Top 100 Vilma Santos Films (part six)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

50. Hatinggabi Na, Vilma 1972
SCORE: 6(A) + 10(B) + 5(C) + 0.9(D) = 21.9(T)
Directed by Joey Gosiengfiao, co-starring: Barbara Perez, Zeneda Amador, Angie FerroRomeo Rivera, Ruel Vernal, Dick Israel, Ernie Garcia, Cloyd Robinson, Subas Herrero, Lito Trinidad – MORE INFO (no available video)

49. Dama De Noche 1972
SCORE: 7(A) + 7(B) + 7(C) + 0.95(D) = 21.95(T)
Directed by Emmanuel H. Borlaza, co-starring: Edgar Mortiz, Lillian Laing, Matimtiman Cruz, Fred Montilla, Cloyd Robinson. Recieved first FAMAS Best Actress and best actress nomination at the 1972 Quezon City Film Festival. – MORE INFO

48. Darna and the Giants 1973
SCORE: 6(A) + 8(B) + 8(C) + 0.2(D) = 22.2(T)
Directed by Emmanuel H. Borlaza, co-starring: Helen Gamboa, Loreta Marquez, Rosanna Marquez, Desiree Destreza, Florence Aguilar Romeo Miranda, Ike Lozada, Pepito Rodriguez, Cesar Ramirez, Zandro Zamora, Max Alvarado. Top Box Office Film of 1973 Metro Manila Film Festival – MORE INFO

47. Kampanerang Kuba 1974
SCORE: 6(A) + 10(B) + 6(C) + 0.3(D) = 22.3(T)
Directed by Nilo Saez, co-starring: Edgar Mortiz, Patria Plata, Metring David, Greg Lozano, Joaquin Fajardo. – MORE INFO

46. Muling Buksan ang Puso 1985
SCORE: 7(A) + 8(B) + 7(C) + 0.4(D) = 22.4(T)
Directed by Leroy Salvador, co-starring: Dindo Fernando, Lorna Tolentino, Sandy Andolong, Coney Reyes, Rowell Santiago, Jimi Melendez. Written by Nerissa Cabral. Vilma received a best actress nomination from 1985 FAMAS – MORE INFO

45. Palimos Ng Pag-ibig 1986
SCORE: 7(A) + 8 (B)+7 (C)+0.5 (D)=22.5(T)
Directed by Eddie Garcia, co-starring: Dina Bonnevie, Cherie Gil, Laurice GuillenEdu Manzano, Pepito Rodriguez. Written by Nerissa Cabral. – MORE INFO

44. Langis at Tubig 1980
SCORE: 7(A) + 8(B) + 7(C) + 0.6(D) = 22.6(T)
Directed by Danny Zialcita, co-starring: Amy Austria, Lucita Soriano, Suzanne Gonzales, Adul De Leon, Martha SevillaDindo Fernando, Ronaldo Valdez, George Estregan, Ruben Rustia, Johnny Vicar, Augusto Victa, Vic Diaz, Vic Silayan, Mario Escudero. Vilma received a best actress nomination from 1980 FAMAS – MORE INFO

43.Pinay, American Style 1979
SCORE: 7(A) + 8(B) + 7(C) + 0.7(D) = 22.7(T)
Directed by Elwood Perez, co-starring: Christopher De Leon, Bembol Roco, Cocoy Laurel with Rosa Mia, Alexandra Dulaney, Nova Villa, Bella Flores, Angge. One of eight box office hit films Vilma Santos did in 1979 – MORE INFO

42.Ibulong Mo Sa Diyos 1988
SCORE: 7(A) + 8(B) + 7(C) + 0.8(D) = 22.8(T)
Directed by Elwood Perez, co-starring: Eric Quizon, Gary Valenciano, Miguel Rodriguez, Eddie Garcia, Nida Blanca, Barbara Perez, Nadia Montenegro, Armida Siguion-Reyna, Perla Bautista, Rachel Ann Wolfe, Deborah Sun, Vangie Labalan, Nena Perez Rubio, Ruben Rustia. Written by Orlando Nadres. Vilma recieved her fifth FAMAS best actress that earned her the FAMAS Hall of Fame award. She also received a film academy nomination. – MORE INFO

41.Haplos 1982
SCORE: 7(A) + 8(B) + 7(C) + 0.9(D) = 22.9(T)
Directed by Antonio Jose Perez, co-starring: Christopher De Leon, Rio Locsin, Delia Razon, Eddie Infante, Rez Cortez, Juan Rodrigo, Jaime Fabregas. Written by Ricardo Lee. The film won the 1982 Metro Manila Film Festival 3rd Best Picture award. – READ MORE

RECAP:
50. Hatinggabi Na, Vilma 1972
49. Dama De Noche 1972
48. Darna and the Giants 1973
47. Kampanerang Kuba 1974
46. Muling Buksan ang Puso 1985
45. Palimos Ng Pag-ibig 1986
44. Langis at Tubig 1980
43. Pinay, American Style 1979
42. Ibulong Mo Sa Diyos 1988
41. Haplos 1982

…continue with countdown, CLICK HERE!

Top 100 Vilma Santos Films (part five)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

60.  Mga Mata Ni Angelita 1978
SCORE: 6(A) + 10(B) + 5(C) + 0.08(D) = 21.08(T)
Directed by Lauro Pacheco, starring: Julie Vega, Gloria Sevilla, Boots Anson-Roa, Alma Moreno, Rosanna Ortiz, Nora Aunor, Trixia Gomez, Marissa Delgado, Etang DischerMat Ranillo III, Roldan Rodrigo, Christopher De Leon, German Moreno, Rez Cortez, Eddie Rodriguez, Dolphy, Fernando Poe Jr. Vilma’s segments made this film in our list of memorable non-lead role. – MORE INFO

59.  Rock, Baby, Rock 1979
SCORE: 6(A) + 10(B) + 5(C) + 0.09(D) = 21.09(T)
Directed by Oscar Miranda, starring: Leah Navarro, Lorli Villanueva, Geleen EugenioJunior, Rolly Quizon, Tito Sotto, Vic Sotto, Joey de Leon, Val Sotto, VST & Company – MORE INFO

58.  Hiwalay 1981
SCORE: 7(A) + 8(B) + 6(C) + 0.1(D) = 21.1(T)
Directed by Romy Susara, starring: Dindo Fernando, Eddie Rodriguez – MORE INFO (no available video)

57.  Susan Kelly, Edad 20 1977
SCORE: 6(A) + 10(B) + 5(C) + 0.2(D) = 21.2(T)
Directed by Maria Saret, starring: Laila Dee, Dante Rivero, Anthony Alonzo, Romeo Enriquez, Chito Ponce Enrile, Cloyd Robinson, Sandy Garcia, Laila Dee, Ramon Zamora – MORE INFO (no available video)

56.  Hindi Nahahati ang Langit 1966
SCORE: 7(A) + 8(B) + 6(C) + 0.3(D) = 21.3(T)
Directed by Lauro Pacheco, starring: Lolita Rodriguez, Marlene Dauden, Eddie Rodriguez – MORE INFO (no available video)

55.  Masarap, Masakit ang Umibig 1977
SCORE: 7(A) + 8(B) + 6(C) + 0.4(D) = 21.4(T)
Directed by Elwood Perez, co-starring: Christopher De Leon, Mat Ranillo III with Anita Linda, Ma-An Hontiveros, Lillian Laing, Laila Dee, Amado Cortez, Sandy Garcia, Cloyd Robinson. Official Philippines’ entry to the 1981 ASEAN Film Festival and Sydney Film Festival. Official entry to 1978 Asia-Pacific Film Festival in Taipei. – MORE INFO

54.  Minsan pa Natin Hagkan Ang Nakaraan 1983
SCORE: 7(A) + 7(B) + 7(C) + 0.5(D) = 21.5(T)
Directed by Marilou Diaz-Abaya, co-starring: Christopher De Leon, Eddie Garcia. – MORE INFO

53.  Halik sa Kamay, Halik sa Paa 1979
SCORE: 7(A) + 7(B) + 7(C) + 0.6(D) = 21.6(T)
Directed by Luis Enriquez, co-starring: Rosemarie Gil, Ester Chavez, Angie Ferro, Angge, Virginia Montez, Aurora SalveRonald Corveau, Eddie Rodriguez, Jose Vergara, Roderick Paulate. Vilma recieved a best actress nominationf from 1979 FAMAS. – MORE INFO

52.  Alyas Baby Tsina 1984
SCORE: 7(A) + 7(B) + 7(C) + 0.7(D) = 21.7(T)
Directed by Marilou Diaz-Abaya, co-starring: Phillip Salvador, Dindo Fernando withZeny Zabala, Cecille Castillo, Chanda Romero, Raquel Villavicencio, Caridad Sanchez, Maria Isabel Lopez, Dexter Doria, Mary Walter, Vangie Labalan, Harlene Bautista, Rez Cortez, Rolando Tinio, Len Santos, Johnny Delgado – MORE INFO (no available video)

51.  T-Bird at Ako 1982
SCORE: 7(A) + 7(B) + 7(C) + 0.8(D) = 21.8(T)
Directed by Danny Zialcita, co-starring: Nora Aunor, Baby Delgado, Rosemarie Gil, Suzanne Gonzales, Odette Khan, Anita Linda, Liza Lorena, Adul de Leon, Rustica Carpio, Anita LindaDindo Fernando, Tommy Abuel, Tony Carreon, Alvin Enriquez. Written by Portia Ilagan. – MORE INFO

RECAP:
60. Mga Mata Ni Angelita 1978
59. Rock, Baby, Rock 1979
58. Hiwalay 1981
57. Susan Kelly, Edad 20 1977
56. Hindi Nahahati ang Langit 1966
55. Masarap, Masakit ang Umibig 1977
54. Minsan pa Natin Hagkan Ang Nakaraan 1983
53. Halik sa Kamay, Halik sa Paa 1979
52. Alyas Baby Tsina 1984
51. T-Bird at Ako 1982

…continue with countdown, CLICK HERE!

Top 100 Vilma Santos Films (part nine)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

20.  Tag-ulan sa Tag-araw 1975
SCORE: 8(A) + 10(B) + 7(C) + 0.4(D) = 25.4(T)
Directed by Celso Ad. Castillo, co-starring:  Christopher De Leon, Eddie Garcia, Joseph Sytangco, Lorli Villanueva, Odette Khan, Alma Moreno, Eva Darren, Edna Diaz, Nympha Bonifacio, Joonee Gamboa, Rez Cortez, Soxy Topacio.  The first film of Christopher Deleon and Vilma Santos, as of 2008, total 23 films. – MORE INFO

19.  Sinasamba Kita 1982
SCORE: 7(A) + 10(B) + 8(C) + 0.5(D) = 25.5(T)
Directed by Eddie Garcia, co-starring:  Christopher Deleon, Philip Salvador, Lorna Tolentino, Irene Celebre, Loleta Abesamis, Norma Blancaflor, Moody Diaz, Luz Fernandez, Kristina Paner, Yvonne, Ramil Rodriguez, Danny De Cordova, Larry Leviste, Fanny Serrano.  Written by Gilda Olvidado.  1982 Top Box Office Record Breaker.  The original film became a TV movie in 2007 by GMA Network, directed by Joel Lamangan, starring Sheryl Cruz as Divina and Valerie Concepcion as Nora. – MORE INFO

18.  Paano Ba ang Mangarap? 1983
SCORE: 7(A) + 10(B) + 8(C) + 0.6(D) = 25.6(T)
Directed by Eddie Garcia, co-starring:  Christopher Deleon, Jay Ilagan, Amy Austria, Perla Bautista, Armida Siguion Reyna, Vic Silayan.  Written by Nerissa Cabral.  Broke box office record of 1983 – MORE INFO

17.  Gaano Kadalas ang Minsan? 1982
SCORE: 8(A) + 10(B) + 7(C) + 0.7(D) = 25.7(T)
Directed by Danny Zialcita, co-starring:  Dindo Fernando, Hilda Koronel, Chanda Romero, Suzanne Gonsales, Tommy Abuel, Mark Joseph Enriquez.  Broke box office record of 1982, Earned P7.3 million during its first day of showing in Metro Manila – MORE INFO

16.  Trudis Liit 1963
SCORE: 7(A) + 10(B) + 8(C) + 0.8(D) = 25.8(T)
Directed by Jose De Villa, co-starring: Luis Gonzales, Lolita Rodriguez, Connie Angeles, Bella Flores, Charlie Davao, Ramon D’Salva.  Written by Mars Ravelo.  This film is immortalized in small screen in 2010 by GMA 7 .  A remake was filmed in the 1990s.  Vilma Sanots won a FAMAS Best Child Actress.  – MORE INFO (no available video)

15.  Pagputi ng Uwak, Pag-itim ng Tagak 1978
SCORE: 10(A) + 5(B) + 10(C) + 0.9(D) = 25.9(T)
Directed by Celso Ad. Castillo, co-starring:  Bembol Roco, Angie Ferro, Olivia O’Hara, Mona Lisa, Robert Talabis, Joonee Gamboa, Mario Escudero.  As the film producer, Vilma received the highest recognition for best film of the year FAMAS and Gawad URIAN.  She also received a nomination for best actress from FAMAS. – MORE INFO

14.  Adultery: Aida Macaraeg 1984
SCORE: 10(A) + 8(B) + 8(C) + 0.6(D) = 26.6(T)
Directed by Lino Brocka, co-starring:  Phillip Salvador, Anita Linda, Deborah Sun, Alvin Enriquez, Mario Montenegro.  Vilma received best actress nomination from PMPC Star Awards. – READ MORE

13.  Tagos ng Dugo  1987
SCORE: 8(A) + 10(B) + 8(C) + 0.7(D) = 26.7(T)
Directed by Maryo J. De los Reyes, co-starring:  Caridad Sanchez, Lucita Soriano, Alicia Alonzo, Mia Gutierrez, Raquel VillavicencioMichael De Mesa, Miguel Rodriguez, Francis Arnaiz, Richard Gomez, Mark Joseph, Lito Pimentel, Joey Hipolito, Joey Marquez, Tony Santos Sr.  Vilma Santos won the 1987 FAMAS and CMMA Best Actress awards.  She also received nomination from FAP. – MORE INFO

12.  Anak 2000
SCORE: 8(A) + 10(B) + 8(C) + 0.8(D) = 26.8(T)
Directed by Rory B. Quintos, co-starring: Claudine Barretto, Amy Austria, Cherry Pie Picache, Sheila Mae Alvero, Tess Dumpit, Jodi Sta. Maria Joel Torre, Baron Geisler, Leandro Muñoz, Gino Paul Guzman, Cris Michelena.  Philippines’ official entry to 73rd best foreign language OSCAR.  Philippines’ official entries to 2001 international film festivals including Fukuoka, San Francisco.  Vilma received the 2000 PMPC STAR award for best actress as well as the 2000 PASADO and nomination from FAP.  She was also crowned the 2000 GMMSF Box Office Queen.  – MORE INFO

11.  Imortal 1989
SCORE: 8(A) + 10(B) + 8(C) + 0.9(D) = 26.9(T)
Directed by Eddie Garcia, co-starring:  Christopher De Leon, Tommy Abuel, Ricky Davao, Gelli De Belen, Cherie Gil, Jacklyn Jose, Liza Lorena Richard Reynoso, Roi Vinzon.  Written by Orlando Nadres.  Vilma won the 1989 Metro Manila Film Festival Best Actress. –  MORE INFO

RECAP:
20. Tag-ulan sa Tag-araw 1975
19. Sinasamba Kita 1982
18. Paano Ba ang Mangarap? 1983
17. Gaano Kadalas ang Minsan? 1982
16. Trudis Liit 1963
15. Pagputi ng Uwak, Pag-itim ng Tagak 1978
14. Adultery: Aida Macaraeg 1984
13. Tagos ng Dugo 1987
12. Anak 2000
11. Imortal 1989

…continue with countdown, CLICK HERE!

Top 100 Vilma Santos Films (part four)

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

70.  Yesterday, Today and Tomorrow 1986
SCORE: 6(A) + 8(B) + 6(C) + 0.4(D) = 20.4(T)
Directed by Emmanuel H. Borlaza, co-starring: Snooky Serna, Maricel Soriano, Liza Lorena, Chanda Romero, Deborah SunGabby Concepcion, Richard Gomez, Eddie Garcia, Jimi Melendez – MORE INFO

69.  Kay Tagal ng Umaga 1965
SCORE: 6(A) + 8(B) + 6(C) + 0.5(D) = 20.5(T)
Directed by Lauro Pacheco, starring: Lolita Rodriguez, Eddie Rodriguez, Marlene Dauden with Vilma Valera. Film adaptation of Aning Bagabaldo’s radio drama broadcasted on DZRH. – MORE INFO (no available video)

68.  Anak, ang Iyong Ina 1963
SCORE: 7(A) + 8(B) + 5(C) + 0.6(D) = 20.6(T)
Directed by Mar S. Torres, co-staring: Gloria Romero, Rita Gomez, Mario Montenegro, Eddie Garcia – MORE INFO (no available video)

67.  Ging 1964
SCORE: 6(A) + 8(B) + 6(C) + 0.7(D) = 20.7(T)
Directed by Cirio H. Santiago, co-starring: Carol Varga, Olivia Cenizal, Jose Padilla jr, Ramon D’Salva. Written by Mars Ravelo. – MORE INFO

66.  Karugtong ang Kahapon 1975
SCORE: 5(A) + 8(B) + 7(C) + 0.8(D) = 20.8(T)
Directed by Fely H. Crisostomo, co-starring: Gloria Romero, Celia Rodriguez, Patria Plata, Edgar Mortiz, Eddie Garcia, Jay Ilagan, Romy Mallari, Joseph Sytangco. Entry to the 1975 MMFF. Film was written by Nerissa Cabral. – MORE INFO (no available video)

65.  Nag-iisang Bituin 1994
SCORE: 7(A) + 7(B) + 6(C) + 0.9(D) = 20.9(T)
Directed by Jose Javier Reyes, co-starring: Christopher De Leon, Aga Muhlach with Cherrie Pie Picache, Amy Perez, Jao Mapa, Orestes Ojeda. Vilma received a best actress nomination from PMPC’s 1994 Star. – MORE INFO (no available video)

64.  Takbo, Vilma, Dali 1972
SCORE: 5(A) + 10(B) + 6(C) + 0.04(D) = 21.04(T)
Directed by Joey Gosiengfiao, co-starring: Rita Gomez, Paquito Diaz, Max Alvarado, Romeo Rivera, Ernie Garcia – MORE INFO (no available video)

63.  Vilma Viente Nueve 1975
SCORE: 5(A) + 10(B) + 6(C) + 0.05(D) = 21.05(T)
Directed by Pablo Santiago, co-starring: Anita Linda, Jun Aristorenas, Max Alvarado, Lito Legaspi, German Moreno, Martin Marfil – MORE INFO (no available video)

62.  Ibong Lukaret 1975
SCORE: 6(A) + 10(B) + 5(C) + 0.06(D) = 21.06(T)
Directed by Tito C. Sanchez, co-starring: Alona Alegre, Marissa Delgado, Daria Ramirez, Lucita Soriano, George Estregan, Nick Romano, Rudy Fernandez, Arnold Mendoza – MORE INFO (no available video)

61.  Bertang Kerengkeng 1976
SCORE: 6(A) + 10(B) + 5(C) + 0.07(D) = 21.07(T)
Directed by Tito C. Sanchez, co-starring: Edna Diaz, Lito Anzures, Rudy Fernandez, Greg Lozano – MORE INFO (no available video)

RECAP:
70. Yesterday, Today and Tomorrow 1986
69. Kay Tagal ng Umaga 1965
68. Anak, ang Iyong Ina 1963
67. Ging 1964
66. Karugtong ang Kahapon 1975
65. Nag-iisang Bituin 1994
64. Takbo, Vilma, Dali 1972
63. Vilma Viente Nueve 1975
62. Ibong Lukaret 1975
61. Bertang Kerengkeng 1976

…continue with countdown, CLICK HERE!

Filmography: Paano Ba ang Mangarap? (1983)

“Dinaya n’yo ako! Saan n’yo dinala ang anak ko?…Hindi mo alam…Sinungaling!…Kasabwat ka ng ina mo! Alam ko matagal n’yo nang plano ito!…Dinaya n’yo ako! Mga Traydor Kayo! Traydor kayong lahat!…Wala akong pakialam! Ibalik mo sa akin si Jun Jun! Ibalik mo sa akin ang anak ko! Ibalik mo sa akin si Jun Jun! Ibalik mo sa akin…” – Lisa

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Basic Information: Directed: Eddie Garcia; Story: Nerissa Cabral; Screenplay: Orlando Nadres; Cast: Vilma Santos, Christopher Deleon, Amy Austria, Jay Ilagan, Peral Bautista, Armida Siguion Reyna, Vic Silayan; Executive producer: Vic Del Rosario; Cinematography: Romy Vitug; Theme Songs: “Paano Ba Ang Mangarap?” performed by Basil Valdez

Plot Description: Despite their different social backgrounds, Lisa (Vilma Santos) and Benny (Jay Ilagan) have found their match in each other. Unfortunately, Benny dies before they could marry, and Lisa is left with no choice but to seek the help of Benny’s parents. But their arrogance is as lofty as their fortune, and to them, Lisa is nothing but an opportunist. Their only concern is their late son’s unborn child that Lisa is carrying in her womb. The only person who treats Liza with kindness is Eric (Christopher de Leon), Benny’s brother, who has secretly fallen in love with her… – Kabayan web-site

Pregnant Lissa’s (Vilma Santos) misery starts when her wealthy boyfriend Benny (Jay Ilagan) dies in a motorcycle accident. Impoverished, Lissa seeks security for her child with Benny’s malevolent mother Doña Francia (Armida Siguion-Reyna). Her one request is to stay at their house until she gives birth, then leave the infant to their care. Doña Francia abuses Lissa who works for her like a maid, leading to the death of Lissa’s mother. Benny’s brother Eric (Christopher De Leon) falls in love with Lissa and marries her to the indignation of Doña Francia who denies Lissa of her son. Lissa marries Eric not for love but to be with her son and eventually gets pregnant but has a miscarriage. Disheartened, Eric turns to her ex-girlfriend Maya (Amy Austria) with whom Eric goes on a world tour. Meanwhile, Doña Francia surreptitiously brings Lissa’s son to the U.S. – TFC Now (READ MORE)

Film Achievement: 1983 FAP Best Cinematography – Romeo Vitug; 1983 FAMAS Best Cinematography – Romeo Vitug; 1983 FAMAS Best Screenplay – Nerissa Cabral, Orlando Nadres; 1983 FAMAS Best Story – Nerissa Cabral; 1983 FAMAS Best Theme Song – George Canseco; 1983 FAMAS nomination Best Director – Eddie Garcia; 1983 FAMAS nomination Best Picture; 1983 FAMAS nomination Best Supporting Actress – Armida Siguion-Reyna

Film Reviews: Paano Ba Ang Mangarap? rates high for its slickness and production gloss, something that its producers, Viva Films, shouldn’t hope would last them more than two seasons. Eddie Garcia is a good director. He stages his scenes well, with a minimum of fuss and a modicum of winning faith in narrative primacy. Viva’s movies are well-structured, well-paced, and at their best show how the cosmopolitan Filipino behaves under romantic stress. But if you get past that level and dig into substance, you encounter that self-same compost pit wherein all the biodegradable scraps of melodrama you can find southeast of your favorite mother’s kitchen have been thrown.

Such is the case, to a most lamentable extreme, with Paano Ba ang Mangarap? It’s well-acted, well-done, tastefully correct in elementary mode. But it is strictly local comics fare, this well-wrought turn of circumstantial twist and escalating conflicts which all spell high drama. Viva makes films that are at best our answer to Hollywoodian slick, the stuff of which The Other Side of Midnight and Imitation of Life are prime generational examples. The Barbra Cartlands and Harold Robbinses turned celluloid; Mills and Boon on the big screen. Here you have two fine actors, Christopher de Leon and Vilma Santos, waxing once again with their special chemistry. Boyet is so good he can, by merely varying his inflection, go through a simple line like “Tama na..” three times and prove positively sensitive and believable each time. Subtlety of feeling is shared equally well by Vilma Santos. They are both aware of the value of underplaying their emotional scenes, so much so that in any confrontation with other thespians who play their role to the hilt, these two, Boyet and Vilma, come out on top through the simple process of undercutting. Vic Silayan and Perla Bautista are equally good in Paano Ba ang Mangarap?, but it is Moody Diaz who wins us over by applying a different tack in her “mayordoma” role, something that is usually played for laughs and other such effects by less gifted, or less imaginative, performers. Armida Siguion-Reyna is hampered by her termagant mother-in-law role, the catch-all character of cruelty spawned by all the soap opera dramas of Philippine comics and radio serials. And she plays this thoroughly unbelievable character, typecast as she already is, much to the hilt. That fantasy scene where she makes out like a satanic figure, though well-shot by Romy Vitug, is quite embarrassing for a picture like this, except of course we know that it is based on a comics serial where such fictive excesses may appear.

Here is where this otherwise finely-crafted film suffers. Viva knew it had to be faithful to the comics serial, so in effect opted for the surefire commercial draw at the expense of a truly artistic, credible film. I’m not saying that a character like Mrs. Monteverde does not, or cannot, exist. Perhaps one in a million. Filipino mothers can be as overbearing, prejudiced, unfeeling, and downright cruel. But to have a situation where an improbable character like her meets up with other improbable characters like the one Vilma and Christopher play, is stacking up the cards too much on the side of atrocious melodrama. Vilma is the martyr type who would subject herself to indignities just so her coming child can have a name and possibly better upbringing. Boyet is the unloved son who would ditch his sophisticated girlfriend (Amy Austria, who is still uncomfortable in such role, so she doesn’t fare too well here) for this martyr-type who’s been impregnated by his brother. Now, any of these characters may exist, if by a long chance. But to have them all together living under the same roof is stretching the bounds of possibility much too much. Furthermore, it could have been a better ending had the Viva bosses decided to stop at that scene where Vilma finds herself left alone on Christmas in the rich surroundings she has always dreamt of. Now only the household help can give her token solace by way of a collective gift. It is a poignant scene, stylistically done to proper effect with the usual Viva-film theme wafting through in support of silent montage. It could have been a good open ending, with overtones of irony laying themselves squarely on Vilma’s character. But no, of course one can’t disappoint the followers of the original comics serial. So the story goes on through further typical maneuverings until we’re given at least a semblance of a happy ending. A missed chance, I say. – “A missed chance” by Alfred A. Yuson, Philippines Daily Inquirer – 17 July 1983

A true blooded Vilmanian will not forget the time when a teaser (a very brief movie trailer – around 20 seconds) was shown to the theatres in the summer of 1983. It was Viva films’ “Paano Ba Ang Mangarap?” Another box office hit from Vilma Santos and Christopher DeLeon. The teaser (almost worth the whole movie ticket) was the scene where Lisa, played by Vilma discovered that her son (to Eric’s brother, Jay Ilagan) was gone courtesy of her evil rich mother-in-law (Armida Sigueon Reyna). Here’s the lines and the explosive acting of the Queen. The scene: After running around looking for the baby in all the rooms in second floor of of this huge mansion, Lisa confronted Eric who were stunned to find Lisa’s hysterics.

Lisa: Dinaya n’yo ako! Saan n’yo dinala ang anak ko?!!!
Eric: Hindi ko alam!
Lisa: Hindi mo alam…Sinungaling!
Eric: Lisa, makinig ka muna…
Lisa: Kasabwat ka ng ina mo! Alam ko matagal n’yo nang plano ito!Eric: Ano bang pinagsasabi mo?
Lisa: Dinaya n’yo ako! Mga Traydor Kayo! Traydor kayong lahat!
Eric: Lisa, huminahon ka baka mapaano ang bata!
Lisa: Wala akong pakialam! Ibalik mo sa akin si Jun Jun! Ibalik mo sa akin ang anak ko! Ibalik mo sa akin si Jun Jun! Ibalik mo sa akin…. AHHHH (mahuhulog sa hagdanan)

Just this scene alone, Vilma should be rewarded that year’s best actress award! Bravo! RV

“…The movie showed Garcia’s strengths as a director—able to motivate his actors, frame sequences and scenes, and efficiently tell a story. Those qualities would be very evident in the 1980’s when Eddie Garcia directed the biggest blockbusters of Viva Films…But his best movies were domestic dramas that gripped audiences for their complex take on relationships and their tendencies toward tortured, twisted operations. Hallmarks of this genre were “Sinasamba Kita” in 1982 (Vilma Santos cruelly treating her half-sister), “Paano Ba ang Mangarap?” in 1983 (cruel mom-in-law seizing her grandkid from his mom, played by Santos), and “Magdusa Ka” in 1986 (an illegitimate daughter claims her birthright but finds life in her rich dad’s mansion a cruel torture). His last most significant movie as a director was obviously “Abakada Ina” (2001). In telling the story of an illiterate mother struggling for her children’s attention against her mother-in-law who’s a schoolteacher, Garcia seemed to go back to the standard traits of his best domestic dramas, with their take on the meanness and cruelty that seem to underlie filial relationships…” – Lito B. Zulueta (READ MORE)

“…Despite their different social backgrounds Lisa (Vilma Santos) and Benny (Jay Ilagan) have found their match in each other. Unfortunately Benny dies before they could marry and Liza is left with no choice but to seek the help of Benny’s parents. But hteir arrogance is as lofty as their fortune and to them Liza is nothing but an opportunist. Their only concern is their late son’s unborn child that Liza is carrying in her womb. The only person who treats Liza with kindness is Eric (Christopher de Leon) Benny’s brother who has secretly fallen in love with her…” – Mav Shack (READ MORE)

“Dahil Father’s Day ngayon, nais nating bigyan ng magandang tribute ang nakilala nang ama ng maraming­ artista ng iba’t ibang henerasyon na si Eddie Garcia. Hindi lang mahusay na bida at kontrabida si Eddie kundi mahusay rin siya bilang isang film director. Taong 1961 nang idirek ni Eddie ang kanyang unang pelikula titled “Karugtong Ng Kahapon” kunsaan bida sina Mario Montenegro, Rita Gomez, Ric Rodrigo at Marlene Dauden. Higit na 36 movies pa ang dinirek ni Eddie na iba-iba ang tema…Paano Ba Ang Mangarap? (1983), Tungkol ito kay Lisa (Vilma Santos) na nabuntis ni Benny (Jay llagan) pero noong mamatay ito sa isang aksidente, ang kapatid nitong si Eric (Christopher de Leon) ang nagpakasal kay Lisa para mabigyan ng pangalan ang bata. Ginawa niya ito kahit na may girlfriend siya na si Maya (Amy Austria). Hindi pabor sa simula pa lang ang ina nila Benny at Eric na si Senyora Francia (Armida Siguion-Reyna) at gumawa ito ng paraan para mailayo kay Lisa ang anak nitong si Jun-Jun. Nanalo ito ng limang FAMAS Awards: Best Picture, Best Story, Best Screenplay, Best Cinematography at Best Theme Song…” – Ruel Mendoza, Abante, 15 June 2019 (READ MORE)