News Clippings Collection is Back!

When it Rains, It Pours – “…Ate Vi to fans and friends, the enduring actress was born in 1953. She turns 64 on her birthday counting more years of contribution to society both as a public servant and as movie queen…Incidentally, Caveat was one of the few friends from the press made to sit with the audience during the taping, giving ample time to exchange pleasantries with the actress while she was in the holding area. The conversation meandered to her recent tour de force performance in “Everything About Her” which earned her Best Actress Award from the 1st Eddys Award given to her by the Society of Philippine Entertainment Editors or SPEED. This was followed by another Best Actress Award for the same film bestowed on her by the Philippine Movie Press Club (PMPC) Star Awards for Movies…It is also worth mentioning that the Star for All Seasons was also bestowed Best Actress Award for the same film by Tony Awards Philippines from its founder and fearless film critic Tony Aguilar. The critic, who also comes out annually in his entertainment column with a list of worst films and worst performers, even thinks “Everything About Her” would have stood a bigger chance at the Oscars than the “Birdshot” of Mikhael Red. Other Best Actress Awards that Vilma Santos earned for “Everything About Her” included the 1st Guild of Educators & Mentors (GEM) Awards, Gawad Tanglaw, Pasado Award, and Philippine Entertainment Portal ( PEP’s) List of Awardees. Indeed, in a manner of speaking, when it rains awards it pours as well…” – George Vail Kabristante, Manila Times, 27 October 2017 (READ MORE)

Gigi – “…The role of Gigi was meant to conunterpoint the labor problem. Other scenes could have been included which would highlight that Vilma had some success with her counselling job.” May mga puna sa pelikula, tulad ng mga may pagka-talky raw ito? “Yeah, napansin din ng iba ito. I was worried that the film was becoming more talky as we went on, pero sabi ni Mike, talk is as important as the visuals.” May pagka-claustrophobic daw ang effect ng pelikula? “I think it was deliberate. I can remember Mike telling our production designer, Cesar Hernando, to give a claustrophobic effect to the sets, particularly the interiors. With regard to the criticism na ang mga workers ay malilinis, ang masasabi ko, ang mga trabahador sa isang factory ng cooking oil ay malilinis naman.” Pagkapanood mo ng pelikla, anong bahagi ang nais mo pang baguhin? “Maaari kong dagdagan ang mga eksena sa Caritas na ipinapakita ang ibang alaga roon, at gusto ko ring ipakita ang relasyon ni Vilma sa kanyang pamilya. Kung tatanungin ako, na kung dapat inabuso pa si Vilma sa kamay ng mga goons, hindi yon totoo, wala pa naman akong nalalaman na ginagawa yon sa mga madre, sa aking pagkakaalam.” Anong mga reaksiyon ng mga nanood na sa pelikula? “Generally positive. That is as far as the selected audiences where the pricture was shown. Generally, sabi nila, masakit daw, nakakakonsyensiya daw, nakakagalit. May kanyang pala-palagay sa mga detalye.” Personally, what is the merit of the film? “I hope it can change the perceptions of people with regard to certain realities, open their eyes probably. Well, the censors felt it was not subversive, not anti-government. Sana hindi mangyari sa pelikula ang ginawa nila sa pelikulang Sakada…” – Mike Feria, Jingle Extra Hot Magazine, 06 July 1984, Posted by James DR, 21 July 2016 (READ MORE)

Vilma’s “Katuparan” on GMA-7 Tonight – Vilma Santos’second venture into television production, the tele-movie “Katuparan” is scheduled for telecast tonight on Channel 7, 8 to 10. “Katuparan” teams up Vilma for the first time with action star Ronnie Ricketts (with Vilma above). Together, they pit acting talents with veteran actor Dante Rivero. Ronnie plays Vilma’s ex-boyfriend and Dante plays Ronnie’s older brother who married Vilma. Adapted from the foreign telemovie “The Fulfillment of Mary Gray,” “Katuparan” is directed by Marilou Diaz Abaya and written by Raquel Villavicencio. – Mike Herrera, from Facebook.

Superb Child Star – ” Vilma Santos started her movie career in 1963 at a young age of 9 in a movie, “Trudis Liit,” which she topbilled along with veteran stars Lolita Rodriguez and Luis Gonzales. She won the FAMAS Best Child Actress for her superb performance in that movie…At the age of 9, Vilma was tapped to star opposite Gloria Romero & Rita Gomez in the movie “Anak, ang Iyong Ina.” She was discovered by her uncle Mr. Amaury Agra, who was a cameraman at the Sampaguita Studios. When she, together with her mother went to the Sampaguita compound to report, an audition was going on. Seeing the more than a hundred kids auditioning, Vi went and watched. Dr. Jose Perez, producer of Sampaguita, saw the little Vi and asked her to join the audition. Vi was hesitant because she know that she’s there for a different movie, but she was prodded to join. When her turn came, she acted with veteran Bella Flores. All the people were impressed, much more Dr. Perez! Vilma got the title role for the movie “Trudis Liit.” So, that at age 9, she was making two movies at the same time! She continued doing movies as daughter of big stars Gloria Romero, Lolita Rodriguez, Rita Gomez, Marlene Dauden, Eddie Rodriguez and a lot more. In 1968, at the age of 15, she got the Best Supporting Actress award from the San Beda College awards for the movie “Kasalanan Kaya?” She was also nominated for a FAMAS award…” – Eric Nadurata, Reposted by Simon Santos, Video48, 04 November 2007 (READ MORE)

Guaranteed Immortality – “The year was 1982, exactly two decades ago, and we well remember being enthralled by the sheer force of its powerful images and quietly devastating performances. We are one of the blessed few who own a video tape copy of the film that has remained, through the years, Nora Aunor’s signature film. The pint-sized superstar delivered a miracle of a performance as Elsa, the false visionary. Perhaps, the finest performance by a Filipino actor ever recorded on celluloid. If the diminutive multimedia luminary ever decides to leave the movies for good, Himala is enough reason to guarantee her of immortality…we believe that Nora Aunor should have swept all the best actress awards for that particular year. She was pitted against Vilma Santos’ heartfelt portrayal of the mistress in Relasyon and the latter scored a grandslam. This is not to belittle Santos’ portrayal but if one were to be objective, it would be easy to see that Aunor had the more complex role and only an actress of her caliber can pull off the part with much persuasion. It calls for a restrained, self-effacing acting style. And Aunor, the consummate actress that she was (take note that we used the past tense because the more recent film outings of the actress are far from her best. She has become very florid, like a bad version of a hysterical Charito Solis), strikes not a false note in her performance. It is, in one word, mesmerizing. And Himala is without a scintilla of a doubt the pinnacle of her cinematic achievements…” – Arnel Resma Ramos, reposted by Simon Santos, Video48, 29 December 2007 (READ MORE)

Fernado Poe Jr. and Vilma Santos: 1974 Box Office King and Queen – “Action King Fernando Poe, Jr. and Vilma Santos were awarded the Box-Office King and Queen in 1974. That year, both stars starred and appeared in the movie, “Batya’t Palu-Palo,” a sensational hit.” – Simon Santos, FPJ-daking, 26 March 2009, Photo credit: Eric Nadurata (READ MORE)

For Miss X: Off to Amsterdam With Vilma Santos and Party – “Miss Vilma Santos and her entourage which includes her mommy and daddy flew off to Amsterdam one Sunday afternoon para sa pelikulang Miss X ng Sining Silangan which will be shot ther in entirety. The group who saw them off at the airport was headed by Jesse Ejercito and some Sining Silangan bigwigs, fans of Vilma at ilang close friends from the press. Nauna rito ay nagkaroon ng ilang tenaw moments ang mga tao sa likod ng proyektong ito nang kung ilang ulit na mabalam ang pagalis ni Vi. We understand from some sources that the company was about to make a sudden change of decision kaugnay ng roles ni Vi nang biglang makahulagpos ang superstar sa kanyang mga commitments dito at ipasiyang lumipad na nga patungong Amsterdam. Ayon sa aming balita, matapos ang shooting doon ay tutuloy sa Los Angeles si Vi together with her parents upang duon idaos ang kanyang birthday, Nov. 3. This decision of hers of course saddened many of fans here pero parang higit diumano ang axiety ngayon ng Bancom, Regal at Lea dahil umano’y slated si Vi na gumawa ng pelikula sa kanila. Bancom for one is pinning their hopes on the early return of Vi dahil ang pelikulang ito si Charito Solis at siyang isasagupa sa tambalang Nora-Lolita Rodriguez naman ng para rin sa festival.” – Jingle Extra Hot Magazine, October 29, 1979, Posted by James DR, 28 October 2017 (READ MORE)

Kung May Guy si Erap, May Vilma si Ronnie

Tuloy na tuloy na. Anytime now the cameras will grind. At ang magkakasama ay ang pinanabikan ng lahat sina Erap at Guy. Yes si Mayor Joseph Estrada at si darling bulilit Nora Aunor. Together, tiyak na theyèll be a riot twosome sa pelikulang Erap is My Guy. Sa titulo na lang, click na. And for sure, pipilahan ito. Just right for the new pair. No hindi sila love team. More of Magka-sidekick.

While showbiz is agog sa big news na ito, mukhang another equally gigantic happening ay nasa planning stage. The King himself, FPJ, ay makakasama naman ng sweet na si Baby Vi, Vilma Santos. So may Guy si Erap pero si Ronnie may Vi. Aba, sapak rin. Ano, mas mabigat ba? No huwag natin silang i-compare. Dahil hindi naman sila talu-talo. As far as some scribes are concerned, Nora and Vi have kissed and made-up.

Ngayon, kung may kaunti pang samaan ng loob na namamagitan sa kanila, despite publicities and printed materials na nagbati na sila, that is for the two to decide. Whereas kind Ronnie at Erap, alam natin ang real score…para silang magkapatid, parang nag-blood compact. Ilang taon nang tested ang friendship nila. Come hell or hi-water, nadoon pa rin ang dalawang chokaran, together they stand, divided they fall.

So, marmi ngang nagulat nang napadalaw si Ronnie sa shooting ni Vilma. More than once. At ang malimit na biro ni Ron, malapit silang magkasama sa isang super-production. Noon ngang unang dalaw ni Ronnie sa set ni Vi, ang biniro niya ay sina Jay Ilagan at Edgar Mortiz who happened to be her leading men sa ginagawang pelikula. At ang bulong ni Ron kay Vi, “Huwag mo na ngang pansinin ang dalawang iyan. Marami naman silang chicks.”

Kaya nga the loudest whisper ay ito, although it isn’t on the record yet. May kasunduan ang TIIP at FPJ. Na malamang, makasama si Ronnie sa war picture ng TIIP where he co-stars with Jay, Edgar and some young stars. Na matapos ito, sina Jay naman ang gagawa sa FPJ. Though maliwanag na malapit na ring magsama sina Ronnie at Vilma, malakas rin ang posibilidad na mag-change partners sina Joseph at FPJ.

Chances are matapos ang pelikula nina Erap at Guy, si Guy naman ang gagawa sa FPJ. And Erap’s next target might be Vilma. While patuloy nga ang paglakas pa sa takilya nina Erap at FPJ as the real McCoy superstars, marami rin ang nagtatanong kung darating pa ba raw ang panahon na maabot ng ibang young male stars ang kanilang kinaroroonan. Jay Ilagan in place of FPJ – that is if the latter decides to retire.

Kasi, hindi mo basta mapapalitan ang isang institusyon like FPJ. Para siyang haligi na kahit dumating pa ang lindol o bagyo ay maiiwang nakatindig. Ang who’ll succeed Erap? It could be anyone – like Pip? or Cocoy? Edgar? We can’t think of anyone na hindi bantog sa music world ang puwedeng kandidato. The trouble nga with out young stars ay napakarami nila. Pero kaunti lang ang gusto ng publiko. Kakaunti ang pumapasa.

Mas marami ang mga bumabagsak. At this stage, marami rin ang humuhula: If Erap is paired with Guy and Ronnie with Vilma, then malaki rin ang posibilidad na the following witll emerge: Susan-Jay starrer; and Amalia-Pip flick; at ilang pang combination ng senior at junior superstars. Pero ang maganda nga nito, beautiful ang kanilang samahan. Walang intrigue at no professional jealousy. – Bee Kay Jay, Bulaklak Magazine No.66, 05 February 1973, reposted by Pelikula Atbp (READ MORE)

TSS’ Stars of 1970s

ARTICLES - News clipping TSS Stars of 1970

1:00 PM Summer: 7 Stars in Special Sunday Session – Summertime. And Sunday too. So it started like a summer day. Casual yet exciting. Carefree and promising. With a lot of expectations for the moment ahead. So it was with having seven young stars around, TSS Stars ’70: Vilma Santos, Tirso Cruz III, Nora Aunor, Eddie Peregrina, Edgar Mortiz, Ed Finlan, and Hilda Koronel (in the order of their arrivals). There they were, prompt in their youth, bubbly in their youth, unassuming in their confident in their success amid an ancient backdrop, the UST Pharmacy Gardens. When age and youth meet in such a dramatic setting, there is bound to be communication, reaction, combustion. Effects! And what is a more fitting place to spend an early summer afternoon than staid, old UST with young, alive radiant stars for company and that peculiarly romantic, nostalgic summer air. And when the yound stars started posing, smiling, obliging and when the cameras went on clicking, popping shuttering and when scribes began talking, laughing directing, the summer day with its flair, laziness and air became an impromptu ball for all concerned. One fun-filled episode of a lifetime. A slice of real life to be kept in one’s heart for the memory. Now, you may wonder why we have seven successful young star this issue when TSS launched only six last January?

Blame the whole mess on Ed Finlan. Blame it on his personality, his promise, his name that just can’t be ignored. Blame it all on the zooming career of Edward Walter Valdes Finlan. So the special seven. On this photo-session hangs a story. A story of hope coupled with a little confusion from that time Kuya Bert planned to put out another issue as a follow-up. Timely enough. After all TSS started the whole pakulo. The session itself was postponed three times – just to be assured of the attendance of all – including Nora Aunor who missed it that first round. Every time it was moved to another date, we lost face some wasy, especially to Pip’s Mommy Elma with whom we played ulianin by reminding her each time we met. That first time, it was called off. Edgar and Vilma were in Baguio City for shooting. The next date, everybody can’t make it with TV programs and last time shooting to do. So it was finalized on Sunday, March 15 at 1:00 piyem. It would have been Fort Santiago as rendezvous but Sunday is Sunday in the forth with the usual Sunday crowd being there. Why not a school campus since graduation and demos were in the air? And the stars came beyond modest expectation, ahead of schedule. Vilma Santos came with her Mommy Mila and Papa Amado. Tirso Cruz III came with uncle Joey and a group of friends while Nora entered the scene with a few fans.

A Mustang (aba, bago!) ushered in Eddie Peregrina with his man Friday. Edgar Mortiz with Dad Celso adn Mom Lucy with fans Angge, Mario Cay, Luz Orellano and Araceli Paraiso. Ed Finlan arrived with his usual confident self. And Hilda came with Mila Parawan to complete the magnificence. At little confusion resulted. It began with a comedy of errors. With Vilma, Pip, Nora and Eddie, there was only scribe Ched Gozales to entertain them and out they were in the Pharmacy Gardens before one one o’clock only to be told later taht the assembly point was the UST Arch along España. Under the heat of the summer sun, the group went to the Arch only to be told that the locale would actually be the Gardens. Since after all, a big number of movie fans and onlookers had already started to form at the UST entrance. The merry excited entourage made its way to the Gardens once again. Ed Finlan with his shocking humor and equally color-shocking attire of yellow shirt with loud-striped pants under the golden sun was summer in motion. Vilma on the other hand had a ball ribbing Eddie Peregrina for being “mayabang kasi Edong ka na ngayon.” Edgar Mortiz was extra solicitous and ultra-PR conscious that time. Hilda did her thing – more of a girl, rather than woman with self-conscious laughter and sweet and pretty flair. Pip was surprisingly in his calm self and ruffled impeccable long sleeve shirt.

Eddie Peregrina was in paisley with that typical Peregrina grin. Nora, quiet and lady-like with a few smile here an a wave of hand there, was in a blue-orchid print. Hilda was the only one in pantsuit, a purple hablon, and she stood out really. Ditto with Haydee’s make-up and hair color on Ed. Oh what they had to forego just to make it to the appointment on time. Edgar and Vilma came from ABS where they had My Love For You at noon. But before that, Edgar came from Sta. Teresita Church where he acted as baptism sponsor. Hilda and Ed came from the Haydee set and they were expected back there in two. Pip was in a rush too, from ABS and then to the bingo social of his fans at their compound and the photo session as far as he was concerned. Eddie Peregrina had an appointment at 2:30 and it was Nora it seems who took her own sweet time. The Gardens yielded an old well, a gazebo-like concrete structure for photographic effects and possibilities. At half-past one, the poses were planned, the shots called for and everyone appearing swell putting their best faces forward, looking deserving of the TSS choice. An old well, very symbolic really, for the first shot and when that first one popped, the sessions began. And for a good forty minutes, the cameras aimed to catch for eternity the faces, the stances, the poses with the smile and bravura of that early Sunday afternoon. After all, that was what the session called for! And after all, what are photos for but for catching, freezing, preserving what is today for tomorrow?

The atmosphere was kept livelieer, dramatic with some curiosity-seekign fans and a number of scribes and last-minute guests. There was Jusyo C. Justo popping out of nowhere with his OBBB, OBWB, CTS and BAB, Doddie Alvarez, Donnie Ramirez, Mercy Lejarde, Marina Reyes and Ched made their presence felt with summery get-up. Late arrivals were Rene Tiosejo for a look-see and Oskar Salazar with a brand new-opera glasses (but Romy Mallari and Roldan de Villa weren’t around). Zeny Peralta of Roper’s was there for someone’s moral support. Two mothers managed to snae some attention – Lucy Mortiz in pink pantsuit and the latest Christian Dior hairdo and Mommy Milagros Tuazon Santos in blue pantsuit, with their respective male halves of course. At twenty past two, Ernie Alfonso had used u his one and half rolls of color film while Bert Verlidas had two black rolls. There was Fred Garces of Roper’s jiving in. The session, the main part of it, was now over. After all the camera clicks, the 1-2-3 shots, the photographers’ directions and the frozen poses were done and the thank-you’s and see-you were said, still one is left with the thought that so far, so good. TSS Stars ’70 are still unspoiled byt success and we hope as one that they all stay that way. And there is something more left in the memory, something better felt than described. For how can such feeling, or any feeling at all for that matter, be caught and pinned down as words in print? I am attempting to that now but I know that it would be the pictures of that special session which will speak a thousand words, a thousand feelings, a thousand hopes. Pictures, eloquent and feeling-filled, with a history of their own! – Billy R. Balbastro, TSS Komiks, 1970 (READ MORE)

One More Time T-Bird At Ako

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Starring: Vilma Santos, Nora Aunor, Dindo Fernando, Tommy Abuel, Directed by Danny Zialcita

That Danny Zialcita’s T-Bird at Ako is entertaining cannot be doubted. The plot situations are funny. The lines are witty. The pacing is fast. The lesbian love of Nora Aunor for Vilma Santos, moreover, is extremely clever, since the two superstars in real life would not be caught dead in such a relationship. Zialcita has made a career of doing impossible things. He made he-man Dindo Fernando a homosexual in the Mahinhin series. He now makes Aunor a lesbian. When he tries to make Santos a low-class beerhouse dancer, however, he fails. That makes his record two out of three impossible things, not bad for normally sedate local cinema.

This film shows Zialcita at his best – irreverent, tongue-in-cheek, unconcerned with larger themes, focused on obsessive sexual relationships. Let’s take the dialogue first, which cleverly juxtaposes the fiction of the film with the reality of the careers of the two superstars. Thus references are made to Santos’ being a “burlesque queen.” One character is even named “Rubia,” after Rubia Servios (1978), Santos’ competition film against Aunor’s Atsay (1978). More than these allusions, however, the film features sparkling exchanges between Santos and Aunor. Most impressive of all the lines perhaps are those in the court room sequence, since the opposing arguments are easy to follow, yet logical in structure.

The direction is tight and masterful. Although one always gets reminded in a Zialcita film of sequences from foreign films, there is a minimum of unmotivated blocking in this film. Each sequence contributes to the whole film (if there is copying, in other words, and I do think there is in this film, the copying is not done simply to be cute or clever, but in accordance with the logical requirements of the plot). The performances, as expected of a Zialcita film, are excellent. Aunor is more effective as the confused lesbian, primarily because Santos is not able to get the rough and ready quality of low-class hospitality girls. Tommy Abuel is terrific in his role as the patient suitor. Fernando is given too little space to develop his character, but what he has, he makes good use of. Captivating is Suzanne Gonzales, though she has to learn to use her face a bit more to express varying emotions. In their brief roles, Anita Linda and Odette Khan are delightful. – Isagani Cruz, Parade, 22 September 1982 (READ MORE)

“…The restoration campaign focuses on directors primarily. In the case of the 33-year old ‘T-Bird at Ako,’ it’s vintage Danny Zialcita with his snappy dialogue and witty repartee. It’s also the last time that Nora and Vilma co-starred in a movie and with such a daring theme for its time. “T-Bird at Ako” tells the story of a sexy dancer (Santos) accused of homicide. She is defended by a female lawyer (Aunor) who tries to keep their relationship professional as the latter struggles with confusion as to her sexual preference. T-Bird at Ako is among the 75 films restored by ABS-CBN Film Archives, in collaboration with Central Digital Labs, since it started its restoration project in 2011. Some of these restored films were already screened internationally via film fests, screened locally via red carpet premieres, aired on free-to-air and cable television, viewed via pay-per-view and video-on-demand, distributed on DVD, and downloadable even on iTunes…” – LionhearTV, 26 February 2015 (READ MORE)

“…The 1982 blockbuster T-Bird At Ako was not the first movie to star rival screen icons Nora and Vilma, but it played up the rivalry of the two, even coming up with a circular “billing” so you couldn’t tell whose name appeared first. It also has a titillating premise: Nora Aunor plays Sylvia, a successful lawyer who finds herself sexually attracted to Vilma Santos’s Isabel, a nightclub dancer/hostess accused of murder. The movie is absolutely delightful, and its two stars never looked better, but if you’re looking for a serious discussion of LGBT issues, look elsewhere. As writer Portia Ilagan said in her introduction, she and the director had a spat over the “redeeming” ending, which in the tradition of old Tagalog movies suggests that homosexuality is a temporary phase that can be cured…In T-Bird at Ako, every character is a character, and even the most minor characters get to unleash verbal zingers. Many of these zingers seem like throwaway remarks, so you need to pay close attention. “Saan tayo?” says the taxi driver. “Sa impyerno,” says Vilma Santos, and the movie doesn’t make room for the audience’s laughter but barrels right into the next scene. It occurred to me that Danny Zialcita’s movies, which were marketed as melodramas, are really screwball comedies, the genre I love most in the world. The plots are preposterous, the story is only loosely related to real life, and everyone is clever. It doesn’t try to be like the actual world, it wonders why the world isn’t more fun like a movie…”

“…Nora Aunor has the more difficult role. Her Sylvia is a cerebral woman who has never paid much attention to her feelings and suddenly finds herself swamped with them. Could she be a lesbian? The movie’s timidity and its fear of offending the traditionalist audience doesn’t help her: she is reduced to being petulant and jealous when Vilma’s Isabel stays out late at night. But Nora uses her famous power of understatement to convey the confusion, discomfort, and amazement of emotional awakening. It’s also refreshing to see her play an established, affluent character whom no one would think of oppressing. Make her api at your own risk. Vilma Santos is in her element playing the quintessential Vilma role: the woman of feeling who has no qualms about expressing them. She also has a nightclub dance sequence that, far from portraying her as a downmarket floozy, makes her look like she should be headlining a TV variety show. Oh right, she’s done that. And her line readings are hilarious. Under cross-examination by Tommy Abuel, who asks if she can understand his questions in English, she says, “Opo, hindi naman malalim ang English niyo.” Offhandedly, without turning it into a moment…” – Jessica Zafra, Interaksyon, 27 February 2015 (READ MORE)

“…Ang husay talaga ng director na si Danny Zialcita. And the actors in the movie were equally good. Sa court scene, hindi nagpatalo sina Johnny Wilson at Tommy Abuel as the prosecutors. Ang gagaling nilang magbitaw ng mga dialouges. At hindi rin nagpatalo ang Superstar as the defense lawyer. Superb ang exchange words sa court room. We wondered kung sino ang scriptwriter ng pelikula. But Manay Ethel Ramos said na si Danny Zialcita is an expert on that area. Halos hindi maalis ang tutok ng lahat kay Ate Vi with her sexy dance number and she was in a red skin tight outfit with the lower part exposing very shapely thighs and legs. Sabi nga ng anak naming si Julienne who was with us during the viewing of the film, “Ang ganda ni Vilma lalo na ‘yung ilong niya. Girl na girl talaga siya. Ang ganda rin ni Nora pero pang-masa talaga ang dating niya. Very convincing siya as t-bird. Paglabas ko, Mommy, ng film center, tumatak sa akin na t-bird talaga siya.” Nandun sina Aiza Seguerra at Liza Dino to support the film since the film is about same sex relationship. Nandun din si Direk Perci Intalan who is, as everywone knows, married to writer Jun Lana. Kay Portia Ilagan (the right hand of Sen. Bong Revilla) pala ang kuwento ng T-Bird at Ako. Kuwento diumano ito ng buhay niya. Dahil yung same sex relationship ay hindi pa masyadong accepted nung time na ginawa ang movie, sa ending, hindi nagkatuluyan sina Vilma at Nora. May mga dialouges pa si Ate Vi na “Nandidiri ako sa ‘yo.” nung mag-attempt si Ate Guy na haplusin siya. So, sa ending si Nora ay napunta kay Tommy Abuel at si Vilma naman kay Dindo Fernando. Sey kuno ni Portia sa isa namaing kasamahan sa panulat na nag-interview sa kanya, ang ayaw niya sa ending ay pinag-bestida raw si Ate Guy. She accepted the ending na napunta si Ate Guy kay Tommy Abuel pero ang di niya nagustuhan ay pinagsuot ito ng bestida. In real life kasi, never sigurong nagsuot ng dress si Kabsat Portia…” – Len Ramos Llanes, Bulgar, 27 February 2015 (READ MORE)

“…Na-miss ng film critics at ng showbiz industry ang style ng yumaong Danny Zialcita sa pagdi-direk. Ilan sa kanyang mga obra ay ang Nagalit ang Buwan sa Haba ng Gabi at marami pang iba tulad ng T-Bird at Ako na ipinalabas sa UP Film Center las February 25. Ang bida ng classic film na ito ni Danny ay ang dalawang superstars ng local film na sina Vilma Santos at Nora Aunor. Ang said film ay ilan lang sa mga restored film into its original na gawa ng ABS-CBN Film Restoration. Ang mga nauna nang restored films na ipinalabas sa said venue ay ang tatlong pelikula ni Batangas Governor Vilma Santos-Recto like Bata Bata Paano Ka Ginawa at Anak. Anyway, dumating si Nora sa UP Film Center nang mas maaga sa takdang oras ng palabas na 6pm. Unfortunately, walang Vilma na dumating although nagpasabi ito sa kanyang mga Vilmanians na hindi siya makakarating due to important committment sa Batangas. Bagama’t wala si Ate Vi, kumpleto pa rin ang Vilmanians sa pangunguna ni Jojo Lim na siyang nag-asikaso sa mga press people na kanyang inimbitahan. Pagkatapos ng welcome speech ni Leo Katigbak, ang head ng Kapamilya Film Restoration, sumunod na nagpasalamat si Ate Guy sa mga dumalo sa event, maka-Nora man o Maka-Vilma. Nasa 4th row nakaupo si Ate Guy habang ongoing na ang viewing. Binulungan kami ng aming katabing isang radio host-columnist na “Tumatakas na si Nora.” True, napansin ng lahat na nu’ng ipinapakita ng ilaw, bakante na ang kinauupuan ng Superstar. Tuloy, ‘di na naman nakalusot sa intriga ang bulilit aktress at biro ng aming katabi, “Nag-walkout yat? e, kasi nga, kahit wala si Vilma, mas malakas ang palakpakan sa kanya,”sey ng aming katabi. Bago pa ang screening ng T-Bird at Ako sa UP Film Center, nagpaunlak ng pahayag si Nora at naitanong ng katotong Morly Alinio kung papayag ba ito sakaling magkaroon ng T-Bird At Ako part 2 kahit na pareho na silang may edad? Sagot ni Ate Guy, “Why not? Depende siguro ‘yun sa istorya,” sey sa amin. “Wala namang problema sa amin ng mare ko,”na tinutukoy ay ang Star for all Seasons…” – Ador Saluta, Bulgar, 27 February 2015 (READ MORE)

“…Ang kuwento ng T-Bird At Ako ay tungkol sa isang dancer (Vilma) na naakusahan ng homicide. Ipagtatanggol siya ng isang abogada (Nora) na susubukang panatilihing propesyunal ang kanilang ugnayan habang nilalabanan ang pagkalito sa kanyang sexual preference. Si Portia Ilagan ang sumulat ng script ng T-Bird At Ako at ayon sa kanya, magkakaroon daw ito ng remake. Ang gusto niyang magbida sa bagong version ng pelikula ay sina Angel Locsin (dancer) at Bea Alonzo (lawyer). Gusto rin niyang maging part ng pelikula sina Vilma at Nora, Aiza Seguerra at asawa nitong si Liza Dino…” – Leo Bukas, Journal, 28 February 2015 (READ MORE)

#noraaunor, #VilmaSantos, #TBirdatAko1982, #DannyZialcita

Pip and Bobot Left Alone in The Cold

ARTICLES - Pip and Bobot Left Alone in The Cold

Si Vilma, tumambal na kay Jay Ilagan. Si Nora naman, matunog na matunog ang balitang tatambal kay Walter Navarro sa isang pelikula para sa Lea. Added to this, Nora had announced her break-up with Pop “for good.” That means bye-bye na muna, Edgar Mortiz and Tirso Cruz, III. For sure, nagngingitngit na ngayon ang mga fans ng tambalang Vilma-Edgar at Guy-Pip. Aba’y namemeligro nga namang matabunan ang mga pogi nilang idolo sa pagpasok sa eksena ng mga “other guy” sa buhay nina Vilma at Nora. E, ang popogi rin naman ng mga iyon. Nakakakaba talaga di ba? At ba’t din nga naman sila kakabahan, e hayan sila kakabahan, e hayan na nga. Panayan na ang gawa ni Vi ng pelikulang hindi na si Bobot and partner but Jay. Sabi nga ng mga nakakakita, sweet na sweet ang dalawa. Panay ang biruan, laging sila ang magkausap. Paano nga naman kung mahulog nang husto ke Jay ang loob ni Vilma? Kung sabagay, may paunang sabi na si Jay na hinding-hindi niya liligawan si Vi, hindi raw katalo. At lalong hindi raw niya maaaring sirain ang pagtitiwala sa kanya ng pareng Edgar niya. Okey din naman. But that’s not the point. Ke manligaw o hindi si Jay kay Vilma, nariyan na ang katotohanang out muna sa eksena si Bobot, that is kung ang pag-uusapan ay ang kanilang movie team-up. Going back to Nora and Tirso, halos katulad rin ng kina Vi at Bot ang nangyayari sa dalawang ito.

Okey na kay Guy na tumambal siya sa ibang leading man, like Walter halimbawa. Hindi gaya ng dati na kung di rin lang si Pip ang katambal niya’y kalimutan na lang. But after what have happened between him and Nora, ‘yung nakaraang tampuhan nila na naging dahilan tuloy ng pagpapahayag ni Guy na “isasaisang tabi ko muna ang pag-ibig”- we doubt kung hindi makakaapekto kay Pip ang pagpareha ni Guy sa iba. Besides, marami na rin ang nagpapahayag ng boredom concerning the Guy & Pip tandem. They want something really hot about Guy. Kunsabay, napatunayan nang malakas pa rin sa takilya ang mga pelikula nina Nora at Tirso in and out of the Sampaguit umbrella. And that goes for Vilma and Edgar, too. Up to now, they are still considered by their loyal fans as the love team na “subok na matibay, subok na matatag.” Tahimik lang daw ang dalawang ito, walang awayan, nothing controversial whatsoever about them. And they seem to love it. Katwiran nila, mas magiging maligaya ang dalawang ito pag mag-asawa na dahil very compatible daw sa pag-uugali at lahat. So, kuntento na rin sila sa palagiang pagtatambal nina Vi at Bot sa pelikula. Oo’t minsan ay tumambal na si Paolo Romero kay Vi, pero hindi sila nangamba na mawawala siya kay Bobot.

Besides, that particular picture na pinagtambalan nila ay sa ilalim ng Virgo Productions, not under Vilma’s home studio, ang Tagalog-Ilang-Ilang. Pero ngayong ang pagtatambal nga nina Vilma at Jay sa ilalim ng TIIP, ibang usapan na ‘yan. Mangangahulugan daw ba na pinalitan na ng TIIP si Bot para maging ka-love team ni Vi? And how true is it na hindi raw muna nila itatambal si Vi kay Bobot hangga’t hindi nakapagreduce nang husto itong huli? Kasi nga, marami na ang nakakapuna na hindi na bagay si Bobot kay Vi dahil sa kanyang katabaan. Para na raw junior version ni Ike Lozada. Anyway, kahit nga medyo isinama ng loob ng mga fans ang hakbang na ito ng TIIP, they are still hoping na hindi naman magiging napakalupit ng said production para paglayuin na nang tuluyan, o sa ibang sabi’y putulin na, ang tambalang Vilma-Edgar. At iyon din ang ipinananalangin ng mga fans nina Nora at Tirso. Nananalig silang kahit pa sino ang makatambal ni Guy, still sila pa rin ni Pip in reel at real life. Because kapag nga naman ang kabaligtaran ang naganap, Pip and Bobot will be left…all alone in the cold. – Horacio Morelos II, unknown source, circa 1970s

u can’t cut in line, go at the back, please

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This, time “Talagang Mali ang Hula nila…” – Would it be different scenarios if Nora Aunor won the Urian? It would probably get one of the eight spot in the 2014 MMFF for “Whistle Blower” and heightened the pressure for the President to include her in the list of this year’s National Artist. Two reasons that I could think off…that some of her supporter would probably would not like. Noranians has been very vocal particularly in social media. I noticed several Facebook comments that were tragically personal even attacking the President. In the social media, the three main reason suggested were, political, drugs, and her citizenship. I guess if you’re National Artist, your loyalty should be with your country and can’t be divide between two nations. Nora have to go back and forth between the Philippines and the Unites States of America to retained her Green Card. Another anti-Nora mentioned her addiction to gambling and substance abuse, which to some needs clarification from Nora. The other nasty comments were about her non-traditional relationship that ended up in a marriage in Las Vegas which also needs clarification from her. Our own personal opinion is that, all of her struggles makes Nora unique and like her kumare, Vilma deserving of the title, National Artist.

Success in Life – Logically, what is the rush? Why does Aunor’s supporter so obsessed for their idol to be proclaim this year? Truth is, she is clearly not at her peak yet or if you don’t agree with that (because of her so much awards), she is still very much active and can amass more career milestones! In fact she has four more indie projects – that can earn her more awards! Why are they in hurry? Even Nora said in an article, “…Wag na nating pag-usapan…Kung darating, pasalamat tayo. Kung hindi, pasalamat din tayo…” She is wise enough not to psych herself up to avoid disappointment and this could be a blessing in disguise for Nora. I don’t believe that she did not get the NA because of her past troubles. In fact her struggles can be seen as success in life. When you overcome and rise above all the test with your personal life it is a milestone in itself. These setbacks will not startle her when the right time comes, no one will hesitate or ignore her day in the sun.

Seniority – As for her rival, Vi believes in conformity. She knows Filipinos believe in ritual, habits and tradition. In fact, when it comes to National Artists, she believes, it is seniority. Gerardo de Leon got his NA a year after his death. Six years after his death, Brocka got his NA while Bernal got his five years after his demise. Manuel Conde’s recognition came in the longest, he have to wait twenty four years while FPJ only have to wait two years, this are after both died. The only film artist who got his bragging rights alive was film director, Eddie Romero in 2003 when he was seventy-nine years old and retired already in directing films (He will direct two more films after his NA recognition and died last year). That’s why Vi did not put herself into a position where everyone will assumed you will be declared the winner and end up the loser (lesson learned, remember Rubia?).

Don’t Cut in Line – Let’s face it, National Artists are for artists who are: dead, semi-retired and no longer active in their fields particularly in films. It’s stupid but can’t do much about that. We’re fond of rituals, habit and superstitions. Filipinos will say, “una una lang yan (if you’re first in line, you comes first) at bigyan ng “respeto ang mga nakakatanda, (respect the elders).” Which in this case, makes sense. Who will argue that the likes of Dolphy, Charito Solis, Gloria Romero, Lolita Rodriguez, Celso Ad Castillo, Joseph Estrada, Rogelio dela Rosa, Eddie Garcia, Anita Linda, and Carmen Rosales…don’t deserves their day in the sun? Some of these artists already left us but some are still alive. Some are still active and some are already retired. But definitely way senior than Vi and Guy, kunbaga nauna sila sa pila…sabi nga walang singitan sa linya (u can’t cut in line, go at the back, please). – RV

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The bags of Loida and Mabuti…

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Seeing the film poster of both Nora and Vilma’s indie films, we can’t ignore the noticeable similarites. Both seem to be – on the “move,” walking and in deep thoughts. And both were holding a “Bag.” Upon further research, Nora’s bag contained money that she didn’t own. And this is one of the main focus of the film. Will Mabuti, Nora’s character, return the money to the real owner or keep it for herself? Meanwhile, Vilma’s bag contained clothes. Clothes that she uses to several impromptu auditions. Will Loida, Vilma’s character, land that big break she’s been praying all her life, and eventually earn more money for herself and her daughter?

Nora’s Bag – “…Initial reviews of Mabuti were positive. Nora was praised for her quiet and effective performance. She was praised for bringing something new to her long filmography, like her willingness to learn the Ilocano dialect. Her director even admitted wasn’t required when she initially accepted the project. It seems like she was willing to bring something new that even the well-praised Thy Womb didn’t bring out. That “something new,” that we haven’t seen before. Originally written for man, Nora’s character Mabuti, according to writer, Katrina Stuart Santiago, “…this film had technical problems, and I wish it took more care in rendering time and space as important aspects of storytelling. But most this film stands regardless, and that might be because of Aunor. Without her, it’s entirely possible that “Ang Kwento ni Mabuti” wouldn’t survive its own simplicity. Because not much happens in this story, but Aunor takes Mabuti’s character and makes everything happen for her.” The high expectation of “Mabuti” seem to be attributed to the critical success of “Thy Womb.” The later earned Nora several international trophies but the fact is, it failed commercially. Early projections seems to favor Mabuti commercially. The Noranians seems to be in high spirit as they attend the gala premiere of Mabuti and was blessed with the extension of the film’s screening for another week after its first week as part of the CineFilipino Film Festival. The pay out was that Mabuti failed to win Nora the festival’s most expected best actress award. The award went to a new comer, a child protege, named Teri Malvar. Initial prediction from a veteran columnist predicts a tight race for next year acting derby with both Vi and Guy fighting for the trophies with Lorna Tolentino for Burgos and Cherrie Gil for Sonata, all for their performances in indie films.

Ang Kuwento ni Mabuti – “…Mabuti is not a simpleton, but in her world, where words are barely spoken, it is easy to just be. There is want and need, but there is only so much one can do. She is not one to bargain for better, as she is one to try and fix things as much as her abilities allow. She wants to bring the money to the barangay captain, but takes the strange weather as a sign that she shouldn’t; she goes to the military camp to talk to the captain about the money, but the camp is deserted. Mabuti waits for nothing and no one. She seems to always purposefully wait. As she does heartily laugh, in that quiet way that we know the voiceless must. She speaks but doesn’t talk or banter. She is nervous and sad, she is lost and confused, she is happy. And we only know this of Mabuti because she’s got eyes that can pierce through your soul. Which is to say that this is about Aunor, which almost goes without saying, and yet there is something here that she wasn’t able to do in last year’s “Thy Womb.” That is, she learned the language that everybody else in the film was speaking. In this sense Mabuti was more complete as a character than Shaleha; Mabuti was more real. Aunor as such isn’t rendered quiet by the inability to speak in the same way, and Mabuti is allowed to actually be borne of the context that we see is hers in the film. She makes that universe work, and unravel, no matter that it is the tiniest, most removed, universe that many of us cannot fathom. It is a universe of signs. And when Mabuti navigates and negotiates with those signs given her fears and joys, we are allowed to imagine life to be as simple, moral compass and all. Yes, this film had technical problems, and I wish it took more care in rendering time and space as important aspects of storytelling. But most this film stands regardless, and that might be because of Aunor. Without her, it’s entirely possible that “Ang Kwento ni Mabuti” wouldn’t survive its own simplicity. Because not much happens in this story, but Aunor takes Mabuti’s character and makes everything happen for her…” – Katrina Stuart Santiago, GMA News, 23 September 2013 (READ MORE)

Vilma’s Bag – “…Like Nora’s Mabuti, Ektra’s initial reviews were positive. Vilma was praised for her willingness to get demoglarized and her effective take as the an underdog role normally identified with Nora. The initial positive buzz of the film were ignored by Vi’s detractors and even with an unfinished film, early unfavorable articles were published highlighted with the news the films were rejected by the Cannes screening committee. Despite this setback, the film had its gala premiere on July 28 at the CCP, fans and supporters filled the bigger CCP venue. Ekstra went it momentous peak as Cinemalaya top grosser film and after a few weeks went on its commercial screening sponsored by Star Cinema. The film had its successful first week but the film did not sustain its strenght as typhoon hit Metro Manila. It seems like the rain will never stop, the whole country were flooded, and Ekstra despite rumored of being pulled out remained its local exhibition. Ekstra had its world premiere on September 8th at the Toronto International Film Festival. The almost midnight screening were sold out as well as the consecutive screenings. The film were well received and had its limited screenings in North America the following weeks. Ekstra was her follow-up to her commercially successful The Healing. It was clear that Vilma wanted to maintained her bankability but wanted to mix it with the integrity of the indie genre. And Ekstra provided the mixture of both medium, hence the word “maindie” arrived. Ekstra gave Vi her first indie best actress trohphy (Cinemalaya). Like Nora, she is positioned to give anyone a stiff conpetition to next year acting contest.

Ekstra The Bit Player – “…The unshakable optimism of a middle-aged extra is the warm heart driving “The Bit Player,” an appealing dramedy that pokes plenty of good-natured fun at TV soap operas. Anchored by a glowing central performance by Filipino screen queen Vilma Santos as the single mother who smiles her way through work-related indignities in order to pay for her daughter’s education, the pic reps a fine feather in the cap of veteran helmer Jeffrey Jeturian. Winner of the audience award for best film in its category at Cinemalaya and a hit in domestic release in August, this crowdpleaser launches on limited North American screens on Sept. 13…The wise and witty screenplay by Jeturian, Zigcarlo Dulay and Antoinette Jadaone hits the right mix of humor and compassion from the outset. In a funny pre-credits sequence showing an exasperated production crew hiring and firing a succession of extras for the tiny speaking role of a housemaid, eager-to-please hopeful Loida Malabanan (Santos) is pipped for the job at the last moment. Very much a modern incarnation of heroines from classic Hollywood melodramas of the 1950s, Loida only strengthens her resolve in the face of such setbacks. Fiercely determined to not ask her (unseen) ex-husband for financial assistance, Loida is driven to survive and succeed because of her adult daughter, Joyce (Ronaline Enriquez), also a divorcee and a college student whose tuition fees are due. Unhurried opening segments paint a lovely picture of a selfless mother undaunted by being lumped into the category of “nameless wannabees” by fast-talking casting director Josie (Ruby Ruiz, terrific). Loida’s belief that it’s never too late to become a star is one of many character traits that will have audiences rooting for her all the way. With this critical factor firmly in place and Santos in supreme form, Jeturian steers a more overtly comedic path once Loida and her spunky best pal, Venus (Tart Carlos), find work on the set of a soap opera regaling with the title of “You Were Mine First…” – Richard Kuipers, Variety, 11 September 2013 (READ MORE)

2014 Award Prediction and Outcome

  • Luna Awards – Vilma Santos, FAP voting members went for Nora’s Thy Womb the previous year, although they have given Nora their awards three years consecutively, Noranians have enraged some FAP members by complaining too much about Thy Womb not getting the country’s representative to OSCAR, but just based on Vilma’s performance and FAP’s choices in the past, I believe it will be Vilma next year. Despite some critics indicating some disappointments on how her film, Burgos ends -like a “TV drama,” Lorna Tolentino’s performance, was the film’s redeeming value, hence she can be the spoiler between Vi and Guy (As of Feb 2015, FAP announced that they will combined 2014 and 2015 awards into one ceremony this year.  No press release yet if this event will actually happened.  In lighter note, Vi was cited for her movie Ekstra. – RV).
  • Gawad Urian – Tie: Nora Aunor and Vilma Santos. The Filipino critics are undoubtedly the most credible award giving bodies and they all love indie films. With both Nora and Vilma’s films they would have a hard time deciding which to give their trophies. There is a sure chance that they will just give the honor to both actresses but since Nora received her seventh Urian last year, it would be fair to give it to Vi this year. But a spoiler alert comes to mind, They also love Irma Adlawan for Transit (As of Oct, Vi and Guy lost the Gawad Urian Best Actress to the surprising winner, Angeli Bayani for Oscar bound, “Norte.”  There are some back luck for Nora, she lost the National Artist title and her movie “Whistleblower” was not selected to compete for this year’s Metro Manila Film Festival.  On positive side, Nora won the best actress at the Cinemalaya for “Justice” locally titled “Hustisya” and she also received Gawad Plaridel award, following the footstep of her rival, Vilma who received both recognition few years earlier.  Nora’s follow-up indie film after Hustisya was the indie/horror, Dementia who got a commercial release but according to some press release got a lukewarm reception. – RV).
  • PMPC Star Awards – Vilma Santos. The PMPC has some questionable winners in the last few years and in recent years they became more clearer that they are more likely to vote for Vi (KC Concepcion upset both Nora and Vilma, she won for her performance in “Boy Golden” – RV).
  • Golden Screen Awards – The Golden Screen members are trying to imitate the early years of Star Awards and with a new format of dividing their categories into drama and comedy, there is big chance that both Nora and Vilma will end up winning. Ofcourse Vi can be nominated into both categories but it will not be practical if they will not use the opportunity to give Nora and Vilma trophies at the same time. Both of their fans would be happy with Aunor getting the trophy for Drama and Vilma for Comedy (As of Oct, Vilma received a nomination from EnPress’ Golden Screen for best performance in dramatic role while Nora missed the cut – RV).
  • CMMA Awards – Nora Aunor’s film has CMMA written all over it. It is hands down Nora. But Lorna Tolentino’s Burgos, all for its activism that many church followers loves, may give her a stiff fight. Also, Irma’s role in Transit with its Israel as its back drop will also play the role of predicting who will CMMA proclaim their best (As of Oct, no official statement has been release but the official ceremony is scheduled on Oct 29th. – RV).
  • Gawad Tanglaw and Gawad Pasado – These academics turned film critics honored Nora the previous year for Thy Womb. Tanglaw like Vilma more and Pasado according to most fans favored Nora. Vi will win Tanlaw and Nora Pasado (Correct predictions! – RV).
  • FAMAS Awards – Both Vi and Guy are no longer eligible due to their Hall of Famer status. Lorna Tolentino, Cherie Gil and Irma Adlawan will fight for it’s honor with Lorna on top and Cherie as spoiler (KC Concepcion won the best actress, Irma Adlawan was ignored by the oldest group of award entrepreneurs! – RV).

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