Regalo (TV 2006)

“Kung ang tawag sa mga namamatayan ng asawa ay byudo o biyuda at ang mga anak na nawawalan ng mga magulang ay ulila, ano ang tawag sa mga magulang na namamatayan ng anak?” – Daisy Hernandez

This slideshow requires JavaScript.

Basic Info: Directed: Olivia M. Lamasan; Writing credit: Dado C. Lumibao; Cast: Vilma Santos, Maja Salvador, Ricky Davao, Erich Gonzales, Charo Santos-Concio; Producer: Ginny Monteagudo, Malou N. Santos; Cinematography: Neil Daza, Charlie Peralta; Editing: Aries Pascual; Production Design: Nancy Arcega, Malou Dugtong IMDB

Plot Summary: Daisy Hernandez (Vilma Santos), a mother must divide her time between work and taking care of her daughter April (Maja Salvador) who has cerebral palsy. Daisy’s heart is wrenched every time she sees her eldest child suffer because of her illness. But Daisy never loses hope, and April manages to live a normal life until she is 18. Just when Daisy thought things are doing fine with her daughter’s disability, a tragedy will further test her faith (Wikepedia).

Achievement: 20th Star Awards Best Actress by a Single Performance – Vilma Santos Wikepedia

Reviews: “Though the hurt you felt seeing the Star for All Seasons Vilma Santos excruciatingly depicting the harrowing tale of a mother deeply burdened by the travails of her ailing special daughter has been quite deep, the relatability and inspiration overcome you. But what really moves you apart from the inspiring story of Daisy Hernandez is the Vilma’s legendary and exceptional ability to transform into the character herself. You can see the anguish in her eyes and the profound suffering she felt in each second of her appearance. As such, Maalaala Mo Kaya’s classic 2006 episode “Regalo” is her televised dramatic opus beyond compare. Add to that Maja Salvador’s unprecedented breakthrough performance of Daisy’s precious child and cerebral palsy sufferer April, which made critics turn heads and focus intently on what she can offer as an actress. Maja truly matched the kind of thespic excellence an actor needs to show in the same frame as Vilma Santos, and more…The episode had its astonishing thespic highlights, yet with masterful guidance from Direk Olive Lamasan, who brought incredible emotive dimensions to every character in the story. You would feel their every utterance, dramatic expression, and character validation worthy of thought and emulation…Maja Salvador became an actress of note since this episode, and this started an eventful string of extraordinary dramatic performances both in film and TV. Her superb portrayal of a mentally and physically challenged individual became her rite of passage to the acting big leagues, and rightfully so, she has cornered a respectable and prominent place in the industry. Mere words cannot express or measure the immense dramatic reach of Vilma Santos. You just have to witness her to believe and get astonished with every eye movement, line phrasing, raw emotion, expressive gesture she makes on screen. Vilma just satisfies everyone’s insatiable appetite for drama perfection, great thespic talent personified, and MMK “Regalo” further elevates her as a more illuminating Star for All Seasons.” – Gerry Plaza, ABS-CBN, 04 July 2020 (READ MORE)

“…It’s a vintage Vilma Santos performance, packed full with so much emotion that perhaps only the stone-hearted won’t be moved, especially in the succeeding scene where, hesitantly resigning to her daughter’s final farewell, Vilma delivers the clinching dialogue: Bakit kapag ang asawa ay namatayan ng asawa, ang tawag sa kanila balo o kaya ay biyudo o biyuda? Kapag naman namatayan ng ama o ina ang isang anak, ang tawag sa kanya ay ulila. Ano naman ang tawag nila sa inang namatayan ng anak?  That scene is absolutely heart-tugging and there’s more of similar scenes in the two-part special for which, according to direk Olive, Daisy Hernandez herself (a native of Lipa City where Vilma is the mayor on her third and last term) wrote some of the dialogues in the story that Vilma herself chose as possible movie material (but, said Vilma, “no regrets that it ended up a Maalaala special”).  Regalo (with Ricky Davao as Vilma’s husband) is the 777th episode of Maalaala which has lasted longer than the ABS-CBN executive (now retired) who, 15 years ago when Charo broached the idea of hosting the drama series, told her, “Wala kang alam sa telebisyon; ang alam mo lang ay pelikula…” – Ricky Lo (READ MORE)

“…Vi’s mighty proud of “Regalo,” saying the long wait was worth it. She herself presented the story to Charo and her sister Malou Santos, Daisy being one of her constituents in Lipa City. The mayor describes Daisy as a strong woman, not easily given to tears, despite the plight of her daughter April who had passed away. In memory of her daughter, Daisy works with an NGO which helps sick and needy children in Lipa…Olive requested that Daisy be on the set so that direk could relate the story as accurately as possible. Olive noted that a most moving line said by Vilma, came from Daisy herself. Something like, “Ang babaeng namatayan ng asawa, ang tawag biyuda. Ang anak na namatayan ng magulang, ulila. Subalit ano’ng tawag sa magulang, sa inang nawalan ng anak? Wala…” Vilma said words are not enough to describe the grief of a mother who lost a child. How true. Ask Manay Gina de Venecia, and Ali Sotto. “Regalo” was written by Dado Lumibao with Mel Mendoza-del Rosario as script supervisor. Charlie Peralta is the cameraman…” – Ronald Constantino (READ MORE)

“IT’S obvious that ABS-CBN values Vilma Santos so much. After making a movie that is an unabashed tribute to her from start to finish, “D Lucky Ones,” they now feature her in the 15th anniversary presentation of “Maalaala Mo Kaya.” “We love Vi as she’s not only a nice person but also a true professional, a committed artist who loves her craft,” says Charo Santos, top ABSCBN executive and host of “Maalaala Mo Kaya.” “Fan na niya ako since her Vi and Bobot days and Iove seen her evolution as a person and as an actress. Kahanga-hanga talaga siya at ang kanyang magandang kalooban, it just radiates. You cannot fake that dahil galing talaga ‘yun sa loob. We’ve long been inviting her to guest in “Maalaala” and she was the one who gave us this story of Mrs. Daisy Hernandez, a mother so devoted to her eldest daughter who had cerebral palsy.” “I met Daisy at the SPED, special education school for special children, in Lipa,” says Ate Vi. “I met her daughter, April. Then I didn’t see her for sometime and I found April has died na pala. I told her to write down her story then I gave it to Malou Santos who thought of doing it for “Maalaala.” We started taping this last year, pero magka-conflict ang skeds namin ni Direk Olive Lamasan, so it took 6 and a half days to tape it over a period of one year at natiyempo sa anniversary ng “Maalaala” at pang-Mother’s Day presentation pa.” “This is the show’s 777th episode,” adds Charo. “Maalaala has been made into a film in 1994 that gave awards to its stars, Aiko Melendez and Chin Chin Gutierrez. It has given the break to many directors like Wenn Deramas, Jerry Sineneng, Rory Quintos, Gilbert Perez, Mac Alejandre, Lauren Dyogi, Ricky Davao and Michael de Mesa. We’re proud to have Vi for our anniversary show that will be shown on May 4 and 11.” We’ve seen the preview of the episode, entitled “Regalo,” and it’s really a tearjerker that aims to wring your tearducts dry. Her fans will surely be proud of their idol anew as she shines in several scenes where she gets to deliver kilometric lines.

It’s a great acting vehicle for any actress worth her salt and Ate Vi truly does justice to the role of a mother who does everything to support her disabled child only to lose her later to a viral infection. All throughout the death and wake of April” (convincingly played by Maja Salvador), Vilma is not shown crying at all. She finally breaks down after the funeral while talking to her husband (Ricky Davao, who’s equally great) and delivers some lines that will surely be added to the list of classic dialogues she has uttered in her past films and that were all used in “D Lucky Ones.” If you’re a parent with a special child, you’d be able to identify with her role. But even if you’re not, you’d still be affected by this true story of unconditional love and sacrifice. Incidentally, we finally got to see “D Lucky Ones” and we’d like to congratulate Director Wenn Deramas for succeeding to make us laugh. There are many hilarious scenes in the movie that even non-Vilmanians will appreciate, thanks to the fine performances of Eugene Domingo, Sandara Park and Pokwang. Eugene is the best among them as she doesn’t exert too much effort in tickling us. Sandy is also a natural comedienne, but Pokwang can go over the top at the times she should have been restrained a bit. The film has two highlights. First is the dance showdown between Eugene and Pokwang at the Phi Bar where they get to re-create the intricate production numbers Ate Vi used to do in her TV show. The second one is the film’s climax where Ate Vi makes a special guest appearance to reconcile the warring Eugene and Pokwang and then does a dance number with the entire cast. Most local comedies fail to make us laugh, but this one really works. – Charlie Gomez (READ MORE)

“VILMA Santos had a meeting with her Vilmanians the other Friday at Max’s Libis. She reported that she had finally finished shooting her Maalaala Mo Kaya episode with Ricky Davao and Maja Salvador, directed by Olive Lamasan. “One year in the making ito, bale two episodes, but it’s really worth it and I’m impressed with the work of Direk Olive,” she says. “It’s based on the true story of a woman from Lipa.” She said she got an offer to do a stage play at the CCP. She’s willing to try the theatre but when she was told she has to rehearse for two months, she had to turn it down as she still has her duties as Lipa City mayor to attend to. She revealed she has new movie offers, but most of them are heavy drama. She wants to do something lighter that will be more appealing to the masa. Last March 8, Vilma was given the First Diwata Award in celebration of International Women’s Day. That coincided with the 16th International Women’s Film Festival by the UP Film Institute, the longest-running women’s filmfest in the country. She was cited for her roles in films like Sister Stella L, Relasyon, The Dolzura Cortez Story, Bata, Bata, Paano Ka Ginawa? and Dekada ’70, which are about women empowerment. She was honored with Lily Monteverde, Charo Santos-Concio and writer Lualhati Bautista. Vilma was warmly applauded by an adulating crowd and she delivered a very inspirational message, saying: “I strongly believe in these films with strong messages. It’s about time men believe in women empowerment. Don’t underestimate us, women and artists!” Ate Vi left Thursday with husband Sen. Ralph Recto to attend the investiture rites of our new cardinal in Rome (she was personally invited). After that, she will take a cruise with Ralph and meet with her family in Los Angeles.” – Mario Bautista, People’s Journal March 26 2006 (READ MORE)

“Lipa City Mayor Vilma Santos, a multi-awarded dramatic actress, an exemplary wife and mother and a model public official, is so work-oriented that she can only make a few television appearances every year…Mayor Vi gives a bravura performance, which has become her trademark. She gives up her acting mannerisms for a fresh attack of a mother’s role that makes it an outstanding interpretation. Regalo relives the tale of Daisy Hernandez, a devoted wife and dedicated mother whose child suffers from cerebral palsy…Although screened in black and white, Regalo’s exceptional quality was immediately evident during the media preview. Everything about this episode is non-artsy as director Olive opted for a straightforward presentation to bring out the drama without seeming contrived. Acting is likewise direct to the point, clearly the episode’s main strength. Although Mayor Vi is notches higher in delivering her role, Maja showed that she has the makings of another Vilma Santos. Pitting them together was a casting triumph. Although Regalo is a small story, cast and crew imparted it with enough realism to turn it into a domestic epic of sorts. Regalo, written by Dado Lumibao, is a clear proof of MMK’s superiority as a drama anthology, making it the longest running ABS-CBN show right now. It is not afraid to defy convention, tell real-life stories with themes of rape, homosexuality, or physical disability, just as it delivers contemporary stories of love and sacrifice, family dramas and teen stories. And it does this with critically acclaimed actors and directors, award-winning stories, and visual treats that have semblances of films rarely seen on television (read: high production values unconstrained by small-screen budgetary pegs). This makes Maaalaala Mo Kaya a world-class drama anthology. Regalo is MMK’s Mother’s Day presentation with excellent actors Ricky Davao and Erich Gonzales in supporting roles.” – Edgar Cruz (READ MORE)

“…A special 15th Anniversary prsentation of Maalaala Mo Kaya. “Regalo” is an inspiring story of a woman who goes through a painful journey of finding her fulfillment as a wife, a mother and as a person. Balancing her time between her career and family is rather difficult for Daisy Hernandez. Her eldest daughter April is afflicted with Cerebral Palsy and needs all the love, care and attention only a mother can give. What can a mother sacrifice to raise a daughter like April? How far can she go to fight for her daughter’s battles in life?…” – Kabayan Central (READ MORE)

“…As for Vilma’s “MMK” replay, she and Ricky turned in emotionally charged and committed performances in it as the parents of a girl (Maja) with cerebral palsy. Vilma’s character, in particular, refused to capitulate to the dreaded illness’ terrible demands and tragic consequence, and the portrayal she turned in was one of her career bests. It’s good that our TV channels are replaying iconic shows and performances, because new generations of viewers are made more aware of and grateful for past thespic achievements, which make them more enlightened and demanding viewers today—to keep our TV-film people on their toes!…” – Nestor U. Torre, Philippine Daily Inquirer, 25 April 2015 (READ MORE)