Yearly Archives: 2010

Top 100 Vilma Santos Films (part nine)

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Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

20.  Tag-ulan sa Tag-araw 1975
SCORE: 8(A) + 10(B) + 7(C) + 0.4(D) = 25.4(T)
Directed by Celso Ad. Castillo, co-starring:  Christopher De Leon, Eddie Garcia, Joseph Sytangco, Lorli Villanueva, Odette Khan, Alma Moreno, Eva Darren, Edna Diaz, Nympha Bonifacio, Joonee Gamboa, Rez Cortez, Soxy Topacio.  The first film of Christopher Deleon and Vilma Santos, as of 2008, total 23 films. – MORE INFO

19.  Sinasamba Kita 1982
SCORE: 7(A) + 10(B) + 8(C) + 0.5(D) = 25.5(T)
Directed by Eddie Garcia, co-starring:  Christopher Deleon, Philip Salvador, Lorna Tolentino, Irene Celebre, Loleta Abesamis, Norma Blancaflor, Moody Diaz, Luz Fernandez, Kristina Paner, Yvonne, Ramil Rodriguez, Danny De Cordova, Larry Leviste, Fanny Serrano.  Written by Gilda Olvidado.  1982 Top Box Office Record Breaker.  The original film became a TV movie in 2007 by GMA Network, directed by Joel Lamangan, starring Sheryl Cruz as Divina and Valerie Concepcion as Nora. – MORE INFO

18.  Paano Ba ang Mangarap? 1983
SCORE: 7(A) + 10(B) + 8(C) + 0.6(D) = 25.6(T)
Directed by Eddie Garcia, co-starring:  Christopher Deleon, Jay Ilagan, Amy Austria, Perla Bautista, Armida Siguion Reyna, Vic Silayan.  Written by Nerissa Cabral.  Broke box office record of 1983 – MORE INFO

17.  Gaano Kadalas ang Minsan? 1982
SCORE: 8(A) + 10(B) + 7(C) + 0.7(D) = 25.7(T)
Directed by Danny Zialcita, co-starring:  Dindo Fernando, Hilda Koronel, Chanda Romero, Suzanne Gonsales, Tommy Abuel, Mark Joseph Enriquez.  Broke box office record of 1982, Earned P7.3 million during its first day of showing in Metro Manila – MORE INFO

16.  Trudis Liit 1963
SCORE: 7(A) + 10(B) + 8(C) + 0.8(D) = 25.8(T)
Directed by Jose De Villa, co-starring: Luis Gonzales, Lolita Rodriguez, Connie Angeles, Bella Flores, Charlie Davao, Ramon D’Salva.  Written by Mars Ravelo.  This film is immortalized in small screen in 2010 by GMA 7 .  A remake was filmed in the 1990s.  Vilma Sanots won a FAMAS Best Child Actress.  – MORE INFO (no available video)

15.  Pagputi ng Uwak, Pag-itim ng Tagak 1978
SCORE: 10(A) + 5(B) + 10(C) + 0.9(D) = 25.9(T)
Directed by Celso Ad. Castillo, co-starring:  Bembol Roco, Angie Ferro, Olivia O’Hara, Mona Lisa, Robert Talabis, Joonee Gamboa, Mario Escudero.  As the film producer, Vilma received the highest recognition for best film of the year FAMAS and Gawad URIAN.  She also received a nomination for best actress from FAMAS. – MORE INFO

14.  Adultery: Aida Macaraeg 1984
SCORE: 10(A) + 8(B) + 8(C) + 0.6(D) = 26.6(T)
Directed by Lino Brocka, co-starring:  Phillip Salvador, Anita Linda, Deborah Sun, Alvin Enriquez, Mario Montenegro.  Vilma received best actress nomination from PMPC Star Awards. – READ MORE

13.  Tagos ng Dugo  1987
SCORE: 8(A) + 10(B) + 8(C) + 0.7(D) = 26.7(T)
Directed by Maryo J. De los Reyes, co-starring:  Caridad Sanchez, Lucita Soriano, Alicia Alonzo, Mia Gutierrez, Raquel VillavicencioMichael De Mesa, Miguel Rodriguez, Francis Arnaiz, Richard Gomez, Mark Joseph, Lito Pimentel, Joey Hipolito, Joey Marquez, Tony Santos Sr.  Vilma Santos won the 1987 FAMAS and CMMA Best Actress awards.  She also received nomination from FAP. – MORE INFO

12.  Anak 2000
SCORE: 8(A) + 10(B) + 8(C) + 0.8(D) = 26.8(T)
Directed by Rory B. Quintos, co-starring: Claudine Barretto, Amy Austria, Cherry Pie Picache, Sheila Mae Alvero, Tess Dumpit, Jodi Sta. Maria Joel Torre, Baron Geisler, Leandro Muñoz, Gino Paul Guzman, Cris Michelena.  Philippines’ official entry to 73rd best foreign language OSCAR.  Philippines’ official entries to 2001 international film festivals including Fukuoka, San Francisco.  Vilma received the 2000 PMPC STAR award for best actress as well as the 2000 PASADO and nomination from FAP.  She was also crowned the 2000 GMMSF Box Office Queen.  – MORE INFO

11.  Imortal 1989
SCORE: 8(A) + 10(B) + 8(C) + 0.9(D) = 26.9(T)
Directed by Eddie Garcia, co-starring:  Christopher De Leon, Tommy Abuel, Ricky Davao, Gelli De Belen, Cherie Gil, Jacklyn Jose, Liza Lorena Richard Reynoso, Roi Vinzon.  Written by Orlando Nadres.  Vilma won the 1989 Metro Manila Film Festival Best Actress. –  MORE INFO

RECAP:
20. Tag-ulan sa Tag-araw 1975
19. Sinasamba Kita 1982
18. Paano Ba ang Mangarap? 1983
17. Gaano Kadalas ang Minsan? 1982
16. Trudis Liit 1963
15. Pagputi ng Uwak, Pag-itim ng Tagak 1978
14. Adultery: Aida Macaraeg 1984
13. Tagos ng Dugo 1987
12. Anak 2000
11. Imortal 1989

…continue with countdown, CLICK HERE!

Top 100 Vilma Santos Films (part four)

Posted on by Standard

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times. Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics. The results were a long list of film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

70.  Yesterday, Today and Tomorrow 1986
SCORE: 6(A) + 8(B) + 6(C) + 0.4(D) = 20.4(T)
Directed by Emmanuel H. Borlaza, co-starring: Snooky Serna, Maricel Soriano, Liza Lorena, Chanda Romero, Deborah SunGabby Concepcion, Richard Gomez, Eddie Garcia, Jimi Melendez – MORE INFO

69.  Kay Tagal ng Umaga 1965
SCORE: 6(A) + 8(B) + 6(C) + 0.5(D) = 20.5(T)
Directed by Lauro Pacheco, starring: Lolita Rodriguez, Eddie Rodriguez, Marlene Dauden with Vilma Valera. Film adaptation of Aning Bagabaldo’s radio drama broadcasted on DZRH. – MORE INFO (no available video)

68.  Anak, ang Iyong Ina 1963
SCORE: 7(A) + 8(B) + 5(C) + 0.6(D) = 20.6(T)
Directed by Mar S. Torres, co-staring: Gloria Romero, Rita Gomez, Mario Montenegro, Eddie Garcia – MORE INFO (no available video)

67.  Ging 1964
SCORE: 6(A) + 8(B) + 6(C) + 0.7(D) = 20.7(T)
Directed by Cirio H. Santiago, co-starring: Carol Varga, Olivia Cenizal, Jose Padilla jr, Ramon D’Salva. Written by Mars Ravelo. – MORE INFO

66.  Karugtong ang Kahapon 1975
SCORE: 5(A) + 8(B) + 7(C) + 0.8(D) = 20.8(T)
Directed by Fely H. Crisostomo, co-starring: Gloria Romero, Celia Rodriguez, Patria Plata, Edgar Mortiz, Eddie Garcia, Jay Ilagan, Romy Mallari, Joseph Sytangco. Entry to the 1975 MMFF. Film was written by Nerissa Cabral. – MORE INFO (no available video)

65.  Nag-iisang Bituin 1994
SCORE: 7(A) + 7(B) + 6(C) + 0.9(D) = 20.9(T)
Directed by Jose Javier Reyes, co-starring: Christopher De Leon, Aga Muhlach with Cherrie Pie Picache, Amy Perez, Jao Mapa, Orestes Ojeda. Vilma received a best actress nomination from PMPC’s 1994 Star. – MORE INFO (no available video)

64.  Takbo, Vilma, Dali 1972
SCORE: 5(A) + 10(B) + 6(C) + 0.04(D) = 21.04(T)
Directed by Joey Gosiengfiao, co-starring: Rita Gomez, Paquito Diaz, Max Alvarado, Romeo Rivera, Ernie Garcia – MORE INFO (no available video)

63.  Vilma Viente Nueve 1975
SCORE: 5(A) + 10(B) + 6(C) + 0.05(D) = 21.05(T)
Directed by Pablo Santiago, co-starring: Anita Linda, Jun Aristorenas, Max Alvarado, Lito Legaspi, German Moreno, Martin Marfil – MORE INFO (no available video)

62.  Ibong Lukaret 1975
SCORE: 6(A) + 10(B) + 5(C) + 0.06(D) = 21.06(T)
Directed by Tito C. Sanchez, co-starring: Alona Alegre, Marissa Delgado, Daria Ramirez, Lucita Soriano, George Estregan, Nick Romano, Rudy Fernandez, Arnold Mendoza – MORE INFO (no available video)

61.  Bertang Kerengkeng 1976
SCORE: 6(A) + 10(B) + 5(C) + 0.07(D) = 21.07(T)
Directed by Tito C. Sanchez, co-starring: Edna Diaz, Lito Anzures, Rudy Fernandez, Greg Lozano – MORE INFO (no available video)

RECAP:
70. Yesterday, Today and Tomorrow 1986
69. Kay Tagal ng Umaga 1965
68. Anak, ang Iyong Ina 1963
67. Ging 1964
66. Karugtong ang Kahapon 1975
65. Nag-iisang Bituin 1994
64. Takbo, Vilma, Dali 1972
63. Vilma Viente Nueve 1975
62. Ibong Lukaret 1975
61. Bertang Kerengkeng 1976

…continue with countdown, CLICK HERE!

Vilma Santos’ Top 10 Film Directors 6/6

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Introductions: 204 films, 70 directors, 5 decades, Vilma Santos, one of the original Philippine movie queens, rose up to become the versatile actress that has been given the fitting title of “Star for All Seasons” because of her capacity to adapt to the changing mores and values of the Filipino woman, giving a face to their plight and struggles, albeit in success both critically and box-office wise in some of Philippine cinema’s classics such as Trudis Liit (1963), Lipad, Darna, Lipad (1973), Burlesk Queen (1977), Relasyon (1982), Sister Stella L. (1984), Alyas Baby Tsina (1984), Pahiram ng Isang Umaga (1989), Dahil Mahal Kita: The Dolzura Cortez Story (1993), Anak (2000) and Dekada ’70 (2002). This are top ten directors who contributed to her success.

Here is a recap of our count-down…
10. PABLO SANTIAGLO / MARYO DELOSREYES
9. LUIS ENRIQUEZ / ELWOOD PEREZ
8. DANNY ZIALCITA
7. EDDIE GARCIA
6. EMMANUEL H BORLZA
5. LINO BROCKA
4. LAURICE GUILLEN
3. CHITO RONO
2. CELSO AD CASTILLO

…and our number one director is…

1. Ishmael Bernal – A filmmaker of the first order and one of the very few who can be truly called a maestro. Critics have hailed him as “the genius of Philippine cinema.” He is recognized as a director of films that serve as social commentaries and bold reflections on the existing realities of the struggle of the Filipino. His art extends beyond the confines of aesthetics. By polishing its visuals, or innovating in the medium, he manages to send his message across: to fight the censors, free the artists, give justice to the oppressed, and enlighten as well as entertain the audience. Among his notable films are “Pahiram ng Isang Umaga” (1989), “Broken Marriage” (1983), “Himala” (1981), “City After Dark” (1980), and “Nunal sa Tubig” (1976). He was recognized as the Director of the Decade of the 1970s by the Catholic Mass Media Awards; four-time Best Director by the Urian Awards (1989, 1985, 1983, and 1977); and given the ASEAN Cultural Award in Communication Arts in 1993 (NCCA.gov.ph). Bernal was born in Manila on September 30, 1938, the son of Elena Bernal and Pacifico Ledesma. He studied at Burgos Elementary School and Mapa High School before entering the University of the Philippines, and graduated in 1962 with a degree of Bachelor of Arts degree in English. For a time he worked with Lamberto Avellana’s documentary outfit. He went on to earn his Licentiate in French Literature and Philosophy at the University of Aix-en-Prevence in France, and then in 1970 his Diplomate in Film Directing at the Film Insititue of India in Poona, under the Colombo plan scholarhip. Bernal was a board member of the Concerned Artists of the Philippines and the Directors Guild of the Philippines, Inc., an organization that studies the role of film as an instrument of entertainment, education and development. He actively crusaded for the rights and welfare of artists for as long as he lived. He died in Quezon City on June 2, 1996 (Wikipilipinas).

HIGHLIGHTS: Bernal gave Vilma Santos her first grandslam best actress awards and two consecutive Gawad Urian best actress (1982 and 1983). Their first film together was Inspiration (1972) and last was Pahiram Ng Isang Umaga (1989).

Total Number of Films in our list of VSR’s Top 50 films = 5 (#5 Ikaw ay Akin 1978, #7 Relasyon 1982, #8 Pahiram Ng Isang Umaga 1989, #9 Broken Marriage 1983, #30 Dalawang Pugad Isang Ibon 1977)

Total Number of Films = 8 (Broken Marriage, Dalawang Pugad Isang Ibon, Good Morning Sunshine, Ikaw ay Akin, Inspiration, Now and Forever, Pahiram ng Isang Umaga, Relasyon)

RELATED READINGS:Wikipedia: Ishmael Bernal
Ishmael Bernal (1938-1996)
The Films of Ishmael Bernal Circa 1971-79, Part One
The Films of Ishmael Bernal Circa 1980-94, Part Two
Tribute to Ishmael Bernal
The new ‘Working Girls’ front and center




Vilma Santos’ Top 10 Film Directors 2/6

Posted on by Standard

Introductions: 204 films, 70 directors, 5 decades, Vilma Santos, one of the original Philippine movie queens, rose up to become the versatile actress that has been given the fitting title of “Star for All Seasons” because of her capacity to adapt to the changing mores and values of the Filipino woman, giving a face to their plight and struggles, albeit in success both critically and box-office wise in some of Philippine cinema’s classics such as Trudis Liit (1963), Lipad, Darna, Lipad (1973), Burlesk Queen (1977), Relasyon (1982), Sister Stella L. (1984), Alyas Baby Tsina (1984), Pahiram ng Isang Umaga (1989), Dahil Mahal Kita: The Dolzura Cortez Story (1993), Anak (2000) and Dekada ’70 (2002). This are top ten directors who contributed to her success….

TIE 9. Elwood Perez is a virtuoso of the camera and is the man behind numerous classic Filipino movies. His intuitive approach to filmmaking and scriptwriting is something worth emulating not because they are campy and sexy but they discuss social ills and promote solutions while tickling the most delicate part of our consciousness—our emotion. Born during the near end of World War II on Feb. 4, 1945 in Mabalacat, Pampanga, Elwood Perez started watching movies at the age of three. He practically grew up breathing, feeling, and thinking about movies. “I want [a] vicarious experience. That’s the only thing I want in my life. I hate the effort to go, let’s say for example to Venice. That’s why I watch films every day. Until now,” the 64-year-old director says. He wrote, directed and acted the lead role in his first Filipino play, Ander di Saya. And he was only nine years old then. From then on, Perez knew what he wanted to do for the rest of his life. At age 25, Perez marked his debut as a film director with Blue Boy in 1970. The film was a flop at the box office but it was revered by critics. Maturing as a scriptwriter and film director, in 1973, commercially successful Lipad, Darna Lipad! was released. Award-winning actress Celia Rodriguez essayed the role of Medusa-like villainess, Valentina, nubile Vilma Santos played the Filipino supergirl (a role that launched her in a series of Darna flicks). To Filipino film industry insiders, Perez is known as the most sought-after movie director of his generation. He consistently churned out hit movie after another. His unsurpassed track record of money-makers and trend-setters include Zoom, Zoom, Superman!; Bawal: Asawa Mo, Asawa Ko; Isang Gabi, Tatlong Babae; Divorce: Pilipino Style; Masarap, Masakit ang Umibig; Summer Love; Till We Meet Again; and Ibulong Mo sa Diyos. Today, films he directed in the ’70s and ’80s like Pakawalan Mo Ako (a Vilma Santos-Christopher de Leon starrer) and Ang Totoong Buhay ni Pacita M, as then enfant terrible of Philippine Cinema, enjoy regular reruns on primetime television and in select movie houses as examples of the award-winning film or the commercially-rewarding art film: true classics of film as entertainment for everyman, the 20th century’s quintessential art form. His life’s mise en scene “During the height of my career, I didn’t like publicity. Do you know any director who sold a movie on a count on the fact that he directed the film? I was very quiet then, because nobody would watch a film because of the director. Stars pa rin ang pinapanood ng tao,” Perez conveys – Nickie Wang

HIGHLIGHTS: Elwood Perez and Vilma Santos collaborated in seven films. The first one was the trilogy that he co-directed with two other directors, Borlaza and Gosiengfiao (these three are the most underrated and under appreciated directors in the Philippines), the remake of Mars Ravelo comic super hero, Darna in Lipad Darna Lipad. The film was a record-breaking hit film. They followed “Lipad…” with more mature project as Vilma started to transform her sweet image to serious mature/versatile actress. The film was “Masarap Masakit Ang Umibig” in 1977 that also featured Christopher de Leon and Mat Ranillo III. The Perez-Santos team produced seven blockbuster hits that gave Vilma two FAMAS best actress awards. The last one was in 1988 for “Ibulong Mo Sa Diyos” that elevated her to FAMAS highest honour, the FAMAS Hall of Fame award (She won for Dama de Noche 1972, Relasyon 1982, Pakawalan Mo Ako 1981, Tagos Ng Dugo 1987 and Ibulong Mo Sa Diyos 1988).

Total Number of Films in our list of VSR’s Top 50 films = 4 (#10 Lipad Darna Lipad 1973, #43 Pinay American Style 1979, #42 Ibulong Mo Sa Diyos 1988, #25 Pakawalan Mo Ako 1981)

Total Number of Films = 7 (Ibulong Mo Sa Diyos 1988, Lipad Darna Lipad 1973, Magkaribal 1979, Masarap Masakit ang Umibig 1977, Nakawin Natin ang Bawat Sandali 1978, Pakawalan Mo Ako 1981, Pinay American Style 1979)

RELATED READINGS:

TIE 9. Luis Enriquez Born Luis Clemente Enriquez on August 23, 1932 in Zamboanga City, Philippines. Famous for his dramatic films with Marlene Dauden and Lolita Rodriguez in the 60s. He wrote, produced and directed films using his birth name Luis Enriquez. On September 12, 2001, Eddie Rodriguez died at the young age of age 69. FAP: One of the greatest dramatic actors of Philippine cinema, he starred in such classics directed by Gregorio Fernandez as Kundiman ng Lahi, Luksang Tagumpay and Malvarosa with Charito Solis, Rebecca del Rio and Vic Silayan for LVN Pictures, Inc. He won a best actor FAMAS trophy for his performance in Sapagkat Kami’y Tao Lamang where he co-starred with Lolita Rodriguez and Marlene Dauden (who won as best supporting actress) under the direction of Armando de Guzman for Hollywood Far East Productions. He tried his hands in secret agent films like Paolo Staccato and Perro Gancho. He formed Virgo Productions with wife Liza Moreno, an actress-writer who wrote stories which Eddie acted in and directed. These films included Babae, Ikaw ang Dahilan, Kasalanan Mo, Ang Pagsintang Labis, Kapag Pusoy Sinugatan, Iginuhit sa Buhangin, Alaala mo, Daigdig ko, Bakit Ako Pa?, and Ikaw. Dubbed as the country’s drama king, he also directed Kung Kailangan Mo Ako (with Sharon Cuneta and Rudy Fernandez), Maging Sino Ka Man and Di Na Natuto (with Sharon Cuneta and Robin Padilla) Minsan Pa and Kahit Konting Pagtingin (with Fernando Poe Jr. and Sharon Cuneta). His real name was Luis Enriquez from Zamboanga City.

HIGHLIGHTS: Luis Enriquez aka Eddie Rodriguez first directed a young Vilma Santos in 1968’s “Kasalanan Kaya,” another love triangle genre starring the dramatic trio of Marlene Dauden, Eddie Rodriguez and Lolita Rodriguez. Vilma received an early acting recognition from this film, a FAMAS Nomination for Best Supporting Actress. When Enriquez directed Vilma again, it was a calculated risk. The film allowed a still young Vilma into a bikini-clad lead role opposite her director, Eddie Rodriguez as her leading man. The film was “Nakakahiya,” a May-December love story and an entry to 1975 Bacolod City Film Festival. Aside from making the the film a smash hit, Vilma received the festival’s Best Actress. Enriquez directed Vilma in five more films, the last one was in 1981’s “Ex-Wife.” In this film credits, Rodriguez surprisingly used his actor’s screen name – ‘Eddie Rodriguez and dropped his most known director’s name, “Luis Enriquez.”

Total Number of Films in our list of VSR’s Top 50 films = 3 (#30 Ex-Wife 1981, #38 Nakakahiya? 1975, #39 Hindi Nakakahiya 1976)

Total Number of Films = 7 (Ex-Wife 1981, Halik sa Kamay Halik sa Paa 1979, Hindi Nakakahiya 1976, Ikaw Lamang 1971, Kasalanan Kaya? 1968, Nakakahiya? 1975, Simula ng Walang Katapusan)

RELATED READINGS:

8. Danny Zialcita is a fun-loving gifted and colorful filmmaker who left his mark as one of the best in the stimulating era of the ’60s and ’70s. Then without any warning he left the industry. Stories of drug addiction, withdrawal from the world, and worse, loss of sanity dogged his absence until even his colleagues lost touch with him and didn’t know what to believe. Zialcita is a master of improvisation on the set, he also had the knack for casting the right actors, choosing the right material, and pleasing his producers. One of his favorite actors was Dindo Fernando whom he termed “the complete actor” and cast him in such movies as Langis at Tubig, Karma, Gaano Kadalas Ang Minsan, Mahinhin at Mahinhin, its sequel Malakas, si Maganda at si Mahinhin and Ikaw at ang Gabi which gave Dindo his first Urian Best Actor trophy. Other favorites were Vilma Santos cast in Karma, T-Bird at Ako, Langis at Tubig; Pinky de Leon; Laurice Guillen; Ronaldo Valdes; and Beth Bautista who won Best Actress award in Hindi sa Iyo ang Mundo Baby Porcuna. – Bibsy M. Carballo, The Philippine Star (READ MORE)

HIGHLIGHTS: Zialcita’s first movie with Vilma was the 1980 festival entry, a drama about bigamy, Langis at Tubig. The following year, Zialcita and Santos joined forces again in antoher festival entry, Karma. The film earned Vilma her second Metro Manila Film Festival Best Actress. The following year, Ziacita’s Gaano Kadalas Ang Minsan broke box office record, Earned P7.3 million during its first day of showing in Metro Manila and assured Vilma Santos the box office queen of 1982.

Total Number of Films in our list of VSR’s Top 50 films = 3 (#17 Gaano Kadalas ang Minsan? 1982, #26 Karma 1981, #44 Langis at Tubig 1980)

Total Number of Films = 4 (Gaano Kadalas ang Minsan? 1982, Karma 1981, Langis at Tubig 1980, T-Bird at Ako)

RELATED READINGS:

next…

Vilma Santos’ Top 10 Film Directors 1/6

Posted on by Standard

Introductions:  204 films, 70 directors, 5 decades, Vilma Santos, one of the original Philippine movie queens, rose up to become the versatile actress that has been given the fitting title of “Star for All Seasons” because of her capacity to adapt to the changing mores and values of the Filipino woman, giving a face to their plight and struggles, albeit in success both critically and box-office wise in some of Philippine cinema’s classics such as Trudis Liit (1963), Lipad, Darna, Lipad (1973), Burlesk Queen (1977), Relasyon (1982), Sister Stella L. (1984), Alyas Baby Tsina (1984), Pahiram ng Isang Umaga (1989), Dahil Mahal Kita: The Dolzura Cortez Story (1993), Anak (2000) and Dekada ’70 (2002).  This are top ten directors who contributed to her success.

SPECIAL MENTION: First, here are the directors who made a considerable impact but not lucky enough to be included in our list…

JOEY GOSIENGFIAO (#51 Hatinggabi Na Vilma 1972, #65 Takbo, Vilma, Dali 1972, #10 Lipad, Darna, Lipad 1973, #75 Promo Girl 1978); MIKE DE LEON (#34 Sister Stella L. 1984); GIL M. PORTES (#36 Miss X 1980); RORY B. QUINTOS (#12 Anak 2000); JOSE DE VILLA (#16 Trudis Liit 1963); OLIVIA M. LAMASAN (#21 In My Life 2009); JOEL LAMANGAN (#24 Mano Po 3: My Love 2004); WENN V. DERAMAS (#31 D’ Lucky Ones 2006); ANTONIO JOSE PEREZ (#42 Haplos 1982); LEROY SALVADOR (#46 Muling Buksan ang Puso 1985); NILO SAEZ (#48 Kampanerang Kuba 1974); MARILOU DIAZ-ABAYA (#52 Alyas Baby Tsina 1984, #54 Minsan pa Natin Hagkan Ang Nakaraan 1983)

Here is our top ten starting with number 10…

TIE 10. Pablo Santiago was the father of actors Randy, Rowell and Raymart. He was known for his big-budgeted action movies, many of them starring Fernando Poe Jr. He made his directorial debut at 19 with Larry Santiago Productions’ Lo Waist Gang, which catapulted Poe to stardom. For nearly fifty years, Santiago made award-winning films such as Batingaw, Nueva Vizcaya, Perlas ng Silangan, Ibong Adarna and Digmaan ng mga Angkan, a 1974 Metro Manila Film Festival blockbuster starring Ronnie Poe and Joseph Estrada. His last movie starred FPJ opposite Anjanette Abayari in Ang Syota Kong Balikbayan, in 1996. He died in 1998 at the age of 67 from lingering kidney ailment(Sol Jose Vanzi).

HIGHLIGHTS:Santiago first directed Vilma Santos in a Joseph Estrada movie, Batang Iwahig in 1966. Eight years afterward, He will direct Vilma again, this time as the leading lady of the Joseph Estrada’s rival, the late Fernando Poe Jr in light comedy and a smash hit, Batya’t Palo-palo. He will direct three more projects with Vilma, the follow up of the FPJ-Vilma teams in 1976’s Bato Sa Buhangin, the forgetable, Big Ike’s Happening in 1976 and the action film Vilma Vente Nueve in 1975 starring Vilma and action star, Jun Aristorenas.

Total Number of Films in our list of VSR’s Top 50 films = 2 (#37 Bato sa Buhangin 1976, #40 Batya’t Palu-Palo 1974)

Total Number of Films = 5 (Batang Iwahig 1966, Bato sa Buhangin 1976, Batya’t Palu-Palo 1974, Big Ike’s Happening 1976, Vilma Viente Nueve 1975)

RELATED READINGS:
Randy Santiago: After you, Dad!
IMDB: Pablo Santiago
Randy Santiago, now a full-fledged director
Batyat-Palu-palo at cinema Sept 27, 1974

TIE 10. Maryo J. De los Reyes is a film and television director from the Philippines. He began his career in the 1970s(Wikipedia). Reyes’ most significant works are the critically acclaimed Magnifico (2004), Tagos Ng Dugo (1987) and the commercial hits, Bagets (1983), Annie Batungbakal (1979).

HIGHLIGHTS: In 1987, Maryo De Los Reyes directed Vilma Santos that critics considered one of the most shocking film that year, “Tagos Ng Dugo.”  The film was hailed as feminist as seldom a Filipino woman was seen on screen as a murderous serial killer.  It earned Vilma Santos her fourth FAMAS Best Actress.  Ironically, the conservative Catholic church’s award giving body, Catholic Mass Media Awards, agreed with the FAMAS.  They gave Vi their Best Actress award while the critics’ group, Gawad Urian refused to hand-out their yearly award citing there were no deserving films that year.  Reyes last directed Vilma in another memorable off-beat role, the 1992 drama, “Sinungaling Mong Puso.”

Total Number of Films and Films in our list of VSR’s Top 50 films = 2 (#13 Tagos ng Dugo 1987, #28 Sinungaling Mong Puso 1992)

RELATED READINGS:
IMDB: Maryo J. De los Reyes
Maryo J. delos Reyes unveils his 4th Sine Novela Presents
Maryo J – Magnifico – Delos Reyes

next…

Vilma Santos’ Top 10 Film Directors 3/6

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Introductions: 204 films, 70 directors, 5 decades, Vilma Santos, one of the original Philippine movie queens, rose up to become the versatile actress that has been given the fitting title of “Star for All Seasons” because of her capacity to adapt to the changing mores and values of the Filipino woman, giving a face to their plight and struggles, albeit in success both critically and box-office wise in some of Philippine cinema’s classics such as Trudis Liit (1963), Lipad, Darna, Lipad (1973), Burlesk Queen (1977), Relasyon (1982), Sister Stella L. (1984), Alyas Baby Tsina (1984), Pahiram ng Isang Umaga (1989), Dahil Mahal Kita: The Dolzura Cortez Story (1993), Anak (2000) and Dekada ’70 (2002). This are top ten directors who contributed to her success.

Here is the continuation of our list…

7. Eddie Garcia (born Eduardo Verchez García on May 2, 1929 in Sorsogon, Philippines) popularly known as “Manoy” is one of the top Filipino film actors and also a Movie Director. He is the most awarded and nominated person in the long history of the Filipino Academy of Movie Arts and Sciences (FAMAS) Awards. He garnered a total of 34 nominations (13 for Best Supporting Actor, 10 for Best Actor and 11 for Best Director). Out of these, he got 6 Best Supporting Actor wins, 5 Best Actor wins and 5 Best Director wins, 3 Hall of Fame Awards, 1 Lifetime Achievement Award and the Fernando Poe, Jr. Memorial Award. He was awarded his first FAMAS Award in 1957 and his last FAMAS, a Hall of Fame for Best Actor, in 2003 (Wikipedia).

HIGHLIGHTS: Eddie Garcia first directed Vilma in the Marcos film, “Pinagbuklod Ng Langit.”  She reprised the role of Imee Marcos and again co-starred with movie queen, Gloria Romero and dramatic actor, Luis Gonzales after “Iginuhit ng Tadhana.”  Garcia directed Vilma again in 1982′s record breaker, “Sinasamba Kita.”  Overall, the two collaborated in five more films after “Sinasamba,” giving us two of the most memorable Filipino movie lines – confronting the mistress Dina Bonevie, Vi said: “Para Kang Karinderyang bukas sa lahat ng gustong kumain (translated literally into “You are like food restaurant! Open to all who wanted to eat!”) from the movie “Palimos Ng Pag-ibig” and then confronting the rich snotty old Alicia Vergel, Vi said: “Si Val, si Val, si Val na walang malay! (literally translated to “Its Val! its Val!, Its always Val, The one who is innocent!”).

Total Number of Films in our list of VSR’s Top 50 films = 5 (#11 Imortal 1989, #18 Paano Ba ang Mangarap? 1983 #19 Sinasamba Kita, #22 Saan Nagtatago Ang Pag-ibig? 1987, #45 Palimos Ng Pag-ibig 1986)

Total Number of Films = 6 (Imortal 1989, Paano Ba ang Mangarap? 1983, Palimos Ng Pag-ibig 1986, Pinagbuklod ng Langit 1969, Saan Nagtatago Ang Pag-ibig? 1987, Sinasamba Kita 1982)

RELATED READINGS:
Eddie Garcia: Actor, director, icon, Philippine cinema’s one-man totem pole
An Urian Lifetime Achievement Award for Eddie Garcia
Veteran actor Eddie Garcia misses work as director
Eddie Garcia shares his secret of long and healthy life
Brocka’s “Tubog Sa Ginto” 1971 (VIDEO)
Eddie Garcia stars in indie film ‘Fuschia’
Video 48: Eddie Garcia, FAMAS Three Time Hall of Fame Awardee

6. Emmanuel H. Borlaza aka Maning Borlaza is a 1957 Palanca Awardee for “May Pangako ang Bukas” and theaterical drama trained by National Artist Severino Montano. Appointed by Pres. Noy Aquino as Movie and Television Review and Classifications Board (MTRCB) Vice Chairman this year, Borlaza directed 24 films with Vilma Santos and was credited with her transformation to a reluctant singing competitor of Nora Aunor to bankable superstar with such hits like Dyesebel, Lipad Darna Lipad, Darna and the Giants.

HIGHLIGHTS: Borlaza gave Vilma Santos her very first best actress, winning the 1972 FAMAS for via Dama De Noche. He is also credited in narrowing the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor.

Total Number of Films in our list of VSR’s Top 50 films = 4 (#10 Lipad Darna Lipad 1973, #32 Dyesebel at ang Mahiwagang Kabibe 1973, #48 Darna and the Giants 1973, #49 Dama De Noche 1972)

Total Number of Films = 24 (I Love You, Honey 1970, Renee Rose 1970, Angelica 1971, Aloha, My Love 1972, Dama De Noche 1972, Don’t Ever say Goodbye 1972, Leron, Leron, Sinta 1972, Remembrance 1972, Darna and the Giants 1973, Dyesebel at ang Mahiwagang Kabibe 1973, Lipad, Darna, Lipad 1973, Maria Cinderella 1973, Tsismosang Tindera 1973, Makahiya at Talahib 1976, Mga Rosas sa Putikan 1976, Bakit Kailangan Kita? 1978, Kampus 1978, Coed 1979, Gusto Ko Siya, Mahal Kita 1980, Romansa; 1980 Yakapin Mo Ako, Lalaking Matapang 1980 Asawa ko, Huwag Mong Agawin 1986, Yesterday, Today and Tomorrow 1986, Ibigay Mo Sa Akin Ang Bukas 1987)

RELATED READINGS:
an Emmanuel H. Borlaza films and other directors
Borlaza: Its Payback Time!
1st shooting day ng Darna and the Giants
Visiting Forces body has new set of officials

next…

Vilma Santos’ Top 10 Film Directors 5/6

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Introductions: 204 films, 70 directors, 5 decades, Vilma Santos, one of the original Philippine movie queens, rose up to become the versatile actress that has been given the fitting title of “Star for All Seasons” because of her capacity to adapt to the changing mores and values of the Filipino woman, giving a face to their plight and struggles, albeit in success both critically and box-office wise in some of Philippine cinema’s classics such as Trudis Liit (1963), Lipad, Darna, Lipad (1973), Burlesk Queen (1977), Relasyon (1982), Sister Stella L. (1984), Alyas Baby Tsina (1984), Pahiram ng Isang Umaga (1989), Dahil Mahal Kita: The Dolzura Cortez Story (1993), Anak (2000) and Dekada ’70 (2002). This are top ten directors who contributed to her success.

Here is the continuation of our list…

3. Chito S. Roño also known as Sixto Kayko, is a Filipino multi-awarded TV and film director. He is the director of the blockbuster films Feng Shui and Sukob. In 2010, he is one of the directors of the top-rating supernatural–fantasy horror TV series Imortal on ABS-CBN (Wikipedia). In 1984, Roño directed his first feature film, titled “Private Show” starring Jaclyn Jose. It was released locally in 1985 and won Jose the Star award for Best Actress. Chito used the pseudonym Sixto Kayco in the credits.

HIGHLIGHTS: Roño gave Vilma Santos her first international recognition winning the best actress in 1999 Brussels International Festival of Independent Films. At the same time, he was recognized as the festival’s Best Director both for Bata Bata Paano Ka Ginawa. The film also gave Vilma Santos her third grand slam winning all the best actress awards from several local award giving bodies. In 2003, Vilma received another international recognition, this time from Cinemanila International Film Festival winning the Best Actress for Dekada 70. The film was screen in the international film festival circuit and was the official entry of the Philippines in the 76th Academy Awards (OSCAR) for the best foreign language film category.

Total Number of Films and Films in our list of VSR’s Top 50 films = 3 (#2 Bata, Bata…Paano Ka Ginawa? 1998, #3 Dekada’70 2002, #36 Ikaw Lang 1993)

RELATED READINGS: IMDB: Chito S. Roño
Wikepedia: Chito S. Roño’s Filmography
Dekada 70, Chito Rono’s filmization of a tumultuous era
An Original Movie Musical by Chito S. Rono
video 48: Sixto Kayco’s “Private Show” (1985)

2. Celso Ad. Castillo began directing films mid-60’s at an early age, but he has since then gained reputation for many other aspects of the craft particularly scriptwriting and acting. In the Filipino movie industry, he holds the unique repuation of being controversial, trendsetter,enfant terrible and messiah of Philippine cinema, and his track record justifies it: he introduced artistry and commercialism in sex films (nympha) when the two were considered incompatible, and introduced sex in artistic projects ( Ang Pinakamagandang Hayop sa Balat ng Lupa/The Most Beautiful Animal on Earth)when moralistic repression was in vogue. An unfortunate and unfair consequence of the controversy is the recognition due him as one of the finest film commentators on the Philippine social scene, with a visual fluency unmatched by any other contemporary filipino film director. – CELSOAD.tripod.com

HIGHLIGHTS: Castillo gave Vilma Santos her first mature role in Burlesk Queen resulting with her first local film festival best actress award. He also directed Pagputi Ng Uwak Pagitim Ng Tagak where Vilma Santos starred and produced. The film received several best picture awards and was considered one of Castillo’s best works.

Total Number of Films and Films in our list of VSR’s Top 50 films = 3 (#1 Burlesk Queen 1977, #15 Pagputi ng Uwak Pag-itim ng Tagak 1978, #20 Tag-ulan sa Tag-araw 1975)

RELATED READINGS: Lumbera’s Review of Pagputi
Video 48: Vilma Santos As “Burlesk Queen” (1977)
The Maverick Director Celso Ad Castillo
Celso Ad. Castillo’s Biography
QandA With Direk Celso Ad Castillo Part One Two Three Four Five (VIDEO)

…next our number one director!

Vilma Santos’ Top 10 Film Directors 4/6

Posted on by Standard

Introductions: 204 films, 70 directors, 5 decades, Vilma Santos, one of the original Philippine movie queens, rose up to become the versatile actress that has been given the fitting title of “Star for All Seasons” because of her capacity to adapt to the changing mores and values of the Filipino woman, giving a face to their plight and struggles, albeit in success both critically and box-office wise in some of Philippine cinema’s classics such as Trudis Liit (1963), Lipad, Darna, Lipad (1973), Burlesk Queen (1977), Relasyon (1982), Sister Stella L. (1984), Alyas Baby Tsina (1984), Pahiram ng Isang Umaga (1989), Dahil Mahal Kita: The Dolzura Cortez Story (1993), Anak (2000) and Dekada ’70 (2002). This are top ten directors who contributed to her success.

Here is the continuation of our list…

5. Catalino Ortiz Brocka (April 3, 1939–May 21, 1991), director for film and broadcast arts, espoused the term “freedom of expression” in the Philippine Constitution. Brocka took his social activist spirit to the screen leaving behind 66 films which breathed life and hope for the marginalized sectors of society — slumdwellers, prostitute, construction workers, etc. He also directed for theater with equal zeal and served in organizations that offer alternative visions, like the Philippine Educational Theater Association (PETA) and the Concerned Artists of the Philippines (CAP). At the same time, he garnered awards and recognition from institutions like the CCP, FAMAS, TOYM, and Cannes Film Festival. Brocka has left behind his masterpieces, bequeathing to our country a heritage of cinematic harvest; a bounty of stunning images, memorable conversations that speak volumes on love,betrayal and redemption, pestilence and plenty all pointing towards the recovery and rediscovery of our nation. To name a few, Brocka’s films include the following: “Santiago” (1970), “Wanted: Perfect Mother” (1970), “Tubog sa Ginto” (1971), “Stardoom” (1971), “Tinimbang Ka Ngunit Kulang” (1974), “Maynila: Sa Kuko ng Liwanag” (1975), “Insiang” (1976), “Jaguar” (1979), “Bona” (1980), “Macho Dancer” (1989), “Orapronobis” (1989), “Makiusap Ka sa Diyos” (1991) (NCCA.gov.ph). On May 21, 1991 Brocka met an untimely death in a car accident in Quezon City, Metro Manila. In 1997 he was given the posthumous distinction of National Artist for Film.(Wikipedia)

HIGHLIGHTS: Brocka gave Vilma one of the most controversial film after “Burlesk Queen,” her milestone role as a rape victim in 1978′s “Rubia Servios.”  The film failed to secure Vilma the local festival’s best performer award after so much speculations despite this, the film was a big hit.  Brocka will direct Vi two more times, “Adultery” in 1984 and “Hahamakin Kita” in 1990, a year before his untimely death in May 21, 1991.

Total Number of Films and Films in our list of VSR’s Top 50 films = 3 (#6 Rubia Servios 1978, #14 Adultery: Aida Macaraeg 1984, #27 Hahamakin Lahat 1990)

RELATED READINGS:

4. Laurice Guillen is an award-winning Filipino director and actress. She was born on January 29, 1947 in Butuan City. She is married Johnny Delgado, a notable and prominent actor. Daughters, Anna and Ina Feleo are both into stage acting as well. Laurice won international notice for her direction of the 1981 film, Salome(Wikipilipinas).

HIGHLIGHTS: Guillen gave Vilma her fifth and sixth Gawad Urian Best Actress awards for 1991’s Ipagpatawad Mo and 1993’s Dolzura Cortez. The later also gave Vilma her second grand slam, winning all the best actress awards from local award giving bodies.

Total Number of Films and Films in our list of VSR’s Top 50 films = 3 (#4 Dahil Mahal Kita The Dolzura Cortez Story 1993, #24 Ipagpatawad Mo 1991, #34 Kapag Langit Ang Humatol 1990)

RELATED READINGS:

next…

an Emmanuel H. Borlaza films and other directors

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Emmanuel H. Borlaza directed 24 films with Vilma Santos, mostly during the musical era of the 70s and in the 80s where movies were predominantly adapted from serialized comics/novel. His films became a lucrative moneymaker that he was allowed to brand them with the tag line: “an Emmanuel H. Borlaza film.” From musical, drama, comedy, fantasy, sex or horror genres, name it and Borlaza did them all.

His films lack the arthouse style and social relevance that critics loves most in a Brocka or Bernal films but who cares about the critics when the paying public loves them. And the producers demand his service, from Doc Perez of Sampaguita Pictures, Atty. Esperidion Laxa of Tagalog Ilang Ilang Productions and later on, Vic Del Rosario of Viva Films and Lily Monteverde of Regal Films. Clearly, his films exists with one purpose, to entertain the masses not to depress or remind them with the country’s sad fate of economy or the below poverty line lives of many.

The success of the Vilma-Borlaza films gave Vilma Santos versatility and preparation to a more serious acting career. It also narrowed the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. These are perhaps, the most significant contributions of Emmanuel Borlaza to Vilma’s career. Vilma who was considered only second to Nora couldn’t matched her singing talent and so, Borlaza countered this lack of singing with films that showcased Vilma’s acting versatility.

From the folklore mermaid in Dyesebel at ang Mahiwagang Kabibe to fighting giants in Darna and the Giants to a fast-talker-gossip-mongering vendor in Tsismosang Tindera and to good-hearted prostitutes in Mga Rosas sa Putikan, Borlaza let Vilma Santos experience a wide range of roles, from comedic fantasy to dramatic adult roles.   These experiments prepared her to a later more serious and versatile acting career.   Their success made other directors interested in giving her roles oftenly considered for her closest rivals.  Projects lined up and awaits her availability.   Borlaza and Santos’ collaboration produced a string of box office hits from early 70s’ Dama De Noche to their last outing in late 80s’ Ibigay Mo Sa Akin Ang Bukas.   Their success established their career as one of the most bankable and in-demand director/actor team, making her the longest reighning box office queen of all time and him a money maker director.

When time for Vilma to moved on with other collaborators, Borlaza handled other stars with much success!  He directed Alma Moreno in smash hit, Eva Fonda 16;  Sharon Cuneta in her memorable rag to riches films, Bituin Walang Ningning and Bukas Luluhod Ang Mga Tala; Snooky Serna in her fantasy hit, Blusang Itim and Marecel Soriano as the spoiled brat in Yesterday Today and Tomorrow. These films gave us some of the most memorable movie lines that most Filipinos would still remember like Cherie Gil’s campy dialouge: “You’re Nothing but second rate Trying hard, Copy Cat!” or Sharon’s promise of revenge: “pinapangako ko inay…bukas luluhod ang mga tala! (I’ll promise you mother, tommorow the stars will kneel down, something to that effect, litterally.)”

In 2003, Borlaza who was trained by National Artist, Severino Montano, received recognitions from his peers with the Gawad Direk award from the Directors Guild of the Philippines.   He lamented, “If I were to live my life again, I would still choose the same line of work. It is now payback time to the industry that gave me the best years of my life.”  Referring the “pay back time” with trying to do more for the industry who gave so much blessing in his career as he retired his director’s chair.   He continue his “pay back” with his involvement with two organizations thats very dear to him, the directors and screenwriters guilds.  In most recent years, he became more involve through his work for the NMPP or Nagkakaisang Manggagawa ng Pelikulang Pilipino (the united workers of Filipino films).  One of NMPP initive, a project that Borlaza worked so hard was to have a low cost housing for movie industry workers.  This year, he was appointed by President Aquino as the deputy chaiman of the Movie and Television Rating and Classification Board.

AWARDS: Palanca Awardee; DGPI’s 2003 Gawad Direk; FAMAS 1969 Best Screenplay – Pinagbuklod ng Langit (Heaven’s Fate); FAMAS 1968 Best Screenplay – Psycho Maniac; FAMAS 1988 FAMAS Best Director Nominations – Paano Tatakasan Ang Bukas?; FAMAS 1971 FAMAS Best Director Nominations – I Love Mama, I Love Papa; FAMAS 1969 FAMAS Best Director Nominations – Kapatid Ko Ang Aking Ina; FAMAS 1968 FAMAS Best Director Nominations – Psycho Maniac; FAP 1990 Best Story Adaptation – Kapag langit ang humatol; FAP 1988 Best Director – Paano Tatakasan Ang Bukas?; Gawad Urian 1994 Best Screenplay Nominations – Bakit Ngayon Ka Lang?; Gawad Urian 1990 Best Screenplay Nominations – Kapag langit ang humatol

Some Trivia:  (1) In addition to the box office hit films, Borlaza gave Vilma her very first best actress award via Dama De Noche.  (2) They did two films in the USA, Aloha My Love and Don’t Ever Say Goodbye.  Both films paired Vilma with on and off the screen love team, Edgar Mortiz.  (3) Later on, Borlaza and Vilma did another film in the USA, Romansa, with now ex-husband, Edu Manzano. (4) Vilma did four Darna movies, two of which was directed by Borlaza and were considered the most successfull in terms of revenue.  (5) Lipa Darna Lipad was considered the most memorable of the four.  Unfortunately, there is no copies of the film in existence today.   (6)The Darna role has been re-invented and redone so many time by so many local actresses but the most memmorable and considered the best Darna ever is Vilma Santos.

FILMS BY THE NUMBERS

NUMBER ONE: WITH 24 FILMS!  EMMANUEL H. BORLAZA – 1970 I Love You, Honey; 1970 Renee Rose; 1971 Angelica; 1972 Aloha, My Love; 1972 Dama De Noche ; 1972 Don’t Ever say Goodbye; 1972 Leron, Leron, Sinta; 1972 Remembrance; 1973 Darna and the Giants; 1973 Dyesebel at ang Mahiwagang Kabibe; 1973 Lipad, Darna, Lipad; 1973 Maria Cinderella; 1973 Tsismosang Tindera; 1976 Makahiya at Talahib; 1976 Mga Rosas sa Putikan; 1978 Bakit Kailangan Kita?; 1978 Kampus; 1979 Coed; 1980 Gusto Ko Siya, Mahal Kita; 1980 Romansa; 1980 Yakapin Mo Ako, Lalaking Matapang; 1986 Asawa ko, Huwag Mong Agawin; 1986 Yesterday, Today and Tomorrow; 1987 Ibigay Mo Sa Akin Ang Bukas

…and other directors!

8 Films:  ISHMAEL BERNAL- 8 (Broken Marriage, Dalawang Pugad Isang Ibon, Good Morning Sunshine, Ikaw ay Akin, Inspiration, Now and Forever, Pahiram Ng Isang Umaga, Relasyon);  LEONARDO L. GARCIA- 8 (Edgar Loves Vilma, Nag-aapoy na Damdamin, Pinagbuklod ng Pag-ibig, Ayaw Kong Maging Kerida, Eternally, Little Darling, Phantom Lady, Pulot-gata Pwede Kaya?)

7 Films:  LUIS ENRIQUEZ – 7 (Ex-Wife, Halik sa Kamay Halik sa Paa, Hindi Nakakahiya, Ikaw Lamang, Kasalanan Kaya?, Nakakahiya?, Simula ng Walang Katapusan);  ELWOOD PEREZ – 7 (Ibulong Mo Sa Diyos, Lipad Darna Lipad, Magkaribal, Masarap Masakit ang Umibig, Nakawin Natin ang Bawat Sandali, Pakawalan Mo Ako, Pinay American Style)

6 Films:  ROMY SUSARA – 6 (Anak ng Aswang, Ang Kundoktora, Carinosa, Hiwalay, Tatlong Mukha ni Rosa Vilma, Vilma and the Beep Beep Minica); EDDIE GARCIA – 6 (Imortal, Paano Ba ang Mangarap?, Palimos Ng Pag-ibig, Pinagbuklod ng Langit, Saan Nagtatago Ang Pag-ibig?, Sinasamba Kita);  ARMANDO DE GUZMAN – 6 (Basta’t Isipin mong Mahal Kita, Mga Batang Bangketa, Naligaw na Anghel, Sa Bawat Pintig ng Puso, Sapagkat Sila’y Aming mga Anak, Wonderful World of Music)

5 Films: PABLO SANTIAGO – 5 (Batang Iwahig, Bato sa Buhangin, Batya’t Palu-Palo, Big Ike’s Happening, Vilma Viente Nueve);  JOSE DE VILLA – 5 (Give Me Your Love, Iginuhit ng Tadhana, Mother Song, Sixteen, Trudis Liit);  FELY H. CRISOSTOMO  – 5 (Karugtong ang Kahapon, Love is for the Two of Us, May Hangganan ang Pag-Ibig, Mga Reynang Walang Trono, Tok, Tok, Palatok)

4 Films:  JOEY GOSIENGFIAO – 4 (Hatinggabi Na, Vilma, Lipad Darna Lipad, Promo Girl, Takbo Vilma Dali);  DANNY ZIALCITA – 4 (Gaano Kadalas ang Minsan?, Karma, Langis at Tubig, T-Bird at Ako);  CONSUELO P. OSORIO  – 4 (I Do Love You, Mardy, My Darling Eddie, The Jukebox King);  CIRIO H. SANTIAGO – 4 (Ang Galing-galing Mo Mrs. Jones, Ging, Happy Days are Here Again, Modelong Tanso)

3 Films:  NILO SAEZ – 3 (Biktima, Kampanerang Kuba, Pag-ibig ko sa iyo lang Ibibigay);  MAR S. TORRES – 3 (Anak ang Iyong Ina, King and Queen for a Day, Iginuhit ng Tadhana);  LUCIANO B. CARLOS – 3 (Let’s Do the Salsa, Pag-Ibig, Masdan ang Ginawa Mo, Teribol Dobol); LINO BROCKA – 3 (Adultery: Aida Macaraeg, Hahamakin Lahat, Rubia Servios); LEODY M. DIAZ – 3 (Because You’re Mine, Dulce Corazon, Sweethearts); LAURO PACHECO – 3 (Hindi Nahahati ang Langit, Kay Tagal ng Umaga, Mga Mata Ni Angelita);  LAURICE GUILLEN – 3 (Dahil Mahal Kita The Dolzura Cortez Story, Ipagpatawad Mo, Kapag Langit Ang Humatol); CHITO S. RONO – 3 (Bata, Bata…Paano Ka Ginawa?, Dekada’70, Ikaw Lang); CELSO AD CASTILLO – 3 (Burlesk Queen, Pagputi ng Uwak Pag-itim ng Tagak, Tag-ulan sa Tag-araw); A. GREGORIO – 3 (From the Bottom of my Heart, My Pledge of Love, Songs and Lovers)

2 Films:  VICENTE DE VILLA – 2 (Aninong Bakal, Larawan ng Pag-ibig); TONY SANTOS  – 2 (The Sensations, Young Lovers); TONY CAYADO – 2 (Kamay na Gumagapang, Young Love);  TITO C. SANCHEZ – 2 (Bertang Kerengkeng, Ibong Lukaret); MARYO J. DELOS REYES – 2 (Sinungaling Mong Puso, Tagos ng Dugo); MARILOU DIAZ ABAYA – 2 (Minsan pa Natin Hagkan Ang Nakaraan, Alyas Baby Tsina); MARIA SARET – 2 (Amorseko: Kumakabit Kumakapit, Susan Kelly Edad 20); MANING SONGCO – 2 (Sweet Sweet Love, Dalagang Nayon);  JOSE MIRANDA CRUZ – 2 (Duelo sa Sapang Bato, Eagle Commandos);  JOSE ‘PEPE’ WENCESLAO – 2 (Baby Vi, Teen-Age Senorita);  GIL M. PORETES – 2 (Miss X, Never Ever Say Goodbye); DING M. DE JESUS – 2 (Maria Cecilia, Sino ang may Karapatan?); CESAR GALLARDO – 2 (Ito ang Pilipino, King Khayam and I); CARLO J. CAPARAS – 2 (Lipa: Arandia Massacre, Rizal Alih, Zamboanga Massacre); ARMANDO GARCES – 2 (Darna vs. the Planetwoman, De Colores);  AL QUINN – 2 (Disco Fever, Swing it Baby);

1 Film:   YANG SHIH CHIN – 1 – Twin Fists for Justice; WENN V. DERAMAS – 1 – D’ Lucky Ones;  TONY CRUZ – 1 – Ikaw Ang Mahal Ko;  RORY B. QUINTOS – 1 – Anak;  RONALD REMY – 1 – Sa Baril Magtutuos;  PABLO S GOMEZ – 1 – Ding Dong; OSCAR MIRANDA – 1 – Rock, Baby, Rock; OLIVIA M. LAMASAN – 1 – In My Life;  MIKE RELON MAKILING – 1 – Doctor, Doctor, We Are Sick;  MIKE DE LEON – 1 – Sister Stella L.;  LEROY SALVADOR – 1 – Muling Buksan ang Puso; JOSE JAVIER REYES – 1 – Nag-iisang Bituin; JOEL LAMANGAN – 1 – Mano Po 3 My Love;  J. ERASTHEO NAVOA – 1 – Darna at Ding; IKE JARLEGO JR – 1 – Hanggang Ngayon Ika’y Minamahal;  G. F. C. – 1 – Mapagbigay ang Mister Ko;  FRANK GRAY JR. – 1 – Buhay Artista, Ngayon;  DON WEIS – 1 – Longest Hundred Miles;  DANNY OCHOA – 1 – Twin Fists for Justice;  DANILO CABRERA  – 1 – Relaks ka Lang, Sagot Kita;  CONRADO CONDE – 1 – Iginuhit ng Tadhana;  CLOYD ROBINSON – 1 – Darna at Ding; CELIA DIAZ LAUREL – 1 – Ophelia at Paris; GENEROSA SANTIAGO – 1 – Big Ike’s Happening; BOBBY SANTIAGO – 1 – Vivian Volta; BEN FELEO – 1 – The Young Idols; AUGUSTO BUENAVENTURA – 1 – Mga Tigre ng Sierra Cruz; ARSENIO BAUTISTA – 1 – Wonder Vi;  ARMANDO HERRERA – 1 – Dugo at Pag-Ibig sa Kapirasong Lupa; ANTONIO JOSE PEREZ – 1 – Haplos;  AMALIA MUHLACH – 1 – Mga Reynang Walang Trono; ABRAHAM CRUZ  – 1 – Love Letters; (no data available: directors unknown) – Ito ang Dahilan, Hampaslupang Maton, Vilma My Darling, Morena Martir, Love at First Sight, Nobody’s Child, Our Love Affair, Bulaklak at Paru-paro

RELATED READING:

Top 100 Vilma Santos Films (part one)

Posted on by Standard

Spanning five decades with 197 films credits and almost two hundred awards, Vilma Santos’ filmography is a kaleidoscope picture of changes in times.  Different genres, from teen musicals, folksy fantasies, campy horrors, animated actions to mature adult dramas, her films demonstrated her inner acting talents honed by directors, maneuvered by film producers/benefactors (who some are no longer with us) and supported by her ever loyal fanatics.  The results were a long list of  film titles that covered several social relevance that capture each decades. A long list of record-breaking box office returns that gave her the title, “the longest reigning box office queen of all time.” A long list of films that sustained her career to different transformation, ensuring her longevity no other Filipino movie queen ever enjoyed. We have painstakingly choose the best of the best. Basing our selection with three criteria. First, the financial success of the film. Cliche it maybe, financial success sustained her bankability and longevity. Second is the critical recognitions the film received. Third, is the other factors that contribute to the overall success of the film, namely, relevance, entertainment value, and the question of, is this film a career milestone or is this film contributed to her popularity. Here are Vilma Santos’ top 100 films.

Total score consists of (A) 10 points for box office records, (B) 10 points for critics recognitions, (C) 10 relevance/longevity, (D) “other factors” that contribute to overall success, gives us total score of 30 points.

RANK, MOVIE TITLE, YR, DIRECTOR’S NAME, SCORE = (A) + (B) + (C) + (D)

100.  Tatlong Mukha ni Rosa Vilma (1972)
SCORE: 4(A) + 8(B) + 5(C) + 0.2(D) = 17.2(T)
Directed by Romy Susara, stars Beth Manlongat, Edgar Mortiz, Jay Ilagan, Nick Romano, a film version of Vilma’s television drama show in the 70s. – MORE INFO (no available video)

99. Pinagbuklod ng Pag-ibig (1972)
SCORE: 5(A) + 7(B) + 5(C) + 0.2(D) = 17.2(T)
Directed by Leonardo L. Garcia, stars Nora Aunor, Romeo Vasquez, Tirso Cruz III, with Odette Khan, Rustica Carpio, Estrella Kuenzler, Rudolfo Boy Garcia, Zandro Zamora, Babette Villaruel, Romnick Sarmenta. One scene in the film, showcased Vilma and Romeo’s dancing skills while Nora and Pip, watched in amazement. – MORE INFO (no available video)

98. Pag-ibig ko sa iyo lang Ibibigay 1978
SCORE: 5(A) + 7(B) + 5(C) + 0.3(D) = 17.3(T)
Directed by Nilo Saez, with Romeo Vasquez, Perla Bautista, Dexter Doria Romeo Vasquez, Romy Diaz, Rodolfo Boy Garcia, Nello Nayo. Film title was also a hit record. – MORE INFO (no available video)

97. Amorseko: Kumakabit, Kumakapit 1978
SCORE: 5(A) + 8(B) + 4(C) + 0.4(D) = 17.4(T)
Directed by Maria Saret, co-star: Beth Bautista, Laila Dee, Brenda Del Rio, Angie Ferro, Mary Walter, Odette Khan, Anita Linda, George Estregan, Ernie Garcia, Rez Cortez, Cloyd Robinson, Dick Israel. – MORE INFO (no available video)

96. Gusto Ko Siya, Mahal Kita 1980
SCORE: 5(A) + 7(B) + 5(C) + 0.5(D) = 17.5(T)
Directed by Emmanuel H. Borlaza, starring Romeo Vasquez, Christopher De Leon with Maila Gumila, Cora Guinto Ripp Rivera. – MORE INFO (no available video)

95. Ibigay Mo Sa Akin Ang Bukas 1987
SCORE: 5(A) + 7(B) + 5(C) + 0.6(D) = 17.6(T)
Directed by Emmanuel H. Borlaza, starring dramatic veterans Gina Pareño, Liza Lorena, Delia Razon, with new stars Gretchen Barretto, Amy Austria Gabby Concepcion, Richard Gomez. – MORE INFO (no available video)

94. Ayaw Kong Maging Kerida 1983
SCORE: 4(A) + 7(B) + 6(C) + 0.7(D) = 17.7(T)
Directed by Leonardo L. Garcia directed this love triangle starring sexy star, Carmi Martin battling out with Vilma over Romeo Vasquez’ love. – MORE INFO (no available video)

93.    Asawa ko, Huwag Mong Agawin 1986
SCORE: 5(A) + 7(B) + 5(C) + 0.8(D) = 17.8(T)
Directed by Emmanuel H. Borlaza, Vilma Santos reunited with movie queen Amalia Fuentez in this drama opposite Gabby Concepcion and Eddie Gutierrez. – MORE INFO

92. Never Ever Say Goodbye 1982
SCORE: 6(A) + 6(B) + 5(C) + 0.9(D) = 17.9(T)
Directed by Gil M. Portes, co-starring Nonoy Zuniga and Ian Veneracion. The film was also a hit song by Zuniga – MORE INFO

91. The Sensations 1971
SCORE: 4(A) + 10(B) + 4(C) + 0.5(D) = 18.5(T)
Directed by Tony Santos, a film version of the teen musical television show of the 70s, starring singing teen sensations Perla Adea, Baby De Jesus, Rhodora Silva, Angge, Beth Manlongat, Scarlet, Edgar Mortiz, Ike Lozada, Romy Mallari, Tony Santos Jr., Darius Razon, Vic Pacia, Ben David. – MORE INFO

RECAP:
100. Tatlong Mukha ni Rosa Vilma 1972
99. Pinagbuklod ng Pag-ibig 1972
98. Pag-ibig ko sa iyo lang Ibibigay 1978
97. Amorseko: Kumakabit, Kumakapit 1978
96. Gusto Ko Siya, Mahal Kita 1980
95. Ibigay Mo Sa Akin Ang Bukas 1987
94. Ayaw Kong Maging Kerida 1983
93. Asawa ko, Huwag Mong Agawin 1986
92. Never Ever Say Goodbye 1982
91. The Sensations 1971

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