Film Review: Biktima (1974)

FILMS - BIKTIMA

Release Date: June 23, 1974 (Philippines)

The Plot: – In a strange turn of events, Dolores (Vilma Santos) moves in to live with her grandfather, who has sole custody of her ever since her mother was imprisoned for the murder of Dolores’ father. Mystery unfolds as Dolores stays with her grandfather when members of the household are murdered one by one. Will Dolores escape the chaos unraveling around her or will she be the next victim? – Kabayan Central (READ MORE)

The Reviews: – Hired by Don Rafael Valdez (Joe Sison), Attorney Andrade (Leopoldo Salcedo) finally convinced Dolores (Vilma Santos) to live with her rich grandfather, Don Rafael. This is despite the warning of her aunt, Tiya Dadeng (Patria Plata) and the warning of her mother, Lourdes (Perla Bautista) who is in prison. She was framed-up and wrongfully convicted of her father’s death. When Dolores came to her grandfather’s mansion, one by one, people are starting to die. This includes her grandfather’s young wife (Elizabeth Vaughn); Monica Valdez (Celia Rodriguez); Magda (Divina Valencia); the gardener (Yoyoy Villame); and Marita (Helen Gamboa). By the time the last victim died, the surprise killer was expose, the killer was Dolores. She tried to revenge her mother’s imprisonment and her father’s death. It was also revealed that her aunt’s husband (Bert Le Roy Jr.) was the one who killed her father. Her father tried to rape their grandfather’s nurse, Marita (Helen Gamboa), she fought hard and stabbed her father. Bert Leroy Jr. framed-up Dolores’ mother who was the first person on the scene of the crime. In exchange for his silence he blackmailed Marita with sexual favors. Marita didn’t know that Dolores’ father was still alive but Leroy finished the job by stabbing him more.

Written by Jose Flores Sibal with writing credit from the film’s lead star, Vilma Santos, Biktima was surprisingly watchable. Compared to other Vilma Santos films that Nilo Saez directed like Kampanerang Kuba, he did a convincing job in ironing out the many characters of the film (maybe except for Divina Valencia’s role who was one of the first to die). This is perhaps due to the excellent cast. The one who stands out more were Celia Rodriguez and Helen Gamboa. Both gave subdued performances. Edgar Mortiz’ role as assistant investigator was just to appeal to the loyal festival followers of Vi and Bot. By this time, it was clear that Vilma’s career are heading upward while Mortiz was heading to a different path. The ending of the film, showing a bald Vilma Santos in preparation for her demise was the film’s dramatic highlight.

FILM REVIEW: SAAN NAGTATAGO ANG PAGIBIG


The Plot: Stella got pregnant by boyfriend Rick. Unfortunately, Rick is not willing to gamble on his inheritance. He is tied up with a promise to his super snotty, super rich old grandmother that he have to finish law school before he can get any money. In order to avoid scandal Stella agreed to be married to Rick’s retarded brother, Val. Together with his adopted family Stella learned to love the retarded Val and at the same time discovered that Val is a product of infidelity that cause the suicide of Rick and Val’s father. Unfortunately Stella’s new found love ended when Val accidentally fell from a window when he had a fight with his irrational brother one night. – RV (READ MORE)

The Reviews: Nang malaman ni Stella na buntis siya ay pinilit niyang managot ang kasintahan nitong si Rick, isang law student na tagapagmana na ariarian ng kanyang matapobreng lola. Dahil sa panakot na mag-i-iskandalo’y ipinakasal nila si Stella sa kapatid ni Rick na retarded upang hindi mawala ang mana nito at kasabay ay maiwasan ang kahihiyan ni Stella na mabuntis ng walang asawa at ama ang kanyang dinadalang bata. Kasabay ng pagbubuntis ni Stella ay natutunan nitong mahalin ang retarded na si Val. Kasabay rin nito’y natuklasan ni Stella na si Val ay anak sa labas ng kanilang ina at ito’y hindi sinilang na kulang-kulang. Dahil sa kalupitan ng matapobreng lola ng mga bata’y nahulog ito sa hagdanan ng pagbintangan si Val ng matandang nagnanakaw ng pera. Nahulog ang batang si Val habang pinapalo ito ng kanyang ina. Isang gabi’y nagwala si Val nang Makita nitong nakikipagtalo si Stella kay Rick. Sinunggaban ni Val si Rick at nagaway sila. Ang naging resulta ng pag-aaway na ito’y aksidenteng nahulog sa balkonahe ang kaawa-awang si Val.

Namatay ito at sa araw ng libing ay dumating ang matapobreng matanda para ibigay ang abuloy nito kay Stella. Isinauli ni Stella ang tseke sa matanda at ipinahayag na si Val ang ginawa nilang ama ng kanyang anak pero ang tutoo’y dahil sa takot na mawalan ng mana’y ito ang pinaako ng responsibilidad ni Rick. Galit na umalis ang matanda at tuluyang naglaho ang mana ni Rick. Nagdesisyon na iwan ni Stella ang bahay kasama ng kanyang anak. Mula sa direksiyon ni Eddie Garcia, ang Saan Nagtatago Ang Pag-ibig ay hango sa komiks. Bagama’t mahahalatang puro isang dimensiyon lamang ang halos lahat na karakter ng pelikula’y mahusay naman naihayag ni Direktor Eddie ang komiks na komiks na istorya nito. Bakit kailangang maging binata si Rick habang nagaaral ito ng abogasya? Bakit napakahalaga ito sa matapobreng si Alicia Vergel? Bakit may nakatakip ang isa sa mata ng matanda na parang bandido? Sa ubod ng yaman ng matanda hindi ba puedeng maglagay ng pekeng mata kesa sa bendang itim? Bagamat nakakatawa ang obserbasyon na ito’y dahil sa bisyuwal na kaanyuan ng matapobreng matanda kung kaya naman epektibong makikita ang pagiging kontrabida nito.

Tulad ng “Paano Ba Ang Mangarap,” merong ‘dream sequence” ang pelikula kung saan kunwari’y hinuhusgahan si Val na isang baliw. Kung puputulin ang eksenang ito’y hindi magiging sagabal sa paglalahad ng buong istorya ni Gilda Olvidado. Mula sa lumang bahay hanggang sa eksena sa libingan ay mahusay ang sinematograpiya ni Romy Vitug at disenyong pangproduksiyon ni Manny Morpe. Mahusay ang mga katulong na artista mula kay Cherrie Gil, Alicia Alonzo at Alicia Vergel. Mahusay rin si Ricky Davao bilang Rick at Gloria Romero bilang ina ni Rick at Val. Ngunit ang pelikulang ito’y tungkol kay Val at bilang si Val ay nabigyan ng mahusay na pagganap ni Tonton Gutierrez ang papel na sinto sinto mula sa pagsasalita na utal utal haggang sa pisikal na mukha at pa-ika-ikang paglalakad. Tulad ng inaasahan, mahusay si Vilma bilang si Stella. At tulad ng maraming pelikulang ginawa niya sa ilalim ng Viva at sa direksiyon ni Eddie Garcia ay merong linya o dayalogo siya na hindi malilimutan, ito ay nang bigkasin niya ang linyang, “…si Val, si val na wala naman malay…” na magpahanggang ngayon ay natanim sa mga Pilipino na mahihilig sa pelikulang tagalog. – RV (READ MORE)

“…Viva Films produced a movie adaptation of this story in 1987 that starred Vilma Santos as Stella, Ricky Davao as Rick and Tonton Gutierrez as Val. The movie received five citations in the 36th Filipino Academy of Movie Arts and Sciences including Best Picture, Best Director for Eddie Garcia, and Best Story for Gilda Olvidado. This line from the movie: “Si Val! Si Val! Puro na lang si Val! Si Val na walang malay!”, delivered by Vilma Santos is claimed to be one of the most memorable lines in Philippine Cinema in the June 11 episode of QTV’s “Ang Pinaka”, hosted by Pia Guanio…” – Wikipilipinas (READ MORE)

FILM REVIEW: Kampanerang Kuba’s religious rituals and miracles

Kampanerang Kuba started with Andang (Vilma Santos), a hunch back bell-ringer running away from the people in the market. She was accuse of stealing. When she got back from the church (where she lives and work), she was confronted and physically assaulted by Tateng (Celia Rodriguez) for no justifiable reason. Thankfully, Father Damian, the old sick priest intervened. He has long been her protector. Andang felt sad when she found out that Father Damian is leaving. On his absence, a young priest, Father Agaton (Edgar Mortiz) will take over. Aside from ringing the bell, Andang clean and feed the piglets (owned by Ellen and Tateng, they are the church’s caretakers). She normally eats with her bare hands while talking to her patron saint, Saint Martin. She talks and treats the idol along side the church’s bell towers like they are humans. Meanwhile, Tateng, the daughter of the head caretaker, Ellen (Patria Plata), is a sex maniac who loves to abuse Andang. She also seduce men in exchange of material things like jewelry.

One time Andang caught Tateng having sex with Crispin (Dindo Fernando) inside the church, when Tateng found out that she was around, she physically abuse her. Then the following day, while feeding the piglets, Tateng verbally abuse her. Andang retaliate and the two had mud-wrestling inside pig pen. Tateng’s mother Ellen was about to join the fight when Father Agaton arrived and intervened. The next day, a group of women arrived and accused Tateng of accepting gifts from their husband that they own. When Tateng overheard the loud complaints, she quickly went to Andang and pretended she wanted to make amends and gave her a necklace. When the group of women finally faced Tateng, she lied and told them to look for the jewelry at Andang.

The women then went to Andang and accused her of stealing. Afraid of her safety, Andang went to the church’s roof telling them that if they will not stop, she will jump. Tateng convinced Andang not to jump and that she is her friend. The trusting Andang came back and was welcome by the women with physical assaults. They tied her down with a long rope and dragged her on the ground until Crispin, who riding the horse (where Andang was tied down) reached the town’s mountain hill where he threw Andang’s lifeless body. When Andang miraculously regained consciousness, she was seen talking to her patron saint, Saint Martin. He blessed her and was able to bring her back to the church. There, she was blessed by the Virgin Mary. A holy miracle happened, flower petals falls down from the sky and holy lights beams Andang. She slowly changed from the ugly hunch back girl into a beautiful woman. As turned out she became Sandra Belmonte. A woman long gone and who were once the topic of town gossips. Sandra’s two sister found her into the church the next day. Surprised and very thankful, they brought her back to their big home. Andang now assumed the identity of Sandra. Sandra as it turned out has suitor, Roel (Ernie Garcia) who she didn’t like. She also discovered that she missed her life as Andang and now sure that she is in love with Father Agaton.

Can’t control her feelings anymore, she went to the church for the Catholic ritual of confession. And with Father Agaton, she confess her love for him. Tateng overheard this, and coerced the priest to have sex with her in exchange for her silence but failed. In retaliation, she spread this information to the town’s people. Headed by Tateng’s admirer, Max Alvarado, the priest was confronted by the angry people. The priest denied the affair. The town’s people decided to tied the priest into a post and burn him. This is because the priest doesn’t want leave the church. When Sandra who was with Roel, discovered what was happening, she luckily escape madness and went inside the church to pray to Saint Martin. Her pray were answered by the sudden ringing of the church’s bells followed by a loud thunder. It started to rain killing the fire and saving the poor priest. It was a miracle. Tateng’s sinful mind cleared and she ask Father Agaton’s forgiveness, who gladly obliged. Father Agaton then search for Sandra when her suitor Roel appeared. They both went to the church tower and saw Andang instead. The end.

Kampanerang Kuba’s convoluted long story maybe attributed to the original comics material written by Pablo Gomez. A good director should iron out all the unbelievable plots specially all the one-dimensional characters. For example, Celia Rodriguez character, Tateng. She is so masochistic that viewer might wonder why she is so mean. Also, with her tower-nesque beauty, why she decided to remained in a town where everything seems to be so trivial and everyone seems loves to gossip, even the men. Nilo Saez (with Jose Flores Sibal wrote the script) failed miserably in this regard. Shot in Nagcarlan Laguna, Kampanerang Kuba showcased the old Filipino beliefs in patron saints, religious rituals and miracles. It also demonstrates that people can be so cruel, can passed judgement, and can asked for forgiveness that quick when confronted with truth. All will be forgiving without taking into account all the harm that they have done. In the real world, these people will be punished. Celia Rodriguez seems to be wooden in so many scenes but equally infuriating when she started to do her verbal and physical abuse of Andang. With limited dialogue, a young Dindo Fernando portrayed Tateng’s lover convincingly. All the other supporting roles including Perla Bautista, Ernie Garcia and others gave forgettable performances. About the two main lead, Edgar Mortiz and Vilma Santos, both did what they can to portrayed their respective roles. Edgar Mortiz seems to be trying very hard to be effective as the priest but acting is clearly not his forte. Would this be different if Jay Ilagan did this role? Vilma Santos succeed more with her solo scenes, talking to the patron saints and the bell tower, eating with her bare hands and trying to beautify her ugly face. She appeared to be gearing up for more versatile roles that requires her not to sing but to act. – RV

RELATED READING:
Kampanerang Kuba (1974)
Pinoy Classics Review: Kampanerang Kuba (1973)

Filmography: Biktima (1974)

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Basic Information: Directed: Nilo Saez; Story: Laura Santos; Screenplay: Jose F Sabal; Cast: Helen Gamboa, Celia Rodriguez, Perla Bautista, Cristina Reyes, Divina Valencia, Leopoldo Salcedo, Bert Leroy Jr., Joe Sison, Tony Santos Jr., Yoyoy Villame, Tommy Abuel, Vilma Santos, Edgar Mortiz, Ike Lozada, German Moreno, Max Alvarado, Renato Robles, Patria Plata, Elizabeth vaughn, Maribel, Danny Rojo, Joaquin Fajardo, Steve Alcarado, Lope Policarpio, Romy Luartes, Lex Amores, Boy Clinton; Executive producer: Espiridion Laxa; Cinematography: Ricardo Dano

Plot Description: In a strange turn of events, Dolores (Vilma Santos) moves in to live with her grandfather, who has sole custody of her ever since her mother was imprisoned for the m rder of Dolores’ father. Mystery unfolds as Dolores stays with her grandfather when members of the household are murdered one by one. Will Dolores escape the chaos unraveling around her or will she be the next victim? – Kabayan Central (READ MORE)

A gripping whodunit with young superstar Vilma Santos at the center of a terrifying murder whirlpool! In the style of Agatha Christie, the story is about Dolores (Vilma Santos), a poor girl who has suddenly found herself a member of a strange but wealthy household, thanks to her newly-discovered sick and aging grandfather. The family members, however, get murdered one by one, making every surviving member a suspect. An all-star cast supports Vilma in this murder mystery, including Helen Gamboa, Celia Rodriguez, Perla Bautista, Edgar Mortiz, Leopoldo Salcedo, Max Alvarado, and Bert Leroy Jr. A Tagalog Ilang-Ilagn Productions presentation. – Trigon Video

Film Achievement: Entry to 1974 Manila Film Festival

Film Review: This was the ending scene (see video below) in the movie “Biktima”, Ate Vi’s entry in the 1974 Manila Film Festival. In the movie, she killed Cristina Reyes, Helen Gamboa, Divina Valencia, Celia Rodriguez, Yoyoy Villame to avenge her mother’s imprisonment who was wrongfully accused of murder. Perla Bautista played Ate Vi’s mother. I think Bobot played as a reporter. Ate Vi was caught and was sentenced to die in the electric chair. That’s why she was bald in the last scene. – moviefan808 (You Tuber)

Filmography: Edgar Loves Vilma (1970)

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Basic Information: Direction: Leonardo L. Garcia; Cast: Vilma Santos, Edgar Mortiz/ Also Starring Perla Bautista, Nello Nayo, Nick Aladdin, Mary Walter, Metring David, Yazmin Romero, Dell martin and Ben David/ Featuring Jess Lapid, Jr., Joji Mercado, Bernadine Escolar, Wilma Landicho, Cherry Lachica, Noly Ong, Marissa Magadia, Rico Villa, Chito Liwanag, Romy Brieding; Story and Screenplay: Rico Bello Omagap; Music Eddie Mataranas; Production Company: Jela Productions; Release Date: September 27, 1970/ Globe; Film poster: Video48

Plot Description: Daughter of a nightclub singer, Vilma met Edgar whose father, like Vilma’s mother is also single parent. While dating, their parent also fell in love. Some twists of events happened, like the sudden break-up of their parent due to Edgar’s grandmother’s disapproval of her son’s relationship to Vi’s mother who is a night club singer, which was a societal taboo for the upper class during those days (the 60s-70s). Another twist was the kidnapping of Vilma. But all we’re ironed out in the end, just in time for the final musical production number, showing the whole gang dancing and singing to Vilma’s hit song, “Do Re Mi Fa Sol La Love You!”

Film Achievement: No Available Data

Film Reviews; “…By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)…In 1970, the love team of Vilma Santos and Edgar “Bobot” Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office…” – Rommel R. Llanes (READ MORE)

“…Noong Dekada ’70, ang mga young stars ay kailangang marunong kumanta dahil yun ang uso kaya naman nagtayo ng sariling recording company ang nasirang manager ni Vi na si William Leary dahil ayaw niyang pahuhuli sa uso ang kanyang alaga. Ilan sa mga naging recording artists ng WILEARS RECORDS bukod kay Vi ay sina Edgar Mortiz, Ed Finlan, Sahlee Quizon, Hilda Koronel at Esperanza Fabon. According to Vi, kapag nagrerecord siya ng kanta ay nakatalikod siya sa dingding ng recording company at si Bobot ang umaalalay sa kanya. Ang SIXTEEN, na sinulat ni Danny Subido ang unang recording na ginawa ni Vi at ito ay flipsided by It’s So Wonderful To Be In Love. Ang SIXTEEN ay agad naging gold record at dahil dito ay gumawa ng pelikula ang Tagalog Ilang Ilang Productions, ang home studio ni Vi at ito ay ginawa nilang pamagat katambal si Edgar Mortiz. Hindi nyo naitatanong, muntik nang manalo si Vi bilang most promising singer sa AWIT AWARDS noong early ’70s…” – Alfonso Valencia (READ MORE)

“…The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche. Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon…” – RV (READ MORE)

Filmography: De Colores (1968)

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Basic Information: Directed: Armando Garces; Story: Romeo N. Galang; Screenplay: Romeo N. Galang; Cast: Joseph Estrada, Amalia Fuentes, Leopoldo Salcedo, Gloria Romero, Jun Aristorenas, Divina Valencia, Mario Montenegro, Perla Bautista, Anna Gonzales, Eddie Garcia, Mila Ocampo, Paquito Diaz, Von Serna, Eddie Infante, Gil de Leon, Jose De Villa, Jose Vergara, Luis Castro, Vilma Santos; Executive producer: Rey Ylag; Original Music: Restie Umali; Cinematography: Fortunato Bernardo

Plot Description: No Available Data

Film Achievement: 1968 FAMAS Best Actor – Eddie Garcia; 1968 FAMAS Nomination Best Actress – Perla Bautista; 1968 FAMAS Nomination Best Director – Armando Garces; 1968 FAMAS Nomination Best Picture

Film Review: “…Ipinanganak nga marahil si Ma. Rosa Vilma Tuazon Santos sa show business dahil sa pagitan ng taping ng “Larawan..” ay nagkasunod-sunod na ang kanyang mga pelikula…“De Colores” ng Arco-Iris (Marso 30 – April 10, 1968)…hanggang “Young Love” ng VP Enero 1 – 21, 1970) ng lumikha ng rekord sa takilya….Makalipas ang mga tatlong buwan, nakatanggap ng maikling sulat si Mama Santos muka lay G. Agra. Naghahanap ang Sampaguita Picutures ng batang babae na gaganap ng mahalagang papel sa “Anak, Ang Iyong Ina!” at isinali ng amain ang pangalan ni Vi. Hindi puwedeng lumiban si Papa Santos sa pinpasukang government office, at ayaw naman nilang mapahiya ang kamag-anak, kaya napilitan si Mama Santos na humingi ng day=off sa opisina (Aguinaldo’s). Pagdating sa studio, wala si G. Agra at nasa location shooting, ngunit totoong naroroon ang pangalan ni Vi, kaya’t pinapasok sila sa tanggapan. Napadaan sa harapan ni Mama Santos si Bella Flores na dala ang script ng “Trudis Liit.” Nagulumihanan si Mama Santos. Binasa niyang muli ang liham ni G. Agra. Mali yata ang napuntahan nila! Akma niyang tatawagin si Vi na noon ay nkikipaglaro sa iba pang mga bata upang yayain na itong umuwi, nang pumasok sina Mommy Vera, Dr. at Mrs. Perez, at Eddie Garcia. At doon nagsimula ang movie career ni Vi na magpahanggang ngayon ay batbat pa rin ng iba’t ibang panunuri, opinyon at konklusiyon…” – Ched P. Gonzales (READ MORE)

“…An all-star cast flick with such superstars as Joseph Estrada, Amalia Fuentes, and Gloria Romero. Despite multiple episodic stories of this movie about the “cult” “religious” revival among the elite Catholics, Vilma was in a forgettable episode. I wasn’t sure if she played a rebellious daughter turned good via the Cursillo, and whether she shared scenes with Ms. Romero. What mattered was that she bumped into her Tita Gloria on the set. More bonding, please…” – Mario O. Garces (READ MORE)

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Filmography: Pag-ibig ko sa iyo lang Ibibigay (1978)

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Basic Information: Directed: Nilo Saez; Story, screenplay: Bert Mendoza; Cast: Romeo Vasquez, Vilma Santos, Perla Bautista, Romy Diaz, Rodolfo Boy Garcia, Nello Nayo, Dexter Doria, Ely Roque, Richard Romuldez; Original Music: D’ Amarillo; Cinematography: Alfonso Alvarez; Theme Songs: “Pag-ibig ko sayo ko lang ibibigay” performed by Flippers

Plot Description: No Available Data

Film Achievement: No Available Data

Film Review: “Sometime in the mid 70s, matinee idol Romeo Vasquez returned to the movie scene after a long absence, his movie career in limbo after his failed marriage with popular actress Amalia Fuentes. His teamup with Vilma Santos somehow rekindled and revived his career. Their first movie together, Nag-aapoy na Damdamin in 1976 turned out to be a big hit. Despite their age gap, reel and real life sweetheart, Romeo, 34 and Vilma, 23, soon became the hottest love team, doing one hit movies after another…” – Video 48 (READ MORE)

“…Romeo Vasquez is an oddity in Vilma’s life. Hindi akalain ng lahat na ang isang notorious playboy and balikbayan actor would capture the heart of the then elusive Ate Vi. Nagkaroon sila ng affair which lasted for more than a year. Kilala si Bobby sa pagiging bohemyo kaya naman walang kakilala si Ate Vi na bumoto sa aktor. Ate Vi was love struck at talagang na head-over heels in love. Nagsimula ang kanilang affair sa set ng kanilang pelikulang “Nag-aapoy na Damdamin”. True to this title, nagliyab silang dalawa at tunay ngang nag-apoy ang kanilang damdamin. May plano pa nga sila ni Bobby na magpakasal sa Europe. Talagang Ate Vi was ready to give up her life as an actress and would settle with the actor abroad. And with herb relationship with Bobby, nag-surface ang bagong Vilma Santos.Ate Vi realized that she cann’t sacrifice everything for love. Nagising siya sa katotohanan at nagkamali kung kaya nagdesisyon siyang kumalas sa bohemyong aktor…” – Willie Fernandez (READ MORE)

“…But it was with handsome actor Romeo Vasquez that Vilma Santos had her most controversial relationship. Romeo was the former husband of Philippine movie queen Amalia Fuentes. He and Vilma first paired in the movie Nag-aapoy na Damdamin (1976). It was also during this year that they became a couple. They made several movies together, all of which did well at the box-office. Vi and Bobby (Romeo’s nickname) became the most-talked about reel and real love team at the time. The relationship was always on the pages of showbiz magazines and tabloid entertainment section pages because of the intrigues and the personalities who got involved with them…” – Rommel R. Llanes (READ MORE)