Vilma Santos: From Trudis Liit to Aida Macaraeg

From Trudis Liit to Aida Macaraeg spans 21 long years and that covers the film career of top actress Vilma Santos until now. Trudis Liit has already become synonymous with the famous actress’ name in the same manner that Darna (which she starred with Rosa del Rosario, Liza Moreno, Evan Montes, Gina Pareño, Lorna Tolentino -on TV- Rio Locsin, and would you believe, even Dolphy in Darna Kuno?), Dyesebel (which she aldo shared with Edna Luna, Eva Montes – did she or didn’t she – and Alma Moreno), Wonder Vi, Maria Sinderela, (in Ang Mahiwagang Daigdig ni Maria Sinderela), Susan Kelly (in Susan Kelly, Edad 20), Rubia Servios and Miss X have been identified with her. And now Aida Macaraeg. Aida Macaraeg: Adultery Case No. 3690 is the new and hopefully the final title of Vilma’s latest Regal film which is directed by Lino Brocka. Ilang beses ding nagpalit-palit ng titulo ang pelikulang ito ni Vilma starting out with Obsession as its working title, then it was changed to Separasyon Legal, and still to Paano Kita Mamahalin? before finally setting for Aida Macaraeg: Adultery Case No. 3690. Maganda na sana ang unang titulo nito, ang Obsession. Bagay na bagay ito sa tema ng kuwento about an obsessed lover kaya lang medyo apprehensive ang pamunuan ng Regal na baka hindi ito bumenta sa mga probinsiya dahil masyadong high sounding ang tilulong Obsession at hindi ito maintindihan. The most likely thing to happen ay maipagkakamali itong isang foreign film with the same title shown several years ago. That film was directed by Brian de Palma and it starred Genevieve Bujold.

The change from Obsession to Separasyon Legal did not satisfy the Regal boss, Lily Monteverde, because the new title sounded like a take-off from two of Vilma’s most successful films, Relasyon and Broken Marriage. So they thought of another title and conisdered Paano Kita Mamahalin. Pero and Paano Kita Mamahalin? ay parang kapareho ng titulo ng pinakamalaking hit na pelikula ng Viva Films na major competitor ng Regal. Ito iyong Paano Ba Ang Mangarap? na pinangunahan din ni Vilma Santos. Matagal nang tapos ang pelikula at umalis at dumating na mula sa abroad ang direktor nitong si Lino Brocka ay hindi pa mapagpasiyahan ang talagang ipapamagat dito. So, nag-meeting uli ang mga taga-Regal and after a thorough brainstorming session may nag-suggest ng pangalang Aida Macaraeg (according to reports ay si Ronald Carballo raw ang nagbigay ng pangalang iyon) at dinagdagan na lang iyon ng Adultery Case No. 3690 dahil nga tungkol sa isang true-to-life adultery case ang pelikula na hango sa files ng manunulat na si Aida Sevilla-Mendoza. Finally, napagkasunduan na rin ang huling titulo at ito’y iri-release na tentatively in January 1984. The new title reminds one of the film Rubia Servios which was also a true-to-life account of a celebrated case (this time rape) and featured the successful triumvirate fo Vilma Santos, Philip Salvador and Lino Brocka. Maalala na sa pelikulang Rubia Servios nakaranas at natamo ng aktres ang pinaka-heartbreaking na kabiguan sa kanyang entire career during the 1978 Metro Manila Film Festival.

Sa nasabing festival, matunog na matunog ang pangalan ni Vilma – with the moviegoing audience, the film enthusiasts and the film critics – at hinulaan pa ngang siya ang mananalo pero nang dumating ang awards night ay si Nora Aunor ang nagwagi para sa pelikulang Atsay. Sabi pa nga noon ni Vilma: “Talagang doon ako sa pelikulang iyon umasa nang malaki at nabigo. Pagkatapos noon, parang nagkaroon na ako ng phobia na magdadalo sa mga awards night at lalong hindi na ako umaasa nang ganoong katindi. Kaya laking gulat ko nang mapanaluhan ko ang lahat ng mga Best Actress awards sa taong ito dahil ayoko na talagnag umasa.” Ang naging malaking konsolasyon lang ni Vilma sa Rubia Servios ay ang tinamong tagumpay nito sa takilya na kahit tapos na ang festival ay patuloy pa ring ipinapalabas sa mga sinehan at humakot ng marami pang manonood long afer it’s rival films were already withdrawn from exhibition. After Rubia and after a peropd of five years ngayon lang muling nagkasama sa pelikula sina Vilma Santos at Lino Brocka. Although there was a time before that the director wanted the actress for one of his films (Kontrobersiyal), hindi nagkaroon ng katuparan iyon dahil sa very hectic na schedule ni Vilma nuon at hindi na nakapaghintay si Lino. The role eventually went to Gina Alajar and the film became one of Lino’s most underrated movies. Sa Aida Macaraeg, muli na namang tatalakayin ang tungkol sa infidelities ng marriage na naging tatak na ng mga pelikula ni Vilma.

Sa pagkakataong ito, hindi na siya ang “Kabit” kundi siya na ang magkakaroon ng extra-marital relations o sa madaling sabi, siya na ang magkakaroon ng “kabit.” Nangyari na rin tio sa ilang pelikula ni Vilma kung saan ginampanan niya ang papel ng isang babaing my asawa at nagkaroon siya ng loverl tulad sa Hiwalay, Karma, at Minsan Pa Nating Hagkan Ang Nakaraan. Pero kakaiba ang mangyayari sa kanya sa Aida Macaraeg dahil dito ay madedemanda siya. How the actress will handle the role which in real life is the exact opposite of herself is something too watch especially now that husband Edu Manzano is back after almost a year of estrangement. For a superstar and a highly successful actress who tries so hard to hold on to her married life like their is no other, playing an adulterous wife is almost a life-like departure for her. As she has always said time and again: “I’m trying my best to make my marriage work. Kahit ano pa mang pambabatikos ang gawin nila hindi ko hahayaang masira ang aking married life nang ganoon na lang. Ang pinakamahalaga sa aking ngayon ay ang aking asawa’t anak. Sila ang dahilan kung bakit kinakaya ko ang lahat. Sabi nila, hindi raw puwedeng pagsabayin ang movie career at marriage. But I will try my best that what happened to most of my colleagues will not happen to me. I am willing to compromise fo the sake of my marriage. I have always belived in my husband at kung kinakailangang isakripisyo ko ang aking movie career ay gagawin ko huwag lang masira ang aming magandang pagsasama. Hindi ko basta-basta isusuko na alng ang lahat. Mahal na mahal ko sial.” With that kind of belief and devotion, siguro wala nang makakapigil pa sa aktres na itaguyod ang kanyang sariling pamilya. Wala na. Not even her movie career. What a woman! This Trudis Liit now transformed into the “biggest” women in local film history namely Aida Macaraeg, Sister Stella L and Baby Tsina. With that kind of revoluntionary women’s role in recent history, who needs a husband? Only Vilma Santos! – Julio Cinko N., Movie Flash, 05 January 1984, Posted at Facebook

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FILM REVIEW: ADULTERY AIDA MACARAEG


The Plot: Dreaming to be released from her miserable life of poverty, Aida, a waitress, abandons her bedridden father, her moralistic mother, her jobless brother and her good-for-nothing sister to live with her boyfriend Carding, who she believes will save her from her miserable life. In his desire to earn quick money, Carding gets involved with illegal drugs and is jailed. Aida is pregnant and while Carding is in jail, she has an abortion. She then marries another man. Carding is released from prison and finds out about his wife’s new life. He decides to sue her for adultery. – UP (READ MORE)

Aida Macaraeg’s only dream is to be released from her miserable life of poverty. She is sick and tired of working day and night as a waitress to be able to feed her jobless brother and his family, her good-for-nothing sister, moralistic mother and bedridden father. One day, Aida decides to turn her back on them and settles for a live-in arrangement with her boyfriend Carding, who gives her a short-lived salvation. But her first attempt to escape a misfortune only brings her face to face with one after another. Carding gets jailed for drug peddling. Aida finds out she is pregnant and opts for an abortion. Forced by need and fueled by ambition, she lives with a wealthy man and has a son by him. Carding is released from prison and finds out about his wife’s illicit affair. They finally see each other again, in court. – Database of Philippine Movies (READ MORE)

The Reviews: Adultery (Aida Macaraeg Case No. 7892) is not one of filmmaker Lino Brocka’s best works. It definitely cannot be lined alongside masterpieces like Tinimbang Ka Ngunit Kulang (You Were Weighed But Found Wanting, 1974), Maynila: Sa Mga Kuko ng Liwanag (Manila in the Claws of Neon, 1975), and Insiang (1976). At best, Adultery is a well-made melodrama that puts a social issue, that of marital infidelity as escape from poverty, at the center of its affairs. Jose Javier Reyes’ well-crafted screenplay (the story is credited to Aida Sevilla Mendoza) is supposedly sourced from a real life account, but one wonders if convenient happy endings (which the film unfortunately struggles with) exist in these kind of cases, especially ones as emotionally charged as in the film. In the Philippines, adultery cases stretch for years and any emotion resembling marital love and concern is replaced with scorching hate, the primary ingredient that fuels litigation. Aida (Vilma Santos giving a very mature performance) is the sole breadwinner for her family, consisting of a bedridden father, a nagging mother, a good-for-nothing brother, his unemployed wife and baby. Unable to bear the hardships of living with her family, she takes the offer of her boyfriend Carding (Phillip Salvador) to simply live together, resisting his invitation to marry him despite the possible scandal that might arise out of their living arrangement. Carding gets caught peddling prohibited drugs and gets imprisoned, leaving Aida all alone to fend for herself. Years later, Carding gets released from prison and finds Aida, now a mistress of a wealthy executive (Mario Montenegro) and mother to a child that is not his. Aida is then sued for adultery by Carding, which if she is proven guilty would separate her from her son.

There’s one sequence in the film which clearly shows Brocka’s mastery. Aida visits Carding in prison, telling him of her pregnancy. Carding again offers to marry her, fearing that their child would be a bastard child. Supposedly out of pity, Aida agrees. The marriage is solemnized then and there. The prison chaplain officiates the ceremony where Aida is draped in an ordinary dress while Carding wears the orange colored uniform. Around are the witnesses of their marriage, felons all donning the same orange outfit Carding is wearing. Of course, these are mere background details, emphasizing the sullenness of the event that is ordinarily jovial and lively. Brocka concentrates on Aida. He closes up on her face, worried about the uncertainty of her future: she is after all pregnant and now married to a convict with absolutely no source of income. It is Aida’s point of no return and Brocka understands it as such, thus he presents it with understated elegance; no dialogue, just Lutgardo Labad’s swelling music and Brocka’s emphatic close-up of Vilma Santos’ apprehensive face.

The film attempts to criticize marriage, which is depicted not in its traditional sense (as the key to life’s bliss) but as a harrowing cage where women are left with no choices. It seems to advocate infidelity, especially when the requirements of life overtakes the facile concerns of societal and religious norms. Interestingly, Brocka does not antagonize any of his characters. Aida is a hardworking woman who we first see as the selfless sufferer who is charged with her family’s survival, a mere victim of fate and circumstance. Also, one cannot doubt Carding’s affection for Aida. His decisions in life may have been off, leading to his incarceration and Aida’s continuing suffering, but it cannot be denied that his love for his wife is indubitable. The blame does not go to any person but to the social institution of marriage, its sometimes shallow roots and the unbendable veneration the law and society gives to it to the detriment of the unique needs of individuals. I am impressed as to how Brocka directed the courtroom sequence, without the usual pomp and unnecessary drama. The courtroom sequence gives the impression as to how the justice is bookish and blind to personal plights. One lawyer asks Aida a question, and she shies away saying that the question is too personal. Of course, the judge demands that she answer the question, which she does so unwillingly. In the eyes of the law, emotions, circumstance, fate, and needs are denied materiality. This should have been the instance wherein we’ll fall for Aida’s plight: that despite her being guilty for adultery, she does not deserve to be punished because she was forced to infidelity not by innate evil but by circumstances in her life. However, instead of dishing out an ending that would operate as the culmination of such criticism, Brocka and Reyes decided to succumb to sentimentality. Husband forgives wife. Wife gets her son back. Everybody’s satisfied. Unfortunately, reality, which the film tried so hard to emulate, isn’t anything like that. – Oggs Cruz (READ MORE)

Dalawang pelikula ni Vilma Santos ang napanood namin sa special previews: Adultery at Sister Stella L. Pinatunayan ng mga pelikulang ito na Vi is still the leading actress of the season and performances in both movies make her again the actress to beat in next year’s award derbies. No doubt, Vilma, right now, is at her peak. Adultery is a well made melodrama deftly written by Jose Javier Reyes and masterfully directed by Lino Brocka. Ang pangunahing tauhan, si Aida Macaraeg, ay isang dalagang breadwinner ng kanyang pamilya. May sakit ang kanilang ama at siya ang bumibili ng mga gamot nito. Nag-asawa nang maaga ang kapatid niyang lalaki at siya ang nagpapakain pati sa asawa t anak nito. Siya rin ang nagpapaaral sa bunso nilang kapatid na babae. Receptionist sa isang restaurant, may boyfriend si Aida na wala namang regular na trabaho. Ito ay si Carding (Phillip Salvador) na kumikita lamang kapag sumasama sa mga illegal na gawain ng sangganong si Bumbay. Nang malaman ni Aida na nagdadalantao na naman ang asawa ng kapatid niya, niyaya niya si Carding na magsama na sila. May kapatid si Aida na isinumpa ng kanilang ina dahil nakisama ito sa isang lalaking may-asawa. Si Aida lamang ang nakauunawa kay Miriam (Deborah Sun) at wala siyang kamalay-malay susundan pala niya ang mga yapak nito. Akala niya’y malulutas ng pagsama niya kay Carding ang mga problema niya ngunit lalala lamang pala ito. Nahuli si Carding sa pagsama sa pangkat ni Bumbay at nabilanggo. Naiwang nagdadalantao si Aida. Nang malaman ito ni Carding ay pinilit siyang pakasal na sila para hindi maging bastardo ang isisilang niya. Ikinasal sila ng pari sa piitan.

Nagbalik si Aida sa kanyang trabaho ngunit natuklasan ng may-ari na buntis siya. Naiisip ni Aida na lalo lamang siyang maghihirap at nadadamay pa pati ang kanyang magiging anak kung itutuloy niya ang kanyang pagbubuntis kaya t ipinasya niyang ilaglag ito sa tulong ni Miriam. Nang magaling na siya y napasok siyang tagapamahala sa isang kantina at dito niya nakilala si Tito Pangilinan (Mario Montenegro). Nagsama sila at nagkaroon ng isang anak. Si Carding naman ay nalipat sa Davao Penal Colony at nagtaka na lamang siya nang huminto na sa pagsulat si Aida. Lumaya si Carding pagkaraan ngpitong taon at hinanap agad si Aida. Nakita niya ito at si Aida ay nagsimulang maglubid ng buhangin. Ang batang kasama niya’y anak daw ni Miriam at mahigpit ang bagong kinakasama nito kaya’t hindi sila maaaring laging magkita. Ngunit natuklasan ni Carding ang katotohanan at sa galit nito’y sinaktan si Aida. Inihabla siya ni Carding at ang kaso y humantong sa husgado. Mabibilanggo kaya si Aida sa salang adultery? That, you’d have to find out for yourself. Mawawala ang suspence kapag ibinunyag namin agad sa inyo ang ending.

Based on a true legal story, nagawa nina Reyes at Brocka na very convincing ang pagkakalahad ng kuwento. Maingat ang development at talagang magsi-sympathize ka sa mga tauhan. Ang kaso ni Aida ay isa ring moral dilemma. Dapat ba siyang sisihin sa kanyang ginawa? Sa kanyang paglalaglag sa sanggol and finding the easy way out through having an affair with a rich old man? Maraming katulad ni Aida sa ating lipunan sa ngayon. Nagipit sila, humanap ng lubid na makakapitan upang huwag tuluyang mahulog sa bangin, kasalanan ba ang kanilang praktikal na solusyon sa kanilang mga problema? Morally, masasabi agad na mali nga sila. Pero madaling humusga kung hindi ikaw mismo ang nakaharap sa mga problemang iyon. Tao lamang si Aida. At ang kahinaan niya ang siyang dahilan kung bakit naging very human ang istorya ng Adultery. Kung bakit naging tutoong-tutoo angmga sitwasyon at ang lahat ng characters dito. Alam mong melodramatiko ang kuwento pero alam mo ring nagaganap ang gayon sa tunay na buhay, na talagang maraming Aida Macaraeg sa ating paligid. Namumukod-tangi ang mga aspetong teknikal ng pelikula: ang sinematograpiya ni Conrado Baltazar, ang musika ni Lutgardo Labad, ang editing ni Rogelio Salvador, ang disenyong pamproduksiyon ni Joey Luna at pati pagkakalapat ng tunog.

Mahusay rin ang acting ng lahat ng tauhan: si Deborah Sun bilang Miriam, si Anita Linda bilang ina, si Tita de Villa bilang tiyahin ni Carding. Maikli lamang ang papel ni Mario Montenegro bilang Tito pero epektibo ang pagkakaganap niya, lalo sa tagpong sinumbatan niya si Aida: “Pitong taon na kitang tinutulungan at pitong taon mo na rin akong niloloko.” Napakahusay ni Vilma sa mga eksenang nagngingitngit siya sa mga kapatid niya sa pagkawala ng uniporme o muling pagbubuntis ng mga ito. You can really feel the sense of rage, and futility that she is experiencing. Pero maging sa iba pang quiet scenes ay mahusay rin siya, o kaya y maging doon sa eksenang muntik na siyang mabuko ni Mario, at nang magkomprontasyon na sila ni Phillip. Pero, sa tingin namin, mas lumutang si Phillip sa pelikulang ito at tiyak na in the running na naman siya for best actor next year. Kung minsan ay mata lamang ang kanyang pinaaarte at wala siyang dialogue (like nang mabasa niyang nakunan si Aida o nang makita niya itong sinasalubong si Mario sa gate). Very touching din ang final scene na tinanong siya ni Vi: “Ano ng nangyari sa ‘tin?” At sumagot siya ng: “Huwag mo nang itanong. Baka mas masakit kung malaman natin ang sagot.” Maraming iba pang magagandang touches ang pelikula, tulad ng pagdalaw ng mga babaing taga-block rosary kina Aida at ang sagutan sa court scenes.

The movie also offers another view of prison life. Sa mga pelikulang lokal na tungkol sa piitan, karaniwan nang nalalagyan ng tattoo ang bida, ginagahasa ng kapwa bilanggo at ginugulpi ng husto. Dito, maayos ang naging kalagayan ni Carding habang nasa bilangguan at wala siyang naenkwentrong mga problema na gaya ng usual na napapanood natin sa prison movies. Maganda talaga ang Aida Macaraeg. – Movie Review by Mario E. autista Movie Flash May 31, 1983 – Mario E. Bautista, Movie Flash May 31, 1983 (READ MORE)

“…Masinop ang mga elemento ng pelikula sa Adultery (Regal Films, Inc., 1984). Madulas ang daloy ng dulang pampelikula ni Jose Javier Reyes, konsistent ang disenyong biswal at sinematograpiya, malinis ang editing, akmang-akma ang tunog at musika. Ang maalam at matatag na pagganap ni Vilma Santos ay nagsasaad ng pagkaunawa at metodo sa layuning dramatiko ng kanyang pelikula. Ang pagganap ni Phillip Salvador bilang Carding ay nagpahayag ng mithiin sa lahat ng di magkatugmang aspeto nito at nagbigay ng naiibang sigla sa tradisyon ng pagganap sa pelikula. Sa halip na unidimensiyonal ang pagsasalarawan sa karanasan ng isang babae ay binigyan ito ng maramihang posibilidad sa pamamagitan ng sinematikong pagsasadula ni Lino Brocka, ang istereotipong ito ay isinalaysay sa paglalakbay ng kababaihan tungo sa sariling pagkilala at katuparan.” – Jojo Devera, Sari-saringng Sineng Pinoy (READ MORE)

Top 100 Vilma Santos Films

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

RANK FILM (YEAR) SCORE
01. Burlesk Queen (1977) 30.90
02. Bata, Bata…Paano Ka Ginawa? (1998) 28.90
03. Dekada’70 (2002) 28.80
04. The Dolzura Cortez Story (1993) 28.70
05. Ikaw ay Akin (1978) 28.60
06. Rubia Servios (1978) 28.50
07. Relasyon (1982) 27.90
08. Pahiram Ng Isang Umaga (1989) 27.80
09. Broken Marriage (1983) 27.70
10. Lipad, Darna, Lipad (1973) 27.60
…LINK

11. Imortal (1989) 26.90
12. Anak (2000) 26.80
13. Tagos ng Dugo (1987) 26.70
14. Adultery (1984) 26.60
15. Pagputi ng Uwak Pag-itim ng Tagak (1978) 25.90
16. Trudis Liit (1963) 25.80
17. Gaano Kadalas ang Minsan? (1982) 25.70
18. Paano Ba ang Mangarap? (1983) 25.60
19. Sinasamba Kita (1982) 25.50
20. Tag-ulan sa Tag-araw (1975) 25.40
…LINK

21. In My Life (2009) 24.90
22. Saan Nagtatago Ang Pag-ibig? (1987) 24.80
23. Ipagpatawad Mo (1991) 24.70
24. Mano Po 3 My Love (2004) 24.60
25. Pakawalan Mo Ako (1981) 24.50
26. Karma (1981) 24.40
27. Hahamakin Lahat (1990) 24.30
28. Sinungaling Mong Puso (1992) 24.20
29. Dalawang Pugad, Isang Ibon (1977) 24.10
30. Ex-Wife (1981) 24.09
…LINK

31. D’ Lucky Ones (2006) 24.08
32. Dyesebel atang Mahiwagang Kabibe (1973) 24.07
33. Sister Stella L. (1984) 23.90
34. Kapag Langit Ang Humatol (1990) 23.80
35. Miss X (1980) 23.70
36. Ikaw Lang (1993) 23.60
37. Bato sa Buhangin (1976) 23.50
38. Nakakahiya? (1975) 23.40
39. Hindi Nakakahiya (1976) 23.30
40. Batya’t Palu-Palo (1974) 23.20
…LINK

41. Haplos (1982) 22.90
42. Ibulong Mo Sa Diyos (1988) 22.80
43. Pinay, American Style (1979) 22.70
44. Langis at Tubig (1980) 22.60
45. Palimos Ng Pag-ibig (1986) 22.50
46. Muling Buksan ang Puso (1985) 22.40
47. Kampanerang Kuba (1974) 22.30
48. Darna and the Giants (1973) 22.20
49. Dama De Noche (1972) 21.95
50. Hatinggabi Na, Vilma (1972) 21.90
…LINK

51. T-Bird at Ako (1982) 21.80
52. Alyas Baby Tsina (1984) 21.70
53. Halik sa Kamay, Halik sa Paa (1979) 21.60
54. Minsan pang Nakaraan (1983) 21.50
55. Masarap, Masakit ang Umibig (1977) 21.40
56. Hindi Nahahati ang Langit (1966) 21.30
57. Susan Kelly, Edad 20 (1977) 21.20
58. Hiwalay (1981) 21.10
59. Rock, Baby, Rock (1979) 21.09
60. Mga Mata Ni Angelita (1978) 21.08
…LINK

61. Bertang Kerengkeng (1976) 21.07
62. Ibong Lukaret (1975) 21.06
63. Vilma Viente Nueve (1975) 21.05
64. Takbo, Vilma, Dali (1972) 21.04
65. Nag-iisang Bituin (1994) 20.90
66. Karugtong ang Kahapon (1975) 20.80
67. Ging (1964) 20.70
68. Anak, ang Iyong Ina (1963) 20.60
69. Kay Tagal ng Umaga (1965) 20.50
70. Yesterday, Today and Tomorrow (1986) 20.40
…LINK

71. Magkaribal (1979) 20.30
72. Anak ng Aswang (1973) 20.20
73. Simula ng Walang Katapusan (1978) 20.10
74. Promo Girl (1978) 20.09
75. Biktima (1974) 20.08
76. Good Morning, Sunshine (1980) 20.07
77. Kasalanan Kaya? (1968) 19.90
78. Mga Rosas sa Putikan (1976) 19.80
79. Nakawin Natin ang Bawat Sandali (1978) 19.70
80. Modelong Tanso (1979) 19.60
…LINK

81. Darna at Ding (1980) 19.50
82. Mga Reynang Walang Trono (1976) 19.40
83. Nag-aapoy na Damdamin (1976) 19.30
84. Pulot-gata, Pwede Kaya? (1977) 19.20
85. Kamay na Gumagapang (1974) 19.10
86. Young Love (1970) 19.09
87. Ito ang Pilipino (1967) 18.90
88. Ikaw Lamang (1971) 18.80
89. Kampus (1978) 18.70
90. Coed (1979) 18.60
LINK

91. The Sensations (1971) 18.50
92. Never Ever Say Goodbye (1982) 17.90
93. Asawa ko, Huwag Mong Agawin (1986) 17.80
94. Ayaw Kong Maging Kerida (1983) 17.70
95. Ibigay Mo Sa Akin Ang Bukas (1987) 17.60
96. Gusto Ko Siya, Mahal Kita (1980) 17.50
97. Amorseko (1978) 17.40
98. Pag-ibig ko sa iyo lang Ibibigay (1978) 17.30
99. Tatlong Mukha ni Rosa Vilma (1972) 17.20
100. Pinagbuklod ng Pag-ibig (1978) 17.10
…LINK

Criteria: Box Office Records, Critics Recognitions, Other Factors(Relevance, Longevity, Entertainment Impact)

Top 100 Vilma Santos Films (part ten)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

10.  Lipad, Darna, Lipad 1973
SCORE: 7(A) + 10(B) + 10(C) + 0.6(D) = 27.6(T)
Directed by Emmanuel H. Borlaza, Elwood Perez and Joey Gosiengfiao, co-starring: Gloria Romero, Celia Rodriguez, Liza Lorena, Marissa Delgado, Angie Ferro, Mary Walter,  Adul de Leon, Chanda Romero, Eddie Garcia, Ernie Garcia, Dick Israel, Ruel Vernal, Angelito, Cloyd Robinson. Based on the novel of Mars Ravelo.  Top Record-Breaking Box-office Film of 1973.   The first of four Darna films starring Vilma Santos. – MORE INFO (no available video)

9.  Broken Marriage 1983
SCORE: 10(A) + 7(B) + 10(C) + 0.7(D) = 27.7(T)
Directed by Ishmael Bernal, co-starring: Christopher De Leon,  Tessie Tomas, Harlene Bautista,  Orestes Ojeda, Lito Pimentel, Richard Arellano, Cesar Montano, Len Santos, Ray Ventura. Vilma received her second Gawad Urian Best Actress and a FAMAS nomination for best actress. – MORE INFO

8.  Pahiram Ng Isang Umaga 1989
SCORE: 10(A) + 7(B) + 10(C) + 0.8(D) = 27.8(T)
Directed by Ishmael Bernal, co-starring:  Gabby Concepcion, Eric Quizon, Billy Crawford, Zsa Zsa Padilla, Olivia Cenizal, Tita Muñoz, Dexter Doria, Vicky Suba, Gina Perez, Alma Lerma, Becky Misa, Gil de Leon, Subas Herrero, Cris Vertido, Toby Alejar.  Written by Jose Javier Reyes.  Vilma Santos received her first best actress from the PMPC Star Awards as well as the Gawad Urian.  She also received nomination from FAP. – MORE INFO

7.  Relasyon 1982
SCORE: 10(A) + 7(B) + 10(C) + 0.9(D) = 27.9(T)
Directed by Ishmael Bernal, co-starring: Christopher De Leon, Jimi Melendez, Lucy Quinto, Beth Mondragon, Olive Madridejos,  Ernie Zarate, Manny Castañeda, Bing Fabregas, Augusto Victa.  The very first “Grand Slam” for Best Actress in Philippine.  Vilma won all the Philippines’ best actress awards of 1982.   She received recognitions from Gawad URIAN, FAP, CMMA, FAMAS. – MORE INFO

6.  Rubia Servios 1978
SCORE: 10(A) + 10(B) + 8(C) + 0.5(D) = 28.5(T)
Directed by Lino Brocka, co-starring: Phillip Salvador, Mat Ranillo III.  Vilma received a nominationf for best performer in the 1978 Metro Manila Film Festival.  The film was the top revenue grosser.  – MORE INFO

5.  Ikaw ay Akin 1978
SCORE: 10(A) + 8(B) + 10(C) + 0.6(D) = 28.6(T)
Directed by Ishmael Bernal,  co-starring: Christopher De Leon, Nora Aunor, Ellen Esguerra, Odette Khan, Charmie Benavidez, Sandy Andolong, Nick Romano, Zandro Zamora, Ernie Zarate, Cris Vertido, Anton Juan.  Vilma received a Gawad URIAN Nomination for Best Actress. – MORE INFO

4.  Dahil Mahal Kita, The Dolzura Cortez Story 1993
SCORE: 10(A) + 8(B) + 10(C) + 0.7(D) = 28.7(T)
Directed by Laurice Guillen, co-starring:  Christopher De Leon, Charito Solis, Jackie Aquino, Maila Gumila, Mia Gutierrez, Eula Valdez,   Noni Buencamino, Gil Portes.  Vilma Santos won the Film Academy of the Philippines’ Best Actress.  She also won Gawad Urian, PMPC STAR, Metro Manila Film Festival and FAMAS Circle of Excellence. – MORE INFO

(no available video)

3.  Dekada’70 2002
SCORE: 10(A) + 8(B) + 10(C) + 0.8(D) = 28.8(T)
Directed by Chito S. Roño, co-starring: Christopher De Leon, Piolo Pascual, Marvin Agustin, Carlos Agassi, Danilo Barrios, Kris Aquino, Ana Capri, Dimples Romana, Marianne de la Riva, Tirso Cruz III, Orestes Ojeda, John Wayne Sace.  Written by Lualhati Bautista.  Vilma Santos won the 2003 Cinemanila International Film Festival Best Actress.  She also won the best actress from FAP, Gawad URIAN, PMPC Star and YCC Best Performer.  The film was the Philippines’ official entry at the 76th Academy Awards best foreign language film.  –  MORE INFO

2.  Bata, Bata…Paano Ka Ginawa? 1998
SCORE: 10(A) + 8(B)+ 10(C) + 0.9(D) = 28.9(T) Directed by Chito S. Roño, co-starring: Albert Martinez, Carlo Aquino, Raymond Bagatsing, Ariel Rivera, Serena Dalrymple, Angel Aquino, Cherry Pie Picache, Rosemarie Gil, Dexter Doria.  Written by Lualhati Bautista.  Vilma won the 1999 Brussels International Festival of Independent Films Best Actress.  She also won the best actress from FAP, Gawad Urian, PMPC Star and the Young Critics Circle Best Performer. – MORE INFO

1.  Burlesk Queen 1977
SCORE: 10(A) + 10(B) + 10(C) + 0.9(D) = 30.9(T)
Directed by Celso Ad. Castillo, co-starring:  Rolly Quizon, Leopoldo Salcedo, Rosemarie Gil, Dexter Doria, Yolanda Luna, Rio Locsin, Roldan Aquino, Chito Ponce Enrile, Joonee Gamboa.  Vilma Santos won the 1977 Metro Manila Film Festival Best Actress.  She also received best actress nominations from FAMAS and Gawad Urian.   The film was the Festival’s top box office grosser.  –  MORE INFO

RECAP:
10. Lipad, Darna, Lipad 1973
9. Broken Marriage 1983
8. Pahiram Ng Isang Umaga 1989
7. Relasyon 1982
6. Rubia Servios 1978
5. Ikaw ay Akin 1978
4. Dahil Mahal Kita, The Dolzura Cortez Story 1993
3. Dekada’70 2002
2. Bata, Bata…Paano Ka Ginawa? 1998
1. Burlesk Queen 1977

…for the complete list, CLICK HERE

Top 100 Vilma Santos Films (part three)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

80.  Modelong Tanso 1979
SCORE: 3(A) + 10(B) + 6(C) + 0.6(D) = 19.6(T)
Directed by Cirio H. Santiago, co-starring: Charito Solis, Winnie Santos. Entry to 1979 Metro Manila Film Festival – MORE INFO

79.  Nakawin Natin ang Bawat Sandali 1978
SCORE: 6(A) + 7(B) + 6(C) + 0.7(D) = 19.7(T)
Directed by Elwood Perez, co-starring: Baby Delgado, Anita LindaChristopher De Leon, Roel Vergel de Dios, Freddie Yance, Romeo Rivera – MORE INFO (no available video)

78.  Mga Rosas sa Putikan 1976
SCORE: 6(A) + 7(B) + 6(C) + 0.8(D) = 19.8(T)
Directed by Emmanuel H. Borlaza, co-starring: Celia Rodriguez, Babara Luna, Trixia Gomez, Merle Fernandez, Monica Morena, Romeo Enriquez, Arnold Gamboa, Sandy Garcia, Ike Lozada. Vilma sings the film theme song! – MORE INFO

77.  Kasalanan Kaya? 1968
SCORE: 6(A) + 8(B) + 5(C) + 0.9(D) = 19.9(T)
Directed by Luis Enriquez, co-starring: Lolita Rodriguez, Marlene Dauden and Eddie Rodriguez with Roderick Paulate. Vilma received acting nomination for best supporting actress in 1968 FAMAS. – MORE INFO (no available video)

76.  Good Morning, Sunshine 1980
SCORE: 6(A) + 7(B) + 7(C) + 0.07(D) = 20.07(T)
Directed by Ishmael Bernal, co-starring: Sheryl Cruz, Debraliz, Anita Linda, Liza LorenaJunior, Lloyd Samartino – MORE INFO

75.  Biktima 1974
SCORE: 5(A) + 10(B) + 5(C) + 0.08(D) = 20.08(T)
Directed by Nilo Saez, co-starring: Helen Gamboa, Celia Rodriguez, Perla Bautista, Cristina Reyes, Divina Valencia Leopoldo Salcedo, Bert Leroy Jr., Tony Santos Jr., Yoyoy Villame, Tommy Abuel, Edgar Mortiz, Ike Lozada, German Moreno – MORE INFO

74.  Promo Girl 1978
SCORE: 6(A) + 8(B) + 6(C) + 0.09(D) = 20.09(T)
Directed by Joey Gosiengfiao, co-starring: Ricky Belmonte, Roel vergel De Dios, Eddie Gutierrez, Bembol Rocco – MORE INFO (no available video)

73.  Simula ng Walang Katapusan 1978
SCORE: 6(A) + 8(B) + 6(C) + 0.1(D) = 20.1(T)
Directed by Luis Enriquez, co-starring: Eddie Rodriguez, Carmen Soriano, Patria Plata, Ingrid Salas, Rio Locsin, Lito Anzures, Renato Robles, Nello Nayo, Ruben Rustia – MORE INFO (no available video)

72.  Anak ng Aswang 1973
SCORE: 4(A) + 10(B) + 6(C) + 0.2(D) = 20.2(T)
Directed by Romy Susara cp-starring: Gloria Romero, Daisy Romualdez, Rosanna Marquez, Lucita Soriano, Lita RodriguezEdgar Mortiz, Nick Romano, Leopoldo Salcedo, German Moreno, Pons De Guzman – MORE INFO (no available video)

71.  Magkaribal 1979
SCORE: 6(A) + 8(B) + 6(C) + 0.3(D) = 20.3(T)
Directed by Elwood Perez, co-starring: Alma Moreno, Christopher De Leon – MORE INFO

RECAP:
80. Modelong Tanso 1979
79. Nakawin Natin ang Bawat Sandali 1978
78. Mga Rosas sa Putikan 1976
77. Kasalanan Kaya? 1968
76. Good Morning, Sunshine 1980
75. Biktima 1974
74. Promo Girl 1978
73. Simula ng Walang Katapusan 1978
72. Anak ng Aswang 1973
72. Magkaribal 1979

…continue with countdown, CLICK HERE!

Top 100 Vilma Santos Films (part eight)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

30.  Ex-Wife 1981
SCORE: 8(A) + 8(B) + 8(C) + 0.09(D) = 24.09(T)
Directed by Luis Enriquez, starring: Beth Bautista, Liz Alindogan, Wendy villarica, Rosemarie Gil, Lucita Soriano, Raul Aragon, Michael de Mesa, Eddie Garcia, Fred Montilla. – MORE INFO

29.  Dalawang Pugad, Isang Ibon 1977
SCORE: 7(A) + 7(B) + 10(C) + 0.1(D) = 24.1(T)
Directed by Ishmael Bernal. co-starring: Romeo Vasquez, Mat Ranillo III, Anita Linda, Mary Walter, Fred Montilla – MORE INFO (no available video)

28.  Sinungaling Mong Puso 1992
SCORE: 8(A) + 8(B) + 8(C) + 0.2(D) = 24.2(T)
Directed by Maryo J. De Los Reyes, co-starring: Gabby Concepcion, Aga Muhlach, Alice Dixon, Aiko Melendez, Melinda Mendez, Mila Ocampo, Luz Valdez, Ricardo Cepeda, Charlie Davao, Philip Gamboa, Orestes Ojeda. Written by Jose Javier D. Reyes. Vilma received a best actress nomination from the Manunuri. – MORE INFO

27.  Hahamakin Lahat 1990
SCORE: 8(A) + 8(B) + 8(C) + 0.3(D) = 24.3(T)
Directed by Lino Brocka, co-starring: Gabby Concepcion, Eric Quizon, Dennis Roldan, Snooky Serna, Perla Bautista, Maritoni Fernandez, Gina Perez, Ruben Rustia. Written by Ricardo Lee. Vilma received an academy award (Luna) nomination for best actress – MORE INFO

26.  Karma 1981
SCORE: 7(A) + 10(B) + 7(C) + 0.4(D) = 24.4(T)
Directed by Danny Zialcita. co-starring: Ronaldo Valdez, Tommy Abuel, Christopher Deleon, Dante Rivero, Chanda Romero, Marianne Delariva, Aurora Salve, Suzanne Gonzales, Martha Sevilla, Odette Khan, Virginia Montes, Bella Flores, Etang Ditcher, Vic Silayan, Fred Montilla, Renato Robles, Ruel Vernal, Augusto Victa, Butch Aquino. Vilma Santos won the 1981 Metro Manila Film Festival Best Actress. – MORE INFO

25.  Pakawalan Mo Ako 1981
SCORE: 7(A) + 10(B) + 7(C) + 0.5(D) = 24.5(T)
Directed by Elwood Perez, co-starring: Christopher De Leon, Anthony Castelo, Deborah Sun, Mila Ocampo, Subas Herrero, Ed Villapol. Vilma Santos won the 1981 FAMAS Best Actress – MORE INFO

24.  Mano Po 3 My Love 2004
SCORE: 8(A) + 8(B) + 8(C) + 0.6(D) = 24.6(T)
Directed by Joel Lamangan, co-starring: Christopher De Leon, Jay Manalo, Boots Anson-Roa, Amy Austria, Sheryl Cruz, Jean Garcia, Karylle, Angel Locsin, Angelica Panganiban, Cherry Pie Picache, Carlo Aquino, Eddie Garcia, Patrick Garcia, Allan Paule, John Prats, Dennis Trillo, Gardo Versoza. Vilma Santos won the best actress from the Metro Manila Film Festival, the PMPC STAR and the Gawad Suri. She also received a Luna nomination. The film was the Philippines’ Official Entry to the 2005 8th Shanghai International Film Festival. – MORE INFO

23.  Ipagpatawad Mo 1991
SCORE: 8(A) + 8(B) + 8(C) + 0.7(D) = 24.7(T)
Directed by Laurice Guillen, co-starring: Christopher De Leon, Charito Solis, Bing Loyzaga, Amy Perez, Delia Razon, Ruby Rodriguez, Vivian Foz, Lorli Villanueva, Joonee Gamboa, Johnny Wilson, Terence Baylon. Written by Olivia M. Lamasan. Vilma received the 1991 Gawad Urian Best Actress and a nomination from FAP – MORE INFO

22.  Saan Nagtatago Ang Pag-ibig? 1987
SCORE: 8(A) + 8(B) + 8(C) + 0.8(D) = 24.8(T)
Directed by Eddie Garcia, co-starring: Ricky Davao, Tonton Gutierrez, Cherrie Gil, Gloria Romero, Alicia Vergel. Alicia Alonzo, Perla Bautista, Suzanne Gonzales, Rose Rosado, Vangie Labalan, Jonee Gamboa, Rey Hipolito, Eddie Arenas. Written by Gilda Olvidado. – MORE INFO

21.  In My Life 2009
SCORE: 7(A) + 10(B) + 7(C) + 0.9(D) = 24.9(T)
Directed by Olivia M. Lamasan, co-starring: John Lloyd Cruz, Luis Manzano, Tirso Cruz III. Vilma Santos received the best actress from Gawad Tanglaw and PMPC Star. She also received nominations from the Golden Screen and Gawad URIAN. The film Earned P20M on its first day of showing in Metro Manila. – MORE INFO

RECAP:
30. Ex-Wife 1981
29. Dalawang Pugad, Isang Ibon 1977
28. Sinungaling Mong Puso 1992
27. Hahamakin Lahat 1990
26. Karma 1981
25. Pakawalan Mo Ako 1981
24. Mano Po 3 My Love 2004
23. Ipagpatawad Mo 1991
22. Saan Nagtatago Ang Pag-ibig? 1987
21. In My Life 2009

…continue with countdown, CLICK HERE!

Top 100 Vilma Santos Films (part two)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

90.  Coed  1979
SCORE: 6(A) + 7(B) + 5(C) + 0.6(D) = 18.6(T)
Directed by Emmanuel H. Borlaza, co-starring: Celia Rodriguez, Angge Jay Ilagan, Allan Valenzuela, Romeo Enriquez, Romeo Rivera, Jun Soler – MORE INFO  (no available video)

89.  Kampus  1978
SCORE: 6(A) + 7(B) + 5(C) + 0.7(D) = 18.7(T)
Directed by Emmanuel H. Borlaza, co-starring: Liza Lorena, Anita Linda, Lorli Villanueva, Ann Villegas, Angie magbanua, Rosemarie De VeraBembol Roco, Mat Ranillo III, Allan Valenzuela, Freddie Yance, Lito Lapid. – MORE INFO

88.  Ikaw Lamang  1971
SCORE: 6(A) + 7(B) + 5(C) + 0.8(D) = 18.8(T)
Directed by Luis Enriquez, co-starring: Connie Angeles, Paolo Romero, Robert Talabis, Raul Aragon, Eddie Garcia, Vic Silayan. – MORE INFO (no available video)

87.  Ito ang Pilipino  1967
SCORE: 6(A) + 7(B) + 5(C) + 0.9(D) = 18.9(T)
Directed by Cesar Gallardo, co-starring: Barbara Perez, Gloria Sevilla, Anita LindaJoseph Estrada, Mario Montenegro, Eddie Garcia, Vic Silayan, Eddie Infante, Romy Diaz, Jose Padilla Jr., Lou Salvador Jr, Jay Ilagan – MORE INFO  (no available video)

86.  Young Love  1970
SCORE: 2(A) + 10(B) + 7(C) + 0.09(D) = 19.09(T)
Directed by Tony Cayado, starring: Nora Aunor, Tirso Cruz III, Edgar Mortiz with Bella Flores, Etang Discher, Angge, Ike Lozada, German Moreno, Raul Aragon – MORE INFO

85.  Kamay na Gumagapang  1974
SCORE: 4(A) + 10(B) + 5(C) + 0.1(D) = 19.1(T)
Directed by Tony Cayado, co-starring: Rosemarie Gil, Alicia Alonzo, Matimtiman Cruz, Tita De Villa, Winnie SantosRomeo Miranda, Dick Israel, Jose De Villa, Venchito Galvez – MORE INFO  (no available video)

84.  Pulot-gata, Pwede Kaya?  1977
SCORE: 5(A) + 8(B) + 6(C) + 0.2(D) = 19.2(T)
Directed by Leonardo L. Garcia, co-starring: Romeo Vasquez, Suzanne Gonzalez, Paraluman, Tita De Villa, Rodolfo Boy Garcia, Tange, Ruel Vernal – MORE INFO (no available video)

83.  Nag-aapoy na Damdamin  1976
SCORE: 5(A) + 8(B) + 6(C) + 0.3(D) = 19.3(T)
Directed by Leonardo L. Garcia, co-starring: Romeo Vasquez, Aurora Salve, Tita De Villa, Walter Navarro, Romy Diaz, Ely Roque, Tintoy, Pepot – MORE INFO (no available video)

82.  Mga Reynang Walang Trono  1976
SCORE: 5(A) + 8(B) + 6(C) + 0.4(D) = 19.4(T)
Directed by Crisostomo, Muhlach, co-starring Amalia Fuentez with Eddie Gutierrez, Robert Arevalo, Eddie Garcia, Rudy Fernandez, Rez Cortez, Greg Lozano. Amalia co-directed. – MORE INFO  (no available video)

81.  Darna at Ding  1980
SCORE: 6(A) + 7(B) + 6(C) + 0.5(D) = 19.5(T)
Directed by Erastheo Navoa, Cloyd Robinson, co-starring: Celia Rodriguez, Marissa Delgado, Veronica Jones, Angie Ferro, Moody Diaz, Lily Miraflor, Donna VillaNiño Muhlach, Max Alvarado, Panchito, Bayani Casimiro, Rez Cortez, Teroy de Guzman, Paquito Diaz, Ike Lozada, German Moreno, Palito, Don Pepot, Jimmy Santos, Al Tantay, Tsing Tong Tsai. Fourth Darna Film of Vilma Santos. – MORE INFO (no available video)

RECAP:
90. Coed 1979
89. Kampus 1978
88. Ikaw Lamang 1971
87. Ito ang Pilipino 1967
86. Young Love 1970
85. Kamay na Gumagapang 1974
84. Pulot-gata, Pwede Kaya? 1977
83. Nag-aapoy na Damdamin 1976
82. Mga Reynang Walang Trono 1976
81. Darna at Ding 1980

…continue with countdown, CLICK HERE!