Pinagtibay ng Panahon 1/2


Ang tambalang Vilma-Boyet ay pinagtibay ng panahon. Hindi basta-basta na maigugupo ng kahit sino o ng kahit anong tambalan. Tulad din ng alak na habang tumatagal ay lalong sumasarap. There have been many loveteams in Philippine cinema but the tandem of Vilma Santos and Christopher de Leon has chalked up the longest list of movies that have been given awards and made good records at the boxoffice. Until now, their tandem has been unsurpassed. Their loveteam is the most enduring tandem in local cinema. Siguro may iba pang loveteam na nakagawa ng mas maraming pelikula kaysa sa kanila like during the height of the Vi and Bot and Nora-Tirso but theirs did not span decades, nakakaahon lang sila within the short period of time at the height of their popularity. Hindi man naging magkapalad sina Vi at Boyet bilang lovers sa tunay na buhay ay nagklik naman sila sa masa bilang lovers sa pelikula. Matatandaan na sumibol din ang tambalang Nora-Boyet noon sa pelikula at kapag-daka’y nauwi sa totohanan. Sa kabila ng katotohanang ito ay hindi gaanong tinanggap ng publiko ang kanilang pareha sa puting tabing.

They were first paired in 1975 in Celso Ad Castillo’s Tag-ulan sa Tag-araw, as first cousins who fall in love with each other. With the success at the tills of the movie, sinundan pa ito ng sunud-sunod na pelikula that crossed over the 80’s, the 90’s and up until this new millennium. Ilan sa mga pelikulang ginawa nila sa bakuran ng Sampaguita Pictures na mahirap malimutan ay ang Masarap, Masakit ang Umibig, taong 1977 kung saan ka-triangle ang sumisikat na aktor noong si Mat Ranillo. Sinundan ito ng Nakawin Natin ang Bawat Sandali ng VP Pictures, taong 1978 na pinamahalaan ng batikang director na si Elwood Perez, Disco Fever; (a rare Vi-Boyet musical); at Ikaw Ay Akin (with Nora Aunor megged by the late Ishmael Bernal). Nang kalagitnaan ng taong 1980, ipinadala si Ate Vi sa States ng Tagalog Ilang-Ilang boss na si Atty.Laxa para gumawa ng reunion movie with Romeo Vasques and Boyet, ang “Gusto Kita, Mahal Ko Siya”. Habang buntis noon kay Luis ay ginawa ni Ate Vi ang “Pakawalan Mo Ako”, taong 1981 sa direksyon ni Elwood Perez at nanalo siya ng second FAMAS Best Actress award sa role bilang babaeng idiniin ng kanyang biyenan sa pagpatay sa asawang si Anthony Castelo. Pinaka-memorable naman para kay Ate Vi ang pelikulang Relasyon na idinerek ng mahusay na Ishmael Bernal sa ilalim ng Regal Films, taong 1982.Sa pelikulang ito nagtamo ng kanyang unang grandslam si Ate Vi bilang Best Actress sa lahat ng award giving bodies. Later, kinuha ang serbisyo ng aktres ng Viva Films na katatatag lamang noon at ginawa nila ni Boyet ang isang commercial hit movie na “Sinasamba Kita”. Komersyal na komersyal ang dating ng pelikula ito na hindi lamang umani ng tagumpay sa takilya, kungdi pati na rin sa mga kritiko. Taong 1983 nang gawin nila ni Boyet ang record-breaker na “Paano Ba ang Mangarap” kung saan papel ng isang api-apihang manugang ni Armida Siguion Reyna ang kanyang ginampanan. Sinundan naman agad ng “Broken Marriage” under Regal Films at sa direksyon pa rin ni Ishmael Bernal, ang director to whom Ate Vi is very much indebted dahil sa mga natamong best actress awards sa mga pelikulang idinirehe nito. Isa pa rin ito sa mga mahalagang pelikulang nagawa ni Ate Vi na nagbigay sa kanya ng karangalan bilang mahusay na aktres sa URIAN and of course kay Boyet bilang mahusay na aktor. Sa Viva Films sila nakagawa ng maraming pelikulang pinagtambalan dahil na rin sa isinasaad ng kani-kanilang mga kontrata. Kaya naman sa pagtatapos ng taong 1983, ginawa nila ni Boyet ang “Minsan Pa Natin Hagkan Ang Nakaraan”, the only movie na namatay silang magkasama kung saan asawa siya ni Eddie Garcia sa pamamahala ni direk Marilou Diaz Abaya.

Taong 1989 nang gawin naman nila ni Boyet ang Imortal na kung saan natamo ni Ate Vi ang Metro Manila Film Festival Best Actress at si Boyet naman ang tinanghal na Best Actor. Muling naulit ang kanilang pagtatambal ng taong 1991 sa pelikulang “Ipagpatawad Mo” ng Viva Films,sa direksyon ni Laurice Guillen at sa pagkakaga-nap niya bilang supportive mother of an autistic child ay napagwagian niya ang ikalimang URIAN Best Actress award. Taong 1993, nang gawin naman nila ang award winning movie na “Dahil Mahal Kita, Dolzura Cortez” sa ilalim ng OctoArts films at sa pamamahala ni direk Laurice Guillen na nagbigay kay Ate Vi ng ikalawang Grand Slam Best Actress award. Sinundan ito ng “Nag-iisang Bituin” under Regal Films na ka-triangle naman ang mahusay na aktor na si Aga Muhlach under the helm of Jose Javier Reyes. Muling naulit ang kanilang pagtatambal noong 1997 nang gawin nila ang “Hanggang Ngayon Ika’y Minamahal” ng Neo Films na pinamahalaan naman ni direk Ike Jarlego Jr. Limang taon ang nakalipas at muling nagpugay ang kanilang tambalan sa pelikulang “Dekada ’70″ ng Star Cinema sa direksyon ng award winning director na si Chito Rono. Sa pelikulang ito nanalo si Ate Vi ng kanyang ika-apat na Grand Slam Best Actress.

Mano Po 3, My Love is Vilma’s 22nd film with Boyet kung saan nagwagi ang numero unong aktres ng MMFF, Gawad Tanglaw, Gawad Suri at Star Awards ng Best Actress awards. In most of these films, either Best Actress si Ate Vi(Relasyon, Broken Marriage, Pakawalan Mo Ako, Imortal, Ipagpatawad Mo, Dulzura Cortez, Dekada ’70 at Mano Po 3) at si Boyet naman sa Best Actor ( Broken Marriage, Haplos, Imortal, Ipagpatawad Mo, Dolzura Cortez at Dekada). Sa dami ng pelikulang ginawa nilang dalawa na pawang big hits at nagbigay sa kanila ng acting recognitions, hindi tuloy maiwasang itanong ng karamihan kung ano ang sikreto ng kanilang matagumpay na tambalan. “We’ve never been linked to each other and yet the public loves seeing our movies together. Siguro it’s because we have this unbelievable chemistry. We know each other so well that tinginan lang on screen, we already know what to do to make a take very good.” Ate vi relates. “Siguro yung respeto sa isa’t-isa at pagiging professional ni Boyet. Kapag trabaho, seryoso siya talaga. Ang galing niyang magdala. Alam niya kung paano niya ako sasaluhin kapag nahalata niyang nawawala na ako.” sabi pa ng actress-politician. In an interview, Boyet was asked why does he think his partnership with Vilma continues to thrive even after 30 years? “I just love working with Vi because she is such a giving co-actor. Hindi siya nangaagaw ng eksena. If the scene is yours, susuportahan ka niya nang husto for you to shine. You can’t help but get carried away kapag siya ang kaeksena mo dahil napakahusay niya..O di ba, very well said. Ang trabaho kina Ate Vi at Boyet ay hindi kailanman nahaluan ng malisya. They have over the years worked strictly on the professional level. Off camera ay best friends sila. Sa katunayan nga, si Boyet ang unang aktor na pinagtapatan ni Ate Vi na magpapakasal kay Senator Ralph at ng kanyang pagbubuntis kay Ryan. Platonic daw ang tawag sa uri ng relasyong namagitan kina Ate Vi at Boyet in the sense na alam nila kung hanggang saan ang limitasyon ng closeness nila. Platonic dahil hindi na kailangan an0g anumang physical contact upang ipahayag ang kanilang nararamdaman para sa isa’t isa.

Subok na Matibay, Subok na Matatag ang tambalang VILMA-BOYET. No other loveteam can compile such successes,award wise and box-office wise. Their tandem spells capital B-I-G-H-I-T at the box-office. Mula nang gawin nila ang first movie nila noong late 70’s hanggang ngayon ay hindi pa rin pinagsasawaan at patuloy na tinatangkilik ng publiko at kanilang mga tagasubaybay na mapanood sila sa silver screen.Loveteam for all seasons, ika nga.O may hihirit pa ba? – Willie Ferrnandez, V Magazine, Dec 2006

The List
01. Tag-ulan sa Tag-araw (1976) – Directed by Celso Ad Castillo
02. Masarap, Masakit ang Umibig (1977) – Directed by Elwood Perez
03. Ikaw ay Akin (1978) – Directed by Ishmael Bernal
04. Disco Fever (1978) – Directed by Al Quinn
05. Nakawin Natin ang Bawa’t Sandali (1978) – Directed by Elwood Perez
06. Magkaribal (1979) – Directed by Elwood Perez
07. Pinay American Style (1980) – Directed by Elwood Perez
08. Gusto Kita, Mahal ko Siya (1980) – Directed by Emmanuel H. Borlaza
09. Pakawalan Mo Ako (1981) – Directed by Elwood Perez
10. Karma (1981) (Christopher De Leon in cameo role) – Directed by Danny Zialcita
11. Relasyon (1982) – Directed by Ishmael Bernal
12. Sinasamba Kita (1982) – Directed by Eddie Garcia
13. Haplos (1982) – Directed by Antonio Jose Perez
14. Paano ba ang Mangarap? (1983) – Directed by Eddie Garcia
15. Broken Marriage (1983) – Directed by Ishmael Bernal
16. Minsan Pa Nating Hagkan ang Nakaraan (1983) – Directed by Marilou Diaz Abaya
17. Imortal (1989) – Directed by Eddie Garcia
18. Ipagpatawad Mo (1991) – Directed by Laurice Guillen
19. Dahil Mahal Kita: The Dolzura Cortez Story (1993) – Directed by Laurice Guillen
20. Nagiisang Bituin (1994) – Directed by Jose Javier Reyes
21. Hanggang Ngayon Ika’y Minamahal (1997) – Directed by Ike Jarlego Jr.
22. Dekada ’70 (2002) – Directed by Chito S. Rono
23. Mano Po 3: My Love (2004) – Directed by Joel Lamangan

GO TO PART TWO

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Pinagtibay ng Panahon 2/2


Ang tambalang Vilma-Boyet ay pinagtibay ng panahon. Hindi basta-basta na maigugupo ng kahit sino o ng kahit anong tambalan. Tulad din ng alak na habang tumatagal ay lalong sumasarap. There have been many loveteams in Philippine cinema but the tandem of Vilma Santos and Christopher de Leon has chalked up the longest list of movies that have been given awards and made good records at the boxoffice. Until now, their tandem has been unsurpassed. Their loveteam is the most enduring tandem in local cinema. Siguro may iba pang loveteam na nakagawa ng mas maraming pelikula kaysa sa kanila like during the height of the Vi and Bot and Nora-Tirso but theirs did not span decades, nakakaahon lang sila within the short period of time at the height of their popularity. Hindi man naging magkapalad sina Vi at Boyet bilang lovers sa tunay na buhay ay nagklik naman sila sa masa bilang lovers sa pelikula. Matatandaan na sumibol din ang tambalang Nora-Boyet noon sa pelikula at kapag-daka’y nauwi sa totohanan. Sa kabila ng katotohanang ito ay hindi gaanong tinanggap ng publiko ang kanilang pareha sa puting tabing. – Willie FerrnandezREAD MORE

The List
01. Tag-ulan sa Tag-araw (1976) – Directed by Celso Ad Castillo
02. Masarap, Masakit ang Umibig (1977) – Directed by Elwood Perez
03. Ikaw ay Akin (1978) – Directed by Ishmael Bernal
04. Disco Fever (1978) – Directed by Al Quinn
05. Nakawin Natin ang Bawa’t Sandali (1978) – Directed by Elwood Perez
06. Magkaribal (1979) – Directed by Elwood Perez
07. Pinay American Style (1980) – Directed by Elwood Perez
08. Gusto Kita, Mahal ko Siya (1980) – Directed by Emmanuel H. Borlaza
09. Pakawalan Mo Ako (1981) – Directed by Elwood Perez
10. Karma (1981) (Christopher De Leon in cameo role) – Directed by Danny Zialcita
11. Relasyon (1982) – Directed by Ishmael Bernal
12. Sinasamba Kita (1982) – Directed by Eddie Garcia
13. Haplos (1982) – Directed by Antonio Jose Perez
14. Paano ba ang Mangarap? (1983) – Directed by Eddie Garcia
15. Broken Marriage (1983) – Directed by Ishmael Bernal
16. Minsan Pa Nating Hagkan ang Nakaraan (1983) – Directed by Marilou Diaz Abaya
17. Imortal (1989) – Directed by Eddie Garcia
18. Ipagpatawad Mo (1991) – Directed by Laurice Guillen
19. Dahil Mahal Kita: The Dolzura Cortez Story (1993) – Directed by Laurice Guillen
20. Nagiisang Bituin (1994) – Directed by Jose Javier Reyes
21. Hanggang Ngayon Ika’y Minamahal (1997) – Directed by Ike Jarlego Jr.
22. Dekada ’70 (2002) – Directed by Chito S. Rono
23. Mano Po 3: My Love (2004) – Directed by Joel Lamangan


TAGULAN SA TAGARAW


MASARAP MASAKIT ANG UMIBIG


IKAW AY AKIN


MAGKARIBAL


PINAY AMERICAN STYLE


PAKAWALAN MO AKO


RELASYON


SINASAMBA KITA


HAPLOS


PAANO BA ANG MANGARAP


BROKEN MARRIAGE


MINSAN PA NATING HAGKAN ANG NAKARAAN


IPAGPATAWAD MO


DEKADA 70


MANO PO 3: MY LOVE

GO TO PART ONE

FILM REVIEW: IPAGPATAWAD MO


The Plot: A married couple who try to make their marriage work despite the fact that both of them are career-oriented and that there are tensions created by the prescence of their first-born child, Mike Jr., who turns out to be autistic. – RV (READ MORE)

The Reviews: “…At first, their marriage is close to being one made in heaven. Mike Esquivel (Christopher) is a successful lawyer, while Celina (Vilma) is a popular talkshow hostess. Celina gives up her career to devote fall time as mother to Junjun, the autistic child, played well by both Bennett Ignacio (when Junjun is three years old) and Terence Baylon (when the boy is seven years old). The husband, however, is totally unsympathetic and even considers the child a disgrace. With the wife spending practically all her waking hours to attend to her “special” child, the marriage expectedly begins to crumble. They only give themselves a second chance when Celina finds out that she is again pregnant. The second child – to father Mike’s relief – turns out to be a normal, healthy boy. But with Mike still unable to accept the first child, the marriage is on the rocks once more. The situation worsens when Mike -driven by the abnormal conditions at home and his own self-centeredness – starts an extramarital affair with a balikbayan named Monique (Bing Loyzaga). Finally, a near tragic incident gives Mike another chance to prove himself a worthy husband to Celina and even worthier father to his kids, especially the autistic one. The movie is poignant, nevermushy. It isnotthe run-of-the-mill tearjerker that relies on maudlin theatrics and melodramatic devices to touch the hearts of moviegoers. Surprisingly, despite the frustrating problem facing the movie couple, moviegoers did not seem to be depressed by the movie…” – Butch Francisco (READ MORE)

“What?s the critics said: Payak, makabuluhan ngunit kakaibang pelikula ang ?Ipagpatawad Mo? ng Viva Films. Sapat ngang ipakipaglaban ng Vilma Santos at Christopher de Leon tandem ang paghahanap ng ibang klaseng script na lalo pang mapatingkad sa status nila bilang mga aktor sa makatuturang kahulugan nito. Mapalad sila sa panulat ni Olivia lamasan ng isang story na tumatalakay sa reaksiyon ng isang pamilya sa pagkakaroon ng abnormal na anak. Hinugot ni Ms. Lamasan ang autism syndrome na first time na inilantad sa Pilipino screen, bagamat tinangka na rin itong ipaliwanag sa ?Rain Man? ni Dustin Hoffman sa Hollywood. Sa story, sina Vilma at Christopher ay intelihente (TV broadcaster at lawyer respectively) at matagumpay na indibidwal. Maykaya sila sa buhay ngunit nagkaanak ng autistic. (Ang autism, ayon sa mga modren psychologists na sina Bernard Rimiand at lauretta bender, ay isang uri ng infantile psychosis na kung saan ang sinasapian ay nagwi-withdraw sa reyalidad ng buhay. Nananatili sila sa sariling daigdig na nilikha ng isip at pantasya.) dahil sa autistic child (Edward Carlos Garcia) unti-unting nawasak ang pamilya nina Vilma. Vilma vowed to protect and care for the child because she felt this is the only way a mother can assure herself that everything can be given to the son. (Pinatunayan nga ng pelikula na mas apt ang title na Paano Ba Ang Maging Ina rito kaysa roon sa ginawa ni Nora Aunor). On the other hand, nire-reject ni Chris at ng kanyang family (Delia Razon, et al) ang bata dahil nakababawas ito sa dignidad ng family stature nila. The conflict progresses to give us the different views on how to accept the frailties of people within our family. Para bang kung paano tatanggapin ng magulang na may anak siyang may butas sa puso or worst bakla. The father and mother image were deliberately explored at sa tuwing mag-aaaway sina Vi at Boyet, parang nakikita natin ang ating mga magulang na nagtatalo. the scenes were too real for comfort.

Nadale ng Viva ang kiliti ng masa. Hindi mo nga kailangang bigyan ng heavy stuff ang tao para masabing matino ang pelikula. Tama na nga sa mga politicized films or pa-social relevance. Bugbog na bugbog na ang ganitong tema sa mga diyaryo at sensayunalismo ng TV Patrol ng Channe 2. Mas kinagugusto ng balana ang mga pelikulang nakasentro sa mga karaniwang problema ng tao, lalo na?t may kinalalaman sa ordinaryong relasyong pantao. Napapanahon ang story ng ?Ipagpatawad?. Simple. Natural na pinakilos ng mga tauhan ng dula na halos parang hindi mo namamalayang pelikula lang pala ito. Aakalain mo ngang nakikinood ka lang sa isang scenario sa buhay ng kapitbahay mo. Ganito katindi ang tama ng pelikula sa manonood. This is indeed a very special movie for Boyet and Vi. Santos is again in the running for Best Actress. She was able to sink her teeth to the role of a disturbed mother torn in the love and responsibilities for her husband and the abnormal child. Except for some restless gesticulation of the hands, damang-dama mong buong katawan niya ay nilukuban ng kaakuhan ng role. All her scenes can be considered highlights, because she was consistently good in them. Her duro scene with Boyet was satisfactorily blocked and orchestrated. So far here, Vilma has an edge over Ruffa Gutierrez, Mona Liza, Janice de Belen and Lorna Tolentino in the acting derby next year. De leon was able to regain his acting brilliance in this movie. hindi puwersado. Cool, less facial contortion which became evident in some recent films he made. I like him better here than in ?Salingin? and ?Makiusap sa Diyos?. Nakababagbag-damdamin ?yung paghingi niya ng tawad sa anak. The monologue, which started sa pasakalye to reconcile ended in pained catharsis, that even a man with a heart of stone whould melt in depression. As a team, gamay na gamay na nina Vi at Boyet ang isa?t isa. Actually. sa tender moments nila, you don?t see them as the stars. You are made to believe they were really husbadn and wife.They were too relaxed. Their movements were free and natural. This is really what we call team acting. Walang sapawan.

The movie added more luster with the convincing portrayal of the kids. (Edward Garcia, Bennet Ignacio at Terence Baylon) who played Vi?s children. Special mention dito si Garcia na gumanap na 3-year old Junjun. Ang nuances niya ng ritualistic hand movements and echolalic sppech (symptom ng autism) ay talagang believable. He is not even conscious of the camera. Not to be outdone ay ang great support nina Charito Solis, as the choleric mother of Vi: Joonee gamboa, as the phlegmatic father; Ruby Rodriguez, as the yaya na talagang agaw-eksena, lalo na sa carnival scene; Bing Loyzaga, na mas improved and better version ni Gretchen Barretto sa movie; at Vivian Foz, as the wronged confused sister of Vi. Exceptional din ang cinematography and lighting works ng movie. As usual, expected sa Viva melodrama ang glossy, fabulous setting na nag-capitalized sa affluent house interior. kaya lang, parang di tugma ang theme song ni Janno Gibbs sa story. But more than this, laudable ang script ni Ms. Lamasan. Veritable na may research work ang writer. Dahil na-inform niya nag madla tungkol sa autism na dominant sa mga batang lalaki ngayon. Naipabatid niya na autism is detectable at the first two years, when the child is suffering from hearing and speech impairment In-insinuate din niya na the birth delivery (as specified in the opening scene) can cause oxygen deprivation that may affect the brain development of the child, thus creating immaturity in vasomotor coordination such as hearing, speech and hand movement. nilinaw rin niya na ang emotional refrigeration (yaong rejection nina Chris, Delia at Vivian) can cause the intensification of the disease. However, na-establish din niya ang love and care ng parents (ni Vilma) at sibling (ng kapatid na normal) will be more than enough to push the child to develop little by little. This time Laurice Guillen has hit the pot. The movie turned out to be artistically made and yet the commercial value of it did not suffer. Bumalik na ang aesthetic eye ni Direktora Guillen. Thank God, a film like this comes once in a while to give us enter-educational (learning with pleasure) millieu.” – Ces Ysobel Orsal (READ MORE)

“…The 1990s saw Charito Solis graduate to mother and grandmother roles, which she had done with frequency in the 1980s. In another nod to her age, she finally allowed herself to be billed above Vilma Santos, then acknowledged as the Longest-Reigning Box Office Queen of Philippine Movies, albeit above-the-title in films such as Ipagpatawad Mo (1992) and Dahil Mahal Kita: The Dolzura Cortez Story (1993)…” – Gypsy Baldovino and Yolly Tiangco (READ MORE)

“So much has been said and written about Enter-Educate (Entertainment for Education) but does anyone really know what it all means? As their ad says people in the entertainment industry who ascribe to Enter Education use their appeal to inculcate positive values. Quickly applying this in the movies, It’s the difference between Ipagpatawad MO (Viva Films) and Disgrasyada (Regal Films) both showing at your favorite theaters. Ipagpatawad Mo is a movie about how a family copes with autisitc children. Value: The Family. I haven’t seen Disgrasyada, but given Regal’s track record for gadawful movies, this movie will probably have Ruffa Gutierrez rompling around (wet, most likely) in Mother Lily’s famous kamison. Value: Magic Kamison. I am not saying that Viva makes better movies than Regal. Viva is the same company which brought you Humanap ka ng Panget and Andrew Ford Medina. But it is making an effort to entertain and educate. Which is more than I could say for other movie companies. Ipagpatawad Mo (Direction: Laurice Guillen) is like a training film for parents of autistic children, with lots of drama and fine acting from two name stars. Before anything else, this is the first time I’ve seen a cellular phone (not cordless) in a Filipino movie. (Puh-leeze, I can’t stand people who use cellular phones in their cars, in restaurants, in movie houses, even in church. I hereby propose cellular phone-free zones). This is observation has nothing to do with the rest of this review. In the movie, Vilma Santos plays a successful TV journalist (Must everyone play Loren Legarda in the movies?) while Christopher is a successful lawyer. Everything is perfect until their son Junjun turns three (Are the two children who played Junjun, age 3 and age 8, autistic in real life, or are they actors?) They find out from Lorli Villanueva, who plays a psychiatrist, not a laudrywoman that their son is autistic. Christopher wants to put Junjun in an institution (ala-Rainman).

Instead Vilma takes Junjun to her parent’s house. She gives up her job, stops playing attentive wife to Christopher, and dutifully takes Junjun to a special school. Christopher complaints that Vilma doesn’t pay enough attention to him anymore. Vilma complains that Christopher has forsaken his duties as a father. They breakup, almost. But they reconcile because Vilma is pregnant. She has given birth to Paolo, a normal child. Understandably, Christopher is proud of Paolo and ashamed of Junjun. He doesn’t want his friends to know he has a “defective” son. One day, Junjun humiliates his father in a party. Christopher scolds him, but Junjun doesn’t understand. Instead, he starts to draw his father with a tail and horns. Christopher has an affair with Bing Loyzaga, who tries very hard to do a Nanette Medved, but ends up looking like Gloria Estefan in that Pepsi commercial. Vilma discovers the affair and moves out of the house. Christopher doesn’t want to lose his family so he breaks up with Bing. He begs Vilma to come back and promises to make an effort to accept Junjun. They take a vacation and finally Christopher comes to terms with his feeling for his autistic son. In a touching scene, Christopher and Junjun sit together, but apart in the living room. He tells his son how excited he was when he was born. How he had such great hopes for him. How dissapointed he was when he found out he was autistic. And that he really doesn’t know what to do with him. But he loves him very much. Christopher cries, Vilma, who has eavesdropped, cries too. Junjun who has been toying with a ball, stands up and leaves the room. I guess this sums up the whole situation of what it’s like to be a parent of an autistic child.

Christopher redeems himself from his bad performance in the movie Huwag Mong Salingin ang Sugat ko, shown last week. He is in top form here, and portrays a gamut of emotions, as a father who could not accept that his son is autistic; as comfused husband who turns to another woman for comfort; as a desperate man who implores his wife to give him another chance; and as a transformed father who finally accepts his son is autistic. Vilma is exceptional, as usual. The two stars look good together. (I cannot imagine Christopher and Nora Aunor together). Although, they looke visibly – dare I say it? – old. Not even the soft-focus lens could disguise the bags under their eyes and the lines on their cheeks. Good thing Ipagpatawad Mo is a movie which deals with a more sophisticated subject, other than a man who meets a woman and they fall in love, or a married man falls-in-love with another woman and vice versa. In the future, I would like to see less cellular phones and more mature movies like this, please.” – Elvira Mata, Manila Standard, Oct 23 1991 (READ MORE)

“Countless subjects have been written about this star for all seasons – a fascinating character to her fans. Her calm composure even in the midst of brickbats thrown her way by some members of the press, her acting talents attested by the 16 best actress trophies and her screen image are reasons enough why she has gained a strong foothold in the hearts of the moviegoers. “Being popular in one’s profession or let’s say being successful, is not a shield against the wounds of life. On the contrary, principles come more often and go deeper if one is successful and popular,” she told us when we chanced to talk toher on the set of her latest movie, Ipagpatawad Mo with Christopher de Leon. Moviegoers have always accepted the team-up of Vi and Boyet, acting and box office wise. This is their 16th partnership. Their first was in Tagulan sa Tagaraw.

So what else is new? “There was a time na parang sawa na kami sa subject ng movie namin. Relasyon, Pakawalan Mo Ako, Imortal, Nakawin Natin ang Bawat Sandali, Masarap Masakit ang Umibig, etc. are just some of them. So when we read the script, we said na sana bago naman ang story, not just a love triangle, or legal separation and such subjects. This is the first time in out picture togethertaht involved our child who is autistic. Not many people or only a few of our parents know what an autistic child is. Akala nila mentally retarded na ang mga yon. Which is definitely not true. Autistic children can be taught, can be improved but it takes a lot of patience and determination to make them so. In this movie, Boyet could not believe that he has such a child and he rejects him. But I could not, and that is the bane of our everyday quarrel. I fiercely defend out son here saying to all and sundry that he is not mentally retarded. How did you tackle the subject of autism? “Boyet and I read books about it, saw a movie with its theme, visited a special school for such children in Forbes Park, and spoke to parents of these children.

Ninety percent of these autistic children are very good-looking and are good in numbers but they have a world of their own. If you teach them something, yon kung ang alam nila, no other world exists. Autism is like virus and it is not hereditary. Hindi malalaman na autistic ang isang bata until they are about three or four years old. But doctors know, when a baby is born that he or she is autistic, only they don’t dare tell the parents about it. This movie should be an eye opener for such doctors and parents.” How is it that you and Boyet are so compatible with each other as a love team? To our knowledge, no other team-up has endured such long partnership. “Maybe it’s because we’re comfortable with each other. And one thing more, the moviegoers accepted our team because there’s no personal involvement between us. It’s not necessary that there’s love angle between us. Ang sa amin platonic lang. Not only that, we’re the best of friends. Do you know that Boyet was the first leading man to whom I confided that I’m going to marry Edu? He was also the first to whom I broke the news that I’m pregnant with Lucky. That’s how firm our friendship is.”

In all the years that you’ve been together in the movies, did Boyet ever court you? I heard before that wen you we’re filming a movie with Eddie Rodriguez, he sent you three red roses. “Naku ha! That’s just his way of affirming our friendship. Walang malisya youn.” If in real life, you’re really husband and wife, do you think your marriage will also endure up to the present? ” I just can’t tell, ha. But Boyet and I are both Scorpions. We have the same strong personalities. Siguro magka-clash kami. But in our scenes in the movies, It’s wonderful if Boyet is my partner, because kung intense at high ang feelings ko, kaya ni Boyet na saugtin kung ano ang sinasabi ko with the same intense feeling.” And with the others? “No comment.” In Ipagpatawad Mo, Vi portrays a mother’s love for her child. “I know the feeling because I am a mother. I’ll fight tooth and nail for the care and well-fare of my son, Lucky.” Vi is going full ahead of her movie schedules next year. After this movie, she’ll be shooting Sinungaling na Puso (temporary title), for Regal’s tehn one with Armida’s Reyna Films (The Heiress), and another one schedule for Vision Films.” – Nena Z. Villanueva, Manila Standard, Oct 28 1991 (READ MORE)

Top 100 Vilma Santos Films

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

RANK FILM (YEAR) SCORE
01. Burlesk Queen (1977) 30.90
02. Bata, Bata…Paano Ka Ginawa? (1998) 28.90
03. Dekada’70 (2002) 28.80
04. The Dolzura Cortez Story (1993) 28.70
05. Ikaw ay Akin (1978) 28.60
06. Rubia Servios (1978) 28.50
07. Relasyon (1982) 27.90
08. Pahiram Ng Isang Umaga (1989) 27.80
09. Broken Marriage (1983) 27.70
10. Lipad, Darna, Lipad (1973) 27.60
…LINK

11. Imortal (1989) 26.90
12. Anak (2000) 26.80
13. Tagos ng Dugo (1987) 26.70
14. Adultery (1984) 26.60
15. Pagputi ng Uwak Pag-itim ng Tagak (1978) 25.90
16. Trudis Liit (1963) 25.80
17. Gaano Kadalas ang Minsan? (1982) 25.70
18. Paano Ba ang Mangarap? (1983) 25.60
19. Sinasamba Kita (1982) 25.50
20. Tag-ulan sa Tag-araw (1975) 25.40
…LINK

21. In My Life (2009) 24.90
22. Saan Nagtatago Ang Pag-ibig? (1987) 24.80
23. Ipagpatawad Mo (1991) 24.70
24. Mano Po 3 My Love (2004) 24.60
25. Pakawalan Mo Ako (1981) 24.50
26. Karma (1981) 24.40
27. Hahamakin Lahat (1990) 24.30
28. Sinungaling Mong Puso (1992) 24.20
29. Dalawang Pugad, Isang Ibon (1977) 24.10
30. Ex-Wife (1981) 24.09
…LINK

31. D’ Lucky Ones (2006) 24.08
32. Dyesebel atang Mahiwagang Kabibe (1973) 24.07
33. Sister Stella L. (1984) 23.90
34. Kapag Langit Ang Humatol (1990) 23.80
35. Miss X (1980) 23.70
36. Ikaw Lang (1993) 23.60
37. Bato sa Buhangin (1976) 23.50
38. Nakakahiya? (1975) 23.40
39. Hindi Nakakahiya (1976) 23.30
40. Batya’t Palu-Palo (1974) 23.20
…LINK

41. Haplos (1982) 22.90
42. Ibulong Mo Sa Diyos (1988) 22.80
43. Pinay, American Style (1979) 22.70
44. Langis at Tubig (1980) 22.60
45. Palimos Ng Pag-ibig (1986) 22.50
46. Muling Buksan ang Puso (1985) 22.40
47. Kampanerang Kuba (1974) 22.30
48. Darna and the Giants (1973) 22.20
49. Dama De Noche (1972) 21.95
50. Hatinggabi Na, Vilma (1972) 21.90
…LINK

51. T-Bird at Ako (1982) 21.80
52. Alyas Baby Tsina (1984) 21.70
53. Halik sa Kamay, Halik sa Paa (1979) 21.60
54. Minsan pang Nakaraan (1983) 21.50
55. Masarap, Masakit ang Umibig (1977) 21.40
56. Hindi Nahahati ang Langit (1966) 21.30
57. Susan Kelly, Edad 20 (1977) 21.20
58. Hiwalay (1981) 21.10
59. Rock, Baby, Rock (1979) 21.09
60. Mga Mata Ni Angelita (1978) 21.08
…LINK

61. Bertang Kerengkeng (1976) 21.07
62. Ibong Lukaret (1975) 21.06
63. Vilma Viente Nueve (1975) 21.05
64. Takbo, Vilma, Dali (1972) 21.04
65. Nag-iisang Bituin (1994) 20.90
66. Karugtong ang Kahapon (1975) 20.80
67. Ging (1964) 20.70
68. Anak, ang Iyong Ina (1963) 20.60
69. Kay Tagal ng Umaga (1965) 20.50
70. Yesterday, Today and Tomorrow (1986) 20.40
…LINK

71. Magkaribal (1979) 20.30
72. Anak ng Aswang (1973) 20.20
73. Simula ng Walang Katapusan (1978) 20.10
74. Promo Girl (1978) 20.09
75. Biktima (1974) 20.08
76. Good Morning, Sunshine (1980) 20.07
77. Kasalanan Kaya? (1968) 19.90
78. Mga Rosas sa Putikan (1976) 19.80
79. Nakawin Natin ang Bawat Sandali (1978) 19.70
80. Modelong Tanso (1979) 19.60
…LINK

81. Darna at Ding (1980) 19.50
82. Mga Reynang Walang Trono (1976) 19.40
83. Nag-aapoy na Damdamin (1976) 19.30
84. Pulot-gata, Pwede Kaya? (1977) 19.20
85. Kamay na Gumagapang (1974) 19.10
86. Young Love (1970) 19.09
87. Ito ang Pilipino (1967) 18.90
88. Ikaw Lamang (1971) 18.80
89. Kampus (1978) 18.70
90. Coed (1979) 18.60
LINK

91. The Sensations (1971) 18.50
92. Never Ever Say Goodbye (1982) 17.90
93. Asawa ko, Huwag Mong Agawin (1986) 17.80
94. Ayaw Kong Maging Kerida (1983) 17.70
95. Ibigay Mo Sa Akin Ang Bukas (1987) 17.60
96. Gusto Ko Siya, Mahal Kita (1980) 17.50
97. Amorseko (1978) 17.40
98. Pag-ibig ko sa iyo lang Ibibigay (1978) 17.30
99. Tatlong Mukha ni Rosa Vilma (1972) 17.20
100. Pinagbuklod ng Pag-ibig (1978) 17.10
…LINK

Criteria: Box Office Records, Critics Recognitions, Other Factors(Relevance, Longevity, Entertainment Impact)

Top 100 Vilma Santos Films (part ten)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

10.  Lipad, Darna, Lipad 1973
SCORE: 7(A) + 10(B) + 10(C) + 0.6(D) = 27.6(T)
Directed by Emmanuel H. Borlaza, Elwood Perez and Joey Gosiengfiao, co-starring: Gloria Romero, Celia Rodriguez, Liza Lorena, Marissa Delgado, Angie Ferro, Mary Walter,  Adul de Leon, Chanda Romero, Eddie Garcia, Ernie Garcia, Dick Israel, Ruel Vernal, Angelito, Cloyd Robinson. Based on the novel of Mars Ravelo.  Top Record-Breaking Box-office Film of 1973.   The first of four Darna films starring Vilma Santos. – MORE INFO (no available video)

9.  Broken Marriage 1983
SCORE: 10(A) + 7(B) + 10(C) + 0.7(D) = 27.7(T)
Directed by Ishmael Bernal, co-starring: Christopher De Leon,  Tessie Tomas, Harlene Bautista,  Orestes Ojeda, Lito Pimentel, Richard Arellano, Cesar Montano, Len Santos, Ray Ventura. Vilma received her second Gawad Urian Best Actress and a FAMAS nomination for best actress. – MORE INFO

8.  Pahiram Ng Isang Umaga 1989
SCORE: 10(A) + 7(B) + 10(C) + 0.8(D) = 27.8(T)
Directed by Ishmael Bernal, co-starring:  Gabby Concepcion, Eric Quizon, Billy Crawford, Zsa Zsa Padilla, Olivia Cenizal, Tita Muñoz, Dexter Doria, Vicky Suba, Gina Perez, Alma Lerma, Becky Misa, Gil de Leon, Subas Herrero, Cris Vertido, Toby Alejar.  Written by Jose Javier Reyes.  Vilma Santos received her first best actress from the PMPC Star Awards as well as the Gawad Urian.  She also received nomination from FAP. – MORE INFO

7.  Relasyon 1982
SCORE: 10(A) + 7(B) + 10(C) + 0.9(D) = 27.9(T)
Directed by Ishmael Bernal, co-starring: Christopher De Leon, Jimi Melendez, Lucy Quinto, Beth Mondragon, Olive Madridejos,  Ernie Zarate, Manny Castañeda, Bing Fabregas, Augusto Victa.  The very first “Grand Slam” for Best Actress in Philippine.  Vilma won all the Philippines’ best actress awards of 1982.   She received recognitions from Gawad URIAN, FAP, CMMA, FAMAS. – MORE INFO

6.  Rubia Servios 1978
SCORE: 10(A) + 10(B) + 8(C) + 0.5(D) = 28.5(T)
Directed by Lino Brocka, co-starring: Phillip Salvador, Mat Ranillo III.  Vilma received a nominationf for best performer in the 1978 Metro Manila Film Festival.  The film was the top revenue grosser.  – MORE INFO

5.  Ikaw ay Akin 1978
SCORE: 10(A) + 8(B) + 10(C) + 0.6(D) = 28.6(T)
Directed by Ishmael Bernal,  co-starring: Christopher De Leon, Nora Aunor, Ellen Esguerra, Odette Khan, Charmie Benavidez, Sandy Andolong, Nick Romano, Zandro Zamora, Ernie Zarate, Cris Vertido, Anton Juan.  Vilma received a Gawad URIAN Nomination for Best Actress. – MORE INFO

4.  Dahil Mahal Kita, The Dolzura Cortez Story 1993
SCORE: 10(A) + 8(B) + 10(C) + 0.7(D) = 28.7(T)
Directed by Laurice Guillen, co-starring:  Christopher De Leon, Charito Solis, Jackie Aquino, Maila Gumila, Mia Gutierrez, Eula Valdez,   Noni Buencamino, Gil Portes.  Vilma Santos won the Film Academy of the Philippines’ Best Actress.  She also won Gawad Urian, PMPC STAR, Metro Manila Film Festival and FAMAS Circle of Excellence. – MORE INFO

(no available video)

3.  Dekada’70 2002
SCORE: 10(A) + 8(B) + 10(C) + 0.8(D) = 28.8(T)
Directed by Chito S. Roño, co-starring: Christopher De Leon, Piolo Pascual, Marvin Agustin, Carlos Agassi, Danilo Barrios, Kris Aquino, Ana Capri, Dimples Romana, Marianne de la Riva, Tirso Cruz III, Orestes Ojeda, John Wayne Sace.  Written by Lualhati Bautista.  Vilma Santos won the 2003 Cinemanila International Film Festival Best Actress.  She also won the best actress from FAP, Gawad URIAN, PMPC Star and YCC Best Performer.  The film was the Philippines’ official entry at the 76th Academy Awards best foreign language film.  –  MORE INFO

2.  Bata, Bata…Paano Ka Ginawa? 1998
SCORE: 10(A) + 8(B)+ 10(C) + 0.9(D) = 28.9(T) Directed by Chito S. Roño, co-starring: Albert Martinez, Carlo Aquino, Raymond Bagatsing, Ariel Rivera, Serena Dalrymple, Angel Aquino, Cherry Pie Picache, Rosemarie Gil, Dexter Doria.  Written by Lualhati Bautista.  Vilma won the 1999 Brussels International Festival of Independent Films Best Actress.  She also won the best actress from FAP, Gawad Urian, PMPC Star and the Young Critics Circle Best Performer. – MORE INFO

1.  Burlesk Queen 1977
SCORE: 10(A) + 10(B) + 10(C) + 0.9(D) = 30.9(T)
Directed by Celso Ad. Castillo, co-starring:  Rolly Quizon, Leopoldo Salcedo, Rosemarie Gil, Dexter Doria, Yolanda Luna, Rio Locsin, Roldan Aquino, Chito Ponce Enrile, Joonee Gamboa.  Vilma Santos won the 1977 Metro Manila Film Festival Best Actress.  She also received best actress nominations from FAMAS and Gawad Urian.   The film was the Festival’s top box office grosser.  –  MORE INFO

RECAP:
10. Lipad, Darna, Lipad 1973
9. Broken Marriage 1983
8. Pahiram Ng Isang Umaga 1989
7. Relasyon 1982
6. Rubia Servios 1978
5. Ikaw ay Akin 1978
4. Dahil Mahal Kita, The Dolzura Cortez Story 1993
3. Dekada’70 2002
2. Bata, Bata…Paano Ka Ginawa? 1998
1. Burlesk Queen 1977

…for the complete list, CLICK HERE

Top 100 Vilma Santos Films (part three)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

80.  Modelong Tanso 1979
SCORE: 3(A) + 10(B) + 6(C) + 0.6(D) = 19.6(T)
Directed by Cirio H. Santiago, co-starring: Charito Solis, Winnie Santos. Entry to 1979 Metro Manila Film Festival – MORE INFO

79.  Nakawin Natin ang Bawat Sandali 1978
SCORE: 6(A) + 7(B) + 6(C) + 0.7(D) = 19.7(T)
Directed by Elwood Perez, co-starring: Baby Delgado, Anita LindaChristopher De Leon, Roel Vergel de Dios, Freddie Yance, Romeo Rivera – MORE INFO (no available video)

78.  Mga Rosas sa Putikan 1976
SCORE: 6(A) + 7(B) + 6(C) + 0.8(D) = 19.8(T)
Directed by Emmanuel H. Borlaza, co-starring: Celia Rodriguez, Babara Luna, Trixia Gomez, Merle Fernandez, Monica Morena, Romeo Enriquez, Arnold Gamboa, Sandy Garcia, Ike Lozada. Vilma sings the film theme song! – MORE INFO

77.  Kasalanan Kaya? 1968
SCORE: 6(A) + 8(B) + 5(C) + 0.9(D) = 19.9(T)
Directed by Luis Enriquez, co-starring: Lolita Rodriguez, Marlene Dauden and Eddie Rodriguez with Roderick Paulate. Vilma received acting nomination for best supporting actress in 1968 FAMAS. – MORE INFO (no available video)

76.  Good Morning, Sunshine 1980
SCORE: 6(A) + 7(B) + 7(C) + 0.07(D) = 20.07(T)
Directed by Ishmael Bernal, co-starring: Sheryl Cruz, Debraliz, Anita Linda, Liza LorenaJunior, Lloyd Samartino – MORE INFO

75.  Biktima 1974
SCORE: 5(A) + 10(B) + 5(C) + 0.08(D) = 20.08(T)
Directed by Nilo Saez, co-starring: Helen Gamboa, Celia Rodriguez, Perla Bautista, Cristina Reyes, Divina Valencia Leopoldo Salcedo, Bert Leroy Jr., Tony Santos Jr., Yoyoy Villame, Tommy Abuel, Edgar Mortiz, Ike Lozada, German Moreno – MORE INFO

74.  Promo Girl 1978
SCORE: 6(A) + 8(B) + 6(C) + 0.09(D) = 20.09(T)
Directed by Joey Gosiengfiao, co-starring: Ricky Belmonte, Roel vergel De Dios, Eddie Gutierrez, Bembol Rocco – MORE INFO (no available video)

73.  Simula ng Walang Katapusan 1978
SCORE: 6(A) + 8(B) + 6(C) + 0.1(D) = 20.1(T)
Directed by Luis Enriquez, co-starring: Eddie Rodriguez, Carmen Soriano, Patria Plata, Ingrid Salas, Rio Locsin, Lito Anzures, Renato Robles, Nello Nayo, Ruben Rustia – MORE INFO (no available video)

72.  Anak ng Aswang 1973
SCORE: 4(A) + 10(B) + 6(C) + 0.2(D) = 20.2(T)
Directed by Romy Susara cp-starring: Gloria Romero, Daisy Romualdez, Rosanna Marquez, Lucita Soriano, Lita RodriguezEdgar Mortiz, Nick Romano, Leopoldo Salcedo, German Moreno, Pons De Guzman – MORE INFO (no available video)

71.  Magkaribal 1979
SCORE: 6(A) + 8(B) + 6(C) + 0.3(D) = 20.3(T)
Directed by Elwood Perez, co-starring: Alma Moreno, Christopher De Leon – MORE INFO

RECAP:
80. Modelong Tanso 1979
79. Nakawin Natin ang Bawat Sandali 1978
78. Mga Rosas sa Putikan 1976
77. Kasalanan Kaya? 1968
76. Good Morning, Sunshine 1980
75. Biktima 1974
74. Promo Girl 1978
73. Simula ng Walang Katapusan 1978
72. Anak ng Aswang 1973
72. Magkaribal 1979

…continue with countdown, CLICK HERE!

Top 100 Vilma Santos Films (part eight)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

30.  Ex-Wife 1981
SCORE: 8(A) + 8(B) + 8(C) + 0.09(D) = 24.09(T)
Directed by Luis Enriquez, starring: Beth Bautista, Liz Alindogan, Wendy villarica, Rosemarie Gil, Lucita Soriano, Raul Aragon, Michael de Mesa, Eddie Garcia, Fred Montilla. – MORE INFO

29.  Dalawang Pugad, Isang Ibon 1977
SCORE: 7(A) + 7(B) + 10(C) + 0.1(D) = 24.1(T)
Directed by Ishmael Bernal. co-starring: Romeo Vasquez, Mat Ranillo III, Anita Linda, Mary Walter, Fred Montilla – MORE INFO (no available video)

28.  Sinungaling Mong Puso 1992
SCORE: 8(A) + 8(B) + 8(C) + 0.2(D) = 24.2(T)
Directed by Maryo J. De Los Reyes, co-starring: Gabby Concepcion, Aga Muhlach, Alice Dixon, Aiko Melendez, Melinda Mendez, Mila Ocampo, Luz Valdez, Ricardo Cepeda, Charlie Davao, Philip Gamboa, Orestes Ojeda. Written by Jose Javier D. Reyes. Vilma received a best actress nomination from the Manunuri. – MORE INFO

27.  Hahamakin Lahat 1990
SCORE: 8(A) + 8(B) + 8(C) + 0.3(D) = 24.3(T)
Directed by Lino Brocka, co-starring: Gabby Concepcion, Eric Quizon, Dennis Roldan, Snooky Serna, Perla Bautista, Maritoni Fernandez, Gina Perez, Ruben Rustia. Written by Ricardo Lee. Vilma received an academy award (Luna) nomination for best actress – MORE INFO

26.  Karma 1981
SCORE: 7(A) + 10(B) + 7(C) + 0.4(D) = 24.4(T)
Directed by Danny Zialcita. co-starring: Ronaldo Valdez, Tommy Abuel, Christopher Deleon, Dante Rivero, Chanda Romero, Marianne Delariva, Aurora Salve, Suzanne Gonzales, Martha Sevilla, Odette Khan, Virginia Montes, Bella Flores, Etang Ditcher, Vic Silayan, Fred Montilla, Renato Robles, Ruel Vernal, Augusto Victa, Butch Aquino. Vilma Santos won the 1981 Metro Manila Film Festival Best Actress. – MORE INFO

25.  Pakawalan Mo Ako 1981
SCORE: 7(A) + 10(B) + 7(C) + 0.5(D) = 24.5(T)
Directed by Elwood Perez, co-starring: Christopher De Leon, Anthony Castelo, Deborah Sun, Mila Ocampo, Subas Herrero, Ed Villapol. Vilma Santos won the 1981 FAMAS Best Actress – MORE INFO

24.  Mano Po 3 My Love 2004
SCORE: 8(A) + 8(B) + 8(C) + 0.6(D) = 24.6(T)
Directed by Joel Lamangan, co-starring: Christopher De Leon, Jay Manalo, Boots Anson-Roa, Amy Austria, Sheryl Cruz, Jean Garcia, Karylle, Angel Locsin, Angelica Panganiban, Cherry Pie Picache, Carlo Aquino, Eddie Garcia, Patrick Garcia, Allan Paule, John Prats, Dennis Trillo, Gardo Versoza. Vilma Santos won the best actress from the Metro Manila Film Festival, the PMPC STAR and the Gawad Suri. She also received a Luna nomination. The film was the Philippines’ Official Entry to the 2005 8th Shanghai International Film Festival. – MORE INFO

23.  Ipagpatawad Mo 1991
SCORE: 8(A) + 8(B) + 8(C) + 0.7(D) = 24.7(T)
Directed by Laurice Guillen, co-starring: Christopher De Leon, Charito Solis, Bing Loyzaga, Amy Perez, Delia Razon, Ruby Rodriguez, Vivian Foz, Lorli Villanueva, Joonee Gamboa, Johnny Wilson, Terence Baylon. Written by Olivia M. Lamasan. Vilma received the 1991 Gawad Urian Best Actress and a nomination from FAP – MORE INFO

22.  Saan Nagtatago Ang Pag-ibig? 1987
SCORE: 8(A) + 8(B) + 8(C) + 0.8(D) = 24.8(T)
Directed by Eddie Garcia, co-starring: Ricky Davao, Tonton Gutierrez, Cherrie Gil, Gloria Romero, Alicia Vergel. Alicia Alonzo, Perla Bautista, Suzanne Gonzales, Rose Rosado, Vangie Labalan, Jonee Gamboa, Rey Hipolito, Eddie Arenas. Written by Gilda Olvidado. – MORE INFO

21.  In My Life 2009
SCORE: 7(A) + 10(B) + 7(C) + 0.9(D) = 24.9(T)
Directed by Olivia M. Lamasan, co-starring: John Lloyd Cruz, Luis Manzano, Tirso Cruz III. Vilma Santos received the best actress from Gawad Tanglaw and PMPC Star. She also received nominations from the Golden Screen and Gawad URIAN. The film Earned P20M on its first day of showing in Metro Manila. – MORE INFO

RECAP:
30. Ex-Wife 1981
29. Dalawang Pugad, Isang Ibon 1977
28. Sinungaling Mong Puso 1992
27. Hahamakin Lahat 1990
26. Karma 1981
25. Pakawalan Mo Ako 1981
24. Mano Po 3 My Love 2004
23. Ipagpatawad Mo 1991
22. Saan Nagtatago Ang Pag-ibig? 1987
21. In My Life 2009

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