All about awards

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First of all, I would like to welcome you all to our first e-groups newsletter. This project is dedicated to our one and only idol, Ms. Vilma Santos Recto and to all Vilmanians around the globe. Our maiden issue is about “Awards.” it is very timely since its still award season in our country. We are very hopeful that ate Vi will reaped more awards due to her impressive performance in MP3.

The ultimate win – For all Vilmanians, who can forget 1983? It’s the ultimate win for our idol. 1982 ended with Nora Aunor winning the December film festival for Himala. Everyone are predicting about her winning all the awards for that year. But Vilma is Nora’s true tormentor because as the award season in 1983 begins (remember they honoring the films from the previous year), all award giving bodies lined up and unanimously gave the best actress awards to Vilma! Bernal may have been a true actor’s director but without ate Vi’s maturing talent, no one can perform as effective as Malou in Relasyon! And FAMAS, CMMA, URIAN & FAP, all agreed resulting a true Grand Slam! Impressive indeed. This is a vindication of all the heartaches she suffered in the 70s.

AWARDS - Grand Slam 2

The Milestone Move – No longer a sweet teenager, Vilma’s milestone, career move was through Burlesk Queen. By 1977, Vilma’s reinvention of her image began with her feminist look at her personal life. She no longer care about the gossip and bad publicity that her relationship with Romeo Vasquez has created. Concentrating with her movies, Vilma accepted daring roles like “Dalawang Pugad, Isang Ibon,” “Nag-aapoy Na Damdamin,” “Tagulan sa Tag-araw.” And also as producer, she created some of the best films of that decade, like “Mga Rosas Sa Putikan,” “Halik sa Paa, Halik sa Kamay,” and the ultimate, “Pagputi Ng Uwak, PagItim ng Tagak” (an almost grand slam winner for best picture). She is one of the very first independent producer in the country. But the most daring of them all was Burlesk Queen. Ian films bet all of its money to this project and it paid off because not only it is the top grosser of the film festival it also reaped almost all of the festival’s awards! Sourgraping, the Nora Aunor camp complained but to no avail, All awards were never returned as what the news said few days after it was given. Burlesk Queen established Vilma Santos name as the number one actress in the Philippines. She was featured in Times Magazine in its coverage of the news around the globe.

The hurtful Lost – Ironically, the following year Ian films went to the other camp and produced one of the most stereotypical film of all times, Atsay. Directed by Eddie Garcia, Nora Aunor gave her most over rated performance of all time. Avoiding the scandal of the previous years and aim at vindicating Nora Aunor, the festival judges gave her the Best Performer award over Vilma Santos’ impressive performance in Rubia Servios. Isagani Cruz, a well respected critics during that time emphasized the hardship and delicate direction of Lino Brocka that is being the total craftsmanship of the Rubia was far more superior than Atsay. Cruz even pointed out that although Nora and Vilma both gave splendid performances, Vilma’s role was far more demanding and difficult. And everyone agreed including all Noranians. And so, as history will tell, it was the sweetest victory of Nora and Noranians over us. It was also hurtful because as the victory spread around the archipelago, the news about Ate Vi committing suicide came out. True it was a big disappointment and Marichu Vera Perez attested, she and Vilma cried all night after the awards night but the suicide rumor was just a myth. Vilma will learned from this lost and as we all remember, a lesson learned, she will never expect to win. She’ll do her job and let them decide if she is deserving of their accolades. The 80’s will proves to be more fruitful, kind and respectful of her effort to give her fans and movie aficionados every cent of their movie ticket.

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From fantasy to reality – As the 70’s box office queen, Vilma reinvent herself so many times. She was the disco queen, the action hero (darna, vivian volta, wonder vi), physically disabled bell ringer (kampanerang kuba), a mermaid (dyesebel) to name a few. But in order to transform herself into a maturing actor and get notice for her acting talent, Vilma accepted daring roles which gave her so many awards (almost 70 to this date!) but the most revealing thing about this reinventions was the intrinsic value of all this important roles. The feminism, activism and social issues tackled and explored in these films are the most important contribution to the real world and the real human condition in our country. From the ill fated dancer in Burlesk Queen, to the liberal minded, suicidal designer in Ikaw Ay Akin to a desperate lover to Tag-ulan sa Tag Araw to a more rebellious wife in Broken Marriage, Vilma gave us a true to life picture of what are the most common sufferings of Filipinos. What are the real conditions that most of us cant voice out. True to its form, her films current as we still continue to experience all this social issues. Poverty and helplessness among the common Filipino problems. She also affected us with her tour de force portrayal of a modern mistress in Relasyon, an activist nun in SSL, a dying cancer stricken career woman in Pahiram, a mother of autistic child in Ipagpatawad, an AIDS patient in Dolzura, an awaken mother to an activist rebel in Dekada and just recently a modern crime crusader torn between two lovers in Mano Po 3! From fantasy to reality, her filmography deserve the most important awards in Philippine movie history – the National Artist honor.

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The Future – As we all know Vilma has surpassed all of her contemporaries, including Nora Aunor. The future for our idol has become more exciting than ever. Vilma admittedly said that she wanted to stay in show business for as long as she still enjoys it, just like her idol, Gloria Romero, playing grandmother roles. But that’s not gonna happen right now, Vilma still commands the leading roles. She can still carry a film and portray roles that’s younger than her real age (Thanks to her youthful looks and clean lifestyles). Projects are still pouring in. And again, unlike her contemporaries, she remained choosy and committed, to do “never been done” projects, a well known secret of her longevity. Indeed, her future remained bright and truly exciting! – RV, V Magazine, April – May 2005 (READ MORE)

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TV RECOGNITIONS (Repost)

PMPC STAR for TV RECOGNITIONS

  • 1987 STAR Award Best Musical Variety Show Host
  • 1988 STAR Award Best Musical Variety Show Host
  • 1988 STAR Award Best Musical Variety Show
  • 1989 STAR Award Best Musical Variety Show
  • 1990 STAR Award Best Musical Variety Show
  • 1991 STAR Award Best Musical Variety Show
  • 1992 STAR Award Best Musical Variety Show
  • 1994 STAR Award Best Musical Variety Show
  • 1998 STAR Award Ading Fernando Lifetime Achievement Award
  • 2006 STAR Award Best Actress in a Single TV Performance – MMK: Regalo

Catholic Mass Media Awards

  • 1987 CMMA Best Musical Variety Show
  • 1988 CMMA Best Musical Variety Show
  • 1989 CMMA Best Musical Variety Show
  • 1990 CMMA Hall of Fame in Musical Variety Show

Other Recognitions

  • 1972 EMEE Most Effective TV Actress
  • 1990 New York International Awards for TV Finalist
  • 1991 Dove Awards Best Musical Variety Show

RELATED READING:

Gawad URIAN and Vilma Santos


On May 1, 1976, ten Filipino critics agreed to discuss the annual award-giving situation in the local industry. All in agreement that there must be an alternative to FAMAS, the only award giving body in the Philippines. The ten critics, mostly academics, were Pio de Castro, Behn Cervantes, Pete Daroy, Mario Hernando, Bien Lumbera, Doy del Mundo, Manny Pichel, Nick Tiongson, Gino Dormiendo, and Nestor Torre. Most of them were part of FAMAS roster of judges. Most, questioned the recent years winners. According to the website, Wikepedia: “The 1972 best actress “tie” that materialized between major star Boots Anson-Roa and then-rising star Vilma Santos was a good example of the disillusionments experienced by the academics. according to them, the two winners was unheard of at that time, which resulted in accusations of lessening “credibility and prestige.” Ironically, Gawad will have numerous ‘tie” winners in their future set of winners, including a string of ‘tie” involving their early favorite, Nora Aunor. Headed by Nestor Torre, the nine critics agreed to review films and release quarterly film citations with the final nominations and winners announce at the end of the year.

Over the years, the Manunuri Ng Pelikulang Pilipino, MPP, (translates – Filipino Film Critics and considered the equivalent of the USA’s New York Film Critics Circle), established themselves as the most credible award giving bodies in the Philippines. They are known for having a long discussion for each of their award categories resulting sometimes in heated debate and unfortunately resulting with the unavoidable “ties” winners. Since 1976, the group has eluded controversies that rival groups endured. The oldest award, FAMAS has experienced two renegade or break away groups resulting in costly legal battles and low television ratings. Another group, the Philippine Movie Press Club is considered second to Gawad Urian, their Star Awards had a similar fate, they also had a break away group, creating their own awards, the Golden Screen Awards. With the advent of new awards, now ten, and still counting. Gawad Urian remained strong and the most sought after. Currently, the Manunuri are consists of: Rolando B. Tolentino, Grace Javier Alfonso, Butch Francisco, Mario A. Hernando, Bienvenido Lumbera, Miguel Q. Rapatan, Benilda S. Santos, Dr. Nicanor G. Tiongson, Tito Genova Valiente and Lito B. Zulueta.

Vilma Santos has become a big part of Gawad Urian. Although she wasn’t considered their early favourite, they developed a long fondness to the actress, many considered as the Meryl Streep of the Philippines cinema. Fourteen best actress nominations spanning three decades and eight wins starting in 1982’s Relasyon. She also recieved a Gawad Urian best picture award in 1978, as film producer for the film, Pagputi Ng Uwak Pagitim Ng Tagak.

In 1981 Gawad Urian cited four films for their best picture category, Romy Suzara’s Pepeng Shotgun, Mel Chionglo’s Playgirl, Mike de Leon’s Kisap Mata and Laurice Guillen’s Salome. Salome was the winner. The four directors were also nominated for best director together with Ishmael Bernal for Pabling. Guillen was the winner for Salome. In addition to picture and director awards, Salome also won the best screenplay for Ricardo Lee and the best actress award for Gina Alajar. Alajar’s strong competitors were Charito Solis for Playgirl and Nora Aunor for the forgettable Bakit Bughaw ang Langit. Vilma Santos were again got the cold shoulder from the Manunuri as she wasn’t even cited for any of her films, Pakawalan Mo Ako where she won a FAMAS, Hiwalay, a Romy Suzara directed film, Karma where she won the best actress from Metro Manila Film Festival or Ex-Wife, an Eddie Rodriguez directed film co-starring her with Beth Bautista.

But a turned of events the following year. MPP considered 1982 a good harvest with a string of high quality films: Batch ’81, Himala, Moral, Oro Plata Mata and Relasyon, all vying for the best pictures Urian. Oro Plata Mata edged out the other four. It also won the best director honour for Peque Gallaga. Gallaga defeated Marilou Diaz-Abaya (Moral), Ishmael Bernal (Himala and Relasyon), Lino Brocka (Cain at Abel) and Mike de Leon (Batch ’81). The writing category went to Clodualdo del Mundo, Raquel Villavecencio at Mike de Leon for Batch ’81. Noticeably ignored many times by the Manunuri, Vilma Santos was nominated for her sympathetic mistress role in Relasyon. She is up against Nora Aunor’s epical role for Himala, Gina Alajar and Lorna Tolentino were nominated for their feminist film Moral completed the nominees. The Manunuri surprised everyone by declaring Vilma Santos as their 7th best actress winner. The other award giving bodies (FAMAS, Film Academy of the Philippines and CMMA) also declared Vilma Santos as their best actress and the term “grand slam” were born atleast in local entertainment industry. As for the other acting categories, Philip Salvador won the lead actor and Baby Delgado, supporting actress both for Cain At Abel, and Mark Gil won the supporting actor for Palipat-lipat, Papalit-palit. The Manunuri gave the Natatanging Gawad Urian to veteran actress, Anita Linda, who is still very active today and who worked with Vilma several times.

Proving that her win wasn’t just a fluke, Santos won the next two years for Broken Marriage and Sister Stella L both from Regal Films. Four years afterwards her three wins, she again got the best actress with co-winner, Nora Aunor in 1989’s Pahiram Ng Isang Umaga. She followed this with wins in 1991 (Ipagpatawad Mo), 1993 (Dahil Mahal Kita: The Dolzura Cortez Story), 1998 (Bata Bata Paano Ka Ginawa), and 2002 (Dekada 70). She also received the the Actress of the Decade 1990s award in 2000. – RV (READ MORE)

RELATED READING:

1973 FAMAS Awards Night

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1973 FAMAS – “…Halos mangilid ang luha sa kanyang mga mata nang tanggapin niya ang kanyang FAMAS Awards. Sa wakas ay nagtamo rin ng karangalan at pagkilala ang kanyang pagsisikap at kakayahan. Baguhan pa lamang si Nick Romano sa pelikula at iyon ay ang una niyang nomination at nakamit din niya ang kanranagalan best bilang supporting actor nang gabing iyon. Kung naruwa man si Joseph Estrada sa inaning karangalan ng kapatid niya nang gabing iyon ay ganoon din si Tony Ferrer sa kapatid niyang si Nick Romano. Most applauded si Marrissa Delgado nang gabing iyon dahilan sa noong nakaraang taon ay siya ang nagkamit ng FAMAS award for best supporting actress at ngayon ay siya na naman na nagpapatunay lamang na talaganag karapatdapat siya sa karangalang natamo niya last year. Hindi mailarawan ang kagalakan niya ng gabing iyon. Umiiyak siya’t naliligayahan nang siya mismo ang tumanggap ng tangan niyang trophy na ang buong akala niya’y ibibigay niya sa bagong awardee. Dalawa ang best Actress ng gabing iyon. Nangangahulugang kapuwa mabigat ang labanan at walang itulak kabigin kina Boots Anson Roa at Vilma Santos kaya minabuti ng inampalan na bigyan kapwa ng best actress award sina Boots at Vilma…” – Aruy Tapusan Komiks Magasin, No. 32, 19 Hunyo 1973

21st FAMAS AWARDS (1972)

DATE: April 29, 1973

PLACE: Coral Ballroom, Manila Hilton Hotel, United Nations Avenue, City of Manila

Best Picture(nominees)

  • Ang Alamat [FPJ Productions]
  • Babae, Ikaw ang Dahilan [Virgo Production]
  • Kill the Pushers [JE Productions] [WINNER]
  • Mahalin Mo Sana Ako [Virgo Production]
  • Tatay na si Erap [JE Productions]
  • Villa Miranda [Lea Productions]

Best Actor(nominees)

  • Jun Aristorenas for Elias, Basilio at Sisa
  • Joseph Estrada for Kill the Pushers
  • George Estregan for Sukdulan [WINNER]
  • Fernando Poe, Jr. for Ang Alamat
  • Ramon Revilla for Nardong Putik
  • Dante Rivero for Villa Miranda
  • Eddie Rodriguez for Babae, Ikaw ang Dahilan

Best Actress(nominees)

  • Nora Aunor for A Gift of Love
  • Marlene Dauden for Babae, Ikaw ang Dahilan
  • Amalia Fuentes for Babae, Ikaw ang Dahilan
  • Pilar Pilapil for Isinilang Ko ang Anak ng Ibang Babae
  • Boots Anson – Roa for Tatay Na Si Erap [tie-WINNER]
  • Susan Roces for Bilangguang Puso
  • Vilma Santos for Dama De Noche [tie-WINNER]

Best Supporting Actor(nominees)

  • Romy Diaz for Ang Alamat
  • Eddie Garcia for ‘Til Death Do Us Part
  • Eddie Mercado for Dito sa Aking Puso
  • Jose Padilla, Jr. for Ang Alamat
  • Nick Romano for Tatlong Mukha ni Rosa Vilma [WINNER]
  • Ruben Rustia for Kill the Pushers
  • Lou Salvador, Jr. for Villa Miranda

Best Supporting Actress(nominees)

  • Alicia Alonzo for Villa Miranda
  • Zenaida Amador for Kill the Pushers
  • Chichay for Bilangguang Puso
  • Marissa Delgado for ‘Til Death Do Us Part [WINNER]
  • Cristina Reyes for Sukdulan
  • Ely Roque for Tatay na si Erap
  • Mary Walter for Babae, Ikaw ang Dahilan

Best Child Actor(nominees)

  • Robin Aristorenas for Elias, Basilio at Sisa [WINNER]
  • Marlon Bautista for Nardong Putik
  • Frankie Navaja, Jr. for Ang Alamat
  • Randy for Isinilang Ko ang Anak ng Ibang Babae

Best Child Actress(nominees)

  • Jingle for Babae, Ikaw ang Dahilan
  • Beth Manlongat for Tatlong Mukha ni Rosa Vilma
  • Maricris for Babae, Ikaw ang Dahilan
  • Snooky Serna for Mahalin Mo Sana Ako [WINNER] [as Snooky]

Best Director(nominees)

  • Lino Brocka for Villa Miranda
  • Augusto Buenaventura for Kill the Pushers [WINNER]
  • Celso Ad. Castillo for Ang Alamat
  • Tony Cayado for Nardong Putik
  • Manuel Cinco for Isinilang Ko ang Anak ng Ibang Babae
  • Armando Garces for Sukdulan
  • Eddie Rodriguez for Babae, Ikaw ang Dahilan [as Luis Enriquez]

Best Story – Liza Moreno for Babae, Ikaw Ang Dahilan [WINNER] [as Louise de Mesa]

Best Screenplay – Augusto Buenaventura for Kill the Pushers; Eddie Rodriguez for Mahalin Mo Sana Ako [tie-WINNER] [as Luis Enriquez]

Best Cinematography B/W – Ricardo Remias for Babae, Ikaw Ang Dahilan [WINNER]

Best Cinematography Color – Nonong Rasca for Nardong Putik [WINNER]

Best Editing – Marcelino Navarro for Nardong Putik [WINNER]

Best Musical Score – Restie Umali for Ang Alamat [WINNER]

Best Sound – Angel Avellana for Kill the Pushers

Dr. Cirio Santiago Memorial Award – To Jose Perez

Source: FAMAS Unofficial web-site

2006 Diwata Awards

The Diwata Awards – “…The Diwata Award recognizes and honors women and bestows this award to women who have successfully contributed original text to the growing materials and narratives on women sensibilities that aim to empower women who have been marginalized in the traditional film text. It also pays tribute to their outstanding contributions to their field of cinema. The Diwata in Philippine folklore is likened to the muse that inspires artists in crystallizing ideas, concepts, and conversations as they interact with their materials…”

March 8, 2006 – “…Vilma Santos had a meeting with her Vilmanians the other Friday at Max’s Libis. She reported that she had finally finished shooting her Maalaala Mo Kaya episode with Ricky Davao and Maja Salvador, directed by Olive Lamasan. “One year in the making ito, bale two episodes, but it’s really worth it and I’m impressed with the work of Direk Olive,” she says. “It’s based on the true story of a woman from Lipa.” She said she got an offer to do a stage play at the CCP. She’s willing to try the theatre but when she was told she has to rehearse for two months, she had to turn it down as she still has her duties as Lipa City mayor to attend to. She revealed she has new movie offers, but most of them are heavy drama. She wants to do something lighter that will be more appealing to the masa. Last March 8, Vilma was given the First Diwata Award in celebration of International Women’s Day. That coincided with the 16th International Women’s Film Festival by the UP Film Institute, the longest-running women’s filmfest in the country. She was cited for her roles in films like Sister Stella L, Relasyon, The Dolzura Cortez Story, Bata, Bata, Paano Ka Ginawa? and Dekada ’70, which are about women empowerment. She was honored with Lily Monteverde, Charo Santos-Concio and writer Lualhati Bautista. Vilma was warmly applauded by an adulating crowd and she delivered a very inspirational message, saying: “I strongly believe in these films with strong messages. It’s about time men believe in women empowerment. Don’t underestimate us, women and artists!” Ate Vi left Thursday with husband Sen. Ralph Recto to attend the investiture rites of our new cardinal in Rome (she was personally invited). After that, she will take a cruise with Ralph and meet with her family in Los Angeles…” – Mario Bautista, People’s Journal March 26 2006 (READ MORE)

University of the Philippines – “…In 2005, the University of the Philippines conferred to her the Gawad Plaridel Award for her achievements and contributions both as an actress and a public servant. In the same year, she was conferred an honorary doctorate degree (honoris causa) in humanities by the Lipa City College. She was again honored in 2006 by the University of the Philippines as one of the four awardees in UP’s First Diwata Awards. “Ako’y napakarelihiyosong tao sa maniwala ka o hindi. Sa aking kalooban, inaalay ko sa Diyos ang aking mga tagumpay at mga suliranin. Nagpapasalamat ako sa Kanya sa mga magaganda’t mabubuting nangyari sa akin. Kung hindi naman, iniaalay ko pa rin sa Kanya kung iyon ang kalooban Niya. Ang hinihiling ko lamang sa Kanya’y tamang patnubay (“I’m a very religious person, whether you believe it or not. Deep inside, I offer all my success and problems to God. If they’re beautiful and good, I thank Him. If they aren’t, I still offer them to Him if that is what He wants to happen. What I only ask from Him is proper guidance),” she said…” – Rogelio Constantino Medina (READ MORE)

The Awardees – “…The following are the distinguished women who were awarded the Diwata Award…Ms. Charo Santos-Concio, Ms. Vilma Santos, Ms. Lily Monteverde, Ms. Lualhati Bautista, Ms. Laurice Guillen, Ms. Marilou Diaz-Abaya, Ms. Bella Flores…”

Vilma Santos, is the Philippines’ most awarded and critically acclaimed actress and longest reigning box office queen. One of the original Philippine movie queens, she rose up to become the versatile actress that has been given the fitting title of “Star for All Seasons” and more recently “Woman for all Seasons” because of her capacity to adapt to the changing mores and values of the Filipino woman, giving a face to their plight and struggles. She is currently in politics as the Governor of Batangas province, Philippines. She was also formerly Mayor of Lipa City, Batangas. – Agimat (READ MORE)

Maria Rosario Santos known as Charo Santos-Concio or Charo Santos (born October 27, 1953) is a Filipina television executive, host, actress, and film producer who hosts the network’s longest-running drama anthology Maalaala Mo Kaya. She is the President of ABS-CBN Corporation, and plays a powerful role in TV and film production in the Philippines. On March 3, 2008, Ms. Charo Santos-Concio was promoted as 5th president of ABS-CBN Broadcasting Corporation and in charge of the company’s total business portfolio, taking over from interim president Eugenio Lopez III. – Wikipedia (READ MORE)

Lily Monteverde – Lily Yu Monteverde (nickname Mother Lily) is a prominent Filipino film producer and businesswoman. Lily Monteverde has produced nearly 300 films in the Philippines since the early 1960s. She operated Regal Films, in the Philippines for many years. In August 1996 she invested much of her substantial wealth into hotels in Quezon City. She opened the Imperial Palace Suites on the site of an old gasoline station at the corner of Tomas Morato and Timog avenues in Quezon. In 2000, she received the Lifetime Achievement Award from Cinemanila International Film Festival. – Wikipedia (READ MORE)

Lualhati Torres Bautista (born Manila, Philippines December 2, 1945) is one of the foremost Filipino female novelists in the history of contemporary Philippine Literature. Her novels include Dekada ’70, Bata, Bata, Pa’no Ka Ginawa?, and ‘GAPÔ. Bautista was born in Tondo, Manila, Philippines on December 2, 1945 to Esteban Bautista and Gloria Torres. She graduated from Emilio Jacinto Elementary School in 1958, and from Torres High School in 1962. She was a journalism student at the Lyceum of the Philippines, but dropped out even before she finished her freshman year. Despite a lack of formal training, Bautista as the writer became known for her honest realism, courageous exploration of Philippine women’s issues, and her compelling female protagonists, who confront difficult situations at home and in the workplace with uncommon grit and strength. – Wikipedia (READ MORE)

Laurice Guillen is a Filipino actress and director. Guillen studied at St. Theresa’s College, Cebu City, before working on a Masters in Mass Communication at Ateneo de Manila University, followed by a television production course under Nestor Torre, in 1967. She then began work as an actress, starring in productions of Mrs. Warren’s Profession, before crossing over to film and television work, playing a seductress in Tinimbang Ka Ngunit Kulang, and Corazon Aquino in the drama A Dangerous Life. In 2009 she accepted a role in the indie film Karera, her first role in an independent production. Other credits include in the film Sister Stella L and Moral. – Wikipedia (READ MORE)

Marilou Diaz-Abaya (March 7, 1955 – October 8, 2012) was a multi-awarded film director in the Philippines. She was the founder and president of the Marilou Diaz-Abaya Film Institute and Arts Center, a film school based in Antipolo City, Philippines. She was the director of the 1998 film José Rizal, a biopicture on the Philippines’ national hero. – Wikipedia (READ MORE)

Bella Flores – “…She is Bella Flores and proud that she has played the wicked tormentor of children from Tessie Agana in 1951 in Roberta, to Vilma Santos in Trudis Liit in 1963, to Maricel Soriano in Inday Bote in 1970. “I walk alone. I pray alone. I talk to God na huwag ako pababayaan. There are times I feel lonely, natural lang yun. I know God is always with me.” While she relates her story, of how she distrusts everyone which is why she opts to live alone and refuses to hire a live-in driver, there is something in her demeanor that tells you it is possibly just another role she is playing. “I don’t have close friends. We meet on the set, then go home. But there are people like Susan Roces, Gloria Romero, Pablo Gomez whom I like. Friends are the ballroom dancing friends, although I stopped dancing in 2002 when I became very busy,” she continues sounding much like the sure-fire recipe on how to be hated by an audience…” – Bibsy M. Carballo, The Star, 14 March 2008 (READ MORE)

Related Reading:

2004 Stars Awards

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Trouble in the Stars – “Former Philippine Movie Press Club (PMPC) President Ernie Pecho is convinced that the media group’s incumbent head, Joe Barameda, was “not aware” of the alleged vote-buying during the recent 21st Star Awards ceremony. The very first Star Awards for movies were given out during Pecho’s term. “I know Joebar (Barrameda’s nickname). He’s a good person,” Pecho told Inquirer Entertainment in a phone interview on Wednesday. “Had he known, I’m sure he would have done something about it. He’s not like some of our colleagues na matindi ang pangangailangan (who are desperate). He would never accept money and ruin his image.” Quoting reports in the tabloids Pecho said 13 PMPC members, all part of the 24-man voting committee, received P5,000 each from “a woman from ABS-CBN.” This waa to ensure that the Best Actor award would go to Piolo Pascual (for “Milan”) and the Best Actress award to Kris Aquino (for “Feng Shui”). “They claimed Joebar was behind the “switching” of the awards,”said Pecho. The payoff might have happened, in fact, he said, but he reiterated his comfidence in Barrameda. Star Cinema, movie arm of ABS-CBN, produced both “Milan” and “Feng Shui.” “One story even said writer Allan Diones has admitted receiving money from the woman,” Pecho noted. Rumors that Kris and Piolo would win the top acting awards has started circulating days before the awards rites last Saturday.

Several people who turned up for the program at the Cinema 5 of the Gateway Mall in Cubao, Quezon City and sported the two nominees commented: “They probably know that they would win. Why else would they be here?” But it was, Vilma Santos who took the Best Actres trophy for “Mano Po 3: My Love,” and Dennis Trillo was named Best Actor and Best New Movie Actor for “Aishite Imasu 1941.” Inquirer Entertainement called Barrameda also on Wednesday, but he would not pick up. Instead, he sent this text message: “The PMPC will issue an official statement hopefully tomorrow.” Several write-ups identified the “woman” as Star Magic PR head Rikka Dylim, who denied the accusation. In a statement sent to Inquirer, Dylim said she had “nothing to do with the alleged vote-buying for (ABS-CBN Star Magic) contract artist Mr. Piolo Pascual.” Dylim added: “The network accepts the fact that another actor won the Best Actor award. We never question or protest the decision of the club.” Pecho said there could be several reasons that Kris and Piolo did not win, “despite all the efforts experted by ABS-CBN.” “Some members could have taken the money but felt guilty and voted for other nominees,” Pecho said. “Or maybe these members got somethng bigger from someone else.” Of the controversy, he could only say: “This is really humiliating. The PMPC used to pride itself in its integrity and unquestioned choices. It used to be the most credible awards-giving body.

Now, can we say the same?” In October 2003, Pecho and two other former PMPC presidents questioned the process of selecting the winners for the 17th Star Awards for Television, citing “glaring disparities.” Pecho said some artists who won could “hardly carry a tune,” and shows that bagged the trophies in spite of “consistently poor production quality.” Billy Balbastro, 1984 PMPC president, complained about the alleged of winners during that awards show. He said he received text messages the day before, saying ABS-CBN would win by a lanslide. Of the same ceremony, Veronica Samio, PMPC president from 1991 to 1993, said she heard talk that certain individuals had paid several club offiicials to win certain awards. Pecho, PMPC president from 1985 to 1987, saidl all past PMPC presidents should meet to discuss the situation. “I think there should be a “general cleaning” within the PMPC.” Saturday’s ceremony was well attended by both celebrities and fans. This could explain why the 700 seater venue looked so chaotic. Before entering the theater, Inquirer Entertainement encountered a throng of fans screamign to catch their idols attntion. A group of ushers refused to let in guests – not even those with invitations – who were not in formal attire. Inside, people kept walking around even as the cameras rolled. These people included cameramen and guests in blue jeans and casual shirts.

In one corner, performers Sandara Park, Hero Angeles and the Speed Dancers rehearsed their dance steps while the program was ongoing and presenters like Ciara Sotto, Anna Larucea and Baron Geisler took last-minute instructions from the stage manager. Vilmanians and Noranians, as well as fans of young stars Sandara, Hero, Jennylyn Mercado and Mark Herras, screamed at every mention of their idols’ name and movies. What supposed to be a “formal” ceremony instead looked and sounded like any noontime program, with spectator’s hollering, “Laban!” or “Bawi!” at the top of their lungs. Kris arrived at about the same time as Sen. Jinggoy Estrada, who accepted the Lifetime Achievement Award for his father, former president Joseph Estrada. A swarm of photographers jostled for the best shots. Kris is the daughter of another former president, Corazon Aquino. Only SVP for Drama Production and Star Cinema Malou Santos was around to accept the Best Picture award for “Milan.” One member of the audience noted that Charo Santos-Concio, ABS-CBN’s EVP for Entertainment, was conspicuosly absent, fuelling rumors that she had quit working for the network on account of differences with its chair, Gabby Lopez. Pops Fernandez shared hosting chores with Vilma, and Martin Nievera was anchor man. The Golden Screen Awards show on March 5 had only two production numbers; Star Awards had four. Pops and The CompanY did the opening number. Star Circle questors Sandara and Hero performed in a “dance showdowns” with Starstruck ultimate survivors Jennylyn and Mark Young performers Mark Bautista, Erik Santos and Rachelle Ann Go did a medley of Filipino songs hafway into the program. Karylle, Keempe de Leon, Jamie Rivera and Franco Laurel sang Broadway tunes in the latter part. The Speed Dancers worked the hardest, performing in all the production numbers.” – Marinel R. Cruz, Philippine Daily Inquirer, Mar 18, 2005 (READ MORE)

Star Awards to be probed – “Officers of the Philippine Movie Press Club will form a committee to investigate the alleged vote-buying during the recent 21st Star Awards, according to Veronica Samio, head of the club’s grievance committee. “A deceitful act like this should not go unpunished,” said Samio, who was president of the PMPC from 1991 to 1993. “Its not right to cheat. We will see to it that PMPC members involved in this will be expelled. Post-show reports alleged that 13 PMPC members, all part of the 24-man voting committee, received money from ABS-CBN Star Magic PR head Rikka Dylim several days before the ceremony. This was to ensure that Piolo Pascual would be named Best Actor for “Milan” and the Best Actress award would go to Kris Aquino for “Feng Shui.” The accused members included writer Allan Diones, who admitted to received P5,000 from Dyllim, Samio also identified former PMPC president Julie Bonifacio-Gaspar, incumbent vice president Jimi Escala and member Ador Saluta as among thosed involved. Star Cinema, movie arm of ABS-CBN, produced both “Milan” and “Feng Shui.” But Vilma Santos (“Mano Po 3: My Love”) took home the Best Actress trophy and Dennis Trillo (“Aishite Imasu 1941”) was named Best Actress and Best New Movie Actor. Samio said Diones confessed to the vote-buying on the day the committee members were to cast their vote. “The first reaction of our president (Joe Barrameda) was to strike Piolo’s name from the list of nominees.

But we dissuaded him because it would not be fair to Piolo, who actually did well in “Milan,” Samio told Inquirer Entertainment last Friday. “Piolo probably didn’t even know what these people did for him.” According to Samio, writer-TV host Cristy Fermin was also seen reportedly handing out P3,000 to 12 PMPC members a few days before the PMPC was to announce the winners at the Cinema 5 of the Gateway Mall in Quezon City last March 12. Fermin had been campaigning for Piolo and Kris – praising them in her columns in the tabloids Bandera, Pilipino Star Ngayon and Bulgar, and on her radio program on dzMM. But Samio said only eight members actually voted for Piolo. “I know, because I’ve seen the summary of votes that the PMPC submitted to the show’s producer, Airtime Marketing,” she pointed out. “This means some of the members who accepted the bribe did not vote for Piolo.” PMPC chair Fernand de Guzman, Barrameda and two accountants signed the summary of votes handed to Airtime Marketing, said Samio. “You see, walang dayaaan sa PMPC,” she declared. “People tried to cheat but they did not succeed.” Asked for her reaction, Fermin said: “I do not wish to comment to anyone about the issue because what I think and feel about it are all written in my colums.”

In her “Most Wanted” column in Bulgar last Friday, Fermin referred to the controversy as “Isang bangungot para sa ilan at masamang panaginip para sa iba, hindi naman lahat ng panaginip ay maganda (a nightmare to some and a bad dream to others – not all dreams are good).” ABS-CBN’s Dylim also denied having anything to do with the alleged vote-buying. In a statement sent to Inquirer Entertainment Wednesday Dylim said: “The network accepts the fact that another actor won the Best Actor Award. We never question or protest the decision of the club.” In anotehr statement, ABS-CBN Broadcasting Corporation said it was “saddened” by the alleged “vote-buying scam” and annouced that it “has not tolerated and will not tolerate such practice.” The statement added: “The network has always espoused the principles of professinalism and integrity and this extends to playing fair in any industry-related activity, including the PMPC’s Star Awards. “It is unfortunate that such allegation routinely surfaces after every awards ceremony regardless of parties, to the detriment of the industry.” PMPC officials and some members met last Thursday to discuss the controversy, said Samio. “It was during the meeting that we decided to expel members who would be proven guilty of accepting bribes,” added the former PMPC president. “How can the PMPC cleanse itself if it does not get rid of these people?” Incumbent president Barrameda said the PMPC “stands by the veracity of all of its winners” and “fins no errors in its tabulations.” – Marinel R. Cruz, Philippine Daily Inquirer, Mar 20, 2005 (READ MORE)