burlesk Queen 1977
SCORE: 10(A) + 10(B) + 10(C) + 0.9(D) = 30.9(T)
Directed by Celso Ad. Castillo, co-starring:  Rolly Quizon, Leopoldo Salcedo, Rosemarie Gil, Dexter Doria, Yolanda Luna, Rio Locsin, Roldan Aquino, Chito Ponce Enrile, Joonee Gamboa.  Vilma Santos won the 1977 Metro Manila Film Festival Best Actress.  She also received best actress nominations from FAMAS and Gawad Urian.   The film was the Festival’s top box office grosser.  –  MORE INFO

RECAP:
10. Lipad, Darna, Lipad 1973
9. Broken Marriage 1983
8. Pahiram Ng Isang Umaga 1989
7. Relasyon 1982
6. Rubia Servios 1978
5. Ikaw ay Akin 1978
4. Dahil Mahal Kita, The Dolzura Cortez Story 1993
3. Dekada’70 2002
2. Bata, Bata…Paano Ka Ginawa? 1998
1. Burlesk Queen 1977

…for the complete list, CLICK HERE

Top 100 Vilma Santos Films (part three)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

80.  Modelong Tanso 1979
SCORE: 3(A) + 10(B) + 6(C) + 0.6(D) = 19.6(T)
Directed by Cirio H. Santiago, co-starring: Charito Solis, Winnie Santos. Entry to 1979 Metro Manila Film Festival – MORE INFO

79.  Nakawin Natin ang Bawat Sandali 1978
SCORE: 6(A) + 7(B) + 6(C) + 0.7(D) = 19.7(T)
Directed by Elwood Perez, co-starring: Baby Delgado, Anita LindaChristopher De Leon, Roel Vergel de Dios, Freddie Yance, Romeo Rivera – MORE INFO (no available video)

78.  Mga Rosas sa Putikan 1976
SCORE: 6(A) + 7(B) + 6(C) + 0.8(D) = 19.8(T)
Directed by Emmanuel H. Borlaza, co-starring: Celia Rodriguez, Babara Luna, Trixia Gomez, Merle Fernandez, Monica Morena, Romeo Enriquez, Arnold Gamboa, Sandy Garcia, Ike Lozada. Vilma sings the film theme song! – MORE INFO

77.  Kasalanan Kaya? 1968
SCORE: 6(A) + 8(B) + 5(C) + 0.9(D) = 19.9(T)
Directed by Luis Enriquez, co-starring: Lolita Rodriguez, Marlene Dauden and Eddie Rodriguez with Roderick Paulate. Vilma received acting nomination for best supporting actress in 1968 FAMAS. – MORE INFO (no available video)

76.  Good Morning, Sunshine 1980
SCORE: 6(A) + 7(B) + 7(C) + 0.07(D) = 20.07(T)
Directed by Ishmael Bernal, co-starring: Sheryl Cruz, Debraliz, Anita Linda, Liza LorenaJunior, Lloyd Samartino – MORE INFO

75.  Biktima 1974
SCORE: 5(A) + 10(B) + 5(C) + 0.08(D) = 20.08(T)
Directed by Nilo Saez, co-starring: Helen Gamboa, Celia Rodriguez, Perla Bautista, Cristina Reyes, Divina Valencia Leopoldo Salcedo, Bert Leroy Jr., Tony Santos Jr., Yoyoy Villame, Tommy Abuel, Edgar Mortiz, Ike Lozada, German Moreno – MORE INFO

74.  Promo Girl 1978
SCORE: 6(A) + 8(B) + 6(C) + 0.09(D) = 20.09(T)
Directed by Joey Gosiengfiao, co-starring: Ricky Belmonte, Roel vergel De Dios, Eddie Gutierrez, Bembol Rocco – MORE INFO (no available video)

73.  Simula ng Walang Katapusan 1978
SCORE: 6(A) + 8(B) + 6(C) + 0.1(D) = 20.1(T)
Directed by Luis Enriquez, co-starring: Eddie Rodriguez, Carmen Soriano, Patria Plata, Ingrid Salas, Rio Locsin, Lito Anzures, Renato Robles, Nello Nayo, Ruben Rustia – MORE INFO (no available video)

72.  Anak ng Aswang 1973
SCORE: 4(A) + 10(B) + 6(C) + 0.2(D) = 20.2(T)
Directed by Romy Susara cp-starring: Gloria Romero, Daisy Romualdez, Rosanna Marquez, Lucita Soriano, Lita RodriguezEdgar Mortiz, Nick Romano, Leopoldo Salcedo, German Moreno, Pons De Guzman – MORE INFO (no available video)

71.  Magkaribal 1979
SCORE: 6(A) + 8(B) + 6(C) + 0.3(D) = 20.3(T)
Directed by Elwood Perez, co-starring: Alma Moreno, Christopher De Leon – MORE INFO

RECAP:
80. Modelong Tanso 1979
79. Nakawin Natin ang Bawat Sandali 1978
78. Mga Rosas sa Putikan 1976
77. Kasalanan Kaya? 1968
76. Good Morning, Sunshine 1980
75. Biktima 1974
74. Promo Girl 1978
73. Simula ng Walang Katapusan 1978
72. Anak ng Aswang 1973
72. Magkaribal 1979

…continue with countdown, CLICK HERE!

Top 100 Vilma Santos Films (part eight)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

30.  Ex-Wife 1981
SCORE: 8(A) + 8(B) + 8(C) + 0.09(D) = 24.09(T)
Directed by Luis Enriquez, starring: Beth Bautista, Liz Alindogan, Wendy villarica, Rosemarie Gil, Lucita Soriano, Raul Aragon, Michael de Mesa, Eddie Garcia, Fred Montilla. – MORE INFO

29.  Dalawang Pugad, Isang Ibon 1977
SCORE: 7(A) + 7(B) + 10(C) + 0.1(D) = 24.1(T)
Directed by Ishmael Bernal. co-starring: Romeo Vasquez, Mat Ranillo III, Anita Linda, Mary Walter, Fred Montilla – MORE INFO (no available video)

28.  Sinungaling Mong Puso 1992
SCORE: 8(A) + 8(B) + 8(C) + 0.2(D) = 24.2(T)
Directed by Maryo J. De Los Reyes, co-starring: Gabby Concepcion, Aga Muhlach, Alice Dixon, Aiko Melendez, Melinda Mendez, Mila Ocampo, Luz Valdez, Ricardo Cepeda, Charlie Davao, Philip Gamboa, Orestes Ojeda. Written by Jose Javier D. Reyes. Vilma received a best actress nomination from the Manunuri. – MORE INFO

27.  Hahamakin Lahat 1990
SCORE: 8(A) + 8(B) + 8(C) + 0.3(D) = 24.3(T)
Directed by Lino Brocka, co-starring: Gabby Concepcion, Eric Quizon, Dennis Roldan, Snooky Serna, Perla Bautista, Maritoni Fernandez, Gina Perez, Ruben Rustia. Written by Ricardo Lee. Vilma received an academy award (Luna) nomination for best actress – MORE INFO

26.  Karma 1981
SCORE: 7(A) + 10(B) + 7(C) + 0.4(D) = 24.4(T)
Directed by Danny Zialcita. co-starring: Ronaldo Valdez, Tommy Abuel, Christopher Deleon, Dante Rivero, Chanda Romero, Marianne Delariva, Aurora Salve, Suzanne Gonzales, Martha Sevilla, Odette Khan, Virginia Montes, Bella Flores, Etang Ditcher, Vic Silayan, Fred Montilla, Renato Robles, Ruel Vernal, Augusto Victa, Butch Aquino. Vilma Santos won the 1981 Metro Manila Film Festival Best Actress. – MORE INFO

25.  Pakawalan Mo Ako 1981
SCORE: 7(A) + 10(B) + 7(C) + 0.5(D) = 24.5(T)
Directed by Elwood Perez, co-starring: Christopher De Leon, Anthony Castelo, Deborah Sun, Mila Ocampo, Subas Herrero, Ed Villapol. Vilma Santos won the 1981 FAMAS Best Actress – MORE INFO

24.  Mano Po 3 My Love 2004
SCORE: 8(A) + 8(B) + 8(C) + 0.6(D) = 24.6(T)
Directed by Joel Lamangan, co-starring: Christopher De Leon, Jay Manalo, Boots Anson-Roa, Amy Austria, Sheryl Cruz, Jean Garcia, Karylle, Angel Locsin, Angelica Panganiban, Cherry Pie Picache, Carlo Aquino, Eddie Garcia, Patrick Garcia, Allan Paule, John Prats, Dennis Trillo, Gardo Versoza. Vilma Santos won the best actress from the Metro Manila Film Festival, the PMPC STAR and the Gawad Suri. She also received a Luna nomination. The film was the Philippines’ Official Entry to the 2005 8th Shanghai International Film Festival. – MORE INFO

23.  Ipagpatawad Mo 1991
SCORE: 8(A) + 8(B) + 8(C) + 0.7(D) = 24.7(T)
Directed by Laurice Guillen, co-starring: Christopher De Leon, Charito Solis, Bing Loyzaga, Amy Perez, Delia Razon, Ruby Rodriguez, Vivian Foz, Lorli Villanueva, Joonee Gamboa, Johnny Wilson, Terence Baylon. Written by Olivia M. Lamasan. Vilma received the 1991 Gawad Urian Best Actress and a nomination from FAP – MORE INFO

22.  Saan Nagtatago Ang Pag-ibig? 1987
SCORE: 8(A) + 8(B) + 8(C) + 0.8(D) = 24.8(T)
Directed by Eddie Garcia, co-starring: Ricky Davao, Tonton Gutierrez, Cherrie Gil, Gloria Romero, Alicia Vergel. Alicia Alonzo, Perla Bautista, Suzanne Gonzales, Rose Rosado, Vangie Labalan, Jonee Gamboa, Rey Hipolito, Eddie Arenas. Written by Gilda Olvidado. – MORE INFO

21.  In My Life 2009
SCORE: 7(A) + 10(B) + 7(C) + 0.9(D) = 24.9(T)
Directed by Olivia M. Lamasan, co-starring: John Lloyd Cruz, Luis Manzano, Tirso Cruz III. Vilma Santos received the best actress from Gawad Tanglaw and PMPC Star. She also received nominations from the Golden Screen and Gawad URIAN. The film Earned P20M on its first day of showing in Metro Manila. – MORE INFO

RECAP:
30. Ex-Wife 1981
29. Dalawang Pugad, Isang Ibon 1977
28. Sinungaling Mong Puso 1992
27. Hahamakin Lahat 1990
26. Karma 1981
25. Pakawalan Mo Ako 1981
24. Mano Po 3 My Love 2004
23. Ipagpatawad Mo 1991
22. Saan Nagtatago Ang Pag-ibig? 1987
21. In My Life 2009

…continue with countdown, CLICK HERE!

Top 100 Vilma Santos Films (part two)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

90.  Coed  1979
SCORE: 6(A) + 7(B) + 5(C) + 0.6(D) = 18.6(T)
Directed by Emmanuel H. Borlaza, co-starring: Celia Rodriguez, Angge Jay Ilagan, Allan Valenzuela, Romeo Enriquez, Romeo Rivera, Jun Soler – MORE INFO  (no available video)

89.  Kampus  1978
SCORE: 6(A) + 7(B) + 5(C) + 0.7(D) = 18.7(T)
Directed by Emmanuel H. Borlaza, co-starring: Liza Lorena, Anita Linda, Lorli Villanueva, Ann Villegas, Angie magbanua, Rosemarie De VeraBembol Roco, Mat Ranillo III, Allan Valenzuela, Freddie Yance, Lito Lapid. – MORE INFO

88.  Ikaw Lamang  1971
SCORE: 6(A) + 7(B) + 5(C) + 0.8(D) = 18.8(T)
Directed by Luis Enriquez, co-starring: Connie Angeles, Paolo Romero, Robert Talabis, Raul Aragon, Eddie Garcia, Vic Silayan. – MORE INFO (no available video)

87.  Ito ang Pilipino  1967
SCORE: 6(A) + 7(B) + 5(C) + 0.9(D) = 18.9(T)
Directed by Cesar Gallardo, co-starring: Barbara Perez, Gloria Sevilla, Anita LindaJoseph Estrada, Mario Montenegro, Eddie Garcia, Vic Silayan, Eddie Infante, Romy Diaz, Jose Padilla Jr., Lou Salvador Jr, Jay Ilagan – MORE INFO  (no available video)

86.  Young Love  1970
SCORE: 2(A) + 10(B) + 7(C) + 0.09(D) = 19.09(T)
Directed by Tony Cayado, starring: Nora Aunor, Tirso Cruz III, Edgar Mortiz with Bella Flores, Etang Discher, Angge, Ike Lozada, German Moreno, Raul Aragon – MORE INFO

85.  Kamay na Gumagapang  1974
SCORE: 4(A) + 10(B) + 5(C) + 0.1(D) = 19.1(T)
Directed by Tony Cayado, co-starring: Rosemarie Gil, Alicia Alonzo, Matimtiman Cruz, Tita De Villa, Winnie SantosRomeo Miranda, Dick Israel, Jose De Villa, Venchito Galvez – MORE INFO  (no available video)

84.  Pulot-gata, Pwede Kaya?  1977
SCORE: 5(A) + 8(B) + 6(C) + 0.2(D) = 19.2(T)
Directed by Leonardo L. Garcia, co-starring: Romeo Vasquez, Suzanne Gonzalez, Paraluman, Tita De Villa, Rodolfo Boy Garcia, Tange, Ruel Vernal – MORE INFO (no available video)

83.  Nag-aapoy na Damdamin  1976
SCORE: 5(A) + 8(B) + 6(C) + 0.3(D) = 19.3(T)
Directed by Leonardo L. Garcia, co-starring: Romeo Vasquez, Aurora Salve, Tita De Villa, Walter Navarro, Romy Diaz, Ely Roque, Tintoy, Pepot – MORE INFO (no available video)

82.  Mga Reynang Walang Trono  1976
SCORE: 5(A) + 8(B) + 6(C) + 0.4(D) = 19.4(T)
Directed by Crisostomo, Muhlach, co-starring Amalia Fuentez with Eddie Gutierrez, Robert Arevalo, Eddie Garcia, Rudy Fernandez, Rez Cortez, Greg Lozano. Amalia co-directed. – MORE INFO  (no available video)

81.  Darna at Ding  1980
SCORE: 6(A) + 7(B) + 6(C) + 0.5(D) = 19.5(T)
Directed by Erastheo Navoa, Cloyd Robinson, co-starring: Celia Rodriguez, Marissa Delgado, Veronica Jones, Angie Ferro, Moody Diaz, Lily Miraflor, Donna VillaNiño Muhlach, Max Alvarado, Panchito, Bayani Casimiro, Rez Cortez, Teroy de Guzman, Paquito Diaz, Ike Lozada, German Moreno, Palito, Don Pepot, Jimmy Santos, Al Tantay, Tsing Tong Tsai. Fourth Darna Film of Vilma Santos. – MORE INFO (no available video)

RECAP:
90. Coed 1979
89. Kampus 1978
88. Ikaw Lamang 1971
87. Ito ang Pilipino 1967
86. Young Love 1970
85. Kamay na Gumagapang 1974
84. Pulot-gata, Pwede Kaya? 1977
83. Nag-aapoy na Damdamin 1976
82. Mga Reynang Walang Trono 1976
81. Darna at Ding 1980

…continue with countdown, CLICK HERE!