Top 100 Vilma Santos Films (part seven)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

40. Batya’t Palu-Palo 1974
SCORE: 6(A) + 10(B) + 7(C) + 0.2(D) = 23.2(T)
Directed by Pablo Santiago, co-starring: Fernando Poe Jr.,Mila del Sol, Janine Frias, Lorna Tolentino, Liza Anzures, Angge, Fred Montilla, Dencio Padilla, Phillip Salvador, Liza Anzures, Paquito Diaz, Max Alvarado, Lito Anzures. FPJ and Vilma Santos first film together. A big box-office hit during its theater run in 1974. Vilma sings the film theme song! – MORE INFO

39. Hindi Nakakahiya 1976
SCORE: 7(A) + 10(B) + 6(C) + 0.3(D) = 23.3(T)
Directed by Luis Enriquez, co-starring: Eddie Rodriguez, Ernie Garcia, Gloria Romero, Marissa Delgado, Patricia Mijares, Renato Robles, Nello Nayo. Part two of the box office hit, Nakakahiya. – MORE INFO (no available video)

38. Nakakahiya? 1975
SCORE: 7(A) + 10(B) + 6(C) + 0.4(D) = 23.4(T)
Directed by Luis Enriquez, co-starring: Eddie Rodriguez, Gloria Romero, Barbara Perez. Vilma received the 1975 Bacolod City Film Festival Best Actress. – MORE INFO (no available video)

37. Bato sa Buhangin 1976
SCORE: 6(A) + 10(B) + 7(C) + 0.5(D) = 23.5(T)
Directed by Pablo Santiago, co-starring: Fernando Poe Jr., Dencio Padilla, Jun Soler, Jumbo Salvador, Phillip Salvador, Rowell Santiago, Millie Mercado, Connie Angeles, Yvonne Salcedo, Tina Monasterio. MORE INFO

36. Ikaw Lang 1993
SCORE: 6(A) + 10(B) + 7(C) + 0.6(D) = 23.6(T)
Directed by Chito S. Roño, co-starring: Ronnie Ricketts, Cesar Montano, with Janine Barredo, Vangie Labalan, Josie Tagle, Evelyn Vargas, Dencio Padilla, Roldan Aquino, Cris Daluz, Mon Fernandez. Written by Bibeth Orteza. Box office hit of 1993. – MORE INFO

35. Miss X 1980
SCORE: 7(A) + 10(B) + 6(C) + 0.7(D) = 23.7(T)
Directed by Gil M. Portes, co-starring: Mark Gil. Filmed in the red district of Armsterdam. – MORE INFO (no available video)

34. Kapag Langit Ang Humatol 1990
SCORE: 7(A) + 8(B) + 8(C) + 0.8(D) = 23.8(T)
Directed by Laurice Guillen, co-starring: Richard Gomez, Gloria Romero, Charo Santos-Concio, Kristine Garcia, Carmina Villaroel, Eula Valdez, Metring David, Lillian Laing, Vangie Labalan, Jeffrey Santos, William Lorenzo, Tony Carreon, Terence Baylon. Written by Salvador Royales. Vilma received a best actress nomination from the Manunuri. – MORE INFO

33. Sister Stella L. 1984
SCORE: 10(A) + 3(B) + 10(C) + 0.9(D) = 23.9(T)
Directed by Mike De Leon, co-starring: Gina Alajar, Laurice Guillen, Anita Linda, Liza Lorena, Adul de Leon, Jay Ilagan, Tony Santos Sr., Ruben Rustia, Eddie Infante, Rody Vera, Pen Medina. Vilma Santos recived her third consecutive Gawad Urian best actress. She also received nominationf from FAMAS and FAP. The film was the official Philippines’ entry to the 1985 Venice International Film Festival. – MORE INFO

32. Dyesebel at ang Mahiwagang Kabibe 1973
SCORE: 6(A) + 10(B) + 8(C) + 0.07(D) = 24.07(T)
Directed by Emmanuel H. Borlaza, starring: Divina Valencia, Mina Aragon, Rossana Marquez, Chanda Romero, Elizabeth Vaughn, Patria Plata, Romeo Miranda, Joseph Sytangco, Lito Calzado, Ricky Valencia, Ike Lozada, German Moreno, Greg Lozano. 2nd Top Grosser of the 8th Manila Film Festival – READ MORE

31. D’ Lucky Ones 2006
SCORE: 7(A) + 10(B) + 7(C) +0.08(D) = 24.08(T)
Directed by Wenn V. Deramas, starring: Sandara Park, Pokwang, Eugene Domingo, Nikki Valdez, Candy Pangilinan, Joseph Bitangcol. Box office hit of 2006. A Vilma Santos tribute film – MORE INFO (no available video)

RECAP:
40. Batya’t Palu-Palo 1974
39. Hindi Nakakahiya 1976
38. Nakakahiya? 1975
37. Bato sa Buhangin 1976
36. Ikaw Lang 1993
35. Miss X 1980
34. Kapag Langit Ang Humatol 1990
33. Sister Stella L. 1984
32. Dyesebel at ang Mahiwagang Kabibe 1973
31. D’ Lucky Ones 2006

…continue with countdown, CLICK HERE!

Top 100 Vilma Santos Films (part six)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

50. Hatinggabi Na, Vilma 1972
SCORE: 6(A) + 10(B) + 5(C) + 0.9(D) = 21.9(T)
Directed by Joey Gosiengfiao, co-starring: Barbara Perez, Zeneda Amador, Angie FerroRomeo Rivera, Ruel Vernal, Dick Israel, Ernie Garcia, Cloyd Robinson, Subas Herrero, Lito Trinidad – MORE INFO (no available video)

49. Dama De Noche 1972
SCORE: 7(A) + 7(B) + 7(C) + 0.95(D) = 21.95(T)
Directed by Emmanuel H. Borlaza, co-starring: Edgar Mortiz, Lillian Laing, Matimtiman Cruz, Fred Montilla, Cloyd Robinson. Recieved first FAMAS Best Actress and best actress nomination at the 1972 Quezon City Film Festival. – MORE INFO

48. Darna and the Giants 1973
SCORE: 6(A) + 8(B) + 8(C) + 0.2(D) = 22.2(T)
Directed by Emmanuel H. Borlaza, co-starring: Helen Gamboa, Loreta Marquez, Rosanna Marquez, Desiree Destreza, Florence Aguilar Romeo Miranda, Ike Lozada, Pepito Rodriguez, Cesar Ramirez, Zandro Zamora, Max Alvarado. Top Box Office Film of 1973 Metro Manila Film Festival – MORE INFO

47. Kampanerang Kuba 1974
SCORE: 6(A) + 10(B) + 6(C) + 0.3(D) = 22.3(T)
Directed by Nilo Saez, co-starring: Edgar Mortiz, Patria Plata, Metring David, Greg Lozano, Joaquin Fajardo. – MORE INFO

46. Muling Buksan ang Puso 1985
SCORE: 7(A) + 8(B) + 7(C) + 0.4(D) = 22.4(T)
Directed by Leroy Salvador, co-starring: Dindo Fernando, Lorna Tolentino, Sandy Andolong, Coney Reyes, Rowell Santiago, Jimi Melendez. Written by Nerissa Cabral. Vilma received a best actress nomination from 1985 FAMAS – MORE INFO

45. Palimos Ng Pag-ibig 1986
SCORE: 7(A) + 8 (B)+7 (C)+0.5 (D)=22.5(T)
Directed by Eddie Garcia, co-starring: Dina Bonnevie, Cherie Gil, Laurice GuillenEdu Manzano, Pepito Rodriguez. Written by Nerissa Cabral. – MORE INFO

44. Langis at Tubig 1980
SCORE: 7(A) + 8(B) + 7(C) + 0.6(D) = 22.6(T)
Directed by Danny Zialcita, co-starring: Amy Austria, Lucita Soriano, Suzanne Gonzales, Adul De Leon, Martha SevillaDindo Fernando, Ronaldo Valdez, George Estregan, Ruben Rustia, Johnny Vicar, Augusto Victa, Vic Diaz, Vic Silayan, Mario Escudero. Vilma received a best actress nomination from 1980 FAMAS – MORE INFO

43.Pinay, American Style 1979
SCORE: 7(A) + 8(B) + 7(C) + 0.7(D) = 22.7(T)
Directed by Elwood Perez, co-starring: Christopher De Leon, Bembol Roco, Cocoy Laurel with Rosa Mia, Alexandra Dulaney, Nova Villa, Bella Flores, Angge. One of eight box office hit films Vilma Santos did in 1979 – MORE INFO

42.Ibulong Mo Sa Diyos 1988
SCORE: 7(A) + 8(B) + 7(C) + 0.8(D) = 22.8(T)
Directed by Elwood Perez, co-starring: Eric Quizon, Gary Valenciano, Miguel Rodriguez, Eddie Garcia, Nida Blanca, Barbara Perez, Nadia Montenegro, Armida Siguion-Reyna, Perla Bautista, Rachel Ann Wolfe, Deborah Sun, Vangie Labalan, Nena Perez Rubio, Ruben Rustia. Written by Orlando Nadres. Vilma recieved her fifth FAMAS best actress that earned her the FAMAS Hall of Fame award. She also received a film academy nomination. – MORE INFO

41.Haplos 1982
SCORE: 7(A) + 8(B) + 7(C) + 0.9(D) = 22.9(T)
Directed by Antonio Jose Perez, co-starring: Christopher De Leon, Rio Locsin, Delia Razon, Eddie Infante, Rez Cortez, Juan Rodrigo, Jaime Fabregas. Written by Ricardo Lee. The film won the 1982 Metro Manila Film Festival 3rd Best Picture award. – READ MORE

RECAP:
50. Hatinggabi Na, Vilma 1972
49. Dama De Noche 1972
48. Darna and the Giants 1973
47. Kampanerang Kuba 1974
46. Muling Buksan ang Puso 1985
45. Palimos Ng Pag-ibig 1986
44. Langis at Tubig 1980
43. Pinay, American Style 1979
42. Ibulong Mo Sa Diyos 1988
41. Haplos 1982

…continue with countdown, CLICK HERE!

Top 100 Vilma Santos Films (part five)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

60.  Mga Mata Ni Angelita 1978
SCORE: 6(A) + 10(B) + 5(C) + 0.08(D) = 21.08(T)
Directed by Lauro Pacheco, starring: Julie Vega, Gloria Sevilla, Boots Anson-Roa, Alma Moreno, Rosanna Ortiz, Nora Aunor, Trixia Gomez, Marissa Delgado, Etang DischerMat Ranillo III, Roldan Rodrigo, Christopher De Leon, German Moreno, Rez Cortez, Eddie Rodriguez, Dolphy, Fernando Poe Jr. Vilma’s segments made this film in our list of memorable non-lead role. – MORE INFO

59.  Rock, Baby, Rock 1979
SCORE: 6(A) + 10(B) + 5(C) + 0.09(D) = 21.09(T)
Directed by Oscar Miranda, starring: Leah Navarro, Lorli Villanueva, Geleen EugenioJunior, Rolly Quizon, Tito Sotto, Vic Sotto, Joey de Leon, Val Sotto, VST & Company – MORE INFO

58.  Hiwalay 1981
SCORE: 7(A) + 8(B) + 6(C) + 0.1(D) = 21.1(T)
Directed by Romy Susara, starring: Dindo Fernando, Eddie Rodriguez – MORE INFO (no available video)

57.  Susan Kelly, Edad 20 1977
SCORE: 6(A) + 10(B) + 5(C) + 0.2(D) = 21.2(T)
Directed by Maria Saret, starring: Laila Dee, Dante Rivero, Anthony Alonzo, Romeo Enriquez, Chito Ponce Enrile, Cloyd Robinson, Sandy Garcia, Laila Dee, Ramon Zamora – MORE INFO (no available video)

56.  Hindi Nahahati ang Langit 1966
SCORE: 7(A) + 8(B) + 6(C) + 0.3(D) = 21.3(T)
Directed by Lauro Pacheco, starring: Lolita Rodriguez, Marlene Dauden, Eddie Rodriguez – MORE INFO (no available video)

55.  Masarap, Masakit ang Umibig 1977
SCORE: 7(A) + 8(B) + 6(C) + 0.4(D) = 21.4(T)
Directed by Elwood Perez, co-starring: Christopher De Leon, Mat Ranillo III with Anita Linda, Ma-An Hontiveros, Lillian Laing, Laila Dee, Amado Cortez, Sandy Garcia, Cloyd Robinson. Official Philippines’ entry to the 1981 ASEAN Film Festival and Sydney Film Festival. Official entry to 1978 Asia-Pacific Film Festival in Taipei. – MORE INFO

54.  Minsan pa Natin Hagkan Ang Nakaraan 1983
SCORE: 7(A) + 7(B) + 7(C) + 0.5(D) = 21.5(T)
Directed by Marilou Diaz-Abaya, co-starring: Christopher De Leon, Eddie Garcia. – MORE INFO

53.  Halik sa Kamay, Halik sa Paa 1979
SCORE: 7(A) + 7(B) + 7(C) + 0.6(D) = 21.6(T)
Directed by Luis Enriquez, co-starring: Rosemarie Gil, Ester Chavez, Angie Ferro, Angge, Virginia Montez, Aurora SalveRonald Corveau, Eddie Rodriguez, Jose Vergara, Roderick Paulate. Vilma recieved a best actress nominationf from 1979 FAMAS. – MORE INFO

52.  Alyas Baby Tsina 1984
SCORE: 7(A) + 7(B) + 7(C) + 0.7(D) = 21.7(T)
Directed by Marilou Diaz-Abaya, co-starring: Phillip Salvador, Dindo Fernando withZeny Zabala, Cecille Castillo, Chanda Romero, Raquel Villavicencio, Caridad Sanchez, Maria Isabel Lopez, Dexter Doria, Mary Walter, Vangie Labalan, Harlene Bautista, Rez Cortez, Rolando Tinio, Len Santos, Johnny Delgado – MORE INFO (no available video)

51.  T-Bird at Ako 1982
SCORE: 7(A) + 7(B) + 7(C) + 0.8(D) = 21.8(T)
Directed by Danny Zialcita, co-starring: Nora Aunor, Baby Delgado, Rosemarie Gil, Suzanne Gonzales, Odette Khan, Anita Linda, Liza Lorena, Adul de Leon, Rustica Carpio, Anita LindaDindo Fernando, Tommy Abuel, Tony Carreon, Alvin Enriquez. Written by Portia Ilagan. – MORE INFO

RECAP:
60. Mga Mata Ni Angelita 1978
59. Rock, Baby, Rock 1979
58. Hiwalay 1981
57. Susan Kelly, Edad 20 1977
56. Hindi Nahahati ang Langit 1966
55. Masarap, Masakit ang Umibig 1977
54. Minsan pa Natin Hagkan Ang Nakaraan 1983
53. Halik sa Kamay, Halik sa Paa 1979
52. Alyas Baby Tsina 1984
51. T-Bird at Ako 1982

…continue with countdown, CLICK HERE!

Top 100 Vilma Santos Films (part nine)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

20.  Tag-ulan sa Tag-araw 1975
SCORE: 8(A) + 10(B) + 7(C) + 0.4(D) = 25.4(T)
Directed by Celso Ad. Castillo, co-starring:  Christopher De Leon, Eddie Garcia, Joseph Sytangco, Lorli Villanueva, Odette Khan, Alma Moreno, Eva Darren, Edna Diaz, Nympha Bonifacio, Joonee Gamboa, Rez Cortez, Soxy Topacio.  The first film of Christopher Deleon and Vilma Santos, as of 2008, total 23 films. – MORE INFO

19.  Sinasamba Kita 1982
SCORE: 7(A) + 10(B) + 8(C) + 0.5(D) = 25.5(T)
Directed by Eddie Garcia, co-starring:  Christopher Deleon, Philip Salvador, Lorna Tolentino, Irene Celebre, Loleta Abesamis, Norma Blancaflor, Moody Diaz, Luz Fernandez, Kristina Paner, Yvonne, Ramil Rodriguez, Danny De Cordova, Larry Leviste, Fanny Serrano.  Written by Gilda Olvidado.  1982 Top Box Office Record Breaker.  The original film became a TV movie in 2007 by GMA Network, directed by Joel Lamangan, starring Sheryl Cruz as Divina and Valerie Concepcion as Nora. – MORE INFO

18.  Paano Ba ang Mangarap? 1983
SCORE: 7(A) + 10(B) + 8(C) + 0.6(D) = 25.6(T)
Directed by Eddie Garcia, co-starring:  Christopher Deleon, Jay Ilagan, Amy Austria, Perla Bautista, Armida Siguion Reyna, Vic Silayan.  Written by Nerissa Cabral.  Broke box office record of 1983 – MORE INFO

17.  Gaano Kadalas ang Minsan? 1982
SCORE: 8(A) + 10(B) + 7(C) + 0.7(D) = 25.7(T)
Directed by Danny Zialcita, co-starring:  Dindo Fernando, Hilda Koronel, Chanda Romero, Suzanne Gonsales, Tommy Abuel, Mark Joseph Enriquez.  Broke box office record of 1982, Earned P7.3 million during its first day of showing in Metro Manila – MORE INFO

16.  Trudis Liit 1963
SCORE: 7(A) + 10(B) + 8(C) + 0.8(D) = 25.8(T)
Directed by Jose De Villa, co-starring: Luis Gonzales, Lolita Rodriguez, Connie Angeles, Bella Flores, Charlie Davao, Ramon D’Salva.  Written by Mars Ravelo.  This film is immortalized in small screen in 2010 by GMA 7 .  A remake was filmed in the 1990s.  Vilma Sanots won a FAMAS Best Child Actress.  – MORE INFO (no available video)

15.  Pagputi ng Uwak, Pag-itim ng Tagak 1978
SCORE: 10(A) + 5(B) + 10(C) + 0.9(D) = 25.9(T)
Directed by Celso Ad. Castillo, co-starring:  Bembol Roco, Angie Ferro, Olivia O’Hara, Mona Lisa, Robert Talabis, Joonee Gamboa, Mario Escudero.  As the film producer, Vilma received the highest recognition for best film of the year FAMAS and Gawad URIAN.  She also received a nomination for best actress from FAMAS. – MORE INFO

14.  Adultery: Aida Macaraeg 1984
SCORE: 10(A) + 8(B) + 8(C) + 0.6(D) = 26.6(T)
Directed by Lino Brocka, co-starring:  Phillip Salvador, Anita Linda, Deborah Sun, Alvin Enriquez, Mario Montenegro.  Vilma received best actress nomination from PMPC Star Awards. – READ MORE

13.  Tagos ng Dugo  1987
SCORE: 8(A) + 10(B) + 8(C) + 0.7(D) = 26.7(T)
Directed by Maryo J. De los Reyes, co-starring:  Caridad Sanchez, Lucita Soriano, Alicia Alonzo, Mia Gutierrez, Raquel VillavicencioMichael De Mesa, Miguel Rodriguez, Francis Arnaiz, Richard Gomez, Mark Joseph, Lito Pimentel, Joey Hipolito, Joey Marquez, Tony Santos Sr.  Vilma Santos won the 1987 FAMAS and CMMA Best Actress awards.  She also received nomination from FAP. – MORE INFO

12.  Anak 2000
SCORE: 8(A) + 10(B) + 8(C) + 0.8(D) = 26.8(T)
Directed by Rory B. Quintos, co-starring: Claudine Barretto, Amy Austria, Cherry Pie Picache, Sheila Mae Alvero, Tess Dumpit, Jodi Sta. Maria Joel Torre, Baron Geisler, Leandro Muñoz, Gino Paul Guzman, Cris Michelena.  Philippines’ official entry to 73rd best foreign language OSCAR.  Philippines’ official entries to 2001 international film festivals including Fukuoka, San Francisco.  Vilma received the 2000 PMPC STAR award for best actress as well as the 2000 PASADO and nomination from FAP.  She was also crowned the 2000 GMMSF Box Office Queen.  – MORE INFO

11.  Imortal 1989
SCORE: 8(A) + 10(B) + 8(C) + 0.9(D) = 26.9(T)
Directed by Eddie Garcia, co-starring:  Christopher De Leon, Tommy Abuel, Ricky Davao, Gelli De Belen, Cherie Gil, Jacklyn Jose, Liza Lorena Richard Reynoso, Roi Vinzon.  Written by Orlando Nadres.  Vilma won the 1989 Metro Manila Film Festival Best Actress. –  MORE INFO

RECAP:
20. Tag-ulan sa Tag-araw 1975
19. Sinasamba Kita 1982
18. Paano Ba ang Mangarap? 1983
17. Gaano Kadalas ang Minsan? 1982
16. Trudis Liit 1963
15. Pagputi ng Uwak, Pag-itim ng Tagak 1978
14. Adultery: Aida Macaraeg 1984
13. Tagos ng Dugo 1987
12. Anak 2000
11. Imortal 1989

…continue with countdown, CLICK HERE!

Top 100 Vilma Santos Films (part four)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

70.  Yesterday, Today and Tomorrow 1986
SCORE: 6(A) + 8(B) + 6(C) + 0.4(D) = 20.4(T)
Directed by Emmanuel H. Borlaza, co-starring: Snooky Serna, Maricel Soriano, Liza Lorena, Chanda Romero, Deborah SunGabby Concepcion, Richard Gomez, Eddie Garcia, Jimi Melendez – MORE INFO

69.  Kay Tagal ng Umaga 1965
SCORE: 6(A) + 8(B) + 6(C) + 0.5(D) = 20.5(T)
Directed by Lauro Pacheco, starring: Lolita Rodriguez, Eddie Rodriguez, Marlene Dauden with Vilma Valera. Film adaptation of Aning Bagabaldo’s radio drama broadcasted on DZRH. – MORE INFO (no available video)

68.  Anak, ang Iyong Ina 1963
SCORE: 7(A) + 8(B) + 5(C) + 0.6(D) = 20.6(T)
Directed by Mar S. Torres, co-staring: Gloria Romero, Rita Gomez, Mario Montenegro, Eddie Garcia – MORE INFO (no available video)

67.  Ging 1964
SCORE: 6(A) + 8(B) + 6(C) + 0.7(D) = 20.7(T)
Directed by Cirio H. Santiago, co-starring: Carol Varga, Olivia Cenizal, Jose Padilla jr, Ramon D’Salva. Written by Mars Ravelo. – MORE INFO

66.  Karugtong ang Kahapon 1975
SCORE: 5(A) + 8(B) + 7(C) + 0.8(D) = 20.8(T)
Directed by Fely H. Crisostomo, co-starring: Gloria Romero, Celia Rodriguez, Patria Plata, Edgar Mortiz, Eddie Garcia, Jay Ilagan, Romy Mallari, Joseph Sytangco. Entry to the 1975 MMFF. Film was written by Nerissa Cabral. – MORE INFO (no available video)

65.  Nag-iisang Bituin 1994
SCORE: 7(A) + 7(B) + 6(C) + 0.9(D) = 20.9(T)
Directed by Jose Javier Reyes, co-starring: Christopher De Leon, Aga Muhlach with Cherrie Pie Picache, Amy Perez, Jao Mapa, Orestes Ojeda. Vilma received a best actress nomination from PMPC’s 1994 Star. – MORE INFO (no available video)

64.  Takbo, Vilma, Dali 1972
SCORE: 5(A) + 10(B) + 6(C) + 0.04(D) = 21.04(T)
Directed by Joey Gosiengfiao, co-starring: Rita Gomez, Paquito Diaz, Max Alvarado, Romeo Rivera, Ernie Garcia – MORE INFO (no available video)

63.  Vilma Viente Nueve 1975
SCORE: 5(A) + 10(B) + 6(C) + 0.05(D) = 21.05(T)
Directed by Pablo Santiago, co-starring: Anita Linda, Jun Aristorenas, Max Alvarado, Lito Legaspi, German Moreno, Martin Marfil – MORE INFO (no available video)

62.  Ibong Lukaret 1975
SCORE: 6(A) + 10(B) + 5(C) + 0.06(D) = 21.06(T)
Directed by Tito C. Sanchez, co-starring: Alona Alegre, Marissa Delgado, Daria Ramirez, Lucita Soriano, George Estregan, Nick Romano, Rudy Fernandez, Arnold Mendoza – MORE INFO (no available video)

61.  Bertang Kerengkeng 1976
SCORE: 6(A) + 10(B) + 5(C) + 0.07(D) = 21.07(T)
Directed by Tito C. Sanchez, co-starring: Edna Diaz, Lito Anzures, Rudy Fernandez, Greg Lozano – MORE INFO (no available video)

RECAP:
70. Yesterday, Today and Tomorrow 1986
69. Kay Tagal ng Umaga 1965
68. Anak, ang Iyong Ina 1963
67. Ging 1964
66. Karugtong ang Kahapon 1975
65. Nag-iisang Bituin 1994
64. Takbo, Vilma, Dali 1972
63. Vilma Viente Nueve 1975
62. Ibong Lukaret 1975
61. Bertang Kerengkeng 1976

…continue with countdown, CLICK HERE!

Filmography: Dama De Noche (1972)

This slideshow requires JavaScript.

Basic Information: Directed, story: Emmanuel H. Borlaza; Cast: Vilma Santos, Edgar Mortiz, Fred Montilla, Lillian Laing, Matimtiman Cruz, Ruben Tizon, Jovie Barse, Priscilla Ramirez, Danilo Jurado, Cloyd Robinson; Screenplay: Nestor Torre

Plot Description: A dual role – demented lead. She plays the role of twin sisters, one of whom is a lunatic.

Film Achievement: 1972 FAMAS Best Actress; 1972 Quezon City Film Festival Nomination Best Actress – Vilma Santos

Film Review: “…This being Vilma Santos’ 50th year in show business (she started as a child star in 1963 with the dramatic tearjerker, “Trudis Liit”), her loyal fans are perfervidly recalling the highlights of her “golden” acting career…The year 1972 turned out to be a most productive season for Vilma, who started to do different and better movies that required her to go beyond teen-fave cuteness. In “Inspiration,” she was partnered with Jay Ilagan, and they came up with memorably endearing portrayals. In “Takbo, Vilma, Dali,” she was dynamic instead of soporifically sweet. In “Ang Konduktora,” she revealed her penchant for comedy. And, in “Dama de Noche,” where she played a psychologically troubled young woman, she won her first big acting award. This was a major milestone and triumph for the young actress, because heretofore most of the acting honors in film competitions went to Nora…What’s up next for everybody’s Ate Vi? Higher political office, quite logically and obviously. But, we hope against hope that, every couple of years or so, she will continue to gift us with another memorable screen portrayal, to further enhance her already exceptional filmography. She’s simply too good a thespian to surrender completely to politics…” – Nestor U. Torre, Philippine Daily Inquirer, 03 August 2012 (READ MORE)

A very young Vilma Santos plays twins—a goody-two shoes and a manic meanie. They fall for the same guy—if I’m not mistaken, a slim Edgar Mortiz. The good twin sings pretty songs, looks morose most of the time, and is often helpless; the bad twin is active, take-charge, and flashes her eyes at the camera a lot. In the end she burns the house down; unfortunately she traps herself in it. Good Vi and Bot escape, and watch the house go down in flames while holding on to each other beside a dama de noche shrub (or at least I assume it’s one). And yes, there is a theme song that goes, “Daaaama de noche… daaaaaaaaamaaaaa de nocheeeeee….” (P.S. Vilma Santos won best Actress in the 1972 Famas Awards for her role/s in the movie.) – Joel McVie, the McVie

Dama de Noche is showing in three theaters— Remar, Delta and Sampaguita. It is, Vilma was quoted as saying, her dream role fulfilled. The very professional Vilma has come out with the resolution than henceforth she will demand to see the script and also see that the script is demanding— or she’ll say nix. Well, Dama de Noche is exactly just that: demanding. In it she delineates the twin-sister roles of sweet Armida and deranged Rosanna. Vilma sobs and screams, giggles, and crazy-dances, claws and clowns, sobs again and screams some more. But she does more than all these things. She acts. In the Filipino movieworld where crying is synonymous with acting, that certainly is being ahead of one’s kind.

Vilma as Armida is drab and dry, almost a movie prop. It is in the portrayal of Rosanna that Vilma would tear one’s heart away. The many close-ups so effectively used throughout the movie show the unglamorous Vilma: her frowns, her lip-twitching, her uninhibited and stifled sobs. But Vilma is less successful with the shifty look that is the distinctive trait of the deranged. She compensates for this in the ‘betrayal’ scene when Rosanna suspects that Leo, Armida and the psychiatrist (Fred Montilla) all conspired to imprison her in the hospital. Another outstanding feat is the subdued scene where Rosanna learns that Leo has gone to the Lerma villa to meet Armida.

The vivacious Rosanna is just as winsomely pathetic. Watching her is just like seeing a bosom friend trying to pretend she’s happy when both of you know she’s not only in this case, Rosanna is truly happy. Her non-knowledge of her plight is what is particularly heart-curling. Dama de Noche is Tagalog Ilang-Ilang Production’s entry in the QC filmfest which started on Oct.15. It is a very simple story, almost run-of-the-mill, but Nestor Torre, Jr. who wrote the screenplay saved it with his meaningful and amusing lines. However, the movie is occasionally dragging with the Filipino moviemania for spoonfed sequences. – Times Jornal October 24, 1972 (READ MORE)

“…I didn’t expect to win, although marami ang nagsasabi sa akin na malaki ang pag-asa ko. Ako naman, I don’t believe anything unless talagang nangyayari. Kasi noon, I expected to win, sa film festival din sa Quezon City, but somebody else did. I was very disappointed. Noong awards night nga, I wasn’t convinced I would win hanggang hindi ko pa hawak ‘yong trophy…” – Ricardo F. Lo, Expressweek Magazine January 19, 1978 (READ MORE)

“…We wrote quite a number of scripts for Vilma, including the screenplay for “Dama de Noche,” which turned out to be the first film that gave her an acting award. “This was a big deal for Vi because she was very frustrated at the time due to the fact that she was always losing to Nora in acting derbies in the ’70s. Thus, when she won her Famas trophy, she felt vindicated. It was when “Dama de Noche” was being shot that we had an instructive experience with Vilma. She played a mentally disturbed girl in the story, and there was one scene in which she was supposed to dance her way through a forest. Somebody had interpreted this to mean that the dance would be choreographed number, so a ballet-like dance costume had been made for Vilma! When we got to the movie set that day, Vilma showed us her dance costume, and we were shocked. We explained that the “dance” was supposed to be spontaneous, thus unchoreographed and uncostumed! After our explanation, Vilma returned the costume to the production people, and simply “danced” the scene at her mentally challenged character would, spontaneously. This experience told us that, despite her young age then, Vilma was determined to do her job well, and once she understood how a scene should be done she would insist on doing it the right way, no matter if she ruffled the feelings of some people in the production…” – Nestor U. Torre, Philippine Daily Inquirer, June 6, 2003 (READ MORE)

“…And God Smiled at Me vs. Dama De Noche, 1972 – a German Moreno- directed escapist fare vs. a dual-role directed flick by Emmanuel Borlaza at the QC FF. Nora’s first best actress award, Vilma’s first of many defeats vs. La Aunor in the acting field. Nora’s role was simple, she was playing herself. Vilma’s dual role had degree of difficulty. She had a breakdown scene, with the camera showing a close up of Vilma crying and laughing all at once – the “luka-luka role.” Many fans and critics disagreed with the verdict. Come 1973 FAMAS awards, Vilma had her vengeance. She won over Nora, but she shared the award with Boots Anson-Roa. It’s not a complete victory…” – Anonymous (READ MORE)

“…Sa Amerika at iba pang bansa, palasak ang mga organized schools of acting na doon ay p’wedeng mag-enrol ang isang nag-aambisyong mag-artista at nang ma-refine niya o lalong mapagbuti ng anumang likas niyang kakayahan sa pag-arte. Isa sa mga pinakatanyag nilang acting techniques ay iyong tinatawag na Method Acting. Ang taguriang The Method ay pinaiklu mula orihinal na Stanislovsky Method, sinulan noong 1909 bg Rusong aktor-direktor na si Konstantin Stanislavsky. Si Stanislavsky ay mula sa Moscow Art Theatre at ang kanyang pamosong pamamaraan sa pag-arte ay pinakilala naman sa Estados Unidos ng kanyang mga disipulo. Ang Method Acting ay isang well-rounded system of training na binibigyang-pansin hindi lamang ang pag-arte kundi pati na ang wastong pagtindig, paglakad, at paggamit ng boses. Ang pinakabantog na paaralan ng Method Acting ay ang Actor’s Studio ni Lee Strasberg sa Nuweba York…Ang pinakatanyag niyang estudyante ay sina Marlon Brando, Julie Harris, Patricia Neal at ang yumaong James Dean…Sa pelikulang Pilipinoay maaaring hatiin ang mga uri ng pag-arte sa dalawang pangkat. Ang una’y kinabibilangan nina Lolita Rodriguez at Nora Aunor. Ang pangalawa’y binubuo nina Charito Solis at Vilma Santos. Ang istilo ng acting nina Lolita ay banayad, mahinahon, pigil. Ang nadarama’y mababasa sa mga mata at sa bahagyang kiling ng ulo o sa kilos ng katawan. Kung ihahambing dito ang klase ng arte nina Charito, ay iyon namang matatawag na obvious, halos natatawag ng pansin. Kung nagagalit ay talagang hysterical na, nangininig ang mga labi, nandidilat ang mga mataat nagtutumili sa pagsasalita (ang buong katawa’y nangangatal). Natatandaan marahil ninyo si Charito doon sa eksena sa “Araw-Araw, Gabi-Gabi” (nanalo siya rito ng best actress sa Manila Filmfest) na muli silang nagkasama-sama ng kanyang mga napahiwalay na kapatid. Napaluhod pa siya at napahagulgol sa matinding tuwa. (Pero tila nagbago na si Ms. Solis sa ganitong estilo mula nang mahawakan siya ni Brocka “Larawan”). …Natatandaan din siguro ninyo si Vilma Santos sa “Dama De Noche” (nanalo siya rito ng best actress sa Famas), doon sa eksenang dinala siya sa pagamutan ng mga baliw at nang matuklasan niya ito’y nagsisigaw siya, nanlalaki pati mga butas ng ilong at halos lumuwa ang mata sa galit. Sa malas naman ay ito ang higit na naiibigang istilo sa pagarte ng ating publiko. Kung bigay-tudo at eksaherado ay mas maganda para sa kanila. Di ba’t maging sa buntalan ay mas nagugustuhan nila yung matatagal na eksena ng bakbakang walang patlang ang palitan ng mga suntok at sipa?…” – Mario E. Bautista, Jingle Extra Hot Magazine, 11 February 1980 (READ MORE)

“…Matunog ang bulungan na maaaring maglaban daw sina Vi at Guy sa Best Dramatic Actress category sa Q.C. Filmfest. Si Guy sa kanyang “And God Smiled At Me” at si Vi sa “Dama de Noche.” Sabagay, tops si Vi basta’t drama. Pero isa na ako sa nagsasabing si Guy ay hindi patatalbog sa kanya sa linyang ito. Nakita ko na itong gumagawa ng drama scene (And God) at tutoo pa namang susmaryosep! Ang galing! But then, talagang heavy ang role ni Vi sa drama. Dual pa which makes it doubly mahirap. Magkapatid na ang isaý luka-luka…” – Cleo Cruz, Superstar Magazine, 16 October 1972

RELATED READING: