FILM REVIEW: SAAN NAGTATAGO ANG PAGIBIG


The Plot: Stella got pregnant by boyfriend Rick. Unfortunately, Rick is not willing to gamble on his inheritance. He is tied up with a promise to his super snotty, super rich old grandmother that he have to finish law school before he can get any money. In order to avoid scandal Stella agreed to be married to Rick’s retarded brother, Val. Together with his adopted family Stella learned to love the retarded Val and at the same time discovered that Val is a product of infidelity that cause the suicide of Rick and Val’s father. Unfortunately Stella’s new found love ended when Val accidentally fell from a window when he had a fight with his irrational brother one night. – RV (READ MORE)

The Reviews: Nang malaman ni Stella na buntis siya ay pinilit niyang managot ang kasintahan nitong si Rick, isang law student na tagapagmana na ariarian ng kanyang matapobreng lola. Dahil sa panakot na mag-i-iskandalo’y ipinakasal nila si Stella sa kapatid ni Rick na retarded upang hindi mawala ang mana nito at kasabay ay maiwasan ang kahihiyan ni Stella na mabuntis ng walang asawa at ama ang kanyang dinadalang bata. Kasabay ng pagbubuntis ni Stella ay natutunan nitong mahalin ang retarded na si Val. Kasabay rin nito’y natuklasan ni Stella na si Val ay anak sa labas ng kanilang ina at ito’y hindi sinilang na kulang-kulang. Dahil sa kalupitan ng matapobreng lola ng mga bata’y nahulog ito sa hagdanan ng pagbintangan si Val ng matandang nagnanakaw ng pera. Nahulog ang batang si Val habang pinapalo ito ng kanyang ina. Isang gabi’y nagwala si Val nang Makita nitong nakikipagtalo si Stella kay Rick. Sinunggaban ni Val si Rick at nagaway sila. Ang naging resulta ng pag-aaway na ito’y aksidenteng nahulog sa balkonahe ang kaawa-awang si Val.

Namatay ito at sa araw ng libing ay dumating ang matapobreng matanda para ibigay ang abuloy nito kay Stella. Isinauli ni Stella ang tseke sa matanda at ipinahayag na si Val ang ginawa nilang ama ng kanyang anak pero ang tutoo’y dahil sa takot na mawalan ng mana’y ito ang pinaako ng responsibilidad ni Rick. Galit na umalis ang matanda at tuluyang naglaho ang mana ni Rick. Nagdesisyon na iwan ni Stella ang bahay kasama ng kanyang anak. Mula sa direksiyon ni Eddie Garcia, ang Saan Nagtatago Ang Pag-ibig ay hango sa komiks. Bagama’t mahahalatang puro isang dimensiyon lamang ang halos lahat na karakter ng pelikula’y mahusay naman naihayag ni Direktor Eddie ang komiks na komiks na istorya nito. Bakit kailangang maging binata si Rick habang nagaaral ito ng abogasya? Bakit napakahalaga ito sa matapobreng si Alicia Vergel? Bakit may nakatakip ang isa sa mata ng matanda na parang bandido? Sa ubod ng yaman ng matanda hindi ba puedeng maglagay ng pekeng mata kesa sa bendang itim? Bagamat nakakatawa ang obserbasyon na ito’y dahil sa bisyuwal na kaanyuan ng matapobreng matanda kung kaya naman epektibong makikita ang pagiging kontrabida nito.

Tulad ng “Paano Ba Ang Mangarap,” merong ‘dream sequence” ang pelikula kung saan kunwari’y hinuhusgahan si Val na isang baliw. Kung puputulin ang eksenang ito’y hindi magiging sagabal sa paglalahad ng buong istorya ni Gilda Olvidado. Mula sa lumang bahay hanggang sa eksena sa libingan ay mahusay ang sinematograpiya ni Romy Vitug at disenyong pangproduksiyon ni Manny Morpe. Mahusay ang mga katulong na artista mula kay Cherrie Gil, Alicia Alonzo at Alicia Vergel. Mahusay rin si Ricky Davao bilang Rick at Gloria Romero bilang ina ni Rick at Val. Ngunit ang pelikulang ito’y tungkol kay Val at bilang si Val ay nabigyan ng mahusay na pagganap ni Tonton Gutierrez ang papel na sinto sinto mula sa pagsasalita na utal utal haggang sa pisikal na mukha at pa-ika-ikang paglalakad. Tulad ng inaasahan, mahusay si Vilma bilang si Stella. At tulad ng maraming pelikulang ginawa niya sa ilalim ng Viva at sa direksiyon ni Eddie Garcia ay merong linya o dayalogo siya na hindi malilimutan, ito ay nang bigkasin niya ang linyang, “…si Val, si val na wala naman malay…” na magpahanggang ngayon ay natanim sa mga Pilipino na mahihilig sa pelikulang tagalog. – RV (READ MORE)

“…Viva Films produced a movie adaptation of this story in 1987 that starred Vilma Santos as Stella, Ricky Davao as Rick and Tonton Gutierrez as Val. The movie received five citations in the 36th Filipino Academy of Movie Arts and Sciences including Best Picture, Best Director for Eddie Garcia, and Best Story for Gilda Olvidado. This line from the movie: “Si Val! Si Val! Puro na lang si Val! Si Val na walang malay!”, delivered by Vilma Santos is claimed to be one of the most memorable lines in Philippine Cinema in the June 11 episode of QTV’s “Ang Pinaka”, hosted by Pia Guanio…” – Wikipilipinas (READ MORE)

Advertisements

Filmography: Sinasamba Kita (1982)

“For godsake, Nora! Magkaroon ka nga ng sarili mong identity!” – Divina Ferrer

“Imposible namang lumaki ang tingin ko sa taong tinutulungan ko lang!..kungsabagay magkaiba tayo ng ina…bakit kaya pinatulan ni papa ang iyong inay?…hindi ko siya iniinsulto sinasabi ko lang sayo ang totoo…magkaiba tayong dalawa…hindi mo ako matutularan at hindi kita tutularan. Nora, ang hindi mo maabot huwag mong pagplitan abutin, wala ka pang pakpak kaya huwag ka pang lumipad ng ubod ng taas!” – Divina Ferrer

This slideshow requires JavaScript.

Basic Information: Directed: Eddie Garcia; Story: Gilda Olvidado; Screenplay: Orlando Nadres; Cast: Vilma Santos, Christopher Deleon, Lorna Tolentino, Philip Salvador, Ramil Rodriguez, Irene Celebre, Loleta Abesamis, Norma Blancaflor, Danny De Cordova, Moody Diaz, Luz Fernandez, Larry Leviste, Kristina Paner, Fanny Serrano, Yvonne; Executive producer: Vic del Rosario Jr.; Sinasamba Kita Theme Song Arrange by Armando Triviño, Sung by: Sharon Cuneta; Sinasamba Kita Theme Song Arrange by Danny Favis, Sung by Rey Valera; Words and Music: George Canseco; Cinematography: Romeo Vitug; Production Design: Manny Morfe; Art Direction: Donnie Gonzales, Arthur Santamaria; Sound: Rolly Ruta; Original story serialized in Tagalog Klasiks comics published Atlas Publication.

Plot Description: Strong-willed and sophisticated, Divina (Vilma Santos) takes over the business of her late father Don Ferrer (Eddie Garcia) who had requested Divina to ensure that his daughter Nora (Lorna Tolentino) with his mistress is cared for. But Nora wins the love of Jerry (Christopher De Leon), the only man who has captivated Divina’s discriminating heart. From the start. Jerry is attracted to Nora whose steadfast suitor Oscar (Phillip Salvador) respects and honors her chastity, only to find out that she has fallen in love and has given herself to Jerry. But Will Divina ever give up fighting for Jerry’s love? – TFC Now (READ MORE)

Film Achievements: 1982 FAMAS Best Director – Eddie Garcia; 1982 FAMAS Nomination Best Picture; 1982 FAP Best Cinematography – Romeo Vitug; 1982 FAP Best Original Song – George Canseco; 1982 FAP Best Story Adaptation – Orlando Nadres; 1982 Top Box Office Record Breaker; The original film became a TV movie in 2007 by GMA Network, directed by Joel Lamangan, starring Sheryl Cruz as Divina and Valerie Concepcion as Nora.

Napanood namin ang “Sinasamba Kita” at hindi nga pala kayang iarte ni Lampel Luis ang role na napunta kay Lorna Tolentino. Parang komiks talaga ang istorya ng pelikulang hanggo nga sa nobelang komiks. Melodramatiko at kung minsan ay mahirap paniwalaan ang mga sitwasyon. Pero mapupuri na rin ang iskrip ni Orlando Nadres dahil nagawa niyang credible ang mga tauhan sa istorya. At talagang mahuhusay ang acting ng mga artista. Napakagaling ni Vilma Santos sa papel ng mataray na business executive. Para talagang alam niya ang bawat kilos at hakbang na ginagawa niya. Very sympathetic namang tunay si Lorna sa kanyang role bilang inaaping kapatid. At for once, hindi nasapawan si Christopher de Leon ng kanyang co-star. Kontroladong-kontrolado ang acting niya rito. Si Phillip Salvador nga ang nagmukhang dehado, iba pati ang hitsura niya sa pelikula. Mukha siyang tumandang hindi mawari. Maganda rin ang theme song ng pelikula. At dito kami naniwalang totoo ang kasabihang it’s the singer not the song. – Mario E Bautista, Puna at Puri, 1982 (READ MORE)

“Muli na namang ipinakita ni Vilma Santos ang kanyang husay sa pagganap sa pelikulang “Sinasamba Kita”. Consistent ang characterization ni Vilma sa naturang pelikula, at nagmukhang supporting na lahat ang kasama niyang may malalaki din namang pangalan.” – Arthur Quinto

“Sobra pala ang lakas ng “Sinasamba Kita.” Tuwang tuwa sina Vic at Mina del Rosario. They started with 38 theatres, by the weekend, 41 theatres na ang nagpapalabas ng pelikula. After 6 days, kumita na ito ng P5,207,416.00. After a week’s time, almost P6 million na ito.” – Billy Balbastro

“1982 was a banner year for Vilma Santos. Aside from the acting gem, “Relasyon,” she also established her bankable status, thanks to Viva film’s “Sinasamba Kita”. This film grossed 6.2 million in just 6 days, a box office record! Directed by Eddie Garcia, the film featured Vilma as the “bitchy-rich” anti-heroine executive, Lorna Tolentino, Christopher DeLeon and Philip Salvador. The intertwined love quadrangle between the four characters enhanced by crisp dialogue, glossy production design and catchy theme song made this movie effective and very commercial. Two scenes stands out, both involved Vi and Lorna. (By the way, Lorna’s name in this film was Nora and Vilma was Divina, which made us wonder if this is supposed to be a Nora-Vilma film.) In one scene, Vilma was waiting for her younger sibling Lorna, when she finally arrived, she accused the younger sister of wearing her perfume, the accusation made Lorna defensive and replied: “…bumili ako para sa sarili ko nagustuhan ko kasi ang amoy!” In which Vilma countered: “…for godsake, Nora, bakit hindi ka magkaroon ng sarili mong identity!..Hindi kita anino!” Another scene, Vilma caught Lorna wearing the same designer clothes: Vilma: “Iniinsulto mo ba ako? Anong gusto mong palabasin bakit ginagaya mo ang damit ko?” Lorna: “Ate naman ano naman ang masama kung gayahin kita?” Vilma: “Alamin mo muna ang iyong limitasyon…baka nakakalimutan mo kung saan kita pinulot…kinikilala kitang kapatid pero hindi tayo magkapantay!” Lorna: “Napakaliit naman pala ng pagtingin mo sa akin…” Vilma: “Imposible naman lumaki ang pagtingin ko sa taong tinutulungan ko lang?…kung sabagay magkaiba tayo ng ina…bakit kaya pinatulan ng papa ang iyong ina?” Lorna: “huwag mo naming insultuhin ang inay, patay na siya…” Vilma: “Hindi ko siya iniinsulto sinasabi ko lang sayo ang totoo! Magkaiba tayong dalawa, hindi mo ako matutularan at hindi kita tutularan! Nora, ang hindi mo maabot huwag mog pagpilitang abutin, wala kang pang pakpak k’ya huwag lumipad ng pagkataas-taas!” – RV (READ MORE)

“…The movie showed Garcia’s strengths as a director—able to motivate his actors, frame sequences and scenes, and efficiently tell a story. Those qualities would be very evident in the 1980’s when Eddie Garcia directed the biggest blockbusters of Viva Films…But his best movies were domestic dramas that gripped audiences for their complex take on relationships and their tendencies toward tortured, twisted operations. Hallmarks of this genre were “Sinasamba Kita” in 1982 (Vilma Santos cruelly treating her half-sister), “Paano Ba ang Mangarap?” in 1983 (cruel mom-in-law seizing her grandkid from his mom, played by Santos), and “Magdusa Ka” in 1986 (an illegitimate daughter claims her birthright but finds life in her rich dad’s mansion a cruel torture). His last most significant movie as a director was obviously “Abakada Ina” (2001). In telling the story of an illiterate mother struggling for her children’s attention against her mother-in-law who’s a schoolteacher, Garcia seemed to go back to the standard traits of his best domestic dramas, with their take on the meanness and cruelty that seem to underlie filial relationships…” – Lito B. Zulueta (READ MORE)

“…Lorna the illegitimate daughter of a business tycoon was left in the care of her half-sister Vilma upon the death of their father. Though she took care of all her material needs she refused to show the girl any kind of affection. In contrast Lorna absolutely adored her and wanted to be like her older sister in every way. She was hoping that someday Vilma would learn to love her too like a real sister. What Lorna did not know was that it was now become very difficult for Vilma to do so because the man she loved was in love with Lorna and the older sister was determined to win him at all costs…” – Mav Shack (READ MORE)

Filmography: Saan Nagtatago Ang Pag-ibig? (1987)

“…Si Val! Si Val! Si Val! Si Val na walang malay?! Si Val na ang tanging kasalanan ay naging anak ng mommy mo sa ibang lalaki! At nitong nasira na ang kanyang pagiisip…ay alam n’yo bang si Val pa rin ang pinanagot nila sa isang responsibilidad na dapat sana’y ikaw Rick ang nanagot!…ayan ang magaling n’yong apo, itanong n’yo sa kanya kung sinong ama ng batang binigyan ng pangalan ni Val!” – Stella

This slideshow requires JavaScript.

Basic Information: Directed: Eddie Garcia; Story: Gilda Olvidado, serialized in Pogi Komiks; Screenplay: Armando Lao; Cast: Vilma Santos, Ricky Davao, Tonton Gutierrez, Cherrie Gil, Gloria Romero, Alicia Vergel. Alicia Alonzo, Perla Bautista, Jonee Gamboa, Rey Hipolito, Suzanne Gonzales, Eddie Arenas, Rose Rosado, Vangie Labalan; Executive producer: Vic Del Rosario; Original Music: George Canseco; Cinematography: Romy Vitug; Film Editing: Ike Jarlego Jr, George Jarlego; Production Design: Manny Morpe; Sound: Rolly Ruta; Theme Songs: “Saan Nagtatago Ang Pag-ibig?” performed by Basil Valdez

Plot Description: Stella got pregnant by boyfriend Rick. Unfortunately, Rick is not willing to gamble on his inheritance. He is tied up with a promise to his super snotty, super rich old grandmother that he have to finish law school before he can get any money. In order to avoid scandal Stella agreed to be married to Rick’s retarded brother, Val. Together with his adopted family Stella learned to love the retarded Val and at the same time discovered that Val is a product of infidelity that cause the suicide of Rick and Val’s father. Unfortunately Stella’s new found love ended when Val accidentally fell from a window when he had a fight with his irrational brother one night. – RV

Rick (Ricky Davao), an irresponsible, lecherous law student, always makes his brain-damaged half-brother Val (Tonton Gutierrez) his fall guy for fear of losing the inheritance from his wealthy authoritarian grandmother Doña Pacing (Alicia Vergel). This time he makes Val marry his pregnant girlfriend Stella (Vilma Santos) to save her face and to mollify her parents. Bankrupt with their house facing forfeiture, their mother Carmen (Gloria Romero) is completely fearful and subservient to her intimidating mother in-law Doña Pacing who hates and blames her for the suicide of her son due to Carmen’s past indiscretion. Though trapped in her dire circumstances, Stella stays faithful to her marriage and tries to be a good wife by diligently teaching the childlike Val who finds comfort and love for Stella. – TFC Now (READ MORE)

Film Achievement: 1987 FAMAS: Best Director – Eddie Garcia; Best Picture – Viva Films; Best Cinematography – Romy Vitug; Best Sound – Rolly Ruta; Best Story – Gilda Olvidado; 1987 FAP: Best Cinematography – Romeo Vitug; Best Director – Eddie Garcia; Best Picture – Viva Films; Best Supporting Actress – Gloria Romero; 1987 STAR: Best Picture – Viva Films; Best Supporting Actress nomination – Gloria Romero; Best Actor nomination – Tonton Gutierrez

One of Vilma Santos and Gloria Romero 13 films – (Anak ang Iyong Ina, Iginuhit ng Tadhana, De Colores, Pinagbuklod ng Langit, Anak ng Aswang, Lipad Darna Lipad, Happy Days are Here Again, Karugtong ang Kahapon, Nakakahiya?, Hindi Nakakahiya, Makahiya at Talahib, Saan Nagtatago Ang Pag-ibig?, Kapag Langit Ang Humatol) – RV (READ MORE)

Star Awards – “Lorna Tolentino leads the list of winners in the PMPC’s fourth Star Awards held last night at the Folk Arts Theater…The other winners are: Best actor – Tonton Gutierez (Saan Nagtatago ang Pag-ibig?); Best picture – Saan Nagtatago ang Pag-ibig? (Viva Films); Best director – Eddie Garcia (Saan Nagtatago ang Pag-ibig?); Best supporting actress – Gloria Romero (Saan Nagtatago ang Pag-ibig?)…Best screenplay (adaptation) – Armando Lao (Saan Nagtatago ang Pag-ibig?); Best cinematographer – Romeo Vitug (Saan Nagtatago ang Pag-ibig?)…” – Manila Standard, Apr 21, 1988 (READ MORE)

Film Reviews: Nang malaman ni Stella na buntis siya ay pinilit niyang managot ang kasintahan nitong si Rick, isang law student na tagapagmana na ariarian ng kanyang matapobreng lola. Dahil sa panakot na mag-i-iskandalo’y ipinakasal nila si Stella sa kapatid ni Rick na retarded upang hindi mawala ang mana nito at kasabay ay maiwasan ang kahihiyan ni Stella na mabuntis ng walang asawa at ama ang kanyang dinadalang bata. Kasabay ng pagbubuntis ni Stella ay natutunan nitong mahalin ang retarded na si Val. Kasabay rin nito’y natuklasan ni Stella na si Val ay anak sa labas ng kanilang ina at ito’y hindi sinilang na kulang-kulang. Dahil sa kalupitan ng matapobreng lola ng mga bata’y nahulog ito sa hagdanan ng pagbintangan si Val ng matandang nagnanakaw ng pera. Nahulog ang batang si Val habang pinapalo ito ng kanyang ina. Isang gabi’y nagwala si Val nang Makita nitong nakikipagtalo si Stella kay Rick. Sinunggaban ni Val si Rick at nagaway sila. Ang naging resulta ng pag-aaway na ito’y aksidenteng nahulog sa balkonahe ang kaawa-awang si Val.

Namatay ito at sa araw ng libing ay dumating ang matapobreng matanda para ibigay ang abuloy nito kay Stella. Isinauli ni Stella ang tseke sa matanda at ipinahayag na si Val ang ginawa nilang ama ng kanyang anak pero ang tutoo’y dahil sa takot na mawalan ng mana’y ito ang pinaako ng responsibilidad ni Rick. Galit na umalis ang matanda at tuluyang naglaho ang mana ni Rick. Nagdesisyon na iwan ni Stella ang bahay kasama ng kanyang anak. Mula sa direksiyon ni Eddie Garcia, ang Saan Nagtatago Ang Pag-ibig ay hango sa komiks. Bagama’t mahahalatang puro isang dimensiyon lamang ang halos lahat na karakter ng pelikula’y mahusay naman naihayag ni Direktor Eddie ang komiks na komiks na istorya nito. Bakit kailangang maging binata si Rick habang nagaaral ito ng abogasya? Bakit napakahalaga ito sa matapobreng si Alicia Vergel? Bakit may nakatakip ang isa sa mata ng matanda na parang bandido? Sa ubod ng yaman ng matanda hindi ba puedeng maglagay ng pekeng mata kesa sa bendang itim? Bagamat nakakatawa ang obserbasyon na ito’y dahil sa bisyuwal na kaanyuan ng matapobreng matanda kung kaya naman epektibong makikita ang pagiging kontrabida nito.

Tulad ng “Paano Ba Ang Mangarap,” merong ‘dream sequence” ang pelikula kung saan kunwari’y hinuhusgahan si Val na isang baliw. Kung puputulin ang eksenang ito’y hindi magiging sagabal sa paglalahad ng buong istorya ni Gilda Olvidado. Mula sa lumang bahay hanggang sa eksena sa libingan ay mahusay ang sinematograpiya ni Romy Vitug at disenyong pangproduksiyon ni Manny Morpe. Mahusay ang mga katulong na artista mula kay Cherrie Gil, Alicia Alonzo at Alicia Vergel. Mahusay rin si Ricky Davao bilang Rick at Gloria Romero bilang ina ni Rick at Val. Ngunit ang pelikulang ito’y tungkol kay Val at bilang si Val ay nabigyan ng mahusay na pagganap ni Tonton Gutierrez ang papel na sinto sinto mula sa pagsasalita na utal utal haggang sa pisikal na mukha at pa-ika-ikang paglalakad. Tulad ng inaasahan, mahusay si Vilma bilang si Stella. At tulad ng maraming pelikulang ginawa niya sa ilalim ng Viva at sa direksiyon ni Eddie Garcia ay merong linya o dayalogo siya na hindi malilimutan, ito ay nang bigkasin niya ang linyang, “…si Val, si val na wala naman malay…” na magpahanggang ngayon ay natanim sa mga Pilipino na mahihilig sa pelikulang tagalog. – RV

“…When Eddie first entered show business, “I said to myself, I’m going to give myself 15 years to be able to direct my first movie. Fortunately, it took me 12 years–or three years earlier than I had planned.” He considers Saan Nagtatago ang Pag-Ibig as his most memorable directorial assignment…” – Sol Jose Vanzi (READ MORE)

“…Ah, how I love the Vilma-Gloria confrontations. “Si Val, si Val, ang kawawang si Val!…” The movie was again a monster hit from Viva Films. FAMAS Best Picture and a supporting actress award for Ms. Romero…” – Mario O. Garces (READ MORE)

“…He explained that a lot of craft likewise went into these glossy dramas. He cited two scenes in the Vilma Santos tearjerker “Saan Nagtatago ang Pag-Ibig,” released in 1987: “Cinematographer Romy Vitug and I waited until late afternoon, when the columns at the back of the Manila Film Center formed long shadows. For another scene, we waited until dusk so the funeral procession would be reflected on a pond in the cemetery…” – Bayani San Diego Jr. (READ MORE)

The Bicol Festival Foundation, in cooperation with Philtanco, is sponsoring the movie premiere of the film Saan Nagtatago ang Pag-ibig?, tonight at 7:30, at the Rizal Theatre in Makati. The movie, directed by Eddie Garcia, stars by Eddie Garcia, stars Vilma Santos, Gloria Romero, Ricky Davao, Cherie Gil, Alicia Vergel and Tonton Gutierrez. The Bicol Festival Foundation is headed by Justice Francis F. Gachitorena of the Sandiganbayan. Film director Garcia who is a Bicolano himself has offered this latest Vilma Santos starrer to the Bicolanos, many of whom have been devastated by typhoon Herming a few weeks ago. He said, ‘This is my little contribution in the Bicolano’s who will be celebrating the Penafrancia Festival next month.” The Bicolanos in Manila will hold teh Grand Bicolandia Festival from September 7-13 at the Manila Garden Hotel in Makati and many activities have been schedule to drum up support for the plight of the Bicolanos in the provinces. Tickets are available a the theater gate at Visual Horizons with telephone no. 815-0024 or Philtranco at telephone no. 833-7180.” – Manila Standard, Sep 01 1987 (READ MORE)

“…For sure, the film has been well-acted. Vilma, once again awes us with her astringent putdowns in her familiar facial expressions and pertinent body language. That long monologue in front of the dying Tonton is an eloquent testimony to her acting talent. Tonton is worthy of notice as the retardate but we have to be assured that he is capable of doing the things he does in the film. Can he really remember the past with such clarity despite his brain damage? Nevertheless, he has captured the mannerisms and speech of the character he portrays. Alicia Vergel comes on too strong as the aristocratic Nyora Pacing who wears an eyepatch and walks with a cane. Ricky Davao vies for attection in his anti-hero role. Cherie Gil as Ricky’s flighty sister is less fierry but more believable. Gloria Romero delivers a sensitive portrayal of the weak mother with a dark past while Alicia Alonzo plays her sister who is privy to the family’s secrets. Eddie Garcia should be commended for toning down his confrontation scenes. His familiarity with this film genre shows in the way he manipulates the characters and builds up the scene. Still, one cannot help but questions the logic behind that sham marriage…” – Luciano E. Soriano (READ MORE)

“…When Gloria Romero won the best supporting actress award in Saan Nagtatago ang Pag-ibig?, she almost ran onstage and was beside herself for atleast three minutes. The ’50s queen of Philippine cinema could just ohh and aah that the audience gladly saved her with a standing ovation. Thirty four years ago, in 1954, she won her first acting award; and now she was lovelier, this second time around. But with an almost sad certainty, she acclaimed, “…To all the press people. I love you! Baka hindi na ako makabalik.” The moment was on overpouring of emotion and elegant hysteria only a true silver screen queen could summon. At least Romero thanked her make-up artist, Monching Morato as if to acknowledge her eternal celluloid persona that had flickered across the screeen and inflamed popular imagination for almost half a century. That was real romance in the movies. And even for a fleeting moment, Romero gave us a vision of what stuff real romance was made of. She made us comprehend that sense of almost indefinable sadness and fragility of life and beauty, a heightened awareness that even the subtlest of things suggested the unalterable rule of fate. Tonton Gutierrez was visibly euphoric when he accepted his best actor award for his performance in Saan Nagtatago ang Pag-ibig? Dutifully, he thanked the movie’s cast and crew, his director, his family; and of course, he never forget to thank God who gave him the talent to uplift, in his own way, the human condition…” – Henry C. Tejero, Manila Standard, Apr 24, 1988 (READ MORE)