Basic Information: Directed: Pablo Santiago; Screenplay: Fred Navarro; Cast: Fernando Poe Jr., Vilma Santos, Fred Montilla, Mila del Sol, Dencio Padilla, Robert Talabis, Vic Varrion, Janine Frias, Lorna Tolentino, Phillip Salvador, Liza Anzures, Angge, Paquito Diaz, Max Alvarado, Lito Anzures; Executive producer: Fernando Poe Jr.; Original Music: Ernani Cuenco; Cinematography: Sergio Lobo; Film Editing: Augusto Salvador; Production Design: Pete Herrera; Sound: Angel Avellana, Jun Ella; Release Date:4 May 1974 (Philippines); Production Co: FPJ Productions – (IMDB)
Plot Description: “Batya’t Palu Palo,” is a situation comedy about a rich heiress, Estella (Vilma Santos), who disguises as a lowly washerwoman in order to find out for herself the true meaning of love that she found in Berting (Fernando Poe Jr).
Film Achievement: The success of this film resulted with a follow-up film, Bato sa Buhangin (1976), the OPM hit, used as the theme song or soundtrack of this 1974 Box Office Hit. Total Number of Fernando Poe Jr. and Vilma Santos Films: 5 – Batya’t Palu-Palo, Bato sa Buhangin, Ikaw ang Mahal Ko, Dugo At Pag-ibig sa Kapirasong Lupa, Mga Mata ni Angelita
Film Review: “…Recently, we spent an entire afternoon watching replays of three shows from Palibhasa Lalake and one from FPJ. Titled Batya’t Palo-palo, the FPJ film stars Fernando Poe Jr. with Vilma Santos as his leading lady. It presents a love story between Ronnie (Poe’s nickname) who plays a tubero working in the hacienda of the rich Saavedra family whose daughter (Vilma) he meets while she is cleaning her clothes by the river. The twist in the story comes when Ronnie mistakes Vilma for a laundry woman and she plays along, asking the women in the hacienda not to reveal her secret. Ronnie and Vilma begin to take a liking to each other while Vilma’s friends as well as Ronnie’s man Friday cooperate in keeping her secret. The parents of Vilma get wind of the situation, and are outraged that their daughter could fall for a man not in their class. Ronnie, who is unaware of all this secrecy, leaves the farm to board a bus for Manila. Vilma follows him to the station and while the bus is leaving, they get on board to their happy ending. We enjoyed this simple love story with only minimal fight scenes expected of a Ronnie Poe picture. Without question, there was definite magic in the Ronnie-Vilma team-up which kept us glued to the screen…Since these stories are re-runs of those produced many years ago, we can expect negative reactions from today’s young audience. We can already hear the words “unlikely storyline,” “ridiculous costuming” and “outdated locations.” We agree with all these accusations. However, to us such stories represent a period gone by, a part of our history that we should appreciate and be happy that some people took the pains to preserve…” – Bibsy M. Carballo, The Philippine Star, 11 March 2015 (READ MORE)
Two newly-proclaimed box office champions of Philippine movies star in FPJ Productions’ upcoming 13th anniversary presentations, “Batya’t Palu Palo,” a situation comedy about a rich heiress who disguises as a lowly washerwoman in order to find out for herself the true meaning of love. Dilineating the lead roles are Fernando Poe Jr. and Vilma Santos who star for the first time together. Now being filmed among the lush greens of Hacienda Luisita in Tarlac, “Batya’t Palu Palo” hopes to make people forget the humdrum activities of this world. A wholesome family entertainment, the flick will have Ronnie step down from his throne as the country’s number one action star to the down-to-earth role of Berting, a haceinda hand who nevertheless, catches the attention of the young rich and quiete spolied Estella. Directed by ace meg man Pablo Santiago, “Batya’t Palu Palo” is scripted by Fred Navarro, base on a story by Ronwaldo Reyes. – FPJ-Da King Blogspot (READ MORE)
“…Memories! I started reminiscing instantly. I want to ask Ate Susan (Roces, FPJ’s wife) nga for DVD copies of our three movies. I was only 21 when we made “Batya.” Ninety percent of the movie was shot in Hacienda Luisita (Tarlac) where we stayed for two months. He taught me how to swim in the hacienda’s swimming pool. We were with (co-star) Lorna Tolentino then. I admit that I didn’t know how to swim when I did “Dyesebel.” But the most memorable scene [from “Batya”] was the ending, where I ran after him, while he was aboard a train….” – RV (READ MORE)
“…Nang magkita sina Ronnie at Vilma sa first shooting day sa Montalban, Rizal, halos hindi mapatid ang batian, katiyawan at biruan. Pareho silang masayang-masaya. Sapagka’t at long last daw, natuloy din ang kanilang pagtatambal pagkalipas ng halos kulang sa isang taong paghihintay na ma-vacant si Vilma sa dami ng pelikulang ginawa. As sa simula ng siyuting, akala mo hindi sila magkakilala. Dibdiban ang acting at dialogue. Sunod-sunod ang take ng iba’t ibang angulo. Kalahating araw silang walang biruan at nang matapos ang maraming eksena ay saka lamang sila muling nagtawanan. “Mahirap na,” sabi ni Vi, “Kailangang makarami ng scenes para naman makabawi sa akin ang FPJ. Biruin naman ninyong ang tagal din ang ipinaghintay nila sa akin. Nagpapasalamat ako sa napakahabang patience nila. Kung tulad ng iba, baka pinalitan na lamang ako ng ibang leading lady. Masyado silang professional sa pakikipag-deal, lalo na si Ronnie kaya nahihiya man ako sa atraso, hindi naman makapag-back out doon sa mga naka-schedule ko na. Dapat na tapusain ko rin para walang magalit na producer sa akin…” Letty G. Celi (READ MORE)
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