Vilma Santos-Recto is a popular multi-awarded actress and politician in the Republic of the Philippines. *** She is known as "Queen of Philippine Movies," "Queenstar," "Grand Slam Queen," "Box Office Queen," and "Star for All Seasons." *** This website is mostly about her iconic film career.
The Actor – “…Ever since Lino Brocka stumbled upon Christopher de Leon in a gas station and heard the bells ringing in his head, his reputation as director began to be exceeded only by his reputation as star-builder, “actors, not stars,” Brocka want to say but the patina of showbiz glamor has always rubbed off on his discoveries whether they like it or not….The bells have chimed once again. And now Phillip Salvador. With or without his first solo pucture, “Jaguar,” Phillip is already a star. He does not like the imposition it makes on his lifestyle – on his choice of friends, of clothes, even of habits, of favorite wateing places. Yet he, more than any of Lino’s other protegees knows the value of the status he has now achieved. Afterall, unlike Boyet and Bembol who were unknows catapulted to overnight stardom, Phillip was around for seven long years, aching for a break, knowing in his bones that he had what it takes, pitying himself at times, but never giving up. He was not one of showman Lou Salvador Sr’s hundred or so children for nothing…” – Bibsy M. Carballo, TV Times, August 1979 (READ MORE)
In his Blood – “…Remember him as Celia Rodribuez’s oversexed, ex-basketball star husband in the four episode comedy Spagkat Kami’y Mga Misis Lamang, his biggest role before his bigger break? Not likely, rmember him in Lirio Vital’s barrio sweetheart in Anino ng Araw, or as Vilma Santos’ gangmate in Batya’t Palu-palo, or as Jun Aristorenas’ side-kick in Tatak ng Agila, or as the young rebel in Adios Mi Amor, the Susan Roces-Eddie Gutierrez re-team up where he had his screen debut in 1971? I bet you don’t. Inconsequential roles all, yes, that hardly left any imprint in the public memory. But he is a Salvador, you remind him, and he could have gotten a better deal. The name may help open doors, agrees this youngest boy (he’s 24) in brood of, would you believe, 102 offspring (count them) but once the doors are opened, you will hvae to stand on your own and if you have talent, it will get you there, don’t worry. Not that Philip didn’t have talent he just didn’t get the right vehicle. Because the acting fever is in his blood, Philip acted true to his nature. He quit school when he was in second year of commerce at the Jose Rizal College and joined FPJ Productions, determined to land the role while, on the side, he played with Ronnie Poe’s all-star basketball team. For seven years, he drifted along, never losing hope, never losing enthusiasm…Last year, while doing the Gom-Bur-Za episode of Lahing Pilipino, Lino needed an actor to play the leader of the squad that captured the three martyr priest. Film editor Augusto Salvador suggested Phillip. “Lino made me walk,” Phillip recalls. What kind of walk, he asked. “Just walk,” Lino told him, “a casual walk.” And so Phillip walked, steadfast like a soldier, his body as firm and graceful as a leopard’s and Lino said to himself, “Eureka!” What Phillip didn’t know was, at that time, Lino was scouting around for an actor who could play Stanley Kowalski in Flores. It was only on the last shooting day of Lahi did he break the good news to Phillip…” – Ricardo F. Lo (READ MORE)
Phillip “Ipe” Salvador (born Phillip Mikael Reyes Salvador on August 22, 1953) is a three-time FAMAS award-winning Filipino actor. – Wikipedia (READ MORE)
Philip Salvador and Vilma Santos
Adultery: Aida Macaraeg Case No. 7892 (1984) – “…Vilma Santos’ restrained acting in Adultery: Aida Macaraeg 7892 was due to Brocka’s expert direction. We wish he did the same thing to Tolentino and Bonneive in this film. But then, Maging Aking Ka Lamang is a big box-office success. Brocka probably feels that it’s high time he gives the masses what they want. And on this score, Brocka succeeds enormously…” – Luciano E. Soriano, Manila Standard, May 19 1987 (READ MORE)
Baby Tsina (1984) – “…You know, I did a movie before, Baby Tsina, but I wasn’t really Chinese there. In Mano Po 3, I play Lilia Chong-Yang, a socially conscious anti-crime crusader and I get to know more about Chinese culture. We were even taught how to speak Fookien Chinese by a private tutor. Sa dubbing, the coach was there to make sure we’re perfect with our pronunciation of all our Chinese lines…” – Mario E. Bautista (READ MORE)
Sinasamba Kita (1982) – “…Sobra pala ang lakas ng “Sinasamba Kita.” Tuwang tuwa sina Vic at Mina del Rosario. They started with 38 theatres, by the weekend, 41 theatres na ang nagpapalabas ng pelikula. After 6 days, kumita na ito ng P5,207,416.00. After a week’s time, almost P6 million na ito…” – Billy Balbastro (READ MORE)
Rubia Servios (1978) – “…Simplistiko ang materyal at lalong simplistiko ang pamamaraan ni O’Hara sa karakterisasyon. Nagmumukha tanga ang mga tauhan (si Rubia at si Norman) samantalang medical students at naturingang doktor pa naman sial. Tinatakot na sila’y hindi pa sila humingi ng proteksiyon sa pulis. Ginahasa na si Rubia ay nakipagtagpo pa sa sementeryong madilim nang nag-iisa at nagpaganda pa mandin siya nang husto. At ang asawa niya’y wala ring utak. Biro mong sinundan ang asawa sa sementeryo nang nag-iisa! Dapat nga palang magkaganito sila kung napakakitid ng kanilang utak. Sa direksiyon ni Brocka, lumitaw ang galing ni Vilma Santos, at nakontrol ang labis na pagpapagalaw ng kanyang labi. Mahusay din ang eksena ng gahasa. Si Philip Salvador naman ay tulad sa isang masunuring estudyante na sinusunod lahat ang direksiyon ng guro. Kitang-kita mo sa kanyang pagganap ang bawat tagubiling pinaghihirapan niyang masunod: kilos ng mata, buntong-hininga, galaw ng daliri, kislot ng kilay. Limitado ang kanyang kakayahan at makikia ito sa kanyang mukha (na limitado rin). Walang-wala rtio si Mat Ranillo III, na parang pinabayaan para lalong lumitaw ang papel at pag-arte ni Salvador. Samantala, ang kamera ni Conrado Salvador ay hindi gaanong nakalikha ng tension at suspense, bukod sa napakaliwanang ng disenyo ng produksiyon ang pagbabago ng mga tauhan sa loob ng pitong taon batay sa estilo ng damit at buhok…” – Justino M. Dormiendo, Sagisag, February 1979 (READ MORE)
Bato Sa Buhangin (1976) – “…I really felt very sad as he’s one of the kindest men I ever met. We’ve done three films together. The first one was when I was only 19-years-old, Batya’t Palo-Palo, a big hit. He was the one who taught me how to swim while we were shooting that movie. Before that, I did Dyesebel where I played a mermaid but I didn’t even know how to swim. This was followed by Bato sa Buhangin. Our last film together was Ikaw ang Mahal Ko, which I did after I gave birth to Ryan Christian. Kuya Ronnie is a gentleman in the strictest sense of the word. Talagang maasikaso siya sa lahat ng kasama niya sa shooting and he feeds everyone with great food all the time. He’s fun to work with kasi palabiro siya at masaya talaga kasama. The whole industry will miss him…” – Mario E. Bautista (READ MORE)
Batya’t Palu-Palo (1974) – “…Two newly-proclaimed box office champions of Philippine movies star in FPJ Productions’ upcoming 13th anniversary presentations, “Batya’t Palu Palo,” a situation comedy about a rich heiress who disguises as a lowly washerwoman in order to find out for herself the true meaning of love. Dilineating the lead roles are Fernando Poe Jr. and Vilma Santos who star for the first time together. Now being filmed among the lush greens of Hacienda Luisita in Tarlac, “Batya’t Palu Palo” hopes to make people forget the humdrum activities of this world. A wholesome family entertainment, the flick will have Ronnie step down from his throne as the country’s number one action star to the down-to-earth role of Berting, a haceinda hand who nevertheless, catches the attention of the young rich and quiete spolied Estella. Directed by ace meg man Pablo Santiago, “Batya’t Palu Palo” is scripted by Fred Navarro, base on a story by Ronwaldo Reyes…” – FPJ-Da King Blogspot (READ MORE)
Never have we attended a party na gano’n karami ang taong dumalo. Terrible talaga! Would you believe ang maluwang na compound ng FPJ Studio sa Del Monte ay naging maliliit at masikip sa tingin dahil sa dami ng taong naroon nung gabing yon? Wow, hindi ko ma-imagine talaga! Ang take note: noong gabing ‘yon. Maiyak-iyak akong talaga sa sakit. Halos lahat ng artista, producer at mga press people, malalaki at maliliit mang pangalan, ay naroong lahat. Punong abala sa pagtanggap ng mga panauhin on the part of Ronnie Poe si Susan Roces, ang kanyang maganda at very charming wife whereas kay Lito L. naman ay si Jesse Chua na halatang siyang ninerbiyos at excited noong gabing ‘yon. Palakad-lakad at table hopping sina Ronnie at Lito sa kanilang mga guests upang ang lahat ay kanilang ma-entertain. Nagkaroon ng commotion at pagkagulo nang dumating si Guy. As usual kasama na naman niya ang kanyang mga PRO’s.
Hinandugan ng awit ni Guy ang mga may kaarawan at nagkaroon pa sila ng dance exhibition ni Lito. Halata namang nahihiya si Guy dahil hindi bigay ang kanyang pagsasayaw. Umawit din si Ronnie Poe ng isang Tagalog song na lagi niyang kinakanta. Sa may kalagitnaan ng kanta, Susan joined him at the stage. Tuwang-tuwa ang lahat, kinikilig na totoo ang mga fans sa paligid. Nagbigay rin ng ilang pangungusap si Mayor Joseph Estrada na binati ang may kaarawan. Umawit pa rin si Lirio Vital pero bago siya umawit ay umakyat sa stage si Director Carlo Caparas, inakbayan siya at nag-whisper sa kanya. Sila ba ngayon? Tanungan ng lahat. Eksaktong alas-dos ng hatinggabi ay sinidihan ang mga fireworks. Wow, ang ganda-ganda talaga! Parang ‘yung mga fireworks sa Luneta kung Bagong taon…O baka mas maganda pa. Beyond description talaga sa galing. Sa kalagitnaan nang mga pagkikislapan ng mga ilaw, ng mga sagitsitan at sali-salimuot na liwanag, biglang appear ang larawan na magkahiwalay nina Ronnie Poe at Lito Lapid. Bilib na bilib talaga ang lahat ng naroon. Superb ang idea para sa promotion ng pelikulang Kalibre 45. Saludo kami. – Emy S. Vivar, Fely D. Igmat (Photos), Modern Romances, September 8, 1980 (READ MORE)
National Artist – “…“Like all the characters he portrayed, from being ‘Ang Probinsyano’ to his becoming ‘Eseng ng Tondo’; from his struggles in ‘Alamat ng Lawin’ to being a defender in ‘Ang Panday,’ he is a hero to the Filipino masses,” he said. “With this award,’’ Mr. Aquino said, “we hope that thousands more like him will rise and use their talents to lift up the lives of their fellow Filipinos.’’ “Whoever in the coming generations will ask who is FPJ, we will answer them with one voice: He’s the king of Philippine cinema, a national artist who will continue to be part of the lights, camera, action in the life of the whole country…” – TJ Burgonio, Philippine Daily Inquirer, August 17, 2012 (READ MORE)
Beyond Politics – “…Oh my God! It’s true what [the special’s] script says: He was the quiet type. Very sensitive and the most generous man I ever met in the entire industry. Please allow me to generalize. Among all my leading men, no one’s like him. It’s true that if you were his leading lady, he’d treat you like a queen. He’d give you everything you needed and wanted, just to make you feel comfortable. However, he extended the same respect and care to the staff. One time, I craved balut. He bought balut not only for me, but for the entire crew. The mambabalut ran out of balut so Ron asked him to call his vendor friends. Ron treated everyone on the set equally. That’s why he’s the most respected actor in the industry, along with Dolphy. It’s a well-earned respect. You cannot buy that respect. You have to work for it. He was not an overnight success. He started as a stuntman, as an extra. He started from scratch…That was something you shared? Yah! And we both joined politics. When I first ran as mayor [of Lipa in 1998], Ron was among the few people I sought, for advice. He told me one thing: “You can do it. You have the character for politics. But can you give up your earnings as an actress?” (Laughs.) The next time we saw each other was at the wedding of Aga Muhlach and Charlene Gonzalez in Baguio two years later. I was then running for a second term, so he teased me: “I thought you didn’t want to run?” Then, two years later, we saw each other again at the Metro Manila Film Fest parade, we both had entries then (hers, “Dekada ‘70;” his, “Ang Alamat ng Lawin”). It was my turn to tease him: “I heard you’re running?” I asked if he was really considering it and he told me that he’d rather not, but that he couldn’t ignore the public clamor. Unfortunately, we ended up in different political parties when he ran for president in 2004 (she’s with the administration; he was an oppositionist). We were even pitted against each other. There was a rumor that I didn’t allow him to campaign in Lipa. But our friendship went beyond politics….” – Bayani San Diego Jr., Inquirer, 12 02 2007 (READ MORE)
Leading Ladies – “…Walang itinatangi si Ronnie Poe sa kanyang leading ladies. Pare-pareho ang kanyang pagturing dito. Pag tinatanong mo sina Chat Silayan, Dang Cecilio, Baby Delgado, Coney Reyes, Marianne de la Riva at iba pang mga nakapareha niyang aktres ng ’80s. iisa lang ang kanilang sasabihin, “I feel like a queen on the set sa pag-aasikasong ginagawa sa akin ni ronnie Poe.” Palagay namin, kahit hindi namin naabutan ang mga naging leading lady ni FPJ sa nagdaang mga dekada, ganoon din ang kanilang pagpapalagay sa kanya. Sa ’50s siyempre, ang mga naging kilalang pangalan na nakapareha ni FPJ ay sina Edna Luna, Leonor Vergara, Lani Oteyza, Merle Tuazon, Teresa Mendez, Edita Clomera, Lily Marquez, Aura Aurea, Rosemarie Gil, at iba pa. Sa ’60s, nakapareha niya ang tulad nina Cecilia Lopez, Mina Aragon, Susan Roces, Amalia Fuentez, Helen Gamboa, Divina Valencia, at iba pa. Sa ’70s, pumasok na ang mga pangalan nina Tina Revilla, Elizabeth Oropeza, Charo Santos, Boots Anson-Roa, Marianne de la Riva. Isang nakakatuwang bagay ang naganap kung minsan sa mga pelikula ni Ronnie Poe: nagiging ina niya ang naging leading ladies niya sa nagdaang panahon. Readon: ang mga babaeng kanyang nakakatambal ay napag-iiwanan niya sa panahon. Halimbawa, naging “mopther” ni Ronnie Poe sa ilang pelikula si Rosemarie Gil at si Amalia Fuentes na nakatambal niya noong araw. Walang imposible pagdating sa papel sa isang pelikula. Sa kaso lang ni Amalia sa pelikulang Aguila, sabi niya, “Wag n’yo akong patandain sa pelikula, ang problema niyo kung paano n’yo pababatain si Ronnie Poe!” Of course, kahit naman hindi make-up-an si Ronnie lagi naman siyang mukhang bata, di ba? In fact nagtatagka nga ang marami kung bakit at paano napapanatili ni Da King ang kyang youthful charm. This charm, of course, is what he uses to keep in touch with any of his leading ladies. “Friendship is foremost for my leading ladies,” sabi nga ni FPJ, “Kailangan kasi ang friendship to kep her cool on the set, make her feel relaxed para mas maganda ang chemistry the moment we have some scenes together…” – Arthur Quinto, Jingle Extra Hot Magazine, May 31, 1985 (READ MORE)
Susan Roces bares what saved her marriage with Ronnie Poe – “Despite the usual showbiz intrigues that have come their way, the marriage of Fernando Poe Jr. and Susan Roces remains among the more durable relationship in showbiz. What could be their secret. “We’re friends! That’s very, very important in a relationship,” said Susan Roces. “Kasi, if you’re just lovers, it wears off easily. I love you, heart and soul. One hundred percent. Dapat ikaw din. Ako lang ang mahal mo, Ganoon. That’s when a person becomes so possessive na nakakasakal ba. If you’re friends, mas maganda. You can tell your wife or your husband certain things at puedeng magkaroon ng certain freedom. Hindi ‘yung sa kanya lang nakatutok ang mata mo that you see all the wrong things he has done and you start imagining what he can do when you’re not beside him.” According to her she and Ronnie agreed from the start to talk things over. “Let me explain,” Ronnie told her, “If there is something I should explain. Hindi ‘yung you’ve already made a conclusion based on what you read or heard na minsan naman eh hindi totoo.” She said there were times when a woman should be at home for her husband. Pero sa klase ng ating trabaho, this cannot always be so,” explained Susan. “Ako naman, whenever Ronnie shoots a film at alam kong medyo mahihirapan siya, I make it a point to be home para asikasuhin ko siya. I mean, you cannot let the maids take over. Tapos when he is settled at nakapahingana ang I have some other commitments I should attend to, that’s when I go. Wala namang problema doon. I guess it’s just a matter of understanding each other’s needs and the element of trust should always be there. Pag walang trust, malabo talaga.” – Lulubelle Lam Ramos, Manila Standard, May 10, 1991 (READ MORE)
Natatanging Gawad – “…Fernado Poe Jr. will receive the Natatanging Gawad Urian (Lifetime Achievement Award) during the 25th Gawad Urian on May 11 at the Araneta Coliseum…In recognizing Poe (Ronald Allan Kelley Poe in real life), the Manunuri pays tribute to his nearly 50-year career as an actor, director, and producer. Starting as a teenage star and a stuntman in the 1950s, Poe rose to become a defining presense in Philippine movies. In 1956, he starred in “Low Waist Gang,” signalling a shift from the fantasy movies that had become the main fare in local cinema to a gritty realism in action movies. In his next movies such as “Tough Guy” (1957) and “Kamay ni Cain” (1957) and, much later, “Mga Alabok sa Lupa” (1967), “Assedillo” (1971) and “Durugin si Totoy Bato” (1979), Poe perfected the Filipino paragon of the action hero -a peace-loving, sensitive man who is pushed to the wall by oppressive forces and thereby fights back in the defense of the poor and the abused. Today Poe is known as the King of Philippine action movies and one of the stalwarts of the local film industry. The Manunuri is also giving the award in recognition of Poe’s achievements as producer and director. A visionary businessman and an artist in his own right, Poe invested his earning from acting and built his own movie company, FPJ Productions, which has since established a steady record of well-mounted productions that have reaped commercial success. As “Ronwaldo Reyes,” his non de guerre as director, Poe has shown a nearly unerring film sense, trasnforming mass-based but sometimes crude materials like the komiks and popular legends to movies with their own sense of logic and breataking spectacle. Poe as director is a master of locale, color and magic. He chooses his settings carefully and trains a nearly perfect cinematographic eye on everything he frames. His “Panday” series, based on the tawdy Carlo J. Caparas komiks novel, is an awesome orchestration of spectacle, setting and special effects. His more recent movies such as the comedy “Isusumbong Kita sa Tatay Ko” and the action drama “Ang Dalubhasa” show Poe hasn’t lost his touch, retaining an uncanny feeling for the popular taste…” – Philippine Daily Inquirer, Apr 22, 2002 (READ MORE)
Role Model – “…Industry workers have access to information not readily available to ordinary fans. I learned that Ronald Allan Poe was born in 1939, and has five siblings. To be an actor, he dropped out of high school. He started in the movies as a stuntman. He read Hery Miller (“Tropic of Capricorn,” “Black Spring”). And unlike his role in the movies, he enjoys a drink. His name came from the original Pou, a Spanish name, and he is nor in any way related to Edgar Allan. A few years ago, I saw a video of “Shane,” and saw where the FPJ movie formula came from. (:Shane! Sane! Come back, Shane!) I understood why there had to be the young Jay Ilagan character, and why it was important for the boy to witness FPJ being beaten up. Shane never was shown in our sawaliwalled moviehouse, so none of my barkada ever saw it. And I dared reveal my discovery. they would have hated me for breaking their life-long suspension of disbelief. Perfect was the FPJ of our childhood, when characters could be neatly clasified as bida (hero), kontrabida (villain), or “extra.” I joined a concert tour in Mindanao in the early ’80s by the group They Call It Guns, composed of Michael de Mesa, Tirso Cruz III, Bembol Roco, Rez Cortez, and Ruel Vernal. As we prepared to go on a motorcade around Cagayan de Oro City, the organizers warned us not to take Rez, Bembol and Ruel. They were sure that FPJ fans would throw stones at the three kontrabidas in their hero’s life. FPJ was the only role model of my generation. This is why his stature has lingered beyond his prime. The next generations of bida -from Rudy Fernandez to Robin Padilla to Bong Revilla -experimented with the roles of the tarantado, the reformed convict, the womanizer, the man with dark past, the hero with hidden guilt, the coward. These roles played by Erap. While Erap shared the limelifht with FPJ, they seemed to have made an arrangement: FPJ would play the good boys and Erap the bad boys. Whenever they played together, Erap would be the one who got into troubles and FPJ the one who was decent and cautious. It was an excellent arrangement. It ended when Erap entered politics…” – Uro Q. Dela Cruz, Philippine Daily Inquirer, Sep 27, 2003 (READ MORE)
Worshipped Idol – “…Unlike other folks, Ronnie has the heart for the underdogs so that it is often said that he is their champion and savior. Yet, this is one aspect of his public life that is least known. He does things without fanfare. The least known, he said, the better especially his acts of charity. And this spells a great difference between Ronnie and his colleagues. Yet, like any individual, Ronnie has also his faults. He acts on teh spur of the moment which sometimes proves unfortunate. Several times, he has been victimized by opportunists. Ronnie is a sucker for sob stories. Endowed as he is with feet – and feats – of clay, Ronnie is as human as you and I. He has his temper, yes, his idiosyncracies, his lifestyle and manner of dressing, but all told he is one guy who stands ten feet tall in tight and compromising situations. he is at his best when the going is rough, when things seem to go against his favor and this, indeed, proves once more that Ronnie is the idol that he is. A person worth emulating and worshipping for…” – Ross F. Celino, Expressweek, July 13, 1978 (READ MORE)
Fernando Poe Jr. and Vilma Santos
Ikaw Ang Mahal Ko (1996) – ”…In 1996 Vilma Santos did “Ikaw Ang Mahal Ko” with the late FPJ. The film did not do well, both critically and commercially. This year also was a bad year for the local entertainment industry as Ishmael Bernal died on June 2nd. It was reported that he was scheduled to direct a film about the life story of Lola Rosa Henson, the comfort woman during the Japanese invasion of the Philippines. The project was also reportedly offered to Vilma Santos. From 1997 to 2009, Vilma Santos completed 6 full featured films, two were considered record breaking films and almost all gave her acting recognitions including two international best actress recognitions…” – RV (READ MORE)
Mga Mata ni Angelita (1978) – “…Julie Vega was only 10 years old when she was launched to full stardom in the 1978 movie, “Mga mata ni Angelita.” She appeared in previous movie outings as Darling Postigo. The young Vega was ably supported by an all super star cast headed by the King of Philippine Movies, Fernando Poe, Jr. (in the role of Conrado, the ex-convict) and Comedy King Dolphy (as Tacio, the taho vendor). Also appearing in cameo roles were Joseph Estrada (as himself as Mayor); Nora Aunor (a metro-aide sweeper); Vilma Santos ( as a worried wife); Ramon Revilla (as barrio captain); Alma Moreno (as a jealous sweetheart); Christopher de Leon (as the lover) and many more…” – Simon Santos, Video 48 (READ MORE)
Bato sa Buhangin (1976) – “…I really felt very sad as he’s one of the kindest men I ever met. We’ve done 3 films together. The first one was when I was only 19-yrs-old, Batya’t Palo-Palo, a big hit. He was the one who taught me how to swim while we were shooting that movie. Before that, I did Dyesebel where I played a mermaid but I didn’t even know how to swim. This was followed by Bato sa Buhangin. Our last film together was Ikaw ang Mahal Ko, which I did after I gave birth to Ryan Christian. Kuya Ronnie is a gentleman in the strictest sense of the word. Talagang maasikaso siya sa lahat ng kasama niya sa shooting and he feeds everyone with great food all the time. He’s fun to work with kasi palabiro siya at masaya talaga kasama. The whole industry will miss him…” – Mario E. Bautista (READ MORE)
Dugo at Pagibig sa Kapirasong Lupa (1975) – “…A Must for the Filipino History Students and for everyone who wants to awaken the innate nationalism in them. These series of stories depicting the fight of the Filipinos against colonialism of Spain, Japan and even their fellow Filipinos abusing the power in the government. A seemingly serious film but spiced with the star-studded cast like Fernando Poe Jr., Ramon Revilla, Joseph Estrada, Nora Aunor, Dante Rivero, Eddie Garcia, Vic Vargas, Goerge Estregan and the other all time favorite artists. This movie even highlighted the comparison between the love of country and the other kind of love we offer to our family and to our beloved as the story featured love stories in the midst of tragic and bloody war happening in our society…” – Kabayan Central (READ MORE)
Hotdog: Unang Kagat (1975) – “…Even earlier, in 1974, the first Hotdog album “Unang Kagat” resulted in a movie with the band in 1975 with cameos of FPJ, Erap, Guy, Ate Vi, and Boots Anson Roa. The 4th reunion concert showed the band headed by the unassuming genius of Dennis Garcia as still the leader of the Manila Sound genre that fused Tagalog with Taglish. In the show they paid tribute to contemporaries VST & Company, Boyfriends, and Hagibis. The disco group VST with Vic Sotto, Val Sotto, Joey de Leon, Homer Flores, and Spanky Rigor had made famous the songs “Awitin Mo isasayaw Ko” and “Disco Fever” while the audience rose to their feet when Hotdog interpreted VST’s “Rock Baby Rock.” The Boyfriends’ pop and disco hit “Bakit Labis Kitang Mahal” covered by both Lea Salonga and Dingdong Avanzado in their albums was Hotdog’s next tribute. Then, of course, came the Hagibis with their campy imitations of the Village People in “Katawan,” which to this day is a favorite in dance parties…” – Bibsy Carballo, Journal, Dec 04 2011 (READ MORE)
Batya’t Palu-Palo (1974) – “…Nang magkita sina Ronnie at Vilma sa first shooting day sa Montalban, Rizal, halos hindi mapatid ang batian, katiyawan at biruan. Pareho silang masayang-masaya. Sapagka’t at long last daw, natuloy din ang kanilang pagtatambal pagkalipas ng halos kulang sa isang taong paghihintay na ma-vacant si Vilma sa dami ng pelikulang ginawa. As sa simula ng siyuting, akala mo hindi sila magkakilala. Dibdiban ang acting at dialogue. Sunod-sunod ang take ng iba’t ibang angulo. Kalahating araw silang walang biruan at nang matapos ang maraming eksena ay saka lamang sila muling nagtawanan. “Mahirap na,” sabi ni Vi, “Kailangang makarami ng scenes para naman makabawi sa akin ang FPJ. Biruin naman ninyong ang tagal din ang ipinaghintay nila sa akin. Nagpapasalamat ako sa napakahabang patience nila. Kung tulad ng iba, baka pinalitan na lamang ako ng ibang leading lady. Masyado silang professional sa pakikipag-deal, lalo na si Ronnie kaya nahihiya man ako sa atraso, hindi naman makapag-back out doon sa mga naka-schedule ko na. Dapat na tapusain ko rin para walang magalit na producer sa akin…” – Letty G. Celi (READ MORE)
Happy Days are Here Again (1974) – “…In 1974, the Big 3 studios of the 50s, LVN Pictures, Sampaguita Pictures and Premiere Productions reproduced a full-length movie showcasing a compilation of the musical comedies produced by the three studios. It was a painstaking job for the researchers since most of the best musicals produced by the three studios were either lost or destroyed. At the start of the project, director Lamberto V. Avellana was supposed to direct the film but eventually replaced by Cirio Santiago after so many changes in the project including the script. He ended up as consultant of the movie. The film was HAPPY DAYS ARE HERE AGAIN, with brief narrations by movie stars like Gloria Romero, Nida Blanca, Susan Roces, Leopoldo Salcedo, Jaime de la Rosa, Eddie Gutierrez, Tirso Cruz III, Pugo, German Moreno and Ike Lozada…” – Chris D. Almario, Pelikula Atbp (READ MORE)
Ronald Allan Poe y Kelley (August 20, 1939 – December 14, 2004), better known as Fernando Poe, Jr. and colloquially known as FPJ and Da King, was a Filipino actor and cultural icon. From the 1950s, Poe played steadfast film heroes who fight for the common man, which won him respect and admiration. He did not complete high school but went on to win numerous awards and prizes as an actor and film director. During the latter part of his career, he ran an unsuccessful bid for President of the Philippines in the 2004 presidential election against the former president Gloria Macapagal-Arroyo. In 2011, witnesses revealed in a Senate inquiry that Poe would have won the 2004 elections had there been no cheating. He was honored on May 24, 2006 as Philippine National Artist through Philippine Proclamation No. 1065. – Wikipedia (READ MORE)
Basic Info:Release Date: 19 August 1982; Director: Eddie Garcia; Writers: Gilda Olvidado (story), Orlando Nadres (screenplay); Cast: Vilma Santos (Divina), Christopher De Leon (Jerry), Phillip Salvador (Oscar). Lorna Tolentino (Nora), Ramil Rodriguez (Alex), Irene Celebre (Ivy), Luz Fernandez, Moody Diaz, Loleta Abesamis, Danny De Cordova, Norma Blancaflor, Kristina Paner (young Nora), Fanny Serrano, Larry Leviste, Yvonne; Executive producer: Vic del Rosario Jr.; Sinasamba Kita Theme Song Arrange by Armando Triviño, Sung by: Sharon Cuneta; Sinasamba Kita Theme Song Arrange by Danny Favis, Sung by Rey Valera; Words and Music: George Canseco; Cinematography: Romeo Vitug; Production Design: Manny Morfe; Art Direction: Donnie Gonzales, Arthur Santamaria; Sound: Rolly Ruta; Original story serialized in Tagalog Klasiks comics published Atlas Publication. – IMDB (READ MORE)
The Plot: – Strong-willed and sophisticated, Divina (Vilma Santos) takes over the business of her late father Don Ferrer (Eddie Garcia) who had requested Divina to ensure that his daughter Nora (Lorna Tolentino) with his mistress is cared for. But Nora wins the love of Jerry (Christopher De Leon), the only man who has captivated Divina’s discriminating heart. From the start. Jerry is attracted to Nora whose steadfast suitor Oscar (Phillip Salvador) respects and honors her chastity, only to find out that she has fallen in love and has given herself to Jerry. But Will Divina ever give up fighting for Jerry’s love? – TFC Now (READ MORE)
31 Years has passed since Vilma Santos did Relasyon. As we all know, this film gave her first grand slam best actress, winning four best actress from URIAN, FAP, FAMAS and CMMA (the four major award giving bodies that time). It is worth noting that the film has been successfully transferred into DVD and VCD and everyone can buy a copy (see REGAL.com). Relasyon has been exhibited in many international film festival. Sub-titled, “The Affair” is scheduled to be screen New York Filipino Film Festival. With its rival film, Himala, Relasyon has been tested by times. All award giving bodies agreed. Vilma’s performance outscored the intricate and overrated performance of her rival, Nora Aunor. To commemorate this triumphant feat, here are the comments made by critics, see if these comments are still valid.
“Sinasabi ng mga drumbeater ni Vi na ang kanyang role sa pelikulang ito ay pang-award, pang-FAMAS, pang-URIAN o pang-Film Academy Award kung matutuloy ito. Hindi kami tumututol sa kanilang palagay laluna’t napanood namin ang pelikulang ito. Masuwerte si Vi at sa ganitong maselang role ay dinirek siya ng isang katulad ni Bernal. Napakadramatiko ang pagkompronta ni Vi kay Chris sa direksyon ng kanilang relasyon. Higit sa lahat, sa pamamagitan ng huling eksena, ang pagsasara ni Vi sa pinto ng kanilang bahay, ang pugad ng kanilang “Rrelasyon,” inihayag ni Bernal na ang ganitong relasyon ay may hindi maiiwasang magwakas tulad ng sa tunay na buhay…” – Mando Plaridel, Star Monthly Magazine Vol. 1 No. 10 July 1982
“Vilma Santos represents womanhood in the film…commonly thought of as a martir or long-suffering masochist. Santos portrays a mistress who is an outand-out martir. She serves De Leon hand and foot, ministering to his every need, including fetching beer for him, washing his clothes, serving as his shoulder to cry on, even baby-sitting his child. In return, all she gets from De Leon is chauvinistic love, void of tenderness, full of immature aggressiveness. Santos’ acting is adequate and extraordinary…” – Isagani Cruz, Parade magazine – 21 July 1982
“Napakahusay ni Vilma Santos sa papel ng pangunahing tauhan, isang dalagang umibig sa isang may asawa. Its one hell of a role and a heaven of a performance. Kasama si Vilma sa lahat ng eksena sa pelikula at talagang ito na ang pinakamabigat na papel na napaatang sa mga balikat ng isang local actress mula ng gampanan ni Gina Alajar and lead role sa “Salome.” This time, sigurado nang mano-nominate si Vilma sa Urian (ito lamang ang award na hindi niya napapagwagihan) at malamang na ang maging pinakamahigpit niyang kalaban dito ay si Nora Aunor na very demanding din ang role sa ‘Himala’ (na si Bernal din ang direktor)…” – Mario Bautista, People’s Journal, July 1982 (READ MORE)
Finally in Ishmael Bernal’s Relasyon, we have a film made explicitly for adults. There is no explicit sex sequence (adults don’t really go for that sort of thing, only adolescent boys do). But the psychological problems faced by the film are comprehensible only to adults, those who know what it means to live with someone one loves (or, at least, used to love).
This film is, thus, not entertaining in the usual prurient sense, but in a deeper, psychological, intellectual sense. There are basically two themes that this film tackles: sex roles and divorce. Vilma Santos represents womanhood in the film: Christopher de Leon represents manhood. The Filipina woman is commonly thought of as a martir or long-suffering masochist. Santos portrays a mistress who is an out-and-out martir. She serves De Leon hand and foot, ministering to his every need, including fetching beer for him, washing his clothes, serving as his shoulder to cry on, even baby-sitting his child. In return, all she gets from De Leon is chauvinistic love, void of tenderness, full of immature aggressiveness.
De Leon represents chauvinist maleness. He portrays a character who is totally insensitive to his woman’s needs. He wants the house done exactly to his own taste. He expects his woman to be there when he needs her, but does not even think that he should be there when she wants him. He finds nothing wrong with having a wife and a mistress at the same time.
On the other hand, he sees everything wrong with Santos entertaining suitor Jimi Melendez in the house. He’s even jealous of Manny Castaneda, Santos’ gay acquaintance. In short, he is selfishness personified. – Isagani Cruz, Parade magazine, 21 July 1982 (READ MORE)
May isang nagngangalang Rosa Vilma,
Ipinanganak sa Tondo, Maynila.
Naging artista kahit noong siya ay bata
pa, Galing sa pagganap noon ay pinag-aralan na.
Noong siya ay nagdalaga na,
Nagpatuloy sa kanyang pag-aartista.
Naging sikat at hinahangaang bituin
Katambal si Edgar bilang ka-loveteam.
Naging karibal si Nora
Sa pagiging isang reyna.
Subalit mas matagumpay si Nora
Noong mga panahon ng setenta.
Hanggang siya ay mag-iba ng imahen,
At gumanap bilang isang Burlesk Queen.
Mula noon at magpahanggang ngayon
Si Vilma na ang Reyna taon-taon.
Siya ay nag-iisang Star for All Seasons,
At gayundin naman ng for All Reasons.
Hindi magugupo o mapapataob ninuman,
Pagkat Vilmanians hindi s’ya pababayaan.
Queenstar mula noon hanggang
ngayon, Pinakamahusay na aktress sa
lahat ng panahon.
Nirerespeto ng mamayang Pilipino,
Pagkat mapagmahal siya sa kapwa Pilipino.
Isang ulirang artista at ina,
Matagumpay na mayora ng Lipa.
Siya at wala ng iba ang Reyna,
Yan ang mahal nating si Rosa Vilma.
Never stop learning – “…More than half of my life I’ve been in the movie industry but still I’m in a learning process. No such thing as magaling ka na…pag huminto ka nang matuto, puwes, mamahinga ka na…” – Vilma Santos
Awards or Box-Office Success – “…Both are equally important. Winning an award is a prestige. It’s proof that you’re a legit actress. But you should also have drawing power. Let’s face it: Movie-making is a business. Producers should get back their investment…” – Vilma Santos
Not After Awards – “…Siyempre lahat naman ng pelikula ko ginagawa ko what I think is best. Pero hindi naman kami naghahabol ng award eh. Ang gusto naming mapatunayan this time ay maaaring kumita ang mga pelikulang indie. Na hindi naman lahat ng indie nilalangaw. Ang paniwala ko, ito ang future ng industriya, kaya kailangang simulan nang kumbinsihin ang mga tao na tangkilikin ang mga pelikulang ganito…” – Vilma Santos
Token ni Vi – “…Ang shooting ko, once a week, every Saturdays lang. Eh kaya naman pala kayang tapusin ng sampung araw, 17 hours din kayong magtatrabaho! Sabi ko, ‘Direk naman! Kaya pala kaya ninyong magtapos, 7 to 7 the next day!…Pag na-meet mo sila, iba silang mga tao. Hindi ‘yung the usual na nakikita mo, nakikilala mo, dun lang, malaking bagay na sa akin ‘yun…isang malaking education sa akin…Sabi nila, hindi makakagawa si Vilma ng indie film kasi mataas ang talent fee niyan. Para namang hindi ako maaaring gumawa ng pelikulang walang bayad? Hindi naman po. Kaya nga dito, ipinakita ko as an artist, hindi matatanggal sa puso ko yun. Why not? Hindi pag-uusapan ang pera. Kahit na singko (ang talent fee), okay lang, gagawin ko if as an artist, iyun ang fulfilment ko…At ang karamihang kasama ko dito ay talagang mga ekstra ng pelikula. Talagang nag seminar kami para mag blend ako sa kanila at hindi sila ma-starstruck sa set. Para magmukha rin akong isa sa kanila,…Maraming nagsasabing, ‘Ang dami namang artista niyan!’ Pero kung hindi po sa mga big stars na ito, hindi rin po kami lalabas na mukhang ekstra. So we need all these big stars…Wala silang bayad, hindi sila sumingil. At sinabi lang (sa kanila) na baka puwede silang mag- guesting sa film ni Ate V – at lahat sila ginawa ‘yun na they did not ask for anything in return!…Kaya naman ako in my own little way, kahit token man lang na regalo (binigyan ko sila). Kasi hindi man lang sila sumingil! Kaya naman nagpapasalamat ako ng sobra….” – Vilma Santos
Starstruck Director – “…I was so intimidated noong una, I really thought hindi ko makakaya. Siyempre, Vilma Santos ‘yan, e. Pero napakabait niya. Okay lang sa kanyang mura-murahin ko siya’t talakan, kagalitan, sigaw-sigawan. Pero akong na-starstruck sa kanya. Sa eksena, tumingin lang siya sa baba. Pag-angat ng mga mata niya, punumpuno na ng luha. Natulala ako. Nalimutan ko kung ano ang sasabihin ko. Pero siya, tuluy-tuloy lang ang emoting niya sa eksena. Hindi siya bumitaw. Napakahusay niya. Talagang sige lang siya hanggang sa maka-recover ako’t maalala ko ang mga linya ko. After that scene, nagkasakit ako. Pero talagang sobrang napabilib niya ako…” – Marlon Rivera
Down to Earth – “…She was very nice, very down to earth and ano talaga, kahit nga she’s such a big star, you won’t feel that way because she’s a very welcoming person…Of course. Nagpa-picture ako…She was very happy also kasi we both wanted to do a film together. Kahit maliit lang role ko, okay lang sa akin…” – Richard Yap
An Exposé – “…From my perspective, I’m not sure if I can now consider this film the parody it’s meant to be, or more of an “exposé” into our real world of soap operas. It reflects many truths of what these extras, or talents, face. I myself, despite my ranting, have softened up to their plight. On one taping day, lo and behold, the first sight that greeted me were some 20 talents sitting on cardboard on the ground, in the heat of the sun, right in front of the main actors’ air conditioned tent. Talk about rubbing the point in. All this for P1,000 a day or P1,500 if you had speaking lines, or if you played a nurse, police or doctor, you get P2,000 because you have to bring your own uniform. A day may mean 28 to 36 hours straight for many of them. I’m fortunate that after decades in the business, I’ve earned a cut-off time of 2 am (which in effect actually helps talents go home earlier, if they’re in my scenes). I realize minimum wage stands at under P500, but these seemingly good talent fees don’t go straight into their pockets. They too have agents or talent suppliers who whittle away their earnings. (Just like we do.) I could be putting myself on a limb here, but I’m going to say it anyway: isn’t it high time we make the working environment in the soap opera world better for all to enjoy the work and find dignity in our choice of profession?…” – Cherie Gil
Sampal ni Cherrie – “…Ikaw na lang yata ang hindi ko pa nasasampal sa showbiz!…” – Cherrie Gil
Christopher’s Ekstra Experience – “…Vilma Santos [“Ekstra (The Bit Player)”] obviously has a long history with my father. I used to watch her come to our house when I was a kid and then watched her on the set of ‘Burlesk Queen.’ I still remember going to that old theater where they filmed her dance scene…I did a movie with her entitled ‘Kailan Tama Ang Mali.’ My first day on the set, I had to act with her. So we rehearsed together and when it was time to shoot the scene and the director yelled ‘Action!,’ Vilma started acting and I just stood there and became a fan and totally forgot my lines. I forgot that I was supposed to act. Take two was worst, “I hit her on the nose with my hand gesture. I was just nervous acting with her for the first time. We both had a laugh about it…” – Christopher Castillo
The real extra of Ekstra – “…I got to act with Vilma Santos—in her tribute to bit players like me. There’s no one like Vi,” Villalobos said. “I’m afraid to approach other stars but with Vi, when she hugs you, you can really feel her sincerity…I had to faint in one scene and—I told my children and grandchildren—it was Vi who caught me!…We don’t have guilds or unions to protect us…Raquel Villavicencio told me that Direk Loy had asked her to write a script… with a character modeled after me…” – Erlinda Villalobos, Philippine Daily Inquirer, 01 Aug 2013, Bayani San Diego Jr.
Gaan ng Atmosphere – “…Ako naman, ginawa ko ito dahil gusto kong makasama si Gov. Vi and also for Atty. Joji Alonso…I really had a good time shooting for the movie kahit guest role lang ako. Nag-enjoy ako kasi ang gaan ng atmosphere sa set. Parang ‘di nagtatrabaho ang mga tao at ang saya ng lahat. Nakakahawa kasi si Gov. Vi. Low key lang and super professional, sa kabila ng stature niya. She just follows lahat ng direction ni Direk Jeffrey Jeturian…” – Marian Rivera
Heaven! – “…Vilma is every director’s dream actress…She’s very easy to work with. She’s very cooperative, she listens to and follows instructions, and she respects her co-workers. It has been my long-time dream to work with her. To borrow her favorite word, it’s ‘heaven’ to be working with Vilma…” – Jeffrey Jeturian
Sold out in TIFF – “…At the sold-out premiere in Toronto, many in the long lineup awaiting the film’s start were excited to watch it given the critical acclaim at Cinemalaya. Arnold Manalac, a big Santos fan, organized about 20 of his friends to come watch the film. “These are all my college friends, friends here in Toronto, some of my relatives,” he said while pointing out the smiling faces with him, “so we organized and came up with a small group to support this film. The crowd of mostly Filipino-Canadians was abuzz with anticipation, including the very first people in the line, Danny Ong and Ricardo Obusan, who came to support independent Filipino films. Jeturian signed autographs before and after the film’s screening and took questions from the audience. The final showing of Ekstra at TIFF is Sept. 15, but the movie will have a theatrical release in eight Canadian cities including Mississauga and Scarborough from Sept. 13 to 26…” – Dyan Ruiz, The Philippine Reporter, 13 Sept 2013
Dambuhalang DJ – “…In the early 70s, the local entertainment industry was dominated by the love teams of Nora Aunor-Tirso Cruz and Vilma Santos-Edgar Mortiz. Arnold was a young teenager by the mid 70’s. Ike Lozada, a famous radio and TV host (known for his radio program, “Dambuhalang DJ”) and part-time talent manager conceptualized a junior love team that would target the younger audience and would follow the footsteps of the Nora-Tirso and Vi-Bubot love teams. The young love teams will be introduced in a new TV show which was planned to compete with the Channel 7 show, “Eto Na Kami”, another TV show quite popular with the young generation back then. Ike gathered the team of Arnold and Maribel “Lala” Aunor, Winnie Santos and Dondon Nakar that gave birth to the “Apat na Sikat” in Channel 9. The show was an instant hit not just with teen-agers, but also for older audiences and it quickly acquired a high rating among viewers. It was aired during prime time, and lasted for five years. People who grew up watching “Apat na Sikat” often associate Arnold’s name to the TV show, as it made television history during its prime…“Apat na Sikat” in the 70s was borne out of the imagination of the late Ike Lozada. Ike made quite a name for himself on his TV show “Big Ike’s Happening” and his AM radio program, “Dambuhalang DJ”. Like his colleague, Kuya Germs, Ike was also instrumental in launching the careers of young stars. The four young stars were easily brought to fame, because the two ladies were related to the star of the season. Winnie Santos is the younger sister of Vilma Santos, while Lala Aunor is the first cousin of Nora Aunor…” – Romy R. Protacio (READ MORE)
Apat na Sikat – “…In the early 70s, the local entertainment industry was dominated by the love teams of Nora Aunor-Tirso Cruz and Vilma Santos-Edgar Mortiz. Arnold was a young teenager by the mid 70’s. Ike Lozada, a famous radio and TV host (known for his radio program, “Dambuhalang DJ”) and part-time talent manager conceptualized a junior love team that would target the younger audience and would follow the footsteps of the Nora-Tirso and Vi-Bubot love teams. The young love teams will be introduced in a new TV show which was planned to compete with the Channel 7 show, “Eto Na Kami”, another TV show quite popular with the young generation back then. Ike gathered the team of Arnold and Maribel “Lala” Aunor, Winnie Santos and Dondon Nakar that gave birth to the “Apat na Sikat” in Channel 9. The show was an instant hit not just with teen-agers, but also for older audiences and it quickly acquired a high rating among viewers. It was aired during prime time, and lasted for five years. People who grew up watching “Apat na Sikat” often associate Arnold’s name to the TV show, as it made television history during its prime. “Apat na Sikat” in the 70s was borne out of the imagination of the late Ike Lozada. Ike made quite a name for himself on his TV show “Big Ike’s Happening” and his AM radio program, “Dambuhalang DJ”. Like his colleague, Kuya Germs, Ike was also instrumental in launching the careers of young stars. The four young stars were easily brought to fame, because the two ladies were related to the star of the season. Winnie Santos is the younger sister of Vilma Santos, while Lala Aunor is the first cousin of Nora Aunor. While doing my research on the internet, I chanced upon the Ukay-Ukay blog written by Guillermo “Ige” Ramos. He provided a vivid, though quite amusing takes on the “Apat na Sikat.” Nilampaso nya ang Apat na Sikat. Gigil na gigil si Ige sa kanyang characterization of Winnie Santos, and Lala Aunor. Ige, however, had kinder words for Dondon and Arnold. “Winnie tried to be her sister’s clone: she did a TV version of Vilma’s hit Trudis Liit, and she sang the Ate VI anthems, “Paper Roses” and “My Boy Lollipop”. Unlike her sister, who is still a terpsichorean wonder, Winnie could only dance the Lady Bump. The more she copied her sister, the more she receded into oblivion…” – Romy R. Protacio (READ MORE)
Vi’s Precious – “…Si kuya Ike Lozada ang nagbansag kay Ate Vi ng palayaw na “Precious” marahil dahil sa parang mamahaling kristal si Ate Vi sa paningin ng malusog na radio announcer na ito. Si Kuya Ike isa sa mga naging instrumento kung bakit naging sikat ang tambalang Vi at Bot. Kung si Guy at Pip ay mayroong German Moreno, si Vi at Bot naman ay mayroong Kuya Iking. Sa bawat radio commercial at mga kanta hindi mawawala ang mga balita’t dedikasyon niya sa kanyang nagiisang “precious.” Akmang akma para bigyan natin ng halaga ang isang taong malaking naitulong sa pagsulong ng career ni Ate Vi nuong mga dekada 70 at mga unang taon ng dekada 80. Ang isa pang mahalagang naitulong ni Kuya Ike ay pagpapahalaga niya sa mga Vilmanians. Kung hindi lang siya radio announcer marahil isa siya sa aktibong miyembro ng ating grupo…” – RV (READ MORE)
TV Host – “…Last Wednesday night, showbuz was once again thrown into unexpected mourning with the passing of Ike Lozada, comedian, singer, host and very much overweight. He was 54 at the time of his death. Ike, Enrique Lozada in real life, was last seen on TV with German Moreno on the late afternoon variety That’s Entertainment last Wednesday. He reportedly went to visit a friend, Rey Honrando, then proceeded to fastfood restaurant. Reports on where exactly he suffered from cardiac arrest are up to this time still sketchy. He was rushed to the Capitol Medical Center where attending physicians declared him DOA. The hefty comedian-singer was one of showbiz’ more colorful personalities and endeared himself to a lot of TV and movie fans, especially the elderly. His rise to popularity came almost at the same time Nora Aunor and Vilma Santos were winning admiration of millions of movie fans. Ike made his mark as host of the afternoon show Big Ike’s Happening. His closest friends in showbusiness were Inday Badiday and Kuya Germs…” – Isah Vaquez Red, Manila Standard, Mar 11, 1995 (READ MORE)
Amateur Singer – “…Movie and television talent Enrique “Ike” Lozada died of a heat attack Wednesday night at the Quezon City Medical Center. He was 54. Dr. Carlos Lagman, the attending physician, said the victim died of “secondary to massive biocardiac arrest” at around 8:25 p.m. A report said that after watching a moive Lozada reportedly ordered his driver to take him to a friend, Reynaldo Honrado, in Quezon City. Honrado said Lozada later complained of chest pains. As Honrado was talking to a friend on the telephone, he heard a loud thud. He said he saw Lozada fall head first on the floor. Lozada began his show business career after winning in an amateur singing contest in the television show Student Canteen. He hosted different television shows, and was a disc jockey; an entertainment writer and a talent manager…” – Manila Standard, Mar 8, 1995 (READ MORE)
Relationship with Santos – ” …And speaking of talents, Ike Lozada is “starmaker” in his own right. At previously mentioned he was responsible for the rise of several actors, actresses, and singers. A lot of people know that if German Moreno is often associated with Nora Aunor, then he in turn is associated with Vilma Santos. But it seems that while Moreno is still close to Aunor, his relationship with Santos has cooled off. How does he feel about it? “I feel na nakalimutan lang niya ako. May pinagsamahan naman kasi kami (he’s know her even before she was 10 years old).” he had been hoping that he would somehow be invited to guest in Santos’show, specially at the time when “I lost my show and I was out of circulation. Baka hindi siya ang may ayaw; maybe she has her reasons.” He feels no resentment though, and to prove it he adds: “I still care for her.” The fact that he has mellowed since his trip to the US has helped him improved his relationship with his peers in the business. If he used to hold grudges against them, he has resolved to sort it out with them. “Willing akong makipagbati. Ayoko na nang may kaaway.” He has since reconciled with Angge in Inday Badiday’s show. Lately, Ike Lozada’s been busy with a lot of things. Aside from co-hosting a daily shows and managing his talents, he produces shows in nightclubs, has a hand in a jewelry business and helps build and sell houses. Not bad for someone who’s trying to revive his status in the business. With the proliferation of teen and variety shows, luck in on his side. “The more programs, the better. They would as outlets for my talents,” he says…” – Marie T. Dimapilis, Manila Standard, 01 Oct. 1988 p24 (READ MORE)
Enrique “Big Ike” Lozada (August 13, 1940-March 8, 1995) was a Filipino comedian, actor and TV host. He was born on August 13, 1940 in Iloilo City. He started acting at the age of 11 on the movie Mga Bituin ng Kinabukasan with the younger Susan Roces. – Wikipedia (READ MORE)
Ike Lozada and Vilma Santos
Payaso (1986) – “…The 1986 Metro Manila Film Festival was considered the worst in the 12-year history of the annual 10-day festival of local movies. For the first time, it did not give out the traditional first and second best picture awards. Two other categories— best story and best screenplay were not also given. “No one of the seven entries deserved these awards,” according to Tingting Cojuangco, one of the jurors…” – J C Nigado (READ MORE)
Charot (1985) – “…As far as he can recall, his first gay outing was in the critically acclaimed High School Circa ’65. “Doon naman, I was nominated for Best Supporting Actor considering na 15 or 16 pa lang ako noon. I was the comic relief of the movie.” Bibeth Orteza, who played a teacher in High School Circa ’65, created a gay character for him in the sitcom “Tepok Bunot.” “Nag-hit ‘yon,” says Roderick. Then a producer gave him the lead role in Charot, a movie inspired by Dustin Hoffman’s gender-bending performance in Tootsie. Before Roderick knew it, other offers to do gay roles started coming his way, with one of them from a very persuasive line producer-actress. “After Charot, ayoko munang tanggapin ang mga gay-gay roles,” he says. “But it was Charo Santos who convinced me to do a gay movie where I would be paired with Maricel (Soriano).” The project was Regal Films’ Inday, Inday sa Balitaw which ended up being a huge success. “The rest is history!” Roderick exclaims. “Yun na! Sunud-sunud na sa box-office…” – Veroli1974 (READ MORE)
Darna at Ding (1980) – “…The climax of this “Darna vs. the Dragon Lady” part of Darna At Ding sees Lei Ming conjure up an evil double of Darna to keep our heroine busy while, elsewhere in her lair, a towering robot bears menacingly down upon Ding. It’s a suitably whiz-bang finale to this loopy, kitchen sink confection, and one that makes the long, strange and circuitous route that we’ve taken to get to it seem perhaps less arduous in retrospect. Still, at a solid two hours, Darna At Ding is an example of a movie that pulls out all the stops, but perhaps shouldn’t have. While it’s combination of horror movie chills, superhero thrills and slapstick spills might have been catnip for the Filipino audience of its day, for the rest of us it might prove mildly exhausting. Nonetheless, I find Vilma Santos so appealing in her role that it’s hard for me to imagine hating any Darna movie that she appears in, and this one’s no exception…” – Todd of “luchadiaries” (READ MORE)
Buhay artista ngayon (1979) – “…Finally, after almost a decade from their last outings and no longer his film daughter, Dolphy and Vilma did their last film (to this day), this time, Vilma played the leading lady, in a film, ironically, about show business…” – RV (READ MORE)
Mga mata ni Angelita (1978) – “…Julie Vega was only 10 years old when she was launched to full stardom in the 1978 movie, “Mga Mata ni Angelita.” She appeared in previous movie outings as Darling Postigo. The young Vega was ably supported by an all super star cast headed by the King of Philippine Movies, Fernando Poe, Jr. (in the role of Conrado, the ex-convict) and Comedy King Dolphy (as Tacio, the taho vendor). Also appearing in cameo roles were Joseph Estrada (as himself as Mayor); Nora Aunor (a metro-aide sweeper); Vilma Santos ( as a worried wife); Ramon Revilla (as barrio captain); Alma Moreno (as a jealous sweetheart); Christopher de Leon (as the lover) and many more…” – Simon Santos (READ MORE)
Big Ike’s Happening (1976) – “…All star casts din ang pelikulang handog ng Larry Santiago at Ike Lozada Productions na Big Ike’s Happening (February 27, 1976) na tinampukan nina Vi, Tirso Cruz III, Walter Navaro, Ike Lozada, Aurora Salve, Gina Alajar, Jojit Paredes, Dondon Nakar, Winnie Santos, Arnold Gamboa, Maribel Aunor, Allan Valenzuela, Doyet Ilagan, Edward Campos, German Moreno, Inday Badiday, Ben David, Lilian Laing, Aruray, Nora Aunor, Perla Bautista, Charlie Davao, Esperanza Fabon, Eddie Peregrina, Bella Flores, Lito Legaspi, Christopher de Leon, Van de Leon, Pinky Montilla, Alma Moreno, Dencio Padilla, Andy Poe, Jerry Pons, Ric Rodrigo, Gloria Romero, Daria Ramirez, Darius Razon, Marianne de la Riva, Eddie San Jose, Ricky Santiago, Lorna Tolentino, Eddie Villamayor at Vic Vargas sa direksiyon nina Pablo at Bobby Santiago…” – Alfonso Valencia (READ MORE)
King Khayam and I (1974) – “…Then veteran actress and much younger, Mary Walter in a cameo role, brought her just bought magic lamp. She complained to the king that the seller fooled her to buy the lamp and wanted a refund. She then caress the lamp and the gennie came out but instead of the expected giant gennie, a midget dwarf came out. Then from this moment the film went downhill. A singing bird, a transexual Ike Lozada being auctioned, Rod Navarro’s over the top villain antics, all failed to sustained our attention. The weak storyline did not help. Patterned with the Hollywood film, King Kayam & I’s only saving grace was the acting of its lead stars. Joseph Estrada’s precense was commanding and convincing as the playboy king and Vilma’s charming innocense despite the sexy dance number at the end complimented Joseph’s macho image…” – RV (READ MORE)
Biktima (1974) – “…In a strange turn of events, Dolores (Vilma Santos) moves in to live with her grandfather, who has sole custody of her ever since her mother was imprisoned for the m rder of Dolores’ father. Mystery unfolds as Dolores stays with her grandfather when members of the household are murdered one by one. Will Dolores escape the chaos unraveling around her or will she be the next victim?…” – Kabayan Central (READ MORE)
Kampanerang kuba (1974) – “…Despite of (or perhaps because of) her hideous appearance, she is held dear by the parish priest Padre Damaso but abhorred by the church caretaker, Edeng who maltreats her at every opportunity. Andang is ugly, ugly, ugly and deserves all the pain she can get…don’t think Mang Martin will give the miracle for free. Vilma emerges as the ugly hunchback Andeng! Sandra is gone! Death to fantasy!…” – Silver Screen Surfer (READ MORE)
Darna and the Giants (1973) – “…She reprised the role after three months. Liza Moreno, Eva Montes and Gina Pareno followed her. The inter-galactic pebble found its way to Vilma Santos’ throat in 1973 via the flick “Lipad, Darna, Lipad!” Santos, now a two-term mayor of Lipa City in Batangas, is probably the most popular Darna, with a total of four movies in a span of seven years. Some of these were made known to younger generations through afternoon airings on television in the late ’80s. Maybe RPN 9 should do that again so that even younger generations can marvel at Darna’s greatness, albeit antiquated, in such movies as “Darna and the Giants” and “Darna vs. the Planet Women…” – Armin Adina, Philippine Daily Inquirer, June 06, 2003 (READ MORE)
Ang hiwaga ni Maria Cinderalla (1973) – “…Besides teaming up with Edgar Mortiz during her teen years, Vilma Santos also starred and appeared in many movies opposite other leading men…Jay Ilagan — Inspiration (1972), Ang Konduktora (1972), Tatlong Mukha ni Rosa Vilma (1972), Tsismosang Tindera (1973), Ang Hiwaga ni Maria Cinderella (1973)…” – Simon Santos (READ MORE)
Dyesebel At Ang Mahiwagang Kabibe (1973) – “…In the 1973 Dyesebel movie, Dyesebel lives in an undersea kingdom of mermaids far from the land of humans because the humans believe that the mermaids are the cause of misfortune. Dyesebel fell in love with a male human being. In order to be with the man that she likes, she swore to find a way to be transformed into a female human being. In the movie, “Si Dyesebel at Ang Mahiwagang Kabibe,” the role of Dyesebel was played by Vilma Santos and Fredo was played by Romeo Miranda…” – Jun B (READ MORE)
Tsismosang tindera (1973) – “…Jay Ilagan and Vilma Santos did twelve films with commercial success except for one, their most critically acclaimed film, Sister Stella L. Total Number of films: 12 (Inspiration, Ang Konduktora, Tsismosang Tindera, Ang Hiwaga ni Mariang Cinderella, Paano Ba Ang Mangarap, Sister Stella L, Coed, Leron Leron Sinta, Ito Ang Pilipino, Remembrance, Karugtong Ng Kahapon)…” – RV (READ MORE)
Ang hiwaga ni Maria Cinderalla (1973) – “…Besides teaming up with Edgar Mortiz during her teen years, Vilma Santos also starred and appeared in many movies opposite other leading men…Jay Ilagan — Inspiration (1972), Ang Konduktora (1972), Tatlong Mukha ni Rosa Vilma (1972), Tsismosang Tindera (1973), Ang Hiwaga ni Maria Cinderella (1973)…” – Simon Santos (READ MORE)
Sweet Sweet Love (1972) – “…Film artist Walter Navarro (Vicor) will have his first LP, “King of Balladeer,” this month. He is a contract star of Lea Productions and principal mainstay of the El Bodegon Club. Navarro is doing a film musical with Vilma Santos (Wilear’s) with Mirick Productions…” – Oskar Salazar (READ MORE)
Don’t Ever Say Goodbye (1972) – “…Sa tuwing sumasapit ang Christmas at valentine’s Day ay nagtatapatan ang mga pelikula nila. Nang ginawa nina Guy at Pip sa Hawai ang pelikulang Blue Hawai, hindi nagpatalo ang Vilma at Edgar. Nagtungo rin sila sa Hawai at ginawa nila ang pelikulang Aloha, My Love bilang pantapat sa pelikula nina Nora at Tirso. Ganyan talaga kainit ang labanan noon ng dalawang parehang ito. Pagkatapos ipalabasa ang mga pelikulang Blue Hawai at Aloha My Love na parehong kumita sa takilya, nagtungo rin ang dalawang pangkat sa USa para gawin naman nila ang pang-Valentine’s Day offering nila. Don’t Ever Say Goodbye ang kina Vilma at Edgar, samantalang ang kina Guy at Pip naman ay ang Gift of Love. Hindi lang iyan. Tuwing sasapit naman ang Metro Manila Film Festival ay nagkakaroon din sila ng kanya-kanyang entry under their respective production companies – ang Tagalog Ilang Ilang for Vi and Bot at Sampaguita Pictures kina Guy at Pip. Halos sila na lang ang siyang pinapanood at iniidolo ng fans…” – Ely S. Sablan (READ MORE)
Aloha My Love (1972) – “…The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career….” – RV (READ MORE)
Teenage Señorita (1971) – “…He became the leading man of Nora Aunor after Tirso Cruz III. Theirs was also a popular tandem. Decades later, when I finally got to talk to Nora during an interview, she revealed that their working relationship wasn’t really all that pleasant. Manny disappeared from the scene when Nora moved on to become a more serious actress. Whatever happened to Manny de Leon? When last heard from — many, many years ago — it was full of speculations and, sadly, those bits of information about him were unpleasant…” – Butch Francisco (READ MORE)
Young Lovers (1971) – “…Si Edgar Mortiz ang unang nakapareha ni Vilma Santos as a teen star. Nakilala sila as the “Subok na Matibay, Subok na Matatag” loveteam called Vi and Bot at naging magka-steady sila sa tunay na buhay. Marami silang ginawang pelikula as teen stars in the early 70s…” – Showbiz Portal (READ MORE)
The Sensations (1971) – “…Ang The Sensations ay produce ng ABS CBN at dinerek ni Tony Santos Sr. Consistent No. 1 Top rater ang show at kasama ni Vi & Bot sina Perla Adea, Romy Mallari, Rhodora Silva, Darius Razon, Baby de Jesus, Tony Santos Jr., Janine Frias, atbpa. Dahil sa kasikatan nila Vi & Bot ginawang movie ang The Sensations noong April, 1971, big boxoffice hit ito kaya sinundan agad ni direk tony ng ” Young Lovers ” noong August, 1971, big hit din ito. Ginawan din ng L.P. Album nila Vi & Bot ang The Sensations at muling tinangkilik ng masang pilipino…” – Jojo V. Lim (READ MORE)
Young Love (1970) – “…Ang “Young Love” ay puno ng walang kawawaang musical numbers ni Nora Aunor. Puno rin ito ng mga eksenang nakakaloka na kahit na ang batang paslit ay magkakamot ng ulo at sasabihin ang “huh?” Kung hindi mo hahahanapin ang matinong istorya at ang hangad mo lang ay makita kung gaano kagaling kumanta si Nora Aunor kahit pa sa burulan ng patay tiyak na mage-enjoy ka sa pelikulang ito dahil maraming eksena rito si Nora na kumakanta ng walang kawawaang kantang dayuhan…” – RV (READ MORE)
Ding Dong (1970) – “…Adapted into movie from comics written by Pablo S. Gomez; Illustrated by Alfredo P. Alcala for United Komiks, 1970…” – Komiklopedia (READ MORE)
Endorsing Products – “…Vilma Santos started endorsing products in the early ‘70s and the first product she sold on TV I remember was Tanduay – the wholesome edition. (There was a sexy version with Rosanna Ortiz). Then, there were those beautiful Lux commercials, one of which was shot in an old church in Nagcarlan, Laguna. After that came the Fita ad where she hosts a children’s party for a niece who tells her, “Tita Vi, I am so happy. Thank you!” The one product she endorsed the longest, of course, was Eskinol. Her career at this point was charted very well. It was around this period when she did the Darna series, “Takbo, Vilma, Dali!” and other blockbuster hits. In 1975, she made a rather daring move that called for her to come out in a twopiece swimsuit. This was in “Nakakahiya” where she was involved in a May-December affair with Eddie Rodriguez…” – Butch Francisco, The Philippine Star, Nov 04 2003 (READ MORE)
Eskinol Cinematographer – “…Direk Marilou was like a mother to me, especially on the set of ‘Baby Tsina.’ I remember that she would always bring for the cast members pandesal and Spanish sardines, which we ate before shooting. “I love her and her husband, Direk Manolo, who I always requested to be my cinematographer in all of my Eskinol commercials before. “The last time I saw Direk Marilou was at the wake of actor Johnny Delgado. She was already sick then. She was a fighter. She told me, “kaya ko ‘to! I pray for her family and for the eternal repose of her soul…” – Marinel Cruz, Philippine Daily Inquirer, Oct 09 2012 (READ MORE)
Costliest Commercial – “Vilma Santos renews her contract with Metro Drugs Inc. manufacturers and distributors of the popular Eskinol line of beauty products. This year marks the eight year the actress will portray the glamorous Eskinol Girl, a role and image she has kept as the product’s longest-reigning model. The new Vilma Santos Eskinol commercial is a multi-million peso productions, perhaps the costliest commercial produced to date. Santos will receivea hefty talent fee, reportedly the highest of its kind so far in the industry.” – JC Nigado, Manila Standard, 08 Dec 1987 p11 (READ MORE)
Star For All Seasons 
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