“Ang daming Tao! Ang sang-sang ng amoy! Matagal ko ng pinaghandaan ito…pagkatapos ng ginawa…tandan mo ang pangalan ng taong papatay sayo!” – Eva Candelaria/Lilia Capistrano

Basic Information: Official entry – The 50th Metro Manila Film Festival (MMFF) 2024; Direction: Dan Villegas; Story: Dan Villegas and Dado Dayao; Screenplay: Dodo Dayao; Cast: Vilma Santos (Lilia Capistrano/Eva Candelaria), Aga Muhlach (Guilly Vega), Nadine Lustre (Nicole Vega), Mylene Dizon (Katrina Vega), Tirso Cruz III (Red Zaldarriaga), RK Bagatsing (Jigger Zulueta), Gabby Padilla (Lily Capistrano), Elijah Canlas (Tofy Almario), Lotlot De Leon (Norma Almario), Ketchup Eusebio (Jomar Maitem), Gio Alvarez (Randall Ballesteros), Cholo Barretto (Celso Batac), Ron Angeles (Mark Lozano), Nonie Buencamino (Elmer Gatdula), Sam Samarita (Tanya Gatdula), Jonathan Villoso, Don Melvin Boongaling, Juan Miguel Emmanuel Salvado, Dylan Ray Talon, Lynn Cruz, Netty Inojales, Rania Lindayag, Mia Ayesa, Aljun Fajardo, Michael Dagdag, Jhunar Balintong, Vhon Lopez, Lorie Sanchez, Thor Gomez, Peter Mendijar; Producers: Producers: Dan Villegas, Ronalyn Bana-ag, Antoinette Jadaone, Angel Tomas, Nikka G. Sotelo, Roxan Mendoza, Gio Medina, Francis Lustestica, Joshen Vahn Lee, Allan V. Aldea (Associate Producer), Catsi Catalan, Reign Anne L. De Guzman, Omar Sortijas (Supervising Producers), John Bryan Diamante (Executive Producer); Music Composer: Len Calvo; Cinematography: Pao Orendain; Editor: Marya Ignacio; Production Designer: Michaela Tatad-King; Art Director: Donald Russ Camon; Set Decorator: Bianca Gonzales Dadivas; Costume Designer: Jac Pequena; Theme song: “Hahamakin ang lahat” Composed by Quest, Performed by KZ Tandingan and Arthur Nery; Release date: December 25, 2025 (Philippines); Languages: Tagalog (Filipino); Production companies: Mentorque Productions, Project 8 Projects, Warner Bros. Pictures; Runtime: 1h 33m (93 min) – IMDB; The film is rated R-16 (or R-13 in some territories) for its brutal violence and mature themes, including sexual assault and drug use; ; Streaming: Following its theatrical run and international screenings (like the Manila International Film Festival/MIFF); the film became available on Netflix in early 2025.
Plot Description: Plotting to take down the billionaire responsible for her daughter’s death, a woman attends his lavish party disguised as a charming wealthy donor. – Netflix (READ MORE)
Uninvited is a 2024 Philippine mystery crime thriller film co-produced and directed by Dan Villegas from a story and screenplay written by Dodo Dayao. Starring Vilma Santos, Aga Muhlach, and Nadine Lustre, the film revolves around a mother who seeks revenge on a billionaire at his birthday party for being responsible for her daughter’s death. – Wikipedia (READ MORE)
The film is part of the ten [Lilia Capistrano seeks revenge on billionaire Guilly Vega for killing her daughter. Disguised as Eva Candelaria, she attends his party with a vengeful plan. – IMDB (READ MORE)
Film Achievements: Uninvited premiered at the Manila International Film Festival (MIFF) in Los Angeles on March 6, 2025; 50th Metro Manila Film Festival Winner – Best Float Parade; 50th Metro Manila Film Festival Nominations – Best Actress – Vilma Santos, Best Supporting Actress – Gabby Padilla, Nadine Lustre, Best Cinematography – Pao Orendain, and Best Original Theme Song – “Hahamakin ang Lahat”; 8th Eddy’s Awards Winner Best Supporting Actor – Aga Muhlach; 8th Eddy’s Awards Nominations: Best Supporting Actress – Nadine Lustre, Best Original Theme Song – “Hahamakin ang Lahat”; FAMAS Awards Winner Best Supporting Actress – Nadine Lustre, Circle of Excellence – Vilma Santos; FAMAS Awards Nominations – Best Picture, Best Director – Dan Villegas, Best Actor – Aga Muhlach, Best Cinematography – Pao Orendain, Best Sound, Best Song – “Hahamakin ang Lahat,” Best Musical Score – Len Calvo; 41st PMPC Star Awards for Movies Winner – Movie of the Year, Movie Director of the Year – Dan Villegas, Movie Actor of the Year – Aga Muhlach, Movie Actress of the Year – Vilma Santos, Movie Ensemble Acting of the Year, Movie Cinematographher of the Year – Pao Orendain, Movie Production Designer of the Year – Mic Tatad King; 41st PMPC Star Awards for Movies Nominations: Movie Theme Song of the Year – “Hahamakin ang Lahat,” Movie Sound Engineer of the Year – Roy Santos, Movie Musical of the Year – Len Calvo, , Movie Editor of the Year – Marya Ignacio, Movie Screenwriter of the Year – Dado Dayao, Movie Supporting Actress of the Year – Nadine Lustre Source: Wikipedia; The Society of Filipino Film Reviewers (SFFR) 5th Pinoy Rebyu Awards Nominations: Best Lead Performance – Vilma Santos, Best Supporting Performance – Nadine Lustre, Best Ensemble Performances – Vilma Santos, Nadine Lustre, Aga Muhlach, Tirso Cruz III, Mylene Dizon, Lotlot De Leon, RK Bagatsing, Elijah Canlas, Gabby Padilla, Ketchup Eusebio, Gio Alvarez, Cholo Barretto, Ron Angeles, Nonie Buencamino, Samantha Samari, Best Film Editing – Marya Ignacio, Best Film Score – Len Calvo;Trinity University of Asia – 10th Platinum Stallion National Media Awards 2025 (PSNMA) Best Film Actress – Vilma Santos; Movie Actress of the Year 6TH Village Pipol Awards (VPA) Nomination – Vilma Santos.
Film Reviews: “Uninvited is a classic tale of revenge. It follows a familiar storyline—a grieving mother, portrayed by Vilma Santos, sets out to avenge the death of her daughter. But there’s nothing ordinary about its execution. From start to finish, I am riveted. Every line is delivered with precision, each movement executed masterfully, and all emotions are so gripping that I find myself wide awake throughout the movie. I’ve seen many remarkable performances from Vilma Santos, but this feels like the culmination of all her finest acting moments. Perhaps it resonates deeply because I’m also a mother, but I’m blown away by Vilma’s performance. Her pain and sadness are palpable. Her pent-up emotions are so carefully restrained that when the moment calls for an explosive outburst, the impact is devastatingly powerful. Nadine Lustre mesmerizes. Her presence is captivating, and her fluent English radiates the sophistication of Fallon Carrington from Dynasty drama series. The gradual development of her character, Nicole, the daughter of the main antagonist, is as compelling. Aga Muhlach wasn’t bluffing when he said, “Kakaibang Aga ang mapapanood niyo rito.” Indeed, as Guilly Vega, he delivers a performance like never seen before. Surrounded by all the antagonists, he eclipses them all with his madness and wickedness. Watching him feels like witnessing Al Pacino in the 1997 Hollywood film Devil’s Advocate…overall, Uninvited is a gripping masterpiece worthy of the four rounds of applause it received during its world premiere held on December 23, 2024. Whether you’re looking to release pent-up emotions or simply need an escape, this film delivers—and it’s so f*uckin’ good. The 50th Metro Manila Film Festival officially opens on Christmas Day, December 25, with 10 films to be shown simultaneously nationwide…” – Karen A.P. Caliwara, PEP, 24 December 2024 (READ MORE)
Poignant and Relentless – “…Considered a cinematic legend in the Philippines, Vilma Santos has been acting for seven decades already. In Uninvited she continues to prove she still has it in her, with her juiciest role in over a decade. Poignant in scenes with her on-screen daughter but relentless when faced with the people she’s about to kill, Santos effectively shifts between the two personas of Lilia and Eva. Aga Muhlach, who started his career as a matinee idol due to his babyface features, uses them to his advantage by portraying the creepiness of Guilly Vega while hiding behind his deceitful looks. And to complete the triumvirate, Nadine Lustre as Guilly’s traumatized daughter proves why she is the best actress of her generation, holding her own against two acting titans in the film’s pivotal climax…” – Nicol Latayan, International Cinephile Society, 28 Feb 2025 (READ MORE)
Formulaic vigilante movie – “…Santos brings some believable humanity to her role as Lilia. Her performance is the main reason why “Uninvited” isn’t a complete waste of time if you want to watch a formulaic vigilante movie. Unfortunately, all of the other “Uninvited” cast members are either too stiff or over-act in their performances. “Uninvited” slowly lurches along to the inevitable reveal of who are Lilia’s targets besides Guilly and how she plans to get revenge. A mid-credits scene is underwhelming and adds nothing interesting to the movie, which ends very abruptly. It all adds up to a sordid soap opera that has no surprises and is actually quite boring in how everything plays out to the very unimaginative end…” – Carla Hay, Culture Mix, 19 Jan 2025 (READ MORE)
Best Picture – “With a powerhouse cast, you wouldn’t be wrong to expect a lot from Mentorque Productions’ sophomore offering in this year’s Metro Manila Film Festival. The production house already made a big splash in the industry last year with their horror film based on the Philippines’ first documented serial killer, Mallari. In Uninvited, they have proven that they continue to set their standards high in director Dan Villegas’s latest psychological thriller…Vilma plays her role with a perfect mixture of emotion and restraint as a mother who is driven to vengeance powered by sheer pain. Without denying her vulnerable side, she focuses on her goal, no matter the peril that is about to face her. The Star for All Seasons who was hailed as an MMFF Best Actress last year looks like she is gunning for a back-to-back win with her affecting performance in Uninvited…Nadine’s character as Nicole may seem nonchalant at first, but it looks like the actress definitely had a blast playing the entitled yet chronically disgusted daughter who is privy to her dad’s darker side. Nicole’s lines are almost always bitchy and deliciously delivered, with every snarky dialogue sure to delight both Nadine’s old and new fans alike. Her scenes with her dad Aga are exceptionally entertaining as their private moments slowly reveal more details that make sure to excite and add to the tense vibe present throughout the entire film. We love that Aga finally decided to show his full range as an actor, by fully embracing a role that will leave the audience shocked and impressed with his unapologetic portrayal of a man with no soul…From start to finish, Uninvited will keep you on your toes with its tense and thrilling scenes. Prepare to be impressed with direk Dan’s complete fleshing out of characters, from their strengths to even their weaknesses, and most importantly, expect to be entertained with a solid storyline that is a visual and auditory feast worthy of making it to become MMFF”s Best Picture this year.” – Rhea Manila Santos, ABS-CBN News, 25 Dec 2024 (READ MORE)
The growth of female protagonists – “…From being uninvited, you’re now invited. The film successfully went from chill to thrill. Adrenaline rush is served. You won’t leave this party empty-handed. Tension gradually escalates until reaching its peak. The climax is earned. There’s instant gratification to what’s happening. All the technical elements in this film are utilized well to create a satisfying sensory experience. Aga Muhlach fits the role. His face is charismastic while his actions are untamed. This contrasting combination works well to his advantage. There are times when it’s already hard to watch him because of his wildness. Yet he delivers without hesitation…Vilma Santos is guilty of making us scream, cry, and applaud. It’ll be a crime if she didn’t win the best actress award for her completely engrossing performance in this film. Masyadong maiksi ang buong palabas. Hindi nasulit ang lahat ng mga aktor. Yung iba sa kanila ay napadaan lang. Mabigat sana ang papel nila sa istorya, ngunit hindi ito naipakita nang lubusan. Hindi lahat ng usapan ay masayang pakinggan. Yung iba ay pampalipas-oras lamang. Halatang pinagbangga lang ang ilang mga karakter para magsama sila sa iisang eksena. Nakakapagtaka rin na ang kaunti ng security para sa isang makapangyarihan na tao. Kulang pa sa kwento ang karakter ni Aga Muhlach. Idinaan na lang niya sa akting ang kakulangan ng kwento. Hindi tuloy naging pantay ang laban. Kung nabigyan ng mas malalim na katauhan ang kalaban, baka mas madagdagan ang kagandahan ng pelikula. Gayunpaman, sapat na ang kanilang nagawa para madala ka sa mga nangyayari…Whether you’re invited or not, this film is a once-in-a-lifetime event that’s worth attending. Gatecrash all you want. Let’s put the fate in our hands and crash the gates of hell. Let’s celebrate the growth of female protagonists in the world of Philippine movies. Eva runs the world. Witness her reign. Don’t you dare rain on her parade…” – Goldwin Reviews, December 2024 (READ MORE)
Lavish and Outrageous – “…Uninvited is Mentorque Productions entry to the 2024 MMFF from their successful film last year ‘Mallari’. Now taking things further, they wanted to make a statement with something lavish and outrageous with this movie. From the trailers, we already saw a very feisty Nadine, a ruthless Aga, and a vengeful Vilma. From those characters, I was already sold to watch the film. Aga plays Guilly Vega, a wealthy billionaire who throws an extravagant birthday party with his wife and daughter Nicole (Nadine) along with his partners who were part of underground illegal activities, Vilma is Lilia Capistrano / Eva Candelaria, a mother seeking revenge for the death of her daughter caused by Gully…The dialogue in the movie also hits hard, even harder than the profanity that is spurred almost every minute. Though the scenes will indeed bring out the profanity in us on how intense the story progresses. Guilly (Aga) really feels like a twisted maniac, and it shatters the usual image he has with his previous films. Nicole (Nadine) is so wild and cold caused by the trauma and abuse she had all her life. Eva (Vilma) is so driven and also becomes ruthless with her plans for justice…Uninvited will hit you hard and will make you think that money and power can do really bad things, and justice is just a dream or something you have to prepare as you gatecrash into the house of the devil, err I mean demons. Better have a stress ball in hand while watching as you might want to punch someone of something to vent out some rage or frustration that will build up leading to the final act. Also look out for the mid credit scene that hint for something more…” – Florencio Jusay jr, Manual To Lyf, 25 Dec 2024 (READ MORE)
Smells Like Sequel Brewing – “…The storyline centers on Eva (Vilma Santos), a mother seeking vengeance for her child’s death, Lily played by Gabby Padilla. You’d drop jaws at Aga Muhlach’s portrayal of a corrupt billionaire and the “gigil” starts at Eva (Vilma) first stare at him. The Star for All Seasons, Vilma Santos delivers a powerful performance as a vengeful mother, while Nadine Lustre’s role adds a contemporary edge to the narrative. The two formidable queens looked beautiful and angry. Without a doubt, Aga, Vilma and Nadine deserve nominations. The film’s technical aspects, including cinematography inspired by “The Godfather,” fluid editing, and an evocative musical score, contribute to its overall impact. While some viewers might find the film’s pacing deliberate, the culmination offers a “crazy climax” that has been described as both satisfying and thought-provoking. “Uninvited” stands out in the MMFF lineup for its bold approach to storytelling and its willingness to tackle complex themes, making it a noteworthy addition to Philippine cinema. The movie will make you and your passe discuss the real story and say, “This movie happened in real life and everyone forgot if justice was served” That is one uninvited discussion we should reflect on. Oh Mylene Dizon’s character and Tirso Cruz III’s are still alive. I wonder what will happen next? It smells a sequel after watching the end-credit teaser…” – Josephine Bonsol, Cogito Ergo Sum, December 2024 (READ MORE)
Thrilling, riveting – “…We all love a good revenge story. We love it even more if it was set up well, allowing for a very satisfactory ending. Uninvited checks both boxes. That it was laid out in a simple and straightforward manner sustained the film’s cause. Film director Dan Villegas did right in applying apparent judiciousness in orchestrating the whole affair. A lesser filmmaker could have easily ruined “Uninvited” given the clear-cut if all-too simple narrative but Villegas knows exactly when to push and when to pull, when to take the edge off and when to hit hard, striking a good balance all throughout. In a nutshell, “Uninvited” is about a simple housewife whose daughter was kidnapped, raped and murdered by a powerful individual and his henchmen. As these things go, justice will ultimately prove itself elusive for the mom and her child, leading to a messy, if all-too brutal rampage of retribution. The film’s anchor, the one and only Vilma Santos, allowed for much restraint in her performance as Eva Candelaria, the film’s avenging angel. And it worked. We were actually fearful that she would utilize the usual verbose approach if only to elucidate the pain and the hatred gripping her character but, no. Her Eva is far from being the screaming, gun-toting Sarah Connor-type of heroine. Soft-spoken, mild-mannered, fearful, we actually wondered how her Eva would pull off her grand plan to execute the film’s villains. The yin to her yang is Aga Muhlach. The actor’s all-too manic interpretation of the vile Guilly Vega, even if it swayed towards being caricaturesque at times, was quite effective, eliciting the exact sentiment needed to pin us viewers to our seats, eager to see his eventual downfall…” – Tempo, 28 December 2024 (READ MORE)
Controlled and Haunting – “…Holding nothing back and going big, his career-defining portrayal magnified the depravity of his character, turning every smirk and gesture into a subtle but chilling revelation. Aga’s grand gestures were definitely the perfect complement to Ate Vi’s controlled and haunting portrayal. As the layers of the narrative continue to unravel, so do the outstanding performances of the carefully chosen supporting cast. Nadine Lustre’s portrayal of Guilly’s spoiled and rebellious daughter Nicole and Gabby’s rendition of the sweet and simple Lily particularly stand out. Nicole’s cold disdain for her father simmers in every glance and clipped line, adding depth to the tension already brewing, thanks to Nadine’s nuanced performance, while Lily’s quiet sensitivity captures the audience’s empathy, as delivered by Gabby. Ate Vi, though, is the film’s anchor. Every emotion Eva experiences — from grief to rage, fear and bittersweet relief — courses through the one and only Star for All Seasons with an authenticity that grips the audience. Her ability to switch seamlessly between fragility and ferocity is what makes her journey not just believable but profoundly affecting. Especially so when Eva’s mission reaches its crescendo, Ate Vi doesn’t just act — she commands, and her audience eagerly savors her triumph. Tying everything together, while the performances shine bright, the technical aspects further elevate the film’s impact. “Uninvited” is definitely a feast for the senses. From the deliberate cinematography that captures the cavernous luxury of Gully’s mansion to the meticulous sound design that amplifies every creak and whisper, every element employed serves the story well. And again, though the film’s initial pacing may test the patience of some viewers, it ultimately proves intentional in the end mirroring the build-up to a truly grand finale…” – Tessa Mauricio-Arriola, The Manila Times, 28 Dec 2024 (READ MORE)
A Fantasy of Justice – “…The film takes a while to get down to business. It is likely that people will see this movie for the sheer novelty of watching Vilma Santos stabbing people (yes, she’s done it before in Tagos ng Dugo but that’s 37 years ago). The movie does give us that, but it saves it all for the final act. It instead has the Star for all Seasons just wandering around this mansion for a while, interacting with the various characters, forming a vague picture of the relationships between the various people involved in this family. What emerges is kind of interesting, but not a whole lot of it really factors into the story that much. We also get flashbacks to what actually happened with her daughter, further explicating on the anger that would lead her to this place. Again: the whole thing is very simple, with practically every scene expounding on how bad Vega really is, and how righteous Lilia is for wanting to kill him. At some point, it does get a bit repetitive: the point has been made over and over, and the fact that very little progress is being made in the present just gets a little frustrating. To be fair, the flashbacks feature some strong work from Gabby Padilla, and that helps things along a bit…But then, the movie does get bloody, and it’s pretty delicious. People get stabbed. People get shot. The blood flows freely, and it feels like the movie gets to exhale. And we get to watch Vilma Santos get to do all that stuff. Not all of it makes sense: at the start of the film, a little bit of voiceover narration from Santos mentions that there’s a lot of security around, and in this climactic battle, they are nowhere to be seen. And there are some things that were set up that don’t pay off much at all. It just feels like there ought to have been more characters involved in this part of the film, and they don’t really show up. But in the end, it’s still a good time. Uninvited goes over-the-top, but it seems to understand something about the helplessness that people feel when confronted by the impunity of the powerful and the corrupt. It gives us a vessel in Vilma Santos to release some of that helplessness, playing at a fantasy of justice that doesn’t really seem possible in a normal Filipino’s life.” – Philbert Dy, Spot, 27 Dec 2024 (READ MORE)
Darker than Dark – “…I’ve never seen a Vilma Santos starrer on the big screen. The first time was during a special screening of Uninvited on Christmas Day at Cinema 3 of Gateway Mall in Cubao. No, it’s not because I don’t like her nor her films. Neither is it because I’m a dyed-in-the wool Noranian. So, why? It’s because I’m not really a film buff. It’s because I am a sucker for Hollywood action movies that star Jason Statham, Jackie Chan, Cynthia Rothrock and Jet Li. I like slam-bang action more and drama less. That’s how it is and always been for me. The only time I get to watch Santos’ movies is when they’re shown on TV or when I browse the Internet. Clearly, Santos gave a nuanced performance in Uninvited. She perfectly foiled any attempt to make herself look glamorous. Her age is clearly defined in her role as Eva Candelaria…Santos has a clear and better grip of her character as a mother who vows to avenge her daughter’s traumatic death. While she’s done this before in Tagos ng Dugo, this time, Santos is not the victim herself and she goes to great lengths to clearly define the two roles apart. What’s highly palpable in this obra maestra by Dan Villegas is the way Santos’ character is presented and the way it is navigated in the course of less than 24 hours. Santos flips through her role with characteristic panache and clearly she’s a shoo-in for the best actress plum. Actually, it’s the ensemble acting that sets Uninvited apart from other festival-quality films. Aga Muhlach is unforgettable in the entire acting exercise. He is presented in a never-before-seen scenario that he convincingly portrays with aplomb. Muhlach plays his character with characteristic chutzpah, the kind that will jolt you in your seat. Nadine Lustre may have just a few scenes but she gallops in these with natural flair. Overall, Uninvited is a very dark movie that naturally seeps through the crisp-as-linen dialogues, nuanced personifications and a no-holds-barred narrative that is darker than dark…” – Alex Brosas, Daily Tribune, 26 Dec 2024 (READ MORE)
Brutal Injustice, Vengeance – “…From the get-go, the Metro Manila Film Festival (MMFF) 2024 entry, “Uninvited,” is an emotional battleground that aims to explore all the disturbing themes that can happen in a community, from murders and sexual assaults to the rich getting way with their crimes. This film is visibly a tough movie in spots as everything is heightened to get on the viewers’ nerves. The story centers on a grieving mother, Lilia, aka Eva Candelaria (Vilma Santos), and her relentless pursuit of justice for her daughter, Lily (Gabby Padilla), who is brutally murdered and sexually assaulted by billionaire Guilly (Aga Muhlach). After more than 50 years in the industry, Santos refuses to demote her star status. The Star for All Seasons doesn’t just act; she embodies every emotion. In “Uninvited,” Santos becomes a vision of torment as a mother robbed of her child. Lily represents purity and innocence, while its derivative Lilia symbolizes rebirth and, sometimes, “night” or darkness. After seeing Lily’s light dim, we witness Lilia’s quest for justice and her transition to becoming Eva, the giver of life, except that in this film, she is the taker, snatching them away one by one with seeming poetry. We could literally hear the collective sigh of relief and heave of satisfaction every time one villain falls, providing the viewers with their much-needed catharsis before they file out of the cinema. Santos’ performance elevates the ordinary material into a heartbreaking narrative. Every tremor in her voice, every tear shed stab at the heart of the viewers as if they had been right smack in that very scene, and could literally feel her grief behind the screen. Now this is hardly novel for the veteran artist who has done other slasher films, such as the critically acclaimed “Tagos ang Dugo,” but “Uninvited” allows one to see Santos in a new light…However, “Uninvited” isn’t without its flaws. While the film’s emotional impact is clear, it misses an opportunity to delve deeper into the motivations of its characters, and the broader societal implications of the crime are left underexplored. There are also some instances where one might feel the sense of rush in between the scenes, like the production is trying to put everything all at once. Despite this shortcoming, the film still delivers a gut-wrenching story that raises difficult questions about vengeance, morality and the price of sin. It is brave enough to tackle the uncomfortable truth about all the wrongdoings rampant in the world and how people are often capable of doing the unspeakable things in pursuit of justice. Even if it leaves a few unanswered questions in its wake, “Uninvited” is a raw examination of the inherent darkness that can exist within humanity. From the beginning, the intention of the film is to send out the message that sometimes one’s silver lining can be had when justice is served, and one just has to take action to achieve that…” – Jessica Ann Evangelista, Inquirer, 26 Dec 2024 (READ MORE)
Avending Angel – “…Yes, most of us have seen this movie before. And yes, seeing an elderly woman (Vilma is now 71) seeking vigilante justice does require some suspension of disbelief. I won’t be surprised, though, if anyone who has experienced Lilia’s distressing loss would muster enough strength to take her offenders down. And just like the crowd at the film’s advanced screening, I’m willing to bet that audiences will likely cheer and applaud Ate Vi whenever she eliminates one of the bad guys. And yes, spoiler alert, she will eliminate most of them in that single night. Casting actors against type is what sets “Uninvited” apart from other revenge flicks. We don’t always get to see Ate Vi as an avenging angel, the last and perhaps only other time was 37 years ago with “Tagos ng Dugo.” And the last time we saw Aga Muhlach this bad was when he took on the dastardly role of a serial killer in “Sa Aking Mga Kamay” way back in 1996…I wished Ate Vi’s Eva slash Lilia had offed each of these bastards in more creative ways and under different circumstances, but that would probably be a logistical nightmare given the busy schedules of its lead stars. As it is and even with some noticeable but negligible plot holes, “Uninvited” remains one of the standout entries in what is shaping up to be one of the better MMFF editions in recent years. Well-acted, nicely photographed, deftly edited, and aptly scored, I’m not at all surprised the film is already among the festival’s top-grossers this early. Rating: 3.5 out of 4.” – Edwin P. Sallan, Business Mirror, 27 December 2024 (READ MORE)
Vigilante Star For All Seasons – “…Move over, Charles Bronson of Death Wish, take a hike, Liam Neeson of Taken! Vilma Santos is now in the house. And she’s laying claim to the title of vigilante star, manifesting the role of mild-mannered widowed Mom on a mission of vengeance and vigilante justice for the rape and murder of her only child/daughter…And what can we say about Vilma Santos? Who else can make the audience erupt into cheering and applause as she repeatedly stabs to death one of the goons of Guilly Vega? Or when she runs over a person three times? Pao Orendain handles the cinematography, and shafts of light and focus offset a dark, murky atmosphere. It all helps create a claustrophobic sense of imminent doom – whether this is the doom of Lily and her boyfriend at the hands of Guilly and his henchmen or the doom that will descend on Guilly as Lilia plays the avenging angel. If I have to level some criticism on the film, I’d point out the very one-dimensional portrayal of the very rich. They all smoke, they all take drugs, and they all have a callous disregard for others. No one on that side has any arc. And we don’t see the steps by which Lilia decided to take justice into her own hands or how she got invited to the birthday bash and amassed the cash needed to be noticed. A Warner Brothers, Mentorque, and Project 8 co-production, the film will have premieres abroad, and I can only guess it will eventually surface on Max, the Warner streaming platform. If you like your justice-meted-out vigilante style, completely disregarding the rule of law or asking law enforcers to do their job, this is the perfect MMFF film to watch. I enjoyed watching Aga have fun going overboard with his Guilly and appreciated how Vilma was doing something entirely different for her at this stage in her illustrious career…” – Philip Cu Unjieng, Manila Bulletin, 24 Dec 2024 (READ MORE)
Gatecrasher – “…Meanwhile, female rage roles are nothing new to Santos’ catalog. She has helmed similar parts like in Maryo J. de los Reyes’ Tagos ng Dugo and Chito Roño’s Ikaw Lang. In Uninvited, she’s a dynamite, summoning the endurance of those past lives to make way for a maternal figure who’s committed to see her mission through to the bitter end, but remains fundamentally human. But much like its premise and protagonist, Uninvited gatecrashes its way into meaningful insights. It is too contained in its own scheming, in its impressive array of stars, to come up with a story that doesn’t belie a profound critique, or feel like a bloated climax. Simply synthetic.” – Lé Baltar, Rolling Stone Philippines, 03 January 2025 (READ MORE)
Compelling – “…Vilma Santos delivers a masterclass in acting, as expected from the “Star for All Seasons.” This is arguably her most compelling role since Ekstra (2012). Her portrayal is nuanced and commanding, although her stiffness during gunfight scenes slightly detracts from the intensity of those moments. Aga Muhlach shines in his villainous role, a rare but fitting choice for him. This performance rivals his chilling portrayal in Sa Aking Mga Kamay as a psychopathic serial killer. However, his character here is even more despicable—”mas baboy at walang hiya”—eliciting visceral hatred from the audience every time he appears on screen. Gabby Padilla is a revelation, holding her own alongside a powerhouse like Santos. Their mother-daughter scenes are among the film’s emotional highlights. On the other hand, Nadine Lustre and RK Bagatsing feel underutilized. Their characters’ struggles deserved more depth and screen time to fully resonate with the audience. On the technical side, the film excels in cinematography and musical scoring, both of which enhance its moody, suspenseful atmosphere. However, the story’s pacing falters toward the climax…Rating: 3/5” – Ralph Lawrence G. Llemit, Sun Star, 05 Jan 2025 (READ MORE)
Thrilling and Dramatic – “..With a star studded cast consisting of Vilma Santos, Nadine Lustre, and Aga Muhlach, Uninvited is set to be one of the more thrilling and dramatic entries in this year’s festival. Little is known about the plot yet, except that Santos’ character Lilia/Eva is set on getting revenge from billionaire Guilly played by Muhlach. The idea for the film, which will tackle sensitive topics such as physical abuse and violence, originated from Santos herself..” – Mel Wang, Rolling Stone Philippines, 30 November 2024 (READ MORE)
Tipped the Scale – “…I could say right after I watched the film, Vilma Santos might just have tipped the scale for the Best Actress trophy with this entry. You could feel how vulnerable and deeply caring she is at times, ultimately, being a mother to her only daughter Lily. But remember, Ms. Vilma mentioned how she’s never done something like this before… so if you expect a twist of some sort in the story, please, believe her. This is exactly this movie’s biggest selling point, worthy of the amount you’ll spend in the movies this Christmas season. This excellently made film certainly had people in the cinema rooting for her, literally screaming for her to go forward at times which I find cute since most of the folks in the front seat were seniors, and they were not holding back, getting involved in Uninvited’s story…” – John Bueno, Kumag Cow, 26 December 2024 (READ MORE)
The Expense of Brevity – “…At a brisk 90 minutes, Uninvited maintains a tight-paced rhythm that keeps viewers hooked. However, this brevity comes at the expense of deeper storytelling. Lilia’s revenge mission, while emotionally gripping, lacks the depth one might expect from a character who apparently has spent years planning her retribution. Early in the film, she admits to simply “winging it,” a choice that undermines the weight of her motivations. As a revenge thriller, putting the main character onto the battlefield with no real game plan seems like a cop out. A bit more polishing on her preparation and execution could have enriched the narrative and heightened the stakes. One of the movie’s most significant missteps lies in its treatment of sexual assault, a central theme of the story. While it acknowledges the gravity of the issue, the film fails to offer new or meaningful insights. At a time where countless films and shows have already tackled this topic, it’s high time movies start to address sexual assault, and, in this case, human trafficking, as a societal problem rather than a mere plot device. Uninvited stops short of delving into the complexities of the subject, leaving viewers wanting more substance. Despite its flaws, Uninvited succeeds in keeping viewers on the edge of their seats, delivering the tension and unpredictability that make thrillers so enjoyable. Villegas skillfully scatters subtle clues throughout the film, allowing audiences to piece together the puzzle rather than spoon-feeding every detail. By the time the credits roll, certain questions remain unanswered, adding another layer of mystery to the film — a deliberate choice that invites viewers to theorize and debate…” – Alisa Docena, Sine Gang PH, 05 January 2025 (READ MORE)
Video credit: Cinema Bravo
PRESS RELEASES

- Mystery and revenge in ‘Uninvited’
- Metro Manila Film Festival announces last 5 official entries for 2024 edition
- ‘Uninvited’ producer admits Vilma, Aga, Nadine film too pricey but worth it
- MMFF 2024: ‘Uninvited’ uses cutting-edge cam, lenses
- Vilma Santos and Aga Muhlach reunite onscreen after 30 years in ‘Uninvited’
- Star-studded #MMFF2024 entry ‘Uninvited’ drops first-look teaser
- ‘Uninvited’ shakes up 50th MMFF with star-studded cast, crew
- Vilma, Aga, at Nadine sanib-puwersa sa MMFF 2024 movie Uninvited
- Dan Villegas makes film comeback after 6 years with ‘Uninvited’
- Mentorque producer Bryan Dy reveals another Vilma Santos-Recto film on the horizon
- Mentorque and Project 8 Projects to team up anew for Vilma Santos’ new film
- MMFF thriller ‘Uninvited’ won’t compromise, accepts R-16 rating
- Vilma Santos, Aga Muhlach, Nadine Lustre to headline upcoming movie ‘Uninvited’
- Vilma Santos, nagsimula nang mag-shooting ng Uninvited
- Nadine, Vilma aminadong na-challenge sa ‘Uninvited’: ‘Sobrang extreme!’
- Nadine minura-mura si Aga; agad-agad nag-YES sa ‘Uninvited’
- Vilma Santos takes on a new challenge in ‘Uninvited’
- Vilma Santos, Nadine Lustre promise a deep-dive into dark themes in ‘Uninvited’
- Vilma Santos is ‘Uninvited’
- MMFF 2024: ‘Uninvited’ makes a killer out of Vilma Santos
- Vilma Santos, Dennis Trillo big winners at 41st PMPC Star Awards for Movies
- Vilma Santos as a vengeful mom in ‘Uninvited’ new trailer
- Uninvited: A gripping thriller with missed opportunities
- Vilma Santos reveals she conceived the story behind MMFF 2024 emtru “Uninvited”
- Uninvited (2024) Movie Ending Explained: What Happens to Vega?
- Uninvited (MMFF 2024) Official Trailer – Vilma Santos is Eva
- Could ‘Uninvited’ be the MMFF film we can’t afford to miss?
- Vilma Santos’ fiery role in ‘Uninvited’ a shoo-in for MMFF best actress
#MMFF2024, #DanVillegas, #DadoDayao, #VilmaSantos, #AgaMuhlach, #NadineLustre, #GabbyPadilla, #ElijahCanlas, #JohnBryanDiamante, #HahamakinAnglahat, #KZTandingan, #ArthurNery, #Uninvited2024, #Uninvited, #MIFF2025

It has been a long journey for Vilma Santos. In the past six decades as a movie/TV actress, host, and producer, countless fanatics have been enthralled by her brilliance, and her opulent career is now imprinted in the history of Philippine entertainment. In the first episode of a two-part anniversary special titled “Anim Na Dekada… Nag-Iisang Vilma,” she traces her filmography, its nooks and crannies, reliving significant memories in her 60 illustrious years in showbiz. Chatting with the King of Talk Boy Abunda, Vilma revisited the year 1963 when she was 9 years old and her uncle, who was a cameraman in Sampaguita Pictures, asked her to audition for the film “Anak, Ako Ang Iyong Ina” since she loved performing at home during fiestas.
When she went to the studio with her mom, out of curiosity, she lined up for a different film audition where Bella Flores and Boy Alano asked her to dramatically utter the line, “Hindi po, Nanay. Hindi ko po ginawa ‘yun!” She delivered more than what was asked for and that’s how “Trudis Liit” was born. She did both movies at the same time. In 1970, Vilma, or Ate Vi, had 26 films under her belt. It was the era when motion pictures had surface-level characters and plots. Just put a love team on screen, have them act out a plain-sailing story of lovers resolving their quarrel after a serenade, and voila! Vilma said work felt like play at the time, and the best part was fangirling over bigger stars like Susan Roces and Amalia Fuentes in the studio. She also had ‘rakets’ as the 3am finale act in fiestas. “Hindi ko natapos ang pag-aaral ko dahil lang doon,” she opened up. “Ngayon ko na-realize how important education is, na siyang ginagawa ko sa aking mga anak at sa mga tao na pinapaalalahanan ko, ‘Huwag n’yong pababayaan ang inyong pag-aaral.’” From her loveteam era that started with Bobot Mortiz (together, they were pitted against Nora Aunor and Tirso Cruz III), she ventured into suspense and action-packed movies with her name in the title. Producers thought of banking on ‘star value’ to clash with the popularity of ‘bomba films,’ said Vilma, noting that her showbiz rival Nora’s filmography followed the same trajectory. But, what set her apart from her contemporaries was her boldness that illuminated her versatility. She did “Dyesebel” and “Darna” which required a little display of skin. Vilma thinks her fair complexion was one factor that landed her the iconic roles. She became more animated while sharing an anecdote about her flight as Darna, saying the RVM nuns required her to wear body stockings with the Darna bikini. But during the press conference, her manager wanted her to take the stockings off. And she ended up giving in.
She went on to divulge the challenging parts of portraying Darna at a time when filmmaking was very low-tech. Her transformation from Narda to Darna was manually shot, with the camera set up in place as she finishes her makeup. She had to balance on a table while facing an electric fan for wind effect, “Alam mo ba ‘yung pakiramdam ko doon? ‘Pag bangon ko do’n, sumusuka ako sa hirap, sa pagod, at sakit ng ulo ko.” She also had to be suspended from a spinning crane. “Lahat ‘yun dinaanan ko pero at least naging Darna ako.” When she was offered “Tag-ulan Sa Tag-araw,” she was fascinated by the idea of working with Celso Ad Castillo and Christopher de Leon until it dawned on her that the story touches on incest. “Hindi pa ako gano’n ka-keen para pag-aralan ang mga roles. I took that role because it was Celso Ad Castillo.” She collaborated again with the genius director in “Pagputi ng Uwak, Pag-itim ng Tagak” where she was given a three-page script to memorize. Eventually, she had to graduate from girl-next-door roles. And “Burlesk Queen” (1977) was her trial by fire. She had to think a million times before accepting the role, which she did because of the story about a loving daughter taking care of her paralytic father played by the great Leopoldo Salcedo. It was directed by Celso Ad Castillo, who, as he told Vilma, cried for the first time while directing a scene – the dramatic moment between Vilma and Leopoldo as the latter’s character dies.
She was required to dress in a sexy costume and dance erotically in a burlesque theater with a real audience. Four cameras were set up and all she had to do was dance for five minutes. But that’s easier said than done. Vilma backed out four times until her producer promised her a luxury car, which she didn’t get. She gulped alcohol backstage and did her assignment, “Basta kumembot ako nang kumembot. Hindi ko alam ang pinagagagawa ko doon, basta alam ko burleque dancer ako.” And so her star was propelled to greater heights. “After I did that movie, I think it was the turning point, itinuring naman akong parang aktres na.” In 1976, she started producing films With “Mga Rosas Sa Putikan.” “Basta alam ko lang producer ako, manggagaling sa akin ang pera na gagamitin sa shooting. And then, sila na ang bahala kung sinong artista ang kukunin, anong mga eksena, saan ang shooting.” It was followed by “Pagputi Ng Uwak , Pag-itim ng Tagak” where she was paired with Bembol Roco. The film, which was three years in the making, was critically acclaimed but it pushed her into a financial mess, back to zero, caused by mismanagement. She ventured into an unfamiliar territory hoping to add to her income but ended up bankrupt. She faced legal cases and was losing her assets including her house. How she surpassed this ordeal was a testament to her durability as a star and a woman. What she did was finish her slated movies with Regal Entertainment and VIVA Films as she had already asked for the talent fee in advance. Then, she accepted the variety show “Vilma!” just to make ends meet, even if she had to sacrifice her Sundays meant for family day. Therefore, without her noticing, her family life started to suffer.
In the next gap, Vilma shared her experiences with the finest, most iconic directors who sharpened her acting skills, making their styles distinct in her own words. We sensed pride when she talked about working with female filmmakers who sparked her fight for women empowerment. “I’m very honored na makagawa ng mga pelikula na ipinakita kung gaano kalakas at anong karapatan meron ang isang babae,” she expressed, pertaining to “Bata, Bata Paano Ka Ginawa” (1998); “Alyas Baby Tsina” (1984); “Dahil Mahal Kita: The Dolzura Cortez Story” (1993), the first Filipino movie about AIDS; “Ipagpatawad Mo” (1991), the first film to tackle autism, and “Relasyon” (1982) where she played a mistress. In the context of style, she described Olivia Lamasa as strict, meticulous, and has a very strong personality. Laurice Guillen is quiet, simple but intelligent and she is clear about her vision such as in “Dahil Mahal Kita: The Dolzura Cortez Story” where she aimed to paint a woman’s strength. She thought of Marilou Diaz-Abaya as technical and very specific about blocking. She’ll never get tired of saying that Celso Ad Castillo was a genius.
It was Lino Brocka who taught her the power of eye expression in that he would ask her to just look in a specific direction when uttering her lines. He was also very specific about which point Vilma’s tear must drop, and he demonstrates his required acting. ishmael Bernal was one of the most casual directors she worked with. He wanted scenes to appear as natural as possible, in which the character does many things at once. Vilma found “malambing” the perfect word to remember Eddie Garcia. But when he’s on the director’s chair, he becomes so strict and perfectionist he packed up a taping just because the production team forgot to put napkins on a table setup. Danny Zialcita was the “anything goes” type of a director. Without the traditional script, he would think of dialogues (the casual, the better) on the spot and write it down on a cigarette pack. “Siya lang ang direktor na nakakaalam kung ano ang gusto niya sa pelikula niya. At kaya niyang gawin ‘yun sa sarili niyang editing kaya hindi niya kailangan ‘yung sequence.” He was so laidback he can film in his own house. When asked if she was ever shouted at by a director, Vilma admitted she had an ‘unprofessional’ phase as well, making up excuses to cancel shoots just because she wasn’t in the mood. In modern lexicon, it’s a feeling of burnout, and it was because she started working young. As she matures in the industry, Vilma got more aware of the hard work and sacrifices of people working behind the cameras. And that’s when she realized the value of professionalism.
In the audience were people who took part in the molding of her career. There was Jeffrey Jeturian, who first worked with Vilma as a production assistant in “Alyas Baby Tsina,” then, became her director in “Ekstra” (2013). Jeffrey related that they finished “Ekstra” within 12 days, which was miraculous as Vilma’s films typically take months to finish due to her busy schedule as a public servant. She almost backed out after taping for 24 hours on their first day, so the production had to realign their schedules. For Jeffrey, the Star of All Seasons is the type of actress who does things right even without instructions, which is why directors no longer need to motivate her. Also present was Tony Reyes, who shared anecdotes about Vilma taking on action-packed stunts in “Takbo, Vilma, Dali” (1972); and “Lipad, Darna, Lipad” (1973), the first fantasy movie to feature three villains – Celia Rodriguez, Gloria Romero, and Liza Lorena. The film was also distributed in different parts of Asia. Vilma’s beauty, talent, and brilliance graced television as well. Her variety show “Vilma In Person” or VIP (later Vilma!) garnered 47 percent in viewership, which was one of the highest ratings in Philippine TV history. It was the time when Vilma suffered from a financial ordeal and she wanted to just have a weekly income. Fortunately, the show lasted 15 years. Choreographer Maribeth Bichara boasts about the professionalism and passion Vilma showcased as a performer. “She puts her mind, her heart, and soul into the dance. Napaka-perfectionist.” She has a commanding presence but is always friendly to everyone. According to producer Chit Guerrero, Vilma doesn’t settle for less – from choreography to set design and costumes. Everything must be a perfect fit whenever Vilma performs. Of course, she has to be comfortable to perform well. One time, she was disappointed to find the stage set up like a garden when it was supposed to look like a jungle to match her dance. The production people revamped the stage on the spot. In another episode, her foot got stuck in a cobweb prop, so the dancers had to adlib. Though the viewers surely didn’t notice, Vilma fought to repeat the opening prod in the show’s second gap. Chit had to give in. She further revealed that even when they would have quarrels due to differences in creativity, Vilma would never take it personally.
‘The Star for All Seasons’ Vilma Santos comes home to ABS-CBN and relives her 60 illustrious years in the industry with the ‘King of Talk’ Boy Abunda in a two-part TV special titled “Anim na Dekada Nag-Iisang Vilma” airingthis Saturday (Feb.18) and Sunday (Feb. 19) on Kapamilya Channel, Kapamilya Online Live, and A2Z. “Nandito ang puso ko. Napakalaki rin ng utang na loob ko sa estasyong ito. Alam na nito ang buong buhay ko. Ang ABS-CBN, pamilya na. Parte na ito ng buhay ko for 60 years. For 60 years, kasama ko ang ABS-CBN,” Vilma said in the TV Patrol interview when asked why she chose ABS-CBN as the platform to produce her special milestone in the industry. In the said celebration, Vilma rekindles her early years in the industry, as well as some of her most memorable roles during this period including “Trudis Liit” in 1963. Viewers will also get a chance to meet the other sides of Vilma through the lenses of herpast leading men, directors, and friends including Christopher de Leon, Claudine Baretto, as well as members of her loyal army of Vilmanians present in the said celebration at the Dolphy Theater. The multi-awarded actress will also share details about her current vocation as a public servant, as well as her private life away from the limelight. The special also includes an exciting talkback segment with stars and leading players who learned important lessons from her. The two-part special will air thisFebruary 18and 19at 8:30 PM to 10:30 PMon Kapamilya Channel, Kapamilya Online Live, Jeepney TV, and A2Z. It will also be aired on a delayed telecast on TV5, 10:30PM and will also be available on ABS-CBN Entertainment’s YouTube channel for seven days. – Manila Bulletin Entertainment (
Knows n’yo ba kung anong pelikula ang nagpatunay at naging “resibo” ng Star For All Seasons na si Vilma Santos para matawag siyang isang tunay na aktres? Nagsimula si Ate Vi sa mundo ng showbiz bilang child star (sa edad na 9) at ngayon ngang 2023 ay ipinagdiriwang na niya ang kanyang ika-60 anibersaryon sa entertainment industry. In fairness, napakarami nang napatunayan ng aktres at dating public servant sa loob ng anim na dekada niya sa mundo ng showbiz pati na rin sa larangan ng politika kaya naman nananatili pa rin ang pagrespeto at pagpapahalaga sa kanya ng madlang pipol. Sa pagse-celebrate niya ng kanyang 60th anniversary sa showbiz ay binalikan ni Ate Vi ang ilan sa mga highlights ng kanyang career bilang aktres at bilang movie icon. Sa anniversary special na inihanda ng ABS-CBN para kay Vilma na may titulong “Anim na Dekada Nag-iisang Vilma,” ibinahagi ni Ate Vi ang ilang “untold stories” sa likod ng kanyang award-winning films. Isa na nga riyan ang pelikulang ginawa niya kung saan kinilala ang kanyang husay sa pag-arte at binansagan pang “real actress” noong mga panahong yun – ang “Burlesk Queen.” Tinanong siya ni Boy Abunda na nagsilbing host ng “Anim na Dekada Nag-iisang Vilma” tungkol sa controversial film niyang “Burlesk Queen” na ipinalabas noong 1977. Ayon kay Ate Vi, ang dati niyang manager na si William Lery ang nag-challenge sa kanya na gumawa ng mga pelikulang hahamon sa kanyang pagiging aktres at hindi lamang basta isang artista. “It’s about time that you take the risk of doing mga controversial films. And show your acting. Kailangan kapag sinabing Vilma Santos, kailangan ang sabihin nila aktres,” ang sabi raw sa kanya ng yumaong talent manager. Nu’ng una raw ay nagdalawang-isip siya kung tatanggapin ang naturang proyekto na idinirek ni Celso Ad Castillo na inilarawan pa niyang “great director.” Parang hindi raw niya kayang magsuot ng super revealing and sexy costume lalo na ang gumawa ng sexy dance number sa harap ng maraming tao. Ngunit nang i-explain na raw sa kanya ni Direk Celso ang magiging karakter niya sa “Burlesk Queen” ay tinanggap na rin niya ito at talagang nilakasan na lamang niya ang kanyang loob sa mga maiinit niyang eksena. At tulad ng inaasahan ng kanyang manager, nabigyan ni Ate Vi nang hustisya ang kanyang role. Sa katunayan, naiyak pa raw si Direk Celso sa dying scene ng tatay ni Chato (Ate Vi) na ginampanan ni Leopoldo Salcedo. For the first time in his career, sabi niya, as a director umiyak siya sa isang eksena. That was the scene with Leopoldo Salcedo,” pagbabahagi ng aktres. “When I did that movie I think I was 21-22 years old. I took the risk. After that movie, that was the turning point, itinuring naman akong parang aktres na. “Parang doon lang ako first time nakarinig na, hindi na pinag-usapan na ka-loveteam ako kundi pinag-usapan na, ‘Vilma Santos, you’re such a good actress!’” sey pa niya.” – Ervin Santiago, Bandera, 20 Feb 2023 (
Nakakatuwang pakinggan ang mga kwento ni Star For All Seasons Vilma Santos sa kanyang anim na dekadang journey sa industriya sa pamamagitan ng isang 2-part TV special na ibinigay sa kanya ng ABS-CBN bilang pagpupugay at selebrasyon sa kanyang 60th anniversary. May titulong Anim na Dekada… Nag-iisang Vilma hosted by Boy Abunda, napanood ang TV special nitong nakaraang Sabado at Linggo. Isa sa mga kwento ni Ate Vi ay kung paano nagkandaubos-ubos ang pera niya nang subukan niyang magtatag ng produksyon (VS Films) at mag-produce ng mga pelikula noong taong 1978. Naka-apat na pelikula raw siya at ang huli nga ay ang award-winning film na Pagputi ng Uwak, Pag-itim ng Tagak na pinagbidahan nila ni Bembol Rocco. Pagbabalik-tanaw ni Ate Vi, nalugi raw siya at nagkaubos-ubos ang pera niya habang ginagawa nila ang Pagputi ng Uwak, Pag-itim ng Tagak dahil three years in the making daw ito. “Naubos ang pera ko, kumuha ako ng pera, nag-advance ako ng pera sa Regal (Films), nag-advance ako ng pera sa Viva (Films) para itaya ko du’n dahil three years in the making nga. “Hindi pa natatapos, wala na akong pera. Utang na ako, utang. Puro utang na. Gagawin ko pa lang ‘yung pelikula sa Regal at sa Viva, wala nang ibabayad sa ‘kin dahil in-advance ko na just for that movie,” kwento ni ate Vi. Pero nang ipalabas nga raw ito sa mga sinehan ay hindi raw ito kumita kaya ang laki ng nalugi sa kanya. “It didn’t make money but it gave me prestige. It gave prestige to my VS Films. Napakaganda kasi nu’ng pelikula, sa totoo lang,” aniya. “Si Bembol Rocco ang leading man du’n. Nu’ng umpisahan namin ‘yung pelikula, may buhok pa si Bembol. Bago matapos ang pelikula, kalbo na si Bembol,” natatawang pagbabalik-tanaw pa ni Vilma.
Isa sa dahilan kung bakit siya nalugi ay mismanagement. Naloko raw siya na iniikot na sa buong probinsiya ang pelikula pero hindi niya alam at hindi na sa kanya napupunta ang kita. “So, ‘yung lahat ng pinagtrabahuhan ko, inutang ko, at the end of the day, bago nalaman ko, ang dami ko na palang utang, may demanda pa ako sa BIR (Bureau of Internal Revenue),” pagre-recall ni Vi. “That was isa sa pinaka-lowest point ng buhay ko. When I was financially back to zero,” patuloy niya. Pati raw ang bahay na tinitirhan niya ay muntik pang makuha ng bangko. Bale ba ay buntis daw siya kay Luis Manzano nang mangyari ‘yun kaya isa rin sa fear niya ay baka hindi na siya tanggapin pa ng mga tao pagkatapos niyang manganak. Pero ipinaubaya na lang daw niya kay Lord at nagdasal na lang daw siya. “Ang sikreto at kaya ako naka-survive, acceptance. Tinanggap ko na ito ang sitwasyon ko ngayon at tatatrabahuhin ko ang mga pelikulang ito na kinuhanan ko ng tigwa-walong pelikula, Viva at Regal, not a single centavo on my palm,” tsika ni Ate Vi. Kaya tinanggap daw niya ang Vilma TV show para naman may pang-araw-araw siyang panggastos dahil ang kinikita niya sa pelikula ay diretso sa bangko para ibayad sa utang. Pero siyempre, nakabawi rin naman siya nang bonggang-bongga later on. Hindi na muling sinubok pa ni Ate Vi ang pagpo-produce lalo pa nga’t nag-focus na rin siya sa politics later on.” – Vinia Vivar – Pang-masa, 20 Feb 2023 (
Politician-actress Vilma Santos-Recto started her career at the age of nine and from then on starred in dozens of films and television shows that etched her name in the annals of entertainment history. As she reached 60 years in the industry, Santos took a trip back memory lane to recall her colorful journey including her firsts and best moments, and her ups and downs as an actress and producer. In an ABS-CBN special dubbed as “Anim na Dekada Nag-iisang Vilma,” the veteran actress, who is dubbed the Star For All Seasons, shared many untold stories about the films and people she worked with in her illustrious career. With tons of movies under her belt, there were several projects that were pivotal in her enduring career in show business – including the film that she felt made her a “real actress.” Among the topics brought up by host Boy Abunda was Santos taking on the controversial film “Burlesk Queen” in 1977, despite being one of showbiz’s most popular at that time. According to the actress, her late manager William Lery challenged her to do projects that would establish her as a true actress, and not just as the other half of a love team. “It’s about time that you take the risk of doing mga controversial films. And show your acting. Kailangan pag sinabing Vilma Santos, kailangan ang sabihin nila aktres,” she recalled her manager telling her. So while she had apprehensions with the film, Santos decided to accept the role as Chato. The film was directed by Celso Ad Castillo, whom she described as a genius. Santos was admittedly worried about her revealing costume and the burlesque dance that she had to do in some scenes. But Castillo explained to the actress the real motive of her character, convincing her fully to do “Burlesk Queen.” Just as Lery predicted, Santos excelled in the movie. In fact, she was able to put Castillo into tears while they filmed the dying scene of Chato’s father, portrayed by Leopoldo Salcedo. “For the first time in his career, sabi niya, as a director umiyak siya sa isang eksena. That was the scene with Leopoldo Salcedo,” Santos said. Another highlight of the film was her burlesque dance inside a theater which, she revealed, was shot in front of a real burlesque audience in Cubao. The said dancing sequence was postponed four times as Santos was scared to perform in front of an audience. She eventually did it after drinking alcohol before shooting the scene. Her gamble on “Burlesk Queen” paid off, Santos recounted. “When I did that movie I think I was 21-22 years old. I took the risk. After that movie, that was the turning point, itinuring naman akong parang aktres na,” Santos said smiling. “Parang doon lang ako first time nakarinig na, hindi na pinag-usapan na ka-loveteam [ako] kundi pinag usapan na, ‘Vilma Santos, you’re such a good actress.’” The second part of the ABS-CBN Special will be aired on Sunday, February 19.” – Karl Cedrick Basco, ABS-CBN News, 19 Feb 2023 (

First Lady – “…He played Marcos in the political propaganda movie “Iginuhit ng Tadhana” in 1965 and in the drama film “Pinagbuklod ng Langit” in 1969. Romero, who played First Lady Imelda Marcos to his Ferdinand, recalled that they could only start shooting in Malacañang after office hours at 6 p.m. and wind up at 6 a.m. the next day. In spite of the unusual working hours, Gonzales would remain cheerful, Romero said. “He was a jolly fellow. He was always joking around and he loved dancing,” she told the Inquirer. Batangas Gov. Vilma Santos said Gonzales portrayed her father in her first movie “Trudis Liit” in 1963. Then a child star, Santos also played little Imee in the two Marcos movies. “I was very young then and it was amusing to see and tour the Palace with him,” Santos said. “He really made a big mark in Philippine movies. I will be praying for the repose of his soul and for strength for his family, too.” Ilocos Norte Gov. Imee Marcos remembered Sampaguita producer Jose “Doc” Perez auditioning other actors, but in the end it was Luis’ voice that landed him the role. “In a nation of tenors, he and my dad were the only two baritones,” she said. “We were very fond of him and listening to him [on the set], I sometimes thought he was my father…” – Bayani San Diego Jr. (
The Enchantment – “…To be sure, Gloria Romero would not have survived if she had not created characters that would linger in the minds of audiences long after the last credit had rolled down. She was the combative Ilocana in “Dalagang Ilocana,” the saintly nun in “Monghita,” the first lady of the land in “Iginuhit ng Tadhana,” the teacher who becomes a dark creature at night in “Lipad, Darna, Lipad,” the criminal master in “Condemned,” and the matriarch suffering from Alzheimer’s in “Tanging Yaman.” Of course, even in the most abject and ugly roles, her beauty and bearing still shine through, damning the efforts of the viewer to suspend his disbelief, but never mind, it’s only a movie —and it’s only in the movies that you get to see a goddess like Gloria Romero as a tomboy, as Her Imeldific, as a ghoul or a hag. All of these characters have been keenly etched in generations of moviegoers; they provide the images that constitute the magic of Philippine cinema. And in that magical world, Gloria Romero is a prime enchanter. The enchantment starts with her beauty and proceeds with her varied talents and qualities. Many believe it will never end. And so for her icon-like qualities as an actor and cinematic enchanter, Gloria Romero, the indestructible queen of Philippine movies for five decades now, is this year’s recipient of the Natatanging Gawad Urian for lifetime achievement during the 27th annual Gawad Urian….” – Lito B. Zulueta (
Hepburn and Streep – “…As far as I know, only Eddie Garcia and Gloria Romero are two stars who never had billingitis. There are no small roles. It is how you interpret them. That is why they are still very much around. Because of their stature in the movie industry, the studios respected them and knew how to put them in their proper place. As fate would have it, billing was never a problem between the Veteran Movie Queen Gloria Romero and the Philippines’ Movie Queen for All Seasons Vilma Santos. Ms. Romero, the ever practical and realistic auteur has so much respect and love for her “daughter” Ms. Santos that she allowed to be billed after the longest reigning box-office and movie queen since the 70’s (the monster hit “Lipad, Darna, Lipad” and the blockbusters “Nakakahiya I and II,” for example)…As if Fate would have it, who would ever think that the Two Queens would duke it out in the 2000 awards derbies? Anak versus Tanging Yaman. Gloria may have won the Urian but she shared the award with her “daughter”: “I share this award with Ms. Vilma Santos who is so good in Anak.” So what do Vilma Santos and Gloria Romero have in common? Why are they still Philippine Cinema’s Regal Movie Queens? They are both professionals, humble in both defeat and victory, clean living, and have respect for the profession that is their bread and butter. They are the Katherine Hepburn and the Meryl Streep of the Philippines. Kate Hepburn disliked Streep in real life. She called Ms. Streep’s acting too cerebral. Was it envy, billingitis, or ego? Thank heavens for Gloria and Vilma. They respect and love each other. Terms of endearment. Friends for life. We shall never see their kind anymore…” – Mario O. Garces, V magazine, Vol 1, Issue 4 Oct/Nov 2005 (
One Desire – “…Glamorous Gloria Romero, the hottest attraction in the Philippine movieland, can have just about everything except her heart’s fondest desire – to return to Denver, her birthplace. To most U.S. citizens, Gloria’s name doesn’t mean a thing. But to Philippine movie fans she is the queen of the screen. She is the highest paid, busiest, most appealing and versatile actress in the islands. She is a first rate comedianne and a finished tragedian. The 24-year old beaty, undisputed sweetheart of the Philippines, averages six pictures a year. All in roles caller for artistry on the highest level. She packs ’em in whenever the movies are shown. And that’s the big problem. She can’t find the time to break away to visit the mile high city, which she left when she was three years old. “I could very well pack up this very minute and book passage for the U.S. and take that sentimental journey to Denver,” she said today, “But I am committed to do five more pictures this year.” She added wistfully. “Maybe I can make it next year…Oh you don’t realize how much a trip would make my life complete.” Gloria has an added reason for making the journey: she hopes to find her mother’s relatives who still live in Denver.
The 5 foot 6 inch film star was born to a U.S. mother and a Filipino father. Three years later the family left Denver to settle in the northern Luzon, where her father had a farm. Her mother, the former Mary Borrego, died shortly after the U.S. liberated the Philippines in 1945. Gloria’s first break in films came when Sampaguita studio bosses picked her from a group of extras for a supporting role in a movie titled “Madame X.” She stole the picture from veteran stars, and from there on she climbed steadier to the top. Every one of her 24 pictures has been a hit, only in the Philippines but in Asia. Local critics, consistently caustic and cynical on films made in the Philippines, just love her. So do the gay young blades but Gloria has remained Philippine movieland’s most eligible bachelor girl despite her scores of admirers. She said she is too “frustrated” over that visit to Denver to think of marrying…” – Louella Parsons, The Calgary Herald, Feb 27, 1957 (
Kapag Langit Ang Humatol
Saan nagtatago ang pag-ibig?
Gaano kadalas ang minsan?
Makahiya at Talahib
Hindi Nakakahiya Part II
Karugtong ang kahapon
Anak ng asuang
De colores
Anak, ang iyong ina!










Carlo Aquino
Claudine Barretto
Eugene Torre
Isang babaeng nakasakay namin sa dyip ang nakakilala sa amin at nagsabi: “O, ngayong tapos na ang Star Awards, siguro, isusulat mo na kung sino ang binoto mong best actress. Sinabi mo ‘yan sa column mo.” O, siya, Gigi (sorry, I forgot your last name), heto na ‘yon. Personally, we voted for Vilma Santos (na siya ring nagwagi sa “Movie Magazine” and we have a feeling, siya ring magwawagi sa darating na Urian Awards on March 31). Magaling si Nora Aunor sa “Bilangin” and we believe na ang hindi niya pagkakanominate man lang sa Catholic Awards is a big oversight on their part. Sa gagawin naming paliwanag for our choice, we don’t expect na maimpluwensiyahan ang diehard Nora fans dahil kapag fan mentality ang pinairal, no amount of rational explanation will do to change their opinion.
Pero kami, napatunayan na naming wala kaming ganyang kaisipan noong maging nominado si Vi for “Tagos ng Dugo” and we cited our reasons why we favor Lorna Tolentino in “Maging Akin Ka Lamang” over her. To the untained eye, very impressive si Guy sa “Bilangin” dahil ang performance niya is mainly a series of big highly emotional scenes that call for confrontations with Tirso Cruz III, Gloria Romero, Miguel Rodriguez and Ana Margarita. This is the kind of acting that call for grand, tour-de-force manner of emoting, with glaring eyes, flaring nostrils, quevering voice and all. Sabi nga, the works. All stops are pulled to really impress the audience n “Hoy, this is good acting and you should correspondingly be properly impressed.” To Nora’s credit, she relies entirely on her instincts and this works as Elwood Perez has never been known as an actor’s director and Nora naman is the kind of actress na even when she is left to her own resources, still manages to come up with an arresting performance, no matter how florid.
Sa kaso ng pagkakaganap ni Vilma as Juliet in “Pahiram,” it is a credit not only to the actress but also the director. Vi’s innate talent shines, pero alam mong malaki ang naitulong sa kanya ni Bernal to further hone it and polish it and make it truly oustanding in the totality of its effect. Makikita ito sa succession pa lang ng opening sequences. Nagsimula ang movie na masayang masaya ang tono nito, with Vi rambunctiously singing “Material Girl” sa kanilang Christmas Party, without a trace of the impending tragedy that she will face. Then she goes to the CR, starts to feel bad, and after that ay nalaman na niyang mgay cancer siya’t may taning na ang buhay niya. Vi is not shown vehemently reacting to this. Instead, ipinakita lang siyang tahimik na naglalakad, her shoulders hunched na tila ba nasa mga balikat niya ang daigdig. She then attends this family reunion sa parents niya, which ends in disaster dahil inaway lang siya ng ate niyang si Dexter Doria. Wala pa ring reaction dito si Vi kahit nilait siya ng mga kamag-anak niya.
Sa susunod na scene, nagwawala ang anak niya si Billy Joe dahil lumayas ang yaya nito’t ayaw nitong pumasok sa school. Vi goes to the kitchen to prepare breakfast at habang nagbabati siya ng itlog, doon pa lang ipinakitang una siyang nag-breakdown. And this is shown nang nakatalikod siya sa camera. No overtly ornate kind of emoting na akting na akting ang dating. Pero damang-dama mo pa rin (if you’re a trully perceptive, sensitive viewer) ang mga emotions the character goes through dahil sa buildup nito. This is apparent in various other scenes in the film. Bale ba, ang estilo rito ni Vi ay hindi ‘yung trying to ingratiate herself with the audience to please them, which she is went to do in the past. Dito, basta she becomes the part (lalo na sa eksena nila ni Gabbly Concepcion sa simbahan na binalikan nila kung paano sila nagkasira), and if you notice that she is good, well salamat po. Sa second viewing ng movie naming lalong napansin ang subtle nuances ng performance ni Vi, up to her death scene which confirms our supposition that the movie is not really so much about death than a celebration of life, what with all the panoramic shots showing the beauty of nature and the world around us, na enough reason for anyone to want to survive.
About
You must be logged in to post a comment.