Vilma Santos-Recto is a popular multi-awarded actress and politician in the Republic of the Philippines. *** She is known as "Queen of Philippine Movies," "Queenstar," "Grand Slam Queen," "Box Office Queen," and "Star for All Seasons." *** This website is mostly about her iconic film career.
Basic Information: Directed: Emmanuel H. Borlaza; Cast: Vilma Santos, Jay Ilagan, Blanca Gomez, Geena Zablan, Janet Clemente, Ike Lozada, German Moreno, Jannie Frias, Jingle, Winnie Santos, Maricel, Jonjon Salvador, Mary Rose Junco, Jerry Jackson, Dondon Nakar, Florence Aguilar, Romeo Miranda, Max Alvarado, Matimtiman Cruz, Joseph Sytangco, Elizabeth Vaughn; Original Music: Tito Arevalo; Cinematography: Tommy Marcelino
Plot Description: Filipino version of Cinderella.
Film Achievement: “…Jay Ilagan and Vilma Santos did twelve films with commercial success except for one, their most critically acclaimed film, Sister Stella L. Total Number of films with Vilma Santos – 12 (Inspiration, Ang Konduktora, Tsismosang Tindera, Ang Hiwaga ni Mariang Cinderella, Tatlong Mukha ni Rosa Vilma, Paano Ba Ang Mangarap, Sister Stella L, Coed, Leron Leron Sinta, Ito Ang Pilipino, Remembrance, Karugtong Ng Kahapon)…” – RV (READ MORE)
“…Borlaza gave Vilma Santos her very first best actress, winning the 1972 FAMAS for via Dama De Noche. He is also credited in narrowing the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. Total Number of Films in our list of VSR’s Top 50 films = 4 (#10 Lipad Darna Lipad 1973, #32 Dyesebel at ang Mahiwagang Kabibe 1973, #48 Darna and the Giants 1973, #49 Dama De Noche 1972)…” – RV (READ MORE)
Film Review: “……Besides teaming up with Edgar Mortiz during her teen years, Vilma Santos also starred and appeared in many movies opposite other leading men…Jay Ilagan — Inspiration (1972), Ang Konduktora (1972), Tatlong Mukha ni Rosa Vilma (1972), Tsismosang Tindera (1973), Ang Hiwaga ni Maria Cinderella (1973)…” – Simon Santos (READ MORE)
“…His films lack the arthouse style and social relevance that critics loves most in a Brocka or Bernal films but who cares about the critics when the paying public loves them. And the producers demand his service, from Doc Perez of Sampaguita Pictures, Atty. Esperidion Laxa of Tagalog Ilang Ilang Productions and later on, Vic Del Rosario of Viva Films and Lily Monteverde of Regal Films. Clearly, his films exists with one purpose, to entertain the masses not to depress or remind them with the country’s sad fate of economy or the below poverty line lives of many. The success of the Vilma-Borlaza films gave Vilma Santos versatility and preparation to a more serious acting career. It also narrowed the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. These are perhaps, the most significant contributions of Emmanuel Borlaza to Vilma’s career. Vilma who was considered only second to Nora couldn’t matched her singing talent and so, Borlaza countered this lack of singing with films that showcased Vilma’s acting versatility…” – RV (READ MORE)
Basic Information: Produced by Doming Bravo; Musical Director Tito Arevalo; Directors of Photography Loreto Isleta, Ricardo Remias, Sergio Lobo, Freddie Conde, Fermin Pagsisihan, Ben Lobo; Production Company: Bravo Film Productions; Release Date June 12, 1975
Episode 1: Direction Johnny C. Pangilinan; Cast: Dante Rivero, Vic Vargas, Eddie del Mar, Eddie Garcia, Cesar Ramirez, Rosemarie Gil, Barbara Perez, Ruben Rustia, Teody Belarmino, Eddie Arenas, Perry Baltazar, Carlos Salazar, Johnny Monteiro, Celia Fuentes, Mario Escudero, Eddie Nicart, Tony Blade, Mario Montalban, Jerry Bravo, Baby Lalaine
Episode 2: Direction Ding de Jesus; Cast: Ramon Revilla, Liza Lorena, Dante Varona, Ramon Zamora, Lito Legaspi, Desiree Destreza, Max Alvarado, Nello nayo, Anita Linda, Willy Milan, Sancho Tesalona, Virginia Montes, Ric Bustamante, Venchito Galvez, Pat Salvador, Totoy Torrente
Episode 3: Direction Armando Herrera; Cast: Fernando Poe, Jr., Gina Alajar, Zernan Manahan, Mary Walter, Vic Varrion, Danny Rojo
Episode 4: Direction Cesar Gallardo; Cast: Joseph Estrada, Helen Gamboa, George Estregan, Paquito Diaz, Paraluman, Vic Silayan, Leopoldo Salcedo, Jun Mariano, Liza Villa
Episode 5: Direction Romy Suzara; Cast: Nora AUnor, Vilma Santos, Tirso Cruz III, Jay Ilagan, Alona Alegre, Rudy Fernandez, Hilda Koronel, Elizabeth Oropesa, Walter Navarro, Patria Plata, Jose Romulo, Angelo Ventura, Renato Robles, Bomber Moran, Joaquin Fajardo, Tino de Lara – Video48
Plot Description: Dugo at Pagibig sa Kapirasong Lupa is 1975 Epic Film with Star-stunted cast like Fernando Poe Jr, Ramon Revilla, Joseph Estrada, Nora Aunor, Dante Rivero, Eddie Garcia, Vic Vargas, George Estregan, Mary Walter, Gina Alajar and the other all time favorite artist…Filipino People fight against colonialism Spain, Japan and even their fellow Filipinos abusing the power in the government…” – Wikipilipinas (READ MORE)
A Must for the Filipino History Students and for everyone who wants to awaken the innate nationalism in them. These series of stories depicting the fight of the Filipinos against colonialism of Spain, Japan and even their fellow Filipinos abusing the power in the government. A seemingly serious film but spiced with the star-studded cast like Fernando Poe Jr., Ramon Revilla, Joseph Estrada, Nora Aunor, Dante Rivero, Eddie Garcia, Vic Vargas, Goerge Estregan and the other all time favorite artists. This movie even highlighted the comparison between the love of country and the other kind of love we offer to our family and to our beloved as the story featured love stories in the midst of tragic and bloody war happening in our society. – Kabayan Central (READ MORE)
Film Achievement: No Available Data
Film Review: “…Hindi dito natapos ang Nora-Vilma rivalry. Pero ang pagsasama ng dalawang aktres sa isang pelikula was not repeated after Danny Zialcita’s T-Bird at Ako (released in 1982). Their initial appearance together was in 1970’s Young Love; naulit in 1978, sa Ikaw Ay Akin ni Bernal; at mayroon silang tig-isang episode sa Dugo at Pag-Ibig sa Kapirasong Lupa in 1975 at Pinagbuklod ng Pag-Ibig, also released in early 1978. At the height of the Nora-Vilma rivalry for acting supremacy, ang kanilang mga pelikula, magkahiwalay man sila o magkasama, ang may malaking kinikita for their producers. In 1982 and 1983, Vilma was Box-Office Queen and Urian Best Actress; while Nora did several blockbusters (like Beloved and Till We Meet Again). There was social unrest, following the Ninoy Aquino assassination on Aug. 21, 1983, pero masigla ang daigdig ng TV at pelikula. Sikat pa rin sina Nora at Vilma…” – William Reyes (READ MORE)
“…Sa taong 1975 ay nakagawa si Vi ng siyam na pelikula…..Basta’t Isipin Mong Mahal Kita (Enero 24, 1975) kasama sina Eugene Torre at Coney Reyes…..Nakakahiya? (Pebrero 28, 1975) kasama sina Eddie Rodriguez, Gloria Romero at Barbara Perez…..Ibong Lukaret (Abril 25, 1975) kasama sina George Estregan, Alona Alegre, Nick Romano at Rudy Fernandez…..ang all star-cast na Dugo at Pagibig sa Kapirasong Lupa (Hunyo 12, 1975)…..Teribol Dobol (Hunyo 27, 1975) kasama si Chiquito at Walter Navarro…..Vilma 29 (Agosto 29, 1975) kasama si Jun Aristorenas…..Karugtong Ang Kahapon (Setyembre 21, 1975) kasma sina Bobot, Gloria Romero, Celia Rodriguez, Eddie Garcia, Jay Ilagan at Joseph Sytangco…..Tag-ulan Sa Tag-araw (Oktubre 17, 1975) kasama si Christopher de Leon…..at ang pang-Christmas presentation ng TIIP na Darna Vs. The Planetwomen (Disyembre 25, 1975) kasama sina Rossana Marquez at Zandro Zamora. Sa pelikulang Nakakahiya?, si Vi ang nanalong best actress ng Bacolod City Film Festival…” – Alfonso Valencia (READ MORE)
Basic Information: Directed, screenplay: Emmanuel H. Borlaza; Story: Mars Ravelo; Cast: Vilma Santos, Romeo Miranda, Divina Valencia, Mina Aragon, Rossana Marquez, Chanda Romero, Joseph Sytangco, Elizabeth Vaughn, Patria Plata, Lito Calzado, Ricky Valencia, Greg Lozano, Chris Santos, Dave Esguerra, Romy Luartes, Doming Viray, SOS Daredevils; Original Music: Tito Arevalo; Cinematography: Benjamin L. Lobo; Editing: Gervacio Santos; Art Direction: Honorato Dela Paz; Sound: Angel Avellana
Plot Description: A Mars Ravelo classic about a young mermaid named Dyesebel who lives in an undersea kingdom with other mermaids. They are outcasts, not wanted on earth, believing their presence is bad luck. But when she falls in love with a human being, she vows to do everything yto have legs and become a part of her earthly love’s world… even if it means risking her life. – Kabayan Central (READ MORE)
One of the most popular and best-loved creatures of local folk mythology, Dyesebel is reincarnated in the person of winsome superstar Vilma Santos. The mermaid is driven from the deep sea literally into the arms of a mortal ashore, the good-looking and moreno Fredo, played by singer, Romeo Miranda, whose fascination for her turns to love. Against all odds, their love for each other is put to a series of tests as they face a shocked and disbelieving human society and the dangers and intrigues in dry land. A funny, sad, suspenseful, wonderful and infinitely entertaining movie. Also starring Ike Lozada, Mina Aragon, German Moreno, and Divina Valencia. Produced by Tagalog Ilang-Ilang Productions under the direction of Emmanuel H. Borlaza. – Trigon Video
Film Achievement: 2nd Top Grosser of the 8th Manila Film Festival; Best Sound Recording – Angel Avellana
For the record: – “…FPJ Productions’ Ang Agila at ang Araw with a total gross receipt of P561,128 was adjudged the top grosser of the festival. Tagalog Ilang-Ilang Productions’ Dyesebel at ang Mahiwagang Kabibe, the first day top grosser came in close second with P499,463. Roda Productions’ Nueva Vizcaya was third with P461,405…” – VIdeo48 (READ MORE)
Film Review: “…On Darna and Dyesebel. “Darna (she did four Darna movies) and Dyesebel were very difficult to do. I wore body stockings underneath the Darna costumes. Just before I was presented to the press in my Darna costume, Douglas Quijano, Alfie Lorenzo and William Leary convinced me that the body stockings didn’t look good and there was nothing to be afraid of because, I had good skin. I took off the stockings and since then I wore the Darna costume without them. Dyesebel was harrowing. It took 10 people to help me into the costume and out of it. If I needed to go to the toilet, they created a hole on the costume to make my life bearable. When I did these movies, we weren’t as wired as we are today. In Darna, I was tied and lifted to simulate flying. It was physically punishing…” – Boy Abunda, The Philippine Star, July 31, 2009 (READ MORE)
In the 1973 Dyesebel movie, Dyesebel lives in an undersea kingdom of mermaids far from the land of humans because the humans believe that the mermaids are the cause of misfortune. Dyesebel fell in love with a male human being. In order to be with the man that she likes, she swore to find a way to be transformed into a female human being. In the movie, “Si Dyesebel at Ang Mahiwagang Kabibe,” the role of Dyesebel was played by Vilma Santos and Fredo was played by Romeo Miranda. – Jun B (READ MORE)
“…1973’s Dyesebel (aka Si Dyesebel at ang Mahiwagang Kabibe, or “Dyesebel and the Magic Conch”) is what would today be referred to as a reboot, with beloved Filipino star Vilma Santos taking over in the title role. Mars Ravelo would make 1973 a very busy year for Santos, as she had also made her debut as Darna that year, in Lipad, Darna, Lipad!, and would go on to complete a second Darna feature before the year was out. As did the Darna pictures, this Dyesebel benefits greatly from the undeniable raw charm of Santos, who, in place of Edna Luna’s ethereal glamour, provides a likeable and approachable portrayal of the mermaid heroine as a loveable and trouble prone naïf. This new Dyesebel, directed by Emmanuel H. Borlazza, takes even further than its predecessor the idea of the mermaids as something feared and reviled by the human world. This is illustrated in a scene where a group of them comes ashore only to be met by a maniacal, sword-and-pitchfork wielding mob. A graphically violent fight follows, with much blood spilled and many a fin brutally slashed (I think that would count as “HMV” for “Human on Mermaid Violence”, for those keeping track.) In addition to this bracing infusion of gore, Dyesebel also welcomes us to the 1970s with a generous display of boobs (none of them Santos’s) and an absurdly confident rolling out of bush league special effects. Among these last are a giant seahorse upon which Dyesebel and Fredo (Romeo Miranda) ride during a romantic interlude and an adorable giant octopus from which Dyesebel is saved by a helpful swarm of puppet electric eels…” – Todd, Die, Danger, Die, Die, Kill! (READ MORE)
“…The mermaid character, presumably inspired by the Hans Christian Andersen classic fairy tale The Little Mermaid, was conceived by Mars Ravelo, serialized in Pilipino Komiks in 1952-53 and illustrated by Elpidio Torres. It has nothing to do at all with the 1938 Hollywood classic Jezebel (starring Bette Davis) except that the titles are soundalike. The first Dyesebel movie was made by Manuel Vista Production/Premiere Productions in 1953, with Edna Luna in the title role, directed by Gerardo de Leon. The leading man was Jaime dela Rosa as Fredo. If memory serves, Hollywood has so far done only two mermaid movies, Splash, with Darryl Hannah in the title role and Tom Hanks as co-star and an animated feature. Other actresses who have played Dyesebel include: Eva Montes in Anak ni Dyesebel (1964); Vilma Santos (1973); Alma Moreno in Sisid, Dyesebel, Sisid (1978); Alice Dixson (1990); and Charlene Gonzalez (1996). On TV, Marian Rivera played it, with Dingdong Dantes as leading man. In the ABS-CBN version, Dawn Zulueta will play Dyesebel’s mother with Sam Milby and Gerald Anderson as leading men. The Fredo character has been played by Romeo Miranda (with Vilma), Matt Ranillo III (Alma), Richard Gomez (with Alice) and Matthew Mendoza (with Charlene)…” – Ricky Lo, The Philippine Star, 10 Jan 2014 (READ MORE)
“…Aside from the three most popular characters from the pages of “Komiks,” Ravelo is also behind the superheroes Lastikman, Dragonna, Flash Bomba, Tiny Tony, Trudis Liit, Kapitan Boom, and Jack and Jill, among others. Since her 1947 comicbook debut, Darna has been played by over 15 different actresses in TV and films, with Vilma Santos’ 1970s portrayal considered to be the most iconic take…” – ABS-CBN News, 12 Jan 2014 (READ MORE)
Basic Information: Directed, screenplay: Emmanuel H. Borlaza; Cast: Vilma Santos, Helen Gamboa, Loreta Marquez, Rosanna Marquez, Romeo Miranda, Desiree Destreza, Florence Aguilar, Ike Lozada, Pepito Rodriguez, Cesar Ramirez, Zandro Zamora, Max Alvarado, Renato Robles, Protacio Dee, Chris “Bhuda” Cruz, Jing Caparas, SOS Daredevils, Greg Lozano, Ricky Valencia, Dave Esguerra, Robert Miller, Karlo Vero, Lorelei, Carina Zawalsky, Lorna Locsin, Nita Lincoln, Elizabeth Vaughn, Christine Soriano, Danny Rojo; Cinematography: Ben Lobo
Plot Description: The second film after the massive success of Lipad Darna Lipa (Fly Darna Fly), Vilma Santos returned as Darna/Narda in Darna and the Giants. Directed by Emmanuel H. Borlaza, Giants was about X3X (Helen Gamboa) who infected ordinary people with serum that made them giants. The giants played havoc to the city and thank goodness Darna eliminated them before demonic X3X conquered the whole world. Now paired with Don Don Nakar as Ding, Vilma radiated the screen for the second time. Kudos to the tricky special effects that made the giants realistic. Ike Lozada stole the film though. His scenes were the funniest in years. Darna used a huge church bell to defeat him. It was unclear why the fat giant, Ike, were allergic to the sound of the church bell. Darna rung the bell to great effects, making the giant Ike felt excruciating pain in his ears. Darna then threw the bell on Ike’s head suffocating him to his immediate death. That alone made everyone’s theatre tickets worth every penny! And lots of pennies as the film became one of two Darna movies that featured Vilma Santos and both films became big box office hits of 1973. – RV
Vilma Santos Stars in “Darna and the Giants” – Darna fights Alien Invaders and battles “X3X”, an intergalactic Warrior-Queen whose science performs genetic engineering on earthlings and turns them into Giants to bring the Planet Earth to it’s knees. Until Darna eventually kicks the crap out of her and the Giants. – International Hero (READ MORE)
Film Achievement: One of two Darna movies of 1973 that featured Vilma Santos, the other one was Lipad Darna Lipad which was released on March 23rd (Darna and the Giants was released on December 22nd), both successful box office hits.
Film Review: Sine Pilipino got then hot young star Vilma Santos to essay the role of Darna. But the problem was, Vilma was hesitant to wear the two-piece costume. So, during their photo shoot for the publicity photos of the new Darna movie, she wore the Darna costume on top of her body stocking. Vilma was finally convinced by producers Douglas Quijano and William Leary to lose the body stocking and wear just the costume on the day of the press conference. The press people were surprised on seeing how sexy Vilma was in her Darna costume, which was back to the original red bikini and gold stars. Lipad, Darna, Lipad! (1973) is the first and only trilogy of the superheroine.
It was a box-office hit on its first day of showing and considered a turning point in Vilma’s career. It was also the first Darna movie where Darna and Narda was played by the same actress. Unfortunately, there is no existing copy left of this classic film. Vilma starred in three more Darna films: Darna and the Giants (1974) and Darna vs. the Planetwomen (1975), which were both under Tagalog Ilang-Ilang Productions, and Darna and Ding (1980) under Niño Muhlach’s D’Wonder Films. Darna and the Giants was the continuation of Vilma’s first Darna movie and Darna again wore the gold bikini costume, while Darna vs. the Planetwomen was a rebooted version of the Darna origin, with Vilma’s Narda this time portrayed as a crippled teenager who was given a magical stone by a mysterious source. The costume is back to red this time with the stars on Darna’s bra also colored red and the headpiece, all gold. Darna and Ding was the last time Vilma played Darna. Her costume this time was sexier and more revealing. In this movie, she was joined by Ding who now has his own superpowers. – Rico J Rod (Read More)
“…Unang ginampaman ni Vilma Santos ang papel ni Darna sa Lipad, Darna Lipad! (Sine Pilipino, 1973). Isang pelikulang may tatlong kasaysayan kung saan nakaharap nito ang palagiang kalabang sina Valentina, Ang Babaeng Lawin at ang Impakta. Sa pagkakataong ito ay mga higante naman ang kinaharap ni Darna. Masasabing, sa pagganap ng aktres bilang Darna tuluyang bumulusok ang kanyang kasikatan. Tunay na akmang-akma dito ang pisikal na kaanyuan ni Darna. Nabigyan din ito ng panibagong bihis nang umpisahan ng aktres ang paglabas sa papel ni Darna. Sa mga naunang pelikula, kadalasa’y dalagita si Narda, at nag-iibang anyo lamang ito kung nilunok na ang batong nagbibigay kapangyarihan bilang Darna. Dahilan sa si Vilma Santos ang naatasang gumanap bilang Darna ay kinailangang ito rin ang lumabas bilang Narda. Sinimulan ng nobelistang si Mars Ravelo ang pagsusulat ng Darna taong 1947 sa magasing Bulaklak. Unang isinapelikula ito ng Royal Films noong 1951 na nagtampok kay Rosa del Rosario samantalang ginampanan naman ni Cristina Aragon ang papel ni Valentina at si Mila Nimfa naman ang gumanap na Narda. Masasabing tanging si Vilma Santos lamang ang nag-iisang aktres na gumanap bilang Darna sa apat na pagkakataon. Isang uri ng pagganap na tunay na nagluklok kay Darna bilang malaking bahagi ng kulturang Pilipino. Sa bawat pagkakataong ito ay tunay na inangkin ni Vilma Santos ang katauhan ni Darna na patuloy na nagbigay aliw sa mga manonood ng sineng Pinoy.” – Jojo Devera, Sari-saring Sineng Pinoy (READ MORE)
“Due to the Internet, one day soon I’m sure information on all of the cinematic obscurities of the world will be available to us, but at the moment it’s still wonderful to uncover a country’s hidden pop culture hitherto unnoticed by the rest of the planet. Take Video48, a mind-shattering trip into the uncharted realms of Filipino cinema, featuring a menagerie of stills, posters and articles from films I never even dared to dream existed! I stumbled across home-grown super-heroes such as Mars Revelo’s Darna a few years back, and Eric Cueto’s fansite provided a wealth of information on her cinematic adventures, (whilst also revealing tantalising glimpses of her on-screen contemporaries), but I certainly hadn’t realised the extent to which comic book characters pervaded the Philippine big-screen. Chances are the country was second only to Turkey when it came to cinematic Super-heroes – Darna herself has starred in 14 films and two TV series, which certainly puts Wonder Woman to shame…Sadly most of these fantasy films are unlikely to have survived – the condition of the Vilma Santos’ early Darna movies is supposedly so wretched that a DVD release has been permanently canned, and ancient VHS copies of Darna & the Giants and Darna & the Planet Women are jealously guarded by the few collectors who salvaged them from rental shops. Just as in Turkey, these films were probably considered to be as disposable as the comic books on which they were based – but I for one would go ga-ga for a double bill of this years The Dark Knight with 1973’s Fight Batman Fight (fair enough, my brain might melt out of my ears afterwards, but what a way to go…” – Poptique (READ MORE)
Most Popular Darna “…Ding, ang bato!” yells Narda, the adolescent country lass, to her younger brother. Ding obligingly hands over a shiny pebble which Narda swallows to turn herself into the vivacious super-vixen, Darna. Mars Ravelo’s superheroine, clad in crimson bikinis and knee-high stiletto boots, may perhaps be the most famous local fantasy character given life on the silver screen. Though not actually considered a career-defining role, portraying Darna is, nonetheless, highly-coveted. Darna has been portrayed by no less than nine actress in 12 feature films. Rosa del Rosario first wore the scarlet two piece in May 1951. She reprised the role after three months. Liza Moreno, Eva Montes and Gina Pareno followed her. The inter-galactic pebble found its way to Vilma Santos’ throat in 1973 via the flick “Lipad, Darna, Lipad!” Santos, now a two-term mayor of Lipa City in Batangas, is probably the most popular Darna, with a total of four movies in a span of seven years. Some of these were made known to younger generations through afternoon airings on television in the late ’80s. Maybe RPN 9 should do that again so that even younger generations can marvel at Darna’s greatness, albeit antiquated, in such movies as “Darna and the Giants” and “Darna vs. the Planet Women…” – Armin Adina, Philippine Daily Inquirer, June 06, 2003 (READ MORE)
“…The film was released just two years after president Ferdinand Marcos instituted martial law in the Philippines. The resulting censorship of opposition opinions in the media (scripts for films had to be screened by the government before production was allowed to begin) would have prevented direct opposition to Marcos’ methods to be espoused, but the simple story of a 006giant army trampling on the rights of the general populace could easily have slipped by as pure fantasy. Even if not directly relatable to that contemporary situation, the conflict undoubtedly played well with a country occupied in the past by everyone from the Spanish to the English to the imperial Japanese. This was the big Christmas season release for Tagalog Ilang-Ilang Productions, and it’s obvious that a good deal of money was put into it. The plentiful special effects moments were devised by effects man Jessie Sto. Domingo and special photographer Tommy Marcelino. The giants are brought to life through simple photographic effects and, more frequently, the use of massive forced-perspective setups requiring hundreds of extras to run about in the background while the giants stand among scaled miniatures in the foreground. It all looks pretty quaint by the industry standards of today, but the shear enthusiasm of those involved is deserving of admiration all the same. I imagine this was quite a succesful domestic release in its time, the star power of the beautiful Vilma Santos being more the enough to guarantee healthy ticket sales. The rest of the cast is full of recognizable industry regulars. Divina Valencia [Pussy Cat, Queen of the Wild Bunch] receives second billing in spite of her few lines, but has definite screen presence as a giant in a Viking helmet. Max Alvarado, who seems to be in just about every Filipino film production since 1950, has a prominent role as a giant as well – a role he would reprise in the fantastic opener for Darna at Ding…” – Kevin Pyrtle, WTF-FILM (READ MORE)
Darna is Not a ‘Rip-off” of Wonder Woman – “…Because of the character’s immense popularity, several other studios would license the character and produce more Darna movies throughout the next several decades. After Rosa Del Rosario, Vilma Santos (who first played Darna in 1973’s “Lipad, Darna, Lipad”) would be the most well known and the most in demand to play the character. She starred in a total of 4 Darna movies. Her 4th and final one being in 1980. For years after that, no more Darna movies were produced…” – Raffy Arcega, Comic Book Movie (READ MORE)
Intergalactic Warrior – “…There were comic-inspired franchises that never travelled beyond their own borders, such as the Darna series from the Philippines in the 1970s – she was an intergalactic warrior disguised as an earthling – and which helped actress Vilma Santos turn the fame she achieved into a political career that still sees her serving as governor of Batangas province…” – Matt Scott, South China Morning Post, 20 April, 2014 (READ MORE)
Film Achievement: One of Vilma Santos and Gloria Romero 13 films – (Anak ang Iyong Ina, Iginuhit ng Tadhana, De Colores, Pinagbuklod ng Langit, Anak ng Aswang, Lipad Darna Lipad, Happy Days are Here Again, Karugtong ang Kahapon, Nakakahiya?, Hindi Nakakahiya, Makahiya at Talahib, Saan Nagtatago Ang Pag-ibig?, Kapag Langit Ang Humatol) – RV (READ MORE)
Film Review: “…featuring the Vilma/Gloria mother and daughter team had to be made. Gloria reprised her role as the vampire minus Darna. Vilma was her “doomed” daughter. Gloria was so identified as Impakta that when the second Darna flick cameabout she have to do do a cameo appearance!…” – Mario Garces (READ MORE)
“…Noong 1973 ay naglitawan sa mga tabloids ang allegedly nakitang aswang o bampira. Yun pala ay ipapalabas ang Anak Ng Aswang ni Vilma Santos. Kasama sa nasabing pelikula sina Gloria Romero, Daisy Romualdez, Rosanna Marquez at Edgar Mortiz…” – Tess Clarin, FAP, Nov 27, 2009 (READ MORE)
“Impakta” or an “Asuwang” Roles – “…Eric C: Vilma, You have done every role already except playing “Impakta” or an “Asuwang”. Would you consider playing a Darna villainess like what Gloria Romero did? Vilma: Yikes! Do I already look like a Vampire? (Laughs out loud) Actually I starred in a Vampire movie already “Anak ng Aswang” (Vampire’s Child) but I was not the Vampire. Gloria Romero played the Vampire. Actually I think that’s an interesting role and I don’t mind playing a Villainess as long as it’s a good story…” – Eric Cueto (READ MORE)
Nang ginagawa ni Vilma ang Lipad, Darna, Lipad sinasabi niyang marahil iyon na ang pinakamahirap at challenging pic niyang nagawa. Kasi, dito’y nabilad siya ng husto sa init ng araw. Nalubog pa sa putik. Alam naman ninyo ang balat ng top superstar…manipis, maputi at sensitive. Tinubuan siya tuloy ng skin rashes. Sa Lipad, muntik na rin magkaroon ng nervous collapse si Vi. Dahil sa pakikipaglaban niya sa maliit na sawa. Heaven knows na gaano na lang ang takot ni Vi sa tulad nito and other slimy, crawling things. And so, akala nga ni Vi ay ang Lipad na ang pinakamahirap niyang pic na nagawa. But she was wrong. Pagkat, sa Dyesebel ay lalong hirap ang inabot niya. Nabilad siya rito sa init ng araw, nababad pa siya nang todo sa tubig. Ang God! ang difficulties niya sa paglipat-lipat sa sets. Paano siya makakakilos e, naka-buntot siya? At matatandaan pa ba ninyo na ilang ulit na naospital ang top superstar pagka’t nanganib na mapulmonya? Kaya minsan pa’y nasabi ni Vi na ang Dyesebel na ang pinakamahirap na pic niyang nagawa. Nguni’t sa paggawa niya ng Anak ng Asuwang para sa Roma Films, tambak na hirap na naman ang inabot niya. Masasabi ninyong hindi naman gaano marahil. Pagka’t dito’y hindi naman naka-costume ang superstar di tulad sa Lipad at Dyesebel. – Cleo Cruz, Bulaklak Magazine, 1973
Basic Information: Director: Emmanuel H. Borlaza; Screenplay: Nestor Torre; Cast: Vilma Santos, Edgar Mortiz, Jay Ilagan, Florence Aguilar, Lillian Laing, Karlo Vero, Beth Manlongat, Ruben Tizon, Angelito, The Family Birth Control, Julius Obregon, Romeo Miranda, Rene Baraza, Lito Ladores, Eric Domingo, Caloy Distrito, Raffy Engle, Geoffrey Beltran, Catalino Almario Jr., Tacio Tangkad, Bayani Casimiro, Lito Calzado, Daisy Romualdez, Manny Paner; Original Music: Danny Subido; Cinematography: Ben Lobo; Film Editing: Segundo Ramos; Art Direction: Alfonso Socito; Sound: Luis Reyes
Plot Description: Leron Leron Sinta stars Vilma Santos, Edgar Mortiz, Jay Ilagan, Florence Aguilar, Lillian Laing, Karlo Vero in this film that fuses music and film perfectly. Witness their characters explore the world of love and the beauty and madness that come with it. Watch them as they perform certain scenes with song numbers bringing pleasure and entertainment to the next level. – Kabayan Central (READ MORE)
Film Achievement: No Available Data
Film Review: Leron-Leron Sinta reminded us of Glee, with Florence Aguilar auditioning to a school choir and with several cover songs like Lennon’s “Imagine.” It also featured a funny scene where Edgar Mortiz did a duet with Florence, he, singing in his window while she answered back, singing in their house balcony. Feeling irritated, both Vilma and Jay sarcastically screamed, “wow! ala-Romeo and Juliet!” Leron is watchable but has some noticeable flaws. On the first part, suddenly, we see both Jay and Edgar cross-dressing and we realized that this was a continuity scene of the later part of the film, where Gigi and Beth decided to entertain other suitors (as both got fed up with Jay and Edgar’s courting antics). Like most musical films in the 70s, there’s the typical travelogue scenes. The film showcased the city of Antipolo while the four main characters did some sight-seeing, like tourists. As part of the story, the film showcase Edgar and Florence’s singing talents which were justifiable as both were member of their school’s choir unlike other musical films where the singing scenes were just added with no connections to the film’s story. This can be attributed to a much equipped team of writer, Nestor Torre Jr. and director, Emmanuel Borlaza, who also came up with Vilma’s first significant drama, Dama de Noche. But like so many film in this era, Leron-leron Sinta, also ended with a musical production number, this time, it’s a Christmas medley. Child star Beth Manlongat and Angelito provided some funny moments. And Lilian Laing too. But the one star who stole the film from the four main characters was veteran comedian, Bayani Casimiro who was very funny as the forgetful judge and who tried to marry the four undecided teens. – RV (READ MORE)
“…By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)…In 1970, the love team of Vilma Santos and Edgar “Bobot” Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office…” – Rommel R. Llanes (READ MORE)
“…Noong Dekada ’70, ang mga young stars ay kailangang marunong kumanta dahil yun ang uso kaya naman nagtayo ng sariling recording company ang nasirang manager ni Vi na si William Leary dahil ayaw niyang pahuhuli sa uso ang kanyang alaga. Ilan sa mga naging recording artists ng WILEARS RECORDS bukod kay Vi ay sina Edgar Mortiz, Ed Finlan, Sahlee Quizon, Hilda Koronel at Esperanza Fabon. According to Vi, kapag nagrerecord siya ng kanta ay nakatalikod siya sa dingding ng recording company at si Bobot ang umaalalay sa kanya. Ang SIXTEEN, na sinulat ni Danny Subido ang unang recording na ginawa ni Vi at ito ay flipsided by It’s So Wonderful To Be In Love. Ang SIXTEEN ay agad naging gold record at dahil dito ay gumawa ng pelikula ang Tagalog Ilang Ilang Productions, ang home studio ni Vi at ito ay ginawa nilang pamagat katambal si Edgar Mortiz. Hindi nyo naitatanong, muntik nang manalo si Vi bilang most promising singer sa AWIT AWARDS noong early ’70s…” – Alfons. Valencia (READ MORE)
“…The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche. Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon…” – RV (READ MORE)
“…Si Edgar Mortiz ang unang nakapareha ni Vilma Santos as a teen star. Nakilala sila as the “Subok na Matibay, Subok na Matatag” loveteam called Vi and Bot at naging magka-steady sila sa tunay na buhay. Marami silang ginawang pelikula as teen stars in the early 70s…” – Showbiz Portal (READ MORE)
Basic Information: Direction: Maning Sonco; Story, Screenplay: Johnny C. Panocunan; Cast: Vilma Santos, Walter Navarro, Ace York, Perla Adea, Romy Mallari, Chichay, Bert Tawa Marcelo, Kiti kiti, Arnold Mendoza, Raquel Monteza; Music: Danny Subido; Photograhy Versardo Bonen; Film Poster: Video48
Plot Description: No Available Data
Film Achievement: No Available Data
Film Review: “…Besides teaming up with Edgar Mortiz during her teen years, Vilma Santos also starred and appeared in many movies opposite other leading men…” – Simon Santos (READ MORE)
“…Walter Navarro—fans called him “Pogi” and rightly so. In the 1970s, Walter was known as the most handsome face in the movie industry. Well mannered, tall, slim and mestizo, he embodied the “Prince Charming” of every Filipina girl…” – Wikepedia (READ MORE)
“…Film artist Walter Navarro (Vicor) will have his first LP, “King of Balladeer,” this month. He is a contract star of Lea Productions and principal mainstay of the El Bodegon Club. Navarro is doing a film musical with Vilma Santos (Wilear’s) with Mirick Productions…” – Oskar Salazar (READ MORE)
Basic Information: Directed: Armando De Guzman; Story: Quentin De Guia; Screenplay: Natalie De Guzman; Cast: Vilma Santos, Edgar Mortiz, Snooky Serna, Arnold Gamboa, Beth Manlongat, Tweeny, Von Serna, Armando De Guzman Jr., Tony Ferrer, Boots Anson-Roa, Lourdes Medel; Original Music: Danny Subido; Cinematography: Fortunato Bernardo; Film Poster: Video 48
Plot Description: No Available Data
Film Achievement: Best Musical Picture – 1971 The Manila Film Festival; One of three films Vilma Santos and Tony Ferrer did together, one was Wonderful World of Music and the other one was Darna and The Giants where Vilma played Darna and Tony as Tony Falcon, Agent X-44 (ala-James Bond). Sapagka’t is also one of Vilma films with Boots Anson Roa, the others, “The Wonderful World of Music” and “Mano Po III: My Love.”
Film Review: “…She continued her singing stints with an album most Vilmanians seems to forget, All I See Is You carried the folk song, Ati Cu Pung Sing-sing and Wonderful world of Music. The later song became a title of a musical film that paired Vilma with Edgar and co-starred with Snooky, Tony Ferrer, and Boots Anson Roa. The demand for Vi & Bot’s recordings increased and Willears produced Sweetheart, perhaps a confirmation album of the real score between the two young teen stars. Out of 25 films Vilma and Edgar made in 1970, both Sweethearts and Sixteen stands out as two of their certified hits both as films and recorded albums…” – RV (READ MORE)
“…Songwriter George Canseco won the Manila Film Festival best movie theme category for his work in the movie “Kapantay ay Langit,” produced by Virgo…”The Wonderful World of Music,” produced by Tagalog Ilang-Ilang, was judged best musical in the Manila Film Festival. The picture stars, Vilma Santos and Edgar Mortiz, both artist of Wilear’s…” – Oskar Salazar, Billboard Magazine, 24 July 1971 (READ MORE)
Basic Information: Directed: Leonardo L. Garcia; Story: Ernie Evora; Screenplay: Rico Bello Omagap; Cast: Vilma Santos, Victor Wood, Ruben Tizon, Tita De Villa, Priscilla Ramirez, Jovie Barretto, Tany Clemente; Original Music: Danny Subido
Plot Description: No Available Data
Film Achievement: No Available Data
Film Review: “…Besides teaming up with Edgar Mortiz during her teen years, Vilma Santos also starred and appeared in many movies opposite other leading men…” – Simon Santos (READ MORE)
“Victor Wood, dubbed as the Tom Jones of the Philippines, was a popular singing sensation during the 70s. Songs like Mr. Lonely, Eternally, Carmelita, Crying Time, I Went to Your Wedding, You Are my Destiny, Pearly Shells, Sweet Caroline, among others were all top hits. He was awarded a total of 34 gold and platinum records earning him the title of ‘Jukebox King.’ Titles of his movies, which were moneymakers too, were mostly lifted and taken from his hit singles…” – Simon Santos (READ MORE)
Basic Information: Director: Emmanuel H. Borlaza; Story: Pierre Salas; Screenplay: Emmanuel H. Borlaza; Cast: Vilma Santos, Edgar Mortiz, Josephine Estrada, Dave Curtis, Ike Lozada; Original Music: Danny Subido; Cinematography: Benjamin L. Lobo; Film poster: Video48
Plot Description: “…A love story shot in the land God created for lovers…the land where people never say I love you, instead they say…..” Aloha My Love (March 3, 1972) ng Tagalog Ilang-Ilang Productions na pinangunahan nina Vi, Edgar Mortiz, Josephine Estrada at Dave Curtis na sinulat in Pierre Salas at sa iskrip at direksiyon ni Emmanuel H. Borlaza…” – Alfonso Valencia (READ MORE)
Film Achievement:Aloha My Love is also a music album of Edgar Mortiz and Vilma Santos.
“…Borlaza gave Vilma Santos her very first best actress, winning the 1972 FAMAS for via Dama De Noche. He is also credited in narrowing the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. Total Number of Films in our list of VSR’s Top 50 films = 4 (#10 Lipad Darna Lipad 1973, #32 Dyesebel at ang Mahiwagang Kabibe 1973, #48 Darna and the Giants 1973, #49 Dama De Noche 1972)…” – RV (READ MORE)
Film Reviews: “…By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)…In 1970, the love team of Vilma Santos and Edgar “Bobot” Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office…” – Rommel R. Llanes (READ MORE)
“…The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche. Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon…” – RV (READ MORE)
“…Si Edgar Mortiz ang unang nakapareha ni Vilma Santos as a teen star. Nakilala sila as the “Subok na Matibay, Subok na Matatag” loveteam called Vi and Bot at naging magka-steady sila sa tunay na buhay. Marami silang ginawang pelikula as teen stars in the early 70s…” – Showbiz Portal (READ MORE)
“…Sa tuwing sumasapit ang Christmas at valentine’s Day ay nagtatapatan ang mga pelikula nila. Nang ginawa nina Guy at Pip sa Hawai ang pelikulang Blue Hawai, hindi nagpatalo ang Vilma at Edgar. Nagtungo rin sila sa Hawai at ginawa nila ang pelikulang Aloha, My Love bilang pantapat sa pelikula nina Nora at Tirso. Ganyan talaga kainit ang labanan noon ng dalawang parehang ito. Pagkatapos ipalabasa ang mga pelikulang Blue Hawai at Aloha My Love na parehong kumita sa takilya, nagtungo rin ang dalawang pangkat sa USa para gawin naman nila ang pang-Valentine’s Day offering nila. Don’t Ever Say Goodbye ang kina Vilma at Edgar, samantalang ang kina Guy at Pip naman ay ang Gift of Love. Hindi lang iyan. Tuwing sasapit naman ang Metro Manila Film Festival ay nagkakaroon din sila ng kanya-kanyang entry under their respective production companies – ang Tagalog Ilang Ilang for Vi and Bot at Sampaguita Pictures kina Guy at Pip. Halos sila na lang ang siyang pinapanood at iniidolo ng fans…” – Ely S. Sablan (READ MORE)
“…Ang pangatlong long playing album nina Vi at Bot ay ang All I See Is You na ini-release noong August 30, 1971 (kaarawan ni Edgar Mortiz) na binubuo ng medley of songs na atin Cu Pung Singsing at Leron Leron Sinta, Baby Cakes, Little Brown Gal, Grown Up Like Me, Nine Little Teardrops, Jealous Heart, The Wonderful World of Music, El Condor Pasa, Hawaiian Wedding Song, I Understand, My Special Angel at Just Say You’ll Be Mine. Ang awiting Butsiki ni Yoyoy Villame ay hinango sa awiting Baby Cakes. Ang THE Wonderful World of Music ay ginawang titulo ng pelikula nina Vi at Bot na inilahok sa 1971 Manila Film Festival kung saan ito ang nakakuha ng Best Musical Film. Kasama nina Vi at Bot sa pelikulang ito ang noo’y batang bata pang si Snooky (Serna). Ang pang-apat na long playing album nina Vi at Bot ay pinamagatang Aloha My Love na ini-release noong February 1972 at naglalaman ng mga awiting Hawaiian Medley, Beyond The Reef, All Alone Am I, Why Don’t You Believe Me, Eternally, My World Is My World, Aloha Oe, Seven Lonely Days, Mandolins In The Moonlight, Daddy, Seventeen at Two People In Love. Ang Aloha My Love ay titulo din ng pelikulang ginawa nina Vi at Bot sa Hawaii. Ang Eternally ay isinapelikula din ng Tagalog Ilang Ilang Productions na tinampukan pa rin nina Vi at Bot. Napakasuwerte ni Vi dahil nagkaroon ulit siya ng pangatlong solo long playing album na may pamagat na Sing Vilma Sing. Ito ay binubuo ng mga awiting Da Doo Run Run, Abadaba Honeymoon, Tweedle Dee, Bo Weebel, A Kookie Little Paradise, Bobby Bobby Bobby, A Rick-Tick Song, It’s Been A Long Long Time, Breaking Up Is Hard To Do, You Made Me Love You, The Birds & The Bees at He’s So Near (Yet So Far Away). Ang A Rick-Tick Song ang ginawang theme song ng radio program ni Ric Radam sa DZRH noong early ’70s… ” – Alfonso Valencia (READ MORE)
Star For All Seasons 
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