“Okey din naman pala itong utol kong si Ethel Ramos. You see, she went with Vilma Santos to Amsterdam and like a good sister…she sent me these exclusive pictorials of Vilma Santos and that of up-and-coming actor Mark Gil. Mark, as you have probably heard went ahead of Vi to Amsterdam. So, Mark was able to see the rounds of Amsterdam even before Vi came. So impressed was Mark that he almost memorized the favorite spots he went to and volunteered to become Vi’s guide. Sa Damsquare unang ipinasyal ni Mark si Vi. Sa lugar na ito raw malimit na nagpapasyal ang mga tagaroon. Karaniwan na, doon sila nag-papalipas ng maghapon, nakaupo sa mga upuang sadyang ginawa para sa mga turista at kundi nagpapahangin ay nagpapainit kaya. Sa Damsquare ay makikita ang pagkarami-raming kalapati. Kung gusto mong pagkalumpunan ka ng mga kalapati na pagkaaamo, pakainin mo lang sila at pagkakaguluhan ka ng mga ito. Maraming nagtitinda ng mga pagkain ng kapati sa Damsquare. Iyon ang tagpong malimit nating makita sa mga pelikulang English. May eksenang ganito si Vi na mapapanuod natin sa “Miss X” na ginawa nila in its entirety in Amsterdam. “Nakakatuwa si Vi habang pinanonood mo siyang nakikipaglaro sa mga kalapati…”
Hindi Nakaporma – “She was bubbling with joy,” puna ni Mark, who obviously was smittened yata with Vi’s charm. Kaya lang, ang balita namin, tipo raw na hindi nakaporma si Mark kay Vi dahil sa isang Dutchman na laging nakadikit sa aktres. Kamukha raw ni Ramil Rodriguez ang “suitor”na ito ni Vi at talaga raw matinding-matindi ang tama sa ating dalaga. Makikita ninyo sa movie ang Dutchman na ito dahil kasama rin siya sa cast ng “Miss X.” At mukhang seryoso raw ang Dutchman na ito dahil may nagbulong sa amin, malamang na pumunta siya rito sa ating bansa para totohanin na ang kanyang panliligaw. Kapag nangyari ito, masaya siguro. By the way, back to Damsquare, naroon din daw pala ang palace ni Doña Juliana, ang reyna ng Amsterdam, pero hindi siya doon nakatira. Minsan isang buwan lang kung buksan ang palasyo at itoý kung may cabinet conference. Si Doña Juliana ay anak ng first queen ng Amsterdam na si Doña Wilhelmina. Sa Soastdijk (pronounced as Susdak) siya nakatira. Isang lugar din ito sa Netherlands. Ipinasyal din ni Mark si Vi sa Red Light District. Dito kinunan ang malaking bahagi ng “Miss X.” Dito nga makikita ang much talked about na mga babaing naka-display sa eskaparate at for hire for a 15-minute pleasure…” – Article by Chit A. Ramos, Photos: Bing Cruz, first published at Jingle Extra Hot Magazine, 26 November 1979, Posted by James DR, Pelikula (READ MORE)
Sa Gaano Kadalas Ang Minsan?, Minsan pang pinatunayan ni Danny Zialcita ang kanyang pambihirang abilidad sa pagbibigay ng bagong treatment sa lumang tema ng pag-ibig, na kadalasa’y umiikot sa pormula ng trianggulo. (Hindi nga ba’t maging sa kanyang mga naunang obra tulad ng Hindi sa Iyo Ang Mundo, Baby Porcuna at Ikaw at ang Gabi, ay naitatak ni Zialcita ang kanyang makabagong sensibilidad sa pagtalakay sa mga kuwento ng pag-ibig?) Mula sa istorya ni Tom Adrales (na nagsilbing katulong ni Zialcita sa iskrip at sa direksiyon), ang Gaano Kadalas ay tungkol sa magkaibigang Lily (Vilma Santos) at Elsa (Hilda Koronel), na bagama’t kapwa nakaririwasa sa buhay ay magkaiba naman ng suwerte. Matapos magpatingin si Hilda sa doktor, nalaman niyang wala na siyang pag-asang magkaanak pa. Si Vilma nama’y may kaisa-isang anak nga sa pagkadalaga pero wala naman itong ama at mas grabe pa, may taning na ang buhay ng bata (may congenital heart desease ito). Minsan, nagkahingahan ng problema ang magkaibigan, at sa kanilang pag-uusapa, inalok ni Hilda si Vilma na gawing ama ng kanyang anak ang asawa nitong si Louie (Dindo Fernando). Bagama’t ipinalabas niyang mahal din niya ang bata at gusto niya itong mapaligaya kahit pansamantala lang, ang kanyang tunay na pakay ay mapaglapit ang kaibigan at ang asawa nang sa gayo’y magakaroon siya ng maaampong anak mula sa relasyon ng dalawang taong kapwa niya mahal.
Nagtagumpay ang tatlo sa kanilang pagpapanggap, at gay ng inaasahan, nagka-ibigan nga ang dalawa. Pagkatapos mamatay ang anak, nagbuntis si Vilma. Dahil delikadong manganak siyang muli (diumano’y may sakit siya sa puso), nagtangkang ipalaglag ni Vilma ang nasa kanyang sinapupunan. Napigilan siya ng kaibigang si Chanda Romero at ni Dindo mismo. Perso sa wakas, nang siyang magsilang, nawalan si Elsa ng asawa, kaibigan at anak. Mahusay ang pagkakadevelop sa kuwento ng Gaano Kadalas at epektibo ang direksiyon ni Zialcita. Nagawa nitong masangkot ang manonood sa problema ng mga tauhan. Absorbing ang naging tunggalian ng mga puso’t damdamin. Naipakitang may sapat na motibasyon ang kanyang mga tauhan para pumasok sa ganoong arrangement. Gayunman, may ilang katanungang hindi nasagot sa pelikula. Una, paano nakakasiguro si Hilda na ipagkakaloob sa kanya ni Vilma ang anak nito kay Louie sakali ma’t hindi namatay ang bata? Ikalawa, bakit masyadong naging hayagan ang relasyon nina Vilma’t Dindo lalo pa kung isasaalang-alang ang kanilang tayo sa sosyedad? Ikatlo, kung totoong mapera si Vilma, bakit nahirapan siyang kumontak ng abortionist at dahil nga dito’y isinugal pa ang buhay? Kung tutuusin, lalo pang naging prominente ang mga kakulangang ito dahil lubusang nag-rely ang pelikula sa samu’t saring medical convolutions ng plot: kesyo may anak nga si Vilma pero blue baby naman at kesyo hindi rin siya puwedeng manganak ulit dahil sa sakit niya sa puso (at ang mga ito ay nakapagtatakang hindi pa nalalaman ni Dindo).
Ang madalas magpaangat sa pelikula ay ang acting cast. Dahil mas malaman ang kanyang papel at tila naperfect na ni Vilma Santos and agony ng other woman mas nangibabaw ang kanyang performance kay Hilda Koronel. Kahit na mas marami ang nagsasabing si Hilda ang mas angat dito. Pasulpot-sulpot ang papel ni Hilda at may kahinaan ang motibasyon (isipin mong siya pa ang nagtulak sa sariling asawa sa ibang babae!). Medyo nakaka-distract ang kanilang mga kasuotan (mga gawa ni Christian Espiritu), gaya rin ng ayos ng mga bahay at kasangkapang tila nakikipagkumpetensiya sa tauhan. Epektibo rin ang pagganap ni Dindo Fernando bilang Louie na nakati ang puso para sa dalawang babae. Magagaling din ang supporting cast, lalo na si Suzzanne Gonzales, ang yayang sosyal at ang batang si Alvin Joseph Enriquez. Kahit maikli ang kanilang papel, mahusay rin ang rehistro nina Tommy Abuel, ang doktor na nanliligaw kay Vilma, at si Chanda Romero, bilang matalik na kabibigan ni Vilma. – Justino Dormiendo, Manunuri Ng Pelikulang Pilipino, Jingle Extra Hot Magazine 1982, reposted by Pelikula Atbp (READ MORE)
Vilma Santos’Grand Debut – “More than 40 years ago, Vilma Santos turned 18 (Nov. 3, 1971). Her grand debut party was held at the post Presidential Hall of The Plaza in Makati, attended by celebrities and other familiar names in and out of the movie world. Style Magazine covered the event. Vilma’s gown was a creation of Sonia Aquino, who later served as mayor of Tanauan, Batangas. Photos by Bob’s and cake by Joni’s. Vilma and her parents Mr. and Mrs. Amado Santos and Edgar Mortiz (then the debutante’s favorite leading man) received the guests. The guest list included: Eddie Peregrina (deceased) and Esperanza Fabon, now justice of the Court of Tax Appeals. Mildred Ortega (later wife of Gen. Mitch Templo). Ricky Belmonte (deceased) and Rosemarie Sonora, based in California. Panamin secretary Manuel “Manda” Elizalde (deceased). Janine Friaz and Baby de Jesus. From a pretty debutante in the ’70s, Vilma turned into an award-winning actress, Star For All Seasons and much-esteemed public servant. First as Lipa Mayor for nine years and then as Batangas Governor, also nine years. Vilma is the incumbent Congresswoman of Lipa. Photos are from Style Magazine.” – Danny Dolor, The Philippine Star, 25 February 2018 (READ MORE)
Danilo Franco Creation – The year was 1971, when ate Vi celebrated her debut. Ang tagal na pala. Parang kailan lang when I cut these photos sa isang newspaper. I was still in grade school then, at wala pang pambili ng mga magazines. So, I content myself sa newspaper naming sa bahay. As far as I can remember, isang bonggang birthday celebration iyon. Nagkaroon ng isang asalto on the eve of her birthday. Meron din fans party na ginanap sa Mehan garden, pero ang talagang coming-out party niya ay ginanap sa The Plaza restaurant. Wala na itong restaurant na ito ngayon, but it was very popular ng mga panahon na iyon. The restaurant, which was, located sa Makati, ay siya ring naging venue ng reception ng wedding nina FPJ at Susan Roces. Ang asalto, fans party sa Mehan garden at ang debut party ay added attraction sa movie nina ate Vi at Edgar na “Eternally.” Ang gown ni ate Vi was made by Ben Farrales. Sa isang write-up interview kay Danilo Franco, na siyang gumawa ng wedding gown ni ate Vi, nabanggit nito that he was working for Mang Ben during that time.
The white gown bore hand-painted pink roses, which were made by Danilo Franco. Star-studded ang party ni ate Vi. Halos lahat ng young stars of the era ay dumating. Ang mga kasamahan niya sa TV show na The Sensations ang siyang mga kasali sa cotillion. Dumalo rin ang big stars of the era like sina Rosemarie at Ricky Belmonte, at doon nila inannounce na magpapakasal sila the following month. Special guest din si Mr. Manda Elizalde of Panamin, na tinulungan noon nina ate Vi at Edgar para ikampanya para sa Senado. Dumalo rin ang super big action star noon na si Tony Ferrer kasama ang kanyang misis na si Mutya Ng Pilipinas winner, Alice Crisostomo. Naroon rin ang mga producers ni Ate Vi at ang mga press people. It’s now 2005, 34 years na ang nakakaraan, pero andito pa rin si Ate Vi at siyang nangungunang Reyna ng pelikulang Pilipino. Nawala na ang mga kasabayan niya at maging ang mga sumunod sa kanya, pero nanatiling nag-iisa ang tunay na Reyna ng Pelikulang Pilipino sa lahat ng panahon. – Eric Nadurata, V Magazine 2006
The Superstar at 18, Vilma Blooms – “Ay naku, musmos pa ‘yan talagang mahilig na sa drama!” And Mrs. Milagros Santos (or Mommy Santos, as she is fondly called by diehard fans), mother of Superstar Vilma, proceeds to relate how her darling daughter religiously followed her favorite soap-operas on the radio in her off-school hours, imitating the airlane actresses later on when the family gathered at the sala. “Umiiyak pa ‘yan,” Mommy Santos goes on, “and she really cried real tears.”
Of course, Vi’s histrionic potentials didn’t escape the attention of her teachers in school. Everytime there was an affair on the campus, she would be there on stage, either delivering a declamation, singing a song or making like a little Rosa Mia in a drama skit. One day in 1962, eight-year old Vi tagged along with her uncle Amaury Agra (a cameraman) to the Sampaguita Studios to watch her favorite actresses and actors act before the cameras. Doc Perez saw her and was so fascinated by Vi’s lovable ways that, there and then, he let her play one of the two waifs in the tearjerker, Anak, Ang Iyong Ina!, a Lolita Rodriguez-Luis Gonzales starrer, afilming at that time. “Doc didn’t even give me a screen test,” Vi cuts in.
Days later, during a shooting lull, Vi wandered around the huge studio and found herself in the office of Doc Perez where some 800 tots were being tested for the title role of the next Sampaguita film. By accident, Vi got into the contest and walked away with the coveted role hands down. “Doc asked me to cry, umiyak naman ako,” Vi recalls, “he asked me to laugh, tumawa naman ako ng husto, ganyan. He asked me to do many other things. He must have been impressed dahil he assigned the role of Trudis Liit kaagad to me.” That was how Vilma Santos broke into the big screen. “My real name is actually Rosa Vilma Santos. Pero sabi ni Doc, there were several Rosa’s in the movies already, may Rosa Mia, may Rosa Rosal, may Rosa Aguirre, so he decided to drop Rosa from my name.”
For four years, from 1962 to 66, there was hardly any tearjerker without Vilma Santos in the cast. A born actress, she was very precocious and had a notably alacrity for giving in to what her roles demanded. She absorbed difficult and emotion-filled dialogues with ease and acted her parts very naturally. As a child actress, she chalked up more than a dozen movies and had ably pitted acting talents with such drama stalwarts as Eddie Rodriguez, Marlene Dauden, Lolita Rodriguez and Luis Gonzales. “I have two favorite pictures as a child actress, “ she says. “ang isa ‘yong Trudis Liit nga and the other is Ging where I portrayed the role of a child actress. When I saw the first movie sa sine, I cried because I pitied myself in the movie, kawawa kasi ako doon, e. It was s sob story you know, at kahit siguro ikaw maiiyak ka rin.
In Ging, nahirapan ako ng katakut-takot because it was heavy drama. Pero it gave me a very good chance to really act dahil it had a little of everything, a little drama, a little musical, a little comedy, a little of marami pang iba.” She had to stop appearing in the movies after finishing grade school. “I wanted to concentrate on my studies, that’s why I enrolled at the St. Mary’s Academy. I wanted to take up Fine Arts after graduation. I loved to paint noon, you know, pero ngayon, hindi na masyado.” But once an actress, so the saying goes, always an actress. Vi was in her third year high school when she felt an irresistable itch to work again before the cameras.
At first, her parents (Mr. and Mrs. Amado Constantino Santos) were reluctant but a compromise was reached: no shooting during her class schedules. By this time, Vilma was growing up to be a lady. This was mid-1969. The advent of 1970 brought new prospects for Vi and her young colleagues. Susan Roces and Amalia Fuentes had got hitched and there was some sort of a “search for another queen” in local filmdom. Because she had a strong public appeal and very endearing ways with her legions of followers (Vilmanians!) Vi was easily considered a possible successor to the throne left vacant by Susan and Amalia.
But she had a rival in the person of Nora Aunor. “There’s realy no personal rivalry between us,” she assures. “Friends kami, e.” It was when she got paired with Edgar Mortiz (Vi’s boyfriend on and off the camera) that Vi’s star shone doubly brighter in the movie firmament. The team up also did good to Edgar. First paired in Sampaguita’s Young Love (where they appeared with Nora Aunor and Tirso Cruz III), Vi and Edgar have now finished more than two dozen films, all of them veritable box-office hits. The two are under contract with Tagalog Ilang-Ilang Productions but they have an option to make pictures with other outfits with the proper consent of TIIP bosses. “I like Bobot (that’s how Edgar is called by Vi and their fans) naman because mabait siya at gentleman,” Vi smiles.
The crowning glory of their careers came early this year when they won as Mr and Miss Philippine Movies in a nationwide popularity contest conducted by a vernacular magazine. Their coronation grabbed the headlines when some fans of defeated stars staged a rampage, prompting Mommy Santos to announce on the microphone that “it was not our side that started the commotion. ” Aside from being good neighbors in a subdivision in Quezon City, Vi and Edgar are ‘always together’ anywhere they go. In addition to their movie work, they have also two regular shows on television, The Sensations (which was made into a movie) and Edgar Loves Vilma, both on Channel 2.
They also did several recordings together, all of them a sellout. Vi waxed her first (solo) single when she was 16 and the title of the song was Sixteen. But Vi has a drawing power all her own. No matter who her leading man is, her movies invariably attract moviegoers. Ikaw Lamang, where she had Paolo Romero for her love interest, was acclaimed topgrosser in the Quezon City Film Festival last September. One of her latest pictures, Teen-age Senorita with Manny de Leon, grossed no less than P40,000 on its first day showing in two theaters. (The movie was made by Zodiac Films, an outfit owned by Manny’s family.) Vi celebrated her 18th birthday last November 3 in a style befitting a superstar. There was a whole-day celebration; fans from as far north as Ilocos and as far south as Cebu came to greet her. The unforgettable day was capped with a formal ball at The Plaza where Vi had no less than Manda Elizalde, the senatorial candidate she and Bobot had campaigned for in the last elections, as a special guest. And like a faithful boyfriend, Edgar stayed close to Vilma throughout the affair.
Two weeks later, the two left to make two movies in Hawaii and USA. At 18, you may ask, what else does Vilma Santos crave for? “Not much”, she says. “I just hope that good things will continue to happen to me, that my fans will remain loyal and true.” Despite success, Vi has remained level-headed; she has admirably kept her sweet and charming disposition. Even when confronted with malicious gossip about her, she just remains calm: “I don’t mind rumors very much. As a movie star, I am susceptible to gossips, but I choose to ignore them.” And because she is truly aware that stardom is temporary, Vilma Santos doesn’t mind working hard now, accepting the many offers that come her way as long as they don’t endanger her health -and her image. “My philosophy is simple,” she says, “Make hay while the sun shines.” Mommy Santos could only nod in agreement. – Ricardo F. Lo, The Sunday Times Magazine, 05 Dec 1971