Memorabilia 2017 1/3
Category Archives: ARTICLES
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Pinigil na Tadhana – “…Sinabi ni Ernesto Maceda, abugado ng 777 Productions, na ang pagpigil sa “Press Preview” o hayagang pagtatanghal ng “Iginuhit ng Tadhana” ay ilegal at labag sa saligang batas. Ayon kay Maceda, ang pelikula sinuri na ng BCMP, at dahil doon ay itinatanghal na iyon sa walong lalawigan…Sa isang dako, sinabi ni Gng. Olympia Lozano, kalihim-tagapagpaganap ng BCMP na pinigil ang pagtatanghal ng “Iginuhit ng Tadhana” dahil sa pagtanggi ng 777 Productions na iharap sa lupon ang pelikula upang surrin…Nagharap kagabi ng pagbibitiw sa Pangulong Macapagal si Jose L. Guevara bilang tagapangulo ng Board of Censors for Moving Pictures. Ginawa ni Guevara ang ganitong aksiyon kasunod ng pagpigil ng pelikulang “Iginuhit ng Tadhana” na naglalarawan sa buhay ni Sen. Ferdinand Marcos, kandidato sa pagka-pangulo ng NP. Ipinaliwanag ni Maceda na marami nang nakapanood ng “Iginuhit ng Tadhana”at nagkakaisa ng palagay ang lahat na walang batayan upang pigilin ang pagtatanghal nito. Upang masubhan kahit kaunti ang pagkayamot ng mga inayayahan sa “gala premiere” kagabi sa Rizal Theatre, ipinasiya ang pagtatanghal ng pelikulang Ingles, ang “The Thin Red Line…” – Leonardo P. Reyes, Taliba, 3 & 16 September 1965 (READ MORE)
Tadhana sa Korte Suprema – “…Malamang makarating ngayon sa Korte Suprema ang hidwaan ng prodyuser ng Iginuhit ng Tadhana at ng lupon ng sensor na pumigil sa pagtatanghal sa publiko ng nasabing pelikula. Nakatakdang dumulog ngayon sa mataas ns hukuman ang mga abugado ng prodyuser ng pelikula matapos na pigilin ng hukuman sa paghahabol kahapon ang pagpapatupad sa utos ng mababang hukuman na nagpapahintulot sa pagtatanghal ng pelikula…Sa naunang hatol ni Hukom Edilberto Soriano ng hukumang unang dulugan ng Maynila ay ipinahintulot niya ang pagtatanghal sa masuliraning pelikula bagay na salungat sa pasiya ng lupon ng sensor na pumipigil sa nasabing pagtatanghal. Ang hatol ni Soriano ay idinulog ng mga abugado ng pamahalaan sa hukumang sa paghahabol sa kanilang matwid na walang huridiksiyon sa usapin ang mababang hukuman…Sinabi ni Abugado Claudio Teehankee, isa sa mga abugado ng prodyuser ng pelikula sa buhay ng Pangulong Ferdinand E. Marcos ng Senado na idudulog nila sa Korte Suprema ang desisyon inilagda kahapon ng Hukuman sa Paghahabol. Ipinaliwanag niyang ang dalawang sumusunod na matwid ang knailang ihaharap sa mataas na hukuman sa paghahabol: 2 Katwiran na Inilahad – 1. Na walang bisa ang kontrata na maaaring bawiin ang permiso sa isang pelikula upang maitanghal anumang oras. 2. Na hindi nagmalabis si Hukom Soriano sa pagpapasiya sa usapin…” – C. de Guzman, Taliba, 3 & 16 September 1965 (READ MORE)
Young Ones – “…Walang makapaniwala na magiging gayon kalakas takilya sina Nora at Tirso. Nagimbal ang mga taga-pelikula. Bakit daw gayon kalaki ang kinikita ng unang dalawang pelikula nina Nora at Tirso? Tsamba lamang daw kaya iyon o biglang nagbago ng panlasa ng mga manonood? Hindi tsamba. Ang mga sumunod pang pelikula nina Nora at Tirso ay mas malaki ang kinita. Daang-libo ang kinita ng “Teenage Excapades” at “Halina, Neneng Ko.” Itinambal ng Towers si Nora sa iba pang kabataang artista, malaki rin ang kinita. Katunayan na malaki ang hukbo ng mga tagahanga ni Nora. Sinubok naman ng Barangay Productions na itambal si Tirso kay Gemma Suzara, hindi gaanong kinagat ng mga fans. Nag-produce ng pelikula ang mag-anak na Cruz, pinagsama sina Ricky Belmonte at Tirso sa “Ricky na, Tirso Pa” isinama naman sa magpinsan si Pilar Pilapil. Tinapatan ng Tower ng isang pelikula ni Nora ang pelikula ng mga Cruz. Resulta: mas maraming nanood sa pelikula ni Nora. Ano ang ibig sabihin nito? Gusto ng mga fans na maging magkatambal sina Nora at Tirso. Sinagot ng VP Pictures ang kahilingang ito sa pamamagitan ng “Young Love.” Bukod kina Tirso at Nora ay isinaman pa ang mga young ones na sina Vilma Santos at Edgar Mortiz. Patok sa takilya!…” – Romy Galang, Pilipino Magazine, 18 February 1970 (READ MORE)
Stoned Remembrance – “…It was a wild, wild parade but the fans and the superstars enjoyed every minute of it. For the Pilipino movie fan, it was more than just an outing. He saw his favorite movie celebrity at the closest range possible. For the movie star, the wild response was more than a gauge of his popularity. A crowd close to 500,000 people bucked the hot afternoon sun to watch their movie personalities in a parade ushering in the seventh Manila Film Festival. The crowd paralyzed traffic in the downtown areas up to the late last night…The parade started at 3 p.m. and ended past 8 p.m. at the foot of the Quezon bridge…The biggest response was given to Nora Aunor and Tirso Cruz III. Wearing pink ang black kimonos, the two superstars threw sampaguita flowers along the way as their fans, yelling friendship, waved their pointed thumbs wildly…The other float with the wildest applause was that carrying Vilma Santos and Edgar Mortiz, who will appear in “Remembrance,” a Tagalog Ilang-Ilang Presentation. However, the float was stoned twice and it left the parade before it reached the Jones Bridge…” – Romeo J. Arceo, Philippines Sunday Express, 18 June 1972 (READ MORE)
Vice presidential choices – “…Nationwide, Poe emerged as the preferred choice for vice president, obtaining an approval rating of 24%, followed by Escudero with 20%. Roxas was a distant 3rd with 8%, followed by Senator Antonio Trillanes IV with 7%, and Cayetano with 6%. The 6th spot was a tie among 4 who included Marcos Jr, Kris Aquino, Lacson, and Batangas Governor and actress Vilma Santos Recto, who each got 5%. Senator Jinggoy Estrada, the second senator embroiled in the pork barrel scam, obtained a 4% rating. In the lower bracket were 4 other legislators – Senators Benigno “Bam” Aquino and Revilla who each got 3%, Joseph Victor “JV” Ejercito who got 2%, and Camarines Sur Representative Leni Robredo who obtained 1%. In the National Capital Region, perceived to be home to the most critical and politically aware voters, Poe (25%) and Escudero (24%) were favorite vice presidential bets. Poe rated better than Escudero in the balance of Luzon, getting a 27% approval rating compared to Escudero’s 21%. The difference between the two top contenders was also more pronounced in Mindanao, with Poe getting 21% compared to Escudero’s 16%. Visayas respondents were almost evenly split, with 22% going for Poe and 20% going for Escudero…” – Chay F. Hofileña, Rappler, 29 Apr 2014 (READ MORE)
A Different “Grand Slam” (Ate Vi Scores A Victory But in a Different Arena) – When President Benigno Aquino III conferred the Presidential Lingkod Bayan Award on actress politician Vilma Santos-Recto, the Batangas Governor likened it in winning a “Grand Slam”- a showbiz citations given out by major award-giving bodies for a single movie. The last time she achieved that feat was in 2002, when she did Chito S. Roño helmed “Dekada ’70.” The two-term governor indicated that the Lingkod Bayan Award is just as special, maybe even more so than the Best Actress trophies she has collected over the years. “It recognized my hard work in public service. I think I am the only governor in the line-up. This is a different world from showbiz. This is not just a best actress-award. I’ve received other award awards fro government service in the past, but this is my first national recognition. Plus it was handed out by President Auino at Malacañang.” The Presidential Lingkod Bayan Award is handed out yesterday by the Civil Service Commission and is the highest honor a public servant can receive in the Philippines. Governor Vi was one of many awardees this year, for her effort to end the persistent overcrowding in Taal Lake and reduce fish kills. After the awarding ceremony, which was held at the Rizal Hall in Malacañang on September 19, she said she was eager to show her award to her constituents, calling the achievements “team effort.” I couldn’t have achieved all this on my own. I’m excited to show the plaque and medal to the people in the capitol. They worked side by side with me in pursuing my different programs in the province. Our secret in Batangas is teamwork.” Among this year’s other awardees was the late Department of Interior Jesse Robredo, who died in a plane crash on August 18 2012. His daughter, Aida was on hand to receive his award. Governor Vi also had her lovedones there – her husband, Senator Ralph Recto, and sons, Luis Manzano and Ryan Christian Recto. After the ceremony, Governor Vi head back home to Batangas, there to resume work again. For her, it’s just another work day, much like the one she has when doing a movie, but delivering a different kind of satisfaction. – Roldan Mauricio, Star Studio Magazine, November 2012
Focus on Burlesk Queen – Celso Ad Castillo’s “Burlesk Queen”surpasses past attempts to integrate cinematic qualities in a firlm and Castillo’s own previous experiments, which critics found bombastic and purely commercial, like no other film by Castillo or other directors. “Burlesk Queen”with synchronized techniques and the significance of its messagfe successfully gives substance to the trendy subject of sex-for-sale. Castillo’s creativity is seen in the use of radio drama and music, meaningful gestures, and visual metaphors to dramatic situations. Lucid exposition and delineation of the conflict are carried out through particular techniques like ensemble acting to reveal the individual characters’ needs, emphasis on visual details rather than talky dialogues to drive home a point, and active camera movements (cuts) to suggests the passage of time in the burlesque dance’s career. The tragic ending is prepared for a logical presentation of what happens eventually to all characters. – Ananymous
Vilma Santos to team-up with Christopher de Leon? – “…They’ve been perennial love-team partners in countless movies, and now Ms. Vilma Santos and Christopher de Leon are speculated to be teaming up once more, and this is for their political ambitions. Mayor Vi was reported to be running for a congressional seat, but if she’s partnering with Boyet, it must only be as governor and vice governor of Batangas. So what will happen to acting Governor Ricky Recto, brother of Senator Ralph Recto who’s Mayor Vi’s husband? Will Mayor Vi run against her brother in-law?…” – Manila Bulletin, 11 Feb 2007
Mowelfund pays tribute to Filipino Movie Greats – “…The Movie Workers Welfare Foundation (Mowelfund) presents a grand production to pay tribute to Filipino movie greats and at the same time increase awareness about and raise funds for Mowelfund. Slated on Feb 23, the Mowelfund Tribute to Filipino Mopvie Greats, will honor stars from today and yesteryears who have made tremendous contribution to the Filipino movie industry. Comedians Nanette Inventor and Leo Martinez will be the hosts for the night. Confirmed presentors and participants include Vilma Santos, Sen. Bong Revilla, Christopher de Leon, Rudy Fernandez, Sunshine Cruz, Cesar Montano, Jericho Rosales, Heart Evangelista, Philip Salvador, Toni Gonzaga, and many more. To be honored with grand production numbers by today’s top stars are: Don Jose Nepomuceno, producer of the first Filipino silent film; National Artist Atang de la Rama, the queen of zarzuela and kundiman; legendary screen loveteam Rogelio de la Rosa and Carmen Rosales; Rosa del Rosario, the very first Darna of Philippine Cinema. Movie starwarts will also pay homage to the immortal memory of the King of Philippine Movies and National Artist for Film Fernando Poe Jr., the King of Philippine comedy Dolphy; and former President Joseph Estrada, founder of Mowelfund. Mowefund aims to ensure that marginalized movie workers can still enjoy social security despite tough times in the business. Affirming the invaluable contributions of various art forms in the crucial beginnings of local cinema in teh country – from literature to music to theater and even fasion design, the Mowelfund fundraising tribute to movie greats highlights the crossing over of these defining cultural elements in the history of Philippine movies. An exhibit of the Ani Awardees will be held at the Aliw Theater Lobby from Feb 17-23…” – Manila Bulletin, 11 Feb 2007
Ani Awards – “…The Awards celebrates a bountiful harvest in the unifying spirit that wold hold the industry together. It is a glittering testimonial to a lifetime dedication, hardwork, and perseverance in the pursuit of excellence by the Filipino public of a revered Filipino film artist,” shares Mowefund executive-director Boots Anson-Roa. Mowefund aims to ensure that marginalized movie workers can still enjoy social security despite tough times in the business…” – Crispina Martinez-Belen, Manila Bulletin, 20 February 2007
From Fashion to Films and Back – “…Audrey Hepburn’s little black dress in “Breakfast in Tiffany’s (1961) did not just stay on the silver screen. It went on to become a classic shift dress that is still being worn today in varying styles all over the world. It si the other way around for “The Devil Wears Prada” where Miranda Priestly played by Meryl Streep took the best creations of international designers to the screen. Needless to say, television and movies dictate fashion, through in a subtle way. “Even from the early days of fashion, what people see on the movie have really played a big influence on what people want to wear in real life. Even with us designers, when clients come to us, they always ask us the popular artists that we have dressed up,” says designer Edgar San Diego, FDAP chairman. To show the synergy between film and fashion, the Fashion Designers Association of the Philippines will stage a fashion revue in music and dance showing the glamour era of Philippine movies at the first ever Ani Awards, Mowelfund (Movie Workers Welfare Foundation) Tribute to Filipino Movie Greats…desiners will present their creations inspired by the likes of the personalities and roles portrayed by Rosa Rosal, Rogelio de la Rosa, Carmen Rosales, Ric Rodrigo, Susan Roces, Amalia Fuentes, Vilma Santos, Nora Aunor, and Sharon Cuneta…The era of stellar actresses like Vilma Santos and Nora Aunor showcased a more down-to-earth fashion…” – Manila Bulletin, 20 February 2007
Mini LP Fad – “…The mini-LP fad is fast catching fire for love duets. For Alpha, there is a mini by Nora Aunor and Manny de Leon; for Wilear’s minis are by Vilma Santos and Edgar Mortiz, Ed Finlan and Hilda Koronel; and for Vicor, mini is by Perla Adea and Tirso Cruz III. The mini has four selections and plays at 33 1/2. The retail price is now 6 peso (US $1)…” – Oscar Salasar, Billboard, 04 July 1970
Film Premiere Draws 28 Philippines Record Artists – “…Twenty eight of the Philippines’ young recording artists singing in English presented one song at the gala premiere night of the locally produced film “Haydee” at the Rizal Theater in suburban Makati. The impressive convergence was a first in the Philippine entertainment history. But because it was for charity, local producers and artists gave all-out cooperation. Proceeds of the “Haydee” premiere were earmarked for the 1970 Awit Awards, the Philippine’s versions of the U.S. Grammys. Five record companies were represented in the two-hour on-stage attractions – Alpha Recording System, D’Swan Recording System, Vicor Recording, Villar Records, and Willears Records. The Alpha artist were Eva Vivar, Baby Alcaraz, Geraldine and Jay Ilagan. The D’Swan artists were Ernie Garcia, Jonathan Potenciano, Linda Alcid, and Eddie Peregrina. Singer-pianist Baby de Jesus guested under the label. The Vicor artists were Eric Dimson, Boy Mondragon, Freddie Esguerra, Sonny Cortez, Millie Mercado, Victor Wood, Perla Adea and Tirso Cruz III. Villar was represented by Roggie Nieto. The Willear’s artists were Alice Cerrudo, Raul Aragon, Raquel Montessa, Elizabeth Ledesma, Romy Mallari, Esperanza Fabon, Vilma Santos, Edgar Mortiz and Ed Finlan. The back-up group was the Blinkers…” – Oscar Salasar, Billboard, 06 June 1970
Nobo Bono Jr. – “…There is a scramble among record companies to sign “Tawag Ng Tanghalan” national champion Nobo Bono Jr. The singer is contracted with the Talent Center of ABS-CBN which acts as his agent and personal manager. Bono is appearing weekly with Willear’s artists Edgar Mortiz and Vilma Santos in the new live TV series titled “The Young Ones” on Channel 2…” – Oscar Salasar, Billboard, 08 Aug 1970
Hawaiian LP – “…Willear’s issued a Hawaiian LP titled “Aloha My Love” by Vilma Santos and Edgar Mortiz. It is a soundtrack of the film of the same title which is scheduled for exhibition here…” – Oscar Salasar, Billboard, 11 March 1972
Wilear’s Top Company in Phlippine Awards – “…The third annual presentation of the Awit Awards was held at the Manila Hotel with Senator Doy Laurel of the Philippine Congress as guest of honor and principal speaker. The sponsoring group was the Philippine Academy of Recording Arts and Sciences (PARAS). The event criticized in the local circle because of its unpopular results and deglamourized presentation, gave posthumous awards of merit to Frankie Martin, a juror last year, and Santiago Suarez, one of Filipino musical starwarts. The founder of the Awit Awards, Billboard correspondence Oskar Salazar, was also honored. Wilear’s Records scored heavily in the awards this year. The foreign division was permanently scrapped. Two major companies, Villar Records and Dyna Products, Incl did not submit nominations this year. The 1970 winners are…Record Company of the Year – Wilear’s Records; Song of the Year – “Forever Loving You” by Bert Dominic (Billboard); Best Single – “Sixteen” by Vilma Santos (Wilear’s)…” – Oscar Salasar, Billboard, 14 August 1971
The Wonderful World of Music – “…The Wonderful World of Music,” produced by Tagalog Ilang-Ilang, was judged best musical in the Manila Film Festival. The picture stars Vilma Santos and Edgar Mortiz, both artists of Wilear’s…” – Oscar Salasar, Billboard, 24 July 1971
Internation Talent Directory – “…Vilma Santos (Vocalist, Wilear’s Records: The Sensations (LP); Sixteen (single & LP); Sweethearts (LP); Sweet Sweet Vilma (LP). PA: Cebu City, Ilo-ilo City, Olongapo City. TV: Edgar Loves Vilma, Oh My Love, The Sensations; Films: Angelica, Love Letters, My Pledge of Love, Our Love Affair, The Sensations, The Wonderful World of Music. Awards: Loveteam of the Year, Queen of Philippine Movies. PM: William C. Leary…” – Oscar Salasar, Billboard, 04 July 1970
Second Album – “…Wilear’s Records will come with the second LP of Vilma Santos to be titled “Sweet Sweet Vilma…” – Oscar Salasar, Billboard, 26 September 1970
Remembrance – “…Film artist Walter Navarro (Vicor) will have his first LP, “King of Balladeers,” this month. He is a contract star of Lea Productions and principal mainstay of the El Bodegon Club. Navarro is doing a film musical with Vilma Santos (Wilear’s) with Mirick Productions…Remembrance, another film musical, was chosen “best musical” in the Manila Film Festival. The film stars Vilma Santos (Wilear’s) and Edgar Mortiz (Wilear’s). The film also won in the categories of best film editing, best sound, and best script…” – Oscar Salasar, Billboard, 29 July 1972
Tie sa FAMAS – “…Dalawa ang Best Actress sa gabing iyon. Nangangahulugang kapwa mabigat ang labanan at walang itulak kabigin kina Boots Anson Roa at Vilma Santos kaya minabuti ng inampalang na bigyan kapwa ng Best Actress na sina Boots at Vilma…” – Aruy Tapusan Komiks Magasin, 19 Hunyo 1973
Ate Vi Trivia – “…Vilma Santos (born Maria Rosa Vilma Tuazon Santos, November 3, 1953), tinaguriang “Star for All Seasons,” siya ang kauna-unahang babaeng gobernador ng Batangas. Siya rin ang kauna-unahang babaeng mayor ng Lipa City. The only actress na nanalo ng three consecutive years as best actres sa Urian Awards (the country’s film critics awards body) para sa kanyang mga pelikulang Relasyon (1982), Broken Marriage (1983), at Sister Stella L (1984). Hindi siya nanalo ng kahit isang best actres award sa mga pelikulang dinirek ng the late, great Lino Brocka. Unang aktress sa Philippine movies na naka-grand slam nung 1983 as best actress for her performance in Relasyon (1982) from the Catholic Mass Media, Urian, Film Academy and FAMAS awards-giving bodies. Si Ate Vi ang pinakamaraming Gawad Urian awards sa industriya ng showbiz, tallying 8 wins, 5 additional nominations (all for Best Actress) and 2 special awards for being the best actress of the ’80s and the ’90s!…” – Hi Magazine, December 2007
Would it be Good Karma? – One of the most misunderstood occult concepts. The nearest equivalent in European thought is contained in the idea of fate, though the oriental term indicates that fate is not a haphazard sequence of events of experiences, but is dependent on actions of previous lives or spiritual conditions. The idea is that a spirit undertakes to live in an earthy body for a given period of time, usually in order to learn something which cannot be learned in a disembodied state, and has to accept rewards and punishments for good and bad deeds committed in previous incarnations. In order that understanding may grow, any evil committed against another person will have to experienced by the perpetrator. The working out of Karma is not done consiously by ordinary people. The real reasons for the majority of peopleès actions and relationships may be understood only when the nature of their Karma is grasped -which is virtually impossible to understand or judge another person when seen in the context of one material lifetime only. Vilma Santos fits the role to a T. For the past years that she has suffered a string of misfortunes and setbacks in real and reel life, she has honed herself as promise, a common objective: to give the viewing pubic what it wants – entertainment with a capital E. For Danny Zialcita, aside from having a good screenplay, good direction and brilliant actors and actresses, the movie should have artistic values. Karma promises to be a very good vehicle not only for Zialcita but also for Vilma Santos and the rest of the cast. Will this movie be a good Karma for director Danny Zialcita, Vilma Santos and the rest of the cast? It’ll be a different kind of feeling you’ll get after viewing it. – Bong de Leon, Jingle Extra Hot Magazine, 02 November 1981, Reposted at: Pelikula Atbp (READ MORE)
Sparring Partner – Marahil ay napapansin ninyong lagi nang kasama sa Superstar Show ni Nora Aunor kung linggo and dalawang ito, sina Arnold at Eddie, (Ang hiuli ay kapatid na bunso ni Nora at mahal na mahal niya). Mainstay na sila sa TV show na ito, at nakakatuwa naman sila. Kailan lamang nagkakilala sina Eddie at Arnold ngunit kung makikita ninyo sila, aakalain ninyong matagal na silang magkaibigan. Kapag walang klase, lagi silang magkasama. Kung hindi si Arnold ang nasa bahay nina Eddie, si Eddie ang nasa bahay nina Arnold. Tuwang-tuwa naman ang magulang ni Arnold, at higit si Nora, pagkat nakikita niyang maligaya ang kanyang kapatid sa pakikipaglaro sa bagong kaibigan. At alam naman ninyo, ang mahal ng kapatid niyang ito ay mahal din niya. Kami naman ay natutuwa sa pagsasamahan ng dalawang batang ito kung kaya isang araw na naroon kami sa Greenhills residence ni Nora ay naakit kaming kunan ng pictorial ang magkaibigang ito na sa tingin namin ay tunay na sparring partner. – Ric S. Aquino, December 25, 1972, Unknown Entertainment Magazine posted by Arnold Gamboa on his Facebook page.
A Personal Survey – The Top 10 RP Movie Queens – “…Here is the attempt of one cineaste who has seen too many Tagalog films. See if you will agree with the list…1. Vilma Santos (1953-) Longevity is her weapon. To her credit is a mighty record of box-office successes and a stellar collection of film and public service awards. The 80s made her not only the number one film actress of the land. She became the highest-paid actress and constantly in-demand as a product endorser. Hosting-wise, she was phenomenon on TV’s Vilma! Vilma Santos-Recto is a picture of the ultimate movie queen. She is the prime example of an artist who has gone through several re-inventions. Ate Vi’s most important traits are her versatility, he willingness to learn, and her courage to always try something new. Her sincere appreciation of followers and fans also contributed to her status as the Star for All Seasons. Score Card: Longevity: 1960s-2000s, 5 decades; Artistic Achievements: Excellent; Box-office Records: Excellent…” – Rendt Viray, INsider The Entertainment Weekly, 12 December 2007
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Vilma Santos’speech during the U.P. Gawad Plaridel 2005
Mula po edad nine hanggang 15 ay nakagawa na agad ako ng 25 pelikula halos 5 pelikula po bawat toan… Ilan sa mga pelikulang ginawa ko noon ay ang Trudis Liit, Anak Ang Iyong Ina…at ganun din ang mga Naligaw na Anghel, Hampaslupang Maton at De Colores… Para sa akin, maayos at magagaling ang mga pelikulang ito, nakakatawa lang ang mga titles. Pero ipinagmamalaki ko pong sabihin sa inyo na kumita ang mga pelikulang iyan. Kasi po wala pang mga pirated cds, wala pang dvd noon, wala pang mga cable television…at madalang pa po ang dating ng dayuhang pelikula.
Noong nagdadalaga na ako, ilan po sa mga pelikulang ginawa ko ay ang Song and Lovers, I love You Honey, Edgar Loves Vilma, kasama na dito ang Takbo Vilma Dali, Hatinggabi Na Vilma, meron pa pong isa, Vilma and the Beep Beep Minica, Dyesebel at ako po ay naging Darna din… pambihira po ang mga fans nung araw, ang ginagawa po nilaý ginugupit po ang articles ng kanilang mga idolo at inilalagay sa album…hanggang ngayon po sa aking tanggapan sa Lunsod ng Lipa ay nagpupunta pa rin sila sa akin, mga kasing-edad ko na rin at pinakikita po sa akin ang mga album, pinapipirmahan…minsan nga po ay nakita ko ang mga old pictures ko, sabi ko pwede ba mahingi..pwede ba sunugin? Kasi po yung bilog na bilog pa ang mukha ko…
Dumating po ako sa punto ng buhay ko na kailangang magpasya kung ano ang dapat na maging direksiyon ng aking buhay bilang isang artista. At nag-umpisa akong tumanggap ng mga pelikulang mas malaman kaysa doon sa mga naunang mga pelikulang aking ginawa. Malaman dahil mas may script, mas may istorya at direksyon. Naisip ko rin na lalo kong pagbubutihin ang pagganap sa pelikula. Mabuti na lamang at nariyan ang ating magagaling na direktor noong panahon na iyon katulad nina Ishmael Bernal, Lino Brocka, Mike de Leon, Laurice Guillen, Marilou Diaz Abaya…
Noong nanalo ako ng awards, grandslam pa, sa pelikulang Relasyon, sabi ko sa sarili ko: “Magaling na ako!” the next day pagkakuha ko ng isa sa apat na awards, first shooting day na agad ng pelikulang Broken Marriage at drama agad ang first scene namin ni Christopher de Leon. Aba! Na-take 7 ako sa first scene na ito. Sabi sa akin ni Ishmael Bernal: “Bakit Vi, ano ba ang nangyayari sa ýo? Nagda-drama ka pero bakit may twinkle-twinkle ang mg amata mo?! Anong arte yan!? Alam n’yo po ba ang ginawa nýa? Ipinasok nya ako sa toilet at ako po ay ikinulong nýa dito at pinag-jogging po ako ng minutes. Ang sabi niya sa akin: “Wag kang mag-ilusyon! Hindi ibig sabihin na tumanggap ka ng grandslam award eh, magaling ka na!” Pagkatapos ng insidenteng ito, tumanim sa isip ko na ang pag-aaral pala, paghahasa at pagdagdag ng kaalaman sa larangan aking pinili ay dapat tuloy-tuloy at hindi dapat ihinto
Maraming problemang kinakaharap ngayong ang ating industriya. Marami ang wala nang hanapbuhay ngayon, katunayan marami akong mga kasamahang actor at director na dumadalaw sa ating tanggapan sa Lipa para humingi ng tulong. Halos television na lamang ang bumubuhay sa kanila. Ngunit ang karamihan ay wala na talagang trabaho. Sa kabila nito ako’y naniniwala na kaya pa nating sagipin ang industriya. Sa palagay ko dapat pag-aralan ng ating pamahalaan kung paano mababawasan ang buwis na ipinapataw dito. Napakataas na at pataas pa ng pataas ang production cost ng paggawa ng pelikula. Kaya nagiging matamlay ang ating producers na gumawa ng pelikula.
Kailangan ding pag-aralan ng ating pamahalaan ang paglalagay ng regulasyon sa pagpasok ng mga dayuhang pelikula. Bigyan namang priyoridad ang ating sariling produkto. Nais ko ring idagdag na kailangan din naman pagbutihin ang mga istorya sa paggawa ng pelikula. Hindi yong nangongopya na lamang. Kailangang naman de-kalidad. May tatak Pinoy. Sa amin sa Lipa, nagpasa kami ng isang batas na nagbabawas ng amusement tax mula 30% to 16% sa lahat ng pelikulang Pilipino lamang na ipapalabas sa sinehan sa aming bayan. Ang buhay o ikabubuhay ng pelikulang Pilipino ay nasa ating mga kamay mismo. Nasa ating pamahalaan, sa ating mga movie producers, sa ating mga mismong manonood, sa ating mismong naririto ngayon. Tulungan natin makabangon ang industriya ng pelikula. – Excerpt of Gino Dormiendo‘s article for Mr. & Ms. Magazine, September 2005, reposted by: Pelikula Atbp (READ MORE)
Book Launching of “Movie Queen”
February 13, 2007, Tuesday – Haller mga co-Vilmanians around the world! Musta na kayo? Meron na naman akong ise-share sa inyo. Pero bago ito let me greet everyone a Happy Valentine’s Day…..and also Happy Feast Day kay Father Juancho G. de Leon aka Father J or Dre, the first Filipino parish priest ng St. Valentine, New Jersey, US of A dahil tomorrow, February 14, 2007 ang fiesta sa kanilang parish. Ang aking ikukwento ngayon ay ang book launching of “Movie Queen.” Pagbuo Ng Mito at Kapangyarihang Kultural ng Babae sa Lipunan by Cesar D. Orsal, Ph. D., Dean of the College of Arts and Sciences sa Trinity University of Asia (well, for your information, silent Vilmanian itong si Dr. O. di ba Jojo Lim?). Sa invitation na ibinigay mismo ng author ng libro ay nakalagay na magsisimula ang programa ng mga 2PM at the Mandell Hall Auditorium, Trinity University of Asia at 275 E. Rodriguez, Sr. Avenue, Cathedral Heights, Quezon City. Dumating ako sa Trinity University of Asia ng mga 1:20PM at habang hinihintay ko si Jojo at Nar Santander sa entrance ng school, ay nakita kong may mga nag-parehistrong mga Noranians na naka-uniform ng Ganap. Nang makalayo na yung mga Noranians (2 lang naman sila) ay nagkatawanan kami nung lady guard sabay komento nung guard na. “aba at buhay pa pala ang mga fans ni Nora Aunor.”
Nang dumating si Jojo ay agad kaming pumasok ng school at dumeretso sa Mandell Hall Auditorium. Nakita agad namin ang author ng libro na si Dr. O (kilala namin personally ni Jojo itong si Dr. O) at agad naming binati habang ang mga Noranians ay nakamasid lang sa amin. Bumili kami ni Jojo ng libro sabay comment ni Jojo ng “si Vi talaga ang tunay na Reyna dahil s’ya ang nasa itaas ang picture” (please see attach file) sabay ngiti naman nung nagbebenta ng libro. Sa unahan kami umupo ni Jojo at maya maya naman ay dumating na din si Nar. Sinabi ni Nar na narinig daw niya na sinabi nung isang Noranian na si Vilma lang daw ang pangalawa kay Nora Aunor (haller!.. 2007 na tayo noh.. wala na tayo sa DEKADA ’70…..matatapos na nga ang term ni Lipa City Mayor Vi juice ko po itik…..na naging pato…..itaas pa ba ang kanilang idolo…na hindi naman ka-ido-idolo…di ba naman Henry Llaneza?…anong masasabi mo Kuya Mar Garces?…huwag na bang patulan?…oo naman yan ang aming ginagawa…..matuk!). Eniwey nagsimula ang programa ng a little bit past 2PM via Invocation led by Ms. Gracia Sarao…na sya ding tumayong program host…na sinundan ng singing of the Philippine National Anthem. Ang director ng Research Center na si Dr. Angelita Bugnalen ang nag-opening remarks…..followed by an introduction of the author and lecturer by Ms. Lourdes Genevieve Martirez, PACSA President, Trinity University of Asia Chapter.
Sa lecture: Babae sa Pelikula at ang Pagbuo ng Kapangyarihang Kultural ng author na si Cesar D. Orsal, Ph. D. ay in-aknowledge ni Dr. O ang mga taong nakatulong sa pagbuo ng book launching na ito kasama na ang mga Noranians at Vilmanians (of course). Nang mabanggit ang pangalan ni Nora Aunor ay sigawan ang mga Noranians (para tuloy naging Awards Night ang okasyon). Ang sumigaw ay yung Noranian na nakasagutan namin sa programa ni Korina Sanchez…siya din yung taong nakasagutan ni Obet Sapin nung ipinalabas sa NCCA ang dalawang pelikula ni Ate Vi na Tag-ulan Sa Tagaraw at Love Letters samantalang si Nora Aunor ay isang pelikula lang…nagrereklamo siya sa organizer kung bakit isang movie lang ni Nora Aunor ang ipinalabas….hehehe…siya din ang isa sa mga nag-walk out sa Star Awards nang manalo si Ate Vi sa Mano Po 3: My Love…at sinabi pang nag-Intsik lang…nanalo na…siya din yung taong iniipon sa plastic ang mga upos ng sigarilyo ni Nora Aunor…siya din yung nasunugan ng bahay na ang iniligtas muna ay ang mga clippings ni Nora Aunor at hindi yung mga religious articles…siya din yung fan na nang magtampo kay Nora Aunor ay pumunta sa Vilma Show sa Broadway Centrum at nag-a-apply para maging Vilmanian. Lingunan ang mga estudyanteng nanonood.
Nang mabanggit naman ang pangalan ni Vilma Santos ay palakpak lang ang ginawa naming tatlo nina Jojo at Nar…subali’ t yung mga estudyanteng nanonood ay pumalakpak at sumigaw pa ng mas malakas pa sa mga Noranians para kay Ate Vi. May isa pa ngang estudyante…na katabi namin na sumigaw ng “basta ako ay para kay Ate Vi,” di ba Nar? May mga ipinakitang film clips ng mga Reyna ng Pelikulang Pilipino. Ipinakita sina Gloria Romero: Golden Girl of Philippine Cinema, Nida Blanca: Reyna ng Komedya, Babaeng Galawgaw, Susan Roces: First Lady of Philippine Cinema, Amalia Fuentes: Reyna ng Kagandahan, Nora Aunor: Superstar ng Masa, Vilma Santos: Star For All Seasons, Sharon Cuneta: Megastar, Maricel Soriano: Diamond Star, Rosanna Roces: Reyna ng Makabagong Magdalena, Kris Aquino: Cross Over Queen, Game Show Queen, Judy Ann Santos: Phenomenal Star of the Millenium. Pagkatapos ng lecture ni Dr. O…ay ang isang song number ni Mr. Danilo Ito, isang professor sa College of Education…na Minsan ang Minahal ay Ako. Halatang Noranian si Mr. Ito dahil nagbiro pa sya na sana daw…sa cover ng libro ay si Nora Aunor ang nasa itaas ang picture (sorry ka na lang sir…..Vilmanian si Dr. O).
Habang umaawit si Mr. Ito ng kanyang pangalawang awitin na Sana’y Wala Nang Wakas ay may mga estudyanteng pa-isa isang lumalabas ng Mandell Hall Auditorium…bakit kaya? Pagkatapos ng awitin ng isang Noranian ay ang Introduction of the Book by Mrs. Bezalie Uckung, Executive Director of New Day Publishers, Inc…then ang Book Review ni Mr. Ricky Lee, Film and TV Scriptwriter (isa pa ring Noranian). Ang Presentation of Appreciation to Dr. Cesar D. Orsal ay iginawad ni Mrs. Bezalie Uckung and after the program ay ang signing of the books by the author. Unang nagpapirma ay si Mr. Ricky Lee na kinausap pa namin ni Jojo at sinabing mga Vilmanians kami. Alam pala ni Ricky na may gagawing pelikula si Vi at si John Lloyd at palagi daw may revision sa script. Well…anong masasabi mo, Franco Gabriel? Si Nar, si Jojo at si ako ay nagpapirma na din ng libro kay Dr. O. Around 3:45PM na natapos ang programa at agad na kaming lumabas ng school. So….yan muna ang aking maikling kwento (maikli daw o….). – Alfonso Valencia, V Magazine, December 2009 (READ MORE)
Vilma Santos from Trudis Liit to Aida Macaraeg
From Trudis Liit to Aida Macaraeg spans 21 long years and that covers the film career of top actress Vilma Santos until now. Trudis Liit has already become synonymous with the famous actress’name in the same manner that Darna (which she shared with Rosa del Rosario, Liza Moreno, Eva Montes, Gina Pareño, Lorna Tolentino -on TV-, Rio Locsin, and would you believe, even Dolphy in Darna Kuno?), Dyesebel (Which she also shared with Edna Luna, Eva Montes – did she or didn’t she?-, and Alma Moreno), Wonder Vi, Maria Sinderela (in Mahiwagang Daigdig ni Maria Sinderela), Susan Kelly (in Susan kelly, Edad 20), Rubia Servios and Miss X have been identified with her. And now Aida Macaraeg. Aida Macaraeg: Adultery Case No. 3690 is the new and hopefully the final title of Vilma’s latest Regal film which is directed by Lino Brocka. Ilang beses ding nagpalit-palit ng titulo and pelikulang ito ni Vilma starting out with Obsession as its working title, then it was changed to Separasyon Legal, and still to Paano Kita Mamahalin? before finally setting for Aida Macaraeg: Adultery Case No. 3690. Maganda na sana ang unang titulo nito, ang Obsession. Bagay na bagay ito sa tema ng kuwento about an obsessed lover kaya lang medyo apprehesive ang pamunuan ng Regal na baka hindi ito bumenta sa mga probinsiya dahil masyadong high sounding ang titulong Obsession at hindi ito maintindihan. The most likely thing to happen ay maipagkakamali itong isang foreign film considering the fact na there was a Canadian film with the same title shown several years ago. That film was directed by Brian de Palma and its starred Genevive Bujold.
The change from Obsession to Separasyon Legal did not satisfy the Regal boss, Lily Monteverde, because the new title sounded like a take-off from two of Vilma’s most successful films, Relasyon and Broken Marriage. So they thought of another title and considered Paano Kita Mamahalin? na at first ay parang bagay rin sa nilalaman ng pelikual tungkol sa isang nakaw na pagmamahalan. Pero ang Paano Kita Mamahalin? ay parang kapareho ng titulo ng pinakamalaking hit ng pelikula ng Viva Filma na major competitor ng Regal. Ito iyong Paano Ba Ang Mangarap? na pinangunahan din ni Vilma Santos. Matagal nang tapos ang pelikula at umalis at dumating na mula sa abroad ang direktor nitong si Lino Brocka ay hindi pa mapagpasiyahan ang talagang ipapamagat dito. So, nag-meeting uli ang mga taga-Regal and after a thorough brainstorming session may nagsuggest ng pangalang Aida Macaraeg (according to reports ay si Ronald Carballo raw ang nagbigay ng pangalang iyon) at dinagdagan na lang iyon ng Adultery Case No. 3690 dahil nga tungkol sa isang true-to-life adultery case ang pelikula na hango sa files ng manunulat na si Aida Sevilla-Mendoza. Finally, napagkasunduan na ring ang huling titulo at ito’y iri-release na tentatively in January 1984. The new title reminds one of the film Rubia Servios which was also a true-to-life account of a celebrated case (this time rape) and featured the successful triumvirate of Vilma Santos, Phillip Salvador and Lino Brocka. Maalala na sa pelikulang Rubia Servios nakaranas at natamo ng aktress ang pinaka-heartbreaking na kabiguan sa kanyang entire career during the 1978 Metro Manila Film Festival.
Sa nasabing festival, matunog na matunog ang pangalan ni Vilma – with the moviegoing audience, the film enthusiasts and the film critics – at hinulaan pa ngang siya ang mananalo peron nang dumating ang awards night ay si Nora Aunor ang nagwagi para sa pelikulang Atsay. Sabi pa nga noon ni Vilma: “Talagang doon ako sa pelikulang iyon umasa nang malaki at nabigo. Pagkatapos noon, parang nagkaroon na ako ng phobia na magdadalo sa mga awards night at lalong hindi na ako umaasa nang ganoon katindi. Kaya laking gulat ko nang mapanalunan ko ang lahat ng mga Best Actress awards sa taong ito dahil ayoko na talagang umasa.” Ang naging malaking konsolasyon lang ni Vilma sa Rubia Servios ay ang tinamong tagumpay nito sa takilya na kahit tapos na ang festival ay patuloy pa ring ipinalabas sa mga sinehan at humakot ng marami pang manonood long after its rival films were already withdrawn from exhibition. After Rubia and after a period of five years ngayon lang muling nagkasama sa pelikula sina Vilma at Lino Brocka. Although there was a time before that the director wanted the actress for one of his films (Kontrobersiyal), hindi nagkaroon ng katuparan iyon dahil sa very hectic na schedule ni Vilma noon at hindi na nakapaghintay si Lino. The role eventually went to Gina Alajar and the film became one of Lino’s most underrated movies. Sa Aida Macaraeg, muli na namang tatalakayin ang tungkol sa infidelities ng marriage na naging tatak na ng mga pelikula ni Vilma. Sa pagkakataong ito, hindi na siya ang “kabit” kundi siya na ang magkakaroon ng extra-marital relations o sa madaling sabi, siya na ang magkakaroon ng “kabit.”
Nangyari na rin ito sa ilang pelikula ni Vilma kung saan ginampanan niya ang papel ng isang babaing may asawa at nagkakaroon siya ng lover tulad sa Hiwalay, Karma, at Minsan Pa Nating Hagkan Ang Nakaraan. Pero sa kakaiba ang mangyayari sa kanya sa Aida Macaraeg dahil dito ay madedemanda siya. How the actess will handle the role which in real life is the exact opposite of herself is something to watch especially now that husband Edu Manzano is back after almost a year of estrangement. For superstar and a highly successful actress who tries hard to hold on to her married life like their is no other, playing an adulterous wife is almost a life like departure for her. As she has always said time and again: “I’m trying my best to make marriage work. Kahit ano pa mang pambabatikos ang gawin nila hindi ko hahayaang masira ang aking married life nang ganoon na lang. Ang pinakamahalaga sa aking ngayon ay ang aking asawa’t anak. Sila ang dahilan kung bakit kinakaya ko ang lahat. Sabi nila, hindi raw puwedeng pagsabayin ang movei career at marriage. But I will try my best that what happened to most of my colleagues will not happen to me. Hindi ko mapapayagang mangyari iyan sa akin. I am willing to compromise for the sake of my marriage. I have always believed in my husband at kung kinakailangang isakripisyo ko ang aking movie career ay gagawin ko huwag lang masira ang aming magandang pagsasama. Hindi ko basta-basta isusuko na lang ang lahat. Mahal na mahal ko sila.” With that kind of belief and devotion, siguro wala nang makapipigil pa sa aktres na itaguyod ang kanyang sariling pamilya. Wala na. Not even her movie career. That a woman! This Trudis Liit now transformed into the “biggest” women in local film history namely Aida Macaraeg, Sister Stella L and Baby Tsina. With that kind of revolutionary women’s role in recent history, who needs a husband? Only Vilma Santos! – Julio Cinco N., Movie Flash Magazine, 05 January 1984 Posted at Pelikula Atbp (READ MORE)
TSS’ Stars of 1970s
1:00 PM Summer: 7 Stars in Special Sunday Session – Summertime. And Sunday too. So it started like a summer day. Casual yet exciting. Carefree and promising. With a lot of expectations for the moment ahead. So it was with having seven young stars around, TSS Stars ’70: Vilma Santos, Tirso Cruz III, Nora Aunor, Eddie Peregrina, Edgar Mortiz, Ed Finlan, and Hilda Koronel (in the order of their arrivals). There they were, prompt in their youth, bubbly in their youth, unassuming in their confident in their success amid an ancient backdrop, the UST Pharmacy Gardens. When age and youth meet in such a dramatic setting, there is bound to be communication, reaction, combustion. Effects! And what is a more fitting place to spend an early summer afternoon than staid, old UST with young, alive radiant stars for company and that peculiarly romantic, nostalgic summer air. And when the yound stars started posing, smiling, obliging and when the cameras went on clicking, popping shuttering and when scribes began talking, laughing directing, the summer day with its flair, laziness and air became an impromptu ball for all concerned. One fun-filled episode of a lifetime. A slice of real life to be kept in one’s heart for the memory. Now, you may wonder why we have seven successful young star this issue when TSS launched only six last January?
Blame the whole mess on Ed Finlan. Blame it on his personality, his promise, his name that just can’t be ignored. Blame it all on the zooming career of Edward Walter Valdes Finlan. So the special seven. On this photo-session hangs a story. A story of hope coupled with a little confusion from that time Kuya Bert planned to put out another issue as a follow-up. Timely enough. After all TSS started the whole pakulo. The session itself was postponed three times – just to be assured of the attendance of all – including Nora Aunor who missed it that first round. Every time it was moved to another date, we lost face some wasy, especially to Pip’s Mommy Elma with whom we played ulianin by reminding her each time we met. That first time, it was called off. Edgar and Vilma were in Baguio City for shooting. The next date, everybody can’t make it with TV programs and last time shooting to do. So it was finalized on Sunday, March 15 at 1:00 piyem. It would have been Fort Santiago as rendezvous but Sunday is Sunday in the forth with the usual Sunday crowd being there. Why not a school campus since graduation and demos were in the air? And the stars came beyond modest expectation, ahead of schedule. Vilma Santos came with her Mommy Mila and Papa Amado. Tirso Cruz III came with uncle Joey and a group of friends while Nora entered the scene with a few fans.
A Mustang (aba, bago!) ushered in Eddie Peregrina with his man Friday. Edgar Mortiz with Dad Celso adn Mom Lucy with fans Angge, Mario Cay, Luz Orellano and Araceli Paraiso. Ed Finlan arrived with his usual confident self. And Hilda came with Mila Parawan to complete the magnificence. At little confusion resulted. It began with a comedy of errors. With Vilma, Pip, Nora and Eddie, there was only scribe Ched Gozales to entertain them and out they were in the Pharmacy Gardens before one one o’clock only to be told later taht the assembly point was the UST Arch along España. Under the heat of the summer sun, the group went to the Arch only to be told that the locale would actually be the Gardens. Since after all, a big number of movie fans and onlookers had already started to form at the UST entrance. The merry excited entourage made its way to the Gardens once again. Ed Finlan with his shocking humor and equally color-shocking attire of yellow shirt with loud-striped pants under the golden sun was summer in motion. Vilma on the other hand had a ball ribbing Eddie Peregrina for being “mayabang kasi Edong ka na ngayon.” Edgar Mortiz was extra solicitous and ultra-PR conscious that time. Hilda did her thing – more of a girl, rather than woman with self-conscious laughter and sweet and pretty flair. Pip was surprisingly in his calm self and ruffled impeccable long sleeve shirt.
Eddie Peregrina was in paisley with that typical Peregrina grin. Nora, quiet and lady-like with a few smile here an a wave of hand there, was in a blue-orchid print. Hilda was the only one in pantsuit, a purple hablon, and she stood out really. Ditto with Haydee’s make-up and hair color on Ed. Oh what they had to forego just to make it to the appointment on time. Edgar and Vilma came from ABS where they had My Love For You at noon. But before that, Edgar came from Sta. Teresita Church where he acted as baptism sponsor. Hilda and Ed came from the Haydee set and they were expected back there in two. Pip was in a rush too, from ABS and then to the bingo social of his fans at their compound and the photo session as far as he was concerned. Eddie Peregrina had an appointment at 2:30 and it was Nora it seems who took her own sweet time. The Gardens yielded an old well, a gazebo-like concrete structure for photographic effects and possibilities. At half-past one, the poses were planned, the shots called for and everyone appearing swell putting their best faces forward, looking deserving of the TSS choice. An old well, very symbolic really, for the first shot and when that first one popped, the sessions began. And for a good forty minutes, the cameras aimed to catch for eternity the faces, the stances, the poses with the smile and bravura of that early Sunday afternoon. After all, that was what the session called for! And after all, what are photos for but for catching, freezing, preserving what is today for tomorrow?
The atmosphere was kept livelieer, dramatic with some curiosity-seekign fans and a number of scribes and last-minute guests. There was Jusyo C. Justo popping out of nowhere with his OBBB, OBWB, CTS and BAB, Doddie Alvarez, Donnie Ramirez, Mercy Lejarde, Marina Reyes and Ched made their presence felt with summery get-up. Late arrivals were Rene Tiosejo for a look-see and Oskar Salazar with a brand new-opera glasses (but Romy Mallari and Roldan de Villa weren’t around). Zeny Peralta of Roper’s was there for someone’s moral support. Two mothers managed to snae some attention – Lucy Mortiz in pink pantsuit and the latest Christian Dior hairdo and Mommy Milagros Tuazon Santos in blue pantsuit, with their respective male halves of course. At twenty past two, Ernie Alfonso had used u his one and half rolls of color film while Bert Verlidas had two black rolls. There was Fred Garces of Roper’s jiving in. The session, the main part of it, was now over. After all the camera clicks, the 1-2-3 shots, the photographers’ directions and the frozen poses were done and the thank-you’s and see-you were said, still one is left with the thought that so far, so good. TSS Stars ’70 are still unspoiled byt success and we hope as one that they all stay that way. And there is something more left in the memory, something better felt than described. For how can such feeling, or any feeling at all for that matter, be caught and pinned down as words in print? I am attempting to that now but I know that it would be the pictures of that special session which will speak a thousand words, a thousand feelings, a thousand hopes. Pictures, eloquent and feeling-filled, with a history of their own! – Billy R. Balbastro, TSS Komiks, 1970 (READ MORE)
Fine Film
The Technical preview of “Karma” the other night was delayed for about an hour but I didn’t mind waiting because I was quite certain that I’d be seeing a fine film. To while away the time, “Firecracker”, co-starring American actors with local talents like Chanda Romero, Vic Diaz and Rey Malonzo was shown. Chanda and Vic delivered their lines themselves but surprisingly Rey didn’t. Before one whole reel could roll, the prints of “Karma” arrived. “Don’t stop it yet, a bed scene is coming,” Mario Bautista protested.
Happily, “Karma” turned out to be as good as I expected. It’s performers are first-rate – Vilma Santos, Ronaldo Valdez, Tommy Abuel, Chanda Romero – so their award-winning acting didn’t surprise me at all. The script was outstanding but even that was expected, coming from director Danny Zialcita. What impressed me was that minor parts were played by name actors. The housekeeper who appeared in one short sequence could have been played by any elderly woman but those who made the movie wanted nothing less than Etang Discher. The psychiatrist could have been played by any decent-looking man but they didn’t settle for anybody less than Vic Silayan. The male lover at the start of the story had to be acted out by Dante Rivero, that at the end by Christopher de Leon.
The movie boasted of several bold scenes. Those involving Vilma weren’t much as we know for a fact that Vilma could show only so much. One scene showing Chanda was a different story. It showed her with absolutely nothing on, yet it didn’t offend anybody as it was executed in style, shot with great care. There was just one thing which looked unnatural to me – the way in which one of the main characters killed himself. “That’s all right,” Danny assured me. “Before we shot it, we doublechecked its possibility.” Reincarnation and transference are undoubtedly mindboggling subjects but, to his utmost credit, Danny managed to present them simply, bringing them down for everybody to understand. “Bala lang yan. Katawan lang ito. Babalik at babalik kami sa mundong ito,” Dante vowed. Come back they did as they promised building the foundation of the story. – Bob Castillo, People’s Journal, 12 December 1981 (READ MORE)
Our Lady of Peñafrancia (Patroness of Bicolandia) (1970)
Basic Information: Original Music composed & Directed by Prof. Felipe P. de Leon; Screenplay and Direction Romy Villaflor; Cast: Ric Rodrigo, Zeny Zabala, Dindo Fernando, Rosa Mia/ Also Starring Joseph de Cordova, Cora Maceda, Willie Dado, Tibo Legaspi, Ven Medina, Jimmy Javier, Angel Confiado, Dante Rivas and Rolly Lapid/ In very special roles- Vilma Santos, Pedro Faustino, Priscilla Ramirez, Jose Villafranca, Pablo Raymundo, Sabas San Juan and Priscilla dela Paz; Cinematography Tommy Marcelino; Production Company: NGI Movie Productions, Inc.; Release Date 1970
Plot Description: “…Our Lady of Peñafrancia (Spanish: Nuestra Señora de Peñafrancia in the Philippines, and Nuestra Señora de la Peña de Francia or Virgen de la Peña de Francia in Spain) is a wooden statue of the Blessed Virgin Mary in the Philippines patterned after the one in Peña de Francia (Salamanca, Spain). It is currently housed at the Basilica Minore. Millions of pilgrims, devotees, and tourists arrive in Naga City — also known as the Pilgrim City and the Queen City of the Bicol region — in the Philippines every September for nine-day festivities in honor of Our Lady of Peñafrancia, the Principal Patroness and Queen of Bicol who is endearingly addressed by Bicolanos as Iná (mother). The shrine in Naga gathers more than five million devotees every year and is known as one of the biggest Marian pilgrimage sites in the world. On 3 December 2015, a mosaic image of the Virgin Mary under this title was officially enshrined at the Vatican Gardens for the 14th slot at the pontifical mandate of Pope Francis. The ceremony was attended by the President of the Philippines, Benigno Aquino III who was given the honor of unveiling the image as among the selected 14 Marian images from around the world…” – Wikipedia (READ MORE)
Film Achievement: No Available Data
Film Reviews: “…Please note, this film was posted by Video 48 blog and not previously listed in filmographies of any of the lead actors featured in this film, this include: Rosa Mia, Zeny Zabala, Ric Rodrigo or Dindo Fernando. The film poster credited Vilma Santos in special role…” – RV
#OurLadyofPeñafrancia, #PatronessofBicolandia, #VilmaSantos, #RosaMia, #ZenyZabala, #RicRodrigo, #DindoFernando
Remembering Vic Vargas
Vic Vargas (March 28, 1939 – July 19, 2003) was a Filipino film actor and a three-time Philippine judo champion at the age of 17. He starred in well over 60 films between the late 1950s and early 1960s to 2002. Due to his swarthy looks he was often typecast in action and sexy comedy films. He died on July 19, 2003 from a stroke aged 64.- Wikipedia
Vilma-Nora: May Bagong Dimensiyon Ang Pag-aartista!
January 30, 1982. Sabado. Sa Ermita. Ala-1:00 nang hapon ay nagse-set up na ang “whore house”na iyon. Thirty minutes later, dumarating si Nora Aunor. May dalang blazer at palinga-lingang hinahanap ang kanyang mga co-stars. Alas 2:00, sumunod na dumating si Vilma Santos. Go up siya sa one-roomer na bahay na iyon. Nagkatinginan. Ngitian. Hellos. Ngitian uli. Mainit ang panahon. Walang electric fan. “Wala pa sila?” tanong ni Vilma kay Guy. “Tayo pa lang yata,”sagot ni Guy. Wala pa si Director Danny Zialcita (ang sinasabing third superstar sa cast na ito). Sa gitna na maliit na silid na iyon ay may isang kama. Malapit sa pintuan, nakahilera si Guy at ang mga kasamahan. Sa kabilang banda, sa may bintana, magkatabi sina Vilma at mga kakampi. Ehe-man. Pakiramdaman. Bulungan. Wala pa si Direk. Ang init! Anong oras na? The two camps wouldn’t know how to break the odd silence. They appeared like combatants in an open arena. Labasan ng Game & Watch. Sigarilyo. Panay ang palitan ng usok. “Anong oras kaya darating si Direk?” tanong ni Guy. “Kantýawan natin, ha. Pagdating niya, kunwari aalis na tayo,” magandang salo ni Vilma. Tawanan. Ah…kahit na yata walang electric fan ay medyo lumalamig na nang konti. The smiles became warmer. O, walang lighter si Vilma. Kaya takbo si Shirley ni Guy para sindihan ito. Nauuhaw si Guy. Offer si Viring ni Vilma ng softdrinks. International ba ang dramatic entrance ni Zialcita sa first shooting day niya? Para magkapalagayan munang mabuti ang dalawang Reyna?
Kung sa bagay, hindi naman talaga “magkaaway”ang dalawang ito. Nagkataon lamang na magkaribal sila. At sa showbiz, if you are professional rivals, chances are you are not close to each otehr – may wall, may gap. Or sa interpretation ng iba, ini-expect na may cold war. Andún ang intriga. Kesyo sino kaya ang mas may malaking bayad? Balitaý one milyon ang ginasta ng Film Ventures sa dalawang ito. Meaning to say tigpa-five hundred? Neither Vilma nor Guy would confirm this. Or alangan namang isiping ang isa ay binayaran ng 600 and the other, 400. Ayawa ng fans ng ganyan. At ang billing? “Basta sabi nial, pantay kami. Okey lang,” comment ni Guy. “Ayokong mauna. Ayoko ring mauna si Guy. Bahala na sina Ernie Rojas na mag-isip ng paraan,” malinaw na statement ni Vilma. Noong una, matunog na ang titulo a plain “T-bird” lamang. Nang sinimulan na, naging “T-Bird at Ako.” Whose idea? “Excuse me, it’s not me who asked for that. Hindi sa akin galing, at huwag isiping ako ang nag-suggest. Nang tinanggap ko ang project, alamg kong title ay “T-Bird,” mariin ang sabi ni Vilma at kapani-paniwala namang talaga. Nang lapitan ni Zialcita si Guy at inalok nito, he told Guy na “Pumayag na si Vilma. Pinangako niya sa akin ito right after she won the best actress award nitong filmfest.” Hesitant si Guy na tanggapin sana ang proyekto. “Prangkahan, sige. Si Danny ay identified kay Vilma. Nagtrabaho na sila together. Kami ni Danny, ngayon pa lang. Kilalang-kilala ni Vilma ang grupo ni Danny – Ernie and company. Ako, ngayon pa lang…kaya andu’n din ang kaba. Andu’n ang duda. Tagilid kaya ako?…Pero sinasabi ko naman ngayon, fair sila. Okey lang!”
Teka balki tayo sa first shooting day. Hayun, dumating na rin si Zialcita. Aba ayaw patawarin nin Vilma at Guy. “Sorry, pero pangako, ibo-blow out ko kayo,” pilyo niyang sabi as he stepped into the scene. Unang eksena pa lamang ay pinagsabong na niya ang dalawang bida. Malulutong na sagutan. May tulakan pa. Ngayon nga lamang nagkatapat sina Guy at Vilma nang “solohan.” Ang ibig naming sabihin, nagsama na sila in the past, pero mayroon silang ibang support at bibihira ang mga eksena nila together. But this time, sila lamang dalawa ang naka-sentro. nagsasabong. At hindi na pakanta-kanta sa ilalim ng puno or pasayaw-sayaw lamang sa entablado. Sabungan na ito ng dalawang premyadong aktres. Ng dalawang marurunong at malalakas sa takilya. Sino ang mas mahusay? Ang masa star? Ang mas karapat-dapat? Sino ang tunay na Reyna? Ang tunay na superstar? Hayan. Hulyo na nga. Hindi pa rin tapos ang “T-Bird At Ako.” Ba, nahihirapang pagtapatin ang schedules nina Vilma at Guy. At ano na nga ang nangyari between the two since their first shooting day? To the public, para bang mas magkaibigan na sila. The wall first started to crumble when Guy lost her Papay Tayoy. Vilma went out of her way not only to be among the first to send flowers, but also came to the wake. When Vilma’s son Lucky celebrated his bday, Guy sent Ian and Lot-Lot to Vilma and Edu’s home in Magallanes to bring their gifts. Edu later called up Guy to extend his gratitude sa regalong iyon. “Is this Miss Aunor?” tanong ni Edu sa kabilang linya. “Maraming salamat sa pinadala ninyong regalo at sa pagbisita nina Ian at Lot-Lot.” When Vilma and Guy saw each other on the set again, Vilma reiterated her pasasalamat to Aunor. But wait…may panibagong round.
Entra ang Sunday program ni Vilma. “Vilma in Person.” Halos katapat ng “Superstar”ni Guy. A new contest. Pero look naman, ang isa sa mga guest ni Vilma sa opening show niya ay si Guy. At di ba nagpunta rin si Vilma sa “Geym na Geyme” na isang produksiyon ng NV? When Guy celebrated her birthday on “Superstar,” it was Vilma’s turn to guest. Give and take ‘ika nga. But people are wondering. At hindi ko maaalis sa mga tao ang mag-isip ng ganito – ggano kalalim ba or kababaw ang sinasabing friendship ng dalawa? Sa opinyon ko, they are not eh best of friends in the truest sense of the word. They are friends alright, at mas nagbabatian na sila kaysa dati. Pero mukha yatang malabo kung iisiping ang pagsasamahan nila will even go deeper. Unang-una, they don’t exactly move in the same circles. While pareho nga silang superstars, parehong Reyna, mayroon silang sari-sariling kaibigan. Magkaiba ng hilig sa buhay. Magkaiba ng interes. Magkaiba ng ugali. Magkaiba sa maraming bagay. Sino ba yung nagsabing bibihirang nagkakasundo ang Scorpio (Vi) at Gemini (Guy)? Recently, tinalbugan ni Vilma si Guy nang nagkasunod ang dalawa nitong acting awards. After Vi’s victory sa filmfest, sumunod naman ay sa FAMAS. The last award na natanggap ni Guy ay mula sa Catholic Mass Media for her outstanding performance sa “Bakit Bughaw Ang Langit.” While sa FAMAS ay medyo tabla na sila ng labanan (tigda-dalawa na bilang best actress), sa Urian lamang na lamang si Guy. Vilma has yet to win an Urian award. Sa filmfest, mas marami rin ang recognition ni Guy. Sa box-office, statistic say na mas nakakalamang si Vilma. Her latest, “Relasyon” ay kumita ng more than one million sa first two days pa lamang. Now, people are curious at inaabangan kung madadaig ito ng “Annie Sabungera” ni Aunor.
Sa survey sa tv, still it’s “Superstar”that’s ahead of “V.I.P.” Sa film offers, paramihan ang dalawa. Vilma has “Never Say Goodbye,” “A Very Private Affair,” “Haplos,” “Once There Was A Love,” two untiled pictures for Regal, another for Film Ventures and “Hiram” for Lea. Si Guy ay mayroong “Himala,”dalawang commitments kay Peter Gan, a possible movie with Rudy Fernandez, and “Black and White” with Redford White. Ang tanong ito nga magsasabi kung sino sa dalawa ang mas tatagal. Andýan na nga ang mga bagong mukha, mas aspiring young female star na mayroon na rin namang maipagmamalaking following. Are Vilma andGuy still good for another ten years? While it is true that Vilma will not be as interesting without Guy and vice-versa, puwede rin namang either magkahatakan sila paitaas or paibaba. One thing is definited though with the two: they have to survive together. Pag nawala si Vi, wala na rin si Guy. Pagum-exit si Guy, madadamay si Vilma. At ngayon ngaý inaabangan ang pagsasabong nila sa “T-Bird At Ako.” Abogadang may identity crisis si Guy. Si Vilma naman ay isang prostiture na nakapatay. Their words clash when the lawyer offers her services to defend the killer. Vilma wonders why Guy is determined to win her case when they’re not even friends. Vilma dances at a bar and Guy feels some attraction. Some kind of a love story na si Danny Zialcita ang inspiradong magpresent at mag-interpret in such a way na magkakabanatan nang husto and akting ng dalawa. Pero habang naghihintay ang publiko…Kami naman ang kinakabahan. Sa sarili namin, gusto naming malaman kung kailan pa kaya matatapos ang “T-Bird At Ako.” – Baby K. Jimenez, Photos: Joe Claroniño, Jingle Sensation Magazine, 19 July 1982, re-posted at Pelikula Atbp (READ MORE)
Star For All Seasons 
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