I saw this book of Lorna Kalaw Tirol titled “Above the crowd.” It caught my attention when I saw the drawing of Vilma’s face which was the most beautiful one compared to other caricatures. This book contained interviews of Kris, Kuh, Nora, Lino Brocka, and others. The pictures were illustrated by Nonoy Marcelo. Let me share you the article about Vi (Vilma Santos) and Bot (Edgar Mortiz)…
“If Vilma comes, can Edgar be far behind?” – In the colorful world of the Filipino movie fan, circa 1971, the ideological lines (with all due respect to the radicals and the moderators in the movement) are sharply drawn. One is either for Nora Aunor or for Vilma Santos. One cannot like both and be worthy of the name “movie fan.” In fact, there are no fans in the case of Nora and Vilma; they are only fanatics. Nora, her loyal subjects maintain, has a far better singing voice than Vilma. That, counters the Santos camp, is because Vilma is primarily an actress and only incidentally a singer. And Vilma of the doll-like face is definitely the prettier of the two, her fanatics boast. There, we think, the debate should end. The assignment was to interview Vilma Santos for a cover story. We were told that we could catch her one Saturday morning at an Antipolo resort where she was shooting “Wonderful World of Music” for Tagalog Ilang Ilang. Her director was there, all right, and so was Snooky (child star), too self conscious and too small for her age. But Vilma was still in Cabanatuan, and so was Edgar.
The following Wednesday she was scheduled to start filming for another Tagalog Ilang Ilang picture, Young Lovers. With a title like that, we thought, the movie couldn’t be anything but a further buildup of the Edgar-Vilma love team. But who wants a story when you can have your fill of Vilma and Edgar exchanging sweet words and glances? We were at this house in Quezon City, site of the first day of shooting, at nine in the morning. The entire cast and crew were there, except for the leading lady and her leading man. When they arrived an hour and a half later, the place seemed to come alive. The young lovers were chaperoned by Mrs. Santos, pretty and amply proportioned. We were relieved to see none of the burly tomboys who smothered Nora. It was Edgar Mortiz, with his height and size, who looked more like Vilma’s bodyguard. If he were slim and shorter, he could pass for her shadow. Yet it is difficult to imagine him in the role of bodyguard, he is what older folk would describe as mukhang musmos pa. Edgar Mortiz is, in fact, younger than Vilma Santos who, at 17, is no giggly teenager. She is a woman and she knows it. “A LOT of people tells me that I am very mature for my age,” she says at the start of the interview. “I feel it myself. I like to think that I have the mind of 23-year old woman.” She speaks with unusual poise and self-confidence, a self-assurance that must explain why she strikes some people as suplada. Vilma had little time to be a child. When she was nine and a student at St. Mary’s Academy in Manila, an uncle who was a cameraman at Sampaguita introduced her to Dr. Jose Perez. Not long afterward, Rosa Vilma Santos made her first film, Trudis Liit, where she played the title role. Shooting schedules were arranged so as not to conflict with her studies. She attended school in the morning, reported to the set in the afternoon. More pictures for Sampaguita followed, including two on the life of Ferdinand Marcos, in which she was cast as Imee. When the time came for Vilma to choose between school and a film career, she readily chose the latter.
“We study so we can get a job later, di ba? Well, I have a job already.” When she does decide to resume her studies (she was in fourth year high school when she quit), she wants to go into fine arts. Right now however, her thoughts are on her career and, if we are to believe her studio’s drumbeaters, Edgar. Is he or isn’t he? That is as intriguing a question to their fanatics as Imelda Marcos’s political ambition is to newspaper columnists. The love team of Vilma and Edgar has been going strong for two years now. Whether on TV’s Sensations and Edgar Loves Vilma or on radio’s “Hot line 1250 with Edgar and Vilma” or in advertising gimmicks, the latest of which is birthday party with Vilma and Edgar, the team-up has proved to be a hit. They are, in addition, neighbors somewhere in Quezon City. Doesn’t she get tired of being paired with him? “Of course not,” she says petulantly. Whether their apparent fondness for each other is the real thing or just plain acting is hard to tell. When not holding hands, which are most of the time, they have their arms around each other. “I’m not really a singer,” Vilma admits, “but Edgar is teaching me how to sing.” Love team come and goes, but that is the least of Vilma’s worries. Show business is her world. She wants to stay in it for as long as she can. “Sana magtagal ako” she says. Even without Edgar? – Asia-Philippines Leader, July 9, 1971
Today, Vilma Santos is still the most bankable star of Philippine cinema. Her movies continued to be box office hits. She is the most awarded actress in the country and a respected public servant. Edgar on the other hand is now a TV director. He is now a happy family man. He’s now part of the Teleserye “Kampanerang Kuba” which happened to be the remake of a Vi & Bot hit during the 70’s. Recently, Vilma was one of the sponsors of Edgar’s daughter’s wedding. The former love team is now Kumpares & Kumares. – Franco Gabriel, V magazine, Volume 1 Issue Nos. 1 June – July 2005
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